SOUND-IMAGination 2016: The Concert SOUND-IMAGination 2016: HONG KONG LANDSCAPE Concert 音樂會 Composers' Biography 作曲家簡介 Composers' Sharing 作曲家分享 香港，面積1,105.6平方公里，位處中國南海沿岸，號稱東方之珠的國際大都會，這是一般對香港的描述。然而，「香港」這方塊之地除了是地域分割的命名，同時是我們生活與回憶的場景，因為滲雜個人的經驗、情感與想像而讓每個人的「香港」都獨一無二。是次音樂會《聲影集：香港景觀》透過作曲家和攝影師就「香港」而創作的音樂與影像，帶領觀眾在城市無定向漫遊， 時而細察街角一隅，時而仰視遠眺，時而盤桓低俯，抹去地域性的指標，跨越地理的侷限，在音樂與影像中想像屬於你的「香港」。 當音樂遇上影像 《聲影集：香港景觀》是《聲影集》音樂會系列的第四場音樂會，將於1月14日（星期四）於香港兆基創意書院多媒體劇場舉行。《聲影集》系列一直以香港為題，委約本地作曲家創作音樂作品並提供相關的影像一併呈現，嘗試探索音樂與影像共同衍生，關於「香港」的想像空間。有別於之前的音樂會由作曲家提供影像，是次香港作曲家聯會首度與香港浸會大學的視覺藝術院合作，由八位視覺藝術系的畢業生及學生提供影像作品。 音樂會策劃人，香港作曲家林丰表示，是次音樂會先挑選和編排影像，再委約二十位本地作曲家以特定的影像為原點進行弦樂四重奏的創作，讓觀眾在視覺上能跟隨編排的敍事結構去經歷，獲得更完整的視覺體驗，而作曲家就影像所創作的音樂則提供另一種空間讓觀眾去感受其中的「香港」以及衍生更廣闊的想像。由於作曲家對影像的詮釋完全自由，讓人期待委約的音樂創作將為影像作品注入怎樣的靈魂。 在影像中漫步城市 是次音樂會取名「香港景觀」(Hong Kong Landscape)，一般讓人聯想到郊外的山水景色，而策劃人刻意就「景觀」這題目採用更廣義甚至抽象的定義，在音樂會的視覺投影中不會看到傳統的山水，反而會看到不同角度的城市景觀，而在城市的景觀中亦包含了人，你與我，策劃人巧妙地以四張圖像點題，把人這元素置入於景觀當中。林丰講解是次他與其他兩位策劃人香港作曲家鄧樂妍及香港浸會大學的視覺藝術院講師李泳麒以視覺藝術的策展概念出發，把影像編排成開首、四個短篇章節（I. Looking from the below 仰視; II. Wandering 漫遊；III. Hiding 藏；IV. Leaving 離開） 、結尾並連結成有意義的段落，成為一次漫步城市的視聽體驗。影像作品亦包含了一些日常生活中我們會遇見的景像，但一般我們都匆匆而過，沒有仔細注目或感受的時間。 在這場音樂會中，除了可以欣賞到二十首本地作曲家的委約創作及八位攝影師的作品，同時讓我們透過音樂與影像放慢節奏去凝視生活的細節，再次想像與感受我們的城市與生活。

WANG Qiang 王強 MAJOR WORKS 主要作品 Orchestral Passcaglia (2001) 15' Violin Concerto No."0" (1998) 30' Fantasy Overture "Love" (1993) 8' Overture "Aspiration" ( 1992) 10' Orchestral Music "Trumpet and Drum" (1979) 12' Cello Concerto "Ga Da Meilin" (1960) 23' Chorus "River of Fortune" (1958) 25' for chorus & orchestra Chamber (Western) Untitled (1995) 10' for perc, vc & fl Twelve Pieces for Cello Octet (1987) 50' for 8 vc's Five Duets for Cello and Contrabass (1988) 10' Three Pieces for Trio (1978) 10' for fl, va & hrp Chamber (Chinese) Three Pieces for Trio (1991) 8' for fl, erhu & zheng Twelve Pieces for Quartet (1990) 45' for 4 zheng's Discography Cello Octet HL-6151989 Orchestral Music "Trumpet and Drum" HK Records HK 6-340163 Cello Concerto DL 0019 (DL-2/0037) Chorus "River of Fortune" M-042 (M-33/133) (M-33/134) Publications Cello Octet《大提琴八重奏》。音樂創作 Q266, 1989 Cello Concerto "Ga Da Meilin"《大提琴協奏曲達梅林》1982, 1984 Trio《三重奏》。音樂創作 Q266, 1981 管弦樂 帕薩卡里亞《緬懷》 (2001) 15' 小提琴協奏曲《零號》 (1998) 30' 幻想序曲《愛》 (1993) 8' 序曲《希望》 ( 1992) 10' 管弦樂曲《喇叭與鼓》 (1979) 12' 大提琴協奏曲《嘎達梅林》(1960) 23' 大合唱《幸福河》(1958) 25' for chorus & orchestra 室樂 (西樂) 無題 (1995) 10' for perc, vc & fl 大提琴重奏曲十二首 (1987) 50' for 8 vc's 大提琴和低音提琴二重奏五首 (1988) 10' 三重奏三首《洪湖歌謠》 (1978) 10' for fl, va & hrp 室樂 (中樂) 三重奏三首 (1991) 8' for fl, erhu & zheng 箏四重奏十二首 (1990) 45' for 4 zheng's 唱片目錄 Cello Octet HL-6151989 Orchestral Music "Trumpet and Drum" HK Records HK 6-340163 Cello Concerto DL 0019 (DL-2/0037) Chorus "River of Fortune" M-042 (M-33/133) (M-33/134) 出版 Cello Octet《大提琴八重奏》。音樂創作 Q266, 1989 Cello Concerto "Ga Da Meilin 《大提琴協奏曲嘎達梅林》。北京人民音樂出版社1982, 1984 Trio《三重奏》。音樂創作 Q266, 1981 Back

YEUNG Pak Lun David 楊伯倫 Yeung Pak-lun, from Guangdong Xin Hui, born in Shanghai in 1931, graduated from Shanghai St. John’s Universitty, Department of Chemistry. Yeung learnt violin from Professor Chen You-xin and learnt conducting and composition from Professor Ma Ge-shun. After he came to Hong Kong, he joined the YMCA brass orchestra, HK Philharmonic Orchestra and performed with the groups. He was the conductor of Kowloon Hop Yat Church, Ning-Zhao Chorus, North Point Methodist Church and Hong Kong Chinese Oratorio Society. He is now a member of Hong Kong Composers’ Guild, the Honorary chairman of The World Association for Chinese Church Music, examiner of HKADC, the chairman of Hong Kong Chinese Oratorio Society and the consultant of Hong Kong Hymn Society. In August 2014, Yeung was prized for Ten Outstanding Senior – Lifetime Achievement Award by the Hong Kong Chinese Christian Churches Union, commending his lifelong (1952-2014) persistence on composing hymns, having great impacts on the spiritual growth of a lot people. 楊伯倫，廣東新會人，1931年生於上海，畢業於上海聖約翰大學化學系，曾隨陳又新教授學習小提琴，隨馬革順教授學習拍揮及作曲。來港後，加入華南管弦樂團、香港管弦樂團，並隨團演出。先後曾任九龍合一堂、靈韶合唱團、北角衛理堂及香港中華聖樂團等指揮。現為香港作曲家聯會會員、世界華人基督教聖樂促進會榮譽主席、香港藝術發展局審批員、香港中華合唱團主席、香港聖詩會顧問。2013年8月香港基督教聯會頒贈本人十大傑出長者﹣終身成就獎，表揚本人一生（1952﹣2014）從未間斷聖樂創作，影響多人之靈命進步。 MAJOR WORKS 主要作品 Vocal / Chorus Lord's Sermon Op.58 (2001) 2' Because of Love, Op.53 (2000) 4' 尊主頌 Op.55 (1999) 6' 當感謝 Op.56 (1999) 5' 無往不利 Op.57 (1998) 3'30" Nightingale, Op.54 (1998) 2' God Bless China, Op.42 (1996) 2' Lord, I will Praise You, Op.39 (1993) 3'30" Sacred Music and Life, Op.40 (1993) 3' You Must Have New Life, Op.26 (1992) 2'30" Be a Good Disciple Example, Op.27 (1992) 1'30" There's No Fear in Death, Op.28 (1992) 2' Grant Us Peace, Lord, Op.30 (1992) 2'30" Praise Ye the Lord, Op.31 (1992) 2'30" Praise be to the Lord, Op.32 (1992) 3' My Lord Must be with You, Op.33 (1992) 2'30" Glad Tidings of His Resurrection, Op.34 (1992) 4' The Grace of Our Lord Never Changed, Op.35 (1992) 4' Please Listen to my Prayer, Op.36 (1992) 2' The Song of Youth, Op.37 (1992) 3' To be Saved Today, Op.38 (1992) 3'30" So that You may Know, Op.23 (1991) 3'30" For I am with You, Op.24 (1991) 5'30" Lord, I will Follow You, Op.25 (1990) 4' Eternal Love, Op.20 (1986) 3'30" Song of Thanksgiving, Op.21 (1986) 2'30" Has the Lord Deserted You, Op.22 (1986) 5'30" Song of an Orphan, Op.19 (1985) 4'30" Teach Me How to Pray, Op.29 (1984) 1'30" The Challenge of Times, Op.12 (1984) 2'30" Bell of Christmas, Op.13 (1984) 5' Be Happy in God Always, Op.14 (1984) 3'30" Work for Our Lord, Op.16 (1984) 2' Praise of Love, Op.17 (1984) 3' The Source of Life, Op.18 (1984) 4' The Wonderful Love, Op.41 (1982) 2'30" Father's Prayer, Op.15 (1982) 6' Think of Your First Faith, Op.10 (1982) 3'30" Vow to Love Thee, Op.11 (1982) 2'30" Song of Marriage, Op.9 (1980) 3' I will Follow Jesus, Op.6 (1956) 2' Climb up the Mountain, Op.7 (1956) 2' Holy Spirit Revive Me, Op.8 (1956) 3'30" Lord, Come Live in my Heart, Op.5 (1955) 3' Psalm No.23, Op.2 (1954) 3' A Sinner's Prayer, Op.3 (1954) 4' God's Love, Op.4 (1954) 3' God has Promised, Op.1 (1953) 5' Major Publications - Choir Anthem Collections Beloved Hymns, 2001 Lord I will Praise You, 1996 Praise be to the Lord, 1988 Eternal Love, 1986 Ling-Siu Praise Songs, 1986 Holy Spirit Revive Me, 1984 God has promised, 1982 Discography Praise and Thanksgiving, VCD in 1999 God's Love, CD in 1998 Praise be to the Lord, CD in 1992 Holy Spirit Revive Me, cassette tape in 1986 God has Promised, cassette tape in 1984 聲樂 / 合唱 主的呼喚 Op.58 (2001) 2' 是因著愛 Op.53 (2000) 4' 尊主頌 Op.55 (1999) 6' 當感謝 Op.56 (1999) 5' 無往不利 Op.57 (1998) 3'30" 夜鶯 Op.54 (1998) 2' 主佑中華 Op.42 (1996) 2' 主啊，我要讚美你 Op.39 (1993) 3'30" 聖樂與人生 Op.40 (1993) 3' 你必得著新生命 Op.26 (1992) 2'30" 作信徒的榜樣 Op.27 (1992) 1'30" 死亡不可怕 Op.28 (1992) 2' 求主賜和平 Op.30 (1992) 2'30" 讚主基督 Op.31 (1992) 2'30" 稱頌耶和華 Op.32 (1992) 3' 我主必來與你同在 Op.33 (1992) 2'30" 復活喜訊歌 Op.34 (1992) 4' 主的恩典永不改變 Op.35 (1992) 4' 求聽我禱告 Op.36 (1992) 2' 青年之歌 Op.37 (1992) 3' 得救在今天 Op.38 (1992) 3'30" 你可知道 Op.23 (1991) 3'30" 我與你同在 Op.24 (1991) 5'30" 主啊，我願跟隨你 Op.25 (1990) 4' 永恆的愛 Op.20 (1986) 3'30" 感恩歌 Op.21 (1986) 2'30" 主曾虧欠你嗎 Op.22 (1986) 5'30" 孤雁心聲 Op.19 (1985) 4'30" 時代的挑戰 Op.12 (1984) 2'30" 求主教我如何禱告 Op.29 (1984) 1'30" 聖誕鐘聲 Op.13 (1984) 5' 要靠主常常喜樂 Op.14 (1984) 3'30" 勤作聖工 Op.16 (1984) 2' 愛的頌讚 Op.17 (1984) 3' 生命之源 Op.18 (1984) 4' 奇妙的愛 Op.41 (1982) 2'30" 思念信主初 Op.10 (1982) 3'30" 哲言愛主 Op.11 (1982) 2'30" 父親的禱告 Op.15 (1982) 6' 婚姻頌 Op.9 (1980) 3' 同奔主道 Op.6 (1956) 2' 上高山 Op.7 (1956) 2' 願那靈火復興我 Op.8 (1956) 3'30" 求居我心中 Op.5 (1955) 3' 詩篇廿三篇 Op.2 (1954) 3' 罪人的禱告 Op.3 (1954) 4' 神的愛 Op.4 (1954) 3' 神的應許 Op.1 (1953) 5' 出版刊物 - Choir Anthem Collections 合唱集《心愛詩歌集》, 2001 合唱集《主、我要讚美你》, 1996 合唱集《稱頌耶和華》, 1988 合唱集《永恆的愛》, 1986 合唱集《靈韶詩集》, 1986 合唱集《願那靈火復興我》, 1984 合唱集《神的應許》, 1982 唱片目錄 感恩頌讚獻唱音樂會（現場錄音） VCD in 1999 《神的愛》 CD in 1998 《稱頌耶和華》 CD in 1992 《願那靈火復興我》 cassette tape in 1986 《神的應許》 cassette tape in 1984 Back

LUO Yanjin Lauren 羅彥瑾 Yanjin Luo is an active harpist, composer and conductor in Hong Kong. After obtaining Master of Arts in Music (Dean’s List) in 2022, she pursued further study in the Master of Music in Composition program under the supervision of Professor Chan Kai Young at the Chinese University of Hong Kong. Yanjin played both western and Chinese instruments since young, including harp, pipa, piano and violin, which giving her unique exposure to both western and Chinese music. Yanjin has studied composition under Professor Chan Kai Young and Professor Victor Chan as well as conducting under Ms. Carmen Koon. The fusion of Western and Chinese elements has always been a passion of Yanjin, and she is eager to explore new ways of blending these styles to create unique and innovative pieces of music. Yanjin has received multiple international composition awards, including the Second Prize in International Youth Music Competitions (USA, 2022), the Third Prize in XI International Music Competition AMIGDALA “Giuseppe Raciti” Memorial (Italy, 2022), the Third Prize in Red Maple Music Composition (Canada, 2022), the Fourth Prize in the 17th International Music Performance Competition “Don Vincenzo Vitti” (Italy, 2021), and the First Prize in the 21st Century Talents Composition Competition (Canada, 2021). Yanjin is currently serving as the Artistic Director Assistant of Hong Kong Bauhinia Chinese Orchestra and the Resident Composer and Conductor of the Youth Chinese and Western Orchestra. 羅彥瑾是一名活躍在香港的豎琴演奏家、作曲家和指揮。羅氏於香港中文大學完成音樂文學碩士學位（院長榮譽）後，繼續師從陳啟揚教授於香港中文大學修讀作曲碩士。羅氏自幼學習小提琴、豎琴和琵琶，獲英國皇家音樂學院豎琴文憑演奏級和中央音樂學院高級鋼琴教師證書，並有多年樂團演奏經驗，曾參與2021年香港中文大學音樂系55週年音樂會演出。碩士期間，羅氏也師從官美如老師學習管弦樂指揮。羅氏現任香港紫荊中樂團藝術總監助理和青年中西樂隊駐團作曲兼指揮。 作曲方面，羅氏常常於中西融合中獲得靈感，曾榮獲2021年加拿大二十一世紀天才國際音樂比賽作曲組第一名、2021年第17屆意大利唐文森特維蒂國際作曲比賽高級室內作曲組第四名、2022年美國國際青年音樂比賽作曲組第二名、2022年第11屆意大利紀念朱塞佩拉奇蒂國際音樂比賽作曲組第三名、2022年加拿大紅楓音樂比賽豎琴作曲組第三名等殊榮。 MAJOR WORKS 主要作品 Major Works 主要作品： Orchestral 管弦樂 絲路繁花 Blossoms Silk Road for Chinese Orchestra (2024) 歲華錦時 Le Moment Luminique for Chinese Orchestra (2023) 高山流水主題變奏曲Lofty Mountains and Flowing Water for orchestra (2023) Music for the Harp and Orchestra in D Major, No.2 (2022) Music for the Harp and Orchestra in D Major, No.1 (2021) Chamber/Solo 室內樂作品 歸一Of All That Ends for flute, violin, viola, cello, accordion, glockenspiel and piano (2024) 在水一方Water Fantasia for cello and piano (2024) From Dawn to Dusk for erhu and harp (2022) The Crossroads for string quartet (2021) Spring of Home for harp solo (2021) 高山流水主題變奏曲Lofty Mountains and Flowing Water for string quartet (2021) Vocal/Choral works 獨唱與合唱作品 霧散後When the Mist Clears for voice, piano, violin and harp (2022) Mein schöner Stern! for voice and piano (2021) Electronic 電子音樂 在路上On the Road for violin and fixed media (2022) Arrangements 編曲作品 彩雲追月 Colorful Clouds Chasing the Moon中西樂團 (2024) Opening of Hedwig’s Theme中西樂團 (2024) A Whole New World中西樂團 (2024) My Neighbor Totoro中西樂團 (2024) Doraemon Theme Song中西樂團 (2024) Canon in D中西樂團 (2023) Always with me中西樂團 (2023) Back

TSANG Yip Fat Richard (Founding Chairman) 曾葉發（創會主席） Richard Tsang has been for many years the Founding Chairman of the Hong Kong Composers' Guild, Vice-Chairman of the Asian Composers’ League (ACL) and subsequently served as President of the International Society for Contemporary Music (ISCM) from 2002-2008, the first non-European to hold this position since the society’s establishment in 1923. He has been active as a promoter of contemporary music and has organized in the past three decades many international exchange events and festivals in this field. As a composer, Tsang's works have been commissioned and/or performed by many local and international groups including the Boston Symphony Orchestra, Stockholm Wind Symphony Orchestra, Japan Folklore Foundation, Taiwan Municipal Chinese Orchestra, Seoul Philharmonic Orchestra, Orion Ensemble of Switzerland, Ensemble Antipodes, the Hong Kong Ballet, Hong Kong Philharmonic Orchestra, Hong Kong Chinese Orchestra, Hong Kong Sinfonietta, etc. Tsang has been the founding Music Director of the Hong Kong Sinfonietta and has guest conducted many local and overseas orchestras including the Hong Kong Philharmonic, Hong Kong Chinese Orchestra, the Tokyo Philharmonic Orchestra, etc. in premieres of his own compositions. He is also a veteran broadcaster and has worked with Radio Television Hong Kong since 1979 in various capacities as producer, channel head and Head of English Programme Services. Academically, Professor Tsang is currently Professor of Music and Dean of Students at the Education University of Hong Kong, actively involved in the research and promotion of creative musicking concept and practices. 生於香港，是活躍於本地及國際樂壇的現代音樂創作及推廣者。他是香港作曲家聯會的創會主席，1990至1996年期間擔任國際現代音樂協會及亞洲作曲家聯盟的副會長，並於2002年10月獲選為國際現代音樂協會會長，是該會自1923年創會以來首位非歐裔人士會長。曾氏曾多次應本地和國際藝術團體的委約進行創作，合作的團體包括波士頓交響樂團、斯德哥爾摩木管交響樂團、日本民間藝術基金會、香港芭蕾舞團、香港管弦樂團、香港中樂團及香港小交響樂團等。 曾氏曾任多個藝術團體的客席指揮，其中包括香港管弦樂團、香港中樂團及台北市立中樂團等。他亦是香港小交響樂團1990至1993年的首任音樂總監，並曾指揮多個聲樂團，包括香港聖樂團、明儀合唱團及雅樂社合唱團等。 多年來，曾氏曾多次獲獎，包括1988年獲選十大傑出青年、英港藝術基金會藝術家年獎和1990年香港作曲家年獎的得主，2002年更憑《龍形》獲CASH金帆音樂獎最佳正統音樂作品。曾葉發是音樂教育家亦是資深的電台工作者，自1979年起於香港電台工作，曾先後出任節目編導、第四台總監及英文台台長等職位，並曾任教於香港中文大學、香港演藝學院及英國京士頓大學等高等院校。自2009年起，曾氏出任香港教育大學文化與創意藝術系教授及學生事務長，並致力研究透過嶄新的「樂動」(Creative Musicking)理念推廣音樂創意及表現力至社會每一階層。 MAJOR WORKS 主要作品 Orchestral (Western) The Music is but Momentary…(Consolation) – Gu-zheng Concerto (2010) 18’ for Gu-zheng & orchestra / for Gu-zeng & Chinese orchestra Solace Dolce – Horn Concerto (2009) 15' for horn & chamber orchestra Overture FM (2004) 9'47" Dragon Signs (2002) 19'56" for clarinet & orchestra The Emperor and the Nightingale - Orchestral suite (2001) 50' In Tune (2000) 7'20" for chamber orchestra Spinoff (1999) 15'13" Concerto for flute & orchestra The Sky - Like A Dream (1995) 16'56" Shades II (1994) 6'18" Different Planes (1993) 20' for Chinese and Western orchestras Shades (1990) 7'05" Peng Lai (1990) 13'50" for SATB and orchestra Prelude for Orchestra (1988) 7'46" Gradation (1988) 8'49" Overture for Orchestra (1985) 8' Sinfonietta for Strings (1978) 18' Orchestra (Chinese) Hsu-huai (2008) 16'10 for treble choir and Chinese orchestra Dai-Lok-Tin (2008) 11' Temple Rituals / Ceremonial Ode (2008) 8'10" Wu-C'ang (1998) 15' An-ching (1997) 7' To the Ancient Spirits (1995) 12' Tai-Loi (1992) 10' Eternal Sorrow (1990) 17'50" for erhu and gaigu soli & Chinese orchestra Images of Bamboo (1989) 11'30" Hong Kong Panorama (1987) 6' Changing Images (1987) 15' for guzheng & Chinese orchestra Thinking of the Sages (1985) 9'44 Three Meditations (1983) 13'50" Chamber (Western) But For the Heart..... (2007) 13'15" for larger chamber ensemble Multifracts (2005) 5'24" for violin, cello & piano Inter-Flow (2004) 7'20" for violin & cello Chasing Shadows (1998) 9' for clarinet & string quartet Echo-Mime (1996) 15'38" for clarinet solo & cl sextet Emergence (1993) 6'50" for violin, cello & piano Lotus Fantasy (1992) 9'30" for clarinet, violin & piano Drumming (1989) for 4 perc. Contra-Flux (1979) 8'40" for flute, violin, cello & piano Elegie (1977) 6' for clarinet & piano Six Pieces for Four Players (1975) 10'30" for flute, violin, cello & piano Nocturne (1974) 5'45" for violin & piano Chamber (Chinese) San-Xiang (1999) 7'48" for dizi, pipa & guzheng "Dai Lok Tin", original tune in Cantonese style (1998) 5'52" for Cantonese ensemble "Leisurely", original tune in Cantonese style (1998) 6'28" for Cantonese ensemble "Where is the Blue Sky?", original tune in Cantonese style for Cantonese ensemble Dou-Sou (1980) 6'30" for solo pipa & pipa ensemble (tape for pipa ensemble available) Ling-Kai (1986) 10' for Chinese chamber ensemble (flexible) Chamber (Mixed) "The Music is but Momentary......." (2009) 15' for guzheng & chamber ensemble Airstream (2002) 10' for donghsiao & string quartet When Sounds are Silenced (1998) 9'30 for genkan & hookyoo (pipa & marimba) Towards the East (1991) 13'50" for Chinese, Japanese & other ethnic instruments Three Movements for Traditional Ensemble (1980) 14' for soprano, mixed ancient European instruments Instrumental Solo Soliloquy (2005) 6'38" for violin Ji-Li (1992) 8'37" for piano Images of Bells (1979) 11'25" for piano Ternary (1974) 6' for flute Vocal / Choral Twilight Destitute (2013) 4’00” for SAB & piano Two Larkin Song: “Ignorance” & “The Trees” (2013) 10’00” for baritone, violin, trumpet & piano 天人雜唱 (2012) 5’00” for speech choir ensemble of individual singers Life's Love Song (2011) 6’00” for SSA 3-part female chorus & piano Skywards (2011) 10’00” for mass choir, Handbells and ensemble There must be Time for Grief (2010) 4’45” for soprano & piano 時光機七號 (2008) 4' for speech choir 九聲歌 (2008) 4' for speech choir 西施死時 (2007) 2'30" for speech choir MOMi-Play (2007) 12' for interactive treble choir Sky Bridge (2005) 10'50" for 4 treble choirs Friendship (2004) 3' for SATB & piano All for Love (2000) 5'30" for 2 part treble & piano (string orchestra) or SATB, string orchestra & piano A Little Chamber Music (1997) 10'16" for vocal quartet (SATB) & piano Mang (1996) 5'30" for mezzo soprano and piano Lux Aeterna (1996) 7' for SATB & piano Ke-chung (1993) 3'30" for mezzo oprano & piano Rainy Days (1991) 4'20" for 2 part treble & piano (string orchestra) Song for Four Seasons (1989) 4'36 for 2 part treble & piano October (1987) 10' for SATB & piano Lullaby (1986) 3'30" for 2 part treble & piano Ru Meng Ling (1979) 5'30" for SATB & piano Arise My Love (1977) 8'30" for baritone, SS & piano 4 hands O Sweet Little Jesus (1976) 5')) for SATB & piano Songs of Yang Kwan (1974) 3'30" for SATB & piano And When I Die (1974) 7'00 for SATB & piano Love Under the Rain (1974) 5'30" for mezzo soprano & piano Electro-Acoustic Music / Computer Music Nemisis (1992) 11' for clarinet & tape Music for Ballet / Dance The Emperor & the Nightingale (1997) 110' for col. soprano, Chinese ensemble, 3 drummers, male choir, orchestra & electronics Yu Yi (1995) 20' for orchestra Hidden Domain (1984) 24' for electronic (tape) Man & Ghost (1983) 30' for elctronic (tape) The Monkey Epic (Tale of the Spider (1980) 80' for electronic (tape) Music for Theatre / Drama Children's Musical: "The Story of Robo" (1986) 70' for singers & pop accompaniment Others Game for 3 Players (1990) 10' for free emsemble RTHK Radio Station ID (1987) 0'15" for brass quartet Discography Nocturne (for violin and piano), Philips 6598979, 1974 Love Under the Rain (for mezzo soprano and piano), Hong Kong Records 6.242104, 1974 Ru Meng Ling (for mezzo soprano and piano), Hugo2 HRP 301, 1979 Ru Meng Ling (for mixed chorus & piano), Hugo HRP ML W3105, 1979 Dou-Sou (for solo pipa and tape), CBS/SONY CLD 1001, 1980 Overture for orchestra, Hong Kong Records 8.242119, 1985 Prelude for orchestra, Hugo HRP 799-2, 1988 Shades for orchestra, HKCG CGCD9401, 1990 Ke-chung (for mezzo soprano and piano), Hugo HRP 301-2, 1993 Meng (for mezzo soprano and piano), HK Records 74321-32617-2, 1996 An-ching (for Chinese orchestra), Hugo HRP 7208-2, 1997 Transcending (Cantonese tune for ensemble), RTHK CD 10.05, 1998 All for Love (for treble choir, mixed chorus, piano and string orchestra), RTHK CD 06.03, 2000 Airstream (for donghsiao and string quartet), CASH 20th Anniversary CD, 2002 Publications 曾葉發 (2011)：《動感聲藝創作、訓練及演出導論》，香港，英翹創意。ISBN 978-988-15821-7-1 "Images of Bells" 「鐘之幻象」 for piano solo. In Contemporary Hong Kong Music 1984: A Collection of Piano Works by Hong Kong Composers. Hong Kong: Hong Kong Composers' Guild, 1984. "Towards a Hong Kong Music." In An Introduction to the Members of the Hong Kong Composers' Guild 1988, edited by Chan Wing-wah, 1-5. Hong Kong: Hong Kong Composers' Guild, 1988. 「談 現代音樂之民族性問題」“Nationalism in Contemporary Music.” (Chinese) In「民族音樂研究」Collected Essays on Ethnomusicology, edited by Liu Ching-chi, 193-201. Hong Kong: Commercial Press, 1989. And When I Die. 「當我死時」for SATB & piano. In Chinese Choral Works of Hong Kong Composers, HKCM1. Hong Kong: Hong Kong Composers' Guild, 1992. Ru-meng-ling. 「如夢令」 for SATB & piano. In Chinese Choral Works of Hong Kong Composers, HKCM2. Hong Kong: Hong Kong Composers' Guild, 1992. Songs of Yang-kwan. 「陽關三疊」for SATB & piano. In Chinese Choral Works of Hong Kong Composers, HKCM3. Hong Kong: Hong Kong Composers' Guild, 1992. Ru-meng-ling. 「如夢令」 for solo voice & piano. In Hong Kong Vocal Music Collection, vol.I, edited by D. Law, 68-73. Hong Kong: Chinese Christian Literature Council, 1998. Love under the Rain. 「雨 戀」 In Hong Kong Vocal Music Collection, vol.VI, edited by D. Law, 133-138. Hong Kong: Chinese Christian Literature Council, 1999. O Sweet Little Jesus. 「小耶穌甜美的嬰孩」In Hong Kong Vocal Music Collection, vol.VII, edited by D. Law, 96-106. Hong Kong: Chinese Christian Literature Council, 1999. October. 「十月」for SATB & piano. In Hong Kong Vocal Music Collection, vol.VIII, edited by D. Law, 81-100. Hong Kong: Chinese Christian Literature Council, 1999. Si Yin Kuk. 「施然曲」In 「廣東音樂薈萃」Best of Cantonese Music, edited by Kam Sheung-si, 184-186. Guangdong Higher Education Press, 1999. “All for Love” 「全賴愛」 for treble choir & piano. In「童聲合唱歌曲創作大賽得獎作品集」Music for Treble Choir Composition Competition Winning Works, 1-5. 香港童聲合唱協會The Hong Kong Treble Choir Society, 2001. “Module on Rhythm.” In ISCM Education Campaign 20th Century Music Teaching Resource Kit, edited by Prof. Edward Ho, Estella Charm & Chan Ming-chi. CUHK Press, 2001. “Rainy Days” 「下雨天」 for treble choir, strings & piano. In 「香港兒童合唱團(高級組)歌集」Hong Kong Children's Choir Senior Level Songbook 1, 54-77. 香港兒童合唱團The Hong Kong Children's Choir, 2003. “Over Eight Decades of New Music - Does the ISCM World Music Days Festival Need a Revival?” In World New Music Magazine, Vol.16, edited by Stefan Fricke, 113-114. Germany: Pfau-Verlag, 2006. “Handbook for Teachers 2008-09年度校際動感聲藝訓練及匯演計劃 教師手冊” In 2008-09 Speech Choir Project. Joint InTuition & EDB Project, 2008. 管弦樂 (西樂) The Music is but Momentary…(Consolation) – Gu-zheng Concerto (2010) 18’ for Gu-zheng & orchestra / for Gu-zeng & Chinese orchestra Solace Dolce – Horn Concerto (2009) 15' for horn & chamber orchestra 逍遙樂 (2004) 9'47" 龍形 (2002) 19'56" for clarinet & orchestra 國王與夜鶯組曲 (2001) 50' 一調子 (2000) 7'20" for chamber orchestra Spinoff (1999) 15'13" Concerto for flute & orchestra 夢天 (1995) 16'56" 形影 II (1994) 6'18" 異界 (1993) 20' for Chinese and Western orchestras 形影 (1990) 7'05" 蓬萊 (1990) 13'50" for SATB and orchestra 管弦樂前奏曲 (1988) 7'46" 漸 (1988) 8'49" 管弦樂序曲 (1985) 8' 弦樂小交響曲 (1978) 18' 管弦樂 (中樂) 虛懷 (2008) 16'10 for treble choir and Chinese orchestra 粵風聯奏：〔大樂天〕 (2008) 11' 廟祭 / 風雅贊 (2008) 8'10" 無常 (1998) 15' 安晴 (Song of Bliss) (1997) 7' 古靈 (1995) 12' 泰來 (1992) 10' 太真長恨 (1990) 17'50" for erhu and gaigu soli & Chinese orchestra 竹意 (1989) 11'30" 香港盤旋 (1987) 6' 變象 (1987) 15' for guzheng & Chinese orchestra 思賢曲 (1985) 9'44 神遊三闕 (1983) 13'50" 室樂 (西樂) 心. 動 (2007) 13'15" for larger chamber ensemble 閃爍光影 (2005) 5'24" for violin, cello & piano 流 (2004) 7'20" for violin & cello 追影 (1998) 9' for clarinet & string quartet 迴響的默劇 (1996) 15'38" for clarinet solo & cl sextet 現 (1993) 6'50" for violin, cello & piano 蓮的聯想 (1992) 9'30" for clarinet, violin & piano 鼓動 (1989) for 4 perc. 逆流 (1979) 8'40" for flute, violin, cello & piano 哀歌 (1977) 6' for clarinet & piano 四重奏小品六首 (1975) 10'30" for flute, violin, cello & piano 夜曲 (1974) 5'45" for violin & piano 室樂 (中樂) 三晌 (1999) 7'48" for dizi, pipa & guzheng 大樂天 （飛越）, original tune in Cantonese style (1998) 5'52" for Cantonese ensemble 施然曲, original tune in Cantonese style (1998) 6'28" for Cantonese ensemble 雲深何處, original tune in Cantonese style for Cantonese ensemble 抖擻 (1980) 6'30" for solo pipa & pipa ensemble (tape for pipa ensemble available) 靈界 (1986) 10' for Chinese chamber ensemble (flexible) 室樂 (混合) "The Music is but Momentary......." (2009) 15' for guzheng & chamber ensemble 柔絲 (2002) 10' for donghsiao & string quartet 音止操 (1998) 9'30 for genkan & hookyoo (pipa & marimba) 東漸 (1991) 13'50" for Chinese, Japanese & other ethnic instruments 古樂三章 (1980) 14' for soprano, mixed ancient European instruments 獨奏曲 獨白 (2005) 6'38" for violin 支離 (1992) 8'37" for piano 鐘之幻象 (1979) 11'25" for piano 三段體 (1974) 6' for flute 聲樂 / 合唱 晚紅飛盡 (2013) 4’00” for SAB & piano Two Larkin Song: “Ignorance” & “The Trees” (2013) 10’00” for baritone, violin, trumpet & piano 天人雜唱 (2012) 5’00” for speech choir ensemble of individual singers 生命之戀歌 (2011) 6’00”m for SSA 3-part female chorus & piano 天語 (2011) 10’00” for mass choir, Handbells and ensemble There must be Time for Grief (2010) 4’45” for soprano & piano 時光機七號 (2008) 4' for speech choir 九聲歌 (2008) 4' for speech choir 西施死時 (2007) 2'30" for speech choir 動感 、音、 樂 園 (2007) 12' for interactive treble choir 天空之橋 (2005) 10'50" for 4 treble choirs 真善美 (2004) 3' for SATB & piano 全賴愛 (2000) 5'30" for 2 part treble & piano (string orchestra) or SATB, string orchestra & piano 小小室內樂 (1997) 10'16" for vocal quartet (SATB) & piano 茫 (1996) 5'30" for mezzo soprano and piano 永恆之光 (1996) 7' for SATB & piano 客中 (1993) 3'30" for mezzo oprano & piano 下雨天 (1991) 4'20" for 2 part treble & piano (string orchestra) 四季歌 (1989) 4'36 for 2 part treble & piano 十月 (1987) 10' for SATB & piano 安眠曲 (1986) 3'30" for 2 part treble & piano 如夢令 (1979) 5'30" for SATB & piano 我的良人起來吧 (1977) 8'30" for baritone, SS & piano 4 hands 小耶穌甜美的嬰孩 (1976) 5')) for SATB & piano 陽關三疊 (1974) 3'30" for SATB & piano 當我死時 (1974) 7'00 for SATB & piano 雨戀 (1974) 5'30" for mezzo soprano & piano 電子音樂 / 電腦音樂 凶敵 (1992) 11' for clarinet & tape 舞蹈音樂 國王與夜鶯 (1997) 110' for col. soprano, Chinese ensemble, 3 drummers, male choir, orchestra & electronics 如意 (1995) 20' for orchestra 隱所 (1984) 24' for electronic (tape) 人鬼 (1983) 30' for elctronic (tape) 西遊記之大鬧盤絲洞 (1980) 80' for electronic (tape) 劇場音樂 兒童音樂劇 [機械人奇遇記] (1986) 70' for singers & pop accompaniment 其他 遊戲 (1990) 10' for free emsemble 港台第四台主題 (1987) 0'15" for brass quartet 唱片目錄 Nocturne (for violin and piano), Philips 6598979, 1974 「雨戀」 (for mezzo soprano and piano), Hong Kong Records 6.242104, 1974 「如夢令」 (for mezzo soprano and piano), Hugo2 HRP 301, 1979 「如夢令」 (for mixed chorus & piano), Hugo HRP ML W3105, 1979 「抖擻」 (for solo pipa and tape), CBS/SONY CLD 1001, 1980 Overture for orchestra, Hong Kong Records 8.242119, 1985 Prelude for orchestra, Hugo HRP 799-2, 1988 Shades for orchestra, HKCG CGCD9401, 1990 「客中」 (for mezzo soprano and piano), Hugo HRP 301-2, 1993 「茫」 (for mezzo soprano and piano), HK Records 74321-32617-2, 1996 「安晴」 (for Chinese orchestra), Hugo HRP 7208-2, 1997 「大樂天」 (Cantonese tune for ensemble), RTHK CD 10.05, 1998 「全賴愛」 (for treble choir, mixed chorus, piano and string orchestra), RTHK CD 06.03, 2000 「柔絲」 (for donghsiao and string quartet), CASH 20th Anniversary CD, 2002 出版刊物 / 發表文章 曾葉發 (2011)：《動感聲藝創作、訓練及演出導論》，香港，英翹創意。ISBN 978-988-15821-7-1 "Images of Bells" 「鐘之幻象」 for piano solo. In Contemporary Hong Kong Music 1984: A Collection of Piano Works by Hong Kong Composers. Hong Kong: Hong Kong Composers' Guild, 1984. "Towards a Hong Kong Music." In An Introduction to the Members of the Hong Kong Composers' Guild 1988, edited by Chan Wing-wah, 1-5. Hong Kong: Hong Kong Composers' Guild, 1988. 「談 現代音樂之民族性問題」“Nationalism in Contemporary Music.” (Chinese) In「民族音樂研究」Collected Essays on Ethnomusicology, edited by Liu Ching-chi, 193-201. Hong Kong: Commercial Press, 1989. And When I Die. 「當我死時」for SATB & piano. In Chinese Choral Works of Hong Kong Composers, HKCM1. Hong Kong: Hong Kong Composers' Guild, 1992. Ru-meng-ling. 「如夢令」 for SATB & piano. In Chinese Choral Works of Hong Kong Composers, HKCM2. Hong Kong: Hong Kong Composers' Guild, 1992. Songs of Yang-kwan. 「陽關三疊」for SATB & piano. In Chinese Choral Works of Hong Kong Composers, HKCM3. Hong Kong: Hong Kong Composers' Guild, 1992. Ru-meng-ling. 「如夢令」 for solo voice & piano. In Hong Kong Vocal Music Collection, vol.I, edited by D. Law, 68-73. Hong Kong: Chinese Christian Literature Council, 1998. Love under the Rain. 「雨 戀」 In Hong Kong Vocal Music Collection, vol.VI, edited by D. Law, 133-138. Hong Kong: Chinese Christian Literature Council, 1999. O Sweet Little Jesus. 「小耶穌甜美的嬰孩」In Hong Kong Vocal Music Collection, vol.VII, edited by D. Law, 96-106. Hong Kong: Chinese Christian Literature Council, 1999. October. 「十月」for SATB & piano. In Hong Kong Vocal Music Collection, vol.VIII, edited by D. Law, 81-100. Hong Kong: Chinese Christian Literature Council, 1999. Si Yin Kuk. 「施然曲」In 「廣東音樂薈萃」Best of Cantonese Music, edited by Kam Sheung-si, 184-186. Guangdong Higher Education Press, 1999. “All for Love” 「全賴愛」 for treble choir & piano. In「童聲合唱歌曲創作大賽得獎作品集」Music for Treble Choir Composition Competition Winning Works, 1-5. 香港童聲合唱協會The Hong Kong Treble Choir Society, 2001. “Module on Rhythm.” In ISCM Education Campaign 20th Century Music Teaching Resource Kit, edited by Prof. Edward Ho, Estella Charm & Chan Ming-chi. CUHK Press, 2001. “Rainy Days” 「下雨天」 for treble choir, strings & piano. In 「香港兒童合唱團(高級組)歌集」Hong Kong Children's Choir Senior Level Songbook 1, 54-77. 香港兒童合唱團The Hong Kong Children's Choir, 2003. “Over Eight Decades of New Music - Does the ISCM World Music Days Festival Need a Revival?” In World New Music Magazine, Vol.16, edited by Stefan Fricke, 113-114. Germany: Pfau-Verlag, 2006. “Handbook for Teachers 2008-09年度校際動感聲藝訓練及匯演計劃 教師手冊” In 2008-09 Speech Choir Project. Joint InTuition & EDB Project, 2008. Back

POON Po Choi Maurice 潘寶才 MAJOR WORKS 主要作品 Back

《石牆樹》 Stonewall Trees 楊倩桐 Yeung Sin-tung Jessie 現於香港中文大學就讀文學士課程，主修音樂，副修政治與行政學及新聞及傳播。曾就讀香港演藝學院及其青少年音樂課程。現為香港青年中樂團、中大爵士樂團及崇基管樂團的低音大提琴手。 楊氏希望透過演奏和作曲，表達音樂的純粹。藝術的世界很大，還在探索，尋求音樂蘊含的意義和本質。 Yeung Sin-tung Jessie is pursuing a Bachelor of Arts from the Chinese University of Hong Kong, majoring in Music and minoring in Government and Public Administration (GPAD) and Journalism and Communication. She previously studied at The Hong Kong Academy for Performing Arts and was a student in its Junior Music Programme. She is now the bassist for the Hong Kong Youth Chinese Orchestra, CUHK Jazz Ensemble and Chung Chi Wind Orchestra. Yeung would like to express music’s simplicity and intrinsic qualities through performance and composition, exerting herself to explore the essence and inwardness of music in this boundless world of art. 石牆樹在港島十分常見。戰後技術改良，後建的石牆已沒有留下可供植物生長的石縫。 這樂章由2015年般咸道細葉榕斬樹事件啟發。以四位馬木巴琴的演奏者代表四棵細葉榕，金屬樂器、定音鼓及大鼓上與棒槌摩擦的聲音形容鋸樹情境，其後樂手以手拍打馬木巴琴表達樹幹被斬後重新生長的情況。 以馬木巴琴拉弦的聲音作結，猶如重現鋸樹的動作。石牆樹與石牆可反映城市面貌和發展變遷，透過創作此樂曲，理解我們如何投射了回憶和情感予石牆樹上? The stonewall tree is quite common in the Hong Kong Island area. During World War II, these trees already existed, and the technique of constructing stone walls was mastered by craftsmen from Dongguan. After the war, the technology improved, but the later-built stone walls no longer had crevices suitable for plant growth. This piece was inspired by the 2015 Bonham Road banyan tree felling incident. Four marimba players represent four banyan trees, while the sounds of metal instruments, scraping sounds of friction mallets on timpani, and bass drums depict the scenario of sawing trees. Subsequently, the musicians tap the marimbas, expressing the regrowth of trees after being cut down. The bowing sound of the marimba concludes the piece as if re-enacting the action of sawing trees. Stonewall trees and stone walls can reflect the city’s appearance and transformation. Beyond music, we hope to understand the relationship between walls and people, and the way we project memories and emotions onto the stone wall trees. Back

《異質變異數 II》 Heteroskedasticity II 區顥曦 Au Ho-hei 區顥曦目前正在香港大學攻讀作曲哲學碩士學位，師從陳慶恩教授。區氏曾與多個藝團合作。最近，他的管弦合唱作品《聽！那午夜的鐘聲在迴蕩》於2024年3月由香港管弦樂團首演。 除作曲外，區氏亦活躍於指揮領域，演出自己的作品。他曾指揮香港大學管弦樂團首演他的《金氏變奏曲》，以及指揮聯校大學樂團演出西貝流士《芬蘭頌》。去年，他亦指揮香港管弦樂團圓號小組，首演他的《戀人們與星辰的愛》。 Anthony Au Ho-hei is currently an MPhil (Composition) candidate at the University of Hong Kong (HKU), under the tutelage of Professor Chan Hing-yan. Previously, Au attained a Bachelor of Finance with First Class Honours from HKU in 2022, consistently earning a place on the Dean’s Honours List each year. Au has worked closely with various art groups, including the Hong Kong Philharmonic Orchestra, Hong Kong New Music Ensemble, Hong Kong University Philharmonic Orchestra, and HKU MUSE. Au is also engaged in conducting, often premiering his own works. In 2019, he led the premiere of his Korean Variations with the Hong Kong University Philharmonic Orchestra. In 2021, he conducted the Joint University Orchestra to bring Sibelius’ Finlandia. In 2023, he conducted the horn section of the Hong Kong Philharmonic Orchestra in the premiere of his chamber work, Lovers and the Love of the Stars. Recently, in March 2024, Au’s orchestral-choral composition Hark! The Midnight Bell Echoes was premiered by the Hong Kong Philharmonic Orchestra, Hong Kong Philharmonic Chorus, and HKU Chamber Singers, under the baton of Chloé Dufresne, with soprano Kenix Tsang serving as the reciter. 此曲旨在呈現，藝術是現實中隨機過程的節錄和再現。世界是由成千上萬的隨機過程交織而成，而音樂和隨機過程亦驚人地相似。音樂與股票價格或經濟指標一樣，可以被分析為時間序列或縱橫資料。它們會隨著時間推移而演變，在宏觀層面上展現出隨機行為，同時亦受最近的表現影響。 藝術和音樂不是隨機過程，而是我們在隨機過程中捕捉、節錄並再現的部分。相比起建造，藝術創作可能更接近是個減除的過程，在大千世界中挑選有趣的時刻，並加以雕琢和演繹。 Heteroskedasticity II is a musical embodiment of the concept that art is a reinterpretation of real-world stochastic processes. Our world is a complex tapestry of stochastic processes, evident in our societies and individual lives. The unpredictability of daily life manifest as randomness; events often unfold by chance and without a predictable pattern. Every aspect of life, from the trajectory of our careers to our marital plans, is essentially a stochastic process. While we can observe and estimate broad trends and macro patterns, precise predictions elude us due to this inherent randomness. Music exhibits striking similarities to stochastic processes. A musical composition, akin to fluctuations in stock prices or changes in macroeconomic indicators, can be analyzed as a time series or panel data. These phenomena evolve over time, displaying stochastic behaviors at a macro level while maintaining a dependency on their recent past. Their visual representations also bear resemblances. Art, including music, can be viewed as our attempt to capture and reproduce parts of these stochastic processes that resonate with us. The genesis of art might better be understood as a process of subtraction, of selecting and reproducing moments of interest from the vast stochastic process of the existing world, rather than as an act of pure creation. Back

MUI Kwong Chiu 梅廣釗（主席） Dr Mui Kwong-chiu is a renowned composer in Hong Kong. He is the Chairman of Hong Kong Composers' Guild (HKCG), Director of Composers and Authors Society of Hong Kong, member of China Musicians Association, Advisor of China popular music association Harmonica professional committee, the Artistic Director of the World Dulcimer Orchestra, Advisor of Hong Kong Film Composer's Association, the Honorary Resident Composr of the Hong Kong Harmonica Association. In 2023 he received the Commendation from the Secretary for Culture, Sports and Tourism's Commendation Scheme for his remarkable accomplishments and contributions in promoting and developing arts, culture and creative industries of Hong Kong. In 2020 he was awarded "The 14th Hong Kong Arts Development Award" Artist of the Year (Music) by the Hong Kong Arts Development Council. In 2018, for his achievements in music and contribution to Hong Kong society, he was awarded the Hong Kong Baptist University Distinguished Communication Alumni Award to celebrate the Department's 50th anniversary. Dr. Mui graduated from HKU music department and received PhD and MPhil. He also grauduated from Hong Kong Baptist University majoring in cinematography, and Hong Kong Music Institute majoing in music composition. Dr Mui is a prolific composer, known for his rich portfolio encompassing cross media works, Chinese and Western orchestral pieces, theatrical, drama and dance music, music for film and television, harmonica and church music. He founded the Mui Kwong Chiu Prouction to create total music of art. His works include: (as the Composer/Script Writer/Director of 2022) "Bauhinia Blossoms" multimedia music show, Cross media Chinese Music Theatre "Intoxicating Nature " and "Ode to Water" for the Hong Kong Chinese Orchestra, "Beautiful Hong Kong 2.0", "Thousand Sails for the Beach Concert ", "Thousand Sails for Hakka Conference", "Pondside Romance, "Story of Kam Tin", "Let Dreams Fly I, II", "Peucussive Color, "Starry Galaxy", "The Great Wall Standing in the East", drama music for plays including " Man, O Man !, "Recarnation of the Prunus Mume" for the Hong Kong Repertory Theatre, "Spring Ritual. Eulogy" for the Hong Kong Dance Company, "Tea Horse Road. Ballad of the Fallen Dragon" for Hong Kong Chinese Cultural Festival 2025, "Exile SDP" for the Prospects Theatre music and music for plays: "Roshomon", " Thurder Lighting V Sunrise", "Shake, Shake Shakepere", "Border Town" for Baptist University Alumni Community, "Malan Flower" plus oratorio music for the church based on Biblical figures Joseph in the Old Testiment; Paul and Elijia. His orchestral works include: Double Concerto for Piano and Flute for "The Great Earth"; Symphonic Poem "Genesis" premiered by HKPhil, "the Hero" for Erhu Concerto, and the museum exhibition music celebrating the 80 anniversary of the triumph of the Sino-Japanese War; theme music for Radio Television Hong Kong "Histories of Hong Kong I-IV,". He is well known in the East Asia Pacific harmonica community - he was commissioned to compose two test pieces for Asia Pacific Harmonica Festival (APHF) for the Chromatic Harmonica and Tremolo Harmonica open competition category in 2021 in China (which was postponed to 2024 for the global pandemic), namely "Dream of the East" and "JiangYin Capriccio". He composed the theme song the " River of Love" for APHF in 2012 in the Opening Ceremony in KLMalaysia. Dr Mui represents HKCG to attend music conferences of ISCM (Internal Society of Contemporary Music), ACL (Asia Composers League) and Rostrum, playing an important role in international music networking fostering interests for the Hong Kong composers. 梅广钊博士是香港作曲家联会主席，香港作曲家及作词家协会理事，中国音乐家协会会员，中囯大众音乐協会口琴专业委員顧問、香港电影作曲家協会榮譽顧問，世界扬琴乐团艺术总监 。 梅廣釗畢業於香港大學音樂系，獲頒博士(PhD)和碩士(MPhil)學位，並且是香港浸會大學傳理學電影系和香港音專理論作曲系。2023年因支持文化体育旅游及创意产业，获颁香港文化体育及旅游局局长嘉许状，以资表扬。2020年获香港艺术发展局颁授第14届香港艺术发展奖《艺术家年奖》（音乐）; 因其音乐成就于 2018年获香港浸会大学传理学系于50周年颁发《𠎀出传理學人奖》。 梅廣釗博士創作豐富，包括跨媒體創作、中西管弦樂、舞台話劇音樂、聲樂合唱創作、影視作品，口琴和聖樂創作。由於其音樂和電影专業背景，梅氏糅合音樂和跨界藝術力量，透過梅廣釗製作室呈獻全方位藝術的音樂匯演，代表作包括：《紫荊花開》，《美麗香港2.0》， 海灘實景之《千帆並舉耀香江》、香港抗戰及海防博物館命名之《長城耀東方》、沉浸式音樂匯演《池邊浪漫》，沉浸式實地演出《錦田故事》、《爐峰彩叠詠孫文》、《千帆並舉迎世客》、《夢飛I, II》系列、《星韻天影》、《擊韻彩華》、和香港中樂團合作的《山花醉》、《千水情》等。另外舞台音樂以個人或或製作室的作品包括：《人，啊人！》、香港話劇團《紅梅再世》，香港舞蹈團《蘭亭. 祭姪》、香港文聯《茶馬古道. 斷龍吟》、新域劇團《蘇東坡. 五年黃州》、致群劇社《斜路黃花》、和袁立勳合作之《羅生門》、《雷雨對日出》、《沙士對比亞》、浸大劇社《邊城》和《馬蘭花開》等等，每集平均長度70分鈡以上不等。聖樂包括為播道會35 周年跨界神劇大型作品《群起的飛鹰》系列《約瑟篇》、為澳洲悉尼華聯會全劇創作的神劇《保羅》篇和《伊利亞》篇等。 梅氏其他正統音樂作品包括 《大地》钢琴、长笛、合唱管弦乐三协奏曲; 交响诗《创世纪》；二胡恊奏曲《大漠之歌》、香港电台电视部创作主题曲包括《香港歴史系列 I》，和約数十部電視劇配樂等。博物館系列包括香港歷史博物館之《廻望》和為抗戰80周年影片等配樂。 梅氏的口琴作品於亞太區成績斐然：他是中國大眾音樂協會口琴專業委員會的榮譽顧問，專注口琴大合奏的原創創作，推廣口琴作品的藝術發展。他荣获无锡 2021亚太口琴节委约创作复音口琴和半音阶公开组比赛指定曲《江陰畅想》和《梦東方》、2026亞太口琴節指定曲《亞太芳華》、中國內地华夏口琴音樂節之《華夏夢》和為馬來西亞亞太口琴節2014開幕禮創作之《博愛大同》，他亦是香港口琴協會的榮譽駐團作曲家。 梅廣釗亦多次代表香港作曲家聯會出席國際和亞洲現代音樂會議（ISCM 和ACL）致力推動當代音樂藝術的發展和国際聯繫。 MAJOR WORKS 主要作品 Orchestral (Western) The River of Clouds for Harmonica Orchestra (2006) 7' for harmonica orchestra Glamour of Asia Pacific (2004) 5' for a thousand harmonicas - for the Grand Finale of Fifth Asia Pacific Harmonica Festival Prelude for Harmonica Orchestra (2003) 7' for harmonica orchestra Sea Breeze Sketches (2002) 19' for Handbell and Orchestra I. The Sea and Wind Dialogue II. Leaves in the Wind III. The Dawn Breaks Symphonic Poem-Genesis (2000) 18' A Dream in the City (1999) 10' Symphonic Poem Prelude II (1994) 10' Symphonic Poem Prelude I (1992) 10' Orchestral (Chinese) Bring in the Wine (2005) 8' Rhapsody of Color Cloud Chasing the Moon (2004) 10' Farewell at the Inn (1996) 9' Symphonic Poem Song of the Yellow Soil (1995) 10' Chamber (Western) Twinkling Reflections (2004) 11' for cl, vc & pf Spirit II (2002) 9' for piano and clarinet Hong Kong Landscape Suite (2001) 14' for harmonica quintet, pf & percussions Color Clouds Suite (2000) 15' for harmonica quintet Innervision I (1999) 10' for string quartet Innervision II (1999) 7' for string quartet Music of the Universe (1997) 12' for perc ensemble Night (1995) 9' for fl, vn & pf Journey (1992) 4' for string quartet Chamber (Chinese) Moonlight Reflections over Cloudy Ripples (2003) 13' for guzheng, zhongrhan and xiao Plum Blossom in the Snow (2001) 8' for Chinese plucked-string ensemble Moon Palace Reflected on Sea of Clouds (2000) 9' for Chinese wind ensemble & percussions Drunken Night at the Peak of the Mountain (1999) 8' for Chinese ensemble Chamber (Mixed) Rhapsody of Beautiful Clouds Chasing the Moon (2003) 10' for Harmonica Quintet, shengand Piano Three Petite Pieces (2002) 13' for guitar, sheng, violin and viola I Chasing the Waves II Air Eleganza III The Three Giggs Song of Free Birds (2001) 5' for 2 dizi's, fl & pf Autumn Landscape Suite (2000) 14' for harmonica quintet, sheng, hp, pf & perc The World of Da Tong (2000) 10' for mixed ensemble Instrumental Solo Spirit I (1997) 5' for cl Song of the River (1995) 8' for pf Lake Lo Fuo (1994) 5' for zheng Two Preludes (1992) 5' for pf Violin Solo in G Minor (1992) 8' for vn & pf The Wind of Spring (1992) 5' for zheng Four Seasons (1992) 10' for pf Vocal / Choral Hong Kong, You are Beautiful! (2005) 8' Min Feng San Yue (2005) 13' for mixed chorus 情繫香江 (2002) 10' for mixed chorus Yuen Long Tone Poem (2001) 6' for children chorus Song of the Universe (2000) 5' for soprano The Drunken Old Man (1995) 8' for solo tenor & pf Nian Xie (1994) 5' for solo soprano & pf Train (1994) 10' for chorus Empty Streets (1992) 6' for soprano & pf 浣溪沙 (1992) 8' for solo alto, chorus & pf Picking Lotus (1992) 4' for tenor, soprano duet with pf To Remember (1992) 10' for chorus, pf & perc Electro-Acoustic Music / Computer Music Vibration in Stillness(2004) 70' for electronic music, live percussions and choreography Music for Ballet / Dance Vibration in Stillness(2004) 70' for electronic music, live percussions and choreography Music for Theatre / Drama The Seven Wise Men from the Bamboo Grove (1994) 45' for drama Children theatrical puppet musical The Little Fish (2006) 90' for musical Multimedia / Installation Drunken Night at the Peak of the Mountain (2000) 11' for Chinese ensemble, multi-media & dancer Meditation at the Sea (2001) 15' for tape, fl, vc & dancer Music for Video Production The Story of Tea II (1997) 20' for Chinese ensemble The Art of Wan Lau (1996) 20' for MIDI production The Story of Tea I (1995) 20' for Chinese ensemble Music for TV Original soundtracks for over 40 episodes of RTHK TV series since 1990 Film Music / Jingles Film Music for Cream Soda and Milk(1982) 30' Jingle for Esko Products Spring/ Summer (male version) (1984) 30 Jingle for Esko Products Spring/ Summer (male version) (1984) 15 Jingle for Esko Products Spring/ Summer (female version) (1984) 15 Jingle for Esko Products Autumn/Winter (male version) (1984) 30 Jingle for Esko Products Autumn/Winter (male version) (1984) 15 Jingle for Esko Products Autumn/Winter (female version) (1984) 15 Publications / Paper Presentations The article entitled ‘Analysis of Tan Dun's Ghost Opera' by Mui Kwong Chiu was collected lin A Collection of Articles in Commemoration of the 20 Anniversary of the Hong Kong Ethnomusicology Society, jointlypublished by Center of Asian Studies, HKU and Hong Kong Ethnomusicology Society in September 2005. An essay entitled ‘The mixing instrumentations of harmonica with other musical instruments as seen from the newly created harmonica compositions' was published in the book ‘Seventy Years of Hong Kong Harmonica' published by Joint Publishing Co. Ltd. in August, 2004. A review entitled ‘The Fifth Asia Pacific Harmonica Festival 2004' was published in the September issue, 2004 in the quarterly publication CASHFLOW of Composers and Author's Society of Hong Kong (CASH). A research paper entitled ‘New Possibilities for Chinese Instrumental Music: Compositional Techniques in Two Original Chamber Works' was delivered in the Research Colloquia in Autumn 2003 in the Department of Music at the University of Hong Kong. The paper discusses the incorporation of compositional techniques from both Chinese and Western traditions as integrated in Mui Kwong Chiu's two musical works. Music Theatre and Multi Media: Teaching Resource Kit." (in collaboration with Joshua Chan) In Contemporary Music Education Campaign of the ISCM World Music Days 2002. Hong Kong: Hong Kong Composers' Guild and the Education Department, 2002. ‘Analysis of Tan Dun's Ghost Opera' by Mui Kwong Chiu was first published as papers and proceedings of the Sixth Seminar on the History of New Music in China: Its Form, Craftsmanship and Aesthetics in 2000. It was later published in the same year in Collected Essays on History of New Music in China, Vol. No 6 by HKU Center of Asia Studies. A feature article entitled ‘An Exploration of Coherence in Music from Pop Song to Serious Music' was published in Issue 29 in the summer of 1999 in CASHFLOW the quarterly publication of CASH. In the article, compositional techniques in both pop and contemporary music genre were discussed, with a special focus on some of Joseph Koo's modulation techniques and his twin use of modes, with illustrations from some of his pop songs serving as demonstrations. Part of Mui Kwong Chiu's vocal music (serious category) from 1980 to 1999 have been listed in ‘Hong Kong Vocal Music: A General Index' among the works of other prominent Hong Kong Composers. Chinese Christians Literature Council Ltd published the collection of vocal music with the above index in March 1999, with sponsorship from Hong Kong Arts Development Council. 管弦樂 (西樂) 天上雲河 (2006) 7’ for harmonica orchestra Glamour of Asia Pacific (2004) 5’ for a thousand harmonicas - for the Grand Finale of Fifth Asia Pacific Harmonica Festival 口琴樂隊前奏曲 (2003) 7’ for harmonica orchestra 海韻風情 (2002) 19’ for Handbell and Orchestra I. The Sea and Wind Dialogue II. Leaves in the Wind III. The Dawn Breaks 交響詩《創世紀》 (2000) 18' 城市中的夢想 (1999) 10' 思潮 (1994) 10' 生命序曲 (1992) 10' 管弦樂 (中樂) 將進酒 (2005) 8’ 彩雲追月狂想曲 (2004) 10’ 酒肆留別 (1996) 9' 黃土鄉情 (1995) 10' 室樂 (西樂) 銀海星閃 (2004) 11' for cl, vc & pf Spirit II (2002) 9’ for piano and clarinet 香江素描組曲 (2001) 14' for harmonica quintet, pf & percussions 紅映雪語組曲 (2000) 15' for harmonica quintet 心語一 (1999) 10' for string quartet 心語二 (1999) 7' for string quartet Music of the Universe (1997) 12' for perc ensemble 夜 (1995) 9' for fl, vn & pf 旅程 (1992) 4' for string quartet 室樂 (中樂) 水雲月 (2003) 13' for guzheng, zhongrhan and xiao 傲雪寒梅 (2001) 8' for Chinese plucked-string ensemble 雲海暉月映瓊宮 (2000) 9' for Chinese wind ensemble & percussions 夜醉凌峰 (1999) 8' for Chinese ensemble 室樂 (混合) 彩雲追月狂想曲 (2003) 10' for Harmonica Quintet, sheng and Piano Three Petite Pieces (2002) 13’ for guitar, sheng, violin and viola I Chasing the Waves II Air Eleganza III 三擊 三鳥朝陽 (2001) 5' for 2 dizi's, fl & pf 秋山紅葉組曲 (2000) 14' for harmonica quintet, sheng, hp, pf & perc 世界大同 (2000) 10' for mixed ensemble 獨奏曲 Spirit I (1997) 5' for cl 大江曲 (1995) 8' for pf 盧沽湖 (1994) 5' for zheng Two Preludes (1992) 5' for pf Violin Solo in G Minor (1992) 8' for vn & pf 春風 (1992) 5' for zheng 春夏秋冬 (1992) 10' for pf 聲樂 / 合唱 Hong Kong, You are Beautiful! (2005) 8’ 民風三樂 (2005) 13' for mixed chorus 情繫香江 (2002) 10' for mixed chorus 元朗音畫 (2001) 6' for children chorus Song of the Universe (2000) 5' for soprano 老酒三兩三 (1995) 8' for solo tenor & pf 靈犀 (1994) 5' for solo soprano & pf 一列車 (1994) 10' for chorus 空巷 (1992) 6' for soprano & pf 浣溪沙 (1992) 8' for solo alto, chorus & pf 採蓮歌 (1992) 4' for tenor, soprano duet with pf 念 (1992) 10' for chorus, pf & perc 電子音樂 / 電腦音樂 音悠極擊 (2004) 70' for electronic music, live percussions and choreography 舞蹈音樂 音悠極擊 (2004) 70' for electronic music, live percussions and choreography 劇場音樂 竹林七賢 (1994) 45' 話劇 小魚與海 (2006) 90' 音樂劇 多媒體音樂 / 裝置音樂 夜醉凌峰多媒體舞蹈版 (2000) 11' for Chinese ensemble, multi-media & dancer 海的變奏 (2001) 15' for tape, fl, vc & dancer 視像音樂 茶的藝術 (1997) 20' for Chinese ensemble 文樓的藝術 (1996) 20' for MIDI production 茗趣 (1995) 20' for Chinese ensemble 電視音樂 Original soundtracks for over 40 episodes of RTHK TV series since 1990 電影音樂 電影配樂《忌廉溝鮮奶(1982) 30' Jingle for Esko Products Spring/ Summer (male version) (1984) 30 Jingle for Esko Products Spring/ Summer (male version) (1984) 15 Jingle for Esko Products Spring/ Summer (female version) (1984) 15 Jingle for Esko Products Autumn/Winter (male version) (1984) 30 Jingle for Esko Products Autumn/Winter (male version) (1984) 15 Jingle for Esko Products Autumn/Winter (female version) (1984) 15 出版刊物 / 發表文章 The article entitled ‘Analysis of Tan Dun’s Ghost Opera’ by Mui Kwong Chiu was collected lin A Collection of Articles in Commemoration of the 20 Anniversary of the Hong Kong Ethnomusicology Society, jointlypublished by Center of Asian Studies, HKU and Hong Kong Ethnomusicology Society in September 2005. An essay entitled ‘The mixing instrumentations of harmonica with other musical instruments as seen from the newly created harmonica compositions’ was published in the book ‘Seventy Years of Hong Kong Harmonica’ published by Joint Publishing Co. Ltd. in August, 2004. A review entitled ‘The Fifth Asia Pacific Harmonica Festival 2004’ was published in the September issue, 2004 in the quarterly publication CASHFLOW of Composers and Author’s Society of Hong Kong (CASH). A research paper entitled ‘New Possibilities for Chinese Instrumental Music: Compositional Techniques in Two Original Chamber Works’ was delivered in the Research Colloquia in Autumn 2003 in the Department of Music at the University of Hong Kong. The paper discusses the incorporation of compositional techniques from both Chinese and Western traditions as integrated in Mui Kwong Chiu’s two musical works. Music Theatre and Multi Media: Teaching Resource Kit." (in collaboration with Joshua Chan) In Contemporary Music Education Campaign of the ISCM World Music Days 2002. Hong Kong: Hong Kong Composers' Guild and the Education Department, 2002. ‘Analysis of Tan Dun’s Ghost Opera’ by Mui Kwong Chiu was first published as papers and proceedings of the Sixth Seminar on the History of New Music in China: Its Form, Craftsmanship and Aesthetics in 2000. It was later published in the same year in Collected Essays on History of New Music in China, Vol. No 6 by HKU Center of Asia Studies. A feature article entitled ‘An Exploration of Coherence in Music from Pop Song to Serious Music’ was published in Issue 29 in the summer of 1999 in CASHFLOW the quarterly publication of CASH. In the article, compositional techniques in both pop and contemporary music genre were discussed, with a special focus on some of Joseph Koo’s modulation techniques and his twin use of modes, with illustrations from some of his pop songs serving as demonstrations. Part of Mui Kwong Chiu’s vocal music (serious category) from 1980 to 1999 have been listed in ‘Hong Kong Vocal Music: A General Index’ among the works of other prominent Hong Kong Composers. Chinese Christians Literature Council Ltd published the collection of vocal music with the above index in March 1999, with sponsorship from Hong Kong Arts Development Council. Back

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