Search Results

HUNG Ming-kin Christopher 洪銘健 Described as “beautifully evoked…in a type of ordered chaos”, “meticulous attempt on the balance of the sound of modern music”, the music of Hong Kong composer Dr Chris Hung has first gained international recognition in 2010, with his work “Infinite Soundscape” premiered by International Contemporary Ensemble (USA) at the Darmstadt Summer Course in Germany. One of the salient features of Hung’s composition is his use of kaleidoscopic details, merging different cultural styles between the East and West. His diverse oeuvre includes an array of about 70 works from instrumental solo to orchestral music, as well as audio-visual works and choral music. Hung’s scores are published by Universal Edition scodo (Germany), BabelScores (France) and Trübcher Music Editions (UK). Over the past fifteen years, Dr Hung’s works have been performed and broadcasted throughout Europe, as well as USA and Asian countries in various leading festivals, such as Beijing Modern Music Festival (China), ISCM World Music Days (Slovenia), Sibelius 150th Anniversary Celebration (Finland), Music Biennale Zagreb (Croatia) etc. He was composer-fellows in CoMA New Music Residency (UK), Singapore Chinese Orchestra Workshop and composer-in-residence of Nexus Ensemble. In addition, Hung was a recipient of numerous awards, such as ALEA III International Composition Competition (USA) (First Prize),“Sofia 2013” International Composition Competition (Bulgaria) (First Prize); International Composers' Competition of the I. J. Paderewski Academy of Music (Poland) (Second Prize); EarShot: China – U.S. Composers Competition (USA), Singapore Chinese Orchestra Composition Competition and International Jean Sibelius Composition Competition (Finland) (Finalists) among others. He currently serves as Secretary (Administration) of Hong Kong Composers' Guild. He was Hong Kong Representative attending the 65th International Rostrum of Composers held in Budapest, Hungary in 2018. Hung holds a Doctor of Music degree from the Chinese University of Hong Kong. He received guidance under the tutorlege of Prof. Chan Wing Wah and Prof. Victor Chan. He currently teaches music in School of Continuing and Professional Studies, Chinese University of Hong Kong (CUSCS), School of Continuing Education, Hong Kong Baptist University (HKBUSCE), Baron School of Music and other Music Institutions in Hong Kong. 被描述為「美妙地喚起…在一種有序的混亂中」、「對現代音樂聲音平衡的細緻嘗試」，香港作曲家洪銘健博士的音樂首次獲國際稱譽，是在2010年德國達姆施塔特夏季現代音樂節中作品「無盡聲景」由美國國際當代樂團首演。 他的作品其中一個顯著特徵，是經常加上近似萬花筒般的許多細節，並且融合東西文化的風格。多樣化的作品包括器樂獨奏以及管弦樂約70部，此外亦有影像配樂及合唱音樂。洪氏的樂譜由德國Universal Edition scodo、法國BabelScores和英國Trübcher Music Editions出版。 在過去的十五年中，洪博士的作品曾在歐洲、美國和亞洲國家的各主要音樂節上發表，如中國北京現代音樂節、斯洛文尼亞ISCM世界音樂日、芬蘭西貝流士150週年慶典及克羅地亞薩格勒布音樂雙年展等。 他曾是英國CoMA新音樂作曲大師班、新加坡華樂團工作坊和Nexus Ensemble的駐團作曲家。 此外，他獲得多項作曲比賽獎項，如美國波士頓ALEA III國際作曲比賽（一等獎）、保加利亞“Sofia 2013”國際作曲比賽（一等獎）；波蘭I. J. Paderewski音樂學院國際作曲家比賽（二等獎）；美國中美作曲家作曲比賽、新加坡華樂團作曲比賽及芬蘭西貝流士國際作曲比賽（入圍獎）等。 他目前擔任香港作曲家聯會秘書（行政），並曾於2018年作為香港代表出席在匈牙利布達佩斯舉行的第65屆國際作曲家交流會議。 洪博士持有香港中文大學音樂博士學位，師從陳永華教授和陳偉光教授。 洪現於香港中文大學專業進修學院、香港浸會大學持續教育學院、伯樂音樂學院及其他音樂院校任教。 MAJOR WORKS 主要作品 Orchestral (Western) Symphonic Prelude (2009) 18' for orchestra Then Evening's Lantern Festival (2009) 11' for orchestra Song of the Birds' Gorge (2008-09) 12'30" for string orchestra ...Filigree... (2007) 6'30" for orchestra Symphony No. 2 "Towards a Harmonoius World" (2006) 28' for orchestra Symphony No. 1 (2005) 20' for orchestra Sunrise (2005) 4' for orchestra Chamber (Western) Ville Froide (2008) 7' for cl, trpt, vc, pf & 2 perc Divertimento (2008) 7'30" for 2 vns String Quartet No. 2 (2007-08) 7'30" Ally (2006) 7'30" for cl, vn & vc Epilogue for a Tragedy (2005) 11' for fl, vn, vc & pf Documentary "Syn swimming" (2005) 8' for fl, hn, guitar, hp, pf, vn & vc String Quartet No. 1 (2004) 7' Intermezzo (2002) 5' for vn & pf Chamber (Mixed) Stone Sentinel Maze (2006, 2009 rev.) 8'30" for dizi, sanxian, guzheng, erhu, fl, vn & vc Instrumental Solo Fughetta (2005) 3' for pf Water Flows (2004) 5' for pf Variations on a Theme of J.S.Bach (2004) 4' for pf Prelude (2003) 5' for pf Vocal / Choral A Bygone Love (2003) 5' for soprano & pf Electro-Acoustic Music / Computer Music Cosmos Palladium (2005) 6' for fl & Max/MSP Time Traversal (2005) 5' Gamalen with... (2004) 5' for harpsichord & Max/MSP Dream of Illusion (2002) 5' Publications/ Paper Presentations Collection of Award Works, 5th Sun River Student New Composition Competition in Chendu, PR China, 2008 A Portfolio of Music Compositions. M.Mus Portfolio, CUHK, 2006. 管弦樂 (西樂) 交響前奏曲 (2009) 18' for orchestra 青玉案 · 元夕 (2009) 11' for orchestra 鳥鳴澗 (2008-09) 12'30" for string orchestra 細絲 (2007) 6'30" for orchestra 第二交響曲《邁進諧和之國度》 (2006) 28' for orchestra 第一交響曲 (2005) 20' for orchestra 昇響 (2005) 4' for orchestra 室樂 (西樂) 冷城 (2008) 7' for cl, trpt, vc, pf & 2 perc 遊嬉 (2008) 7'30" for 2 vns 第二弦樂四重奏 (2007-08) 7'30" 聯壁 (2006) 7'30" for cl, vn & vc 震慟 (2005) 11' for fl, vn, vc & pf 配樂: 紀錄片"花樣游泳" (2005) 8' for fl, hn, guitar, hp, pf, vn & vc 第一弦樂四重奏 (2004) 7' 間奏曲 (2002) 5' for vn & pf 室樂 (混合) 八陣圖 (2006, 2009 rev.) 8'30" for dizi, sanxian, guzheng, erhu, fl, vn & vc 獨奏曲 小賦格曲 (2005) 3' for pf 流水 (2004) 5' for pf 巴哈主題變奏曲 (2004) 4' for pf 前奏曲 (2003) 5' for pf 聲樂 / 合唱 當愛已成往事 (2003) 5' for soprano & pf 電子音樂 / 電腦音樂 宇宙Pd (2005) 6' for fl & Max/MSP 時旅 (2005) 5' 甘美蘭 (2004) 5' for harpsichord & Max/MSP 幻夢 (2002) 5' 出版刊物 / 發表文章 Collection of Award Works, 5th Sun River Student New Composition Competition in Chendu, PR China, 2008 A Portfolio of Music Compositions. M.Mus Portfolio, CUHK, 2006. Back

CHUNG Tin-hon Aaron 鍾天瀚 Chung Tin Hon Aaron earned his B.A. in Music degree at the Chinese University of Hong Kong, and is currently pursuing his Master of Music degree, studying composition under Professor Wendy Lee. Recently, he is keen on creating cross-disciplinary collaborative projects and multimedia works. 鍾天瀚於香港中文大學取得音樂學士學位，現為音樂碩士研究生，師隨李允琪教授。近期，鍾氏熱衷於創作跨學科協作作品及多媒體作品。 MAJOR WORKS 主要作品 Back

CHAN Joshua 陳錦標 Dr. Joshua Chan is Associate Professor at the University of Hong Kong where he has been teaching since 1995. He has written 190 compositions and arrangements, in diversified styles, for various media including orchestral, electronic, chamber, vocal, theatre, ballet, and pop recording. International events in which Chan's work were featured include: International Rostrum of Composers (1988, 1993, 2002, 2005); ISCM World Music Days (1995, 2002 & 2007); International Computer Music Conference (1993); Asian Composers' League Conference & Festival (1990, 1992, 2010, 2011 & 2012); Tokyo Philharmonic Orchestra Concert (1998); ballet performances by the London Studio Centre in 7 cities in UK (2002); the First Chinese Composers Festival (1986); Hong Kong Arts Festival (1984, 1994, 1998-2001); New Zealand International Arts Festival (2004); Singapore Chinese Orchestra Session Concert (2001); the Fifth Asia-Pacific Harmonica Festival (2004); Musicarama Festivals (1992-2012); the Fifth Osaka International Chamber Music Festa (2005), etc. Chan's works have been published on 10 compact discs of 7 different labels. Chan also serves the community as the Chairman of the Hong Kong Composers' Guild; the Chairman of the Asian Composers League (2007-2012); the Chairman of the CDC-HKEAA Committee on Music Curriculum (Senior Secondary of the new 3+3+4 academic system) and an Expert Advisor for the Leisure and Cultural Services Department. Joshua Chan was commended by the HKSAR Government in the Secretary for Home Affairs' Commendation Scheme 2007 for the Persons with Outstanding Contributions to the Development of Arts and Culture. 陳錦標博士是香港大學音樂系副教授，自1995年起任教至今。他為管弦樂、室樂、電子音樂、聲樂、舞台劇、芭蕾舞、流行音樂等各類型媒體寫有風格多樣化的原創及改編作品超過一百九十多首。作品在國際的演出場合有：國際作曲家論壇（1988, 1993, 2002, 2005）；國際現代音樂協會世界音樂日（1995, 2002, 2007）；國際電腦音樂會議（1993）；亞洲作曲家同盟音樂節（1990, 1992, 2010, 2011, 2012）；東京管弦樂團音樂會（1998）；倫敦舞蹈中心英國9個城市芭蕾舞巡迴表演（2002）；第一屆中國現代作曲家音樂節（1986）；香港藝術節（1984, 1994, 1998-2001）；紐西蘭國際藝術節（2004）；新加坡華樂團樂季音樂會（2001）；第五屆亞太口琴節（2004）；音樂新文化（1992-2012）；第五屆大阪國際室樂表演大賽（2005）等。陳錦標的作品已分別灌錄在十張鐳射唱片上。在社會服務上，陳錦標也擔任 香港作曲家聯會主席、亞洲作曲家同盟主席（2007-2012）、香港課程發展議會暨考試評審局新高中音樂科課程與評核委員會主席、及康樂文化事務處藝術顧問等公職。陳錦標於2007年獲頒民政事務局長嘉許獎章，以表揚他在本地文化藝術發展上的貢獻。 MAJOR WORKS 主要作品 Movement for Orchestra Three Ideas in Two Parts Cauldron of the Naked Soul Devotions of Morning Fragrance Reverie of Green Pastures Prelude to 97 In the Days of the Travelling Tram Love in Hong Kong Suite No.1 (arr) Perpetuity con Amora Mulan: Ballet in Three Acts Distant Thoughts Towering Dance Love in Hong Kong Suite No.2 (arr) Sunshine Rhapsody Plus More Mulan Suite Prosperous Spirit The Tiny Shan Pui River Winds Crescenti The Great Verdigris Bell The Dream of Colours Love in Hong Kong Suite No.3 (arr) The Soaring Swallow II Rainy Day Responding Rhymes The Resplendent Sunlight The Flying Dragon Prelude and Allegro Game By the River Graceful Girl Spiritual Transformation Midnight Prayer Deep Within My Soul Nine Heavens Moments Repulse Hallucination in a Five-Mile Fog Swinging The Soaring Swallow Songful Blaze of Colour Speeding Across the Sky Circular Triangle Images of Mulan Distant Reflection Sparkle Kay Jay Fair Ladies Skyland Ascended Lantern Shadows Mimesis Southern Wind Moments of Peace Innerutterance Unknown Journey Falling Leaves Artarmon Fated Night God Loves the World Hong Kong Districts Children on Holidays Happy Dream 《管弦動律》 《二段三主意》 《禿魂鼎》 《馥郁曦思》 《遐思青草地》 《九七引》 《電車走過的日子》 《第一香港愛情組曲》（編） 二胡協奏曲《旋律的愛》 長篇芭蕾舞劇音樂《木蘭》 《悠然神往》 《衝天飛舞》 《第二香港愛情組曲》（編） 《驕陽狂想曲》 《弦外之音》 《木蘭組曲》 《意象》 《小小山貝河》 《漸快的涼風》 《繡綠的洪鐘》 《夢彩》 《第三香港愛情組曲》(編) 《飛燕翱翔之二》 《下雨天》 《答韻》 《璀璨的陽光》 《飛龍在天》 《前奏與快板》 《遊戲》 《漫步河邊》 《優美女孩》 《屬靈變》 《午夜祈禱》 《我靈深處》 《九重天》 《片刻》 《擋退》 《五里霧迴尋幻夢》 《搖擺》 《飛燕翱翔》 《歌詠千紫紅》 《騰雲》 《環形三角》 《剪影》 《悠然》 《閃爍》 《Kay Jay》 《麗人行》 《夢遊天姥》 《燈影》 《仿臨原本》 《南風》 《和平片刻》 《細語內心》 《未知旅程》 《落葉》 《亞打門》 《人生何處不相逄》 《神愛世人》 《香港區域》 《小朋友放假》 《快樂夢想》 Back

YU Tsz-long 余梓朗 Yu Tsz Long, a Year 3 student is pursuing his Bachelor of Music degree at the Hong Kong Academy for Performing Arts(HKAPA), major in Music Composition & Electronic Music under the guidance of Ms. Poly Ng. Yu’s works have been premiered and broadcasted in different places like Radio Television Hong Kong Radio 4, Hong Kong Museum of Arts, WSU Electroacoustic Mini Festival etc, by different ensemble and artist as Wind Kamerata, Cong Quartet, Chiyauyan in Hong Kong; Dr. Sarah Miller(Trombonist) in USA. Also, one of the work’s recording “Please Don’t Open” for Trombone and Electronic has been selected to the 67th International Rostrum of Composers in the coming November. 余梓朗現為香港演藝學院音樂學士三年級生，師隨伍巧怡老師，主修作曲及電子音樂，作品類型由小型合奏至大型管樂團和電子音樂等。余氏的作品曾由管樂雅集、Cong 四重奏、自由人、Dr. Sarah Miller(長號手)等，在香港電台第四台、香港藝術館、華盛頓州立大學電子音樂節等演出。另外，作品《請不要打開》為長號和電子而作的錄音，更被選中音參與11月的國際作曲家論壇 2020。 MAJOR WORKS 主要作品 Back

Score Publications - Other Works List To Purchase, please contact grace@hkcg.org Go Back In Memorian II (2020) for Flute and Accordion 長笛與手風琴 7'00" Composer 作曲家：HUNG Ming-kin Chris 洪銘健 Preview Nostalgia in Four Rhymes 鄉愁四韻 (rev. 2015) for tenor (or soprano) and piano 男高音 (或女高音) 與鋼琴 5'40" Composer 作曲家：LEE Kar-tai Phoebus 李家泰 Preview Dissemination of Hong Kong New Music: Score Publication Project (I) 香港新音樂的傳播：樂譜出版計劃（一）(2011) Multi Year of Publication 出版年份：2011 Works 曲目： Score I - Victor Chan: A Trip to Mountain West Village 樂譜一－ 陳偉光《遊山西村》 Score II - Angel Lam: Merry Go Round 樂譜二－ 林安淇《尋尋轉》 Score III - Lee Kar-tai, Phoebus: The Dew on Bamboo Leaves 樂譜三－ 李家泰《竹露》 Score IV - Tam Chin-fai: Deng Le You Yuan 樂譜四－ 譚展輝《登樂遊原》 Supported by 資助：Hong Kong Arts Development Council 香港藝術發展局 Preview Resonating Colours – Choral Works (SATB) 原音幻彩樂譜系列﹣合唱篇 (2013) Multi Year of Publication 出版年份：2013 Works 曲目： Score 1 - Chan Ka-hei Lesley: Ripples (Shui-Wen) 樂譜一－ 陳家㬢《水紋》 Score 2 - Doming Lam: Ah! Sun Flower 樂譜二－ 林樂培《啊！太陽花》 Score 3 - Viola Yuen: Nostalgia 樂譜三－ 阮慧玲《茫》 Supported by 資助：Hong Kong Arts Development Council 香港藝術發展局 Preview Resonating Colours – Piano Works 原音幻彩樂譜系列﹣鋼琴篇 (2013) Multi Year of Publication 出版年份：2013 Works 曲目： Hui Cheung-wai: Berceuse 許翔威《搖籃曲》 Ng Chun-hoi Daniel: Morning Rain 吳俊凱《南山朝雨》 Lee Wan-ki Wendy: Kirie 李允琪《剪藝》 Lam Lan-chee: Autumn Sketch 林蘭芝《秋季素描》 Adrian Lam: Crater Lake 林瀚聰《火山湖》 Wong Chun-wai: Lost in the Desert 黃俊諱《迷失曠野》 Supported by 資助：Hong Kong Arts Development Council 香港藝術發展局 Preview Resonating Colours – Chamber Works 原音幻彩樂譜系列﹣室樂篇 (2013) Multi Year of Publication 出版年份：2013 Works 曲目： Cheng Yu-sum Anthony: Trio No.1 鄭汝森《三重奏第一號》 Lee Kar-tai Phoebus: A Lagoon of Clouds 李家泰《雲泊》 Leung Chi-hin: When I hear the sounds are coming… 梁智軒《互動聲色》 Ng Chun-hoi Daniel: Moody 吳俊凱《情緒》 Ng Wah-hei: Sleepless City 伍華晞《不眠之城》 Yip Ho-kwen Austin: Resonance from the Far East 葉浩堃《東韻》 Stephen Yip: Echo of Basho’s Voices 葉樹堅《芭蕉的迴聲》 Supported by 資助：Hong Kong Arts Development Council 香港藝術發展局 Preview

TUNG Lai-shing 董麗誠 Hong Kong composer Tung Lai Shing is among the first generation of graduates from the Music Department of the Chinese University of Hong Kong in the 70s. He went on to pursue his study in composition at the University of Pennsylvania, where he studied with George Crumb and obtained his PhD. His major compositions include the Book of Laughter and Forgetting for symphonic orchestra and Cantonese Opera singer, commissioned and premiered by the Hong Kong Sinfonietta. 香港作曲家董麗誠為1970年代香港中文大學音樂系第一代畢業學生之一。其後赴笈美國賓歹凡尼亞大學繼續進修作曲，在喬治．克拉姆的指導下完成作曲（哲學）博士課程。其主要作品包括由香港小交響樂團委約、為管弦樂團及粵劇演員而寫的《笑忘書》。 MAJOR WORKS 主要作品 Back

YEUNG Hoi-ching Alice 楊凱晴 Alice Yeung was born and raised in Hong Kong. She is an active composer and instrumentalist who is enthusiastic about exploring new definitions of music from human nature and philosophy. Yeung is currently pursuing her Bachelor of Music Degree (specializing in Composition and Electronic Music) at The Hong Kong Academy for Performing Arts, under the supervision of Prof. Clarence Mak, Ms. Poly Ng, and Dr. Pui-shan Cheung. Her works have been commissioned and performed by Hong Kong Composers’ Guild, Hong Kong Gaudeamus Dunhuang Ensemble, Ictus Ensemble, Ligeti Quartet, Takuya Otaki, Ross Aftel, among others. Yeung’s works range from instrumental solo pieces to orchestral music, world, and inter disciplinary music. She was chosen as the participant of The International Young Composers Academy 2021 in Tichino, Switzerland. She was the representative student to participate in the music exchange activities at Seoul National University (2018), also a composer and violist in “SPARK: The Science and Art of Creativity Festival” organized by the British Council. Yeung has received scholarships to attend activities such as international conferences and short study courses with artists in Mainland China and overseas, such as Takefu International Music Festival 2018 & 2019, Yeoncheon DMZ International Music Festival 2013 & 2018. She has received important benefits for her artistic development from the tutelages of Chinary Ung, Toshio Hosokawa, Samson Young, Nishioka Tatsuhiko, and among other composers, via international workshops, academies, and masterclasses. She composed music with various styles which were characterized by her life, emotions, and philosophical nature. 楊凱晴是香港土生土長的作曲家，現於香港演藝學院修讀作曲及電子音樂。創作範疇有管弦 樂、中樂團、電子音樂、世界音樂、各類型室樂合奏及獨奏、以及音樂裝置編程多媒體作品。 近年委約作品有香港作曲家聯會「創樂背後：現代音樂展演交流平台」— 琵琶獨奏《鎖清 秋》、香港天籟敦煌樂團「古韻薪傳音樂會」— 䆳、唐笙、箜篌、曲項琵琶四重奏《枯木 說》、為美國紐約敲擊樂手Ross Aftel譜曲的馬林巴琴及電子原聲二重奏《Decay》。曾演奏 其作品的包括英國倫敦利蓋蒂四重奏、比利時 Ictus Ensemble、鋼琴演奏家大瀧拓哉，演藝 交響樂團、中樂團、當代合奏團等。 楊氏近年獲多個奬學金資助，前往各地作曲音樂節、大師班及座談會鑽研音樂。最近獲選為 瑞士國際青年作曲家學院（2021）作曲生。過往參與了日本武生國際音樂節（2018 & 2019）、英國文化協會於古蹟及藝術館大館舉辦的「SPARK - 科學與藝術創意節」(2018)、 韓國仁川DMZ國際音樂節（2018 & 2013）。 MAJOR WORKS 主要作品 Orchestral (Western) SPIDER (2020) 7’ Orchestral (Chinese) Alice in the Wonder(ish)land // 清央 (2020) 6’ Chamber (Western) Dedicated to Ictus Ensemble: Ding! Dong! Cha! // 丁! 噹! 查! (2021) 6’ for Contrabass flute, Cello and Percussions Dedicated to Ligeti Quartet: Stormy Carnival next to the Creek (2020) 5’ for String Quartet Wind Sailer // 撲風 (2020) 5’ for String Quartet Abyss // 深淵 (2018) 9’ for Voice, Clarinet, Recorder, Cello The Oasis (2018) 5’ for Flute, Violin, Viola, Cello, Piano Significant Dust (2018) 4’ for Flute, Violin, Viola, Cello Nostalgia // 陳憶 (2018) 4’ for Cello, Piano The Abandoned Seelie // 不羈靈 (2018) 8’ for Alto saxophone, Vibraphone, Harp, Piano, Cello The Eternal Waves from the Other Side // 從彼岸迎來的浪 (2018) 10’ for Flute, Harp Chaos // 狼藉 (2017) 7’ for Saxophone, Piano Bonfire Jungle // 營火叢(2017) 5’ for Flute, Violin, Cello, Timpani Fugue for Flute Duo (2017) 4’ for Flute duo Untitled Sonata // 毋嗚 (2016) 4’ for Cello, Piano Cotton Field (2015) // 棉花田 6’ for Flute, Oboe, Clarinet Chamber (Chinese) As the Winds sweep by, the Creek trickles… // 風流水動之澗 (2019) 8’ for Guzheng ensemble The Immortal Memoir // 枯木說 (2020) 6’ for Tangsheng, Xun, Konghou, Bent-neck pipa Chamber (Mixed) Pearl in Ditch //倒珠 (2019) 7’ for Flute, Oboe, Soprano sheng, Baritone saxophone, 2 percussionists Reveal: Terra-Firma (2019) 6’ for Flute, Taonga puoro Night Parade of a Hundred Demons // 百鬼夜行 (2019) 8’ for Viola and Zhongruan Instrumental Solo Barred Autumn // 鎖清秋 (2020) 4’ for Pipa Solo Dedicated to Takuya Otaki: Perception (2020) 4’ for Solo Piano The Broken Rooftop // 破簷 (2019) 6’ for Solo Piano Dedicated to Kam-fung Fan: Corpses in Dreams (2019) 12’ for Solo Alto Saxophone Electroacoustic Music Dedicated to Ross Aftel: DECAY (2021) 4’ for Solo Marimba and Tape Computer Music The 2020th Blackout Cycle in 2020 // 二零二零年的第二千零二十次暈厥循環 (2020) 4’ compiled by Ableton Live Inter-disciplinary Music Beneath You // 在這般背景中完成 (2021) 25’ for Interactive Audiovisual Installation, Lighting, Short Film Back

CHEN Yeung-ping 陳仰平 Chen Yeung-ping (Hong Kong, born 1983) has received degrees from Hong Kong Baptist University, the Hong Kong Academy for Performing Arts, and the University of California, San Diego (UC San Diego), and studied with Lei Liang, Clarence Mak, Law Wing-fai, and Chistopher Coleman. The recipient of the Asian Cultural Council’s Altius Fellowship, the Hong Kong Jockey Club Music and Dance Fund, and the CASH Music Scholarship, Chen was named a finalist for the Rivers Awards Competition in Shanghai and was later commissioned by Steven Schick and La Jolla Symphony & Chorus to compose “The Moon in a Jolla” a telematic symphonic work inspired by a poem of the late Hong Kong poet Yasi. Chen was also a composer-fellow for the Ensemble 2010 Project in Darmstadt Summer Festival, the International Ensemble Modern Academy in 2011, and June in Buffalo 2012, and worked with groups from all over the world, includes Ensemble Modern, JACK Quartet, Ensemble Dal Niente, Tactus Ensemble, Mivos Quartet, UMS n’ JIP, the Hong Kong New Music Ensemble, and the City Chamber Orchestra of Hong Kong. Chen now serves as Associate Professor and Director of Academic Colloquia at South China Normal University School of Music (Guangzhou, China). 陳仰平，1983年生於香港，美國加州大學聖地牙哥分校哲學博士，主修音樂創作，師隨梁雷、麥偉鑄、羅永暉、高爾文，並連續獲得由香港作曲家及作詞家協會，香港賽馬會音樂及舞蹈信託基金，以及亞洲文化協會等獎學金和藝術獎項。 陳仰平曾獲美國拉霍亞交響樂團所頒發的 Thomas Nee 年度委約獎，創作管弦樂作品《樂海崖的月亮》，並曾獲邀出席在曼哈頓音樂學院、西北大學、斯坦福大學、新英格蘭音樂學院、萊斯大學、紐約州立大學、台北藝術大學（亞洲作曲家聯盟）、澳門大學、香港中文大學、馬賽、米蘭、上海（上海當代音樂周）、南寧（東盟現代音樂節）等地舉行的國際作曲交流活動，發表作品和主持音樂講座，而近年則主要從事粵港澳三地現代音樂研究。除了創作及科研外，陳仰平亦具豐富的藝術策劃經驗，自2014年起，成為世界國際音樂聯盟（WFIMC）成員哈爾濱勛菲爾德國際弦樂比賽 Schoenfeld International String Competition 的首席運營官。 陳仰平曾任美國加州大學聖地牙哥分校副講師，香港浸會大學音樂系行政助理，現為廣州華南師範大學音樂學院副教授並擔任學術交流部主任一職。 MAJOR WORKS 主要作品 Palindrome (2014) for saxophone quartet Light (2013-14) for contrabass quintet Sonic Engraving "Fragment X" (2013) for string quartet Light and Tears (2013) for solo violin Stars and Moon. Cloud and You. (2012) for Pierrot ensemble Stillness in the Fragmentized Twirls (2011) for animated image, trumpet and string quartet Bíe III (2011) for large mixed chamber ensemble Trace of Solar Luminosity (2010-11) trio for violin, horn and contrabass Sonic Engraving of the Last Sigh (2010) for flute, clarinet, viola, cello and piano A Silence Tree (2010) duo for counter-tenor and recorder with interactive electronic A Future Letter (2010) multi-media work for theater Bíe II (2009) for mixed ensemble Bíe I (2009) duo for clarinet and sheng Symphonic Etude- Azurescape (2009) for orchestra Xian Xia (2008) for solo alto saxophone and orchestra Sublime (2006) for wind concert band Ki Lin (2006) trio for clarinet, violin and cello 清心也可以 (2014) 柔光 (2013-14) 音響版畫－賦格 (2013) 燭淚 (2013) 星和月. 雲和妳 (2012) Stillness in the Fragmentized Twirls (2011) 別 III (2011) 日照的軌跡 (2010-11) 音響版畫－最後的嘆息 (2010) 一棵寂靜的樹 (2010) 給未來的信 (2010) 別 II (2009) 別 I (2009) Symphonic Etude- Azurescape (2009) 仙峽 (2008) Sublime (2006) 麒麟. 瑞獸 (2006) Back

LEE Yin-ping# 李燕萍 Ms Lee has received her Bachelor of Education in Music education, Master of Arts in Music education and The Professional Graduate Diploma in Education (Music) from The Education University of Hong Kong (EdUHK) . Also she was awarded Licentiate of Trinity College London (LTCL) in Piano with Distinction and Associate Diploma (ATCL) in Piano with Merit. In 2012, she obtained a Licentiate Diploma in Musical Theory, Criticism and Literature of the Trinity College London (LMusTCL). Lee's teachers include Professor Richard Tsang, Mr. Hui Cheung-wai, Dr. Samuel Tam, Dr. Donald Yu, Mr. Ng Sheng-chung, Ms. Stella Wong, Mr. Ma Cong pianist . Lee was the recipient of the 2009 Artistic Excellence Award in Composition presented by EdUHK. Her works include solo, vocal, chamber music and orchestral work etc. Lee’s musical works have been performed in the composition workshops of Professor Chinary Ung, Professor Elliott Schwartz and Professor Richard Tsang. 李氏 ‬於香港教育大學先後修畢音樂教育榮譽學士(當代音樂及演奏教育學)、音樂教育文學碩士（主修作曲）及學位教師教育文憑（小學）（主修音樂及副修特殊教育），她以優異成績考獲聖三一音樂學院鋼琴高級演奏文憑（LTCL）、聖三一音樂學院鋼琴演奏文憑（ATCL）及音樂理論高級文憑（LMusTCL）。 李氏於在學其間師隨作曲家曾葉發教授、許翔威先生、黎尚冰博士、譚展輝博士及余文正博士學習作曲，並跟隨鋼琴家伍盛中、馬聰先生、黃秀婷小姐學習鋼琴。她於2009年香港教育學院體藝學系主辦的優秀藝術比賽獲得優秀作曲獎，其作品類型有獨奏、聲樂、室樂及管弦樂等，作品曾於Professor Chinary Ung 、Professor Elliott Schwartz 、及曾葉發教授的作曲工作坊演出。 MAJOR WORKS 主要作品 Chamber 迷茫 ( confusion) for solo violin , clarinet and percussions 6" Trio no.1 for solo violin, cello and piano 6" Trio no.2 for solo violin, clarinet and piano 6:30" (2012) Apparition for 2 violins, solo flute, cello and piano 6:30" (2012) Solo Piano sonata 6” (2013) 永夜 for solo soprano and piano 6" (2010) Back

LEE Yi-wei Angus 李一葦 Biography: Angus Lee (b.1992) is one of the most versatile performer-composers of his generation, having been featured in his capacities as flautist, composer and conductor at major international music festivals across Asia, Europe and North America. As a flautist, Lee is recognised as one of Hongkong's foremost performers specialising in new music. He has been a member of the Hong Kong New Music Ensemble since 2016, working with some of today's leading composers including Unsuk Chin, Brett Dean, Du Yun, and Toshio Hosokawa. He has also performed as soloist in Pierre Boulez's Mémoriale (...explosante-fixe...Originel) at the composer's memorial concert in Lucerne, with the LFA Orchestra-Ensemble under Matthias Pintscher. He has also stepped in at short notice to perform with the Berlin Philharmonic's ZeMu! Ensemble, featured at the 2023 edition of New Vision Arts Festival (HK). He has also performed at numerous local festivals, including the CityU Arts Festival, HKUST's Cosmopolis Festival, Tai Kwun's Laundry Steps lunchtime concert series, Tom Lee Music's online recital series during the pandemic, as well as LCSD's Our Music Talents and City Hall Virtuosi series. Most recently, Lee's performance of Camilo Mendez's solo and chamber music for flute was released in 2024 in the composer's monograph album, Distant Fragments , by the Austrian new music label, KAIROS. As a composer, Lee was largely autodidactic, but has received initial instruction in composition from Poly Ng and Maurice Poon; since 2016, he has benefitted from studying with a number of composers at international composition academies, including Franck Bedrossian, Oscar Bianchi, Frédéric Durieux, Philippe Manoury, Christian Mason, Isabel Mundry, Dimitri Papageorgiou, Yann Robin and Johannes Schöllhorn. His numerous chamber and ensemble works have been premiered by the, among others, Ensemble Intercontemporain (FR), Ensemble Modern (DE), Ensemble Multilatérale (FR), HereNowHear (US), Hong Kong New Music Ensemble, Klangforum Wien (AT) and Subaerial Collective (US) at the likes of Gaudeamus Muziekweek (NL), ilSUONO Contemporary Music Week (IT), IRCAM ManiFeste (FR), New Vision Arts Festival (HK), Seoul International Computer Music Festival (KR), SPLICE IV Festival (USA) and Ticino Musica Festival (CH). Lee's composition output has also shifted towards larger creative forces in recent years, with his first opera, Chasing Waterfalls , premiered at Germany's Semperoper Dresden to critical acclaim in 2022, as well as the commissioning and premiere of his orchestral diptych - consisting of the works Des flammes... (2023-24) and ... aux cendres (2024) - by the Hong Kong Philharmonic in 2024. Lee is equally sought after as a conductor specialising in new music. In 2020 he was selected as a conducting fellow at Ensemble Modern's International Composers and Conductors Seminar, where he studied unnder conductor Stefan Asbury. As an advocate for emerging compositional voices, he has led the premiere of works by young composers with the likes of Ensemble Modern, Ensemble Musikfabrik, Hong Kong New Music Ensemble and the Neu Vocalsolisten Stuttgart at, among others, Ticino Musica Festival (2018 & 2022), the ...cresc... biennale for actual music Frankfurt-Rhein-Main (2023) and the ECLAT New Music Festival in Stuttgart (2024). In 2023, he also stepped in at short notice to lead the Asian premiere of Michel van de Aa's music theatre, The Book of Water, at the Hong Kong Arts Festival. In 2024, he made his first appearance with HKU's University Philharmonic Orchestra, performing Leonard Bernstein's Candide Overture and Dmitri Shostakovich's Symphony no.5 in D minor . Lee has served as an assistant lecturer at The University of Hong Kong's Music Department since 2022, where he coordinates all performance courses in addition to teaching elementary music theory, conducting, chamber music, as well as supervising undergraduate-level practice-based research projects. He concurrently teaches woodwind chamber music on a part-time basis at the Hong Kong Academy for Performing Arts, as well as having served as flute faculty at the Lucerne Festival Academy between 2022 and 2023. MAJOR WORKS 主要作品 STAGE 2022 Chasing Waterfalls (70'), artificial opera in 7 scenes ORCHESTRAL 2024 ... aux cendres [study II for orchestra] (10') Des flammes... [study for orchestra] (5') ENSEMBLE MUSIC / CONDUCTED CHAMBER MUSIC 2025 hic / nunc (15'), for ensemble and fixed media 2021 ... ché la diritta via era smarrita (12'), for ensemble with obligato solo marimba Palimpsest II (8'), for string quartet 2020 Lethescape (10'), for bass flute, violin and cello 2019 Apophisian Scriptures [Lapsus memoriae IX] (10'), for contrabassoon, double bass, piano, and fixed media Rage Over Lost Time: Preamble to Ludwig van Beethoven's 'Rage Over Lost Penny' (5'), for 2 pianos Schattenhaft [frontispiece II] (5'), for five instruments cendré [frontispiece I] (9'), for solo alto flute with harp and cello APOCRYPHA (2019) for clarinet, violin, viola, violoncello & piano Cendré [Frontispiece I] (2019) for solo alto flute, with harp & violincello Schattenhaft [Frontispiece II] (2019) for bass flute, bass clarinet, piano, violin & violoncello triumvirate (revised ver.; 2019) for alto saxophone, percussion & piano IMA [Modus Operandi II] (2018) for three percussionists 2018 APOCRYPHA (15'), for five instruments triumvirate (9'), for alto saxophone, percussion and piano 2017 Et lux perpetua (10'), for flute(s), saxophone(s) and percussion sous rature (5'), duo for violin and viola Toshi Densetsu (5'), for three non-specified string instruments Firecircle [to the memory of Pierre Boulez] (2016) for flute(s) and percussion 2016 Aeolion Scriptures (10'), for flute, sheng, double bass and fixed media Firecircle [to the memory of Pierre Boulez] (12'), for flute(s) and percussion Jarosinski-Fragments (10'), for string quartet Modus operandi [I] (8'), for string trio and percussion Modus Operandi [I] (2016) for string trio and percussion MO[TIVA]TION (2013) for oboe, bassoon, violin, viola & bass 2013 On the Nature of Dreams (10'), for 2 soprano saxophones and fixed media Chamber Music ... in search of... (2012) for flute, oboe, clarinet & bassoon Aeolian Scriptures (2016) for flute(s), sheng, bass & fixed media Codex Ex Nihilo (2016) manual of instructions for any [non-]instrument[al combination]s Et lux perpetua (2017) for flute(s), saxophone(s) & percussion Jarosinski-Fragments (2016) for string quartet On the Nature of Dreams (2013) for two soprano saxophones & fixed media sous rature (2017) for violin & viola / violin & violoncello Toshi Densetsu I (2017) for three non-specified string instruments triumvirate (original ver.; 2018) for alto saxophone, percussion & piano SOLO 2024 Anamorphologia (8'), for solo piano 2020 Palimpsest [Lapsus memoriae VIII] (10'), for solo violin(ist), fixed media and video Quaranta (10'), 40 etude-fragments for solo violin 2019 hikari | yami [Lapsus memoriae V] (14'), for solo percussion and fixed media Vestigium I & II (20'), for solo percussion and fixed media 2018 Lapsus memoriae I (10'), for solo flute, live electronics and fixed media MELANCHOLIA (12'), for solo viola and fixed media 2016 aux portes des rêves (18'), for solo piano aux portes des rêves (2016) for solo piano hikari | yami [Lapsus memoriae V] (2019 – 20) for solo percussion & fixed media Lapsus memoriae [I] [Epigrafe in memoria di una città immaginaria] (2018) for solo [kingma system] flute, live electronics & fixed media MELANCHOLIA (2018) for solo viola & fixed media VESTIGIUM I (2019) for solo percussion VESTIGIUM II (2019) for solo percussion ELECTRONIC / ELECTROACOUSTIC MUSIC « Hereafter is your unbecoming » (2017) fox fixed media « midnight | sun » (2017) fox fixed media Entre mondes: 5 études transitoires (2015) for fixed media Étude en mélancolie (2016) fox fixed media Lapsus memoriae II — Prologue: Stargazer (2018) for fixed media Lapsus memoriae III — Interlude: Hikari to Yami no Kansō (2018) for fixed media Lapsus memoriae IV « Geburtstagsrequiem » [Hommage to C.C.] (2019) for fixed media Music for « after the deluge » (2018) fox fixed media Selon « L'Interprétation des rêves » (2012) fox fixed media ARRANGEMENTS Elaborazione [on J.S. Bach’s Bandinerie, Orchestral Suite no.2, BWV 1067] (2012) for flute, oboe and bassoon Oblivion [arrangement on Ástor Piazzolla’s work of same name] (2011 – 12) for 2 flutes and piano Second Movement from Shostakovich’s Cello Sonata in D minor, Op.40 (2010) for clarinet, horn, trombone, percussion, 2 pianos and string quartet RESEARCH / PUBLICATION / GUEST LECTURES 2025 Nostalgia contra prolepsis: preliminary considerations on the temporality of vaporwave [forthcoming conference paper; to be delivered at the Music Biennale Zagreb Conference: Broken Relationships ] 2024 Playing: or, the subversive politics of interpretation in music [essay; published in two parts in Vantage Magazine Vol. 9, no.3, and Vol.10, no.1] 2023 In modo molto giocoso: Play, Creativity and Subversion in Music [conference paper; delivered at the HKU Rayson Huang 2023/24 international symposium, AI, Musi, and Creativity: At a Crossroads ] The Vocation of Music-making in the Time of Digital Automation [colloquium presentation; delivered at HKU Music Colloquia series 2023/24] OTHERS Tractatus Musico-Philosophicus: Wagner, Nietzsche, and Thereafter (2013 – 14) Bachelor’s Degree Thesis Back

CHAN Nok-him 陳諾謙 Chan Nok-him has studied piano and cello since he was small and first started learning composition at The Hong Kong Academy for Performing Arts, studying under Poly Ng. He has participated in the international Golden Key Music Festival’s Piano Composition Competition, attaining first runner-up and second runner-up honours. He was also the champion and first runner-up in the Composition Class in the 70th and 68th Hong Kong Schools Music Festivals, respectively. He was shortlisted twice in the ‘New Generation Call for Scores’ organized by the Hong Kong Composers’ Guild. His Shing Mun River Promenade was premiered in a live broadcast on RTHK Radio 4. 自小學習鋼琴及大提琴，九歲起在演藝學院修讀作曲，師從伍巧怡老師。熱愛作曲的他，曾參加國際作曲比賽「金鑰匙音樂節鋼琴作曲比賽」 並榮獲第二及第三名，並分別於第七十屆及第六十八屆校際音樂節作曲組獲得冠軍和亞軍。另外，陳氏曾兩次入圍香港作曲家聯會舉辦的「音樂新一代」作曲比賽，其作品《城門河邊的散步》於香港電台第四台作現場首演及電台轉播。 MAJOR WORKS 主要作品 Back

TAM Lok-hei Alvin 譚樂希 Born and raised in Hong Kong, Tam is currently a D.M. Candidate (Composition) at Jacobs School of Music, Indiana University. He holds a B.A. in Music from The Chinese University of Hong Kong and later earned an M.Mus in Music Theory and Composition from New York University. Tam’s music highlights a variety of genres, including contemporary classical, electro-acoustic, multimedia scoring, and religious music. As a recipient of numerous awards and commissions, he was granted opportunities to collaborate with many renowned music groups, such as the Hong Kong Philharmonic Orchestra, Manhattan Symphonie, the American Guild of Organists, The Hong Kong Children’s Choir, JACK Quartet, and Cassatt Quartet. He was a former Associated Instructor at Indiana University and is currently an Instructional Assistant at The Hong Kong University of Science and Technology. 譚氏現正為美國印第安納大學積可斯音樂學院作曲博士候選人。他先後在香港中文大 學以級紐約大學獲得藝術學士及音樂碩士學位。 香港和美國皆是譚氏作品演出的活躍場所。除了在就讀大學所合作的獨奏者與樂團外， 他還多次與知名表演團體合作；JACK 弦樂四重奏、Cassatt 弦樂四重奏、美國管風琴 師協會，香港兒童合唱團、曼哈頓交響樂團、香港管弦樂團等團體均有演出過其作品。 作為前印第安納大學副講師的譚氏，現於香港科技大學擔任音樂課程導師。 MAJOR WORKS 主要作品 List of Compositions 1 Orchestral Wabi-Sabi (2023) [12’] 3333, 4331, Perc, Harp, Piano, Strings A Madman’s Diary (2020) [5’30”] 3333, 4331, Timp, Perc, Harp, Piano, Strings Zone (2019) [5’30”] 3333, 4331, Timp, Perc, Harp, Piano, Strings All Keys Make Music (2019) [2’30”] for concert band Cursed Color (2015) [11’] 3233, 4331, Timp, Perc, Harp, Piano, Strings A Fairy Tale from the Heart (2008, Re-Orch. 2012) [4’30”] for chamber orchestra Chamber/Solo Hong Kong Snapshots (2022) [9’30”] for solo organ The Ocean of Revolve (2022) [6’30”] for clarinet and piano First You Look So Strong, Then You Fade Away (2018) [7’] for solo clarinet If Possible《如果可以》(2018) [4’] for treble voice choir (SSAA) and piano Duo for Pipa and Violin (2018) [7’] for pipa and violin Sonata for Viola and Piano (2015) [11’] for viola and piano Ballade ‘Messenger of Sakura’ (2014) [6’] for solo piano Infinite Transmigration (2014) [7’] for string quartet Rap-So-Dominic (2013) [5’] for melodica, clarinet and cello The Four Gentlemen (2012) [10’] for solo piano Undertones at the End of Time (2012) [8’30”] for four voices, piano, percussion and strings An Illustration to the TaiJi Diagram (2012) [10’] for dizi/shao, erhu, zheng and yangqin Le Jardin des Roses Ensanglantées (2011) [6’30”] for piano quintet The Funeral (2011) [7’] for erhu, clarinet and piano Dance For 3 (2011) [6’] for melodica, violin, cello, harp and piano Electronic The Breath of Water (2020) [9’] for programed controllers live performance Glorianthemica (2019) [9’30”] 8-channel fixed media What If He Was Born 2018 (2018) [8’] for violin, live electronics Multimedia Scoring Follower and The Followed (2018) Eyes of Plan 9 (2018) The Lonely Civilization (2017) The Last Lament (2017) Did My Heart Fly To Your Service (2016) Introducing Dorabot (2016) Reminiscence (2016) Back