SHING Chun Hay 成俊曦 SHING Chun-hay identifies creativity with its power to inspire new perception of music, art and life. His works have travelled across continents, performed in concerts and music festivals in—to name some recent locations—Hong Kong, Macau, Taiwan, Thailand, Russia and the USA. He has been named the winner of Rapee Sagarik Composition Award in the 15th Thailand International Composers Competition in 2019 for his piano quartet light-dark (Chiaroscuro). In 2018, his All memories are moistened, selected from over 800 anonymous submissions, was a finalist in Moscow State Conservatory's International Competition for Young Composers “New Classics”. It was subsequently premiered at Rachmaninov Hall and in the following year reprogrammed in a concert of Studio for New Music (Moscow, Russia). As a composer, Shing has worked with many musicians in his native Hong Kong and overseas, including pianist Mary Wu, conductor Lio Kuokman, Hong Kong Chinese Orchestra, Hong Kong Band Directors Association Wind Orchestra, Hong Kong New Music Ensemble, Ensemble Kochi (Japan), Juventas New Music Ensemble (Boston, USA), and Ensemble Mise-en (New York, USA). His music has been featured in Taipei International Choral Competition, Asian Composers League's Asian Music Festival (Tokyo, Japan), the first anniversary of Asia Culture Center (Gwangju, South Korea), and at the Esplanade in Singapore. His other accolades include the First Prize of New Generation 2015, David Gwilt Composition Prize, Composers and Authors Society of Hong Kong Scholarship and Talent Development Scholarship. Alea Publishing and Recording has published his Moon over the West River, for clarinet and piano. Shing obtained his Doctor of Music degree in composition at The Chinese University of Hong Kong under Professor Wendy Wan-ki Lee, having been supported by a full scholarship from Hong Kong Jockey Club Music and Dance Fund. 成俊曦相信創意能為音樂、藝術以至人生啟發新視角。筆下作品曾於多地音樂會及音樂節演出，近來演出地點包括香港、澳門、台灣、泰國、俄羅斯、美國。 成氏憑鋼琴四重奏作品《明—暗》贏得2019年第十五屆泰國國際作曲比賽Rapee Sagarik作曲獎。2018年，作品《所有的記憶都是潮濕的》於莫斯科國立音樂學院舉辦的New Classics國際青年作曲家比賽，由超過800首不具名遞交的參賽作品中脫穎而出，入圍決賽十強，並於該院拉赫曼尼諾夫音樂廳首演，翌年由Studio for New Music（俄羅斯莫斯科）再度演出。 成氏以作曲家身份經常與香港及海外音樂家、音樂團體合作，計有：鋼琴家吳美樂、指揮家廖國敏、香港中樂團、香港管樂協會專業導師管樂團、香港創樂團、東風合奏團（日本）、Juventas New Music Ensemble（美國波士頓）、Ensemble Mise-en（美國紐約）等。作品曾於台北國際合唱大賽、亞洲作曲家聯盟亞洲音樂節（日本東京）、亞洲文化殿堂一週年紀念（南韓光州）、新加坡濱海藝術中心等場合演出。 曾獲其他獎項包括2015年音樂新一代冠軍、紀大衛作曲獎、香港作曲家及作詞家協會獎學金、才藝發展獎學金。為單簧管及鋼琴而寫的《西江月》，由Alea Publishing and Recording出版。 成氏畢業於香港中文大學，獲頒音樂博士（作曲）學位，師隨李允琪教授，在學期間獲香港賽馬會音樂及舞蹈信託基金全額資助。 MAJOR WORKS 主要作品 Orchestral Erupt (2020) - for orchestra The Wind Blows On (2019) - for wind band Chamber Shimmering Red Leaves (2020) - for oboe, viola All memories are moistened (2018) - for flute, clarinet, violin, cello, percussion, piano Refilling the Interregnum (2018) - for violin, cello A Self Tango (2018) - for violin, alto saxophone, piano Four Reminiscences of Childhood (2017) - for flute, oboe, clarinet, horn, bassoon light-dark (Chiaroscuro) (2016) - for violin, viola, cello, piano Lost Memory in Sunset Pixels (2016) - for flute, clarinet, bassoon, horn, violin, viola, cello, double bass Dance to Light (2016) - for saxophone octet Monologue in the Mountain Fog (2015) - for dizi, sheng, erhu, yangqin, zheng Moon over the West River (2014) - for clarinet, piano A Sense of Melancholy, a Song of Farewell (2013) - for violin, cello, piano Choral & Vocal Justus germinabit (2019) - for choral, SATB a cappella; sung in Latin (text from Bible) 隰桑 (xi sang) (2018) - for choral, SATB, a cappella; sung in Mandarin (text by Leung Ping-kwan) 生查子‧元夕 (On the Night of Lantern Festival) (2018) - for baritone, piano; sung in Cantonese (text by Ouyang Xiu) 音樂使我們連結在一起 (Music Brings Us Together) (2013) - for choral, SATB and piano; sung in Mandarin (text by Shing Chun-hay) Solo The Stars Bygone (2017) - for piano By the Lovesick Tree (2015) - for flute Arrangement Shall We Talk (2016) - for string quartet (arr. of Eason Chan’s cantopop song) Back

FU Zifei 付子妃 MAJOR WORKS 主要作品 Back

ZHENG Enzhe 鄭恩哲 MAJOR WORKS 主要作品 Back

CALL FOR SCORES 樂譜徵收 Title: Deadline: 2016-00-00 Entry Fee: Info link: Supporting Document: 項目： 截止日期： 費用： 詳情： 文件： I'm a paragraph. Click here to add your own text and edit me. It's easy. Back

TAM Yat Shing 譚逸昇 MAJOR WORKS 主要作品 Back

CHAN Chin Ting# 陳展霆 Composer Chin Ting (Patrick) CHAN (b. 1986) has held faculty positions at the University of Missouri–Kansas City and Kansas City Kansas Community College. His music has been featured throughout the North and South Americas, Europe and Asia; at festivals such as the International Computer Music Conference, the International Rostrum of Composers, IRCAM’s ManiFeste, June in Buffalo and the Wellesley Composers Conference, among many others. His works are published with the ABLAZE Records, Darling’s Acoustical Delight, Melos Music, Music from SEAMUS, Navona Records/PARMA Recordings, the SCI Journal of Music Scores and Unfolding Music Publishing (ASCAP). 香港作曲家陳展霆，現居美國，其音樂作品著重於以聲音表達抽象視覺形式，以不同的角度探索兩種感官的聯系。他的創作範疇涉獵甚廣，除了發表大小型室樂及管弦樂作品外，也致力參與電子音樂及聲響設計的創作和研究，且屢獲殊榮，曾認可於維也納跨學科音樂節、ASCAP、美利堅獎、音樂教師國家總會、現代音樂協會、香港作曲家聯會、林耀基中國音樂基金會、中美現代音樂中心、新耳現代室內樂團、新音樂會社、Soli fan tutti 作曲獎、WOCMAT 國際Phil Winsor電子音樂獎、新音樂推廣中心和維珍尼亞藝術中心。他更曾與世界知名的演奏團體合作，包括香港城市室樂團、香港創樂團、Ensemble intercontemporain、Ensemble Metamorphosis、ensemble mise-en、Ensemble Signal、eighth blackbird、Hypercube和Mivos Quartet，更於二十多個國家演出及廣播。他也曾獲邀參與多個重要的音樂節，包括IRCAM ManiFeste、國際電腦音樂會議和維斯理作曲家會議，其中更代表香港出席聯合國教科文組織國際作曲家論壇和ISCM世界音樂節。 陳氏現於美國鮑爾州立大學任作曲系助理教授。他曾就讀於聖荷西州立大學和鮑林格林州立大學，2014年於密蘇里大學(堪薩斯城分校)獲取音樂博士，在學期間主要師從著名作曲家陳怡、周龍、James Mobberley、Paul Rudy、Marilyn Shrude和Brian Belet。 MAJOR WORKS 主要作品 Large Ensemble Deform and Reform for wind ensemble – ca. 8' (2019) (picc, 2 fl, 2 ob, Eb cl, 3 cl, b cl, 2 bsn, 2 a. sax, t. sax, b. sax, 4 hn, 3 tpt, 3 trbn, euph, tuba, 4 perc) Commissioned by the Hong Kong Composers’ Guild Qing Ming for SATB choir and piano – ca. 4’ 30” (2018) Commissioned by the Hong Kong Composers’ Guild Dust Devil for chamber orchestra – ca. 6' (2018) (fl, ob, cl, bsn, hn, tpt, pno, strings) Commissioned by the Hong Kong Composers' Guild Untitled for large chamber ensemble – ca. 5' (2018) (fl, cl, hn, perc, pno, vln, vla, vlc, db) Falling Stars for wind ensemble – ca. 7' 30" (2016-17) (picc, fl, ob, 2 cl, b. cl, bsn, s. sax, a. sax, t. sax, b. sax, 2 hn, 2 tpt, trbn, euph, tuba, pno, 3 perc, db) Commissioned by conductor Caroline Hand and the Ball State University Wind Ensemble Shadow Play for chamber wind ensemble – ca. 10' (2015-16) (picc, fl, ob, cl, b. cl, bsn, a. sax, t. sax, hn, 2 tpt, trbn, euph, tuba, 2 perc, db) Joint commission by conductors Michael Mapp (Washburn University Wind Ensemble) and William Perrine (Concordia University Ann Arbor Wind Ensemble) time, unfolding for large chamber ensemble – ca. 10' (2014) (fl, cl, bsn, hn, perc, pno, 2 vln, vla, vlc, db) Veiled Light for large chamber ensemble – ca. 8' (2013) (fl, cl, tpt, trbn, pno, 2 vln, vlc, db) (Alternate version: fl, cl, hn, perc, pno, vln, vla, vlc, db) (2014) Apparitions - a fantasy for chamber ensemble – ca. 8' 30'' (2010-11) (fl, ob, cl, bsn, hn, tpt, trbn, 2 perc, pno, 2 vln, vla, vlc, db) Fanfare for Brass and Percussion – ca. 6' 30'' (2009) (3 tpt, 3 hn, 3 trbn, 2 euph, 3 tuba, timp, 2 perc) Commissioned by conductor Jason Thorpe Buchanan and the UNLV Brass Ensemble Symphonic Movements for orchestra – ca. 23' (2008) I. Lento II. Largo III. Grand (picc, 2 fl, 2 ob, 2 cl, 2 bsn, 4 hn, 2 tpt, 2 trbn, tuba, timp, 4 perc, hp, strings) Back

LEUNG Tiffany 梁恩庭 Tiffany Leung is currently a fourth year undergraduate student at the Hong Kong Academy for Performing Arts (HKAPA), where she studies composition under the tutelage of Dr. Cheung Pui Shan. Leung is also a recipient of the Lion Club Music Charity Scholarship, Tom Lee Music Scholarship and Musicus Society Trey Lee Scholarship. Leung was one of the 21 candidates shortlisted for the “Sig. Tune for the HKMoA: Creative Music Programme,” organized by the Hong Kong Museum of Art (HKMoA) in 2019. Leung was selected as a winner of the Call for Scores and participated in the artist residency program at Tai Kwun. 梁恩庭現為香港演藝學院作曲及電子音樂系四年級生，師從張珮珊博士。梁氏近年獲得獅子會音樂慈善獎學金，通利音樂獎學金及垂誼樂社獎學金。 梁氏曾獲選為香港藝術館主旋律創作計劃「未開館 先開鑼！」二十一位入圍作曲家之一。梁氏在垂誼樂社「作品徵集」中勝出，參與大館的駐場藝術家計劃，並為大館創作《大館》一曲。 MAJOR WORKS 主要作品 Orchestral Mai4 (2021) Chamber Ask for trouble - for pipa, ruan and harp (2020) End - for dizi, tenor sheng, yangqin, guzheng, erhu and two percussionists (2020) Kong - for chamber orchestra (2019) Lost in Tomb - for four percussions (2019) Tai Kwun - for guzheng, violin and viola (2019) Jadeite - for chamber orchestra (2019) Judgers - for violin and cello (2018) A(missing) Night - for guzheng, piano and cello (2018) Loop - for piano, xylophone and timpani (2017) Electroacoustic Music Get out - for yangqin and electronic (2021) Mood (2020) Life (2018) Vocal/Choral Masquerade - for soprano and electronic (2018) (2019) Dream - choral work (2018) Film Scores MOViEMOViE估Movie (2021) 偶然記起 Sometimes I Remember (2020) 「打破愛滋．由我始」港澳青年短片創作比賽公開組: To the Bones 到骨子裡 (2018) Multimedia Dusk (2021) 管弦樂 迷 -for orchestra （2021） 室內樂作品 自作孽 - for pipa, ruan and harp（2020） 過 - for dizi, tenor sheng, yangqin, guzheng, erhu and two percussionists（2020） 港 - for chamber orchestra（2019） 迷窟 - for four percussions（2019） 大館 - for guzheng, violin and viola（2019） 玉 - for chamber orchestra（2019） 審美官 - for violin and cello（2018） 青玉案 - for guzheng, piano and cello（2018） 死循環 - for piano, xylophone and timpani（2017） 電聲音樂 逃 -for yangqin and electronic（2021） Mood (2020) Life (2018) 獨唱與合唱作品 Masquerade -for soprano and electronic (2018) (2019) 夢朦 - choral work（2018） 電影配樂 MOViEMOViE估Movie (2021) 偶然記起 (2020) 「打破愛滋．由我始」港澳青年短片創作比賽公開組: To the Bones 到骨子裡 (2018) 多媒體 日暮之途（2021） Back

CHAN Kai Young 陳啟揚 A Hong Kong-born composer, Kai-Young Chan focuses on the integration of nuance, relevance, and resonance in music that converses with societies and cultures. His creative practice centres on turning constraints into creative resource, such as the transformation of text-setting constraints in the tonal Cantonese language into an algorithmic composition device in contemporary idioms. His music is performed in various continents by the Pittsburgh Symphony Orchestra, Albany Symphony, Hong Kong Philharmonic Orchestra, Hong Kong Sinfonietta, PRISM Quartet, Daedalus Quartet, Mivos Quartet, and Choral Arts Initiative, among other prominent performers. His selected works are released on Ablaze Records, PARMA Recordings, and Innova Recordings, and his scores are published by Edition Peters (London). Chan is part of the first American Composers Forum delegation to the Havana Festival for Contemporary Music in Cuba, a historic tour documented by the National Public Radio. His music is presented on international stages such as ISCM World Music Days, International Rostrum of Composers, June in Buffalo, and Internationalen Ferienkurse Darmstadt. He has won the Keuris Composition Prize, the Helen L. Weiss Composition Prize, the Dolce Suono Ensemble Composition Competition, the Orchestra Seattle and Seattle Chamber Singers Competition, and the Vocal Espoo Choral Composition Competition, among others. After receiving his doctorate from the University of Pennsylvania, he joined the composition faculty at The Chinese University of Hong Kong (CUHK), where he is currently an assistant professor. A recipient of the Faculty Outstanding Teaching Award, he has received multiple courseware development grants from CUHK to develop online games and videos for the blended learning of tonal and post-tonal harmony. Supported by commissions and grants from the Research Grants Council, the Hong Kong Philharmonic Society, Composers and Authors Society of Hong Kong, and other institutions, his research focuses on unravelling the creative use of Cantonese text in Hong Kong contemporary music. 陳啟揚的音樂創作常受社會議題與自然聲響啟發，創作形式包括管弦樂、室內樂、合唱曲等，亦有糅合多媒體與民族樂器。作品曾獲匹茲堡交響樂團、阿巴尼交響樂團、香港管弦樂團、香港小交響樂團、米費斯四重奏、黛德拉斯弦樂四重奏、香港創樂團等於世界各地演奏。 陳啟揚曾於多個作曲比賽中獲獎，作品先後入選多個國際音樂節，包括國際現代音樂節（ISCM）世界音樂日、國際作曲家交流會議、水牛城六月、夏灣拿當代音樂節等。部分作品 由美國Ablaze、PARMA、Innova等唱片公司發行；樂譜則由 Edition Peters 出版社（倫敦）出版。 陳啟揚於美國賓夕法尼亞大學完成作曲博士學位，曾於同校任教樂理、胡琴，現為香港中文大學音樂系助理教授，其研究獲香港研究資助局等機構資助，探索粵語詞樂關係的創作規限如何在現代音樂中體現創意。 MAJOR WORKS 主要作品 Orchestral Seek, Seek (2014) [8’30”] for orchestra Fall of Paulownia (2014) [8’] for orchestra Ignis Fatuus II (2013) [8’] for string orchestra vers le jardin japonais (2013) [7’] for orchestra Les marées de la nuit (2012) [10’] for concert band Nightmare Escape (2011) [4’] for chamber orchestra Misty Morning by Lakeside (2010) [4’30”] for Chinese orchestra Chamber/Solo Seek, Seek (2014) [9’] for oboe, clarinet, and strings Mieko (2014) [7’] for solo flute Toper of the Bamboo Grove (2014) [5’] for bass clarinet and cello The River Remembers (2014) [1’30”] for flute, cello and piano Moon over Pyrus Blossom (2014) [4’] for piano solo Medley of Folk Tunes from Ethnic Minorities (2014) [5’] for erhu quintet as the walls close in (2013) [1’30”] for viola, contrabass, and piano Ignis Fatuus (2013) [8’30”] for string quartet Parametrical Games (2013) [1’30”] for string quartet Shimmers the Shivery Moon (2013) [7’30”] for flute, clarinet, violin, cello and piano L’esprit de la nuit (2013) [8’] for percussion trio le vent de la nuit (2012) [4’30”] for alto flute and piano Fata Morgana (2012) [7’30”] for oboe, bassoon, violin, viola, contrabass Poetic Landscapes: Zheng Playing of Chan (2012) [8’] for dizi, sheng, erhu, zheng, and narrator Les marées de la nuit (2011) [10’] for tam-tam and piano Once Upon a Snowy Night (2011) [7’] for flute, viola, and harp Tinkles in the Rain (2011) [7’30”] for flute, clarinet, violin, cello, and piano Downstream (2010) [5’] for wind quintet Lament (2010) [6’] for solo contrabass Vocal/Choral works Poem without a Title: Hard it is to Meet and Part (2014) [5’] for mezzo-soprano and piano Under the Mid-Autumn Moon (2014) [4’] for mixed choir and piano Songs of the Moon: Three Chinese Poems (2013) [14’] for mezzo-soprano, baritone, and harp East-rail Speaks… (2012) [5’] for mixed speech choir Arrangements On the Same Boat (2014) [4’] for huqin quintet and erhu ensemble The Moon Says (2013) [5’] for huqin quintet Arabian Nights (2012) [4’] for Chinese orchestra Prince Ali (2012) [3’] for Chinese orchestra One Summer’s Day (2012) [4’] for Chinese instrumental ensemble Two of Us (2011) [5’] for violin, cello, and piano Doraemon Theme Song Medley (2010) [5’] for Chinese instrumental ensemble Film Scores The Missing Ring (2014) Broken Me (2013) Who am I? (2012) 管弦樂 尋尋覓覓 (2014) [8’30”] 管弦樂作品 桐華恨 (2014) [8’] 管弦樂作品 雲隱 (2013) [7’] 管弦樂作品 鬼火 II (2013) [8’] 弦樂團作品 夜潮(2012) [10’] 管樂團作品 夢魘(2011) [4’] 室內管弦樂作品 流雲組曲(2010) [4’30”] 中樂團作品 室內樂作品 尋尋覓覓 (2014) [9’] 雙簧管、單簧管與弦樂 三重子 (2014) [7’] 長笛獨奏 酒狂隨想(2014) [5’] 低音單簧管與大提琴 那日河川(2014) [1’30”] 長笛、大提琴與鋼琴 月照梨花 (2014) [4’] 鋼琴獨奏 少數民族樂曲聯奏(2014) [5’] 胡琴五重奏 圍城縛 (2013) [1’30”] 中提琴、低音大提琴與鋼琴 鬼火 (2013) [8’30”] 弦樂四重奏 變數遊戲 (2013) [1’30”] 弦樂四重奏 月光寒(2013) [7’30”] 長笛、單簧管、小提琴、低音大提琴與鋼琴 夜森之靈(2013) [8’] 敲擊樂三重奏 晚來風 (2012) [4’30”] 中音長笛與鋼琴 蜃景 (2012) [7’30”] 雙簧管、巴松管、小提琴、中提琴與低音大提琴 聽陳蕾氏的琴箏(2012) [8’] 笛子、笙、二胡、古箏與旁述 夜潮(2011) [10’] 低音大鑼與鋼琴 夜雪重(2011) [7’] 長笛、中提琴與鋼琴 雨霖鈴曲(2011) [7’30”] 長笛、單簧管、小提琴、大提琴與鋼琴 流水(2010) [5’] 管樂五重奏 輓歌(2010) [6’] 低音大提琴獨奏 獨唱與合唱作品 詩篇二十三篇 (2015) [4’] 三部女聲合唱與鋼琴　(粵語) 無題：相見時難別亦難(2014) [5’] 次女高音與鋼琴(粵語) 水調歌頭(2014) [4’] 四部混聲合唱與鋼琴 (粵語) 月訣：古詩詞三首(2013) [14’] 次女高音、男中音與豎琴 (粵語) 火車話 (2012) [5’] 三部混聲創意樂動 (粵語) 編曲作品 同舟之情(2014) [4’] 胡琴五重奏與二胡齊奏 月亮說 (2013) [5’] 胡琴五重奏 阿拉丁組曲 (2012) [7’] 中樂團 那年夏天 (2012) [4’] 中樂團小組 我倆 (2011) [5’] 鋼琴三重奏 叮噹與多啦Ａ夢(2010) [5’] 中樂團小組 電影配樂 無名指上的印記(2014) 分手後遺症(2013) 阿擬與阿思(2012) Back

TAM Lok Hei Alvin 譚樂希 Born and raised in Hong Kong, Tam is currently a D.M. Candidate (Composition) at Jacobs School of Music, Indiana University. He holds a B.A. in Music from The Chinese University of Hong Kong and later earned an M.Mus in Music Theory and Composition from New York University. Tam’s music highlights a variety of genres, including contemporary classical, electro-acoustic, multimedia scoring, and religious music. As a recipient of numerous awards and commissions, he was granted opportunities to collaborate with many renowned music groups, such as the Hong Kong Philharmonic Orchestra, Manhattan Symphonie, the American Guild of Organists, The Hong Kong Children’s Choir, JACK Quartet, and Cassatt Quartet. He was a former Associated Instructor at Indiana University and is currently an Instructional Assistant at The Hong Kong University of Science and Technology. 譚氏現正為美國印第安納大學積可斯音樂學院作曲博士候選人。他先後在香港中文大 學以級紐約大學獲得藝術學士及音樂碩士學位。 香港和美國皆是譚氏作品演出的活躍場所。除了在就讀大學所合作的獨奏者與樂團外， 他還多次與知名表演團體合作；JACK 弦樂四重奏、Cassatt 弦樂四重奏、美國管風琴 師協會，香港兒童合唱團、曼哈頓交響樂團、香港管弦樂團等團體均有演出過其作品。 作為前印第安納大學副講師的譚氏，現於香港科技大學擔任音樂課程導師。 MAJOR WORKS 主要作品 List of Compositions 1 Orchestral Wabi-Sabi (2023) [12’] 3333, 4331, Perc, Harp, Piano, Strings A Madman’s Diary (2020) [5’30”] 3333, 4331, Timp, Perc, Harp, Piano, Strings Zone (2019) [5’30”] 3333, 4331, Timp, Perc, Harp, Piano, Strings All Keys Make Music (2019) [2’30”] for concert band Cursed Color (2015) [11’] 3233, 4331, Timp, Perc, Harp, Piano, Strings A Fairy Tale from the Heart (2008, Re-Orch. 2012) [4’30”] for chamber orchestra Chamber/Solo Hong Kong Snapshots (2022) [9’30”] for solo organ The Ocean of Revolve (2022) [6’30”] for clarinet and piano First You Look So Strong, Then You Fade Away (2018) [7’] for solo clarinet If Possible《如果可以》(2018) [4’] for treble voice choir (SSAA) and piano Duo for Pipa and Violin (2018) [7’] for pipa and violin Sonata for Viola and Piano (2015) [11’] for viola and piano Ballade ‘Messenger of Sakura’ (2014) [6’] for solo piano Infinite Transmigration (2014) [7’] for string quartet Rap-So-Dominic (2013) [5’] for melodica, clarinet and cello The Four Gentlemen (2012) [10’] for solo piano Undertones at the End of Time (2012) [8’30”] for four voices, piano, percussion and strings An Illustration to the TaiJi Diagram (2012) [10’] for dizi/shao, erhu, zheng and yangqin Le Jardin des Roses Ensanglantées (2011) [6’30”] for piano quintet The Funeral (2011) [7’] for erhu, clarinet and piano Dance For 3 (2011) [6’] for melodica, violin, cello, harp and piano Electronic The Breath of Water (2020) [9’] for programed controllers live performance Glorianthemica (2019) [9’30”] 8-channel fixed media What If He Was Born 2018 (2018) [8’] for violin, live electronics Multimedia Scoring Follower and The Followed (2018) Eyes of Plan 9 (2018) The Lonely Civilization (2017) The Last Lament (2017) Did My Heart Fly To Your Service (2016) Introducing Dorabot (2016) Reminiscence (2016) Back

CHEUNG Hei Lam Sylvie 張希琳 MAJOR WORKS 主要作品 Back

CHEUNG Ho Ming 張浩銘 MAJOR WORKS 主要作品 Back

CHAN Heidi 陳曦梅 MAJOR WORKS 主要作品 Back