Orchestral (Western)

• The River of Clouds for Harmonica Orchestra (2006) 7'

• for harmonica orchestra

• Glamour of Asia Pacific (2004) 5'

• for a thousand harmonicas - for the Grand Finale of Fifth Asia Pacific Harmonica Festival

• Prelude for Harmonica Orchestra  (2003) 7'

• for harmonica orchestra

• Sea Breeze Sketches (2002) 19'

• for Handbell and Orchestra

• I. The Sea and Wind Dialogue

• II. Leaves in the Wind

• III. The Dawn Breaks

• Symphonic Poem-Genesis  (2000) 18'

• A Dream in the City (1999) 10'

• Symphonic Poem Prelude II (1994) 10'

• Symphonic Poem Prelude I (1992) 10'

Orchestral (Chinese)

• Bring in the Wine   (2005) 8'

• Rhapsody of Color Cloud Chasing the Moon (2004) 10'

• Farewell at the Inn  (1996) 9'

• Symphonic Poem Song of the Yellow Soil (1995) 10'

Chamber (Western)

• Twinkling Reflections (2004) 11' for cl, vc & pf

• Spirit II (2002) 9' for piano and clarinet

• Hong Kong Landscape Suite (2001) 14'
       for harmonica quintet, pf & percussions

• Color Clouds Suite  (2000) 15'
       for harmonica quintet

• Innervision I (1999) 10'
       for string quartet

• Innervision II (1999) 7'
       for string quartet

• Music of the Universe (1997) 12'
       for perc ensemble

• Night (1995) 9'
       for fl, vn & pf

• Journey (1992) 4'
       for string quartet

Chamber (Chinese)

• Moonlight Reflections over Cloudy Ripples (2003) 13'

• for guzheng, zhongrhan and xiao

• Plum Blossom in the Snow (2001) 8'
       for Chinese plucked-string ensemble

• Moon Palace Reflected on Sea of Clouds (2000) 9'
       for Chinese wind ensemble & percussions

• Drunken Night at the Peak of the Mountain (1999) 8'
       for Chinese ensemble

Chamber (Mixed)

• Rhapsody of Beautiful Clouds Chasing the Moon (2003) 10' for Harmonica Quintet, shengand Piano

• Three Petite Pieces (2002) 13' for guitar, sheng, violin and viola

• I Chasing the Waves

• II Air Eleganza

• III The Three Giggs

• Song of Free Birds (2001) 5'
       for 2 dizi's, fl & pf

• Autumn Landscape Suite (2000) 14'
       for harmonica quintet, sheng, hp, pf & perc

• The World of Da Tong (2000) 10'
       for mixed ensemble

Instrumental Solo

• Spirit I (1997) 5'
       for cl

• Song of the River (1995) 8'
       for pf

• Lake Lo Fuo (1994) 5'
       for zheng

• Two Preludes (1992) 5'
       for pf

• Violin Solo in G Minor (1992) 8'
       for vn & pf

• The Wind of  Spring  (1992) 5'
       for zheng

• Four Seasons (1992) 10'
       for pf

Vocal / Choral

• Hong Kong, You are Beautiful! (2005) 8'

• Min Feng San Yue (2005) 13' for mixed chorus

• 情繫香江 (2002) 10' for mixed chorus

• Yuen Long Tone Poem  (2001) 6'
       for children chorus

• Song of the Universe (2000) 5'
       for soprano

• The Drunken Old Man  (1995) 8'
       for solo tenor & pf

• Nian Xie  (1994) 5'
       for solo soprano & pf

• Train (1994) 10'
       for chorus

• Empty Streets (1992) 6'
       for soprano & pf

• 浣溪沙 (1992) 8'
       for solo alto, chorus & pf

• Picking Lotus  (1992) 4'
       for tenor, soprano duet with pf

• To Remember  (1992) 10'
       for chorus, pf & perc

Electro-Acoustic Music / Computer Music

• Vibration in Stillness(2004) 70' for electronic music, live percussions and choreography

Music for Ballet / Dance

• Vibration in Stillness(2004) 70' for electronic music, live percussions and choreography

Music for Theatre / Drama

• The Seven Wise Men from the Bamboo Grove  (1994) 45' for drama

• Children theatrical puppet musical The Little Fish  (2006) 90' for musical

Multimedia / Installation

• Drunken Night at the Peak of the Mountain (2000) 11' for Chinese ensemble, multi-media & dancer

• Meditation at the Sea  (2001) 15'
       for tape, fl, vc & dancer

Music for Video Production

• The Story of Tea II (1997) 20'
       for Chinese ensemble

• The Art of Wan Lau  (1996) 20'
       for MIDI production

• The Story of Tea I (1995) 20'
       for Chinese ensemble

Music for TV

• Original soundtracks for over 40 episodes of RTHK TV series since 1990
  

Film Music / Jingles

• Film Music for Cream Soda and Milk(1982) 30'

• Jingle for Esko Products Spring/ Summer (male version) (1984) 30

• Jingle for Esko Products Spring/ Summer (male version) (1984) 15

• Jingle for Esko Products Spring/ Summer (female version) (1984) 15

• Jingle for Esko Products Autumn/Winter (male version) (1984) 30

• Jingle for Esko Products Autumn/Winter (male version) (1984) 15

• Jingle for Esko Products Autumn/Winter (female version) (1984) 15

Publications / Paper Presentations

• The article entitled ‘Analysis of Tan Dun's Ghost Opera' by Mui Kwong Chiu was collected lin A Collection of Articles in Commemoration of the 20 Anniversary of the Hong Kong Ethnomusicology Society, jointlypublished by Center of Asian Studies, HKU and Hong Kong Ethnomusicology Society in September 2005.

• An essay entitled ‘The mixing instrumentations of harmonica with other musical instruments as seen from the newly created harmonica compositions' was published in the book ‘Seventy Years of Hong Kong Harmonica' published by Joint Publishing Co. Ltd. in August, 2004.

• A review entitled ‘The Fifth Asia Pacific Harmonica Festival 2004' was published in the September issue, 2004 in the quarterly publication CASHFLOW of Composers and Author's Society of Hong Kong (CASH).

• A research paper entitled ‘New Possibilities for Chinese Instrumental Music: Compositional Techniques in Two Original Chamber Works' was delivered in the Research Colloquia in Autumn 2003 in the Department of Music at the University of Hong Kong. The paper discusses the incorporation of compositional techniques from both Chinese and Western traditions as integrated in Mui Kwong Chiu's two musical works.

• Music Theatre and Multi Media: Teaching Resource Kit." (in collaboration with Joshua Chan) In Contemporary Music Education Campaign of the ISCM World Music Days 2002. Hong Kong: Hong Kong Composers' Guild and the Education Department, 2002.

• ‘Analysis of Tan Dun's Ghost Opera' by Mui Kwong Chiu was first published as papers and proceedings of the Sixth Seminar on the History of New Music in China: Its Form, Craftsmanship and Aesthetics in 2000. It was later published in the same year in Collected Essays on History of New Music in China, Vol. No 6 by HKU Center of Asia Studies.

• A feature article entitled ‘An Exploration of Coherence in Music from Pop Song to Serious Music' was published in Issue 29 in the summer of 1999 in CASHFLOW the quarterly publication of CASH. In the article, compositional techniques in both pop and contemporary music genre were discussed, with a special focus on some of Joseph Koo's modulation techniques and his twin use of modes, with illustrations from some of his pop songs serving as demonstrations.

• Part of Mui Kwong Chiu's vocal music (serious category) from 1980 to 1999 have been listed in ‘Hong Kong Vocal Music: A General Index' among the works of other prominent Hong Kong Composers. Chinese Christians Literature Council Ltd published the collection of vocal music with the above index in March 1999, with sponsorship from Hong Kong Arts Development Council.