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LIST OF MEMBERS AU Tin-yung Alex 歐天勇 BOO Chun-kit 布俊傑 BROMBERG Brian Patrick# 布萊恩 CHAN Chin-ting# 陳展霆 CHAN Heidi 陳曦梅 CHAN Joshua 陳錦標 CHAN Ka-fu Paul 陳家富 CHAN Kai-young 陳啟揚 CHAN Ming-chi 陳明志 CHAN Nga-man 陳雅雯 CHAN Nok-him 陳諾謙 CHAN Sze-rok 陳詩諾 CHAN Wai-kwong Victor 陳偉光 CHAN Wing-wah 陳永華 CHANG Herbert# 張海伯 CHEN Chi-wai 陳智偉 CHEN Ning-chi 陳能濟 CHEN Yeung-ping 陳仰平 CHENG Anthony 鄭汝森 CHENG Lee 鄭重言 CHENG Zen-In Michelle 鄭心言 CHEUNG Pui-shan 張珮珊 CHIU Hok-man Elena 趙學文 CHOW Lora 周曉晴 CHUNG Chun-yiu 鍾振耀 CHUNG Tin-hon Aaron 鍾天瀚 CHUNG Wai-hin 鍾偉軒 Chan Chun-yan Joanne 陳雋欣 Chan Ka-Hei 陳家曦 Cheung Hei-lam Sylvie 張希琳 Cheung Ho-ming 張浩銘 FONG Lok-chi 方樂知 Fu Zifei 付子妃 GWILT David (Honorary President) 紀大衛（名譽主席） HO Tsz-yan 何子茵 HUI Cheung-wai 許翔威 HUNG Ming-kin Christopher 洪銘健 Ho Man-Hin 何旻軒 IP Mun-wa 葉滿華 KAM Shing-hei Kahlen 甘聖希 KWOK Hang-kei 郭亨基 LAI Boon-tsing Joseph 黎本正 LAI Miu-yeung 黎渺揚 LAI Nga-ting Ada 黎雅婷 LAI Sheung-ping 黎尚冰 LAM Chi-ying Gigi 林芝瑛 LAM Chun-hei Matthew 林俊熹 LAM Doming (Honorary President) 林樂培（名譽主席） LAM Hong Chong Adrian 林瀚聰 LAM Kin-yee Gabriel 林建兒 LAM Kwan-fai 林鈞暉 LAM Shun 林迅 LAU Cheuk-Ho Fredrick 劉卓豪 LAU Hiu-lam 劉曉霖 LAU Siu-long Boris 劉劭朗 LAU Wing-fung Galison 劉詠浲 LAW Daniel 羅炳良 LAW Wing-fai 羅永暉 LEE Kar-tai Phoebus 李家泰 LEE Lok-on 李樂安 LEE Ping-kee Vincent 李秉麒 LEE Pui-shan Sandy 李佩珊 LEE Wan-ki Wendy# 李允琪 LEE Wing-wing# 李永榮 LEE Yi-wei Angus 李一葦 LEE Yin-ping# 李燕萍 LEUNG Chi-cheung 梁志鏘 LEUNG Chi-hin 梁智軒 LEUNG Chi-pong 梁志邦 LEUNG Chung-yin Ray 梁頌然 LEUNG Hin-yan Austin 梁騫仁 LEUNG Hong-yu 梁康裕 LEUNG Ka-tung Tony# 梁家棟 LEUNG Pak-hei 梁柏希 LEUNG Tai-wai David 梁大偉 LEUNG Tiffany 梁恩庭 LEUNG Wing-hang 梁永恆 LI Cheuk-yin 李卓賢 LI Kar-yee 李嘉怡 LI Kit-yiu Emily 李潔瑤 LIN Livia 凌崎偵 LO Hau-man 盧厚敏 LO Tsz-to Toto 盧子陶 LOH Ming-ching Mark 羅明正 LUK Wai-chun 陸尉俊 LUO Yanjin Lauren 羅彥瑾 Li Cheuk Shing (Sampson) 李焯誠 Lui Tsz-yan 呂芷茵 MA Jiu-yue 馬久越 MAK Chi-piu 麥志彪 MAK Clarence 麥偉鑄 MAN Ho-yan 萬可仁 MOK Kei-hon Simon 莫麒瀚 MOK Kin-yee Raymond 莫健兒 MUI Kwong-chiu 梅廣釗 NG Chun-hoi Daniel 吳俊凱 NG Hau-yee Poly 伍巧怡 NG King-fung Kelvin 伍擎峯 NG Wah-hei 伍華晞 NG Yan-ling 伍昕靈 PANG Chun-ting 彭振町 PANG Kwan 彭珺 PONG Pak-kan 龐百勤 POON Po-choi Maurice 潘寶才 SHAO Litang 邵麗棠 SHING Chun-hay 成俊曦 SHIU Wai Yau William 邵偉祐 SHUEN Lai-yin 孫禮賢 SO Adrian 蘇哲 SO Chuen-on 蘇傳安 SO Ka-wai 蘇家威 SO Lok-pui 蘇諾培 Sandoval Inaki# TAM Chin-fai Samuel 譚展輝 TAM Ka-shu Kenneth 譚家樹 TAM Lok-hei Alvin 譚樂希 TANG Chak-yan 鄧澤恩 TANG Hoi-ching Katie 滕鎧晴 TANG Man-ngai 鄧文藝 TANG Pan-hang 鄧斌衡 TING Chung-wai Brian 丁宗偉 TSANG Chi-yeung 曾子揚 TSANG Lok-yan 曾樂欣 TSANG Shun-han 曾淳頎 TSANG Yip-fat Richard (Founding Chairman) 曾葉發（創會主席） TSANG Yiu-kwan 曾耀君 TSE Nok-kiu 謝諾翹 TSUI Mei-ling Meilina 徐美玲 TUNG Chi-wai 董智煒 TUNG Lai-shing 董麗誠 Talbot George# VONG Hin-ching 黃軒靖 WANG Qiang 王強 WAT Nga-man 屈雅汶 WONG Anson Ying-shun 王應淳 WONG Chi-san 黃志燊 WONG Ching-yin 黃正彥 WONG Chun-wai 黃俊諱 WONG Chung-hei 黃頌熙 WONG Hok-yeung Alfred 黃學揚 WONG Hung-pok 黃鴻博 WONG Kong-yu 王廣宇 WONG Yat-wai Joseph 黃逸偉 WONG Yeuk-hei 黃若曦 WONG Yok-yee 黃育義 WU Ho-chee 胡浩志 WU Yimin 吳藝敏 Wan Tsz-yui Isaac 尹梓睿 YAU Yuk-fung 邱玉鳳 YEUNG Hoi-ching Alice 楊凱晴 YEUNG Pak-lun David 楊伯倫 YEUNG Sin-tung Jessie 楊倩桐 YEUNG Tsz-yan 楊芷欣 YIM Fuk-wing 嚴福榮 YIP Ho-kwen Austin 葉浩堃 YIP Pui-lam Amos 葉沛林 YIP Shu-kin Stephen 葉樹堅 YIP Ting 葉婷 YIU Hon-fai Cliff 姚漢輝 YU Chiu-for 余昭科 YU Tsz-long 余梓朗 YUEN Viola 阮慧玲 YUNG Sin-kan Bonnie 翁蒨懃 YUNG Sing-nga Rita 翁聲雅 # Symbol of Associate Member.

Transcending Music Legacy Hong Kong Composers’ Guild (HKCG) is celebrating its 40th Anniversary this year. To mark this special occasion and to share our music creativity and musical ideas of the past four decades to the public, HKCG is proud to present the Transcending Music Legacy. Original compositions selected by HKCG will be showcased in the following concerts: 1. Concert with Nova Ensemble 2. Concert with Hong Kong Gaudeamus Dunhuang Ensemble; and 3. Concert with The Hong Kong Children’s Choir A total of 26 contemporary music will be featured in this festival, with 3 commissioned pieces composed by local composers Stephen Yip, Chan Ming Chi and Chan Kai Young. A press conference for the event will be held on Monday, 25 September 2023 at the Sheung Wan Civic Center(7/F, Sheung Wan Municipal Services Building, 345 Queen’s Road Central, Hong Kong). The Honourable Officiating Guests are Mr. Leung Kin-fung (HKADC representative of Music), and HKCG Chairman Dr. MUI Kwong-chiu. The Transcending Music Legacy is presented by HKCG, supported by the Hong Kong Arts Development Council and CASH Music Fund. Press Conference 1. Concert with Nova Ensemble Read More The Interview with Nova Ensemble & Composers Live Concert Concert Details : Date/ 27.10.2023 (Friday) Time/ 8pm Venue/ Theatre of Sheung Wan Civic Centre Special Guest/ LOO Sze-wang (Sheng), PANG Wai-lun (Pipa) Program : David GWILT | Variants (1991) Doming LAM | Three Chinese Dances (arr. 1963) Matthew LAM | In Extremis (2022) LEUNG Hong-yu | Excursion II (2022/rev. 2023) LO Hau-man | Shakhi-Zinda (1994) PANG Chun-ting | As Snow (2012) Stephen YIP | Sempre Invictus (2023) * *Commissioned by Hong Kong Composers’ Guild in 2023 with support from Hong Kong Arts Development Council. Our Composer Three Chinese Dances (arr. 1963) Variants (1991) Sempre Invictus (2023) * Shakhi-Zinda (1994) As Snow (2012) Excursion II (2022/rev. 2023) In Extremis (2022) 2. Concert with Hong Kong Gaudeamus Dunhuang Ensemble The Interview with Hong Kong Gaudeamus Dunhuang Ensemble & Composers Live Concert Concert Details : Date/ 12.01.2024 (Friday) Time/ 8pm Venue/ Theatre of Hong Kong City Hall Program : Joshua CHAN | The Spring Garden (1998, rev. 2023) CHAN Ming-chi | Guanzizai‧Dunhuang (2023)* Chris HUNG | Stone Sentinel Maze (2013, rev. 2023) KAM Shing-hei | Thank you for your time (2022) LUK Wai-chun | Tan-tiao Rock (2020, rev. 2023) MUI Kwong-chiu | Here comes the East Wind (2023) SO Chuen-on | Ascetic (2023) *Commissioned by Hong Kong Composers’ Guild in 2023 with support from Hong Kong Arts Development Council. Our Composer Tan-tiao Rock (2020, rev. 2023) Here comes the East Wind (2023) The Spring Garden (1998, rev. 2023) Thank you for your time (2022) Stone Sentinel Maze (2013, rev. 2023) Guanzizai · Dunhuang (2023) Ascetic (2023) 3. Concert with Hong Kong Children's Choir The HKCC 3 The HKCC 1 The HKCC 3 1/2 Interview with The Hong Kong Children's Choir & Composers Live Concert DSC00115 0N7A6702 0N7A6611 DSC00115 1/12 Concert Details : Date/ 12.04.2024 (Friday) Time/ 8pm Venue/ Theatre of Sheung Wan Civic Centre Program : CHAN Wing-wah | A Bright New Sunny Day (2014) CHEN Ning-chi | The Far Away Star (1997) SHIN G Chun-hay | Music Brings Us Together (2012, rev. 2023) LEUN G Chi-hin | Thoughts of Separation (2016) Doming LAM | Flower Drum Song (arr. 1957) LAW Wing-fai | Hope (1988) Austi n YIP | Breeze (2021) Viola YUEN | On a Sleepless Night (2016) HUI Cheung-wai | Wish to Fly (1994/2003) Richard TSANG | I Am Not There (2014) Doming LAM | Holy Mountain Afar (1985) CHAN Kai-young | in a word (2023) Alex TAM | A New Day (2023) *Commissioned by Hong Kong Composers’ Guild in 2023 with support from Hong Kong Arts Development Council. Our Composer A Bright New Sunny Day (2014) The Far Away Stars (1997) Music Brings Us Together (2012, rev. 2023) Thoughts of Separation (2016) Flower Drum Song (arr. 1957) Holy Mountain Afar (1985) Hope（1988） Breeze (2021) On a Sleepless Night (2016) Wish to Fly (1994/2003) I Am Not There (2014) In a word (2023)* A New Day（2023） Ticket

Founded in 1983, the Hong Kong Composers' Guild (HKCG) is a professional association of serious composers with objectives to promote and cultivate music composition in Hong Kong. WELCOME TO THE HONG KONG COMPOSERS' GUILD Founded in 1983, the Hong Kong Composers' Guild (HKCG) is a professional association of serious composers with objectives to promote and cultivate music composition in Hong Kong. Join Us Visions of Sounds Multimedia Concert Visions of Sounds is a bold new experimental production presented by the Hong Kong Composers Guild. Featuring three composer-led creative teams, the concert blends original music with immersive visuals and experimental lighting design. This multimedia journey explores how sound and image can reconstruct perception and reality, inviting audiences into a world where illusion and truth intertwine. The program includes As the Echo Fades by So Chuen-on, ...but only the radiant,shimmering- by Angus Lee, and Bio-Amendment by Alice Yeung —three distinct works that push the boundaries of sonic experience. As the Guild’s first cross-media experiment, this performance seeks to break sensory limits and redefine the way music and narrative interact in contemporary art. More Details Cadenzas of Hong Kong 2.0 Call-for-Works The Hong Kong Composers' Guild and the Hong Kong Chinese Orchestra jointly present “Cadenzas of Hong Kong 2.0” again in 2025/26, using the enchanting sounds of Chinese music to narrate Hong Kong stories. In addition to the open call for compositions, the concert has commissioned three renowned local composers — Chan Wing-wah, Alfred Wong, and Hui Cheung-wai — to create brand-new musical works. This collaboration brings together composers from different generations, fostering a vibrant exchange of ideas through notes and melodies. More Details New Generation 2025 NG2025 NG2025 NG2025 NG2025 1/3 The New Generation 2025 was successfully held on 12 June 2025, 8pm, at RTHK Studio One. Guess Performer: Brassdivo Winners 1st Prize : "Genesis" - Leung Kai-sun Joshua 2nd Prize： "Splendid Echoes of a Waning Dream" - Chung Tsz-yin 3rd Prize： "Hāni" - Hua Wenyai William Read More HIGHLIGHTED CONCERTS & EVENTS Doming Lam Composition Award 2025 Congratulations to Shai Litang Kiko of winning the Doming Lam Composition Award 2025, with her winning piece: "Dim Sum Fantasia" GuangXi Field Trip The GuangXi Field Trip was successfully held on 6 Jan to 9 Jan 2025. Read More Mr. Chen Ning-chi 1940 - 2025 Esteemed composer Chen Ning-chi passed away on 18 March 2025. The Hong Kong Composers' Guild expresses profound sorrow over this loss and extends its deepest condolences to Mr. Chen's family during this difficult time. THE HERITAGE & PRESERVATION OF HONG KONG COMPOSERS' GUILD MUSIC COMPOSITIONS 'The Heritage and Preservation of Hong Kong Composers' Guild Music Compositions' presents a list of recommended music compositions composed by Hong Kong composers, with an aim to preserve and promote such good works over the years. More Details Subscribe to our newsletter • Don’t miss out! Email* Join I want to subscribe to your mailing list.

Ho Man-Hin 何旻軒 MAJOR WORKS 主要作品 Back

Fu Zifei 付子妃 MAJOR WORKS 主要作品 Back

Cheung Ho-ming 張浩銘 MAJOR WORKS 主要作品 Back

Cheung Hei-lam Sylvie 張希琳 MAJOR WORKS 主要作品 Back

Chan Ka-Hei 陳家曦 MAJOR WORKS 主要作品 Back

Chan Chun-yan Joanne 陳雋欣 MAJOR WORKS 主要作品 Back

HONG KONG CONTEMPORARY MUSIC FESTIVAL First held in 2018, the Hong Kong Contemporary Music Festival is a biennial event which aims at showcasing our composers’ good musical works. Presenting our own local musical talents and musical performance forces, we encourage innovative musical creations integrating the valuable traditional musical compositional skills aiming at quality music compositions. The Guild commissions local composers especially for the festival and their works are given premiere by both local and international artists. The Hong Kong Contemporary Music Festival perpetuates the tradition of the annual international new music festival, Musicarama, which was created based on the New Music Hong Kong Series initiated in 1978, and organised by the Hong Kong Composers’ Guild since 1992. Hong Kong Contemporary Music Festival: Global Delights Past Events Hong Kong Contemporary Music Festival: Asian Delights 香港當代音樂節：亞洲薈萃 Hong Kong Contemporary Music Festival: Hong Kong Delights 香港當代音樂節：樂在香港

Visions of Sounds :A MultiMedia Musical Journey Curated by the Hong Kong Composers’ Guild, Visions of Sound: A Multimedia Music Journey will take place on Wednesday, 11 February 2026 at 8:00PM at the Hong Kong City Hall Theatre.Bringing together three composer-led creative teams, this concert blends music, visuals, and lighting to construct an immersive experience that traverses the boundaries between reality and illusion. More than a concert of "sound," Visions of Sound is an artistic experiment that navigates the space between perception and imagination. Each work presents a unique rethinking of musical narrative, spatial awareness, and interdisciplinary expression—inviting audiences into an immersive world crafted through sound, light, and image. 🔸 Programme Highlights: "As the Echo Fades" Creative team : So Chuen-on, Claire Wong, Lam Yuk-hei, Tang Ho-wai, Nickole Li A work of moving images and sound that constructs a memory space in flux—guiding the audience through states of transformation and disappearance, re-seeing, re-listening, and re-feeling in the process. "...But only the radiant, shimmering -" Creative team : Angus Lee, Amy Chan, Karen Yu Inspired by Jon Fosse’s novel Kvitleit, this multimedia work fuses light and sound to blur the edges of perception. It explores spiritual transformation through extreme environments and the shifting zones between hallucination and reality. "Bio-Amendment" Creative team : Alice Yeung, Eagle Wu, Kenny Wong Using simulated surgical procedures and real-time motion-responsive sound, this work transforms the body into a bio-instrument—probing the tension between technological augmentation and human physicality. 🎟️ Tickets available via URBTIX: https://www.urbtix.hk/event-detail/14466 About the Artists "..But only the radiant,shimmering -" Angus Lee Composer Lee is recognised as one of Hongkong's most exciting composers, with compositions spanning the solo, chamber, orchestral and operatic genres, performed at international music festivals across Asia, continental Europe, the UK, and North America. Recent works include the artificial intelligence opera Chasing Waterfalls (2021-22), commissioned for Semperoper Dresden's 2022/23 season opening; two "studies for orchestra," Des flames... (2023-24) and ...aux cendres (2024) commissioned by the Hong Kong Philharmonic; and the electroacoustic ensemble work hic / nunc (2024-25) commissioned by Croatia's historic Music Biennale Zagreb. In 2025, Lee was conferred the 23rd CASH Golden Sail Music Award for the “Best Serious Composition” by the Composers and Authors Society of Hong Kong. Concurrently, Lee is an active conductor who has worked with leading European ensembles (Ensemble Modern, Ensemble Musikfabrik, Neue Vocalsolisten Stuttgart, to name a few) in performing works by established and emerging composers alike. Lee is equally recognised as one of Hong Kong's leading contemporary music interpreters, having premiered numerous works regionally and internationally by established and emerging composers alike. He has been a musician of the Hong Kong New Music Ensemble since 2016, working at close quarters with leading composers of the day, including Unsuk Chin, Brett Dean, and Toshio Hosokawa. Recent highlights include the Hongkong-premiere of Pierre Boulez's seminal Sonatine (1946-49) for flute and piano, as well as the publication of his performance of flute works by Camilo Mendez on the Austria new music specialist label, KAIROS. He has also been showcased in prominent recital series, including the LCSD's Our Music Talents (2018) and City Hall Virtuosi (2023) series, as well as CityU Arts Festival (2021). He has also performed as soloist at Pierre Boulez's memorial concert at Lucerne Festival in 2016 to critical acclaim. Since 2022, Lee has worked at the University of Hong Kong's Department of Music as a full-time Assistant Lecturer. He is the sole coordinator for the Department's performance curriculum, and teaches conducting, chamber music, and music theory. He is also a part-time lecturer in woodwind chamber music at the Hong Kong Academy for Performing Arts, and has taught as flute faculty at the Lucerne Festival Academy (2022 & 23). He was also faculty at the inaugural South China Contemporary Creative Music Institute (2025), where he gave masterclasses in flute, composition and conducting. Amy Chan Light Designer and Artist Amy Chan is a light and theatre artist, “an exciting practitioner from Hong Kong and an emerging critical voice on light as a performance material” (Theatre and Performance Design, UK). She explores the musicality, relationality and materiality of light, and delves into the in-betweens of light-music, theatre-installation, and arts-medicine. Notable works include light installation-performance Inter-Face, Things That Talk, Morbid Anatomy, and Memento Mori: Sonata for Light. She is active in cross-disciplinary light collaboration, working with celebrated artists, composers, musicians and companies including Ellen Pau, Kingsley Ng, Simon Wan, Rachel Cheung, Ken Ueno and the Hong Kong Dance Company, in various productions such as co-presentation by M+ and Art Basel, M+ commission, New Vision Arts Festival and Tai Kwun Prison Yard Festival, among others. She designed lighting for the installation A Tree to be Found, the award-winner of Hong Kong Arts Biennial 2003 and a collection of Hong Kong Museum of Art. Amy graduated from the Hong Kong Academy for Performing Arts with a Master of Fine Arts (with distinction), majoring in lighting design. Her artistic research was published in international peer-reviewed journals, conferences and local theatre publications. She was the invited speaker on performance lighting in Akademie der Künste of Berlin, Germany and Prague Quadrennial in Czech Republic. Karen Yu percussionist A percussionist, sound artist and curator based in Hong Kong, Karen Yu enjoys exploring the intersection of sound-making, audience engagement, and cross-disciplinary collaboration. Deriving from her background as a percussionist, her creative practice revolves around sound object and bodily movement improvisation, and weaving people together through collaborative experiences. She is currently the artistic director of Contemporary Musiking Hong Kong, a co-founder of the chamber percussion group The Up:Strike Project, and an associate musician of the Hong Kong New Music Ensemble. Previously an artist-in-residence at the Banff Centre for Arts and Creativity and Seoul Dance Centre, Yu was most recently commissioned by the Hong Kong Arts Centre & Castlefield Gallery, Axel Vervoordt Gallery Hong Kong, Hong Kong New Music Ensemble, and Hong Kong West Kowloon Cultural District Freespace. As an active performer, Yu has recently performed in manτεία (manteia), a multimedia performance built on AI tools as an act of divination directed by Peter Nelson and Roberto Trillo, Since When, a multimedia theatre performance by Joyce Tang and Chow Yiu Fai, and Somnium, an installation/opera/trance by Steve Hui. As a curator, Yu has curated the latest edition of the annual sound festival in Hong Kong Sound Forms with Tai Kwun Contemporary, and co-curated the annual UNHEARD sound and music festivals with Eaton Hong Kong and _dtby, as well as the Noise Fest at Freespace West Kowloon. Devoted to promoting sound art and sound pedagogy, she has recently curated a sound art initiative through Contemporary Musiking Hong Kong, Push the ENVELOPE, that aims to diversify our listening approaches and cultivate interests in sound-making as art-making. Karen Yu obtained a Bachelor and a Master of Music (Music Performance, Percussion) from McGill University. She is a part-time faculty member at the University of Hong Kong and the Hong Kong Academy for Performing Arts School of Theatre & Entertainment Arts. "Bio-Amendment" Alice Yeung Composer, Lighting and Stage Design, Performer Alice Yeung is a Swiss-based composer-performer from Hong Kong. She works in the field of contemporary music composition, théâtre musical, videography, experimental her-own-vocals, audiovisual installation, and any grey areas in between. Yeung’s music has been internationally featured in professional presentations, such as La Biennale di Venezia, De Doelen Rotterdam (Stichting Rizoom), Hong Kong Sinfonietta, New European Ensemble, Dutch National Opera & Ballet, Gaudeamus Festival, Orkest de Ereprijs, Les Percussions de Strasbourg, Mivos Quartet, ICTUS Ensemble, among others. Her works are prone to show what is fun for her to do, and bring her whimsical mind to life. Besides her music, her film sans-visage was screened in Concours Nicati 2025 as a finalist. Eagle Wu Visual Projection Design, Sensor Programming , Performer Wu Hou-lam (Eagle or AQ) is a musician, composer and interdisciplinary artist. His work encompasses sound installations, interactive web pieces, audiovisual compositions and compositions for acoustic instruments. He is particularly interested in how architecture, as a kind of spatial art, interacts with music/sound as a kind of temporal art. He graduated from the Universität der Künste Berlin, obtaining a Master of Arts (Sound Studies and Sonic Arts); the University of Hong Kong in Architectural Studies; and the School of Music, Hong Kong Academy for Performing Arts, majoring in Composition. Kenny Wong Lighting Design Kenny Wong obtained his BFA degree from the Hong Kong Academy for Performing Arts, majoring in lighting design. His recent works include : The Radiant Theatre’s Toys Fighting!!, Chung Ying Theatre Company’s Ham Meta, Paprika Studio x EKCC’s Ulysses’s Gaze in VR, Make Friends with Puppet Theresa’s The Iron Scarecrow, Pants Theatre Production’s Planning Our City (First Run & Re-run), Lamps Theatre’s The Wishing Stone, Boonfaysau’s Shape of Harmony (2023, 24, 25), Fantasy Puppet Theatre’s The Whale in the Ground. "As the Echo Fades" So Chuen-on Compose So Chuen-on began his musical journey at the Hong Kong Academy for Performing Arts, where he studied composition and electronic music under the guidance of renowned Hong Kong composers Prof. Clarence Mak and Mr. Imen Tang. Currently, he is pursuing a Master's degree in multimedia contemporary scoring for visual media at the European Film College under the tutelage of Prof. Andy Hill, further expanding his expertise in film, television, and interactive media music, thereby solidifying the foundation of his versatile style. So's works span a wide range of genres, including chamber music, orchestral composition, Chinese traditional music, multimedia creation, pop music, and film scoring. He has served as music director, composer, and arranger for several prestigious art projects, such as the "Splendour of Radiance: Ancient Gold Artefacts Exhibition" at the Palace Museum, the "Lotus in Light and Shadow" exhibition for master Jao Tsung-I, and the sound installation "Laila" for the Hong Kong Arts Festival. His collaborators include esteemed institutions and ensembles such as the Hong Kong Philharmonic Orchestra, Windmill Grass Theatre, Hong Kong Gaudeamus Dunhuang Ensemble, Hong Kong New Music Ensemble, the Euphonious, the Hong Kong Yao Yueh Chinese Music Association, the Hong Kong New Youth Choir, and the East Side Dance Troupe. His compositions blend Eastern aesthetics with Western structural techniques, excelling in connecting diverse artistic media through music. He continues to explore the fusion of electronic music, experimental soundscapes, and traditional instruments in his creative practice. Tang Ho-wai Concept Based in Hong Kong, Tang Ho-wai is a theatre director, previously working as Director-in-Residence in the Chung Ying Theatre Company. After graduating from the Hong Kong Academy for Performing Arts (majoring in directing), Tang has directed various productions for different theatre companies. From world classics to contemporary works, his directing credits include Romeo & Juliet, Miss Julie, Mourning Becomes Electra, Peter Handke’s Self-accusation, Lyudmila Razumovskaya’s Dear Yelena Sergeevna. Other original works include A Song Adrift by Ima Collab,Two Dimensions of Minoru Betsuyaki, A Journey to Nowhere by the Fiesta Space, Ox In Kong City by the Nobodies Theatre, The Story of Me and I and Her by the Poor Guy Diary, Ten Bulls-In Search of Hidden Treasures (The Hong Kong Theatre Libre nomination, Best Director and Best Performance), a devised site-specific performance by the Theatre Horizon and the Bobius Strip Theatre of Taiwan. While not directing, Tang is passionate in music by participating as a musician in plays, including The Black and the Blue of a Man (North-east village edition), Antigone (North-east village edition) by the Theatre Horizon. Nickole Li Visual Design Nickole Li graduated from the Hong Kong Academy for Performing Arts in Arts and Event Management (MFA). She is now a theatre freelancer and video designer. She participated in various theatre productions in different stage positions, including production manager, deputy stage manager, stage manager and production assistant. Her recent involvement includes: Hong Kong Dance Exchange H.D.X. 2024, Left Unsaid by Zuni Icosahedron, WestK x Théâtre de la Feuille: Book of Mountains and Seas – The Fates of Mountains and Rivers, “Dance On” Series: You? Choreograph?, Matches - What! A Wonderful World!?, multimedia creation Lullaby, A Journey to Nowhere by Fiesta Space. Among the productions she participated in, the show A Ripple in Sound won the Best Individual Performance Award in the Youth Theater Artists Competition of the 8th Wu Zhen Theatre Festival, where she served as the production manager. Nickole was also actively involved in various concert production and video design works, including “Bye.” BYEJACK CONCERT 2024, The Damn Technology by Chung Ying Theatre Company, and A New Way of Seeing, etc. 李佳琳畢業於香港演藝學院，主修藝術及項目管理（一級榮譽碩士），現為自由身舞台工作者及影像設計師。 李氏曾參與製作多項作品，當中她以製作經理身份參與的《一切從海浪開始》獲第八屆烏鎮戲劇節青年競演小鎮獎「最佳個人表現獎」。 近期參與的劇場作品包括：《香港比舞2024》（製作統籌）；進念 ‧ 二十面體《唔講得》（舞台監督）；西九文化區 x 綠葉劇團：《山海經》第一部曲 ── 山川命（執行舞台監督及舞台監督）；《你係編舞喎》（執行舞台監督）；多空間《球賽 – 奔分世界》（製作經理及舞台監督）；多媒體劇場《一個人的Lullaby》（製作經理）；艾菲斯劇團《離留之境》（助理監製）；新加坡南洋劇社《小塵世》、《牛 · 車 · 水》（製作助理) 等。 近期演唱會製作包括：《FWD 富衛保險呈獻：Jeremy Lee Rise In Love Live 2025》、《My Music．My Life 盧冠廷一生所愛演唱會2025》 、《陳柏宇 LIFE IS LIVE 演唱會 2025》、《周國賢Endy Chow TailorMate Live 2024》、《側田第一秒巡迴演唱會》、麥浚龍2024年《金榜題名 project_mayhem》演唱會等。 近期影像設計作品包括：《'Bye.' BYEJACK CONCERT 2024》、中英劇團《他媽的科技》（影像及平面設計）、《A New Way of Seeing…》等。 Claire Wong Viola Claire Wong is a violist born in Hong Kong, currently pursuing her master’s degree at the Hong Kong Academy for Performing Arts (HKAPA) under the tutelage of Mr. Jeremy Williams. She completed her Bachelor degree of Music in 2023 at HKAPA under the tutelage of Mr. Ray Tsoi and was awarded the Dean’s List in her graduation. Claire has received training from well-known musicians in masterclasses during her studies, including Steven Tenenbom, Stanley Konopka, Wesley Collins and Amihai Grosz. She is also passionate about performing chamber music and orchestral music. She is one of the founding members of the Ionica String Quartet. In 2025, Claire received sponsorships for participating in the 2025 Kent Blossom Music Festival and served as the principal violist of the KBMF chamber orchestra. In 2024, she performed with Steven Tenebom in the opening gala concert of APA String Chamber Festival. She has also served as the principal violist of the Academy Symphony Orchestra since 2022. Claire has received several awards in her study, including the Mr. & Mrs. YS Liu Scholarship, the HKAPA Scholarship, the Wong Wai Ming Memorial Scholarship, etc. She is currently a freelance musician, actively working with different orchestras, such as the Hong Kong Sinfonietta, Macao Orchestra, In-heritage Philharmonic. 黃詠虹是生於香港的中提琴演奏家，目前於香港演藝學院攻讀碩士學位，師從Jeremy Williams先生。她於2023年在香港演藝學院完成音樂學士學位，師從蔡睿先生，畢業時更榮獲院長嘉許名單的殊榮。 在學期間，曾於大師班中接受多位知名音樂家的指導，包括Steven Tenenbom、Stanley Konopka、Wesley Collins、Amihai Grosz等。她對演奏室內樂及管弦樂充滿熱忱，亦是Ionica弦樂四重奏的創團成員。 2025年，黃氏獲資助參加肯特布羅瑟姆音樂節（Kent Blossom Music Festival），並擔任KBMF室內樂團的中提琴首席。2024年，她與Steven Tenenbom於香港演藝學院弦樂室內音樂節的開幕音樂會中同台演出。自2022年起，她亦持續擔任香港演藝學院交響樂團的中提琴首席。 在學期間，黃氏獲得多項獎學金，包括劉元生先生與夫人獎學金、香港演藝學院獎學金及黃維明紀念獎學金等。目前她以自由身音樂家身份活躍於樂壇，積極與多個樂團合作，包括香港小交響樂團、澳門樂團及繼心交響樂團等。

LAM Chun-hei Matthew 林俊熹 Matthew Chun-hei Lam is currently a music undergraduate at the Chinese University of Hong Kong, specialising in composition. He is now studying composition with Prof. Wendy Lee and he had also studied with Prof. Chan Kai-young, Dr. Lo Hau-man, and Dr. Phoebus Lee Kar-tai. He is also studying piano under Dr. Timothy Kwok Ka Ho. He is an active composer and an enthusiast of contemporary music style, with his goal being exploring and experimenting on a wide array of sounds and timbre, especially with contemporary instrumental techniques. Lam is the winner of Toolbox Percussion International Composition Competition 2019 (TPICC 2019), the finalist of New Generation 2020, and awarded honourable mentions of Hong Kong New Music Ensemble call-for-scores 2020 and 2019 Ensemble Ibis Composition Competition. As an active composer, his works were featured in various events and were selected by various call-for-scores, most notably including Musical Convergence concert held by Hong Kong Composers Guild, Music from the Heart concerts held by Hong Kong Chinese Orchestra, and Toolbox International Creative Academy 2020 opening concert. His works were played and read by various groups, including the Mivos Quartet (USA), Mise-en Ensemble (USA), Cong Quartet (HK), Music-joint Association (HK), Stellar Trio (Beijing), Toolbox Percussion (HK), and the Hong Kong Chinese Orchestra. 林俊熹現為香港中文大學音樂系本科生，專攻作曲。他現正跟隨李允琪教授修讀作曲，並曾跟隨陳啟揚教授，盧厚敏博士和李家泰博士。他現在亦跟隨郭家豪博士修讀鋼琴。林氏是一位活躍的作曲家，他熱衷於現代古典音樂，且經常發掘及實驗新風格和技巧。 林氏贏得了敲擊襄國際作曲比賽2019的冠軍，2019 Ensemble Ibis Composition Competition和香港創樂團call-for-scores 2020的Honourable Mention，並入圍了香港作曲家聯會主辦音樂新一代2020的決賽。他的作品曾於香港作曲家聯會主辦琴緣飛渡音樂會，心樂集，國際共襄創意學院開幕匯演等多個不同場合演出。而他的作品亦被不同團體演出，如香港中樂團，米費斯弦樂四重奏（美國），紐約室樂團（美國），CONG四重奏（香港），凝音樂坊（香港），史黛拉三重奏（北京），和敲擊襄（香港）。 MAJOR WORKS 主要作品 Orchestral Death is What You Embrace With (2020), for wind orchestra Garden Sketch (2018), for string orchestra, vibraphone and percussion Chamber (Western) Antithesis (2021), for 2 violins Acrimonies (2020), for clarinet in B♭ and viola Undine (2020), for clarinet in B♭, violin, cello and percussion When Light Vanishes (2020), for string quartet Elements Garden (2019), for 3 percussionists They are at Rest (2019), for flute, horn, vibraphone, percussion, piano, and string quartet Drunken Dance (2019), for clarinet in B♭, piano and cello Silent Spring (2018), for clarinet in B♭, flute, violin, cello, vibraphone and piano Shōrin-zu (松林図) (2018), for string quartet Anemoi (2017), for piano, violin and cello Chamber (Chinese and mixed) 獨步雪原 (Walking Alone in Snowfield) (2020-21), for chamber Chinese orchestra 幻蜃 (Mirage) (2020), for sheng, pipa, zhongruan, percussion, erhu, gehu Windchaser (2019), for Sheng, Violin and Cello 夢醒之時 (Awakening from Dream) (2019), for qudi, yangqin, erhu and gehu A Night Between Woods…and Melancholy (2019), for (western) Flute, Yangqin, Liuqin, Zhongruan and Guzheng Vocal 還有行李要帶走嗎？(Are There Still Luggages to be Brought?) (2021), for SATB choir and piano When Lilacs Last in the Dooryard Bloom’d (2021), for SATB choir, piano and media Solo Freesia (香雪蘭) (2021), for solo erhu Meditation - Clear Mirror Still Water (2021), for solo flute Shimmering Tides (2020), for solo cello Back