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MUSICARAMA 2017: CHORAL & VOCAL MUSIC CONCERT Concert Date & Time: October 13, 2017 (Friday) at 8 p.m. Venue: Theatre, Hong Kong City Hall Programme by the Hong Kong Children's Choir Conductors: Albert Lim, Vivian Suen Hui Cheung-wai - The Bamboo Grove (2014)(3’40”) Leung Chi-hin - Thoughts of Separation (2016)(4’) Thomas Wong - Here’s to Life (2016)(4’30”) Wong Kong-yu - Two Poems of Chen Zi-ang (2017)(5’30”) Viola Yuen - On a Sleepless Night (2016)(7’10”) Li Kar-yee - Waiting for…x3 (2017)(5’40”)* Chan Sze-rok - The Superstitious Ghost (2017)(5’)* Vocal works: Lin Sheng-shih - Four Cancrizans Poems by Su Shi (1963-65)(12’) Chan Kai-young - Poem Without a Title: Hard it is to Meet and Part (2014)(4’30”) Galison Lau - When I have Thought of You (2017)(6’)* Austin Yip - The Poetess (2011)(7’) Anthony Cheng - Chanson Triste (2002, rev. 2017)(8’) Lee Kar-tai - Nostalgia in Four Rhymes (2013)(5’) Tam Chin-fai - Liao Zhai: Wailing Ghosts (2017)(6’)*

YUEN Viola 阮慧玲 Dr. Viola Yuen is an active composer, arranger, conductor and an A Cappella singer who is enthusiastic about the application of human voices in musical compositions of different styles. Her music displays uniqueness, originality and profound emotions. She is currently the composer-in-residence of the Academia de Música S. Pio X, of the Macao Diocese, an adjunct lecturer of the Hong Kong Academy for Performing Arts, the Music Director of the Sregnis Singers, the first contemporary A Cappella group in Hong Kong, the founder of the Coro Allegra and Chummy Choir. She is also a member of the Composers and Authors Society of Hong Kong (C.A.S.H.) and the Membership Secretary of the Hong Kong Composers’ Guild. For the period between 1990 and 2017, she was appointed as the conductor of the Diocesan Choir - Catholic Diocese of Hong Kong and the instructor of a choral conducting course under the Sacred Music Commission, the Catholic Diocese of Hong Kong. She was the conductor of the choirs of the Hong Kong Music Institute from 2012 to 2019, the conductor and instructor of the Hang Seng University Sinfonietta and A Cappella Ensemble from 2018 to 2022. With the sponsorship of the Hong Kong Arts Development Council, the Hong Kong Composers’ Guild published the music score of her nine-part A Cappella works and the recording of another composition “LAMENTOR”, a three-movement music piece written in 2010 for choir and philharmonic orchestra, in a music CD in 2013. The orchestral piece “LAMENTOR” was also chosen as one of the music pieces broadcast in the International Rostrum of Composers, held in Prague of Czech Republic in May 2013. It was well received by the radio reporters and composers from 28 countries attending the event. Her composition “RITE OF DRAGON”, commissioned by the Handbell Association of Hong Kong and sponsored by the C.A.S.H. Music Fund, had its premiere played by six hundred handbell players in the 16th International Handbell Symposium held in Jeju of Korea in August 2014. This music score was also published by the H’ing Publishing (HK) and the Handbell Association of Hong Kong. One of her recent music compositions, “STABAT MATER DOLOROSA”, for soprano solo and organ, which was commissioned by the Macao Catholic Culture Association, made its world premiere in the St. Joseph’s Seminary Church at Macau in May 2023. Her recent piano suite, “DUNGEON”, which was commissioned by the Academia Música S. Pio X of Macau, was published by the Macao Diocese, in July 2023. Also, the world premiere of her commissioned choral piece “JESU CHRISTE” for two-part treble voices, soprano solo, string ensemble and piano, was made at the 60th Anniversary Celebration of the Academia Música S. Pio X of Macau in July 2023. 阮慧玲博⼠積極參與⾳樂創作、編曲、指揮、及合唱等⼯作，尤其熱衷於⼈聲作品之 運⽤與創作，其作品⾵格多樣化。 阮⽒現為澳⾨聖庇護⼗世⾳樂學院駐校作曲家、⾹港演藝學院兼任講師、⾹港⾸隊 當代無伴奏合唱組合「合唱俠」 ⾳樂總監、Coro Allegra 合唱團及 Chummy Choir 的 創始⼈、「⾹港作曲家聯會」會員事務秘書及「⾹港作曲及作詞家協會」會員。在 1990 年⾄ 2017 年期間被委任 為「天主教⾹港教區聖樂團」之指揮，及聖樂培育課程指揮 科導師。2012 年⾄ 2019 年擔任「⾹港⾳樂專科學校合唱團》指揮，並於 2018 年⾄ 2022 年擔任「⾹港恒⽣⼤學⼩交響樂團」指揮及無伴奏合唱團導師。 阮⽒在 2013 年獲取「⾹港藝術發展局」的贊助，由「⾹港作曲家聯會」出版了她的九 聲部無伴奏合唱作品樂譜，並同期出版了她於 2010 年為管弦樂及多聲部合唱創作 的⼤型作品《哀歌》的⾳樂光碟。《哀歌》還被挑選於 2013 年五⽉在捷克布拉格舉⾏ 的國際作曲家論壇播放，備受來⾃⼆⼗⼋個國家的⾳樂節主持⼈及作曲家推崇。她 創作的另⼀⾸作品《⿓之祭》於同年⼋⽉在韓國濟州島舉⾏的第⼗六屆「國際⼿鈴研 討會」中⾸演，由六百多名⼿鈴樂⼿⼀同演奏。此作品由「⾹港⼿鈴藝術協會」委約， 「⾹港作曲及作詞家協會」贊助，並由 H’ing Publishing 及「⾹港⼿鈴藝術協會」出版 樂譜。 其近作由澳⾨天主教⽂化協會委約，為⼥⾼⾳及管⾵琴創作的《聖⺟哀悼曲》剛於本 年五⽉於澳⾨聖若瑟修院聖堂作世界⾸演；另由澳⾨聖庇護⼗世⾳樂學院委約的鋼 琴組曲《籠牢》於本年七⽉由澳⾨天主教教區出版；⼀⾸由⼆部童聲合唱、⼥⾼⾳、 弦樂及鋼琴演譯的作品《JESU CHRISTE》亦在七⽉於澳⾨聖庇護⼗世⾳樂學院 60 週 年校慶中作世界⾸演。 MAJOR WORKS 主要作品 Orchestral Music Libera Me《主！拯救我》 (2008) 10’45” for Solo Baritone, Solo Treble Voice and Orchestra Lamentor《哀歌》(Three movements) (2011) 14’05” for Choir and Orchestra First Movement: Darkness Shrouded Second Movement: Grant Them Everlasting Rest Third Movement: Perpetual Light Shine Upon Them 第一樂章： 黑暗濃罩大地 第二樂章： 求賜他們永遠的安息 第三樂章： 以永恆的光亮照耀他們 Chamber Music (Western instrument) Awakening I Abyss 覺醒 第一章 混沌 (2007) 4’30” for Flute (+Alto Flute) / Clarinet in Bb (Bass Clarinet in Bb) / Violin / Cello / Piano Awakening II Vagabond 覺醒 第二章 蹢躅 (2007) 5’30” for Clarinet, Horn, Cello, Piano, Percussion Awakening III Renaissance 覺醒 第三章《再生》 (2009) 7’40” for Flute (+ Alto Flute), Clarinet (+ Bass Clarinet), Horn, Cello, Piano, Percussion String Quartet 《弦樂四重奏》 (2008) 6’30” Via Dolorosa 《苦路》 (2012) 8’30” for Clarinet (+Bass Clarinet).Cello. Piano with Bass-Baritone Vocalist Behind Prosperity 《繁華背後》(2012) 1’ for Cello and Piano On that Unforgettable Day…… 《那年、那月、那日》 (2012) 2’ for Cello and Piano Cut Grass (2012) 6’ for Lyric Baritone, Violin, and Piano Chamber Music (Mixed) Viola 阮 (2010) 8’30” for Viola and four Zhong Ruans Chamber Music (Chinese instrument) Chanting 《吟》 (2009) 6’30” for 2 Erhus, Zhonghu, Zheng (+ Female Voice), Cello (+Male Voice) Episodes… 《片斷》... (2012) 6’30” for Dongxiao, Zheng, Zhonghu Voice, A cappella and Choral Nostalgia 《茫》 (2008) 8’20” for Nine-part A cappella On a Sleepless Night 《不寐倦長更》 (2010) 6’13” for Nine-part A cappella and Chinese Bamboo Flute Village Dance 《舞曲》 (2010) 15’17” for Nine-part A cappella and Erhu Mass 《彌撒曲》(2010) 15’ Kyrie, Sanctus, Agnus Dei 《垂憐頌；歡呼頌；羔羊頌》for mixed choir (SSAATTBB) and solo cello Lullaby 《安眠曲》 (2010) 7’20” for Mezzo Soprano and Bass Clarinet Eddies 《渦流》 (2011) 7’13” for Nine-part A cappella (with microphone and reverberation) Whispering Voice Beyond the Horizon 《地平線以外の低語聲》 (2012) 6’ for Solo Handbells, Handchimes, Handbells Ensemble (six players+Human Voices) , and one back-stage Singer, with wireless microphone and reverberation Multi-Media Music Living With Despair 《惘 . 生》 (2008) 9’08” for Solo Soprano, Bass Clarinet and pre-recorded tape An Old House by a Lonely Track 《纜車徑旁的一所老房子》 (2009) 10’30” A multi-media composition with nine-part A cappella, with microphone, reverberation, and a solo dancer A Voice from My Secret Garden 幽微之音 Reminiscence 憶 A Way Out … 出路… Longing… 《依依…》 (2010) 18’ A multi-media music in Three acts for Flute(+Alto Flute), Oboe, Clarinet (+Bass Clarinet), Cello, Piano, Female Singer, Male Dancer (with microphone, reverberation), Lighting and Staging A Story Beyond the Horizon 《地平線上另一端的一個故事》 (2011) 10’30” for Dongxiao, Female Voice, Percussion and a Female Dancer, with microphone and reverberation Back

NG Chun-hoi Daniel 吳俊凱 Ng Chun Hoi, Daniel serves as a music educator, composer and music critic. Ng studied composition with David Gwilt at the Chinese University of Hong Kong and with Anne Boyd and Doming Lam at the University of Hong Kong. He also undertook research in Chinese music and teacher education and obtained his doctoral degree from the University of New South Wales, Australia. Ng has taught music courses such as theory and composition, music education and Chinese music at various institutions including the Hong Kong Institute of Education, Hong Kong Baptist University, Hong Kong Academy for the Performing Arts and the Hong Kong Music Institute. He is often commissioned for new works by different organizations and a number of his work has been performed and broadcast in Hong Kong and overseas. His publications include vocal and choral compositions published in an anthology: the Hong Kong Vocal Music Collection, a chamber work Lyric Dialogues published in discography by Hugo Productions; a violin duet, Nocturne published by Red House Editions; Moody for clarinet and piano; Morning Rain for piano solo published by the Hong Kong Composers’ Guild; November Winds for string quartet and Prelude II (Wuxing Interaction) for 2 guitars published in discography distributed by Navona Records. 吳俊凱為資深音樂教育工作者、作曲家和樂評人，先後於香港中文大學和香港大學隨紀大衛、梅安妮和林樂培學習作曲，並於澳洲新南威爾斯大學取得哲學博士學位，專注研究中國音樂與師資培訓的課題。吳氏曾於韓國、澳洲、日本、美國和香港等地發表和出版多篇學術論文和教育著作，包括《學習潮州弦詩樂》教學光碟、《歌樂流芳—黃自音樂賞析與教學專集》等。歷任香港教育學院講師、香港浸會大學及香港演藝學院客席講師及香港音樂專科學校教務長，教授作曲、音樂理論和中國音樂等課程。 在音樂創作方面，吳氏經常獲不同團體委約創作，作品亦多次於本港及海外廣播和演出。已出版的作品包括於香港聲樂作品集發表的四首聲樂曲，雨果唱片公司灌錄的室樂作品【抒情對話】，澳洲Red House Editions出版的小提琴二重奏【夜曲】，香港作曲家聯會出版的單簧管與鋼琴二重奏【情緒】，鋼琴獨奏【南山朝雨】，由Navona Records發行的弦樂四重奏【秋意涼】及結他二重奏【前奏曲II-五行】等。 MAJOR WORKS 主要作品 Orchestral Orchestral Dances from the Prodigal Son (2001) 5’ The Moment (1993) 2'30" Rhombus (1983) 12' Chamber (Western) Boundless Realms (2015) 1’30’’ for violin and piano Prelude II (2013) 4’22’’ for 2 guitars Connecxion (2013) 6’ for violin and viola Nocturne (1999) 4' for 2 violins Lyric Dialogues (1995) 11' for clarinet, violin & piano Five Pieces for Wind Quartet (1991) 12' November Winds (1991) 8' for string quartet Yi Bi (1983) 4' Madrigal (1982) 4' for trumpet, horn & piano Moody (1981) 3’ for clarinet & piano Chamber (Chinese) Xi Yue (1997) 10' for erhu, pipa & zheng Instrumental Solo Ru Ge (2014) 5’ for sheng Morning Rain (2000) 3’30’’ for piano A Day in the Mountain (1993) 8'30" for gtr Vocal / Choral The Testimony of Unity Brings Glory to our Lord (2015) 3’40’’ for SATB chorus and keyboard Song of Everlasting Joy (2010) 4’22” for vocal and keyboard The Cross (2010) 4’ for vocal and guitar Changes (2002) 3' for junior treble choir Heritage and Pilgrimage (2001) 2’ for vocal and orchestra Graceful Lord, We Love Thee (1998) 2’ for vocal and piano The Prodigal Son (1993) 20' cantata for soli, chorus & orchestra I.The Wicked Boasts of the Desires of his Heart II. Vulture of the Wilderness III. And I Called on the Name of the Lord IV. The Moment Filled with Compassion V. When Brothers Dwell in Unity VI. Lead Me in the Way Everlasting Immersed in the Easterly Wind (1991) 5' for SATB chorus & pf Autumn Thoughts (1991) 4'30" for tenor solo, cl & gtr Cuo Wu (1989) 3'30" for a capella mixed chorus The Magnifying Glass (1989) 7' for treble choir & pf Duan Zhang (1986) 4' for female chorus & pf Yi Jian Mei (1981) 2'30" for soprano solo & pf Multi-media As a Watch in the Night (1999) 6' for tape & lighting Discography Song of Everlasting Joy(永恆喜樂歌), The Cross(十架真道), in “Love, Worshipping”(愛‧敬拜) CD, Kwun Tong Methodist Church Moody in Resonating Colours Vol. 1 CD, Hong Kong Composers’ Guild Morning Rain in Resonating Colours Vol. 3 CD, Hong Kong Composers’ Guild Song of Everlasting Joy (永恆喜樂歌) in Sacred Music Festival 2012 DVD, Methodist Church Hong Kong Heritage and Pilgrimage (溯源踐信、守約創路), VCD ,Methodist Church Hong Kong Lyric Dialogues, Hugo HRP 7210-2 Publications Ng, C. H. D. (2006).The impact of exposure to Chaozhou Xianshi music on pre-service teachers’ development as music educators. (PhD dissertation, University of New South Wales, Australia, 2006) Ng, C. H. D. (2006).Connecting cultures: Challenges and strategies to introduce indigenous Chinese music to pre-service teachers in Hong Kong. In M. Moore & B.W. Leung (Eds.). School music and teacher Education: A global perspective in the new century (pp.151-163). Hong Kong: The Hong Kong Institute of Education. Ng, C. H. D. (2005). Musicians in Chinese culture: Lessons from xianshi musicians. Asia-Pacific Journal for Arts Education, 3(2), 3-36. Wong, P. W. Y., Ng, C.H.,Lai, M. T., & So, M.C. (2004). Huang Zi Choral Literature Collection 《歌樂流芳—黃自音樂賞析與教學專集》Hong Kong: Longman "Learning Strategies and Retention Process with different Notation Systems: Lessons from Chaozhou Xianshi music." In Searching for a New Paradigm of music Education Research: An international Perspective, edited by E. Choi, 319-329. Soel: Korean Education Society, 1997. 「如詩如畫」"Like Poems and Paintings." In Guidelines for School Creative Music Project, edited by Education Department, 45-47. Hong Kong: Education Department, 1998. 「如花一朵」"As A Flower." In Guidelines for School Creative Music Project, edited by Education Department, 48-50. Hong Kong: Education Department, 1998. "Introducing Chaozhou Xianshi Musical Elements into the Theory and Aural Classes of Initial Teacher Training Courses In Hong Kong." Proceedings of the 2nd Asia -Pacific Symposium on Music Education Research (held in Launceston, Australia), (1999): 221-226. 「無伴奏合唱曲三首﹣選自清唱劇《浪子》」 "Three A Capella Choral Pieces from The Prodigal Son." In Hong Kong Vocal Music Collection, vol.VII, edited by D. Law, 80-89. Hong Kong: Chinese Christian Literature Council, 1999. 「一剪梅」 "Yi Jian Mei." In Hong Kong Vocal Music Collection, vol.VI, edited by D. Law, 120-121. Hong Kong: Chinese Christian Literature Council, 1999. 「斷章」 "Duan Zhang." In Hong Kong Vocal Music Collection, vol.III, edited by D. Law, 96-104. Hong Kong: Chinese Christian Literature Council, 1999. 「沉醉東風」 "Immersed in the Easterly Winds." In Hong Kong Vocal Music Collection, vol.II, edited by D. Law, 94-105. Hong Kong: Chinese Christian Literature Council, 1999. "The Underlying Educational Principles of the Two Earliest Official Primary Music Syllabi." (in collaboration with Yu-Wu Yuet-wah) In School Curriculum Change and Development in Hong Kong, edited by Cheng Yin-Cheong, Chow King-Wai & Tsui Kwok-Tung, 483-503. Hong Kong: Hong Kong Institute of Education, 2000. 「學習潮州弦詩樂」"Learning Chaozhou Xianshi Music". Hong Kong: Hong Kong Institute of Education, 2001. CD-ROM. 「覓」、「路」、「暗問」、「素願」、「一剪梅」。載於《荷花飄香樂悠揚》，張越華主編，頁71-73, 76-78, 214-215。香港：香港中文大學崇基學院，2001。 "Nocturne for two violins." In Passions Within for Violin, 17-19. Footscray, Australia: Red House Editions, 2001 《教樂樂學樂樂》 "Teaching Kit and Resources: Joyful Teaching and Joyful Learning in Music". (in collaboration with Lai May-tan, Wong Wai-ying & Yuen Tze-leung). Hong Kong: Hong Kong Institute of Education, 2001 「郊遊樂」、「愛護地球」、「雨後驕陽」。載於《教樂樂、學樂樂歌集》，黎美丹、吳俊凱、袁子良、黃慧英編，頁40-45。香港：香港教育學院，2001。 "Capturing the Essence of Traditional Musical Heritage with Technology: A CD ROM Project of Introducing Chaozhou Xianshi Music into the Teacher Training Courses in Hong Kong." Proceedings of the 3rd Asia-Pacific Symposium on Music Education Research and International Symposium on Uragoe and Gender (held in Nagoya Japan), Vol 2 (2001): 57-60. Ng, C. H. D. (1993).Original Compositions for Young Musicians. (MPhil dissertation, University of Hong Kong, Hong Kong, 1993) Duan Zhang for SSA Female Chorus and Piano. Hong Kong: Hong Kong Composers' Guild, 1992. 管弦樂 管弦樂舞曲選自清唱劇《浪子》(2001) 5’ 時刻 (1993) 2'30" 菱形 (1983) 12' 室樂 (西樂) 無間東西 (2015) 1’30’’ for violin and piano 前奏曲 II (2013) 4’22’’ for 2 guitars 連繫 (2013) 6’ for violin and viola 夜曲 (1999) 4' for 2 violins 抒情對話 (1995) 12' for clarinet, violin & piano 木管樂四重奏 (1991) 12' 秋意涼 (1991) 8' for string quartet 意筆 (1983) 4' 牧歌 (1982) 4' for trumpet, horn & piano 情緒 (1981) 3' for clarinet & piano 室樂 (中樂) 細樂 (1997) 10' for erhu, pipa & zheng 獨奏曲 如歌 (2014) 5’ for sheng 南山朝雨 (2000) 3’30” for piano 山中一日 (1993) 8'30"for guitar 聲樂 / 合唱 合一見證榮歸神 (2015) 3’40” for SATB chorus and keyboard 永恆喜樂歌 (2010) 4’22’’ for vocal and keyboard 十架真道 (2010) 4’ for vocal and guitar 聲相應 (2002) 3' for junior treble choir 溯源踐信、守約創路 (2001) 2’ for vocal and orchestra 回溯主恩、愛主一生 (1998) 2’ for vocal and piano 浪子 (1993) 20' cantata for soli, chorus & orchestra I. 惡人以心愿自誇 II. 荒場的鴞鳥 III. 身陷絕境，求告主名 IV. 相離還遠，動慈心 V. 和睦何其美 VI. 主佑我靈不盡 秋 沉醉東風 (1991) 5' for SATB chorus & pf 秋思 (1991) 4'30" for tenor solo, cl & gtr 錯誤 (1989) 3'30" for a capella mixed chorus 放大鏡 (1989) 7' for treble choir & pf 斷章 (1986) 4' for female chorus & pf 一剪梅 (1981) 2'30" for soprano solo & pf 多媒體音樂 如夜一更 (1999) 6' for tape & lighting 唱片目錄 Song of Everlasting Joy(永恆喜樂歌), The Cross(十架真道), in “Love, Worshipping”(愛‧敬拜) CD, Kwun Tong Methodist Church Moody in Resonating Colours Vol. 1 CD, Hong Kong Composers’ Guild Morning Rain in Resonating Colours Vol. 3 CD, Hong Kong Composers’ Guild Song of Everlasting Joy (永恆喜樂歌) in Sacred Music Festival 2012 DVD, Methodist Church Hong Kong Heritage and Pilgrimage (溯源踐信、守約創路), VCD ,Methodist Church Hong Kong Lyric Dialogues Hugo HRP 7210-2 出版刊物 Ng, C. H. D. (2006).The impact of exposure to Chaozhou Xianshi music on pre-service teachers’ development as music educators. (PhD dissertation, University of New South Wales, Australia, 2006) Ng, C. H. D. (2006).Connecting cultures: Challenges and strategies to introduce indigenous Chinese music to pre-service teachers in Hong Kong. In M. Moore & B.W. Leung (Eds.). School music and teacher Education: A global perspective in the new century (pp.151-163). Hong Kong: The Hong Kong Institute of Education. Ng, C. H. D. (2005). Musicians in Chinese culture: Lessons from xianshi musicians. Asia-Pacific Journal for Arts Education, 3(2), 3-36. Wong, P. W. Y., Ng, C.H., Lai, M. T., & So, M.C. (2004). Huang Zi Choral Literature Collection 《歌樂流芳—黃自音樂賞析與教學專集》Hong Kong: Longman "Learning Strategies and Retention Process with different Notation Systems: Lessons from Chaozhou Xianshi music." In Searching for a New Paradigm of music Education Research: An international Perspective, edited by E. Choi, 319-329. Soel: Korean Education Society, 1997. 「如詩如畫」"Like Poems and Paintings." In Guidelines for School Creative Music Project, edited by Education Department, 45-47. Hong Kong: Education Department, 1998. 「如花一朵」"As A Flower." In Guidelines for School Creative Music Project, edited by Education Department, 48-50. Hong Kong: Education Department, 1998. "Introducing Chaozhou Xianshi Musical Elements into the Theory and Aural Classes of Initial Teacher Training Courses In Hong Kong." Proceedings of the 2nd Asia -Pacific Symposium on Music Education Research (held in Launceston, Australia), (1999): 221-226. 「無伴奏合唱曲三首﹣選自清唱劇《浪子》」 "Three A Capella Choral Pieces from The Prodigal Son." In Hong Kong Vocal Music Collection, vol.VII, edited by D. Law, 80-89. Hong Kong: Chinese Christian Literature Council, 1999. 「一剪梅」 "Yi Jian Mei." In Hong Kong Vocal Music Collection, vol.VI, edited by D. Law, 120-121. Hong Kong: Chinese Christian Literature Council, 1999. 「斷章」 "Duan Zhang." In Hong Kong Vocal Music Collection, vol.III, edited by D. Law, 96-104. Hong Kong: Chinese Christian Literature Council, 1999. 「沉醉東風」 "Immersed in the Easterly Winds." In Hong Kong Vocal Music Collection, vol.II, edited by D. Law, 94-105. Hong Kong: Chinese Christian Literature Council, 1999. "The Underlying Educational Principles of the Two Earliest Official Primary Music Syllabi." (in collaboration with Yu-Wu Yuet-wah) In School Curriculum Change and Development in Hong Kong, edited by Cheng Yin-Cheong, Chow King-Wai & Tsui Kwok-Tung, 483-503. Hong Kong: Hong Kong Institute of Education, 2000. 「學習潮州弦詩樂」"Learning Chaozhou Xianshi Music". Hong Kong: Hong Kong Institute of Education, 2001. CD-ROM. 「覓」、「路」、「暗問」、「素願」、「一剪梅」。載於《荷花飄香樂悠楊》，張越華主編，頁71-73, 76-78, 214-215。香港：香港中文大學崇基學院，2001。 "Nocturne for two violins." In Passions Within for Violin, 17-19. Footscray, Australia: Red House Editions, 2001 《教樂樂學樂樂》 "Teaching Kit and Resources: Joyful Teaching and Joyful Learning in Music". (in collaboration with Lai May-tan, Wong Wai-ying & Yuen Tze-leung). Hong Kong: Hong Kong Institute of Education, 2001 「郊遊樂」、「愛護地球」、「雨後驕陽」。載於《教樂樂、學樂樂歌集》，黎美丹、吳俊凱、袁子良、黃慧英編，頁40-45。香港：香港教育學院，2001 "Capturing the Essence of Traditional Musical Heritage with Technology: A CD ROM Project of Introducing Chaozhou Xianshi Music into the Teacher Training Courses in Hong Kong." Proceedings of the 3rd Asia-Pacific Symposium on Music Education Research and International Symposium on Uragoe and Gender (held in Nagoya Japan), Vol 2 (2001): 57-60. Ng, C. H. D. (1993).Original Compositions for Young Musicians. (MPhil dissertation, University of Hong Kong, Hong Kong,1993) Duan Zhang for SSA Female Chorus and Piano. Hong Kong: Hong Kong Composers' Guild, 1992. Back

MUI Kwong-chiu 梅廣釗 Dr Mui Kwong-chiu is the Chairman of the Hong Kong Composers’ Guild; Director of Composers and Authors Society of Hong Kong (CASH), Chinese Musicians’ Association member; Artistic Director of World Dulcimer Orchestra; an Examiner in Music at the Hong Kong Arts Development Council; Advisor of the Hong Kong Yanqin Association; Honorary Advisor of the Music Program of the School of Continuing and Professional Studies of The Chinese University of Hong Kong; Honorary Advisor of Tien Ma Chorus, and Hong Kong Parents Choir; Honorary Composer-in-Residence of the Hong Kong Harmonica Association. He also sat on the jury panel of the Asia Pacific Harmonica Festival, World Harmonica Festival and Hong Kong Drum Festival. In 2020 he was awarded ‘The 14th Hong Kong Arts Development Award’ Artist of the Year (Music) by the Hong Kong Arts Development Council. In 2018, for his achievements in music and contribution to Hong Kong society, he was awarded the Hong Kong Baptist University (HKBU) Distinguished Communication Alumni Award to celebrate HKBU Communication 50th anniversary. Dr Mui holds a PhD and M. Phil in Music at The University of Hong Kong, and a Bachelor's degree in Cinematography at Hong Kong Baptist University. He immersed himself in an array of diverse and innovative music and art projects: Fight the Covid 19 Song for Hong Kong antivirus campaign; Bauhinia Blossom – Cross media Musical Show in relation to the National Security Education Day 2022 (as Composer/ Script/ Director); Theme music for West Kowloon Palace Museum, History of Hong Kong I, II, III, IV (all RTHK TV production) ; The Great Earth Flute, Piano Concerto with Chorale; Cross media Chinese Music Theatre Intoxicating Nature and Ode to Water for Hong Kong Chinese Orchestra (HKCO); Chinese Folk Melody Suite for Hong Kong String Orchestra, Fatherland for HKCO; Evergreen Pine Trees for Allegro Singers; The Beach Multimedia Concert of the 1st Hong Kong Youth Festival in Sai Kung (as Composer/Director); The Spirited Lion Dance Drums featured in the HKCO Hong Kong Drum Festival 2018; Hero Erhu Concerto; Snowy Mountain in Spring Yangqin Concerto premiered in The 3rd International Dulcimer Music Festival in Beijing; Elijah, You Make me Fly Again (Cross Media Revival Musical) ; and many original music themes for RTHK TV series. 梅廣釗博士為香港作曲家聯會主席、香港作曲家及作詞家協會理事，世界揚琴樂團藝術總監、香港藝術發展局音樂界別審批員、香港揚琴總會顧問、香港中文大學專業進修學院音樂課程榮譽顧問、天馬合唱團、家長合唱團榮譽顧問、香港口琴協會榮譽駐團作曲家，亦多次為亞太口琴節、世界口琴節及香港鼓樂節擔任榮譽評審。2020 獲香港藝術發展局頒發第十四屆香港藝術發展獎藝術家年獎； 2018年因其音樂成就獲頒香港浸會大學傳理學院「傑出傳理人獎」。 梅氏畢業於香港大學音樂系，獲頒哲學博士和碩士；亦畢業於香港浸會大學電影系。梅氏音樂創作豐富和多元化： 包括2022年為香港抗疫的宣傳歌曲「全民抗疫」； 「紫荊花開」跨媒體音樂匯演（作曲/文本/導演，由香港國安處主辦，港台製作，闡述香港國安法的概念和香港的歷史）；港台製作的西九文化博物館，(片頭音樂及配樂)；2017在黑龍江大慶歌劇院首演之《大地》鋼琴、長笛、管弦樂雙協奏曲之三大樂章《泰山、大江曲、長城故事》；香港中樂團40樂季載譽重演的跨媒體中樂劇融合豐富中國文化、音樂、詩舞於一爐香港中樂團中樂劇《山花醉》及 《千水情》的全劇作曲 ；為香港弦樂團編曲之「戀戀民謠組曲 I， II」（編曲)；香港中樂團的「大地恩情」音樂會（統籌/編曲）；2018/19 年度包括第 一屆香港青年節海灘實景跨界音樂會《千帆並舉耀香江》（作曲兼導演）、香港中樂團鼓樂節之《獅鼓樂飛揚》 ；二胡協奏曲《大漠之歌》、北京舉行的第三屆國際 揚琴音樂節揚琴協奏曲《春雪千峰》、港台電視《香港歷史系列I,II,III,IV》，《香港風物誌》系列原創配樂及悉尼舉行之「以利亞飛鷹再展翅」跨媒體奮興音樂神劇（全劇作曲兼導演）。 梅廣釗博士促進本會與國際組織之間的交流合作。在2013年，梅博士曾經代表協會及香港電台第四台出席在捷克布拉格舉行的國際作曲家論壇（International Rostrum of Composers）；於2017年及2018年參加分別在溫哥華及北京舉行的國際現代音樂節（International Society for Contemporary Music），以及在台北舉行的亞洲作曲家聯盟大會暨亞太音樂節（Asian Composers League Festival and Conference）等。 MAJOR WORKS 主要作品 Orchestral (Western) The River of Clouds for Harmonica Orchestra (2006) 7' for harmonica orchestra Glamour of Asia Pacific (2004) 5' for a thousand harmonicas - for the Grand Finale of Fifth Asia Pacific Harmonica Festival Prelude for Harmonica Orchestra (2003) 7' for harmonica orchestra Sea Breeze Sketches (2002) 19' for Handbell and Orchestra I. The Sea and Wind Dialogue II. Leaves in the Wind III. The Dawn Breaks Symphonic Poem-Genesis (2000) 18' A Dream in the City (1999) 10' Symphonic Poem Prelude II (1994) 10' Symphonic Poem Prelude I (1992) 10' Orchestral (Chinese) Bring in the Wine (2005) 8' Rhapsody of Color Cloud Chasing the Moon (2004) 10' Farewell at the Inn (1996) 9' Symphonic Poem Song of the Yellow Soil (1995) 10' Chamber (Western) Twinkling Reflections (2004) 11' for cl, vc & pf Spirit II (2002) 9' for piano and clarinet Hong Kong Landscape Suite (2001) 14' for harmonica quintet, pf & percussions Color Clouds Suite (2000) 15' for harmonica quintet Innervision I (1999) 10' for string quartet Innervision II (1999) 7' for string quartet Music of the Universe (1997) 12' for perc ensemble Night (1995) 9' for fl, vn & pf Journey (1992) 4' for string quartet Chamber (Chinese) Moonlight Reflections over Cloudy Ripples (2003) 13' for guzheng, zhongrhan and xiao Plum Blossom in the Snow (2001) 8' for Chinese plucked-string ensemble Moon Palace Reflected on Sea of Clouds (2000) 9' for Chinese wind ensemble & percussions Drunken Night at the Peak of the Mountain (1999) 8' for Chinese ensemble Chamber (Mixed) Rhapsody of Beautiful Clouds Chasing the Moon (2003) 10' for Harmonica Quintet, shengand Piano Three Petite Pieces (2002) 13' for guitar, sheng, violin and viola I Chasing the Waves II Air Eleganza III The Three Giggs Song of Free Birds (2001) 5' for 2 dizi's, fl & pf Autumn Landscape Suite (2000) 14' for harmonica quintet, sheng, hp, pf & perc The World of Da Tong (2000) 10' for mixed ensemble Instrumental Solo Spirit I (1997) 5' for cl Song of the River (1995) 8' for pf Lake Lo Fuo (1994) 5' for zheng Two Preludes (1992) 5' for pf Violin Solo in G Minor (1992) 8' for vn & pf The Wind of Spring (1992) 5' for zheng Four Seasons (1992) 10' for pf Vocal / Choral Hong Kong, You are Beautiful! (2005) 8' Min Feng San Yue (2005) 13' for mixed chorus 情繫香江 (2002) 10' for mixed chorus Yuen Long Tone Poem (2001) 6' for children chorus Song of the Universe (2000) 5' for soprano The Drunken Old Man (1995) 8' for solo tenor & pf Nian Xie (1994) 5' for solo soprano & pf Train (1994) 10' for chorus Empty Streets (1992) 6' for soprano & pf 浣溪沙 (1992) 8' for solo alto, chorus & pf Picking Lotus (1992) 4' for tenor, soprano duet with pf To Remember (1992) 10' for chorus, pf & perc Electro-Acoustic Music / Computer Music Vibration in Stillness(2004) 70' for electronic music, live percussions and choreography Music for Ballet / Dance Vibration in Stillness(2004) 70' for electronic music, live percussions and choreography Music for Theatre / Drama The Seven Wise Men from the Bamboo Grove (1994) 45' for drama Children theatrical puppet musical The Little Fish (2006) 90' for musical Multimedia / Installation Drunken Night at the Peak of the Mountain (2000) 11' for Chinese ensemble, multi-media & dancer Meditation at the Sea (2001) 15' for tape, fl, vc & dancer Music for Video Production The Story of Tea II (1997) 20' for Chinese ensemble The Art of Wan Lau (1996) 20' for MIDI production The Story of Tea I (1995) 20' for Chinese ensemble Music for TV Original soundtracks for over 40 episodes of RTHK TV series since 1990 Film Music / Jingles Film Music for Cream Soda and Milk(1982) 30' Jingle for Esko Products Spring/ Summer (male version) (1984) 30 Jingle for Esko Products Spring/ Summer (male version) (1984) 15 Jingle for Esko Products Spring/ Summer (female version) (1984) 15 Jingle for Esko Products Autumn/Winter (male version) (1984) 30 Jingle for Esko Products Autumn/Winter (male version) (1984) 15 Jingle for Esko Products Autumn/Winter (female version) (1984) 15 Publications / Paper Presentations The article entitled ‘Analysis of Tan Dun's Ghost Opera' by Mui Kwong Chiu was collected lin A Collection of Articles in Commemoration of the 20 Anniversary of the Hong Kong Ethnomusicology Society, jointlypublished by Center of Asian Studies, HKU and Hong Kong Ethnomusicology Society in September 2005. An essay entitled ‘The mixing instrumentations of harmonica with other musical instruments as seen from the newly created harmonica compositions' was published in the book ‘Seventy Years of Hong Kong Harmonica' published by Joint Publishing Co. Ltd. in August, 2004. A review entitled ‘The Fifth Asia Pacific Harmonica Festival 2004' was published in the September issue, 2004 in the quarterly publication CASHFLOW of Composers and Author's Society of Hong Kong (CASH). A research paper entitled ‘New Possibilities for Chinese Instrumental Music: Compositional Techniques in Two Original Chamber Works' was delivered in the Research Colloquia in Autumn 2003 in the Department of Music at the University of Hong Kong. The paper discusses the incorporation of compositional techniques from both Chinese and Western traditions as integrated in Mui Kwong Chiu's two musical works. Music Theatre and Multi Media: Teaching Resource Kit." (in collaboration with Joshua Chan) In Contemporary Music Education Campaign of the ISCM World Music Days 2002. Hong Kong: Hong Kong Composers' Guild and the Education Department, 2002. ‘Analysis of Tan Dun's Ghost Opera' by Mui Kwong Chiu was first published as papers and proceedings of the Sixth Seminar on the History of New Music in China: Its Form, Craftsmanship and Aesthetics in 2000. It was later published in the same year in Collected Essays on History of New Music in China, Vol. No 6 by HKU Center of Asia Studies. A feature article entitled ‘An Exploration of Coherence in Music from Pop Song to Serious Music' was published in Issue 29 in the summer of 1999 in CASHFLOW the quarterly publication of CASH. In the article, compositional techniques in both pop and contemporary music genre were discussed, with a special focus on some of Joseph Koo's modulation techniques and his twin use of modes, with illustrations from some of his pop songs serving as demonstrations. Part of Mui Kwong Chiu's vocal music (serious category) from 1980 to 1999 have been listed in ‘Hong Kong Vocal Music: A General Index' among the works of other prominent Hong Kong Composers. Chinese Christians Literature Council Ltd published the collection of vocal music with the above index in March 1999, with sponsorship from Hong Kong Arts Development Council. 管弦樂 (西樂) 天上雲河 (2006) 7’ for harmonica orchestra Glamour of Asia Pacific (2004) 5’ for a thousand harmonicas - for the Grand Finale of Fifth Asia Pacific Harmonica Festival 口琴樂隊前奏曲 (2003) 7’ for harmonica orchestra 海韻風情 (2002) 19’ for Handbell and Orchestra I. The Sea and Wind Dialogue II. Leaves in the Wind III. The Dawn Breaks 交響詩《創世紀》 (2000) 18' 城市中的夢想 (1999) 10' 思潮 (1994) 10' 生命序曲 (1992) 10' 管弦樂 (中樂) 將進酒 (2005) 8’ 彩雲追月狂想曲 (2004) 10’ 酒肆留別 (1996) 9' 黃土鄉情 (1995) 10' 室樂 (西樂) 銀海星閃 (2004) 11' for cl, vc & pf Spirit II (2002) 9’ for piano and clarinet 香江素描組曲 (2001) 14' for harmonica quintet, pf & percussions 紅映雪語組曲 (2000) 15' for harmonica quintet 心語一 (1999) 10' for string quartet 心語二 (1999) 7' for string quartet Music of the Universe (1997) 12' for perc ensemble 夜 (1995) 9' for fl, vn & pf 旅程 (1992) 4' for string quartet 室樂 (中樂) 水雲月 (2003) 13' for guzheng, zhongrhan and xiao 傲雪寒梅 (2001) 8' for Chinese plucked-string ensemble 雲海暉月映瓊宮 (2000) 9' for Chinese wind ensemble & percussions 夜醉凌峰 (1999) 8' for Chinese ensemble 室樂 (混合) 彩雲追月狂想曲 (2003) 10' for Harmonica Quintet, sheng and Piano Three Petite Pieces (2002) 13’ for guitar, sheng, violin and viola I Chasing the Waves II Air Eleganza III 三擊 三鳥朝陽 (2001) 5' for 2 dizi's, fl & pf 秋山紅葉組曲 (2000) 14' for harmonica quintet, sheng, hp, pf & perc 世界大同 (2000) 10' for mixed ensemble 獨奏曲 Spirit I (1997) 5' for cl 大江曲 (1995) 8' for pf 盧沽湖 (1994) 5' for zheng Two Preludes (1992) 5' for pf Violin Solo in G Minor (1992) 8' for vn & pf 春風 (1992) 5' for zheng 春夏秋冬 (1992) 10' for pf 聲樂 / 合唱 Hong Kong, You are Beautiful! (2005) 8’ 民風三樂 (2005) 13' for mixed chorus 情繫香江 (2002) 10' for mixed chorus 元朗音畫 (2001) 6' for children chorus Song of the Universe (2000) 5' for soprano 老酒三兩三 (1995) 8' for solo tenor & pf 靈犀 (1994) 5' for solo soprano & pf 一列車 (1994) 10' for chorus 空巷 (1992) 6' for soprano & pf 浣溪沙 (1992) 8' for solo alto, chorus & pf 採蓮歌 (1992) 4' for tenor, soprano duet with pf 念 (1992) 10' for chorus, pf & perc 電子音樂 / 電腦音樂 音悠極擊 (2004) 70' for electronic music, live percussions and choreography 舞蹈音樂 音悠極擊 (2004) 70' for electronic music, live percussions and choreography 劇場音樂 竹林七賢 (1994) 45' 話劇 小魚與海 (2006) 90' 音樂劇 多媒體音樂 / 裝置音樂 夜醉凌峰多媒體舞蹈版 (2000) 11' for Chinese ensemble, multi-media & dancer 海的變奏 (2001) 15' for tape, fl, vc & dancer 視像音樂 茶的藝術 (1997) 20' for Chinese ensemble 文樓的藝術 (1996) 20' for MIDI production 茗趣 (1995) 20' for Chinese ensemble 電視音樂 Original soundtracks for over 40 episodes of RTHK TV series since 1990 電影音樂 電影配樂《忌廉溝鮮奶(1982) 30' Jingle for Esko Products Spring/ Summer (male version) (1984) 30 Jingle for Esko Products Spring/ Summer (male version) (1984) 15 Jingle for Esko Products Spring/ Summer (female version) (1984) 15 Jingle for Esko Products Autumn/Winter (male version) (1984) 30 Jingle for Esko Products Autumn/Winter (male version) (1984) 15 Jingle for Esko Products Autumn/Winter (female version) (1984) 15 出版刊物 / 發表文章 The article entitled ‘Analysis of Tan Dun’s Ghost Opera’ by Mui Kwong Chiu was collected lin A Collection of Articles in Commemoration of the 20 Anniversary of the Hong Kong Ethnomusicology Society, jointlypublished by Center of Asian Studies, HKU and Hong Kong Ethnomusicology Society in September 2005. An essay entitled ‘The mixing instrumentations of harmonica with other musical instruments as seen from the newly created harmonica compositions’ was published in the book ‘Seventy Years of Hong Kong Harmonica’ published by Joint Publishing Co. Ltd. in August, 2004. A review entitled ‘The Fifth Asia Pacific Harmonica Festival 2004’ was published in the September issue, 2004 in the quarterly publication CASHFLOW of Composers and Author’s Society of Hong Kong (CASH). A research paper entitled ‘New Possibilities for Chinese Instrumental Music: Compositional Techniques in Two Original Chamber Works’ was delivered in the Research Colloquia in Autumn 2003 in the Department of Music at the University of Hong Kong. The paper discusses the incorporation of compositional techniques from both Chinese and Western traditions as integrated in Mui Kwong Chiu’s two musical works. Music Theatre and Multi Media: Teaching Resource Kit." (in collaboration with Joshua Chan) In Contemporary Music Education Campaign of the ISCM World Music Days 2002. Hong Kong: Hong Kong Composers' Guild and the Education Department, 2002. ‘Analysis of Tan Dun’s Ghost Opera’ by Mui Kwong Chiu was first published as papers and proceedings of the Sixth Seminar on the History of New Music in China: Its Form, Craftsmanship and Aesthetics in 2000. It was later published in the same year in Collected Essays on History of New Music in China, Vol. No 6 by HKU Center of Asia Studies. A feature article entitled ‘An Exploration of Coherence in Music from Pop Song to Serious Music’ was published in Issue 29 in the summer of 1999 in CASHFLOW the quarterly publication of CASH. In the article, compositional techniques in both pop and contemporary music genre were discussed, with a special focus on some of Joseph Koo’s modulation techniques and his twin use of modes, with illustrations from some of his pop songs serving as demonstrations. Part of Mui Kwong Chiu’s vocal music (serious category) from 1980 to 1999 have been listed in ‘Hong Kong Vocal Music: A General Index’ among the works of other prominent Hong Kong Composers. Chinese Christians Literature Council Ltd published the collection of vocal music with the above index in March 1999, with sponsorship from Hong Kong Arts Development Council. Back

MOK Kin-yee Raymond 莫健兒 Raymond Mok obtained the FTCL in Music Composition from the Trinity College, a Master of Philosophy in Music Composition from the University of Hong Kong and Doctor of Philosophy in Music Composition from the University of Adelaide. A number of teachers were influential to his studies, including Prof. Ip Shun-chi, Prof. Ye Xiao-gang, Dr. Chan Hing-yan, Dr. Graeme Koehne and Dr. Kimi Coaldrake. As a composer, Mok’s compositions had been widely performed in concerts such as Music to Touch Your Heart (1999, 2000, & 2001 in Hong Kong), HK Musicarama (2000), Beijing Modern Music Festival (2004, 2007, & 2009), ISCM-ACL, World Music Days (2007 in Hong Kong), Hong Kong Cadenza (2008 & 2010), UNESCO International Rostrum of Composers (2009 in Paris), The Review of Chinese Symphonic Music in the Past Century and the 2nd China Symphonic Festival – Hebei Performance Week(2010 in Hebei), Singapore International Competition for Chinese Orchestral Composition, Concert and Award Presentation(2011 in Singapore), 29th Asian Composers League Conference and Festival (2011 in Taiwan) … Raymond migrated to Macau in 2002 and is currently a lecturer in the Music School of Macau Polytechnic Institute. In 2011, his composition “Cycles of Destiny” gained the Nanyang Award from Singapore International Competition for Chinese Orchestral Composition. 持有倫敦聖三一音樂學院作曲院士文憑、香港大學作曲哲學碩士及澳洲阿德萊德大學作曲哲學博士。學習期間重要的老師分別是葉純之教授、葉小鋼教授、陳慶恩博士、格美. 高尼博士及金美. 哥積克博士。 其作品曾在香港中樂團心樂集（1999、2000、2001）、香港音樂新文化（2000）、北京現代音樂節（2004、2007、2009）及國際現代音樂協會世界音樂日（2007香港）、香港中樂團香江華采（2008、2010）、聯合國教科文組織之國際作曲家論壇（2009 巴黎）、中國交響樂世紀回顧暨第二屆中國交響音樂季－河北展演周（2010）、新加坡國際華樂作曲大賽得獎作品音樂會 （2011 新加坡）及亞洲作曲家聯盟大會暨亞太音樂節（2011 臺灣）等中發表。 莫氏在2002年后移居澳門，任教於澳門理工學院音樂課程。 在2011年，其作《圓來緣去》在新加坡國際華樂作曲大賽中榮獲南洋獎。 MAJOR WORKS 主要作品 Back

NEW GENERATION 2024 List of Finalists ( In no particular oder) Title 作品名稱 Composer 作曲家 *Garden of Mists *《迷霧庭園》 Matthew Lam 林俊熹 Kau Nga Ling (West Ridge) 《西狗牙》 Zheng Yui-ka 鄭裔䕒 Breath of Spring 《春之息》 Zheng Enzhe（Winner） 鄭恩哲（冠軍） Stonewall Trees 《石牆樹》 Yeung Sin-tung Jessie 楊倩桐 The Otherworldly Peach Blossom Spring 《世外桃源》 Wong Tsz-sum（1st Runner Up) 黃子森（亞軍） Enigma 《謎》 Ng Yan-ling Illuminatius 伍昕靈 Kaleidoscope 《万華鏡》 Ho Ching-wai 何晴煒 A Chasing Man 《追趕人》 Cheng Sik-nam（2nd Runner Up) 鄭錫楠（季軍） Heteroskedasticity II 《異質變異數 II》 Au Ho-hei 區顥曦 *Commissioned work by the First Prize Winner 2023 The Concert Date & Time: Thursday, 06 June 2024 at 8pm Venue: RTHK Studio One Guest Performer: M.A.R.B.L.E.S. Percussion

NG Yan-ling 伍昕靈 MAJOR WORKS 主要作品 Back

YEUNG Tsz-yan 楊芷欣 MAJOR WORKS 主要作品 Back

Talbot George# MAJOR WORKS 主要作品 Back

TING Chung-wai Brian 丁宗偉 Brian Ting received his Master's degree in music composition from The Chinese University of Hong Kong under the supervision of Prof. Wendy Lee. He previously studied composition with Prof. Victor Chan and Dr. Lo Hau-man. His music has been premiered by Atlas Ensemble, Hong Kong Kamerata, Trio de TST and Chinese Music Virtuosi. His composition for Chinese Music Virtuosi, "Slashes of Frost and Wind", was awarded both the David Gwilt Composition Prize and audience prize. His composition "Flower Burial under a Pallid Moon" won the second prize in New Generation 2012 organized by Hong Kong Composers' Guild. He is also the recipient of numerous musical awards, including the Bernard van Zuidan Music Prize and the Composers and Authors Society of Hong Kong Scholarship. 丁宗偉現為香港中文大學作曲碩士，師隨李允琪教授。丁氏亦曾跟隨陳偉光教授及盧厚敏博士研習作曲。丁氏的作品曾由Atlas Ensemble, 管樂雅集、TST三重奏及龢鳴樂坊首演。他為龢鳴樂坊而作的作品「風刀霜劍」獲頒紀大衛作曲獎之餘亦被觀眾選為當晚最佳作品。他的「殘月葬花」贏得音樂新一代2012的第二名。他亦獲頒多個獎學金，包括Bernard van Zuidan 音樂獎以及香港作曲家及作詞家協會獎學金。 MAJOR WORKS 主要作品 Back

HONG KONG CONTEMPORARY MUSIC FESTIVAL 2020: ASIAN DELIGHTS II Patrick Yim (violin), Reiko Manabe (flute) 嚴天成（小提琴）、間部令子（長笛） Electroacoustic concert with Violin 小提琴與電子音樂會 28.11 .2020 8PM 音樂會場刊 House Programme Lunar Luminance Leung Ka-tung Tony (H ong Kong) Self-talk Au Tin-yung Alex (Hong Kong) * Frises: I. Frise jaune, II. Frise de fleurs Kaija Saariaho (Finland) Palimpsest [Lapsus memoriae VIII] Angus Lee (H ong Kong) * * Commissioned composers 月光光照地堂 梁家棟（香港） 自我對話 歐天勇（香港）* 飾帶： I. 黃飾帶 , II. 花之飾帶 莎維雅荷 (芬蘭） Palimpsest [Lapsus memoriae VIII] 李一葦（香港）* * 委約作曲家 音樂會場刊 House Programme Electroacoustic concert with Flute 長笛與電子音樂會 5.12.2020 8PM Zoon James Boznos (H ong Kong) Hybridity I Anthony Cheng (H ong Kong) * Domain Joji Yuasa (Japan) Torrent Yu Tsz-long (H ong Kong) Shanshui Lee Cheng (H ong Kong) * * Commissioned composers Z oon 龐樂思（香港） 混 I 鄭汝森（香港）* Domain 湯浅譲二（日本） 瀧 余梓朗 （香港） 山水 鄭重言（香港）* * 委約作曲家 Reiko Manabe holds a BM from Toho Gakuen School of Music, an MFA degree from California Institute of the Arts, and a DMA in Contemporary Music Performance from the University of California, San Diego. As a performer and an improvisor, Dr. Manabe has appeared in the United States, France, England, Germany, Singapore, South Korea and Japan. While having given premiers of the works written by established composers such as Roger Reynolds and James Tenney, she collaborates with composers of the next generations including Nicholas Deyoe, Eric Wubbles, Tomohiro Moriyama, Hibiki Mukai among others. Her recordings have been introduced widely in Europe at several music festivals and schools. Since she moved back to Japan in 2008, she has appeared regularly at the contemporary music concerts of JSCM and JFC as well as of Tokyo-based composer collective, NEXT. In 2018 Composers’ group CUE had their concert featuring Dr. Manabe. In 2006 she won the First Prize at the “Kyogaku VII” (The 7th Contemporary Music Performance Competition founded by Japan Society for Contemporary Music) as the first flute solo winner in their history. In the following year, 2007 she received the 16th Asahi Contemporary Music Award. 間部令子獲桐朋學園（大學）音樂部音樂學士、加州藝術學院藝術碩士、聖地牙哥加州大學音樂藝術博士（現代音樂演奏）。她曾以演奏者及即興演奏者身份於美國、法國、英國、德國、星加坡、南韓及日本演出，並為多首現代作曲家的作品作首演，當中包括成名的作曲家，如 Roger Reynolds, James Tenney，及新一代的作曲家，如 Nicholas Deyoe, Eric Wubbles, 森山知広, 向井響等。她的演奏錄音曾於歐洲的音樂節和學院廣泛播放。2008 年她回流日本，自此活躍於現代音樂界，在日本現代音樂協會和日本作曲家協議会主辦的音樂會中演出，以及和駐於東京的作曲家團體 NEXT 緊密聯繫。2018 年作曲家團體 CUE 舉辦間部令子專場音樂會。2006 年她於「競樂VII」（日本現代音樂協會舉辦的第七屆現代音樂表演比賽）中獲首獎，這是此比賽史上首度由長笛手獲獎。2007 年她獲朝日現代音樂獎。 Reiko Manabe 間部令子 Patrick Yim 嚴天成 Honolulu-born violinist Patrick Yim has performed as soloist, recitalist, chamber musician, and orchestral violinist throughout the world, including performances in Carnegie Hall and David Geffen Hall (New York), Seoul Arts Center, Harpa Concert Hall (Reykjavik), Hong Kong City Hall, Severance Hall (Cleveland), Orchestra Hall (Chicago), Teatro alla Scala (Milan), and the Musikverein (Vienna). He made his solo debut with the Honolulu Symphony after winning the Honolulu Symphony Concerto Competition. He has performed in the violin sections of the Hawaii Symphony and the Cleveland Orchestra, among others. He joined the Cleveland Orchestra on tours to New York City, Chicago, Bloomington, Iowa City, Miami, and major cities in Europe, including Paris, Milan, Brussels, Luxembourg, Cologne, Munich, and Vienna. Yim has performed chamber music with members of the Juilliard, Emerson, St. Lawrence, Pacifica, and Ying Quartets, and with musicians from the Cleveland Orchestra and the New York Philharmonic. He has also performed chamber music in festivals in Canada (Banff and Toronto Summer Music Festival), China, the Czech Republic, Denmark, Iceland, and throughout the United States, including a recent performance in Carnegie Hall with members of the Emerson Quartet. As Guest Music Director of the Collegium Musicum Hong Kong, he collaborated with world-renowned pipa virtuoso Wu Man and performed concerts at the Hong Kong City Hall as violinist and conductor. He has performed world premieres at festivals in the United States and Europe, and he recently curated a series of concerts related to the Silk Road at the Hong Kong Museum of History for which he commissioned and premiered new works for solo violin by Michael-Thomas Foumai (Honolulu), Austin Yip (Hong Kong), and Yao Chen (Beijing). He has performed with the Contemporary Chamber Players (New York) and the Hong Kong New Music Ensemble. Yim has taught violin and chamber music at Stony Brook University, the Cleveland Institute of Music Preparatory Department, the Interlochen Summer Arts Camp, the Flatirons Chamber Music Festival, and the Rushmore Music Festival. He has taught masterclasses and workshops in the United States, Denmark, Iceland, Hong Kong, Taiwan, and China. He is a graduate with honours of the Cleveland Institute of Music (CIM) where he was a student of David Updegraff and William Preucil and was awarded the First Prize at the Institute’s Darius Milhaud Performance Prize Competition for two consecutive years. At CIM, he studied chamber music with the Cavani Quartet and Peter Salaff of the Cleveland Quartet. He earned his Doctor of Musical Arts degree from Stony Brook University where he studied violin with Philip Setzer, Jennifer Frautschi, and Hagai Shaham, and chamber music with the Emerson Quartet. He is Assistant Professor in the Department of Music at Hong Kong Baptist University. 小提琴家嚴天成生於火奴魯魯，曾以獨奏家、室內樂及樂團成員身份在世界各地演出，包括紐約的卡奈基音樂廳、大衛‧ 爵芬音樂廳、首爾藝術中心、雷克雅未克的哈巴音樂廳、香港大會堂、克里夫蘭的西雅雲斯音樂廳、芝加哥的樂隊音樂廳、米蘭的斯卡拉歌劇院、維也納的金色大廳等。 嚴氏贏得火奴魯魯交響樂團的協奏曲比賽後，與該交響樂團合作，首度以獨奏者身份擔綱演出。他曾擔任夏威夷交響樂團、克里夫蘭樂團等樂團的小提琴手。他曾參與克里夫蘭樂團的巡迴演出，到訪紐約市、芝加哥、布明頓、愛俄華市、邁亞美，以及歐洲多個重要城市，包括巴黎、米蘭、布魯塞爾、盧森堡、科隆、慕尼黑、維也納等。 嚴氏亦熱衷於室樂演奏，曾與茱莉亞弦樂四重奏、愛默森弦樂四重奏、聖羅倫斯弦樂四重奏、太平洋弦樂四重奏、英弦樂四重奏的成員合作演出，亦曾與克里夫蘭樂團、紐約管弦樂團的成員演出室內樂。他曾參與演出室樂藝術節的國家包括加拿大（班夫及多倫多夏季音樂節）、中國、捷克、丹麥、冰島及美國。最近與愛默森弦樂四重奏成員在卡奈基音樂廳中演出。 嚴氏曾以 Collegium Musicum Hong Kong 客席音樂總監身份與世界知名的琵琶演奏家吳蠻合作，在香港大會堂中演出，負責擔任指揮和小提琴手。 嚴氏曾為作品作世界首演，在美國及歐洲的音樂節中演出。最近他為香港歷史博物館策劃一系列以絲綢之路為主題的音樂會，委約和首演米高–湯瑪士‧富奈（火奴魯魯）、葉浩堃（香港）和姚晨（北京）的小提琴獨奏作品。他曾參與紐約當代室樂合奏團和香港創樂團的音樂會。 嚴氏曾於石溪大學、克里夫蘭音樂學院附屬中學教授小提琴和室內樂；亦在 Interlochen暑期藝術營、法提康室樂音樂節、羅斯摩爾音樂節中擔任導師；並在美國、丹麥、冰島、香港、臺灣和中國主持大師班和工作坊。 嚴氏畢業於克里夫蘭音樂學院，師隨大衛‧ 愛德嘉夫和威廉‧ 浦西爾，連續兩年獲得該學院的米堯演奏比賽首獎。在學期間，曾隨卡雲尼弦樂四重奏以及克里夫蘭弦樂四重奏的彼得‧ 沙拉夫學習。其後嚴氏入讀石溪大學，隨菲臘‧ 薩沙、珍妮花‧ 費殊、夏佳‧ 沙函學習小提琴、愛默森弦樂四重奏學習室內樂演奏，取得音樂藝術博士學位。 嚴氏現任香港浸會大學音樂系助理教授。 Other Concerts of the Festival 其他音樂節音樂會

CHIU Hok-man Elena 趙學文 Pianist-composer Elena Chiu is a highly versatile and vibrant musician. Her adventurous composition pursuits are honed by performing a diverse repertoire at various international platforms. Her ‘Tango’ won the Italy (Treviso) International Contemporary Music Competition in 2012. In recent years, Elena has performed at main concert venues in England, including the BBC Proms and Aldeburgh Festival. Elena graduated from the Royal Academy of Music in London with MMus piano performance and LRAM in distinction. She then received her doctorate degree in music composition at the Chinese University of Hong Kong, under the supervision of Professor Victor Chan. Elena's works have been featured at notable festivals and conferences, such as the Royal Academy of Music Summer Piano Festival, Hong Kong Arts Festival, Musicarama, the Asian Composers' League Conference and Festival and many more; her music was performed by the Hong Kong Oratorio Society, Die Konzertisten, Ponte Singers and Orchestra, Taipei Chamber Singers, Anonymous Quartet, Phoenix Quartet, Hong Kong Strings, St. John's Cathedral Choir, Hong Kong Hymn Society, to name a few. Elena's selected choral music is published by the Hong Kong Children's Choir and Alpha & Omega Company. In 2016, Elena worked as composer-in-residence at the Dixie State University in Utah; she was a choir trainer, both as pianist and composer, at the Children’s International Voices of Enfield during her time in London. 趙學文，新一代鋼琴家兼作曲家。憑其全面的技巧和過人創意於國際比賽中屢獲殊榮，曾獲意大利當代音樂 (2012年) 國際作曲比賽冠軍。 英國著名作曲家暨鋼琴家杜格拉斯‧菲泉稱許為「真正的音樂家」，盛讚其獨奏會「引人入勝」。近年，先後於倫敦各大演湊廳演出，並獲邀於英國廣播公司的倫敦夏季逍遙音樂會和奧爾德堡音樂節中演出。趙氏以優異成績於英國皇家音樂學院畢業，取得鋼琴演奏碩士及LRAM文憑，並於中文大學完成音樂作曲博士研究，師隨陳偉光教授。 趙氏的音樂曾在本地及海外發表，包括英國皇家音樂學院夏日消遙鋼琴音樂節、香港藝術節、Musicarama、亞洲作曲家同盟會議及音樂節等，其作品亦曾獲香港聖樂團、Die Konzertisten、本地樂團、台北室內合唱團等團體演奏 ， 部分合唱作品並由香港兒童合唱團及Alpha & Omega Company出版。趙氏為美國迪克西州立大學2016年大提琴節的駐校作曲家。在英國期間，趙氏擔任倫敦國際兒童合唱團駐團作曲家及鋼琴伴奏，並參與訓練工作。 MAJOR WORKS 主要作品 Back