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*In the Flow of Resonance *《餘韻流轉》 Zheng Enzhe 鄭恩哲 Zheng Enzhe, the winner of "New Generation 2024", is currently a doctoral candidate at The Chinese University of Hong Kong. Drawing from his Chinese heritage, Zheng’s compositions merge traditional themes and folk materials with contemporary, innovative expressions, creating a unique musical language that reflects the cultural and spiritual essence of modern China. His orchestral piece Rosefinch won the Grand Prize at the Golden Bells International Composition Contest and was premiered at Carnegie Hall. The Time Capsule in the Azure Depths , written for a large Chinese ensemble, was selected for the 2025 "Music from the Heart" series and awarded the "Audience's Favorite Original Work" prize. His composition also won the 3rd Prize at the Musicacoustica Hangzhou 2023 Electroacoustic Music Composition Competition. In the Flow of Resonance is a composition that reinterprets and reconstructs Cantonese music within a contemporary context. While this musical tradition has gradually faded from the mainstream aesthetic landscape, it remains deeply rooted in local culture, subtly influencing and flowing through our lives. This composition draws on some well-known melodies of Stepping High and Autumn Moon Over the Calm Lake , paying tribute to the classics while attempting to fuse them with new musical language. It expresses a nostalgic connection to the sounds of an era and inspires imagination and anticipation for the future development of Cantonese music. While its future remains uncertain, its resonance continues to flow through our collective cultural memory. Previous Next

NG King-fung Kelvin 伍擎峯 Kelvin King Fung NG was born in Hong Kong and has studied in Hong Kong, USA and Austria. His works germinate from the core concern of ourselves as spatially and temporally co-existing beings, structuring available materials to examine conditions and issues arising from such facts at the existential level, such as presence, consciousness and intersubjectivity, and their possible meanings. In this sense they possess a high degree of affinity with philosophical outputs from a.o. Nancy’s being-with and Rancière’s distribution of the sensible, while their immanent problems and solutions are able to be illuminated and formulated with the help of knowledge from a.o. anthropology, embodied cognition, semiotics as well as cultural and spiritual practices. Most of his works recruit the entire audio-visual and cognitive faculty and call for heightened attention and empathetic engagement from the audience. 伍擎峯生於香港，並曾就學於香港、美國及奧地利。其音樂作品萌芽自我們作為時空共存體此一核心議題，建構可用素材在根本層面上考察研究由此基礎形成的各種如「在場性」、「意識」及「互為主觀」等狀態條件與問題及其意義。從這個角度看，這些作品與南希的「共在」及洪席耶的「感性分配」等哲學產出關係密切，而其內在的音樂問題與解決方案則能透過人類學、具身認知學、符號學等領域及各文化與精神實踐活動中的知識得以協助𨤳清與規劃。大部分作品均牽涉觀眾整體視聽與認知能力，並要求高度專注力和同理投入度。 MAJOR WORKS 主要作品 Western Orchestra Nidra (2011-2) [12’] for 2, 2, 2, 2 – 2, 2, 1, 1 - 4perc – hp, pf – str Chamber Sammul Seoljanggu 삼물설장구 (2018) [14’] for janggu-dance, crash cymbals and lighting operator Sonajo (2017) [10’] for vn & haegeum Fragments, on the bridge (2013) [5’-∞] for vn, va & vc Tombe de Sommeil (2011) [10’] for fl & pf meso- (2009) [5’10”] for sheng, cl, perc, guzheng & vc The Pale Bone from Dragon Spring 粉骨龍泉 (2008) [12’] for fl, cl, vn, vc, perc & pf Asterisk (2006) [10’] for 2vn, va & vc Conveyor II – hedonism (2006) [11’] for fl & vc Conveyor I – determinism (2006) [9’30”] for va & pf Instrumental Solo Brief Version of Seoljanggu 짧은설장구 (2021) [15’] for janggu-dance Seoljanggu 설장구 (2014-8) [24’] for janggu-dance 24 capricci per violino solo da Nicolò Paganini (2014) [10’] for vn Toccata (2013) [5’] for ten-sax Timing and Remembering – I (2010) [12’30”] for va Scherzo (2005) [9’] for pf Electronic / Electroacoustic Music Qin (2010) [5’30”] for electronics une étude sur la vocalitié (2010) [8’] for vn & Max/MSP Multimedia Seas of Ink (2018) [4’] for vn, va, vc, pn & tape video by Tutaj Tram-ism (2017) [2’30”] for va, vc, pipa, tape video by Anthony Cheng moments musicaux (2013) [1’30”] for cl, va & kb & picture Weekend Ritual (2012) [1’] for cl, vn & vc & picture Back

WONG Chi-san 黃志燊 MAJOR WORKS 主要作品 Back

NG Chun-hoi Daniel 吳俊凱 Ng Chun Hoi, Daniel serves as a music educator, composer and music critic. Ng studied composition with David Gwilt at the Chinese University of Hong Kong and with Anne Boyd and Doming Lam at the University of Hong Kong. He also undertook research in Chinese music and teacher education and obtained his doctoral degree from the University of New South Wales, Australia. Ng has taught music courses such as theory and composition, music education and Chinese music at various institutions including the Hong Kong Institute of Education, Hong Kong Baptist University, Hong Kong Academy for the Performing Arts and the Hong Kong Music Institute. He is often commissioned for new works by different organizations and a number of his work has been performed and broadcast in Hong Kong and overseas. His publications include vocal and choral compositions published in an anthology: the Hong Kong Vocal Music Collection, a chamber work Lyric Dialogues published in discography by Hugo Productions; a violin duet, Nocturne published by Red House Editions; Moody for clarinet and piano; Morning Rain for piano solo published by the Hong Kong Composers’ Guild; November Winds for string quartet and Prelude II (Wuxing Interaction) for 2 guitars published in discography distributed by Navona Records. 吳俊凱為資深音樂教育工作者、作曲家和樂評人，先後於香港中文大學和香港大學隨紀大衛、梅安妮和林樂培學習作曲，並於澳洲新南威爾斯大學取得哲學博士學位，專注研究中國音樂與師資培訓的課題。吳氏曾於韓國、澳洲、日本、美國和香港等地發表和出版多篇學術論文和教育著作，包括《學習潮州弦詩樂》教學光碟、《歌樂流芳—黃自音樂賞析與教學專集》等。歷任香港教育學院講師、香港浸會大學及香港演藝學院客席講師及香港音樂專科學校教務長，教授作曲、音樂理論和中國音樂等課程。 在音樂創作方面，吳氏經常獲不同團體委約創作，作品亦多次於本港及海外廣播和演出。已出版的作品包括於香港聲樂作品集發表的四首聲樂曲，雨果唱片公司灌錄的室樂作品【抒情對話】，澳洲Red House Editions出版的小提琴二重奏【夜曲】，香港作曲家聯會出版的單簧管與鋼琴二重奏【情緒】，鋼琴獨奏【南山朝雨】，由Navona Records發行的弦樂四重奏【秋意涼】及結他二重奏【前奏曲II-五行】等。 MAJOR WORKS 主要作品 Orchestral Orchestral Dances from the Prodigal Son (2001) 5’ The Moment (1993) 2'30" Rhombus (1983) 12' Chamber (Western) Boundless Realms (2015) 1’30’’ for violin and piano Prelude II (2013) 4’22’’ for 2 guitars Connecxion (2013) 6’ for violin and viola Nocturne (1999) 4' for 2 violins Lyric Dialogues (1995) 11' for clarinet, violin & piano Five Pieces for Wind Quartet (1991) 12' November Winds (1991) 8' for string quartet Yi Bi (1983) 4' Madrigal (1982) 4' for trumpet, horn & piano Moody (1981) 3’ for clarinet & piano Chamber (Chinese) Xi Yue (1997) 10' for erhu, pipa & zheng Instrumental Solo Ru Ge (2014) 5’ for sheng Morning Rain (2000) 3’30’’ for piano A Day in the Mountain (1993) 8'30" for gtr Vocal / Choral The Testimony of Unity Brings Glory to our Lord (2015) 3’40’’ for SATB chorus and keyboard Song of Everlasting Joy (2010) 4’22” for vocal and keyboard The Cross (2010) 4’ for vocal and guitar Changes (2002) 3' for junior treble choir Heritage and Pilgrimage (2001) 2’ for vocal and orchestra Graceful Lord, We Love Thee (1998) 2’ for vocal and piano The Prodigal Son (1993) 20' cantata for soli, chorus & orchestra I.The Wicked Boasts of the Desires of his Heart II. Vulture of the Wilderness III. And I Called on the Name of the Lord IV. The Moment Filled with Compassion V. When Brothers Dwell in Unity VI. Lead Me in the Way Everlasting Immersed in the Easterly Wind (1991) 5' for SATB chorus & pf Autumn Thoughts (1991) 4'30" for tenor solo, cl & gtr Cuo Wu (1989) 3'30" for a capella mixed chorus The Magnifying Glass (1989) 7' for treble choir & pf Duan Zhang (1986) 4' for female chorus & pf Yi Jian Mei (1981) 2'30" for soprano solo & pf Multi-media As a Watch in the Night (1999) 6' for tape & lighting Discography Song of Everlasting Joy(永恆喜樂歌), The Cross(十架真道), in “Love, Worshipping”(愛‧敬拜) CD, Kwun Tong Methodist Church Moody in Resonating Colours Vol. 1 CD, Hong Kong Composers’ Guild Morning Rain in Resonating Colours Vol. 3 CD, Hong Kong Composers’ Guild Song of Everlasting Joy (永恆喜樂歌) in Sacred Music Festival 2012 DVD, Methodist Church Hong Kong Heritage and Pilgrimage (溯源踐信、守約創路), VCD ,Methodist Church Hong Kong Lyric Dialogues, Hugo HRP 7210-2 Publications Ng, C. H. D. (2006).The impact of exposure to Chaozhou Xianshi music on pre-service teachers’ development as music educators. (PhD dissertation, University of New South Wales, Australia, 2006) Ng, C. H. D. (2006).Connecting cultures: Challenges and strategies to introduce indigenous Chinese music to pre-service teachers in Hong Kong. In M. Moore & B.W. Leung (Eds.). School music and teacher Education: A global perspective in the new century (pp.151-163). Hong Kong: The Hong Kong Institute of Education. Ng, C. H. D. (2005). Musicians in Chinese culture: Lessons from xianshi musicians. Asia-Pacific Journal for Arts Education, 3(2), 3-36. Wong, P. W. Y., Ng, C.H.,Lai, M. T., & So, M.C. (2004). Huang Zi Choral Literature Collection 《歌樂流芳—黃自音樂賞析與教學專集》Hong Kong: Longman "Learning Strategies and Retention Process with different Notation Systems: Lessons from Chaozhou Xianshi music." In Searching for a New Paradigm of music Education Research: An international Perspective, edited by E. Choi, 319-329. Soel: Korean Education Society, 1997. 「如詩如畫」"Like Poems and Paintings." In Guidelines for School Creative Music Project, edited by Education Department, 45-47. Hong Kong: Education Department, 1998. 「如花一朵」"As A Flower." In Guidelines for School Creative Music Project, edited by Education Department, 48-50. Hong Kong: Education Department, 1998. "Introducing Chaozhou Xianshi Musical Elements into the Theory and Aural Classes of Initial Teacher Training Courses In Hong Kong." Proceedings of the 2nd Asia -Pacific Symposium on Music Education Research (held in Launceston, Australia), (1999): 221-226. 「無伴奏合唱曲三首﹣選自清唱劇《浪子》」 "Three A Capella Choral Pieces from The Prodigal Son." In Hong Kong Vocal Music Collection, vol.VII, edited by D. Law, 80-89. Hong Kong: Chinese Christian Literature Council, 1999. 「一剪梅」 "Yi Jian Mei." In Hong Kong Vocal Music Collection, vol.VI, edited by D. Law, 120-121. Hong Kong: Chinese Christian Literature Council, 1999. 「斷章」 "Duan Zhang." In Hong Kong Vocal Music Collection, vol.III, edited by D. Law, 96-104. Hong Kong: Chinese Christian Literature Council, 1999. 「沉醉東風」 "Immersed in the Easterly Winds." In Hong Kong Vocal Music Collection, vol.II, edited by D. Law, 94-105. Hong Kong: Chinese Christian Literature Council, 1999. "The Underlying Educational Principles of the Two Earliest Official Primary Music Syllabi." (in collaboration with Yu-Wu Yuet-wah) In School Curriculum Change and Development in Hong Kong, edited by Cheng Yin-Cheong, Chow King-Wai & Tsui Kwok-Tung, 483-503. Hong Kong: Hong Kong Institute of Education, 2000. 「學習潮州弦詩樂」"Learning Chaozhou Xianshi Music". Hong Kong: Hong Kong Institute of Education, 2001. CD-ROM. 「覓」、「路」、「暗問」、「素願」、「一剪梅」。載於《荷花飄香樂悠揚》，張越華主編，頁71-73, 76-78, 214-215。香港：香港中文大學崇基學院，2001。 "Nocturne for two violins." In Passions Within for Violin, 17-19. Footscray, Australia: Red House Editions, 2001 《教樂樂學樂樂》 "Teaching Kit and Resources: Joyful Teaching and Joyful Learning in Music". (in collaboration with Lai May-tan, Wong Wai-ying & Yuen Tze-leung). Hong Kong: Hong Kong Institute of Education, 2001 「郊遊樂」、「愛護地球」、「雨後驕陽」。載於《教樂樂、學樂樂歌集》，黎美丹、吳俊凱、袁子良、黃慧英編，頁40-45。香港：香港教育學院，2001。 "Capturing the Essence of Traditional Musical Heritage with Technology: A CD ROM Project of Introducing Chaozhou Xianshi Music into the Teacher Training Courses in Hong Kong." Proceedings of the 3rd Asia-Pacific Symposium on Music Education Research and International Symposium on Uragoe and Gender (held in Nagoya Japan), Vol 2 (2001): 57-60. Ng, C. H. D. (1993).Original Compositions for Young Musicians. (MPhil dissertation, University of Hong Kong, Hong Kong, 1993) Duan Zhang for SSA Female Chorus and Piano. Hong Kong: Hong Kong Composers' Guild, 1992. 管弦樂 管弦樂舞曲選自清唱劇《浪子》(2001) 5’ 時刻 (1993) 2'30" 菱形 (1983) 12' 室樂 (西樂) 無間東西 (2015) 1’30’’ for violin and piano 前奏曲 II (2013) 4’22’’ for 2 guitars 連繫 (2013) 6’ for violin and viola 夜曲 (1999) 4' for 2 violins 抒情對話 (1995) 12' for clarinet, violin & piano 木管樂四重奏 (1991) 12' 秋意涼 (1991) 8' for string quartet 意筆 (1983) 4' 牧歌 (1982) 4' for trumpet, horn & piano 情緒 (1981) 3' for clarinet & piano 室樂 (中樂) 細樂 (1997) 10' for erhu, pipa & zheng 獨奏曲 如歌 (2014) 5’ for sheng 南山朝雨 (2000) 3’30” for piano 山中一日 (1993) 8'30"for guitar 聲樂 / 合唱 合一見證榮歸神 (2015) 3’40” for SATB chorus and keyboard 永恆喜樂歌 (2010) 4’22’’ for vocal and keyboard 十架真道 (2010) 4’ for vocal and guitar 聲相應 (2002) 3' for junior treble choir 溯源踐信、守約創路 (2001) 2’ for vocal and orchestra 回溯主恩、愛主一生 (1998) 2’ for vocal and piano 浪子 (1993) 20' cantata for soli, chorus & orchestra I. 惡人以心愿自誇 II. 荒場的鴞鳥 III. 身陷絕境，求告主名 IV. 相離還遠，動慈心 V. 和睦何其美 VI. 主佑我靈不盡 秋 沉醉東風 (1991) 5' for SATB chorus & pf 秋思 (1991) 4'30" for tenor solo, cl & gtr 錯誤 (1989) 3'30" for a capella mixed chorus 放大鏡 (1989) 7' for treble choir & pf 斷章 (1986) 4' for female chorus & pf 一剪梅 (1981) 2'30" for soprano solo & pf 多媒體音樂 如夜一更 (1999) 6' for tape & lighting 唱片目錄 Song of Everlasting Joy(永恆喜樂歌), The Cross(十架真道), in “Love, Worshipping”(愛‧敬拜) CD, Kwun Tong Methodist Church Moody in Resonating Colours Vol. 1 CD, Hong Kong Composers’ Guild Morning Rain in Resonating Colours Vol. 3 CD, Hong Kong Composers’ Guild Song of Everlasting Joy (永恆喜樂歌) in Sacred Music Festival 2012 DVD, Methodist Church Hong Kong Heritage and Pilgrimage (溯源踐信、守約創路), VCD ,Methodist Church Hong Kong Lyric Dialogues Hugo HRP 7210-2 出版刊物 Ng, C. H. D. (2006).The impact of exposure to Chaozhou Xianshi music on pre-service teachers’ development as music educators. (PhD dissertation, University of New South Wales, Australia, 2006) Ng, C. H. D. (2006).Connecting cultures: Challenges and strategies to introduce indigenous Chinese music to pre-service teachers in Hong Kong. In M. Moore & B.W. Leung (Eds.). School music and teacher Education: A global perspective in the new century (pp.151-163). Hong Kong: The Hong Kong Institute of Education. Ng, C. H. D. (2005). Musicians in Chinese culture: Lessons from xianshi musicians. Asia-Pacific Journal for Arts Education, 3(2), 3-36. Wong, P. W. Y., Ng, C.H., Lai, M. T., & So, M.C. (2004). Huang Zi Choral Literature Collection 《歌樂流芳—黃自音樂賞析與教學專集》Hong Kong: Longman "Learning Strategies and Retention Process with different Notation Systems: Lessons from Chaozhou Xianshi music." In Searching for a New Paradigm of music Education Research: An international Perspective, edited by E. Choi, 319-329. Soel: Korean Education Society, 1997. 「如詩如畫」"Like Poems and Paintings." In Guidelines for School Creative Music Project, edited by Education Department, 45-47. Hong Kong: Education Department, 1998. 「如花一朵」"As A Flower." In Guidelines for School Creative Music Project, edited by Education Department, 48-50. Hong Kong: Education Department, 1998. "Introducing Chaozhou Xianshi Musical Elements into the Theory and Aural Classes of Initial Teacher Training Courses In Hong Kong." Proceedings of the 2nd Asia -Pacific Symposium on Music Education Research (held in Launceston, Australia), (1999): 221-226. 「無伴奏合唱曲三首﹣選自清唱劇《浪子》」 "Three A Capella Choral Pieces from The Prodigal Son." In Hong Kong Vocal Music Collection, vol.VII, edited by D. Law, 80-89. Hong Kong: Chinese Christian Literature Council, 1999. 「一剪梅」 "Yi Jian Mei." In Hong Kong Vocal Music Collection, vol.VI, edited by D. Law, 120-121. Hong Kong: Chinese Christian Literature Council, 1999. 「斷章」 "Duan Zhang." In Hong Kong Vocal Music Collection, vol.III, edited by D. Law, 96-104. Hong Kong: Chinese Christian Literature Council, 1999. 「沉醉東風」 "Immersed in the Easterly Winds." In Hong Kong Vocal Music Collection, vol.II, edited by D. Law, 94-105. Hong Kong: Chinese Christian Literature Council, 1999. "The Underlying Educational Principles of the Two Earliest Official Primary Music Syllabi." (in collaboration with Yu-Wu Yuet-wah) In School Curriculum Change and Development in Hong Kong, edited by Cheng Yin-Cheong, Chow King-Wai & Tsui Kwok-Tung, 483-503. Hong Kong: Hong Kong Institute of Education, 2000. 「學習潮州弦詩樂」"Learning Chaozhou Xianshi Music". Hong Kong: Hong Kong Institute of Education, 2001. CD-ROM. 「覓」、「路」、「暗問」、「素願」、「一剪梅」。載於《荷花飄香樂悠楊》，張越華主編，頁71-73, 76-78, 214-215。香港：香港中文大學崇基學院，2001。 "Nocturne for two violins." In Passions Within for Violin, 17-19. Footscray, Australia: Red House Editions, 2001 《教樂樂學樂樂》 "Teaching Kit and Resources: Joyful Teaching and Joyful Learning in Music". (in collaboration with Lai May-tan, Wong Wai-ying & Yuen Tze-leung). Hong Kong: Hong Kong Institute of Education, 2001 「郊遊樂」、「愛護地球」、「雨後驕陽」。載於《教樂樂、學樂樂歌集》，黎美丹、吳俊凱、袁子良、黃慧英編，頁40-45。香港：香港教育學院，2001 "Capturing the Essence of Traditional Musical Heritage with Technology: A CD ROM Project of Introducing Chaozhou Xianshi Music into the Teacher Training Courses in Hong Kong." Proceedings of the 3rd Asia-Pacific Symposium on Music Education Research and International Symposium on Uragoe and Gender (held in Nagoya Japan), Vol 2 (2001): 57-60. Ng, C. H. D. (1993).Original Compositions for Young Musicians. (MPhil dissertation, University of Hong Kong, Hong Kong,1993) Duan Zhang for SSA Female Chorus and Piano. Hong Kong: Hong Kong Composers' Guild, 1992. Back

Splendid Echoes of a waning dream 《絢爛於夢醒前》 Chung Tsz-yin 鍾子彥 Chung Tsz-yin is currently studying in the Composition and Electronic Music Department at the Hong Kong Academy for Performing Arts, under the mentorship of Dr. Cheung Pui-shan. During his studies, Chung focuses on chamber music composition and is dedicated to exploring the fusion of art music and popular music, aiming to create works that appeal to both refined and popular tastes. The piece is inspired by nostalgia for a “golden era.” Everyone has their own special “golden era” in their heart, but instead of dwelling on the past, “living in the now” makes more sense. The music alternates between two different textures to show the clash between memories and reality. Previous Next

CHUNG Tin-hon Aaron 鍾天瀚 Chung Tin Hon Aaron earned his B.A. in Music degree at the Chinese University of Hong Kong, and is currently pursuing his Master of Music degree, studying composition under Professor Wendy Lee. Recently, he is keen on creating cross-disciplinary collaborative projects and multimedia works. 鍾天瀚於香港中文大學取得音樂學士學位，現為音樂碩士研究生，師隨李允琪教授。近期，鍾氏熱衷於創作跨學科協作作品及多媒體作品。 MAJOR WORKS 主要作品 Back

BROMBERG Brian Patrick# 布萊恩 Brian Patrick Bromberg began playing guitar at the age of 13 in Chicago, Illinois, USA. From this age, he was taught music through composition, jazz, and improvisation, a teaching method he utilises in his classes to this day. When in high school, James Black, a violinist with the Chicago Symphony and the conductor of a local orchestra, noticed Brian’s talent in composition. James gave him a cello and encouraged Brian to start preparing for auditions to universities. Brian attended Illinois State University where he studied cello performance with Gregory Hamilton, conducting with Glenn Block, and composition with David Feurzeig. Upon completing his bachelor’s degree, Brian was selected for the cello performance scholarship to attend the prestigious Otago University of New Zealand where he continued his compositional studies with Anthony Ritchie. It was at this time that Brian won The Philip Neill Prize for best new composition. Brian is an active composer of new music with a current repertoire that includes an extensive array of music for orchestra and chamber groups. His works have been performed by ensembles in Singapore, the USA, Canada, Croatia, Italy, Germany, New Zealand, and Australia. Apart from being a major advocate for the performance and cultivation of new music, Brian is an avid chamber and orchestral musician. He has performed with The Lukas Foss Festival Orchestra in Carnegie Hall, the Dunedin Southern Symphonia, the Orchestre Symphonique de Québec, and with Singapore’s Orchestra Of Music Makers. In addition to playing cello, Brian is also an active musician in Javanese gamelan. He has performed with Gamelan Singa Nglaras for the past five years, being invited to perform at The Malay Heritage Centre, The Esplanade Theatres on the Bay, and The Asian Civilisations Museum in Singapore. Brian has extensive experience teaching music at the highest levels in the United States and Singapore, a track record of collaborating with colleagues to form and coach ensembles that allow all students to develop their unique talents, and the ability to design experiences that help learners approach music with curiosity and creativity. Brian also runs the music label ShanGORIL La Records, which releases new and experimental music from around the world. 布萊恩（Brian Patrick Bromberg）從十三歲開始學習吉他和鋼琴，彈奏爵士音樂，即興音樂，並自學作曲。中學期間芝加哥樂團的小提琴家 James Black 發現布萊恩的作曲天賦後，在 James 的指導下，布萊恩迅速地掌握了大提琴技巧，並因此加入 James 自己創建的樂團。 在伊琳偶伊州（Illinois）大學讀音樂系學士期間，布萊恩學習大提琴並跟隨 David Feurzeig 和 Sara Hwang 學習作曲。當時伊利諾伊樂團首映了他創作的第一交響曲。畢業以後布萊恩在 Otago University 讀音樂碩士，他的導師是 Anthony Ritchie 和 Gregory Hamilton。在此期間佈萊恩贏得了 The Phillip Neill 作曲獎。大學期間除了學習大提琴和作曲，布萊恩也學習了印度尼西亞的傳統音樂 “gamelan”。 碩士畢業後，布萊恩經營過一個出版新音樂和實驗音樂的品牌。布萊恩跟隨 The Lukas Foss Festival 樂團在卡內基大廳表演，而後跟隨 The Dunedin Southern Symphonia，The Orchestre Symphonique de Québec 以及新加坡的 Orchestra of Music Makers 樂團表演。 現在布萊恩在給三個香港的音樂學校作曲，並且跟隨幾個本地的合奏團表演。他一直在不斷地尋找與更多的音樂家和作曲家合作的機會。 MAJOR WORKS 主要作品 Orchestra Five Pieces For Orchestra (2008) Wind Up Bird Chronicles (2020) Symphony 3 (2019) Symphony 2 (2009) Symphony 1 (2005) Impressions for Orchestra (2004) Winter Overture, String Orchestra (2003) Chamber MindDrift, String Orchestra (2021) Alexandra Variations, for String Quartet (2021) Directions For Knowing All Dark Things, Flute, Clarinet, Bassoon, 2 Violins, Viola, Cello (2021) Here Forward, Piano, Bb Clarinet, Violin, Cello (2021) Kandinsky No. 2, Piano Trio (2021) String Quartet 2, 2 violins, viola, cello (2020) Tentet, Flute, Oboe, Clarinet, Bassoon, French Horn, Violin, Viola, Cello, Piano, Percussion (2020) Vital Nutrients, Flute, Clarinet, Percussion, Piano, Violin, Cello (2020) Piano Trio, Piano, Violin, Cello (2018) Muzak for four or more cellos, four or more cellos (2017) Kandinsky No. 1, Piano, Violin, Cello (2008) Music in Limbo, Soprano Saxophone, Bb Clarinet, Bassoon, Piano (2007) If You Don’t Look at the Sky Enough, Viola, Piano (2006) Kind of Kismet, Violin, Piano (2006) Septet, Flute, Clarinet, Bassoon, 2 Violins, Viola, Cello (2005) String Trio, Violin, Viola, Cello (2005) Owl Brook Lament, Violin, Cello (2004) Solo/Sonata Violin Sonata II (2007) Violin Sonata I (2006) Cello Sonata (2006) Viola Sonata (2005) Piano Sonata (2005) Thought Crimes For Cello (2005-2021) Abstractions For Cello And Piano (2018) Abstraction for Violin and Piano (2008) Piano Sonatina (2018) Works for Young Players Ristorante el Mexicano, Violins, Piano, Percussion (2007) Shang-ri- La, Violins, Cello, Piano 4 hands, Voice (2020) Four Pieces For String Quartet (2005) Shades of Green, String Orchestra (2005) Back

LI Kit-yiu Emily 李潔瑤 李氏畢業於香港浸會大學及香港中文大學音樂系，分別取得音樂學士及碩士學位，主修作曲。曾任香港浸會大學音樂藝術系講師及其手鈴隊指揮，現任香港手鈴藝術學院及香港青少年手鈴樂團 、Bell Allure 、The Clappers 藝術總監及香港手鈴藝術協會主席。李氏於1986年開始接觸手鈴，自始結下不解之緣。1996年創立白手黨手鈴隊，擔任音樂總監至今。先後隨著名獨奏家安德遜、積臣及夏斯高學習手鈴獨奏。亦曾遠赴美國協同大學修讀手鈴碩士課程，隨多位著名手鈴大師修讀手鈴演奏、指揮及作曲，其中包括庫克、柏恩、尚爾曼及大衛遜。 李氏於2004年放下大學的教職，創辦香港手鈴藝術學院，專注推動本地手鈴之發展，為本港人士提供一個專門學習手鈴的途徑及資源中心。李氏分別於2005及2006年創立香港青少年手鈴樂團及香港手鈴藝術協會，致力推廣手鈴藝術教育、培育本地指揮及新一代青少年手鈴演奏家。2006年發起「第一屆香港手鈴節」，將手鈴藝術進一步推廣至更闊的層面。李氏經常於海外之手鈴會議及大師班中演出，又向外推廣本港之手鈴發展。2008年獲美國手鈴協會之邀請，於期刊‘泛音’的教育專欄中發表文章《香港新一代手鈴發展》。2010年帶領香港手鈴藝術協會成功加入由英、美、日、韓、加拿大及澳洲組成的「國際手鈴議會」，成為該會自1985年成立後第七個成員國，使香港成為2020年世界手鈴大會之主辦城市。 李氏曾多次獲邀帶領各手鈴隊作過不同類型的錄音、錄影、現場演出及國際交流活動，其中包括每兩年一度的「世界手鈴大會」、「鹿兒島亞洲青少年藝術節」、及於台灣、新加坡、加拿大、西雅圖、波特蘭、紐約、鳳凰城等國家或城市舉行音樂會。曾於浸會大學、香港電台第四台舉行手鈴獨奏音樂會；又應邀於無線電視、廣西電視台、香港童聲合團音樂會中作獨奏表演。曾為香港作曲家聯會主持互動手鈴作曲工作坊及於「音樂新文化」之音樂會作獨奏及指揮，2012年與香港演藝學院作曲系合作，為7首本地作品作世界首演，為香港手鈴音樂發展寫下新的一頁。同年李氏赴美國為「全國手鈴研討會」舉行獨奏音樂會及擔任工作坊導師，2013年再獲美國手鈴協會邀請帶領香港青少年手鈴樂團於研討會中舉行閉幕音樂會及於2014年擔任All Stars Choir指揮。李氏分別為第十五屆（2012）及第十六屆（2014） 兩年一度舉行之「世界手鈴大會」擔任大合奏指揮，演繹香港作曲家謝情雯及阮慧玲之作品。 李氏亦為手鈴作曲家，曾為白手黨手鈴隊、無線電視、香港手鈴節創作手鈴音樂作品，其原創作品《Cantabile》（2006）及委約作品《Nocturnal Fantasy》（2010）均於美國出版並錄製成鐳射唱片。 MAJOR WORKS 主要作品 Back

LEUNG Chi-hin 梁智軒 Dr. Chi-hin Leung was born in a metropolitan city - Hong Kong. With diverse cultural background, his compositions mix with both East and West thoughts, and with special interests in timbral and textural explorations. Leung’s compositions and recordings are published by Schott Music (Germany), MOECK (Germany), Edition HH (U.K.), PARMA Recordings (U.S.), From the Top Music (U.S.), Oxford University Press (China) and Hong Kong Composers’ Guild. His works have been featured by ISCM World New Music Days, UNESCO International “Arts for Peace” Festival, International Rostrum of Composers, International Electronic Music Week, World Choir Games, International Handbell Symposium, ISME World Conference on Music Education, Asian Recorder Festival, Singapore Saxophone Symposium, Summa Cum Laude International Youth Music Festival Vienna, Taipei Traditional Arts Festival, Musicarama, Hong Kong Schools Music Festival and many. He is currently a lecturer at the Education University of Hong Kong. 梁智軒博士生於國際大都會－香港。受其多樣性的文化背景所影響，梁氏的創作揉合東方和西方的思想，亦特別熱衷於音色與織體的探索。 他的作品及錄音由Schott Music（德國）、MOECK（德國）、Edition HH（英國）、PARMA Recordings（美國）、From The Top Music（美國）及牛津大學出版社（中國）出版。梁氏的作品曾於多個國際音樂節中演出，包括國際現代音樂節（ISCM）、聯合國教科文組織「國際和平藝術節」、國際作曲家交流會議（IRC）、國際電子音樂周（EMW）、世界合唱比賽、世界手鈴大會、國際音樂教育協會（ISME）、亞洲木笛節、新加坡蕯克斯風國際研討會、維也納青少年音樂節、台北傳統藝術節、音樂新文化及香港學校音樂節等。梁氏現為香港教育大學講師 。 MAJOR WORKS 主要作品 Orchestral (Western) Blank Shadow (2009) 6' for 1fl, 1ob, 1cl, 1bsn, 1hn, 1perc, vn I, vn II, vla, vc, db Whirling in the Ocean (2008) 6' for 1fl, 1ob, 1cl, 1bsn, 1hn, vn I, vn II, vla, vc, db Concert Overture (2007) 5' for orchestra Chamber (Western) A Drop in the Ocean (2009) 6' for cl, vn, vc, pf The Colors of Peace (2009) 9' for handbell and handchime Feng Qing Yun Dan (2009) 9’30” for recorder quartet Variations on the theme of It's a Small World (2009) 4' for handbell and handchime The Victoria (2007) 4' for handbell and handchime Brazing Snow (2007) 6'30" for ob, cl & bsn Brazing Snow (2007) 6'30" for Bb picc. tpt, C tpt, Bb tpt, horn, tbm, euph & tba Deep Ocean (2007) 7'30" for cl, vc & pf Dance of the Clown (2006) 4'30" for vn, vc & pf Trio in D minor (2006) 5' for vn, vc & pf String Quartet No.1 (Reminiscence) (2005) 5' for string quartet Chamber (Chinese) Thousands of Pearly Drops (2008) 5' for ruan quartet (gaoruan, xiaoruan zhongruan and daruan) Heart Strings (2006) 4'30" for ehru, 2 pipas, 2 ruans & 2 zhengs Chamber (Mixed) Music of the Land (2009) 6' for cl, vc, sh, zh, perc Vocal / Choral New Hong Kong Poem (2007) 3' for voice & pf Scout (2007) 2' for voice & pf Wind Chime (2007) 6' for soprano, baritone, handbell, perc & pf Wind Chime (2006) 6' for SATB, handbell, perc & pf Music for Theatre / Drama Dance in the 70s from Step on the Way (2009) 2' for pop band Hand-in-hand from Step on the Way (2009) 3' for voice, pop band Network Symphony from musical Change (2008) 4' for voice, orchestra Toy World from musical Change (2008) 3' for voice, pf Evening from musical Change (2008) 3' for voice, pf Network Symphony Finale from musical Change (2008) 4' for voice, orchestra Evening from drama San Mei (2008) 3' for pf Dark from drama San Mei (2008) 3' for pf Multimedia / Installation Wind Chime (2008) 6' for SATB, handbell, perc, pf, movements, hand signs 管弦樂 (西樂) 空影 (2009) 6' for 1fl, 1ob, 1cl, 1bsn, 1hn, 1perc, vn I, vn II, vla, vc, db 迴旋．海 (2008) 6' for 1fl, 1ob, 1cl, 1bsn, 1hn, vn I, vn II, vla, vc, db 音樂會序曲 (2007) 5' for orchestra 室樂 (西樂) 深海一滴 (2009) 6' for cl, vn, vc, pf 平和之色 (2009) 9' for handbell and handchime 風輕雲淡 (2009) 9’30” for recorder quartet 世界真細小變奏曲 (2009) 4' for handbell and handchime 幻彩維港 (2007) 4' for handbell & handchime 焰雪 (2007) 6'30" for ob, cl & bsn 焰雪 (2007) 6'30" for Bb picc. tpt, C tpt, Bb tpt, horn, tbm, euph & tba 心海 (2007) 7'30" for cl, vc & pf 小丑之舞 (2006) 4'30" for vn, vc & pf D小調三重奏 (2006) 5' for vn, vc & pf 第一號弦樂四重奏〈回憶〉 (2005) 5' for string quartet 室樂 (中樂) 點滴萬千 (2008) 5' for ruan quartet (gaoruan, xiaoruan zhongruan and daruan) 心弦 (2006) 4'30" for ehru, 2 pipas, 2 ruans & 2 zhengs 室樂 (混合) 天韻 (2009) 6' for cl, vc, sh, zh, perc 聲樂 / 合唱 新香港頌 (2007) 3' for voice & pf 童軍與我 (2007) 2' for voice & pf 風鈴 (2007) 6' for soprano, baritone, handbell, perc & pf 風鈴 (2006) 6' for SATB, handbell, perc & pf 劇場音樂 舞動於七十年代（選自《青少年暑期創藝體驗展現Show》）(2009) 2' for pop band 牽著手（選自《青少年暑期創藝體驗展現Show》）(2009) 3' for voice, pop band 網絡交響（選自音樂劇《換．一玩》）(2008) 4' for voice, orchestra 玩具樂園（選自音樂劇《換．一玩》）(2008) 3' for voice, pf 黃昏（選自音樂劇《換．一玩》）(2008) 3' for voice, pf 網絡交響終曲（選自音樂劇《換．一玩》） (2008) 4' for voice, orchestra 暗黑（選自舞台劇《三妹》）(2008) 3' for pf 黃昏（選自舞台劇《三妹》）(2008) 3' for pf 多媒體音樂 / 裝置音樂 風鈴 (2008) 6' for SATB, handbell, perc, pf, movements, hand signs Back

HO Sung-chi Steve 何崇志 Born in Hong Kong, Dr Ho is a graduate of the University of British Columbia and a multi-award-winning composer whose achievements include the PROCAN 1987 and CAPAC 1988 of Canada; and the 21st Hong Kong Film Award for his soundtrack My Life As McDull . In addition, his mass choral work Music of the Spheres has been awarded the CASH's 2005 Golden Sail Award in the most widely performed serious music category. In 2015, the movie Mcdull, me and my mom won the prestigious Gold Horse award for Best Animation and for which Dr Ho wrote the film score. As a lyricist and a composer, Dr Ho's passion is to write Cantonese choral music. The result is over a hundred compositions and numerous musicals that are full of the colours of Hong Kong, for instance, the 35th anniversary musical Hong Kong Rocks commissioned by HKCC. Internationally, Dr Ho's music has been featured repeatedly in festivals and competitions such as the Pacific Piano Competition 1999 in Richmond, Canada; the CFMTA's Musical Odyssey 2001 in Kelowna, Canada; the World Choral Symposium 2003 in Switzerland; the Polyfollia 2006 in France; the SongBridge 2008 in Denmark; the World Youth and Children's Choir Festival 2017 and the Belt and Road World Choral Festival 2018. Dr Ho is currently the BME program leader and an assistant professor in the Department of Cultural and Creative Arts at the Education University of Hong Kong and appointed Adjunct Professor by the South China Normal University. He is the Composer in Residence of HKCC since 2010. 何崇志出生於香港，在加拿大英屬哥倫比亞大學獲取音樂藝術博士學位。深造期間，多次在加拿大全國作曲比賽中獲獎，包括PROCAN 1987及CAPAC 1988。在2002年，何氏為電影《麥兜故事》所創作的音樂獲香港電影金像獎最佳電影音樂之殊榮，隨後他再為《麥兜菠蘿油王子》等多齣電影創作配樂。何氏創作之大型合唱作品《宇宙的山歌》榮獲2005年度香港作曲及作詞家協會本地正統音樂最廣泛演出「金帆獎」，而於2015年度金馬奬中榮獲最佳動畫的《麥兜．我和我媽媽》之電影配樂亦是出自他的手筆。 何氏一向熱愛以廣東話譜寫合唱，其作品數量過百，並受到廣泛演出。何氏亦致力推動原創歌舞劇，筆下有《鐘聲傳說》、《鼓手奇兵》、「香兒」35周年音樂劇《石孩子之香港一日遊》等，充滿香港色彩。在國際舞台，何氏多次應邀為多個音樂節撰寫樂章，包括加拿大The Pacific Piano Competition 1999、加拿大CFMTA’s Musical Odyssey 2001、瑞士World Choral Symposium 2003、法國Polyfollia 2006及丹麥SongBridge 2008等。何氏現任職於香港教育大學，為其當代音樂及演奏教育學課程主任及助理教授，並於2010年起擔任香港兒童合唱團駐團作曲家。 MAJOR WORKS 主要作品 Back

WONG Chung-hei 黃頌熙 MAJOR WORKS 主要作品 Back

LEE Lok-on 李樂安 MAJOR WORKS 主要作品 Back