MAK Chi Piu 麥志彪 MAJOR WORKS 主要作品 Back

TAM Ka Shu Kenneth 譚家樹 Tam Ka-shu (Kenneth), based in Hong Kong, draws most of his musical inspiration from the daily auditory experience in his home city. His music is characterized by its complex timbre and its peculiar linearity. Tam’s works have been performed and have received radio broadcast all over the world, including the USA, UK, Australia, Canada, Greece, Mexico, Croatia, Hong Kong, Taiwan, Mainland China, New Zealand, Turkey and Korea. His works have also been featured in various international events such as the UNESCO International Rostrum of Composers, the International Computer Music Conference, the Asian Composers League Conference, MUSLab Electroacoustic Music International Exhibition and the others. His works cover a wide range of genres, ranging from music for traditional forces to multimedia creations. He has worked with artists and ensembles such as the Arditti Quartet (UK), Ensemble Mise-En (US), the Hanatsu Miroir (France), the Hayley-Laufer Duo (US/Canada), the dissonArt Ensemble (Greece), the RTHK quartet (Hong Kong), the choreographer/dancer Mary Schnepf (USA), and more. Tam earned his PhD in Music Composition in the University at Buffalo. He completed his Bachelor in Hong Kong Baptist University and his Master in the University of Missouri-Kansas City. His major composition teachers include David Felder, Cort Lippe, James Mobberley, Zhou Long, Chen Yi, Christopher Keyes and Christopher Coleman. 譚家樹的音樂常取材於日常的聽覺體驗。日常聲音的不確定性為譚氏帶來很多創作靈感，亦間接使其音樂帶著奇怪的情感。 譚氏曾於世界各地發表過作品，他亦積極參與不同的國際論壇及研討會。他曾與多個室樂團及多位藝術家合作，當中不乏一流藝團，例如傳奇弦樂四重奏阿爾迪蒂弦樂四重奏、法國Hanatsu Miroir現代室樂團、香港創樂團等。 譚氏先後於香港浸會大學、美國密蘇里大學堪薩斯分校及紐約州立大學水牛城分校取得音樂系文學士，作曲系音樂碩士及作曲系哲學博士學位。他師從作曲家David Felder, Cort Lippe, 周龍、陳怡、James Mobberley、Paul Rudy、Christopher Keyes及Christopher Coleman。 MAJOR WORKS 主要作品 Chamber Sprawl (2020) for guitar, bassoon and cello Flux (2019) 5’20” for violin, viola and cello …Into Dirt… (2019) 9’17” for string quartet (* dedicated to the Arditti Quartet) ___-cide (2018) 8’33” for clarinet, trumpet and piano Perplexing Planes (2018) 7’03” for flute and clarinet in B-flat (* for Hinatsu Miroir) Manjusaka (2018) 5’01”for Overtone singing and viola Behind Those Words (2017) 8’37" for clarinet, cello and percussion String Quartet No.1 – Ideology (2014) 10'13" Tam-Tam Sonata (2013) 11'45" for tam-tam and piano Discussion．(Somewhat) Meaningless Sound for somewhat Profound Listeners (2012) 5'09" for oboe, bassoon, violin, viola and double bass Choral Beyond the Frontier of the Great Wall (I) (2018) 5’27” for SATB Choir and piano Pie Jesu (2018) 5’27” for Women’s Choir, Oboe and String quartet Lord. have Mercy (2017) 14’49” for SATB choir Peter Pan’s Healthy Donut (2016) 5'31" for Children Choir (SSAA) The Story Begins for a Teddy (2016) 5'43" for Children Choir (SSAA) Night Song (2015) 5'04" for Children Choir (SSAA) Ideal Reality (2013) 7'10" for four mixed voice parts Electroacoustic/Electronic Manjusaka 2.0 for viola, overtone singing and stereo channels City Story - Flying Sword (2017) 6'05" Stereo / 5.1 channel Tam-tam Sonata (2013/2015) for live tamtam, pre-recorded or live piano and electronics for 5.1 channels Wandering in Labyrinth (2013) 7'38" Stereo channels Magnetized World (2013) 5'22" for stereo track and violin Vessel of Dream (2012) 4'17" 5.1 channels Ensemble Path of Heaven for 12 musicians (2020) for fl, ob, cl, hn, bass tbn, perc, hp, pno, vln, vla, vc, db. Path of Earth (2019) for flute, clarinet, percussion, piano, violin, viola, cello (* dedicate to ensemble Mise-En) String Octet No.1 – Spiritual Fermentation (2013) 12'00" for string octet (double string quartet) Instrumental Solo Reaction II (2019) 7'16" for violin (*dedicate to Irvine Arditti) Reaction I (2018) 4'17" for viola Interdisciplinary Collaborations As Within So Without (2019) 7’22” for screen dance and stereo channels Alone (2018) 6’01” for dancer, film and stereo/5.1 channels Little Hidden Momentum (2015) 2'15" for photographs and String Quartet Miniature Piano Etude (2018) 3’09” Sudden Moment in a Stripe of Memory (2013) 0'30" for flute, cello and toy piano Orchestral Two little Orchestral Studies (2014) 7'00" for chamber orchestra (2222, 4221, 2P, Harp, Str) Vocal Phoenix Hairpin I (2019) 8’15” for soprano and piano Darwin's Thought (2015) 12’16” for Soprano and Piano quintet A Key to Devolution (2012) 8'08" for soprano, 2 trumpets and percussion 管弦樂 大迴環 (2014) (In progress) 管弦樂團 (3333, 4321, 3P, Harp, Str) 兩首管弦樂小品 (2014) 室內樂團 (2222, 4221, 2P, Harp, Str) 室樂 第一弦樂四重奏－觀念 (2014) 大鑼奏鳴曲 (2013) 大鑼、鋼琴 記憶的一隅 (2013) 長笛、大提琴、玩具鋼琴 第一弦樂八重奏－靈釀 (2013) 空廢討論Ÿ給資深聽眾的無謂聲音 (2012) 雙簧管、巴松管、小提琴、中提琴、低音大提琴 合唱 烏夜啼－獨上西樓 (2013) 童聲合唱團 (SSA) 理想的現實 (2013) 4個混合聲部 聲樂 達爾文奇想 (2015) (in progress) 女高音、鋼琴五重奏 退化的索引 (2012) 女高音、兩支小號、敲擊樂 電子音樂 漫步迴廊 (2013) 雙聲道 磁化世界 (2013) 小提琴、雙聲道 夢的導管 (2012) 5.1 聲道 Back

LEUNG Kai Sun Joshua 梁啟新 MAJOR WORKS 主要作品 Back

CHENG Zen In Michelle 鄭心言 A Hong Kong-born composer and music educator. Graduated from the Hong Kong Academy for Performing Arts majoring in music composition, Cheng soon pursued her studies in Music Education at Hong Kong Baptist University. She is currently a MA student at the Iceland University of the Arts, a full member of the Hong Kong Composer s’ Guild and a Registered Teacher in Hong Kong. Cheng is enthusiastic about composition for educational purpose. Her work The Time Train (2018) was selected to be published in the Hong Kong Children’s Choir 50th Anniversary Album, performed by the renowned choir, and chosen by the Diocesan Boys’ School Choir as one of their repertoires in 2021. Cheng has a consuming passion for vocal music composition. She entered the finals of the 6th International Choral Composition Competition Japan – in honour of her work Mens Agitat Molem (2020). Her a cappella work Anyone Here? (2020) was selected to be one of the programmes in the Hong Kong Contemporary Music Festival 2020. Apart from vocal music, Cheng’s commissioned work The Outcry (2019) for guitar solo was performed throughout the 2nd Composition Workshop held by the European University of Cyprus, whilst she was one of the selected international composers in the event. 鄭氏為香港土生土長的作曲家及音樂教育工作者，先後畢業於香港演藝學院作曲系及香港浸會大學教育學系。現為冰島藝術大學碩士生、香港作曲家聯會會員及香港註冊教師。 鄭氏熱衷於創作用於音樂教育的作品。她所創作的 時光車 (2018) 被收錄於香港兒童合唱團五十週年歌集內，並由該合唱團首演，及後獲拔萃男書院合唱團選為該團的年度曲目之一。鄭氏近年集中於編寫聲樂作品，其中她的無伴奏合唱作品 Mens Agitat Molem (2020) 為第六屆日本國際合唱作品比賽的決賽曲目，而她的另一首無伴奏合唱作品 人在嗎? (2020) 則被挑選為二〇二〇年香港當代音樂節的曲目。 除聲樂作品外，鄭氏於二〇一九年獲塞浦路斯歐洲大學委約創作結他獨奏作品 The Outcry (2019) ，並以獲選國際作曲家身份應邀出席其主辦之第二屆作曲工作坊。 MAJOR WORKS 主要作品 Orchestral / Symphonic Band 2011 Saxophone Concerto No.1 (for SATB saxophones + orchestra) [8’] 2011 QingFengNian Overture (for mixed Chinese & western symphonic band) [5’] Chamber 2021 The Brimming Vibrance (for percussion trio) [4’] 2020 The Three Movements (for string quartet) [3’] 2013 Dragon Impromptu (for hulusi + piano) [3’] 2013 A Set of Dizi Etudes (for dizi duo) [15’] 2011 Saxophone Concerto No.1 (for AB saxophones + piano) [5’] Instrumental Solo 2021 The Vibrance (for percussion solo) [4’] 2019 The Outcry (for guitar solo) [5’] 2019 The Drunk Beetle (for alto saxophone solo) [3’] Vocal / Choral 2020 Krvava Bajka (for mezzo-soprano and strings) [7’] 2020 Anyone Here? (for SATB + vocal percussion) [5’] 2020 Todo es Música y Razón (for TBB a cappella) [4’] 2020 Pond Pond Pond (for SA + piano) [2’] 2019 Mens agitat molem (for SATB a cappella) [3’] 2018 The Time Train (for SA + piano + metronome) [4’] Multimedia 2015 cINE65 III - Teacher Librarian (Film Scoring) [3’] (https://youtu.be/PLlMcopRVMQ) 2011 Soul Minding (for Cantonese drama + string quartet) [10’] Electronics 2011 Time Tesseract (for harp + live electronics) [5’] Back

MA Jiu Yue 馬久越 MAJOR WORKS 主要作品 Back

PANG Chun Ting 彭振町 MAJOR WORKS 主要作品 Back

VONG Hin Ching 黃軒靖 MAJOR WORKS 主要作品 Back

WONG Chung Hei 黃頌熙 MAJOR WORKS 主要作品 Back

YU Chiu For 余昭科 MAJOR WORKS 主要作品 Back

LAW Wing Fai 羅永暉 Law Wing-fai (Solo Theatre) is a leading composer in Hong Kong, and one of the few to have crossed over the boundary between commercial music and the arts. He is currently a Composer-in-Residence at the Hong Kong Academy for Performing Arts, and Artistic Director of Wuji Ensemble. Law graduated from the University of California with a Master’s degree in Music (Composition and Electronic Music). He worked closely with Hong Kong’s New Wave directors in films during the 1980’s, having scored for more than 20 films including the award-winning Boat People, Dream Lovers and A Simple Life. He was the founding Head of Composition of the Hong Kong Academy for Performing Arts, a position which he subsequently held for many years. During the 1990’s, he was a Visiting Scholar at Stanford University where he gave lectures and wrote music. On returning to Hong Kong, he found a new angle in music composition, which resulted in many important works using Chinese-Western mixed instrumentation, the most representative of which are When Mountains Roar and Linli. He also founded Wuji Ensemble, a group that is known for its unique character. In May 2008, the Hong Kong Chinese Orchestra presented a critically acclaimed concert featuring Law’s works. With a diverse oeuvre spanning serious and commercial music, Law has written for pop music, commercials, drama, opera and in particular, for over a dozen dance dramas such as Song of the Good Earth and Rouge. His long list of accolades include the Irino Memorial Award presented at the Asian Composers’ League, the Hong Kong Film Award for Best Original Score, “Composer of the Year” by the Hong Kong Artists’ Guild, and being selected as one of the “Twentieth Century Masterpieces by Chinese Composers” by the Chinese Culture Promotion Society in Beijing. Law’s score for the drama production The Peach Blossom Fan was awarded “Best Original Music” by the Hong Kong Federation of Drama Societies. Law was also a five-time winner of the CASH Golden Sail Music Award between 2001 and 2008, with his opera Dreaming Plum Blossoms Away, Flowing Fancies for pipa and Western orchestra, Feng Liu for Chinese plucked strings, A Thousand Sweeps for pipa and Chinese orchestra, and Flowing Phantasm for Chinese Orchestra. 羅永暉是本港少數跨越藝術與商業領域的資深作曲家。現任香港演藝學院駐校作曲家及「無極樂團」藝術總監。他早年畢業於美國加州大學，主修作曲，獲碩士學位。 回港後與新浪潮導演合作創寫超過二十部電影音樂，如《投奔怒海》、《夢中人》及最近的《桃姐》等。其間創立香港演藝學院作曲系，並擔任該系系主任多年。 1995年再次赴美以訪問學人身份在美國史丹福大學從事講學及音樂創作，回港後以嶄新的寫作風格，發表多首大型中西樂器混合的作品如《山鳴》、《淋漓》 等，並創立風格獨特的「無極樂團」。2008年5月，香港中樂團舉辦「星河潑墨」— 羅永暉的中樂新境界專場音樂會，他的作品獲得音樂界的高度評價。 羅氏寫作多元化，除藝術音樂外還有流行音樂、廣告、電視劇、話劇、歌劇及十多齣舞劇音樂，如城市當代舞蹈團的《狂想大地》、香港舞蹈團的《胭脂扣》等。嬴得 的重要獎項中，包括亞洲作曲家同盟會議頒贈的入野義朗紀念大獎、香港電影金像獎最佳配樂獎、香港藝術家聯盟頒贈的藝術家年獎以及作品被北京中華民族文化促 進會選為「二十世紀華人音樂經典」之一。2001年至2008年期間，他以《桃花扇》獲得香港戲劇協會頒贈的最佳戲劇音樂獎，並以歌劇《夢拾紅梅》、琵琶 與西洋樂隊作品《逸筆草草》、中國彈撥樂作品《風流》、琵琶與中樂隊作品《千章掃》及中樂隊作品《星河潑墨》連獲五次香港作曲家及作詞家協會頒贈的金帆音樂獎。 MAJOR WORKS 主要作品 Orchestral (Western) Linli (1998) 15' for guan, sanxian & orchestra When Mountains Roar (1997) 12' for 4 Chinese soloists, orchestra & chorus A Thousand Sweeps (1997) 10' for pipa & orchestra Visions Beyond (1996) 12' Prealudium (1994) 2' for 2 ob, 2 hn & string orchestra Phantasm (1994) 16'30" for vc & orchestra Chou Si (1993) 20' for 3 high voices, Chinese & Western orchestras Intrada (1993) 15' Sphere Supreme (1992) 10' Overture (1989) 8' Musica Concertata (1987) 16' Pipa Concerto (1986) 30' Rice Field Dance (1979) 6' When Clouds Rise (1978) 12' Qian (1977) 10' Orchestral (Chinese) Flying Brush (1999) 16' Tang Capriccio (1996) 15' Ink Spirit (1996) 12' for pipa & Chinese string orchestra Puck (1990) 15' Ballade for 2 Pipas & Chinese Orchestra Concerto for Percussion and Orchestra (1986) 15' for Chinese perc & Chinese orchestra Soundscapes (1983) 20' Chamber (Western) Moon Spirit (2000) 15' for pipa & string quartet Link (1999) 10' for woodwind quintet Mood Sketches (1998) 12' for string quartet Vortex (1996) 10' for 2 pf Season Without a Name (1996) 15' for fl, ob, cl, string quartet & pf Ink Spirit (1995) 10' for pipa & string quartet Qian Si (1994) 8' for pipa & string quartet Kunk (1989) 14' for 4 pf & 2 perc Fantasia (1988) 10' for hpch & gtr Caprice in G (1988) 6' for vn & pf Plus One (1987) 8' for string quartet Sleeve Dance (1984) 12' for 2 pf & perc Sun Soundic (1983) 10' for fl, cl, pf, vn, vc & tape Dionysus Fantasia (1979) 7' for 3 fl, pf (celesta) & 2 perc Si Ahu Kou (1978) 8' for fl, va & pf Mulberry Grove Dance (1975) 7' for fl & gtr Chamber (Chinese) Autumn Vista on the River (1999) 5' for Cantonese ensemble A Spring Walk in the Mountains (1999) 5' for Cantonese ensemble Desolate Petals on the Guileless Water (1999) 5' for Cantonese ensemble Air Eleganza (1999) 12' for xiao, sheng, yangqin & zheng Incense Offerings (1986) 10' for xiao, erhu, pipa & zheng The Drunken Tai Bai (1985) 7' for dizi, sheng, yangqin & zheng Instrumental Solo In One Stroke (1996) 10' for pipa Shake'n Roll (1995) 10' for pipa Of Butterflies and Frogs (1992) 3' for pf Toccata (1991) 10' for marimba Intermezzo (1988) 8' for gtr Cantilena for One Finger (1985) 9' for pipa Misty (1974) 7' for pipa Three Little Pieces with Spiritual Touch (1972) 7' for pf Silkworm (1972) 7' for pipa Opera Dreaming Plum Blossoms Away (2000) 2 hrs Vocal / Choral Chou Nu Er (1996) 10' for mixed choir & pf What is the Taste of Sorrow (1994) 10' for alto, vn & pf My Ambition (1993) 5' for children' choir & pf/orchestra Yu Lin Ling (1993) 8' for mixed choir & pf Hope (1991) 6' for children's choir & pf Garden Song (1982) 7' for mixed choir & pf Neither Out Far Nor in Deep (1978) 6' for alto & cl in Bb Music for Dance / Drama Parting at River Yi (1993) 1 hr 30" Suppressed Romance (1991) 1 hr 30" Rouge (1991) 1 hr 30" Three Romantic Chinese-Song of the Earth II (1990) 1 hr 30" Homeland (1990) 1 hr Femme Fatale (1987) 1 hr 30" Chinese Historical Myth-Sun and Moon (Fame and Love) (1985) 30' Hung Liu Zui Yu (1983) 30' Song of the Good Earth (1983) 1 hr 30" Theatre Music Synopsis (1990) 1 hr The Emperor and the Nightingale (1985) 1 hr 30" Dragon Dance (1980) 30' Film Music Romance of Book and Sword (1988) Princess Fragrance (1988) Dream Lover (1986) Woman of Wrath (1985) Just Like Weather (1985) Women (1984) Boat People (1981) TV Music Vanguard (1985) Discography Tang Capriccio Hugo 7208-2 A Thousand Sweeps Hugo 7205-2 Pipa Concerto Hugo 71042 Phantasm Hugo 71042 Musica Concertata Hugo 71042 Sphere Supreme Hugo 799-2 Musica Concertata H.K. Record 8.242119 Sun Soundic H.K. Record 8.242120 Silkworm CMS 601 What is the Taste of Sorrow BMG 74321-326172-2 Misty Kolin 5035 Hope H.K Record 4.242118 Plus One CGCD 9402 Mulberry Grove Dance Philips 7399285 管弦樂(西樂) 淋漓(1998) 15' for guan, sanxian & orchestra 山鳴 (1997) 12' for 4 Chinese soloists, orchestra & chorus 千章掃 (1997) 10' for pipa & orchestra 無極意象 (1996) 12' 小序曲 (1994) 2' for 2 ob, 2 hn & string orchestra 飛絮 (1994) 16'30" for vc & orchestra 抽思 (1993) 20' for 3 high voices, Chinese & Western orchestras 管弦樂前奏曲 (1993) 15' 天驕 (1992) 10' 管弦樂序曲 (1989) 8' 管弦樂小協奏曲 (1987) 16' 琵琶協奏曲 (1986) 30' 耘耘舞 (1979) 6' 坐看雲起時 (1978) 12' 籤 (1977) 10' 管弦樂(中樂) 亳飛集 (1999) 16' 風采 (1996) 15' 潑墨仙人 (1996) 12' for pipa & Chinese string orchestra 雙琵琶與樂隊敘事曲《天靈靈》 (1990) 15' Ballade for 2 Pipas & Chinese Orchestra 打擊樂協奏曲 (1986) 15' for Chinese perc & Chinese orchestra 山水響 (1983) 20' 室樂 (西樂) 月鬼 (2000) 15' for pipa & string quartet 靈犀 (1999) 10' for woodwind quintet 意筆白描 (1998) 12' for string quartet 漩渦 (1996) 10' for 2 pf 無名季節 (1996) 15' for fl, ob, cl, string quartet & pf 潑墨仙人 (1995) 10' for pipa & string quartet 牽絲 (1994) 8' for pipa & string quartet 狂弦四聲 (1989) 14' for 4 pf & 2 perc 幻想曲 (1988) 10' for hpch & gtr G調隨想曲 (1988) 6' for vn & pf 第五聲 (1987) 8' for string quartet 水袖 (1984) 12' for 2 pf & perc 響晴 (1983) 10' for fl, cl, pf, vn, vc & tape 醉鄉 (1979) 7' for 3 fl, pf (celesta) & 2 perc 絲竹扣 (1978) 8' for fl, va & pf 桑林調 (1975) 7' for fl & gtr 室樂 (中樂) 秋水連天 (1999) 5' for Cantonese ensemble 山徑春行 (1999) 5' for Cantonese ensemble 花自飄零水自流 (1999) 5' for Cantonese ensemble 清音寫意 (1999) 12' for xiao, sheng, yangqin & zheng 香火 (1986) 10' for xiao, erhu, pipa & zheng 太白醉酒 (1985) 7' for dizi, sheng, yangqin & zheng 獨奏曲 一筆 (1996) 10' for pipa 滾沙沙 (1995) 10' for pipa 青蛙草蝶 (1992) 3' for pf 馬林巴琴展技曲 (1991) 10' for marimba 間奏曲 (1988) 8' for gtr 一指禪 (1985) 9' for pipa 寒雲路 (1974) 7' for pipa 靈河三章 (1972) 7' for pf 蠶 (1972) 7' for pipa 歌劇 夢拾紅梅 (2000) 2 hrs 聲音 / 合唱 醜奴兒 (1996) 10' for mixed choir & pf 少年不識愁滋味 (1994) 10' for alto, vn & pf 我的志願 (1993) 5' for children' choir & pf/orchestra 雨霖鈴 (1993) 8' for mixed choir & pf 希望 (1991) 6' for children's choir & pf 花園之歌 (1982) 7' for mixed choir & pf 近在咫尺 (1978) 6' for alto & cl in Bb 舞蹈劇音樂 易水寒 (1993) 1 hr 30" 自梳女 (1991) 1 hr 30" 胭脂扣 (1991) 1 hr 30" 狂想大地之二：三個浪漫的中國人 (1990) 1 hr 30" 香港情懷之時光動畫編號四 (1990) 1 hr 女色 (1987) 1 hr 30" 搜神之日月「名利、愛情」(1985) 30' 紅樓碎玉 (1983) 30' 狂想大地 (1983) 1 hr 30" 劇場音樂 美人如玉劍如虹 (1990) 1 hr 國王與夜鶯 (1985) 1 hr 30" 龍舞 (1980) 30' 電影音樂 書劍恩仇錄 (1988) 香香公主 (1988) 夢中人 (1986) 殺夫 (1985) 美國心 (1985) 女人心 (1984) 投奔怒海 (1981) 電視音樂 廉政先鋒 (1985) 唱片目錄 Tang Capriccio, Hugo 7208-2 A Thousand Sweeps, Hugo 7205-2 Pipa Concerto, Hugo 71042 Phantasm, Hugo 71042 Musica Concertata, Hugo 71042 Sphere Supreme, Hugo 799-2 Musica Concertata, H.K. Record 8.242119 Sun Soundic, H.K. Record 8.242120 Silkworm, CMS 601 What is the Taste of Sorrow, BMG 74321-326172-2 Misty, Kolin 5035 Hope, H.K Record 4.242118 Plus One, CGCD 9402 Mulberry Grove Dance, Philips 7399285 Back

CHIU Hok Man Elena 趙學文 Pianist-composer Elena Chiu is a highly versatile and vibrant musician. Her adventurous composition pursuits are honed by performing a diverse repertoire at various international platforms. Her ‘Tango’ won the Italy (Treviso) International Contemporary Music Competition in 2012. In recent years, Elena has performed at main concert venues in England, including the BBC Proms and Aldeburgh Festival. Elena graduated from the Royal Academy of Music in London with MMus piano performance and LRAM in distinction. She then received her doctorate degree in music composition at the Chinese University of Hong Kong, under the supervision of Professor Victor Chan. Elena's works have been featured at notable festivals and conferences, such as the Royal Academy of Music Summer Piano Festival, Hong Kong Arts Festival, Musicarama, the Asian Composers' League Conference and Festival and many more; her music was performed by the Hong Kong Oratorio Society, Die Konzertisten, Ponte Singers and Orchestra, Taipei Chamber Singers, Anonymous Quartet, Phoenix Quartet, Hong Kong Strings, St. John's Cathedral Choir, Hong Kong Hymn Society, to name a few. Elena's selected choral music is published by the Hong Kong Children's Choir and Alpha & Omega Company. In 2016, Elena worked as composer-in-residence at the Dixie State University in Utah; she was a choir trainer, both as pianist and composer, at the Children’s International Voices of Enfield during her time in London. 趙學文，新一代鋼琴家兼作曲家。憑其全面的技巧和過人創意於國際比賽中屢獲殊榮，曾獲意大利當代音樂 (2012年) 國際作曲比賽冠軍。 英國著名作曲家暨鋼琴家杜格拉斯‧菲泉稱許為「真正的音樂家」，盛讚其獨奏會「引人入勝」。近年，先後於倫敦各大演湊廳演出，並獲邀於英國廣播公司的倫敦夏季逍遙音樂會和奧爾德堡音樂節中演出。趙氏以優異成績於英國皇家音樂學院畢業，取得鋼琴演奏碩士及LRAM文憑，並於中文大學完成音樂作曲博士研究，師隨陳偉光教授。 趙氏的音樂曾在本地及海外發表，包括英國皇家音樂學院夏日消遙鋼琴音樂節、香港藝術節、Musicarama、亞洲作曲家同盟會議及音樂節等，其作品亦曾獲香港聖樂團、Die Konzertisten、本地樂團、台北室內合唱團等團體演奏 ， 部分合唱作品並由香港兒童合唱團及Alpha & Omega Company出版。趙氏為美國迪克西州立大學2016年大提琴節的駐校作曲家。在英國期間，趙氏擔任倫敦國際兒童合唱團駐團作曲家及鋼琴伴奏，並參與訓練工作。 MAJOR WORKS 主要作品 Back

《石牆樹》 Stonewall Trees 楊倩桐 Yeung Sin-tung Jessie 現於香港中文大學就讀文學士課程，主修音樂，副修政治與行政學及新聞及傳播。曾就讀香港演藝學院及其青少年音樂課程。現為香港青年中樂團、中大爵士樂團及崇基管樂團的低音大提琴手。 楊氏希望透過演奏和作曲，表達音樂的純粹。藝術的世界很大，還在探索，尋求音樂蘊含的意義和本質。 Yeung Sin-tung Jessie is pursuing a Bachelor of Arts from the Chinese University of Hong Kong, majoring in Music and minoring in Government and Public Administration (GPAD) and Journalism and Communication. She previously studied at The Hong Kong Academy for Performing Arts and was a student in its Junior Music Programme. She is now the bassist for the Hong Kong Youth Chinese Orchestra, CUHK Jazz Ensemble and Chung Chi Wind Orchestra. Yeung would like to express music’s simplicity and intrinsic qualities through performance and composition, exerting herself to explore the essence and inwardness of music in this boundless world of art. 石牆樹在港島十分常見。戰後技術改良，後建的石牆已沒有留下可供植物生長的石縫。 這樂章由2015年般咸道細葉榕斬樹事件啟發。以四位馬木巴琴的演奏者代表四棵細葉榕，金屬樂器、定音鼓及大鼓上與棒槌摩擦的聲音形容鋸樹情境，其後樂手以手拍打馬木巴琴表達樹幹被斬後重新生長的情況。 以馬木巴琴拉弦的聲音作結，猶如重現鋸樹的動作。石牆樹與石牆可反映城市面貌和發展變遷，透過創作此樂曲，理解我們如何投射了回憶和情感予石牆樹上? The stonewall tree is quite common in the Hong Kong Island area. During World War II, these trees already existed, and the technique of constructing stone walls was mastered by craftsmen from Dongguan. After the war, the technology improved, but the later-built stone walls no longer had crevices suitable for plant growth. This piece was inspired by the 2015 Bonham Road banyan tree felling incident. Four marimba players represent four banyan trees, while the sounds of metal instruments, scraping sounds of friction mallets on timpani, and bass drums depict the scenario of sawing trees. Subsequently, the musicians tap the marimbas, expressing the regrowth of trees after being cut down. The bowing sound of the marimba concludes the piece as if re-enacting the action of sawing trees. Stonewall trees and stone walls can reflect the city’s appearance and transformation. Beyond music, we hope to understand the relationship between walls and people, and the way we project memories and emotions onto the stone wall trees. Back