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LAM Doming (Honorary President) 林樂培（名譽主席） DOMING LAM, Winner of two Gold Seal Awards for the Best Serious Music. Born in Macau in 1926. Studied music in Canada and Unite States; is the pioneer to lead Hong Kong into the music circles of the world. During 1964-1994 he worked in Hong Kong and Macau, contributed equally well in composing, conducting, teaching, producing music programmers for radio and television. Maestro Lam’s music has been performed over 40 cities around the world. The 2001 New Grove’s Dictionary of Music and Musicians has a detailed biography on Maestro Lam. The music library in the University of Hong Kong, kept a collection of his music. 林樂培，香港大學前任駐校作曲家及兩屆最佳正統音樂CASH金帆獎得主。1926 年生於澳門。把香港引進國際樂壇的開路先鋒。在加拿大及美國研習音樂。1964-94年間活躍於香港和澳門音樂界，在作曲、教學、指揮、製作電台及電視音樂節目上都有成就。作品在國際40多個城市發表過，對後起之秀能產生啟發作用。2001年之高庫音樂全書New Grove’s Dictionary of Music and Musicians有他的詳為盡介紹。香港大學音樂圖書館收藏他的全部作品。 MAJOR WORKS 主要作品 Orchestral (Western) Twilight (1997) a sketch for pipa & orchestra Heaven's Blessing: A Symphonic Prelude (1988) 13' Contrast (1981) 13' for dizi, pipa, yangqin, erhu & orchestra Insect World II (1981) 18' Tai-Ping Shan Panorama (rev 1979) 8'30" Aerial Ode (1978) 13' Image (rev 1977) 25' Thanksgiving to Joe-Kwan, the Kitchen God (1976) 18' Gu-Chu (rev 1971) 23' for pf & orchestra Essay (1958) for string orchestra Orchestral (Chinese) The Trial of Doue in a Dream (1989) 45' cantata for soprano, baritone & Chinese orchestra in the style of Yuan opera Kung Fu (1987) 18' dialogue for pipa & Chinese orchestra Silent Prayer (1981) Insect World (1979) 18' Autumn Execution (1978) 18' Chamber Changing Wind (1990) 14' for vn, bass cl (doubling alto saxophone), pf & perc Breakthrough II (1976) 15' for fl & vc Three Settings of Wai City's Ballad (1966) 8'30" for fl & pf Three Chinese Dances (1963) 8' for vn & pf Chinese Folk Song Suite (1963) 12' Old Fisherman (1962) 7' for vn Sonata: Oriental Pearl (1961) 18' for vn & pf Divertimento No.1 (1958) 16' for 2 fl & pf Duet (1958) 5' for 2 vn Piano Study No.1 (1954) 6' for tape Piano Solo Gu-Chu (rev 1971) 18' Seven Popular Chinese Folk Songs (1962) for young pianists Uncle's Suite (1960) 5' for young pianists Prelude and Scherzo (1959) 7' Vocal Liturgical Music (1994) includes 24 hymns, mass, magnificat, Te Deum & requiem; for chorus & organ Eucharistic Prayer (1994) 17' a set of Proper (type II) in Cantonese for High Mass; for voice & organ Like is their Delight (1980) 29' for soprano & instrumental ensemble Two Farewell Songs from the Poems of Li-Po (1964) 7' for fl & high voice Three Night Songs of Li-Po (1957) 7' for voice & orchestra Reap and Gather (1953-57) 6' 3 songs for voice & pf Choral The War Bridge (1983) 25' cantata for tenor, baritone, mixed chorus & 2 pf A Silent Prayer (1981) 13' for children's choir & Chinese orchestra Open Your Arms (1979) for children's choir & pf/orchestra Missa Laudis (1962) 15' for SATB & organ Gloria Patri (1961) for SATB & organ Ah! Sun Flower (1958) 5' for SATB a cappella Panis Angelicus (1956) for mixed choir, soloist & organ/orchestra Music for Modern Dance Triptych (1982) 33' Legend (1981) 60' Discography Like is Their Delight, Philips 7337157 Sonata: Oriental Pearl, Philips 6598979 Moonlight Over Spring Water, Capital Artists CD3003S Three Night Songs of Li-Po, Jade-Empire Records Two Farewell Songs from the Poems of Li-Po, Jade-Empire Records Scherzo, China Records BL57 Thanksgiving to Joe-Kwan, the Kitchen God, Hong Kong Records Moonlight Over Spring Water for piano, Largo Records Co. LGC8801 / Man Hoi Records VA-2001 The Collection of Liturgical Music by Doming Lam, Hong Kong Catholic Centre 336-3-5005 Changing Wind, Hugo Breakthrough, Hugo HRP 798-2 Violin Sonata, Hugo HRP 7127-2 Publication (partial) "The War Bridge." In Hong Kong Vocal Music Collection, vol.II, edited by D. Law, 23-74. Hong Kong: Chinese Christian Literature Council, 1999. "Three Night Songs of Li-Po." In Hong Kong Vocal Music Collection, vol.VI, edited by D. Law, 43-50. Hong Kong: Chinese Christian Literature Council, 1999. "Two Farewell Songs." In Hong Kong Vocal Music Collection, vol.VIII, edited by D. Law, 64-68. Hong Kong: Chinese Christian Literature Council, 1999. "Ah! Sunflower." In Hong Kong Vocal Music Collection, vol.VIII, edited by D. Law, 69-73. Hong Kong: Chinese Christian Literature Council, 1999. 管弦樂 曙光 (1997) a sketch for pipa & orchestra 天保讚交響序曲 (1988) 13' 對比 (1981) 13' for dizi, pipa, yangqin, erhu & orchestra 昆蟲世界（二）(1981) 18' 太平山下 (rev 1979) 8'30" 天籟 (1978) 13' 形像 (rev 1977) 25' 謝灶君 (1976) 18' 古曲新譯 (rev 1971) 23' for pf & orchestra 弦樂隨筆 (1958) for string orchestra 管弦樂 (中樂) 夢審竇娥 (1989) 45' cantata for soprano, baritone & Chinese orchestra in the style of Yuan opera 功夫 (1987) 18' dialogue for pipa & Chinese orchestra 問蒼天 (1981) 昆蟲世界 (1979) 18' 秋決 (1978) 18' 室樂 風雲變 (1990) 14' for vn, bass cl (doubling alto saxophone), pf & perc 突破（二）(1976) 15' for fl & vc 渭城曲 (1966) 8'30" for fl & pf 古舞曲三首 (1963) 8' for vn & pf 民歌雅集 (1963) 12' 板橋道情 (1962) 7' for vn 東方之珠 (1961) 18' for vn & pf 遣興樂三首 (1958) 16' for 2 fl & pf 輪迴 (1958) 5' for 2 vn 鋼琴研究之一 (1954) 6' for tape 鋼琴獨奏 古曲新譯 (rev 1971) 18' Seven Popular Chinese Folk Songs (1962) for young pianists 舅舅組曲 (1960) 5' for young pianists 小序及諧謔曲 (1959) 7' 聲樂 禮樂集 (1994) includes 24 hymns, mass, magnificat, Te Deum & requiem; for chorus & organ 感恩經 (1994) 17' a set of Proper (type II) in Cantonese for High Mass; for voice & organ 兩相歡 (1980) 29' for soprano & instrumental ensemble 李白驪歌兩首 (1964) 7' for fl & high voice 李白夜詩三首 (1957) 7' for voice & orchestra 初耕集 (1953-57) 6' 3 songs for voice & pf 合唱 塵埃不見咸陽橋 (1983) 25' cantata for tenor, baritone, mixed chorus & 2 pf A Silent Prayer (1981) 13' for children's choir & Chinese orchestra 伸出仁愛的手 (1979) for children's choir & pf/orchestra Missa Laudis (1962) 15' for SATB & organ Gloria Patri (1961) for SATB & organ Ah! Sun Flower (1958) 5' for SATB a cappella Panis Angelicus (1956) for mixed choir, soloist & organ/orchestra 現代舞音樂 Triptych (1982) 33' 洪荒什記 (1981) 60' 唱片目錄 Like is Their Delight, Philips 7337157 Sonata: Oriental Pearl, Philips 6598979 Moonlight Over Spring Water, Capital Artists CD3003S Three Night Songs of Li-Po, Jade-Empire Records Two Farewell Songs from the Poems of Li-Po, Jade-Empire Records Scherzo, China Records BL57 Thanksgiving to Joe-Kwan, the Kitchen God, Hong Kong Records Moonlight Over Spring Water for piano, Largo Records Co. LGC8801 / Man Hoi Records VA-2001 The Collection of Liturgical Music by Doming Lam, Hong Kong Catholic Centre 336-3-5005 Changing Wind, Hugo Breakthrough, Hugo HRP 798-2 Violin Sonata, Hugo HRP 7127-2 出版刊物(部份) 《塵埃不見咸陽橋》 "The War Bridge." In Hong Kong Vocal Music Collection, vol.II, edited by D. Law, 23-74. Hong Kong: Chinese Christian Literature Council, 1999. 《李白夜詩三首》 "Three Night Songs of Li-Po." In Hong Kong Vocal Music Collection, vol.VI, edited by D. Law, 43-50. Hong Kong: Chinese Christian Literature Council, 1999. "Two Farewell Songs." In Hong Kong Vocal Music Collection, vol.VIII, edited by D. Law, 64-68. Hong Kong: Chinese Christian Literature Council, 1999. "Ah! Sunflower." In Hong Kong Vocal Music Collection, vol.VIII, edited by D. Law, 69-73. Hong Kong: Chinese Christian Literature Council, 1999. Back

YEUNG Pak-lun David 楊伯倫 Yeung Pak-lun, from Guangdong Xin Hui, born in Shanghai in 1931, graduated from Shanghai St. John’s Universitty, Department of Chemistry. Yeung learnt violin from Professor Chen You-xin and learnt conducting and composition from Professor Ma Ge-shun. After he came to Hong Kong, he joined the YMCA brass orchestra, HK Philharmonic Orchestra and performed with the groups. He was the conductor of Kowloon Hop Yat Church, Ning-Zhao Chorus, North Point Methodist Church and Hong Kong Chinese Oratorio Society. He is now a member of Hong Kong Composers’ Guild, the Honorary chairman of The World Association for Chinese Church Music, examiner of HKADC, the chairman of Hong Kong Chinese Oratorio Society and the consultant of Hong Kong Hymn Society. In August 2014, Yeung was prized for Ten Outstanding Senior – Lifetime Achievement Award by the Hong Kong Chinese Christian Churches Union, commending his lifelong (1952-2014) persistence on composing hymns, having great impacts on the spiritual growth of a lot people. 楊伯倫，廣東新會人，1931年生於上海，畢業於上海聖約翰大學化學系，曾隨陳又新教授學習小提琴，隨馬革順教授學習拍揮及作曲。來港後，加入華南管弦樂團、香港管弦樂團，並隨團演出。先後曾任九龍合一堂、靈韶合唱團、北角衛理堂及香港中華聖樂團等指揮。現為香港作曲家聯會會員、世界華人基督教聖樂促進會榮譽主席、香港藝術發展局審批員、香港中華合唱團主席、香港聖詩會顧問。2013年8月香港基督教聯會頒贈本人十大傑出長者﹣終身成就獎，表揚本人一生（1952﹣2014）從未間斷聖樂創作，影響多人之靈命進步。 MAJOR WORKS 主要作品 Vocal / Chorus Lord's Sermon Op.58 (2001) 2' Because of Love, Op.53 (2000) 4' 尊主頌 Op.55 (1999) 6' 當感謝 Op.56 (1999) 5' 無往不利 Op.57 (1998) 3'30" Nightingale, Op.54 (1998) 2' God Bless China, Op.42 (1996) 2' Lord, I will Praise You, Op.39 (1993) 3'30" Sacred Music and Life, Op.40 (1993) 3' You Must Have New Life, Op.26 (1992) 2'30" Be a Good Disciple Example, Op.27 (1992) 1'30" There's No Fear in Death, Op.28 (1992) 2' Grant Us Peace, Lord, Op.30 (1992) 2'30" Praise Ye the Lord, Op.31 (1992) 2'30" Praise be to the Lord, Op.32 (1992) 3' My Lord Must be with You, Op.33 (1992) 2'30" Glad Tidings of His Resurrection, Op.34 (1992) 4' The Grace of Our Lord Never Changed, Op.35 (1992) 4' Please Listen to my Prayer, Op.36 (1992) 2' The Song of Youth, Op.37 (1992) 3' To be Saved Today, Op.38 (1992) 3'30" So that You may Know, Op.23 (1991) 3'30" For I am with You, Op.24 (1991) 5'30" Lord, I will Follow You, Op.25 (1990) 4' Eternal Love, Op.20 (1986) 3'30" Song of Thanksgiving, Op.21 (1986) 2'30" Has the Lord Deserted You, Op.22 (1986) 5'30" Song of an Orphan, Op.19 (1985) 4'30" Teach Me How to Pray, Op.29 (1984) 1'30" The Challenge of Times, Op.12 (1984) 2'30" Bell of Christmas, Op.13 (1984) 5' Be Happy in God Always, Op.14 (1984) 3'30" Work for Our Lord, Op.16 (1984) 2' Praise of Love, Op.17 (1984) 3' The Source of Life, Op.18 (1984) 4' The Wonderful Love, Op.41 (1982) 2'30" Father's Prayer, Op.15 (1982) 6' Think of Your First Faith, Op.10 (1982) 3'30" Vow to Love Thee, Op.11 (1982) 2'30" Song of Marriage, Op.9 (1980) 3' I will Follow Jesus, Op.6 (1956) 2' Climb up the Mountain, Op.7 (1956) 2' Holy Spirit Revive Me, Op.8 (1956) 3'30" Lord, Come Live in my Heart, Op.5 (1955) 3' Psalm No.23, Op.2 (1954) 3' A Sinner's Prayer, Op.3 (1954) 4' God's Love, Op.4 (1954) 3' God has Promised, Op.1 (1953) 5' Major Publications - Choir Anthem Collections Beloved Hymns, 2001 Lord I will Praise You, 1996 Praise be to the Lord, 1988 Eternal Love, 1986 Ling-Siu Praise Songs, 1986 Holy Spirit Revive Me, 1984 God has promised, 1982 Discography Praise and Thanksgiving, VCD in 1999 God's Love, CD in 1998 Praise be to the Lord, CD in 1992 Holy Spirit Revive Me, cassette tape in 1986 God has Promised, cassette tape in 1984 聲樂 / 合唱 主的呼喚 Op.58 (2001) 2' 是因著愛 Op.53 (2000) 4' 尊主頌 Op.55 (1999) 6' 當感謝 Op.56 (1999) 5' 無往不利 Op.57 (1998) 3'30" 夜鶯 Op.54 (1998) 2' 主佑中華 Op.42 (1996) 2' 主啊，我要讚美你 Op.39 (1993) 3'30" 聖樂與人生 Op.40 (1993) 3' 你必得著新生命 Op.26 (1992) 2'30" 作信徒的榜樣 Op.27 (1992) 1'30" 死亡不可怕 Op.28 (1992) 2' 求主賜和平 Op.30 (1992) 2'30" 讚主基督 Op.31 (1992) 2'30" 稱頌耶和華 Op.32 (1992) 3' 我主必來與你同在 Op.33 (1992) 2'30" 復活喜訊歌 Op.34 (1992) 4' 主的恩典永不改變 Op.35 (1992) 4' 求聽我禱告 Op.36 (1992) 2' 青年之歌 Op.37 (1992) 3' 得救在今天 Op.38 (1992) 3'30" 你可知道 Op.23 (1991) 3'30" 我與你同在 Op.24 (1991) 5'30" 主啊，我願跟隨你 Op.25 (1990) 4' 永恆的愛 Op.20 (1986) 3'30" 感恩歌 Op.21 (1986) 2'30" 主曾虧欠你嗎 Op.22 (1986) 5'30" 孤雁心聲 Op.19 (1985) 4'30" 時代的挑戰 Op.12 (1984) 2'30" 求主教我如何禱告 Op.29 (1984) 1'30" 聖誕鐘聲 Op.13 (1984) 5' 要靠主常常喜樂 Op.14 (1984) 3'30" 勤作聖工 Op.16 (1984) 2' 愛的頌讚 Op.17 (1984) 3' 生命之源 Op.18 (1984) 4' 奇妙的愛 Op.41 (1982) 2'30" 思念信主初 Op.10 (1982) 3'30" 哲言愛主 Op.11 (1982) 2'30" 父親的禱告 Op.15 (1982) 6' 婚姻頌 Op.9 (1980) 3' 同奔主道 Op.6 (1956) 2' 上高山 Op.7 (1956) 2' 願那靈火復興我 Op.8 (1956) 3'30" 求居我心中 Op.5 (1955) 3' 詩篇廿三篇 Op.2 (1954) 3' 罪人的禱告 Op.3 (1954) 4' 神的愛 Op.4 (1954) 3' 神的應許 Op.1 (1953) 5' 出版刊物 - Choir Anthem Collections 合唱集《心愛詩歌集》, 2001 合唱集《主、我要讚美你》, 1996 合唱集《稱頌耶和華》, 1988 合唱集《永恆的愛》, 1986 合唱集《靈韶詩集》, 1986 合唱集《願那靈火復興我》, 1984 合唱集《神的應許》, 1982 唱片目錄 感恩頌讚獻唱音樂會（現場錄音） VCD in 1999 《神的愛》 CD in 1998 《稱頌耶和華》 CD in 1992 《願那靈火復興我》 cassette tape in 1986 《神的應許》 cassette tape in 1984 Back

SO Ka-wai 蘇家威 So Ka-wai is a clarinetist and composer. He started learning clarinet from the age of thirteen with Mr. Cheung Wan, Mr. Andrew Simon and Mr. Martin Choy Kwok-tin while performed in the master-class conducted by Dr. David Pino during studying undergraduate at HKBU. He was also a member of Hong Kong Youth Symphonic Band and the Klappen Ensemble. He is now the concertmaster of the Parsons Wind Orchestra. He obtained both undergraduate and M.Phil degree at Hong Kong Baptist University, majoring music composition under the supervision of Dr. Christopher Keyes and Dr. Christopher Coleman. He actively composed different kinds of music, including electro-acoustic piece Waterscape, his wind orchestra suite Four Supernatural Constellations, clarinet work Dream, oboe solo Volans and percussion quartet In the Dream of Ancient Path. His works were performed frequently in local and overseas, such as Japan, Taiwan and Scotland. Moreover, his works were selected as set pieces in the Hong Kong Schools Music Festival in 2009 and 2011. 蘇家威於十三歲學習單簧管，先後隨張宏、史安祖及蔡國田學習單簧管，並參與Dr. Daivd Pino的單簧管大師班。他曾參加香港青年管樂團及嘉音管樂團，現為柏斯管樂團團長。 蘇氏就讀香港浸會大學期間，隨祈道緯博士及高爾文博士學習作曲，獲得音樂文學士及哲學碩士學位。期間，他創作了不同類型的作品包括單簧管與實時電子音樂《水景》、管樂團組曲《四不思議星座》和敲擊四重奏《古道之夢》。他的作品亦於2009年及2011年獲香港校際音樂節選為指定曲目。作品亦曾在香港、日本、台灣及蘇格蘭等地演出。 MAJOR WORKS 主要作品 Electronic Music Con Fuoco Pointillism (2009) for live electronics and video - 6'42" Crystal Cave (2007) for tape - 3'58" Dialogue (2004) for tape - 3'00" Electro-acoustic Music Placing a Star Near a Sky (2009) for string quartet, live electronics and visual - 15'00" The Oblivious Diary... (2008) for B-flat clarinet, live electronics and visual - 12'00" Waterscape (2008) for clarinet and live electronics - 6' 40" The Vanished Ancient Path (2007) for Chinese percussion and tape - 8'30" The Journey of Life (2006) for piano, live electronics and video - 8'30" Soundless (2005) for B-flat clarinet, marimba, piano and tape - 5'00" Wind Orchestra / Ensemble Works The Utterance of Wind (2013) for Wind Orchestra – 8’00” Commissioned by Hong Kong Band Directors’ Association, H.K. Four Supernatural Constellations (2012) for Wind Orchestra - 8'00" Symphony "Firmament-Eternity-Fantasy" (2007) for Wind Orchestra - 20'00" Tricks (2006) for Cello and Wind Ensemble - 6'30" Reflection (2006) for Wind Ensemble - 3'00" Orchestral Work Crazy Girl's Smile (2008) for chamber orchestra - 5'30" (1111/1000/4421) Concerto Infatuazione (2013) for Alto Saxophone, Baritone Saxophone and Wind Orchestra - 15'00", Commissioned by Belilios Winds, H. K. Solo Works Plaintive Moonlight (2012) for Bass Clarinet solo - 1'00" Wang (2011) for Clarinet solo - 8’00" Tucana Waltz (2011) for B-flat Clarinet and Piano - 2’00" Dance of Dorado (2010) for Alto Saxophone and Piano - 3'00" Hydra (2009-10) for Clarinet solo - 5’00" Redeeming Lost Memories (2009) for Piano - 16'00" Volans (2009) for Oboe - 9'30" Lonely Octans (2009) for Flute - 6'30" Capriccio of May (2008) for Tuba - 5'00" Un... (2007) for Cello and Piano - 20'00" Pangu (2006) for Multi-percussion - 8'00" Annoying (2005) for B-flat Clarinet and Piano - 1'30" Dream (2005) for B-flat Clarinet and Piano - 2'30" Chamber Works In the Dream of Ancient Path (2011) for Percussion Quartet - 12’00" Animation Collage (2010) for Flute, Saxophone and Piano - 3'30" Sleeping Baihu (2010) for Flute, Oboe, Viola and Cello - 6'00" In Memoriam (2006) for Clarinet, Violin, Cello and Piano - 4'00" Choral Work O thou, is life... (2008) for SATB a cappella - 5'00" Back

WONG Lok-hang Amos 王樂行 Born and raised in Hong Kong, Amos Wong received choral and instrumental music training at a young age. He is currently studying Composition and Electronic Music at the Hong Kong Academy for Performing Arts. Based on his interests and passion for Cantonese Musicals, Amos founded XTRAMENTAL in 2017, a non-profit organization based in Hong Kong that aims to promote Theatre, Music, Musicals and other interdisciplinary art forms. Being the Composer and Music Director of XTRAMENTAL, Amos has written for various multidisciplinary productions including ‘Chasing Stars the Musical’ (2019), ‘Mind and Hours’ (2018), ‘How I Cracked Singing the Musical’(2018) and ‘Hello To My Hollow Heart’ (2017). Amos was awarded the First Prize in the Unbound Flute Festival Composition Competition (Brisbane, Australia). He was also a selected finalist in The Future Blend Project 2017 (Warwick, UK) with his solo harp piece 'Dwarf Columbine'. His choral piece 'My Birthday Gift' was selected in The Hong Kong Children's Choir's '50th Anniversary Children's Choral Composition Selections' in 2018. He was also selected as a participating composer at VIPA Festival 2018 in Spain. Amos actively engage in choral activities as he believes in the power of the human voice. In 2017, Amos toured as a teacher and accompanist along the Yip's Children's Choir to the International Men and Boys Choir Festival (Arizona, USA). He was also a speaker at the 2018 International Conference of Performing and Visual Arts at Kuala Lumpur, Malaysia. 王樂行現於香港演藝學院修讀音樂，主修作曲及電子音樂。王氏於香港長大，自小就接受作曲、鋼琴、長笛及合唱的訓練。 王樂行自小喜歡廣東話音樂劇，在2017成立了蛋炸饅頭劇場並擔任副主席及音樂總監，希望普及化本土音樂劇的製作，以及探索了跨媒體創作的無限可能性。音樂劇和劇場作品包括《DSE奪夢追星》音樂劇 (2019)、《可可日記》(2019)、《國王有對驢耳朵》(2019)、《我。我們》音樂會 (2018)、《How I Cracked Singing》(2018)和《Hello To My Hollow Heart》(2017)。 王氏曾於多個作曲比賽獲獎，包括澳洲布里斯班的「Unbound Flute Festival」作曲比賽的第一名。此外，他的豎琴獨奏作品亦被獲選入英國沃里克「The Future Blend Project 2017」的決賽。他的合唱作品「My Birthday Gift」被獲選如香港兒童合唱團的50周年兒童合唱作品創作選。他也是入選西班牙VIPA2018音樂節的作曲家之一。 MAJOR WORKS 主要作品 Musical Theatre 《DSE奪夢追星》音樂劇 (2019) 《可可日記》(2019) 《國王有對驢耳朵》(2019) How I Cracked Singing (2018) Mind, and Hours (2018) Multimedia Hello To My Hollow Heart (2017) Back

HOFMANN Denise Mei-yan 何美恩 Denise Mei Yan Hofmann was born in Hong Kong. Half-Swiss, Half-Chinese, she was raised in Seoul, Bangkok, Istanbul and Hong Kong. These experiences have deeply shaped Denise's broad, highly-sensitive view of the world. Easily-adaptable and conscious of cultural and linguistic nuances, Denise values harmonic subtlety and is fascinated by accents. Writing music is Denise's way of confronting constant change - she sees music as an innate devotional practice to tell stories of brokenness and redemption. Denise’s music has been performed at the National Opera Center, DiMenna Center for Classical Music, Spectrum and Mannes College in New York City; Asia Society Hong Kong Center and City Hall Theatre in Hong Kong; Yong Siew Toh Conservatory in Singapore; The International Dance Festival 2013 in Bangkok, Thailand. Denise arranged the jazz standard Georgia on my Mind for the Johnny Rodgers Band, which was performed by the Moscow Symphony in June 2013. Denise has written incidental music for three theatre productions, including NYC production Harriman-Baines at Theatre for the New City. Denise was selected out of 150 applicants to be a composer fellow for Bright Sheng's Intimacy of Creativity Contemporary Song Festival, held in Hong Kong in March 2017. Other awards include fellowships from Yaddo Colony, Brush Creek Foundation for the Arts and the Mannes College Dean's Award; Denise has been commissioned by the New York Festival of Song, Musicus Society and the Hong Kong Composer’s Guild. Denise started playing guitar at age 10; captivated by jazz and instrumental rock, she started improvising a year later. However, Denise only decided to pursue music and composition seriously upon graduation from Middlebury College in 2011, where she wrote her senior thesis on Protestant missionaries in the context of opium smuggling and British imperialism in nineteenth-century China . In 2016, Denise received her M.M. from Mannes College of Music under the guidance of Lowell Liebermann. MAJOR WORKS 主要作品 Chamber “Aurora Lights” For guzheng and erhu, commissioned by the Hong Kong Composer’s Guild, 2020 “The Deer Enclosure” For SATB chorus, commissioned by the Hong Kong Composer’s Guild, 2019 “Wings” Suite for mezzo soprano, guitar and clarinet in Bb, 2018 “165 Gilpin St.” For solo piano, 2018 “Songs I sing in Waiting” For mezzo soprano, clarinet in Bb and piano, commissioned by Lana Norris, 2017 “Lotus Rain” For string quartet, commissioned by Musicus Society - October 2016 “Songs from Wyoming” For mezzo soprano, tenor and piano - August 2016 “Morning Thoughts” For SATB and large ensemble - April 2016 “Sleep-running” For SATB a cappella – New York, February 2015 “A call from Les Dents du Midi” For trombone quartet – New York, November 2014 “dear son of memory” For solo piano – New York, September 2014 “Deep calls unto deep” For violin, viola and cello – New York, March 2014 “The Ink Dark Moon” Song cycle for mezzo soprano and piano – New York, June 2013 “Fireflies” For two flutes and piano – New York, April 2013 “3 nocturnes for piano and cello” – New York, September 2012 “King Herod, king no more” For brass quintet – New York, May 2012 “Musings for Solo Horn” For solo French horn – New York, December 2011 “Walkabout I; Walkabout II” For piano and flute – Middlebury, VT April 2011; version for piano and electric guitar, September 2014 “English Man from Canton, 1834” For 6 voices inspired by primary sources of the Opium Wars; written without absolute pitch – Middlebury, VT November 2010 “Jesse James’ Cautious Heart” For piano and flute – Middlebury, VT – October 2010 Incidental “Bare and splintered” For piccolo, viola and cello – New York, October 2014 “Harriman-Baines” For piano and cello. Written for an original production presented at Theatre for the New City – New York, August 2013 “Clear sky, water - 清天清水” For piano and cello. In conjunction with altered image of Victoria Harbor - HellHOT! Festival Hong Kong, July 2012 “The Titan Project” For soprano and piano with electronics. To accompany an adaptation of the Greek tragedy “Prometheus Bound” - Middlebury, VT, May 2012 “Vanya” Six character-inspired pieces for piano, violin and two celli inspired by Chekhov’s play “Uncle Vanya” - Middlebury, VT April 2011 “Freedom without walls” For keyboard and electronics produced for a video dance installation commemorating fall of the Berlin Wall as part of nation-wide 20th anniversary series – Middlebury, VT November 2009 Arrangements “Georgia on My Mind” – Jazz arrangement for the Johnny Rodgers Band; premiered by the Moscow Symphony string section – Moscow, June 2013 “Gate” – Arrangement of brass quintet version of art rock band Changing Modes’ song played by Magnitude 6 in Montreal Canada, summer 2013 Back

LEE Wing-wing 李永榮 MAJOR WORKS 主要作品 Back

HO Sung-chi Steve 何崇志 Born in Hong Kong, Dr Ho is a graduate of the University of British Columbia and a multi-award-winning composer whose achievements include the PROCAN 1987 and CAPAC 1988 of Canada; and the 21st Hong Kong Film Award for his soundtrack My Life As McDull . In addition, his mass choral work Music of the Spheres has been awarded the CASH's 2005 Golden Sail Award in the most widely performed serious music category. In 2015, the movie Mcdull, me and my mom won the prestigious Gold Horse award for Best Animation and for which Dr Ho wrote the film score. As a lyricist and a composer, Dr Ho's passion is to write Cantonese choral music. The result is over a hundred compositions and numerous musicals that are full of the colours of Hong Kong, for instance, the 35th anniversary musical Hong Kong Rocks commissioned by HKCC. Internationally, Dr Ho's music has been featured repeatedly in festivals and competitions such as the Pacific Piano Competition 1999 in Richmond, Canada; the CFMTA's Musical Odyssey 2001 in Kelowna, Canada; the World Choral Symposium 2003 in Switzerland; the Polyfollia 2006 in France; the SongBridge 2008 in Denmark; the World Youth and Children's Choir Festival 2017 and the Belt and Road World Choral Festival 2018. Dr Ho is currently the BME program leader and an assistant professor in the Department of Cultural and Creative Arts at the Education University of Hong Kong and appointed Adjunct Professor by the South China Normal University. He is the Composer in Residence of HKCC since 2010. 何崇志出生於香港，在加拿大英屬哥倫比亞大學獲取音樂藝術博士學位。深造期間，多次在加拿大全國作曲比賽中獲獎，包括PROCAN 1987及CAPAC 1988。在2002年，何氏為電影《麥兜故事》所創作的音樂獲香港電影金像獎最佳電影音樂之殊榮，隨後他再為《麥兜菠蘿油王子》等多齣電影創作配樂。何氏創作之大型合唱作品《宇宙的山歌》榮獲2005年度香港作曲及作詞家協會本地正統音樂最廣泛演出「金帆獎」，而於2015年度金馬奬中榮獲最佳動畫的《麥兜．我和我媽媽》之電影配樂亦是出自他的手筆。 何氏一向熱愛以廣東話譜寫合唱，其作品數量過百，並受到廣泛演出。何氏亦致力推動原創歌舞劇，筆下有《鐘聲傳說》、《鼓手奇兵》、「香兒」35周年音樂劇《石孩子之香港一日遊》等，充滿香港色彩。在國際舞台，何氏多次應邀為多個音樂節撰寫樂章，包括加拿大The Pacific Piano Competition 1999、加拿大CFMTA’s Musical Odyssey 2001、瑞士World Choral Symposium 2003、法國Polyfollia 2006及丹麥SongBridge 2008等。何氏現任職於香港教育大學，為其當代音樂及演奏教育學課程主任及助理教授，並於2010年起擔任香港兒童合唱團駐團作曲家。 MAJOR WORKS 主要作品 Back

SHUEN Lai-yin 孫禮賢 Shuen Lai Yin is currently studying in The Hong Kong Academy for Performing Arts, with major in composition and electronic music. His compositions range from Western and Chinese instrumental chamber music, live electronics and choral music. His choral compositions “The Turns of Life”, “Goodbye Again, Cambridge” and “Deer Enclosure” are premiered by The Greeners’ Sound. Also, Shuen’s instrumental music has been performed by various music groups as Hong Kong New Music Ensemble, Jenga Percussion Ensemble, Romer String Quartet. Recently, his piece “Rainscape” is selected and premiered in the Asian Composers League 2015. *Content available in English only. MAJOR WORKS 主要作品 Back

LAM Chi-ying Gigi 林芝瑛 Lam Chi Ying Gigi graduated a Bachelor of Education (Honors) from Hong Kong Institute of Education(HKIEd). She studied organ under the guidance of Mr. David Paul Werner, during her studies , she has awarded the AIA Foundation and Hong Kong Jockey Club Scholarships. Since 2004, she has organized and directed different musical productions, theatre play and performances, including Hong Kong International School (HKIS) , Yao Yuen Chinese Music Association, Joint School Drama Production , Anglican little singers etc. She is also the lyricist and director of the 40thAnniversary musical production of St. Catharine’s’ Secondary School for girsl and 15thanniversary musical production of HKIEd. She has worked as a columnist in English Street of The Hong Kong Economic Times. She is currently working as research assistant in HKIEd , Vice-president of the Hong Kong Jockey Club Scholars’ Alumni Association, music tutor of the Hong Kong Down’s Syndrome Association and Choir conductor. She is also the preparatory member of Hong Kong Composers’ Guild and Composers and Authors Society of Hong Kong Limited. 林芝瑛畢業於香港教育學院，主修中學音樂教育，在學期間獲頒香港賽馬會獎學金及AIA foundation 獎學金，全額支助其學士學位課程。畢業後獲教院提供獎學金，留校攻讀文化創意及藝術學系碩士課程。林氏隨David Paul Werner先生學生管風琴，現為Church of Nations及伯大尼小教堂之風琴師和伴奏。 林氏曾為香港經濟日報英語街文化專欄作家，並自2004年起，她與多個本地及海外團體合作，籌辦及導演參與各個音樂會，劇場製作及活動，合作機構包括香港國際學校(HKIS），力行劇社，樂樂國樂團，聯校戲劇製作，晶晶兒童教育集團，聖公會東九龍教區兒童合唱團等, 亦為聖傑靈女子中學四十週年校慶音樂劇《路得》及香港教育學院十五週年原創校慶音樂劇擔任填詞及導演工作。林氏現為教院研究助理，香港賽馬會獎學金基金同學會有限公司副主席, 香港唐氏綜合症協會音樂導師及多個合唱團指揮，林氏亦為香港作曲家聯會(Hong Kong Composers ‘Guild)預備會員及香港作曲家及作詞家協會(CASH)會員。 MAJOR WORKS 主要作品 Back

LAU Siu-long Boris 劉劭朗 MAJOR WORKS 主要作品 Back

CHAN Kai-young 陳啟揚 A Hong Kong-born composer, Kai-Young Chan focuses on the integration of nuance, relevance, and resonance in music that converses with societies and cultures. His creative practice centres on turning constraints into creative resource, such as the transformation of text-setting constraints in the tonal Cantonese language into an algorithmic composition device in contemporary idioms. His music is performed in various continents by the Pittsburgh Symphony Orchestra, Albany Symphony, Hong Kong Philharmonic Orchestra, Hong Kong Sinfonietta, PRISM Quartet, Daedalus Quartet, Mivos Quartet, and Choral Arts Initiative, among other prominent performers. His selected works are released on Ablaze Records, PARMA Recordings, and Innova Recordings, and his scores are published by Edition Peters (London). Chan is part of the first American Composers Forum delegation to the Havana Festival for Contemporary Music in Cuba, a historic tour documented by the National Public Radio. His music is presented on international stages such as ISCM World Music Days, International Rostrum of Composers, June in Buffalo, and Internationalen Ferienkurse Darmstadt. He has won the Keuris Composition Prize, the Helen L. Weiss Composition Prize, the Dolce Suono Ensemble Composition Competition, the Orchestra Seattle and Seattle Chamber Singers Competition, and the Vocal Espoo Choral Composition Competition, among others. After receiving his doctorate from the University of Pennsylvania, he joined the composition faculty at The Chinese University of Hong Kong (CUHK), where he is currently an assistant professor. A recipient of the Faculty Outstanding Teaching Award, he has received multiple courseware development grants from CUHK to develop online games and videos for the blended learning of tonal and post-tonal harmony. Supported by commissions and grants from the Research Grants Council, the Hong Kong Philharmonic Society, Composers and Authors Society of Hong Kong, and other institutions, his research focuses on unravelling the creative use of Cantonese text in Hong Kong contemporary music. 陳啟揚的音樂創作常受社會議題與自然聲響啟發，創作形式包括管弦樂、室內樂、合唱曲等，亦有糅合多媒體與民族樂器。作品曾獲匹茲堡交響樂團、阿巴尼交響樂團、香港管弦樂團、香港小交響樂團、米費斯四重奏、黛德拉斯弦樂四重奏、香港創樂團等於世界各地演奏。 陳啟揚曾於多個作曲比賽中獲獎，作品先後入選多個國際音樂節，包括國際現代音樂節（ISCM）世界音樂日、國際作曲家交流會議、水牛城六月、夏灣拿當代音樂節等。部分作品 由美國Ablaze、PARMA、Innova等唱片公司發行；樂譜則由 Edition Peters 出版社（倫敦）出版。 陳啟揚於美國賓夕法尼亞大學完成作曲博士學位，曾於同校任教樂理、胡琴，現為香港中文大學音樂系助理教授，其研究獲香港研究資助局等機構資助，探索粵語詞樂關係的創作規限如何在現代音樂中體現創意。 MAJOR WORKS 主要作品 Orchestral Seek, Seek (2014) [8’30”] for orchestra Fall of Paulownia (2014) [8’] for orchestra Ignis Fatuus II (2013) [8’] for string orchestra vers le jardin japonais (2013) [7’] for orchestra Les marées de la nuit (2012) [10’] for concert band Nightmare Escape (2011) [4’] for chamber orchestra Misty Morning by Lakeside (2010) [4’30”] for Chinese orchestra Chamber/Solo Seek, Seek (2014) [9’] for oboe, clarinet, and strings Mieko (2014) [7’] for solo flute Toper of the Bamboo Grove (2014) [5’] for bass clarinet and cello The River Remembers (2014) [1’30”] for flute, cello and piano Moon over Pyrus Blossom (2014) [4’] for piano solo Medley of Folk Tunes from Ethnic Minorities (2014) [5’] for erhu quintet as the walls close in (2013) [1’30”] for viola, contrabass, and piano Ignis Fatuus (2013) [8’30”] for string quartet Parametrical Games (2013) [1’30”] for string quartet Shimmers the Shivery Moon (2013) [7’30”] for flute, clarinet, violin, cello and piano L’esprit de la nuit (2013) [8’] for percussion trio le vent de la nuit (2012) [4’30”] for alto flute and piano Fata Morgana (2012) [7’30”] for oboe, bassoon, violin, viola, contrabass Poetic Landscapes: Zheng Playing of Chan (2012) [8’] for dizi, sheng, erhu, zheng, and narrator Les marées de la nuit (2011) [10’] for tam-tam and piano Once Upon a Snowy Night (2011) [7’] for flute, viola, and harp Tinkles in the Rain (2011) [7’30”] for flute, clarinet, violin, cello, and piano Downstream (2010) [5’] for wind quintet Lament (2010) [6’] for solo contrabass Vocal/Choral works Poem without a Title: Hard it is to Meet and Part (2014) [5’] for mezzo-soprano and piano Under the Mid-Autumn Moon (2014) [4’] for mixed choir and piano Songs of the Moon: Three Chinese Poems (2013) [14’] for mezzo-soprano, baritone, and harp East-rail Speaks… (2012) [5’] for mixed speech choir Arrangements On the Same Boat (2014) [4’] for huqin quintet and erhu ensemble The Moon Says (2013) [5’] for huqin quintet Arabian Nights (2012) [4’] for Chinese orchestra Prince Ali (2012) [3’] for Chinese orchestra One Summer’s Day (2012) [4’] for Chinese instrumental ensemble Two of Us (2011) [5’] for violin, cello, and piano Doraemon Theme Song Medley (2010) [5’] for Chinese instrumental ensemble Film Scores The Missing Ring (2014) Broken Me (2013) Who am I? (2012) 管弦樂 尋尋覓覓 (2014) [8’30”] 管弦樂作品 桐華恨 (2014) [8’] 管弦樂作品 雲隱 (2013) [7’] 管弦樂作品 鬼火 II (2013) [8’] 弦樂團作品 夜潮(2012) [10’] 管樂團作品 夢魘(2011) [4’] 室內管弦樂作品 流雲組曲(2010) [4’30”] 中樂團作品 室內樂作品 尋尋覓覓 (2014) [9’] 雙簧管、單簧管與弦樂 三重子 (2014) [7’] 長笛獨奏 酒狂隨想(2014) [5’] 低音單簧管與大提琴 那日河川(2014) [1’30”] 長笛、大提琴與鋼琴 月照梨花 (2014) [4’] 鋼琴獨奏 少數民族樂曲聯奏(2014) [5’] 胡琴五重奏 圍城縛 (2013) [1’30”] 中提琴、低音大提琴與鋼琴 鬼火 (2013) [8’30”] 弦樂四重奏 變數遊戲 (2013) [1’30”] 弦樂四重奏 月光寒(2013) [7’30”] 長笛、單簧管、小提琴、低音大提琴與鋼琴 夜森之靈(2013) [8’] 敲擊樂三重奏 晚來風 (2012) [4’30”] 中音長笛與鋼琴 蜃景 (2012) [7’30”] 雙簧管、巴松管、小提琴、中提琴與低音大提琴 聽陳蕾氏的琴箏(2012) [8’] 笛子、笙、二胡、古箏與旁述 夜潮(2011) [10’] 低音大鑼與鋼琴 夜雪重(2011) [7’] 長笛、中提琴與鋼琴 雨霖鈴曲(2011) [7’30”] 長笛、單簧管、小提琴、大提琴與鋼琴 流水(2010) [5’] 管樂五重奏 輓歌(2010) [6’] 低音大提琴獨奏 獨唱與合唱作品 詩篇二十三篇 (2015) [4’] 三部女聲合唱與鋼琴 (粵語) 無題：相見時難別亦難(2014) [5’] 次女高音與鋼琴(粵語) 水調歌頭(2014) [4’] 四部混聲合唱與鋼琴 (粵語) 月訣：古詩詞三首(2013) [14’] 次女高音、男中音與豎琴 (粵語) 火車話 (2012) [5’] 三部混聲創意樂動 (粵語) 編曲作品 同舟之情(2014) [4’] 胡琴五重奏與二胡齊奏 月亮說 (2013) [5’] 胡琴五重奏 阿拉丁組曲 (2012) [7’] 中樂團 那年夏天 (2012) [4’] 中樂團小組 我倆 (2011) [5’] 鋼琴三重奏 叮噹與多啦Ａ夢(2010) [5’] 中樂團小組 電影配樂 無名指上的印記(2014) 分手後遺症(2013) 阿擬與阿思(2012) Back

LEE Yin-ping 李燕萍 Ms Lee has received her Bachelor of Education in Music education, Master of Arts in Music education and The Professional Graduate Diploma in Education (Music) from The Education University of Hong Kong (EdUHK) . Also she was awarded Licentiate of Trinity College London (LTCL) in Piano with Distinction and Associate Diploma (ATCL) in Piano with Merit. In 2012, she obtained a Licentiate Diploma in Musical Theory, Criticism and Literature of the Trinity College London (LMusTCL). Lee's teachers include Professor Richard Tsang, Mr. Hui Cheung-wai, Dr. Samuel Tam, Dr. Donald Yu, Mr. Ng Sheng-chung, Ms. Stella Wong, Mr. Ma Cong pianist . Lee was the recipient of the 2009 Artistic Excellence Award in Composition presented by EdUHK. Her works include solo, vocal, chamber music and orchestral work etc. Lee’s musical works have been performed in the composition workshops of Professor Chinary Ung, Professor Elliott Schwartz and Professor Richard Tsang. 李氏 ‬於香港教育大學先後修畢音樂教育榮譽學士(當代音樂及演奏教育學)、音樂教育文學碩士（主修作曲）及學位教師教育文憑（小學）（主修音樂及副修特殊教育），她以優異成績考獲聖三一音樂學院鋼琴高級演奏文憑（LTCL）、聖三一音樂學院鋼琴演奏文憑（ATCL）及音樂理論高級文憑（LMusTCL）。 李氏於在學其間師隨作曲家曾葉發教授、許翔威先生、黎尚冰博士、譚展輝博士及余文正博士學習作曲，並跟隨鋼琴家伍盛中、馬聰先生、黃秀婷小姐學習鋼琴。她於2009年香港教育學院體藝學系主辦的優秀藝術比賽獲得優秀作曲獎，其作品類型有獨奏、聲樂、室樂及管弦樂等，作品曾於Professor Chinary Ung 、Professor Elliott Schwartz 、及曾葉發教授的作曲工作坊演出。 MAJOR WORKS 主要作品 Chamber 迷茫 ( confusion) for solo violin , clarinet and percussions 6" Trio no.1 for solo violin, cello and piano 6" Trio no.2 for solo violin, clarinet and piano 6:30" (2012) Apparition for 2 violins, solo flute, cello and piano 6:30" (2012) Solo Piano sonata 6” (2013) 永夜 for solo soprano and piano 6" (2010) Back