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LEE Yin-ping# 李燕萍 Ms Lee has received her Bachelor of Education in Music education, Master of Arts in Music education and The Professional Graduate Diploma in Education (Music) from The Education University of Hong Kong (EdUHK) . Also she was awarded Licentiate of Trinity College London (LTCL) in Piano with Distinction and Associate Diploma (ATCL) in Piano with Merit. In 2012, she obtained a Licentiate Diploma in Musical Theory, Criticism and Literature of the Trinity College London (LMusTCL). Lee's teachers include Professor Richard Tsang, Mr. Hui Cheung-wai, Dr. Samuel Tam, Dr. Donald Yu, Mr. Ng Sheng-chung, Ms. Stella Wong, Mr. Ma Cong pianist . Lee was the recipient of the 2009 Artistic Excellence Award in Composition presented by EdUHK. Her works include solo, vocal, chamber music and orchestral work etc. Lee’s musical works have been performed in the composition workshops of Professor Chinary Ung, Professor Elliott Schwartz and Professor Richard Tsang. 李氏 ‬於香港教育大學先後修畢音樂教育榮譽學士(當代音樂及演奏教育學)、音樂教育文學碩士（主修作曲）及學位教師教育文憑（小學）（主修音樂及副修特殊教育），她以優異成績考獲聖三一音樂學院鋼琴高級演奏文憑（LTCL）、聖三一音樂學院鋼琴演奏文憑（ATCL）及音樂理論高級文憑（LMusTCL）。 李氏於在學其間師隨作曲家曾葉發教授、許翔威先生、黎尚冰博士、譚展輝博士及余文正博士學習作曲，並跟隨鋼琴家伍盛中、馬聰先生、黃秀婷小姐學習鋼琴。她於2009年香港教育學院體藝學系主辦的優秀藝術比賽獲得優秀作曲獎，其作品類型有獨奏、聲樂、室樂及管弦樂等，作品曾於Professor Chinary Ung 、Professor Elliott Schwartz 、及曾葉發教授的作曲工作坊演出。 MAJOR WORKS 主要作品 Chamber 迷茫 ( confusion) for solo violin , clarinet and percussions 6" Trio no.1 for solo violin, cello and piano 6" Trio no.2 for solo violin, clarinet and piano 6:30" (2012) Apparition for 2 violins, solo flute, cello and piano 6:30" (2012) Solo Piano sonata 6” (2013) 永夜 for solo soprano and piano 6" (2010) Back

LEE Yi-wei Angus 李一葦 Biography: Angus Lee (b.1992) is one of the most versatile performer-composers of his generation, having been featured in his capacities as flautist, composer and conductor at major international music festivals across Asia, Europe and North America. As a flautist, Lee is recognised as one of Hongkong's foremost performers specialising in new music. He has been a member of the Hong Kong New Music Ensemble since 2016, working with some of today's leading composers including Unsuk Chin, Brett Dean, Du Yun, and Toshio Hosokawa. He has also performed as soloist in Pierre Boulez's Mémoriale (...explosante-fixe...Originel) at the composer's memorial concert in Lucerne, with the LFA Orchestra-Ensemble under Matthias Pintscher. He has also stepped in at short notice to perform with the Berlin Philharmonic's ZeMu! Ensemble, featured at the 2023 edition of New Vision Arts Festival (HK). He has also performed at numerous local festivals, including the CityU Arts Festival, HKUST's Cosmopolis Festival, Tai Kwun's Laundry Steps lunchtime concert series, Tom Lee Music's online recital series during the pandemic, as well as LCSD's Our Music Talents and City Hall Virtuosi series. Most recently, Lee's performance of Camilo Mendez's solo and chamber music for flute was released in 2024 in the composer's monograph album, Distant Fragments , by the Austrian new music label, KAIROS. As a composer, Lee was largely autodidactic, but has received initial instruction in composition from Poly Ng and Maurice Poon; since 2016, he has benefitted from studying with a number of composers at international composition academies, including Franck Bedrossian, Oscar Bianchi, Frédéric Durieux, Philippe Manoury, Christian Mason, Isabel Mundry, Dimitri Papageorgiou, Yann Robin and Johannes Schöllhorn. His numerous chamber and ensemble works have been premiered by the, among others, Ensemble Intercontemporain (FR), Ensemble Modern (DE), Ensemble Multilatérale (FR), HereNowHear (US), Hong Kong New Music Ensemble, Klangforum Wien (AT) and Subaerial Collective (US) at the likes of Gaudeamus Muziekweek (NL), ilSUONO Contemporary Music Week (IT), IRCAM ManiFeste (FR), New Vision Arts Festival (HK), Seoul International Computer Music Festival (KR), SPLICE IV Festival (USA) and Ticino Musica Festival (CH). Lee's composition output has also shifted towards larger creative forces in recent years, with his first opera, Chasing Waterfalls , premiered at Germany's Semperoper Dresden to critical acclaim in 2022, as well as the commissioning and premiere of his orchestral diptych - consisting of the works Des flammes... (2023-24) and ... aux cendres (2024) - by the Hong Kong Philharmonic in 2024. Lee is equally sought after as a conductor specialising in new music. In 2020 he was selected as a conducting fellow at Ensemble Modern's International Composers and Conductors Seminar, where he studied unnder conductor Stefan Asbury. As an advocate for emerging compositional voices, he has led the premiere of works by young composers with the likes of Ensemble Modern, Ensemble Musikfabrik, Hong Kong New Music Ensemble and the Neu Vocalsolisten Stuttgart at, among others, Ticino Musica Festival (2018 & 2022), the ...cresc... biennale for actual music Frankfurt-Rhein-Main (2023) and the ECLAT New Music Festival in Stuttgart (2024). In 2023, he also stepped in at short notice to lead the Asian premiere of Michel van de Aa's music theatre, The Book of Water, at the Hong Kong Arts Festival. In 2024, he made his first appearance with HKU's University Philharmonic Orchestra, performing Leonard Bernstein's Candide Overture and Dmitri Shostakovich's Symphony no.5 in D minor . Lee has served as an assistant lecturer at The University of Hong Kong's Music Department since 2022, where he coordinates all performance courses in addition to teaching elementary music theory, conducting, chamber music, as well as supervising undergraduate-level practice-based research projects. He concurrently teaches woodwind chamber music on a part-time basis at the Hong Kong Academy for Performing Arts, as well as having served as flute faculty at the Lucerne Festival Academy between 2022 and 2023. MAJOR WORKS 主要作品 STAGE 2022 Chasing Waterfalls (70'), artificial opera in 7 scenes ORCHESTRAL 2024 ... aux cendres [study II for orchestra] (10') Des flammes... [study for orchestra] (5') ENSEMBLE MUSIC / CONDUCTED CHAMBER MUSIC 2025 hic / nunc (15'), for ensemble and fixed media 2021 ... ché la diritta via era smarrita (12'), for ensemble with obligato solo marimba Palimpsest II (8'), for string quartet 2020 Lethescape (10'), for bass flute, violin and cello 2019 Apophisian Scriptures [Lapsus memoriae IX] (10'), for contrabassoon, double bass, piano, and fixed media Rage Over Lost Time: Preamble to Ludwig van Beethoven's 'Rage Over Lost Penny' (5'), for 2 pianos Schattenhaft [frontispiece II] (5'), for five instruments cendré [frontispiece I] (9'), for solo alto flute with harp and cello APOCRYPHA (2019) for clarinet, violin, viola, violoncello & piano Cendré [Frontispiece I] (2019) for solo alto flute, with harp & violincello Schattenhaft [Frontispiece II] (2019) for bass flute, bass clarinet, piano, violin & violoncello triumvirate (revised ver.; 2019) for alto saxophone, percussion & piano IMA [Modus Operandi II] (2018) for three percussionists 2018 APOCRYPHA (15'), for five instruments triumvirate (9'), for alto saxophone, percussion and piano 2017 Et lux perpetua (10'), for flute(s), saxophone(s) and percussion sous rature (5'), duo for violin and viola Toshi Densetsu (5'), for three non-specified string instruments Firecircle [to the memory of Pierre Boulez] (2016) for flute(s) and percussion 2016 Aeolion Scriptures (10'), for flute, sheng, double bass and fixed media Firecircle [to the memory of Pierre Boulez] (12'), for flute(s) and percussion Jarosinski-Fragments (10'), for string quartet Modus operandi [I] (8'), for string trio and percussion Modus Operandi [I] (2016) for string trio and percussion MO[TIVA]TION (2013) for oboe, bassoon, violin, viola & bass 2013 On the Nature of Dreams (10'), for 2 soprano saxophones and fixed media Chamber Music ... in search of... (2012) for flute, oboe, clarinet & bassoon Aeolian Scriptures (2016) for flute(s), sheng, bass & fixed media Codex Ex Nihilo (2016) manual of instructions for any [non-]instrument[al combination]s Et lux perpetua (2017) for flute(s), saxophone(s) & percussion Jarosinski-Fragments (2016) for string quartet On the Nature of Dreams (2013) for two soprano saxophones & fixed media sous rature (2017) for violin & viola / violin & violoncello Toshi Densetsu I (2017) for three non-specified string instruments triumvirate (original ver.; 2018) for alto saxophone, percussion & piano SOLO 2024 Anamorphologia (8'), for solo piano 2020 Palimpsest [Lapsus memoriae VIII] (10'), for solo violin(ist), fixed media and video Quaranta (10'), 40 etude-fragments for solo violin 2019 hikari | yami [Lapsus memoriae V] (14'), for solo percussion and fixed media Vestigium I & II (20'), for solo percussion and fixed media 2018 Lapsus memoriae I (10'), for solo flute, live electronics and fixed media MELANCHOLIA (12'), for solo viola and fixed media 2016 aux portes des rêves (18'), for solo piano aux portes des rêves (2016) for solo piano hikari | yami [Lapsus memoriae V] (2019 – 20) for solo percussion & fixed media Lapsus memoriae [I] [Epigrafe in memoria di una città immaginaria] (2018) for solo [kingma system] flute, live electronics & fixed media MELANCHOLIA (2018) for solo viola & fixed media VESTIGIUM I (2019) for solo percussion VESTIGIUM II (2019) for solo percussion ELECTRONIC / ELECTROACOUSTIC MUSIC « Hereafter is your unbecoming » (2017) fox fixed media « midnight | sun » (2017) fox fixed media Entre mondes: 5 études transitoires (2015) for fixed media Étude en mélancolie (2016) fox fixed media Lapsus memoriae II — Prologue: Stargazer (2018) for fixed media Lapsus memoriae III — Interlude: Hikari to Yami no Kansō (2018) for fixed media Lapsus memoriae IV « Geburtstagsrequiem » [Hommage to C.C.] (2019) for fixed media Music for « after the deluge » (2018) fox fixed media Selon « L'Interprétation des rêves » (2012) fox fixed media ARRANGEMENTS Elaborazione [on J.S. Bach’s Bandinerie, Orchestral Suite no.2, BWV 1067] (2012) for flute, oboe and bassoon Oblivion [arrangement on Ástor Piazzolla’s work of same name] (2011 – 12) for 2 flutes and piano Second Movement from Shostakovich’s Cello Sonata in D minor, Op.40 (2010) for clarinet, horn, trombone, percussion, 2 pianos and string quartet RESEARCH / PUBLICATION / GUEST LECTURES 2025 Nostalgia contra prolepsis: preliminary considerations on the temporality of vaporwave [forthcoming conference paper; to be delivered at the Music Biennale Zagreb Conference: Broken Relationships ] 2024 Playing: or, the subversive politics of interpretation in music [essay; published in two parts in Vantage Magazine Vol. 9, no.3, and Vol.10, no.1] 2023 In modo molto giocoso: Play, Creativity and Subversion in Music [conference paper; delivered at the HKU Rayson Huang 2023/24 international symposium, AI, Musi, and Creativity: At a Crossroads ] The Vocation of Music-making in the Time of Digital Automation [colloquium presentation; delivered at HKU Music Colloquia series 2023/24] OTHERS Tractatus Musico-Philosophicus: Wagner, Nietzsche, and Thereafter (2013 – 14) Bachelor’s Degree Thesis Back

CHAN Nok-him 陳諾謙 Chan Nok-him has studied piano and cello since he was small and first started learning composition at The Hong Kong Academy for Performing Arts, studying under Poly Ng. He has participated in the international Golden Key Music Festival’s Piano Composition Competition, attaining first runner-up and second runner-up honours. He was also the champion and first runner-up in the Composition Class in the 70th and 68th Hong Kong Schools Music Festivals, respectively. He was shortlisted twice in the ‘New Generation Call for Scores’ organized by the Hong Kong Composers’ Guild. His Shing Mun River Promenade was premiered in a live broadcast on RTHK Radio 4. 自小學習鋼琴及大提琴，九歲起在演藝學院修讀作曲，師從伍巧怡老師。熱愛作曲的他，曾參加國際作曲比賽「金鑰匙音樂節鋼琴作曲比賽」 並榮獲第二及第三名，並分別於第七十屆及第六十八屆校際音樂節作曲組獲得冠軍和亞軍。另外，陳氏曾兩次入圍香港作曲家聯會舉辦的「音樂新一代」作曲比賽，其作品《城門河邊的散步》於香港電台第四台作現場首演及電台轉播。 MAJOR WORKS 主要作品 Back

TAM Lok-hei Alvin 譚樂希 Born and raised in Hong Kong, Tam is currently a D.M. Candidate (Composition) at Jacobs School of Music, Indiana University. He holds a B.A. in Music from The Chinese University of Hong Kong and later earned an M.Mus in Music Theory and Composition from New York University. Tam’s music highlights a variety of genres, including contemporary classical, electro-acoustic, multimedia scoring, and religious music. As a recipient of numerous awards and commissions, he was granted opportunities to collaborate with many renowned music groups, such as the Hong Kong Philharmonic Orchestra, Manhattan Symphonie, the American Guild of Organists, The Hong Kong Children’s Choir, JACK Quartet, and Cassatt Quartet. He was a former Associated Instructor at Indiana University and is currently an Instructional Assistant at The Hong Kong University of Science and Technology. 譚氏現正為美國印第安納大學積可斯音樂學院作曲博士候選人。他先後在香港中文大 學以級紐約大學獲得藝術學士及音樂碩士學位。 香港和美國皆是譚氏作品演出的活躍場所。除了在就讀大學所合作的獨奏者與樂團外， 他還多次與知名表演團體合作；JACK 弦樂四重奏、Cassatt 弦樂四重奏、美國管風琴 師協會，香港兒童合唱團、曼哈頓交響樂團、香港管弦樂團等團體均有演出過其作品。 作為前印第安納大學副講師的譚氏，現於香港科技大學擔任音樂課程導師。 MAJOR WORKS 主要作品 List of Compositions 1 Orchestral Wabi-Sabi (2023) [12’] 3333, 4331, Perc, Harp, Piano, Strings A Madman’s Diary (2020) [5’30”] 3333, 4331, Timp, Perc, Harp, Piano, Strings Zone (2019) [5’30”] 3333, 4331, Timp, Perc, Harp, Piano, Strings All Keys Make Music (2019) [2’30”] for concert band Cursed Color (2015) [11’] 3233, 4331, Timp, Perc, Harp, Piano, Strings A Fairy Tale from the Heart (2008, Re-Orch. 2012) [4’30”] for chamber orchestra Chamber/Solo Hong Kong Snapshots (2022) [9’30”] for solo organ The Ocean of Revolve (2022) [6’30”] for clarinet and piano First You Look So Strong, Then You Fade Away (2018) [7’] for solo clarinet If Possible《如果可以》(2018) [4’] for treble voice choir (SSAA) and piano Duo for Pipa and Violin (2018) [7’] for pipa and violin Sonata for Viola and Piano (2015) [11’] for viola and piano Ballade ‘Messenger of Sakura’ (2014) [6’] for solo piano Infinite Transmigration (2014) [7’] for string quartet Rap-So-Dominic (2013) [5’] for melodica, clarinet and cello The Four Gentlemen (2012) [10’] for solo piano Undertones at the End of Time (2012) [8’30”] for four voices, piano, percussion and strings An Illustration to the TaiJi Diagram (2012) [10’] for dizi/shao, erhu, zheng and yangqin Le Jardin des Roses Ensanglantées (2011) [6’30”] for piano quintet The Funeral (2011) [7’] for erhu, clarinet and piano Dance For 3 (2011) [6’] for melodica, violin, cello, harp and piano Electronic The Breath of Water (2020) [9’] for programed controllers live performance Glorianthemica (2019) [9’30”] 8-channel fixed media What If He Was Born 2018 (2018) [8’] for violin, live electronics Multimedia Scoring Follower and The Followed (2018) Eyes of Plan 9 (2018) The Lonely Civilization (2017) The Last Lament (2017) Did My Heart Fly To Your Service (2016) Introducing Dorabot (2016) Reminiscence (2016) Back

YEUNG Tsz-yan 楊芷欣 MAJOR WORKS 主要作品 Back

SHIU Wai Yau William 邵偉祐 SHIU Wai Yau, William is a Hong Kong-born composer, conductor and performer of piano, clarinet and French Horn. William obtained a master’s degree in music composition under the guidance of Jesse Broekman at KASK & Conservatorium, Ghent, Belgium. He obtained a Bachelor of Arts degree in Music Composition from Hong Kong Baptist University, studying from Christopher Keyes and Camilo Mendez. William’s compositions span a wide range of genres from chamber ensembles, orchestra, open-form to multimedia works. His music has been performed and exhibited in Hong Kong, Netherlands, Belgium, Portugal, etc. Ensemble/organisation William have collaborated with including K622 Clarinet Ensembles (Hong Kong)、Orkest de Ereprijs (Netherlands)、Cello Wercken Zutphen (Netherlands) and Peter Benoit Fonds (Belgium). In 2024, he was awarded the Ereprijs Xtra commission to compose a new work for the 2025 Andriessen Festival. In addition to composing, William has studied orchestral conducting with CHOI Ho Man and Kristiina Poska at HKBU and KASK & Conservatorium respectively. He participated the conducting masterclass by Symfonie Orkest Vlaanderen (Belgium). He is also actively involved in conducting new music and is an accomplished arranger of folk music and popular works from Hong Kong and Belgium. Ensemble William have arranged for including Men of Winds, Shinywinds, Cyber Symphonic Winds, Sforzando Wind Ensemble (Hong Kong), Gents Universitair Harmonie Orkest (Belgium). William was the young ambassador of Belgian National Orchestra in 2023-24 for the promotion of classical orchestral music. In 2025 he formed 'The Maniacs'. The ensemble Interprets any crazy ideas 'hilariously but seriously' from sound-based performances. They regularly perform innovative and bold contemporary music works around the world, alongside new compositions by local composers. It is a platform to promote their music and offers a broader artistic vision to the audience. 邵偉祐是香港作曲、指揮家，以及鋼琴、單簧管和法國號樂手。邵氏畢業於比利時根特藝術學院作曲碩士及香港浸會大學音樂文學士（作曲主修），在校分別師承Jesse Broekman、祈道緯教授和Camilo Mendez。 他的作品涵蓋室內樂、管弦樂、開放形式作品、到多媒體作品等多種聲音創作種類，並曾於香港、荷蘭、比利時、和葡萄牙等地展出或演出。合作過的團體包括K622 Clarinet Ensembles (香港)、Orkest de Ereprijs (荷蘭)、Cello Wercken Zutphen (荷蘭)及 Peter Benoit Fonds (比利時)等。2024 年他更獲得荷蘭現代音樂樂團Orkest de Ereprijs委約，於2025年Andriessen Festival中創作全新管弦樂作品。 作曲以外，偉祐曾師承蔡浩文先生及Kristiina Poska學習管弦樂團指揮，並曾參與Flanders Symphonic Orchestra指揮大師班（比利時），他熱衷於指揮當代音樂及改編香港和比利時的流行音樂與民歌，其曾經合作之樂團包括五十男樂團、眾樂團、香港網樂管樂團、聲大夾樂管樂社（香港）、根特大學管樂團（比利時）等。在比利時留學期間他曾於Belgian National Orchestra擔任青年大使，推廣管弦樂團音樂。 於2025年由他所成立之「香港狂人樂團」，以「狂而不妄」為原則，透過聲音為主的演出，認真地表達各種天馬行空的想法。樂團定期演奏世界各地創新而大膽的當代音樂作品，結合本地作曲家全新作品，提供一個平台推廣他們的音樂，為觀眾帶來更廣闊的藝術視野。 MAJOR WORKS 主要作品 26. Stop it. Get Some Help (2025) Full Orchestra (2.0.2.0. - 2.2.2.1 - pno. - 2 perc. - E. Bass - E. Guitar - Accordion - Sopr. - Strings 2.2.2.2.1) 25. 跳飛機 Hopscotch (2025) (Fl. doub. Picc., Ob., A/T/Bari Saxo., Tbn. and piano (Bird Call + Rainstick optional) 24. Wah! Wahh~! Waaaaahhhhhhh~~~!!! ( Inspired by the game Bing Baang Wah/ 砰 嘭哇) (2025) (6'00") (Bb/A Cl., Fl./Pic./A. Fl., Ob., S/T/Bari Saxo., Tbn. and Piano) 23. The Last Word by Qu Yuan (2025) (5'00") (A. Fl., Ob., Bari. Sax., Hn., B. Tan., 2-channel Audio Tape and Bird Call (Optional) 22. Troublesome Brothers (2025) (6’00”) (Fl. doub. Pic. + Tba.) 21. Churrr~ (2024) (6’00”) (5 Cellos) Recording: https://youtu.be/uhaYsJANKO8 20. Auntie, I don’t want to work hard anymore (2024) (5’45”) (Fl., A. Sax., Accordion, Perc., Vln., Vla.) Recording: https://youtu.be/hrnfTb4GQpU 19a. Poo-Wee-Pee (2024) (11’) (Scene for 4 percussionists) Recording: https://youtu.be/rhyfy6CcVJU 19b. Poo-Wee-Pee (2024) (5’30”) (Scene for clarinet trio) Recording: https://youtu.be/eWXNY5uynIs 19c. Poo-Wee-Pee (2024) (7’) (Scene for improvisation with choreography) Recording: https://youtu.be/JFbegeyzSzY 19d. Poo-Wee-Pee (2024) (12’30”) (Scene for improvisation with animation) Recording: https://youtu.be/Pz8qgzk5I7M 19e. Poo-Wee-Pee (2024) (5’30”) (Scene for solo vocalist) Recording: https://youtu.be/SxLHImOhs4I 19f. Poo-Wee-Pee (2024) (5’05”) (Video installation) Video: https://youtu.be/7nTd_lsEc3s 18. ITTI (2024) (3’20”) (2 Fl., Cl., Tpt., Hn., 2 Tbn., Tuba, 2 Sax., Perc., E. Guitar., E. Bass, Piano) Recording: https://ereprijs.bandcamp.com/track/william-shiu-itti https://youtu.be/gH7G5aNQ9Kc 17. Decomposition (2024) (2’50”) (Cl., 2 Vln., 1 Vla., 1 Vlc.) Recording: https://youtu.be/xjED8pa3mCs 16. Communication Error (2023) (16’) (Planned improvisation featured electromagnetic microphones & HAIRDRYERS) Recording: https://youtu.be/-7X0GhQH_uM 15. KeuCeoiChen (2023) (14’32”) (Electro-acoustic composition) Recording: https://youtu.be/RlJ9xUsS46E 14. The Secret of My Family (2023) (8’45”) (Open-form work for any 4 groups of instrument) Recording: https://youtu.be/jJIVsCHm-Lk 13. Vibrastar (2023) (4’15”) (for 2 percussionists) Recording: https://youtu.be/VjrbD1VaFJA 12. London Bxtch’s Falling Down (2023) (4’15”+) (Saxophone Ensemble, 2S2A2T2B) Recording: https://youtu.be/ojHSRaZe_ZA 11. Peristalsis (2022) (8’) (Solo French Horn) Recording: https://youtu.be/smIflxs77Sg 10. Sound of Monkeys from HKZBG (2022) (2’) (Soundscape work) Recording: https://youtu.be/8VbnPUlfDiI 9. Resonance (2022) (2’45”) (solo soprano) Recording: https://youtu.be/VNbS8GaypcI 8. 13-Orphans 十三么 (2022) (10’) (Percussion quartet) Recording: https://youtu.be/7-zm7Cq9ADM 7. Stay or Get Away? 是走?是留? (2022) (5’15”) (String Quartet) Recording: https://youtu.be/GWqn31VGMio 6. The Last Moments of Ma Shi Po 馬屎埔的最後歲月 (2022) (5’) (Video installation with optional flute) Video: https://youtu.be/HbSW--m3L9c Video with flute: https://youtu.be/2zU16NekWN8 5. Who is the Leader? 估領袖 (2021) (8’) (Open-form work for any 4 groups of instrument) Recording: https://youtu.be/vhtxUjZXMas 4. War in the Future (2020) (3’41”) (Electro-acoustic composition) Recording: https://youtu.be/9JrKK7UFmjY 3. Conflict (2020) (2’10”) (Clarinet and Piano) Recording: https://youtu.be/CQg6S1-V7Cs 2. Nation (2020) (3’40”) (Clarinet and Piano) Recording: https://youtu.be/AQrc7uKTqhU 1. Illusion (2019) (4’30”) (Horn and Piano) Recording: https://youtu.be/xvVZDUhIFX8 Back

LAM Hong Chong Adrian 林瀚聰 ADRIAN LAM graduated in Mathematics from the Oxford University, where he completed his research The Science of Music: A Mathematical Approach. He obtained his M.Phil in Music from the University of Hong Kong with his thesis Original Compositions: Elements of the Musical Space. He learnt the piano with Eva Lue, Colin Stone and Raymond Fischer and studied music composition with Glynn Jenkins, Christopher Colemen, Christopher Keyes and Joshua Chan. He holds a distinction in LTCL in piano and prizes in performance and composition. VIII Preludes for Pianoforte was awarded the 1stprize in the James Poke Composition Competition in UK in 2000. Astray was awarded the best composition at the 2004 New Generation Composition Competition. Hasty Passer, a commissioned work was premiered and broadcasted in RTHK4 in 2005. Adrian studied, on scholarship, under Miguel Mera and David Matthews at Dartington International Summer School, where Red’s Dream(collaboration with PIXAR) and Five Pieces for String Quartet were premiered. Separated … at the Human Labyrinth of Asakusa Temple was awarded the 1st Prize in Shakuhachi Chamber Music International Competition 2010 and was premiered in Melbourne. Escape! From the Shaded Territory…! was premiered in Tokyo in the same year. “One Day Holiday” was premiered in Osaka in 2011 and the UK in 2012. “Summer Snow”, commissioned by HKCG, was featured at the Musicarama 2012. Adrian takes a special interest in Mathematics and Music. He established Hon Lam Mathematics and Music Studio and has been regularly invited to teach a course on “mathematics and music” at the Colorado College, US. 林瀚聰取得英國牛津大學數學系的學士學位及香港大學音樂系的哲學碩士學位，並曾發表《以數學的門徑去探究音樂的科學》及《音樂空間之元素》。林氏曾跟隨劉綺華、Colin Stone, 及Raymond Fischer學習鋼琴，Glynn Jenkins 、Christopher Colemen 、Christopher Keyes，及陳錦標學習作曲。林氏於英國聖三一學院鋼琴演奏文憑中取得優異等級，並屢獲演奏及作曲的獎項。林氏的作品《八首鋼琴前奏曲》在英國「James Poke作曲比賽2000」中獲予冠軍；《迷路》在「音樂新一代2004」比賽中獲予最優秀作品；委約作品《一瞬間之旅人》於2005年於香港電台第四台首演及廣播。林氏亦於同年獲Dartington International Summer School UK予奬學金跟隨Miguel Mera 及 David Matthews修讀電影音樂及古典作曲，完成《明星夢》及《五首弦樂四重奏》，並在英國首演。《三百三十三日的約定…失散在…淺草寺的人海迷宮》獲「2010國際尺八室樂創作比賽冠軍」，並在墨爾本首演；同年《突破！從一個沒有白天的王國…!》於東京公開演出； 《一日の遊》於2011年在大阪及2012年於香港藝術中心及英國牛津大學公開演出；委約作品《盛夏之雪》於香港大會堂「音樂新文化2012」公開首演。 林氏對數學與音樂的相融關係有著濃厚興趣。他成立了翰林數學與音樂藝室，並多次獲邀出席美國科羅拉多大學有關數學與音樂的教學活動。 MAJOR WORKS 主要作品 Summer Snow盛夏之雪 (2012) 11’ for Choir (SATB) and Small Ensemble (Piccolo, Flute, Oboe, Clarinet, Piano, Violin I, Violin II, Viola, Cello, Double Bass) Hong Kong Silhouette剪影｜香港 (2012) 2’ for Clarinet, Cello, Piano Coda…Farewell from the Spring Violet再别…春天的紫蘿蘭 (2011) 8’ for String Quartet One Day Holiday一日の遊 (2011) 12’ duet for Shakuhachi & Piano Separated… from the Human Labyrinth of Asakusa Temple三百三十三日的約定…失散在…淺草寺的人海迷宮 (2010) 12’ for Shakuhachi, Violin, Cello, Piano So I am Here Again故地重遊 (2010) 6’ for SATB Momentary Pleasure瞬間之快感 (2010) 2’ for piano The Creativity of Exercise習作裡的創作 (2009) 20’ for piano Suite “Rain” 雨之組曲 (2008) 20’ for piano A New Dimension繼往開來 (2008) 3’ for orchestra Deep in my Hallucination憧憬…錯覺的深處 (2007) 8’ Trio for Flute, Violin and Piano Duo Fugues兩首賦格曲 (2006) 6’ for piano Stranger陌路人 (2006) 6’ for guitar Colour Occultation色彩之幻滅 (2006) 5’ for flute, Clarinet, Cello, Piano Hasty Passer一瞬間之旅人 (2005) 8’ for Soprano, Tenor, Clarinet, Guitar, Cello 5 Pieces為四重弦樂而作之五首小品 (2005) 10’ for String Quartet Red’s Dream明星夢 (2005) 4’ for Orchestra + Multimedia Rainbow Fantasy彩虹…夢想之國度 (2005) 5’ for orchestra Escape! From the Shaded Territory…! 突破…從一個沒有白天的王國…！(2005) 8’ Duet for Flute & Piano Disappearing Shadow消失之影子 (2004) 8’ for piano Astray迷路 (2004) 8’ Trio for Clarinet, Cello & Piano Fantasia No. 6第六號狂想曲 (2003) 5’ for piano Fantasia No. 5第五號狂想曲 (2002) 5’ for piano Fantasia No. 4 “Hope” 第四號狂想曲 “希望”(2001) 5’ for piano Fantasia No. 3第三號狂想曲 (2000) 5’ for piano Reve入夢 (2000) 12’ for Orchestra VIII Preludes pour le Piano八首前奏曲 (2000) 16’ for piano Mass Spectrometer質量之分譜 (1999) 20’ for orchestra Fantasia No. 2第二號狂想曲 (1998) 5’ for piano Hummingbirds in Spring喜鵲迎春 (1998) 8’ Concerto for Yangqin Fantasia No. 1第一號狂想曲 (1998) 5’ for piano Back

Lui Tsz-yan 呂芷茵 Lui Tsz Yan is currently pursuing a Master of Arts in Music at The Chinese University of Hong Kong, studying the Pipa under the guidance of Zhang Ying, Principal Pipa Player of the Hong Kong Chinese Music Orchestra. Lui is proficient in performing a wide range of Chinese and Western instruments. For Chinese instruments: Pipa, Dizi, Erhu, and Liuqin, all at a professional performance level; for Western instruments: Flute, Cello, Drumsets, among others. She has also attained Grade 2 (Highest Level) in Chinese Music Theory from the Central Conservatory of Music and Grade 8 in Music Theory from the Associated Board of the Royal Schools of Music (ABRSM), with years of ensemble performance experience. Currently, Lui serves as an executive committee member and Cello section player of the Hong Kong New Tune Music Orchestra, as well as a Dizi player in the Chung Chi Chinese Orchestra of CUHK and Pipa player in the Yue Pipa Ensemble. In recent years, Lui has actively explored composition, with published works including Western chamber ensemble “Autumn Sorrow” and Plucked-string chamber ensemble “A Glimpse of Memories”. She has also composed numerous pieces for small ensembles during her MA degree recitals in 2024 and 2025. 呂芷茵現正就讀香港中文大學音樂文學系碩士，並師從香港中樂團琵琶首席張瑩老師進修琵琶。呂氏精通演奏不同中西樂器：中樂方面琵琶、笛子、二胡、柳琴等已達演奏級；西樂亦能演奏長笛、大提琴、爵士鼓等。呂氏同時亦已考獲中央音樂學院中樂樂理二級（最高級）以及英國皇家音樂學院樂理八級，並有多年樂團演奏經驗。呂氏現為香港新聲國樂團執委和低音組成員，香港中文大學崇基中樂團笛子組成員、瑆玥@玥琵琶室內樂團成員之一。 呂氏近年積極發展作曲相關興趣，曾發表的作品有西樂室內樂重奏《Autumn Sorrow》、彈撥室內樂重奏《彈指時光》等；亦在二零二四及二五年的音樂文學系碩士音樂會中為小組編寫不少作品。 二零二四年獲屯門中西器樂比賽重奏公開組冠軍、二零二一年獲國際青少年音樂大賽2021中樂公開組亞軍及第五屆香港青少年國際音樂大賽笛子公開組冠軍。過往曾於二零一四年參加第二屆”敦煌杯”全國琵琶大賽，獲得職業B組獨奏演奏獎及非職業重奏組金獎；二零一五年獲屯門文藝協進會主辦屯門區中西器樂比賽中樂吹管A公開組亞軍，香港國際音樂節民樂小組B第一名及第三屆港珠澳中國民族器樂大賽青年組三等獎；二零一六年獲屯門文藝協進會主辦屯門區中西器樂比賽小合奏公開組冠軍及中樂拉弦公開組優異獎。 MAJOR WORKS 主要作品 Orchestral 賀慶 Festival Celebration for Chinese Orchestra (2024) Chamber / Solo 室內樂 醉逍遙 Lethe for Dizi, Erhu and Piano Ensemble (2025) Rift for Woodwind Ensemble (2025) 彈指時光 A Glimpse of Memories for Chinese Plucked String Ensemble (2024) 秋愁Autumn Sorrow for Flute, Clarinet, Bassoon, Viola, Cello, Piano (2024) String Quartet No.1 (2024) Vocal / Choral Works 獨唱與合唱作品 錯過 Pop Song for Female Vocal Solo with Zhonghu and Piano (2025) 琵琶歌 Pipa Song for Treble Choir and Chinese Orchestra (2024) Arrangement 編曲作品 殘酷天使的行動綱領 for Dizi, Erhu, Cello, Guzheng and Piano (2025) 在那遙遠的地方 for Dizi, Erhu, Cello, Guzheng and Piano (2025) Waltz No.2 from Shostakovich for Cello trio (2025) 紅蓮華 for Pipa, Erhu, Cello, Guzheng and Piano (2024) Blessed Assurance for Cello, Piano and Choir with Tenor Descant (2024) Oh Christmas Tree for Chinese Orchestra (2022) Back

Talbot George# MAJOR WORKS 主要作品 Back

SCHOOLS PERFORMING ARTS IN PRACTICE SCHEME “New Energy of Wind and String” A Music Composition Animateur Scheme 2015/16 Presented by LCSD, in cooperation with Hong Kong Composers' Guild Highlight and Objective A school-year-long music composition training project. For primary and secondary schools with students who have basic music knowledge as well as interested in music composition. Aims to engage the teachers, students and the whole school in the unique art form of music composition, develop the ability of music creativity, and communicate and share with others through music. Project activities include lecture demonstration, music appreciation concert, workshops, in-school concert and finale concert. Students’ creative pieces will be performed at in-school concerts as well as having a chance to be selected to perform at a public performing venue. Content Although music composition is a huge undergoing that requires years of training and experience, this requirement does not necessarily prevent new learners to achieve meaningful results within a shorter period of time. We will encourage students to discover their hidden talent by focusing firstly on sound design, rather than complicated topics like harmony and counterpoint. With the project theme “New Energy of Wind and String”, students will explore various kinds of creative sounds on voices, instruments, percussion and everyday objects, and will arrange these sounds in an organized manner in musical contexts. This will naturally lead to the studies of rhythm, notation, pitch organisation and form. Having mastered these basic skills, students will be guided to write creative types of music, for example, emphasizing on irregular phrasing, surprising melodies, dissonance chords, arrhythmic patterns, extended instrumental techniques, etc., with the ultimate aim to express their individuality through instrumental music. Each student will compose his/her own compositions.

PANG Chun-ting 彭振町 MAJOR WORKS 主要作品 Back

CHANG Herbert# 張海伯 Born in 1948, California, U.S.A. In 1959, at age 11, Chang entered Chinese Central Conservatory of Music in Beijing. The study started from elementary and then high school. In 1966, the Cultural Revolution interrupted his study, and in 1968, he was sent to Tianjing Gegu Farm to receive re-education. He grew rice there. Three and half years later, the government assigned him a violinist position in the Chinese Central Ballet, which at that time was a model troupe of Mao’s wife. In 1978, he was transferred back to the Central Conservatory to teach at the high school department. In 1979, Chang returned to the U.S, and studied at the San Francisco Conservatory of Music. Currently, he is a violin teacher in the U.S, and also a composer with two violin text books published by Mel Bay Music Publications; “Forty Studies for Violin” and “Daily Scale Exercises for Violin”. 於1948年出生於美國加利福尼。 （父母均為留美學生）1959年進入中央音樂學院附小, 然後附中學習。 1966年文化大革命爆發，學業停止。 1968年被送到天津葛沽農場接受“再教育”。張在農場種水稻。 1972年被分配到中央芭蕾舞團工作。 （當時是江青的樣板團）於1978年被調回中央音樂學院附中任教。 1979年赴美。 1979到1982年在美國舊金山音樂學院學習。現在在美國做小提琴教師並且從事音樂創作。在美國出版了“小提琴練習曲40首”，和“小提琴每日音階練習”兩部著作。 （由美國 Mel Bay 公司出版）最近完成了“特出小提琴技術練習”一書以及一些樂曲，其中包括小提琴獨奏曲8首，中提琴獨奏曲1首，大提琴獨奏曲1首，弦樂四重奏一部。 （4個樂章） MAJOR WORKS 主要作品 Two violin text-books have been published in the U.S. They are “Forty Studies for Violin” and “Daily Scale Exercises for Violin”. Publishes is “Mel Bay Music Publications Inc.” The third book “Special Technique School for Violin” has just been finished. Following pieces have been finished. Cello solo piece: Caprice Viola solo piece: Legend Violin solo piece: Caprice No.1 Violin solo piece: Caprice No.2 Violin solo piece: Happy Birthday Violin solo piece: Impromptu Violin solo piece: May Song Violin solo piece: Song of spring Violin solo piece: Trill Fantasia Violin solo piece: Waltz String Quartet in four movements 張海伯在美國出版了《小提琴練習曲40首》和《小提琴每日音階練習》兩本教科書。出版商是“Mel Bay Music Publications Inc.” 最近完成了第三本教科書《小提琴特出技術練習》。 並且創作了以下作品： 大提琴獨奏曲： 隨想曲 中提琴獨奏曲：傳奇奇曲 小提琴獨奏曲： 隨想曲第一號 小提琴獨奏曲： 隨想曲第二號 小提琴獨奏曲： 生日快樂 小提琴獨奏曲： 即興曲 小提琴獨奏曲： 五月的歌 小提琴獨奏曲： 春之歌 小提琴獨奏曲： Trill 幻想曲 小提琴獨奏曲：圓舞曲 弦樂四重奏 （四個樂章） Back