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LAU Cheuk-Ho Fredrick 劉卓豪 Graduating with First Class Honours in Bachelor of Arts in Music from the Chinese University of Hong Kong, Frederick LAU currently pursues Master of Music in Composition at McGill University under the supervision of Prof. Melissa HUI. His undergraduate and graduate studies were funded by numerous scholarships, including the Hong Kong Scholarship for Excellence Scheme, HSBC Overseas Scholarship Scheme, C. F. Hu Postgraduate Memorial Scholarship, Bernard Van Zuiden Music Prize, etc. Recent works include compositions written for solo marimba, solo carillon, tape, solo violin and electronics, and horn trio. The tape composition, Interbeing, was selected to be performed at the annual conference of Canadian University Music Society in the Congress 2021 of the Humanities and Social Sciences. Having studied composition with Prof. Wendy LI, Prof. Stephen CHATMAN, and Dr. William SO, LAU’s compositions have been premiered by various professional musicians, e.g., Between Contrasts (2018) performed by Contrast Trio, A Game of Banality (2018) performed by Hong Kong Wind Kamerata in the New Generation Composition Competition 2018 held by Hong Kong Composers’ Guild, and Tiptoes (2020) by Cong Quartet. During his undergraduate exchange studies at The University of British Columbia (UBC), LAU composed three compositions that were premiered at Roy Barnett Recital Hall. 劉卓豪以一級榮譽取得香港中文大學音樂文學士（作曲）學位，作曲師隨蘇偉雄博士、李允琪教授及Stephen Chatman 教授。在學期間，更屢獲獎學金，如滙豐海外獎學金計劃、萬瑞亭音樂獎等。劉氏現為麥基爾大學作曲碩士一年級生，師隨Melissa Hui教授，並獲香港卓越獎學金計劃全額資助。 劉氏對室內樂的創作尤感興趣，其作品曾被不同樂團公開演奏，包括由 Contrast Trio 公開首演的《異中見同》（2018），由管樂雅集公開首演的《亦如俗戲》（2018）。以及由Cong Quartet首演的《悄步》（2020）。在英屬哥倫比亞大學交流學習間，劉氏的三首新作在當地首演。於麥基爾大學在學期間，劉氏的唯聲音樂作品 (acousmatic composition)《互即互入》（2020）更被選中於Canadian University Music Society（MusCan）年度研討會（2021）中公開演出。 MAJOR WORKS 主要作品 2021 Gossamer for Solo Marimba (2021), ca. 8’ Eidos and Eikôn for Solo Violin and Electronics (2021), ca. 11’ The Hour Before the Dawn for Violin, Horn and Piano (2021), ca. 5’ 2020 Interbeing for Stereo Fixed Medium (2020), 7’36’’ – selected to be performed at Canadian University Music Society (MusCan) in the 2021 Congress of the Humanities and Social Sciences in Canada Omnes Una Manet Nox for Solo Carillon (2020), ca. 8’ Tiptoes for String Quartet (2020), ca. 5’30’’ – premiered by Cong Quartet Vox Nihili for Violin, Cello, Clarinet and Percussion (2020), ca. 5’ 2019 Because of the Wind for SATB and String Octet (2019), ca. 12’30” Four Landscapes for Guitar Quartet (2019), ca. 9’ Night Piece for Soprano and Guitar (2019), ca. 6’ 2018 Duo for Clarinet and Piano (2018), ca. 6’ A Game of Banality for Wind Quintet (2018), ca. 5’ – selected as a finalist of New Generation 2018 by Hong Kong Composers’ Guild; premiered by Hong Kong Wind Kamerata Between Contrasts for Violin, Saxophone and Piano (2018), ca. 8’30’’ – premiered by Contrast Trio Hat Alles Seine Zeit for SATB Choir (2018), ca. 3’30’’ Little Dance Suites for Recorder and Guitar (2018), ca. 6’30’’ A Trio of Tango for Guitar, Erhu and Yuan (2018), ca. 4’ 2017 Four Movements for Flute and Clarinet (2017), ca. 8’ Fugue on the theme L’homme Arme for Strings Quartet (2017), ca. 3’’ Back

CHEN Yeung-ping 陳仰平 Chen Yeung-ping (Hong Kong, born 1983) has received degrees from Hong Kong Baptist University, the Hong Kong Academy for Performing Arts, and the University of California, San Diego (UC San Diego), and studied with Lei Liang, Clarence Mak, Law Wing-fai, and Chistopher Coleman. The recipient of the Asian Cultural Council’s Altius Fellowship, the Hong Kong Jockey Club Music and Dance Fund, and the CASH Music Scholarship, Chen was named a finalist for the Rivers Awards Competition in Shanghai and was later commissioned by Steven Schick and La Jolla Symphony & Chorus to compose “The Moon in a Jolla” a telematic symphonic work inspired by a poem of the late Hong Kong poet Yasi. Chen was also a composer-fellow for the Ensemble 2010 Project in Darmstadt Summer Festival, the International Ensemble Modern Academy in 2011, and June in Buffalo 2012, and worked with groups from all over the world, includes Ensemble Modern, JACK Quartet, Ensemble Dal Niente, Tactus Ensemble, Mivos Quartet, UMS n’ JIP, the Hong Kong New Music Ensemble, and the City Chamber Orchestra of Hong Kong. Chen now serves as Associate Professor and Director of Academic Colloquia at South China Normal University School of Music (Guangzhou, China). 陳仰平，1983年生於香港，美國加州大學聖地牙哥分校哲學博士，主修音樂創作，師隨梁雷、麥偉鑄、羅永暉、高爾文，並連續獲得由香港作曲家及作詞家協會，香港賽馬會音樂及舞蹈信託基金，以及亞洲文化協會等獎學金和藝術獎項。 陳仰平曾獲美國拉霍亞交響樂團所頒發的 Thomas Nee 年度委約獎，創作管弦樂作品《樂海崖的月亮》，並曾獲邀出席在曼哈頓音樂學院、西北大學、斯坦福大學、新英格蘭音樂學院、萊斯大學、紐約州立大學、台北藝術大學（亞洲作曲家聯盟）、澳門大學、香港中文大學、馬賽、米蘭、上海（上海當代音樂周）、南寧（東盟現代音樂節）等地舉行的國際作曲交流活動，發表作品和主持音樂講座，而近年則主要從事粵港澳三地現代音樂研究。除了創作及科研外，陳仰平亦具豐富的藝術策劃經驗，自2014年起，成為世界國際音樂聯盟（WFIMC）成員哈爾濱勛菲爾德國際弦樂比賽 Schoenfeld International String Competition 的首席運營官。 陳仰平曾任美國加州大學聖地牙哥分校副講師，香港浸會大學音樂系行政助理，現為廣州華南師範大學音樂學院副教授並擔任學術交流部主任一職。 MAJOR WORKS 主要作品 Palindrome (2014) for saxophone quartet Light (2013-14) for contrabass quintet Sonic Engraving "Fragment X" (2013) for string quartet Light and Tears (2013) for solo violin Stars and Moon. Cloud and You. (2012) for Pierrot ensemble Stillness in the Fragmentized Twirls (2011) for animated image, trumpet and string quartet Bíe III (2011) for large mixed chamber ensemble Trace of Solar Luminosity (2010-11) trio for violin, horn and contrabass Sonic Engraving of the Last Sigh (2010) for flute, clarinet, viola, cello and piano A Silence Tree (2010) duo for counter-tenor and recorder with interactive electronic A Future Letter (2010) multi-media work for theater Bíe II (2009) for mixed ensemble Bíe I (2009) duo for clarinet and sheng Symphonic Etude- Azurescape (2009) for orchestra Xian Xia (2008) for solo alto saxophone and orchestra Sublime (2006) for wind concert band Ki Lin (2006) trio for clarinet, violin and cello 清心也可以 (2014) 柔光 (2013-14) 音響版畫－賦格 (2013) 燭淚 (2013) 星和月. 雲和妳 (2012) Stillness in the Fragmentized Twirls (2011) 別 III (2011) 日照的軌跡 (2010-11) 音響版畫－最後的嘆息 (2010) 一棵寂靜的樹 (2010) 給未來的信 (2010) 別 II (2009) 別 I (2009) Symphonic Etude- Azurescape (2009) 仙峽 (2008) Sublime (2006) 麒麟. 瑞獸 (2006) Back

CHANG Herbert# 張海伯 Born in 1948, California, U.S.A. In 1959, at age 11, Chang entered Chinese Central Conservatory of Music in Beijing. The study started from elementary and then high school. In 1966, the Cultural Revolution interrupted his study, and in 1968, he was sent to Tianjing Gegu Farm to receive re-education. He grew rice there. Three and half years later, the government assigned him a violinist position in the Chinese Central Ballet, which at that time was a model troupe of Mao’s wife. In 1978, he was transferred back to the Central Conservatory to teach at the high school department. In 1979, Chang returned to the U.S, and studied at the San Francisco Conservatory of Music. Currently, he is a violin teacher in the U.S, and also a composer with two violin text books published by Mel Bay Music Publications; “Forty Studies for Violin” and “Daily Scale Exercises for Violin”. 於1948年出生於美國加利福尼。 （父母均為留美學生）1959年進入中央音樂學院附小, 然後附中學習。 1966年文化大革命爆發，學業停止。 1968年被送到天津葛沽農場接受“再教育”。張在農場種水稻。 1972年被分配到中央芭蕾舞團工作。 （當時是江青的樣板團）於1978年被調回中央音樂學院附中任教。 1979年赴美。 1979到1982年在美國舊金山音樂學院學習。現在在美國做小提琴教師並且從事音樂創作。在美國出版了“小提琴練習曲40首”，和“小提琴每日音階練習”兩部著作。 （由美國 Mel Bay 公司出版）最近完成了“特出小提琴技術練習”一書以及一些樂曲，其中包括小提琴獨奏曲8首，中提琴獨奏曲1首，大提琴獨奏曲1首，弦樂四重奏一部。 （4個樂章） MAJOR WORKS 主要作品 Two violin text-books have been published in the U.S. They are “Forty Studies for Violin” and “Daily Scale Exercises for Violin”. Publishes is “Mel Bay Music Publications Inc.” The third book “Special Technique School for Violin” has just been finished. Following pieces have been finished. Cello solo piece: Caprice Viola solo piece: Legend Violin solo piece: Caprice No.1 Violin solo piece: Caprice No.2 Violin solo piece: Happy Birthday Violin solo piece: Impromptu Violin solo piece: May Song Violin solo piece: Song of spring Violin solo piece: Trill Fantasia Violin solo piece: Waltz String Quartet in four movements 張海伯在美國出版了《小提琴練習曲40首》和《小提琴每日音階練習》兩本教科書。出版商是“Mel Bay Music Publications Inc.” 最近完成了第三本教科書《小提琴特出技術練習》。 並且創作了以下作品： 大提琴獨奏曲： 隨想曲 中提琴獨奏曲：傳奇奇曲 小提琴獨奏曲： 隨想曲第一號 小提琴獨奏曲： 隨想曲第二號 小提琴獨奏曲： 生日快樂 小提琴獨奏曲： 即興曲 小提琴獨奏曲： 五月的歌 小提琴獨奏曲： 春之歌 小提琴獨奏曲： Trill 幻想曲 小提琴獨奏曲：圓舞曲 弦樂四重奏 （四個樂章） Back

CHENG Chin-man 鄭展文 Cheng Chin Man is presently an artist in residence of The Jockey Club Creative Arts Centre (JCCAC) in Hong Kong. He is fascinated by both visual art and music. His works include painting, installation and contemporary music. He studied Sound Design and Music Recording at The Hong Kong Academy For Performing Arts and graduated in 2000. In the same year he was awarded "Best Student Music Composer" and "Best Student Sound Designer" for theatre production by the academy. He then began to focus on composing and was self-taught. From 2002 to 2004 he was funded by The British Council Chevening Postgraduate Scholarships for his Masters Degree in Composition (Mus.M in Composition) at The University of Manchester. He studied composition with Professor Philip Grange, and electro-acoustic composition with Dr. David Berezan. His electro-acoustic composition “Amalgamation” (2004) was featured and also his composer webpage was launched by Pytheas Center for Contemporary Music (US) in 2011. His “Piano Suite No.88.1-11” (2007-2011) was premiered in Hong Kong in 2012 by Jeremy Young, and is released on CD by The Hong Kong Composers’ Guild in 2013. The piano suite consists of 11 piano pieces of different styles. Each piece consists of only the 88 different pitches available on the piano, and each of those 88 pitches appear only once. It is believed that this is the first time in music history that this concept has been applied. Cheng Chin Man has developed certain unique musical concepts in his output. His inspiration draws from the duality between tradition and contemporary, naivety and sophistication, intimacy and distance. 鄭展文現任香港賽馬會創意藝術中心駐場藝術家，對視覺藝術與音樂同樣熱愛，創作範疇包括繪畫、裝置藝術和當代音樂。於2000年修畢香港演藝學院音響設計及音樂錄音課程，並於同年獲舞台最佳音響設計及最佳學生作曲家獎，期後開始專注於作曲並自學。於2002-2004年獲英國文化協會志奮領獎學金赴英國曼徹斯特大學修畢作曲碩士 (Mus.M in Composition) 課程，師隨 Professor Philip Grange 研習作曲，並隨 Dr. David Berezan 研習電子音樂。 他的電子音樂作品Amalgamation (2004)於2011年獲美國皮西亞斯現代音樂中心推薦，並獲該組織設立作曲家網頁。作品Piano Suite No.88.1-11(2007-2011) 於2012年由鋼琴家Jeremy Young於香港首演，並收錄於由香港作曲家聯會唱片2013年出版之唱片。此作品包含11首不同風格之樂曲，當中每首樂曲僅由鋼琴88個不同的樂音組成，每個樂音只被採用一次，相信是音樂歷史上首次以此方式創作之樂曲。他的作品中可見一些獨特的音樂手法及概念，並且多帶有傳統與現代、率真與精緻、親切與疏離之兩極性。 MAJOR WORKS 主要作品 Dramatic/Theater Composition for drama "Blood Wedding" (2000) Orchestra Life of Time, Time of Life, 88 instruments (2001) Trace the Origin of Beethoven’s Symphony No. 5, orchestral version: perform the score in reverse (2001) On The Way, small orchestra (2005) Chamber Wave Composition No. 1, 2 violins, 2 violas, 2 cellos and 2 double basses (2000-01) 11-Tone Composition - Still Life, flute, clarinet, cello and piano (2001) 5-Tone Composition - In One, woodwind quintet (2001) 7-Tone Composition - Silver on Air, 7 flutes (2002) Tone Composition – City, 12 cellos (2002) Study for Clarinet and Cello (2002-03) Eternal, string quartet (2003) Insane Colour, trombone and percussion (2003-04) Woodwind Quintet (2004) Duet for Dizi and Flute (2009) Day in Day out, violin, clarinet and piano (2012) Solo Instrument Violin Etude - After Rain (2005) HGTA, flute (2006) Piano Fantasy on Erik Satie’s Gymnopédie No. 1, piano (2002) For Two Pianos (2004) Piano Piece No. 1 (2007) Wedding March + Canon = ?, piano (2008) Piano Suite No.88.1-11, piano (2007-2011) [Each piece consists of only 88 different pitches of the piano] Electronic Three Sound, electroacoustic piece (2000) Forest, electroacoustic piece (2000) Trace the Origin of Beethoven’s Symphony No. 5, electroacoustic version: reverse the audio file of the symphony (2001) Amalgamation, electroacoustic piece (2004) Disorder Ligeti’s Désordre, electroacoustic piece (2007) Back

BOO Chun-kit 布俊傑 Boo Chun Kit graduated in 2016 from The Hong Kong Academy for Performing Arts, majoring in composition and electronic music. Afterwards, he pursued further study in the Master of Fine Arts in Creative Media (MFACM) degree programme at City University of Hong Kong and graduated in 2018. He was selected to take part in Sig. Tune for Hong Kong Museum of Art: Creative Music Programme in 2019. He composed A Flowing Tune of Paints under the theme of Chinese Painting and Calligraphy. This work has been broadcast in the exhibition and different media platforms. Besides, his duet piece Worries have been performed in different concerts. He is also keen on multimedia production, and exploring the possibilities of music through different presentations and perspectives. He had taken part in the dance-music collaboration piece Cycle (2015) and the short animated film Collided Time (2018). 布俊傑於2016年畢業於香港演藝學院（音樂學士），主修作曲及電子音樂。及後，他在香港城市大學修讀創意媒體藝術碩士課程，並於2018年畢業。 他於2019年獲選參與香港藝術館主旋律創作計劃 ，並以中國書畫為題譜曲。其作品《點動樂流》曾於藝術館展覽中播放以及在不同平台發表。另外，他的二重奏音樂作品《煩惱絲》亦曾在多個音樂會中作為演奏曲目。 他同時熱衷於跨媒體製作，透過多角度呈現音樂。他曾參與過的跨媒體製作包括音樂與舞蹈作品《Cycle》和音樂動畫《碰撞的時間》。 MAJOR WORKS 主要作品 Orchestral 管弦樂 山行 Among Mountains for Orchestra (2015) Chamber 室樂 水之影 Water Image for Guzheng and Cello (2016) 漫步 Wandering for Alto Saxophone, Horn, Vibraphone, Piano, Violin and Double Bass (2015) 愔 Serene for Guzheng and String Quartet (2015) 煩惱絲 Worries for Flute and Clarinet (2014) 裊裊不斷 Curling Up for Dizi, Sheng and 2 Zhongruans (2014) 彩雲 Iridescent Clouds for String Quartet (2014) 憶 Yi for Erhu and Pipa (2014) 爍 Sparkle for String Trio (2013) 迷離不知處 Indistinct Boundaries for Oboe and Bassoon (2012) Solo 獨奏 鏡像 Mirror for solo Vibraphone (2016) 水鄉 Shui Xiang for solo Guzheng (2014) Vocal 聲樂 色彩 Palette for Baritone, Violin, Cello and Piano (2013) Electronic 電子音樂 弧 Arc for Cello and Live Electronics (2015) Multimedia 多媒體 Collided Time 碰撞的時間 (動畫 Short Animated Film) (2018) Looking From The Below At Old District for String Quartet (2016) 【聲影集：香港景觀 SOUND-IMAGination: Hong Kong Landscape】 Cycle for 2 Violins, Cello and Dancer (2015) 凝聚片刻 Gather Instant for Viola and Bass Clarinet (2013) 【聲影集：香港‧一刻 SOUND-IMAGination: Hong Kong One Moment】 其他 Others 點動樂流 A Flowing Tune of Paints (2019) 【香港藝術館主旋律創作計劃 Sig. Tune for HKMoA: Creative Music Programme】 Back

LAW Daniel 羅炳良 Daniel Law is a renowned Hong Kong composer, conductor, senior music educator and sacred music scholar. He was Professor in the Department of Music and the Dean of Arts at the Chinese University of Hong Kong. He also served many terms as Council member and trustee of CUHK, Chung Chi College and the China Graduate School of Theology. In his own church, the North Point Alliance Church, he contributed in building up a comprehensive working team in its music and worship ministry. Professor Law has been actively engaged in both the musical and scholarly sectors. He has had numerous composition commissions, and had published academic articles, books and edited many anthologies, conference proceedings, helped produced several Protestant hymnals and anthem books. Professor Law attended King’s College, The Chinese University of Hong Kong, and Northwestern University at Evanston, Illinois. His composition mentors included Antonio Donato and Alan Stout, while his conducting teachers were Dr Wing-Hei Wong of Hong Kong, Margaret Hillis of the Chicago Symphony Orchestra and Stephen Cleobury of King’s College, Cambridge University. He has been invited as a visiting scholar by the Dept of Music at Harvard University, and a visiting research professor at CCRMA, Stanford University. After retirement from CUHK, his interest has shifted to Music Theology and Liturgical Music. Recently, he spent two years at the School of Theology at Boston University as research scholar. Honors awarded to him include the distinguished dissertation prize, membership to Pi Kappa Lambda, the American Honor Society in Music, and inclusion into the International Who’s Who in Music in 1984. 羅炳良是香港著名作曲家、聖樂家、資深教育工作者及指揮家。他曾任香港中文大學文學院院長及中文大學音樂系教授、屢任多屆香港中文大學、香港中文大學崇基學院、中國神學研究院等校校董。並且在所屬教會，香港宣道會北角堂，致力建立有規模的聖樂隊工。 羅教授活躍於學術界及音樂界，著作包括多類型音樂作品，音樂學術論文、書籍、主編多套曲集、學術論文集、又曾協助出版多本基督教聖詩及合唱集等。 羅教授肆業英皇書院、香港中文大學及美國西北大學。他的作曲老師包括Antonio Donato 及 Alan Stout，指揮老師包括香港的黃永熙、芝加哥 交響樂團的 Margaret Hillis 及劍橋英皇書院的 Stephen Cleobury。羅教授曾任哈佛大學音樂系訪問學人、史丹福大學音響及電腦音樂研究中心訪問研究教授各一年，退休後其學術興趣轉移至崇拜禮儀學及音樂神學，最近獲邀在波士頓大學神學院作研究學者兩年。他曾屢獲殊榮，包括傑出博士論文獎，美國榮譽音樂學會（Pi Kappa Lambda）資格，並於1984年入選劍橋世界音樂名人錄。 MAJOR WORKS 主要作品 Orchestral Tien Dao (2002) 15' for Chinese drum & orchestra Concerto for Orchestra (1996) 10' Silk and Down (Overture) (1993) 2' Symphony No. 2 (1991) 14' Sinfonietta sine nominee (1987) 12' Symphonie Concertante (1981) 15' Ode from the Nestorian Monument (1972 ) 12' Three Pieces for String Orchestra (1970/97) 8' Chamber The Chessmen (2000) 14' for va & db From the Wasteland to the Journey of the Magi: Homage to T.S. Eliot (1998) 20' for string quartet (String Quartet No.2) The Century (1997) 10' for string quartet (String Quartet No.1) Shiu Xian Cao II (1990) 6' for 6 Chinese instruments & pre-recorded synthesized tape Variations on Themes from Malacandra (1987) 8' for fl, bn & pf Pilikus (1987) 5' for 4 hn Trio (1984) 5' for ob, cl & pf Trio (1978) 5' for ob/Eng Hn, bass cl & pf Medieval Suite (1977/91) 10' for fl, cl, bass cl, hn, tb, vn & db Variations on a Chin Theme (1977) 6' for fl, vn, pf & tape Nachmung No. 1 (1973) 3' for 2 fl & 2 vc Three Pieces (1971) 5' for bn & pf Instrumental Solo Three Erudite Etudes (1993) 6' for pf Prelude and Introit on "Unser Herrscher" (1990) 4' for organ & bass Prelude and Postlude on "Wer nur den lieben Gott" (1988) 5' for organ Five Etudes for Guzheng Solo (1985) 8' Ten Short Pieces for Pianoforte (1973) 8' Vocal / Choral Veni Creator Spiritus (2000) 5' SATB a cappella with divisi Magnificat and Nunc Dimittis (1997) 5' for choir & organ Christmas Carol Suite (1996) 20' for SATB & pf Speaking of Huang-di (1995) 3' for SATB a cappella or SATB with pf Anthem "God be in My head" (1994) 3' Anthem "Praise the lord" (1992) 8' for choir, organ, brass quintet & perc Solid Rock (1992) 45' cantata for choir, soprano & bass solo & orchestra Huixin (1992) 10' a set of Chinese fun songs for choir Jubilate Deo (Psalm 100) (1989) 13' for children treble choir & organ The Crystal Prison - Poem of the Wristwatch (1989) 9' for SATB & pre-taped synthesizers New Settings of Five Renaissance Songs (1987) 10' for baritone & lute/theorbo Sheng Sheng Man (1980) 4'30" for SATB & prepared pf Psalm 33rd (1980) 7' for SATB a cappella The School Boy (1980) 4' for SSA a cappella Three Chinese Folksongs (1980) 9' arrangement for SATB & pf Alleluia with verse "The Holy Child" (1979) 7' for SATB a cappella Three Chinese Folksongs (1979) 9' arrangement for TTBB a cappella Ballet The Last Days (1994) 25' for 2 dancers, 3 perc, vc & cl Others Many liturgical music, hymn-tunes published in Hymns of Life, Sound of the Bamboo, Sound of Grace, Chinese Praise, etc. Discography Ode from the Nestorian Monument, Pacific Music HK 8.242119 Variations on Themes from Malacandra, Pacific Music HK 8.242120 Three Erudite Etudes, CUMUS-001 The Medieval Suite, CGCD-9401 Symphony No. 2, Hugo HRP 799-2 Two Etudes for Gu Zheng Solo, ROI Productions RA-951010C Selected Publications Related to Composition *Note: many other publications in Music Education, Church Music and Musicology are not included in the following list. "Teaching Contemporary Composition Theory: The Use of Simulation Games in the College Level Music Theory Course." Ann Arbor, Michigan : University Microfilm, 1979. "The Composers' Quest: Words and Music, Host or Slave." Bauhinian Suite Music Society Bulletin (Nov 1983): 16-21. "Chinese Sacred Music Ideology and Composition." Parts 1, 2. Sacred Music Quarterly 12 (January, April 1990): 1-4, 1-4. "A Study of the Archetypal Approach: J.S. Bach and Chinese Hymns." In Research in Ethnomusicology: Proceedings of the Contemporary Chinese Music Conference, 1946-76, edited by C.C. Liu, 372-99. Hong Kong: Center of Asian Studies, University of Hong Kong, 1990. "Hong Kong." In New Music in the Orient: Essays on Composition in Asia Since World War II, edited by Harrison Ryker, 225-48. Buren, the Netherlands: Frits Knuf Publishers, 1991. "Music Creation - Materials, Structure and Humanity: A Computer Adventure" The Humanity Bulletin (CUHK) vol.3 (1994): 52-61. "Modelling Small Chinese and Tibetan Bells." (with Andrew Horner and Lydia Ayers) Journal of the Audio Engineering Society 45, no. 3 (March 1997):148-59. Hong Kong Vocal Music Collection (editor in chief) 8 vols & 1 index (a project propelled by HKCG, the Hong Kong Association of Choral Societies and CCLC with funds from the HKADC). Hong Kong: Chinese Christian Literature Council Ltd, 1999. 1323pp. "Synthesis Modeling of the Chinese Dizi, Bawu, and Sheng" Journal of Audio Engineering Society 47, no. 12 (December1999): 1076-87. Back

CHAN Yuk-pan 陳玉彬 To be updated. 稍後更新。 MAJOR WORKS 主要作品 Back

LI Kar-yee 李嘉怡 LI Kar-yee is a Hong Kong-born composer. She produced numbers of concerts in the public with her compositions of different genres performed, including orchestra, ensembles, choir music, electronic music and multi-media productions. She collaborated with artists from different medias with her compositions premiered in recent years, including 2022 New Music Festival in Seoul (Korea), Flowing Sound in 2019, HK Musicarama in 2017, 2009 and 2006, HKAPA 30th Anniversary Concert, La Sax the 7th Annual Concert, Spotlight Series 3 – Rendering, Spotlight Series 2 – Sing East Hit West, Hell Hot New Music Festival, The Carmerata Annual, The Bel Canto Singers Annual Concert and HK-Macao Collaboration Concert. Li’s compositions were also awarded as the best composition in the HK New Generation Composition Competition in 2006 and 1st runner-up in 2003, and selected as the HK Young Composer Representative in the Bangkok ACL (Asian Composers’ League) in 2005. After receiving her Master Degree of Music with full-scholarship in The Hong Kong Academy for Performing Arts, Li committed actively in music education and promoting creative art for the young generation. She has been teaching composition and music creating courses at the HK Academy for Performing Arts and Education University of Hong Kong. She is currently a lecturer at the HK Academy for Performing Arts. 李嘉怡生於香港，從事音樂創作及教育工作，致力推廣現代音樂。曾於不同院校教授音樂創作課程，並製作無數本地音樂會，演出及指揮不同類型作品包括管弦樂團、室樂、合唱團、電子音樂及多媒體製作等。近年參與之作品演出及製作包括：《2022韓國首爾新音樂節》、2019多媒體製作《流聲》、《音樂新環境》2017、2009、2006、《演藝30周年音樂會》、《La Sax 7周年音樂會》、《第一屆Hell Hot 音樂節》、Spotlight 系列之多媒體製作《Illusion．Imagine》及《喜怒哀樂》、《The Bel Canto Singers周年音樂會》、《The Carmerata 周年音樂會》、《香港・澳門交流音樂會》、泰國《亞州作曲家聯盟音樂節》等。 李氏畢業於香港演藝學院，獲碩士及學士（榮譽）學位，主修作曲及電子音樂，師隨羅永暉及麥偉鑄。於在學時期多次獲頒獎學金，包括「埃克森美孚獎學金」、「演藝學院友誼社獎學金」、「春天舞台獎學金」、「柏斯音樂基金會獎學金」及「香港演藝學院全額碩士獎學金」。其間亦獲選為2005《亞州作曲家聯盟音樂節・香港年青作曲家代表》、《音樂新一代》作曲比賽2006冠軍及2003亞冠 。現於香港演藝學擔任講師。 MAJOR WORKS 主要作品 Ensemble and Solo works Fruit Taste in a Tree 《樹上水果的滋味》 (2022) for Flute, Clarinet, Cello and Percussion Collaboration and Confrontation《合作與對抗》(2016) for Piano 8 hands One Minute on Stage 《台上一分鐘》(2014) for Guitar Sextet Train to Sax 《色式旅程》(2012) for Saxophone Quartet Summer Resail 《再夏》(2009) for Clarinet, Violin and Percussion As I Like 《隨我鍾意》(2008) for Flute, Oboe, Saxophone and Marimba The Beginning 《起初》(2008) for Piano solo Song of Victory 《凱旋之歌》(2007) for Brass Quintet The Sun 《日》(2007) for Brass Quintet Shadow Chasing 《追影》(2006) for Recorder and Guitar / for Recorder and Tenor Spring 《春》(2006) for Clarinet, Violin, Cello and Piano / Percussion Fellowmen《同僚》(2006) for Flute, Clarinet, Cello and 3 percussionists Xian Dong Qi Sheng《弦動氣生》(2005) for Xiao and Zheng Ling Dong 《靈動》(2005) for String Quartet Summer《夏》(2004) for Clarinet, Violin, Cello, Piano and Percussion The Waldspirale 《木旋》(2004) for Piano solo An Autumn Leaf《一葉知秋》(2003) for Flute and Harp The Way Alone《寂山行》(2003) for Xiao, Clarinet, Cello and percussion Mind Script《心靈手稿》(2003) for Guitar solo Fruit Taste《水果的滋味》(2003) for Percussion Ensemble Ado…Efface…Death《忙…忘…亡》(2002) for String Quartet Youth Emotion 《青心》(2001) For Flute, Clarinet and Bassoon Starry Sound《星聲》(2001) for Flute, Cello and Piano Up-Down, Joy《起落、喜樂》(2001) for Clarinet and Trombone Choir / Vocal Waiting for…x3《等・等・等》(2017) for SSA choir and Piano 《聆．山行》(2009) for SSTBB Whispering Hope 《微聲盼望》(2005) for SATB choir and Percussions All Things Bright and Beautiful《一切美麗光明物》(2002) for SATB choir, Flute and Vibraphone Multimedia Production Flowing Sound 《流聲》(2019) for electro-acoustic music, dance and flow-art Illusion．Imagine (2012) for Flute, Saxophone, Sheng, Percussion, Visual Projection and movement The Four Senses《喜怒哀樂》 (2011) for 4 Voices, percussions and movement Escape 《逃》(2008) for live Saxophone, Violin, electronic music, visual projection, dance and movement Illusion《幻覺》(2006) for visual projection, voice and movement Seeking For Hearts《靈覓凡心》(2005) for electro-acoustic music and movement Schrodingers Kitten (2003) - Music for short film Love in Heart, Autumn (2003) - Music for short film Electronic / Acoustic-electronic Music The Moment 《那時》(2008) for Flute and Electronics Love is… 《愛是…》(2005) for Voice and Electronics Unexpected Time 《捉不到的時間》(2004) for Live Electronics Spiritual Ignition《靈韻》(2004) for Soprano, Cello and Electronics Fishing《釣魚》(2003) for Flute and Electronics Orchestra / Wind Band Sound From The Land 《地鳴》(2009) for Electronic Drum set and Concert Band Thousands of Torii 《千本鳥居》(2008) for Solo Flute, Cello, Zheng and Chinese Orchestra A Time for Everything《萬物有時》(2007) for SATB Choir and Western Orchestra Growing 《成長》(2006) for Western Orchestra Onto The Cross《十架上》(2005) for Solo Soprano and Orchestra Back

LEE Wan-ki Wendy# 李允琪 MAJOR WORKS 主要作品 Back

MAN Ho-yan 萬可仁 MAJOR WORKS 主要作品 Back

CHAN Ming-chi 陳明志 Chan Ming-chi studied music at the Tokyo National University of Fine Arts and Music, Elizabeth Music University , Shanghai Conservatory of Music for his master , PhD degree and post-doctorate programme respectively, researching in music composition, multi-media theatre music and Asian ethic music. His musical language covers a characteristic perception of sounds and their attribute, reflecting the consideration and integration of various factors such as the nature of sound itself, space-time effects, dramatic thinkings and philosophy of oriental culture. He is currently Chairman of the Hong Kong Electronic Music and Sound Arts Association , Artistic Director of the Ensemble Contemporary Players and the professor of the Shanghai Conservatory of Music where teaching composition and music digital media design. 陳明志先後於香港演藝學院作曲及電子音樂系、日本國立東京藝術大學作曲系、依利沙伯音樂大學音樂研究所接受由本科到哲學博士的教育，並在中國上海音樂學院完成博士後的作曲理論研究。陳氏一直以作曲家、指揮及音樂會策劃、統籌的身份活躍於樂壇，創作主要有管弦樂、跨媒體劇場音樂及舞臺、影視作品的聲音設計。他的音樂語境展示了其對聲音本體、時空效應及戲劇思维與東方文化哲思的多重思考與融合。近年以多元文化及互動為題，展開了一系列的多媒體音樂創作活動。現為上海音樂學院教授, 致力於作曲與音樂數位媒體的教學、研究與創作。 MAJOR WORKS 主要作品 Orchestral (Western) Fiery Song (2013) 10’ for wind orchestra Reverberation (1996) 10' for shakuhachi, zheng & string orchestra Teng Fei (III) (1995) 10' for wind orchestra & percussion Air Cosmo (1994) 12' for orchestra The Wind from Shadows (II) (1992) 12' for orchestra Teng Fei (II) (1991) 13' for cl & orchestra Teng Fei (I) (1990) 12' for wind orchestra Overture (1990) 8' for string orchestra Symphony No.1 (1989) 15' Orchestral (Chinese and Mixed) Flying with Dreams (2011) 6’ for Dizi and Chinese Orchestra The Dance of Lion City II (2010) 8’ for Chinese Orchestra The Dance of Lion City (2006) 8’ for rap and Chinese Orchestra World Excursion on Wings of Music- Open, Hong Kong! (2006) 3’ for Chinese Orchestra Milkshake飘色Musique (2005) 15’ for blue Harmonica, percussion and Chinese Orchestra Lung Ku Ju III (2005) 15’ for Chinese drums, Korean Drum, Indian Drum and Chinese Orchestra You You (2002) 10' for lute, pipa, nayin pipa, satsuma pipa & Chinese orchestra Song of Windscape (2002) 19' for dizi , satsuma pipa & Chinese orchestra Saikung Through Drunken Eyes (Version 2: Ant Man) (2002) 9' for narrator, 2 dizi's & Chinese orchestra Pao Ju Le (Delicious Life) (2001) 25' for narrator/actor &Chinese orchestra Windy Days II (2001) 14' for Japanese instrumental orchestra Lung Ku Ju (2000) 18' for Chinese drums ensemble & Chinese orchestra Leaping Forward (1999) 7' for Chinese orchestra Invisible Cosmo (1999) 70' for visual images, installation, movements, perc ensemble & Chinese orchestra Windy Days (1998) 14' for shakuhachi, koto & Chinese orchestra Saikung Through Drunken Eyes (1998) 9' for narrator, 2 dizi's & Chinese orchestra Jing•Qi•Sheng (1998) 10' for Chinese orchestra Encounter (1997) 11' for solo perc & Chinese orchestra Chamber (Western) Xi Xiang Ji (2013) 42’ for clarinet, bassoon, horn, harp, viola, cello, percussion Xiang Ru Fei Fei - by Three Dream-pursuing Juveniles (2012) 7’ for guan, alto-saxophone, sheng The Song of Tai Chi Motion (2011) 12’ for clarinet, viola, cello Qiang Shan Ru Hoi (2008) 12’ for flute, clarinet, shanxian, 2 violin, viola, cello Reverberation II (2001) 12' for violin, harp & perc Allegro in Four Colors - Ma On Shan (2001) 10' for harmonica quintet Zheng Qi, Ge (1996) 10' for cl, vc & pf Qi Yun Xiao Sa (1996) 8' for alto fl & vc Integration (1993) 10' for 3 perc Rhyme (1992) 10' for vn, fl, bass cl, db & 2 perc Quartet No.1 (1988) 7' for 2 vn, va & vc The Wind from Shadows (I) (1988) 9' for 2 fl, bass cl, db, marimba & perc Sonic Fantasy (1988) 8' for vn, va, vc, 2 perc, pf, fl, cl & bn Quintet No.1 (1987) 5' for fl, ob, cl, hn & bn Flying Horse (1987) 8' for 2 tp, hn, tb, tuba & perc The Voice of the Earth (I) (1987) 7' for cl, bn, tp, tb, 2 perc & pf Trio (1986) 7' for ob, cl & bn Miracle (1986) 6' for solo perc, xun, va & vc Longing in the Desert (1986) 6' for fl, hp & va Chamber (Ethnic Instruments) When the Clouds Raise (2011) 11’ for zheng ensemble Dei Yin Fong Fei (2008) 12’ for shakuhachi & cello Misty Tsing Yi (2001) 10' for ruan ensemble, gehu & perc Reverberation (1997) 12' for juhu, koto & perc He Wei Gui (1994) 10' for dizi, shakuhachi, pipa, shamisen, zheng, koto, 2 perc, vn, va & vc Kaiko (1994) 11' for organ & Chinese perc Moonlit Fantasy (1992) 10' for 3 perc, 3 shengs, dizi, pipa, zheng & hichiriki Somewhere Beyond the Clouds (1992) 10' for shakuhachi, vibraphone & koto Airwaves (III) (1992) 11' for shakuhachi & qin Airwaves (I) (1991) 10' for qudi, pipa & zheng Hui Liu (1991) 13' for 14 Chinese instrumental musicians Autumn Wind is Coming (1990) 8' for qin, yangqin & bass dizi Integration (1990) 10' duet for Chinese & Western perc Dancing on the Moon (1987) 7' for 2 dizi's, zheng & perc Instrumental Solo Dragon in Tsimshatsui East (2012) 1’ for bass clarinet Solitude (2008) 8’ for shakuhachi The Endless od Clouds (2003) 8’ for bass erhu Spiritus (1996) 10' for organ Odem (1995) 10' for db The Echo of Life (1995) 10' for pf Monologue (II) (1995) 7' for pipa H2O (1990) 8' for zheng Monologue (I) (1990) 7' for pipa Sumio (1989) 10' for db Here, There (1987) 5' for xiao Reminiscence (1984) 5' for pf Sonatina in G (1983) 5' for pf Vocal Rotating Cosmo (2011) 10’ for mass voice, chamber ensemble Qi•Guang•Yin (1998) 28' for monks chanting, male chorus, tape, Chinese & Western orchestras Dream?! Reality?! (1995) 7' for baritone, bass fl, erhu & koto Multimedia and Electronic Music Choking Spring Breeze Under Electric Light and Shadow (2013) 40’ for Moving Images, Installation, dancer, Chinese music & electronic sound Jiang Liu Yun (2012) 8’ for zheng & electronic sound Sheng Shan Yo Shu (2011) 45’ for dancer, Chinese ensemble & electronic sound Tai Chai Motion (2003) 45’ for dancer, Chinese ensemble & electronic sound Wuji Wuji (2001) 45' for Chinese dance & music Rain in Tsimshatsui East (2000) 10' for video & Chinese orchestra The Altas (1999) 120' for moving images & Chinese music O Xiang (II) (1994) 15' for dizi, fl, perc & modern Japanese dance O Xiang (I) (1990) 15' for 2 dancers, dizi, cl, perc & installation Recontemplation (1990) 16' for painter, dancer, cl, perc & fl Reminiscence (1990) 10' for guan & tape Back

CHENG Anthony 鄭汝森 Anthony Cheng - a songwriter, film and contemporary music composer, sound engineer and music producer in Hong Kong. His debut on the music scene was as a pianist and composer. As a frequent-awarded composer in multidisciplinary fields of music composition, Cheng’s music consists of an eclectic inspiration of a variety of musical styles. Cheng completed his master degree in music at King's College, London and Ph.D. at the University of Hong Kong. His former composition teachers include Dr. Joshua Chan at HKU, Dr. Silvina Milstein and Professor Sir Harrison Birtwistle at King's. He was a pupil of Denise Ham in orchestral conducting at the Royal Academy of Music. His compositions have been performed internationally at ISCM (Hong Kong 2002), Asia Ocarina Festival (Japan 2012; Taiwan 2016), Musicacoustica-Beijing (Beijing 2014, 2017), IDRS (Tokyo 2015), and in various countries and cities such as Hong Kong, Macau, United Kingdom, Northern Ireland, Japan, China, and Taiwan. Cheng also appeared as composer and conductor with ensembles and orchestras including London University Symphony Orchestra, Surrey Philharmonic Orchestra (UK), Hong Kong Chinese Orchestra, Hong Kong Medical Association Orchestra, HKU Union Philharmonic Orchestra, Lontano (UK) and King’s Harmonica Quintet (HK). Besides, Cheng has been frequently commissioned to write new works by Hong Kong Arts Development Council, Hong Kong Composers’ Guild, Music Office LCSD, several music affiliations and independent artists/musicians. Cheng is now teaching electronic music and popular music production at Hong Kong Baptist University, the Education University of Hong Kong and Hong Kong Lingnan University. 鄭汝森 - 集流行、電影、當代音樂作曲家及唱片監製於一身。早年於英國倫敦大學King’s College音樂碩士畢業，並於香港大學取得哲學博士學位。於2002年開設音樂製作公司Takumi Works，至今曾為過百多個本地及海外的客戶致力創作多不勝數的音樂，並參與國際大型盛事中的音樂後期製作。 鄭氏曾憑古巨基的歌曲『天才與白痴』獲得香港電台第二十八屆十大中文金曲作曲獎以及2005年度四台聯頒歌曲大獎，成為該年度本港四家電台/電視台合共最高播放率的歌曲。2015年憑多媒體音樂作品『遺·留』勇奪CASH音樂金帆獎最佳正統音樂作品殊榮。近年積極為多齣電影作配樂，當中更為第三十五屆香港電影金像獎最佳電影『十年』擔任錄音工作。現應邀為香港浸會大學音樂系、香港教育大學及香港嶺南大學擔任講師，教授電子音樂及流行音樂製作。 MAJOR WORKS 主要作品 Western Orchestra Le Lac d'Annecy - A Picture by Paul Cezanne (1999) [8'30"] for 2, 2, 2, 2 - 2, 2, 2, 1, harp, timp, perc, str Lament for the Princess Diana (1999) [7'] for 2, 2, 2, 2 - 2, 2, 2, 1, timp, str Chinese Orchestra Songful Clock Tower (2001) [7'] Chamber Red Lanterns (2014) [1'30"] for vla, vc, & pf Blue House (2013) [2'30"] for vla & DB DAN (2012) [1'30"] for cl, vln & vc Sketches for Wind Quintet (2000) [8'] for fl, ob, cl, bsn & hn Trio No.1 (2000) [11'] for cl, vc & pf Love Dialogues (2000) [3'] for vln duo Carnival Overture - for the Aberystwyth International Musicfest '99 (1999) [3'] for sax, tpt, tbn, vc & pf Piano Quintet (1998) [7'30"] for fl, vln, vla, vc & pf String Quartet II - Return to China (1998) [6'] for string quartet String Quartet I - Romance (1998) [6'] for string quartet Music for Woodwind Quintet, Percussion, and Vibraphone (1998) [13'] for fl, ob, cl, hn, bsn, perc & vibes Psycho-mind (1996) [5'30"] for soprano, fl, vln, vc, pf & perc Instrumental Solo Three Studies for Piano (1998-2000) [5'] for pf Children Pieces for Pianos (1997-2000) [11'] for pf or 2 pf Chorale Preludes (1998-1999) [3'] for org Impromptus No.1 (1997) [6'] for pf Clarinet Solitude (1996) [6'] for cl Vocal / Choral Wu Xing (2011) [8'30"] for mixed choir, chamber ensemble & tape From the HADES - Opera in Four Acts (2006) [ca.90'] for soloists & chamber ensemble Enigma (2004) [16'] for soprano, tenor, vc & pf Hail, Holy Queen (2004) [4'20"] for tenor, vln & pf Chanson Triste (2002) [7'30"] for tenor, fl & pf Ave verum corpus, Op.5 (2001) [4'] for SATB choir, str & org Praeludium, Chorale and Fughetto, Op.3, No.1 (1998) [4'] for org & SATB choir Ave Maria, Op.2 (1998) [6'] for soprano solo, SATB choir, hn & org Electronic / Electroacoustic Music Bushido II (2015) [15'] for Shakuhachi, harp, Japanese perc, orchestra & live electronics The Great Wall. End (2016) [6'] for erhu, pipa, guzheng, field recordings & live electronics sound x interstellar (2015) [5'] for tape Bushido (2015) [9'] for Shakuhachi, harp, perc, live electronics & tape iMagEs of Life (2014) [7'] for video & tape War Prayer (2012) [6'45"] for video & tape The AniFortune (2003) [8'] for soprano & tape Four Seasons from An Unknown Country (1999) [10'] for vibes & tape Multimedia Lost and Regain (2015) [15'] for tape Back