LEE Yi Wei Angus 李一葦 Biography: Angus Lee (b.1992) is one of the most versatile performer-composers of his generation, having been featured in his capacities as flautist, composer and conductor at major international music festivals across Asia, Europe and North America. As a flautist, Lee is recognised as one of Hongkong's foremost performers specialising in new music. He has been a member of the Hong Kong New Music Ensemble since 2016, working with some of today's leading composers including Unsuk Chin, Brett Dean, Du Yun, and Toshio Hosokawa. He has also performed as soloist in Pierre Boulez's Mémoriale (...explosante-fixe...Originel) at the composer's memorial concert in Lucerne, with the LFA Orchestra-Ensemble under Matthias Pintscher. He has also stepped in at short notice to perform with the Berlin Philharmonic's ZeMu! Ensemble, featured at the 2023 edition of New Vision Arts Festival (HK). He has also performed at numerous local festivals, including the CityU Arts Festival, HKUST's Cosmopolis Festival, Tai Kwun's Laundry Steps lunchtime concert series, Tom Lee Music's online recital series during the pandemic, as well as LCSD's Our Music Talents and City Hall Virtuosi series. Most recently, Lee's performance of Camilo Mendez's solo and chamber music for flute was released in 2024 in the composer's monograph album, Distant Fragments , by the Austrian new music label, KAIROS. As a composer, Lee was largely autodidactic, but has received initial instruction in composition from Poly Ng and Maurice Poon; since 2016, he has benefitted from studying with a number of composers at international composition academies, including Franck Bedrossian, Oscar Bianchi, Frédéric Durieux, Philippe Manoury, Christian Mason, Isabel Mundry, Dimitri Papageorgiou, Yann Robin and Johannes Schöllhorn. His numerous chamber and ensemble works have been premiered by the, among others, Ensemble Intercontemporain (FR), Ensemble Modern (DE), Ensemble Multilatérale (FR), HereNowHear (US), Hong Kong New Music Ensemble, Klangforum Wien (AT) and Subaerial Collective (US) at the likes of Gaudeamus Muziekweek (NL), ilSUONO Contemporary Music Week (IT), IRCAM ManiFeste (FR), New Vision Arts Festival (HK), Seoul International Computer Music Festival (KR), SPLICE IV Festival (USA) and Ticino Musica Festival (CH). Lee's composition output has also shifted towards larger creative forces in recent years, with his first opera, Chasing Waterfalls , premiered at Germany's Semperoper Dresden to critical acclaim in 2022, as well as the commissioning and premiere of his orchestral diptych - consisting of the works Des flammes... (2023-24) and ... aux cendres (2024) - by the Hong Kong Philharmonic in 2024. Lee is equally sought after as a conductor specialising in new music. In 2020 he was selected as a conducting fellow at Ensemble Modern's International Composers and Conductors Seminar, where he studied unnder conductor Stefan Asbury. As an advocate for emerging compositional voices, he has led the premiere of works by young composers with the likes of Ensemble Modern, Ensemble Musikfabrik, Hong Kong New Music Ensemble and the Neu Vocalsolisten Stuttgart at, among others, Ticino Musica Festival (2018 & 2022), the ...cresc... biennale for actual music Frankfurt-Rhein-Main (2023) and the ECLAT New Music Festival in Stuttgart (2024). In 2023, he also stepped in at short notice to lead the Asian premiere of Michel van de Aa's music theatre, The Book of Water, at the Hong Kong Arts Festival. In 2024, he made his first appearance with HKU's University Philharmonic Orchestra, performing Leonard Bernstein's Candide Overture and Dmitri Shostakovich's Symphony no.5 in D minor . Lee has served as an assistant lecturer at The University of Hong Kong's Music Department since 2022, where he coordinates all performance courses in addition to teaching elementary music theory, conducting, chamber music, as well as supervising undergraduate-level practice-based research projects. He concurrently teaches woodwind chamber music on a part-time basis at the Hong Kong Academy for Performing Arts, as well as having served as flute faculty at the Lucerne Festival Academy between 2022 and 2023. MAJOR WORKS 主要作品 STAGE 2022 Chasing Waterfalls (70'), artificial opera in 7 scenes ORCHESTRAL 2024 ... aux cendres [study II for orchestra] (10') Des flammes... [study for orchestra] (5') ENSEMBLE MUSIC / CONDUCTED CHAMBER MUSIC 2025 hic / nunc (15'), for ensemble and fixed media 2021 ... ché la diritta via era smarrita (12'), for ensemble with obligato solo marimba Palimpsest II (8'), for string quartet 2020 Lethescape (10'), for bass flute, violin and cello 2019 Apophisian Scriptures [Lapsus memoriae IX] (10'), for contrabassoon, double bass, piano, and fixed media Rage Over Lost Time: Preamble to Ludwig van Beethoven's 'Rage Over Lost Penny' (5'), for 2 pianos Schattenhaft [frontispiece II] (5'), for five instruments cendré [frontispiece I] (9'), for solo alto flute with harp and cello APOCRYPHA (2019) for clarinet, violin, viola, violoncello & piano Cendré [Frontispiece I] (2019) for solo alto flute, with harp & violincello Schattenhaft [Frontispiece II] (2019) for bass flute, bass clarinet, piano, violin & violoncello triumvirate (revised ver.; 2019) for alto saxophone, percussion & piano IMA [Modus Operandi II] (2018) for three percussionists 2018 APOCRYPHA (15'), for five instruments triumvirate (9'), for alto saxophone, percussion and piano 2017 Et lux perpetua (10'), for flute(s), saxophone(s) and percussion sous rature (5'), duo for violin and viola Toshi Densetsu (5'), for three non-specified string instruments Firecircle [to the memory of Pierre Boulez] (2016) for flute(s) and percussion 2016 Aeolion Scriptures (10'), for flute, sheng, double bass and fixed media Firecircle [to the memory of Pierre Boulez] (12'), for flute(s) and percussion Jarosinski-Fragments (10'), for string quartet Modus operandi [I] (8'), for string trio and percussion Modus Operandi [I] (2016) for string trio and percussion MO[TIVA]TION (2013) for oboe, bassoon, violin, viola & bass 2013 On the Nature of Dreams (10'), for 2 soprano saxophones and fixed media Chamber Music ... in search of... (2012) for flute, oboe, clarinet & bassoon Aeolian Scriptures (2016) for flute(s), sheng, bass & fixed media Codex Ex Nihilo (2016) manual of instructions for any [non-]instrument[al combination]s Et lux perpetua (2017) for flute(s), saxophone(s) & percussion Jarosinski-Fragments (2016) for string quartet On the Nature of Dreams (2013) for two soprano saxophones & fixed media sous rature (2017) for violin & viola / violin & violoncello Toshi Densetsu I (2017) for three non-specified string instruments triumvirate (original ver.; 2018) for alto saxophone, percussion & piano SOLO 2024 Anamorphologia (8'), for solo piano 2020 Palimpsest [Lapsus memoriae VIII] (10'), for solo violin(ist), fixed media and video Quaranta (10'), 40 etude-fragments for solo violin 2019 hikari | yami [Lapsus memoriae V] (14'), for solo percussion and fixed media Vestigium I & II (20'), for solo percussion and fixed media 2018 Lapsus memoriae I (10'), for solo flute, live electronics and fixed media MELANCHOLIA (12'), for solo viola and fixed media 2016 aux portes des rêves (18'), for solo piano aux portes des rêves (2016) for solo piano hikari | yami [Lapsus memoriae V] (2019 – 20) for solo percussion & fixed media Lapsus memoriae [I] [Epigrafe in memoria di una città immaginaria] (2018) for solo [kingma system] flute, live electronics & fixed media MELANCHOLIA (2018) for solo viola & fixed media VESTIGIUM I (2019) for solo percussion VESTIGIUM II (2019) for solo percussion ELECTRONIC / ELECTROACOUSTIC MUSIC « Hereafter is your unbecoming » (2017) fox fixed media « midnight | sun » (2017) fox fixed media Entre mondes: 5 études transitoires (2015) for fixed media Étude en mélancolie (2016) fox fixed media Lapsus memoriae II — Prologue: Stargazer (2018) for fixed media Lapsus memoriae III — Interlude: Hikari to Yami no Kansō (2018) for fixed media Lapsus memoriae IV « Geburtstagsrequiem » [Hommage to C.C.] (2019) for fixed media Music for « after the deluge » (2018) fox fixed media Selon « L'Interprétation des rêves » (2012) fox fixed media ARRANGEMENTS Elaborazione [on J.S. Bach’s Bandinerie, Orchestral Suite no.2, BWV 1067] (2012) for flute, oboe and bassoon Oblivion [arrangement on Ástor Piazzolla’s work of same name] (2011 – 12) for 2 flutes and piano Second Movement from Shostakovich’s Cello Sonata in D minor, Op.40 (2010) for clarinet, horn, trombone, percussion, 2 pianos and string quartet RESEARCH / PUBLICATION / GUEST LECTURES 2025 Nostalgia contra prolepsis: preliminary considerations on the temporality of vaporwave [forthcoming conference paper; to be delivered at the Music Biennale Zagreb Conference: Broken Relationships ] 2024 Playing: or, the subversive politics of interpretation in music [essay; published in two parts in Vantage Magazine Vol. 9, no.3, and Vol.10, no.1] 2023 In modo molto giocoso: Play, Creativity and Subversion in Music [conference paper; delivered at the HKU Rayson Huang 2023/24 international symposium, AI, Musi, and Creativity: At a Crossroads ] The Vocation of Music-making in the Time of Digital Automation [colloquium presentation; delivered at HKU Music Colloquia series 2023/24] OTHERS Tractatus Musico-Philosophicus: Wagner, Nietzsche, and Thereafter (2013 – 14) Bachelor’s Degree Thesis Back

LAM Doming* (Honorary President) 林樂培* （名譽主席） MAJOR WORKS 主要作品 Back

PANG Chun Ting 彭振町 MAJOR WORKS 主要作品 Back

GALLERY Coming soon...

CHAN Sze Rok 陳詩諾 Currently a Ph.D. candidate in the Department of Music at the University of Hong Kong, Chan Sze-rok is pursuing a composition research programme under the supervision of Prof. Chan Hing-yan. She obtained her Bachelor’s and MPhil degrees from the same university. She was awarded the best composition at the New Generation in 2005 and won the first prize at the International Music Competition Jeunesses Musicales Bucharest in Romania in the same year. Her commissioned works include an orchestral piece composed for the Hong Kong Sinfonietta, a trio for RTHK Radio 4, a quintet for Musicarama and a string quartet for Szymanowski Quartet. Apart from music, her interest in theatre brought her opportunities to work with All Theatre Art Association (ATAA). In 2010, she composed for and performed live music on stage as a character in ATAA’s multimedia theatre production "E-Garden". Her latest collaboration with the group were "Fool La La" in 2012 and "Spiral of Life" in 2013, and for both of these multimedia productions she composed music as the music director. Through the years, she has been actively scoring music for independent films and documentaries. 現於香港大學攻讀博士學位，師隨陳慶恩教授主修作曲，已分別於2003及2006年修畢文學士及哲學碩士學位。 年幼時已開始學習多項樂器，包括鋼琴、長笛、小號及伸縮號。創作多以西方音樂及世界民族音樂特色糅合見稱。先後獲得由「音樂新一代」頒發的最佳作品及於羅馬尼亞舉辦的 International Music Competition Jeunesses Musicales Bucharest贏得作曲冠軍。獲委約的作品包括為香港小交響樂團、香港電台第四台、音樂新文化及齊瑪諾夫斯基四重奏創作曲目。除了在音樂的發展外，希望藉著音樂創作參與劇場製作；於2010年初次與全劇場合作，為多媒體劇場《極樂花園》作曲，並在參與演出劇中一角時現場演奏，及後又為《Fool La La》及《忘靈之境》擔任音樂總監及作曲。一直致力為獨立電影及紀錄片配樂。 MAJOR WORKS 主要作品 Western Orchestra Prelude to the Forbidden Land (2005) [10'00] Chamber In Search of Lost Time (2016) [2’00”] for string quartet The Bearded Princess (2011) [14’00”] for alto saxophone, flute, bassoon, cello and amplified piano Dream Sketches (2006) [10'00”] for clarinet, cello and amplified piano Elegy to the Victims of Andaman Sea (2005) [10’00”] for soprano, clarinet, cello and guitar Arias and Ostinatos of Celestial Ocean (2005) [13’00”] for flute and amplified piano Multimedia Spiral of Life (2013) [90’00”] Fool La La (2012) [90’00”] E-Garden (2010) [90’00”] Back

YIU Hon Fai Cliff 姚漢輝 早年遠赴奧地利維也納音樂院深造， 主修作曲，理論，副修鋼琴，小提琴與指揮。師承Prof. R. Portisch。 留學期間曾參加波蘭華沙作曲班，主要教授包括K. Penderecki，Robert Aitkin， 及法國電子音樂中心IRCAM之導師等。作曲班之創作也曾在波蘭，蘇聯等地演出。 一九九二年以優異成績畢業於維也納音樂院，留學期間有不少作品曾在維也納各處演出。 九四年進入香港演藝學院攻讀電子音樂專業文憑，隨麥偉鑄研究電子、電腦音樂， 受聘為電子音樂室助理及樂理助教，並於九五年畢業。 創作包括有鋼琴曲、小提琴曲、小提琴協奏曲、獨唱、合唱、室樂、中樂、管弦樂、 電子及電腦音樂等。 MAJOR WORKS 主要作品 Orchestral (Western) Violin Concerto No. 2 "Legend" (1995) 15' Violin Concerto No. 1 "Nostalgia" (1992) 13' Pangu (1991) 15' Orchestral (Chinese) Two Tone Poems (1997) 12' Chamber (Western) Network Communication (2000) 10' for chamber nonet Water (1999) 8' for pf quintet Appassionato (1988) 9' for string trio Merge (1998) 8' for string quartet Hard Dance (1994) 10' for amplified string quartet 97 (1992) 12' for 4 perc Instrumental Solo Hong Kong Blues (2005) for zheng Single boat (2003) for zheng Husband at War (2003) for zheng Waiting for the Husband return from War (2003) for zheng Reunion (2003) for zheng Sail Alone (1996) 8' for zheng Rhapsody for Harpsichord (1992) 8' Prelude and Allegro (1991) 9' for vn & pf Solicitude (1991) 7' for fl Suite for Piano "Hong Kong" (1991) 15' Five Pieces for Guitar (1990) 16' Three Poems of Li-He (1987) 18' for pf Sonata in A Minor (1986) 16' for pf Vocal / Choral Autumns Thought (1992) 7' for 12 singers Three Poems of Wang Wei (1991) 8' for high-voice singer Twelve Canons for Choir (1991) 15' Electro-Acoustic Music / Computer Music Electronic Dream No. 2 (1996) 13' for pf & tape Perpetual Mobile (1995) 6' for tape Invisible Hands (1995) 10' for tape & video Transfiguration (1995) 8' for computer, amplified vn & video Odyssey to the Underworld (1995) 12' for computer & live electronics Tone Painting (1995) 10' for computer, synthesizer, sampler & 3D-mouse Cyberdream (1995) 20' for computer, synthesizer & MIDI wind-controller Electronic Dream No. 1 (1992) 12' for pf & tape 管弦樂 (西樂) 第二小提琴協奏曲《傳奇》(1995) 15' 第一小提琴協奏曲《思鄉》 (1992) 13' 盤古初開(1991) 15' 管弦樂 (中樂) 音詩兩首(1997) 12' 室樂 (西樂) 網路聯通(2000) 10' for chamber nonet 水之形態(1999) 8' for pf quintet 激情(1988) 9' for string trio 融會 (1998) 8' for string quartet 勁舞(1994) 10' for amplified string quartet 九七(1992) 12' for 4 perc 獨奏曲 香江怨(2005) for zheng 一葉舟(2003) for zheng 夫戰沙場(2003) for zheng 盼君歸(2003) for zheng 相知相守(2003) for zheng 孤舟獨行(1996) 8' for zheng 古鍵琴狂想曲(1992) 8' 前奏與快板 (1991) 9' for vn & pf 寂(1991) 7' for fl 香港組曲(1991) 15' 結他獨奏五首(1990) 16' 李賀詩三首(1987) 18' for pf A小調奏鳴曲(1986) 16' for pf 聲樂 / 合唱 秋思(1992) 7' for 12 singers 王維詩三首(1991) 8' for high-voice singer 十二首合唱卡農(1991) 15' 電子音樂 / 電腦音樂 第二電子夢 (1996) 13' for pf & tape 無窮動(1995) 6' for tape 無形之手(1995) 10' for tape & video 變形(1995) 8' for computer, amplified vn & video 冥界之旅(1995) 12' for computer & live electronics 音之繪(1995) 10' for computer, synthesizer, sampler & 3D-mouse 電腦夢(1995) 20' for computer, synthesizer & MIDI wind-controller 第一電子夢(1992) 12' for pf & tape Back

CHENG Zen In Michelle 鄭心言 A Hong Kong-born composer and music educator. Graduated from the Hong Kong Academy for Performing Arts majoring in music composition, Cheng soon pursued her studies in Music Education at Hong Kong Baptist University. She is currently a MA student at the Iceland University of the Arts, a full member of the Hong Kong Composer s’ Guild and a Registered Teacher in Hong Kong. Cheng is enthusiastic about composition for educational purpose. Her work The Time Train (2018) was selected to be published in the Hong Kong Children’s Choir 50th Anniversary Album, performed by the renowned choir, and chosen by the Diocesan Boys’ School Choir as one of their repertoires in 2021. Cheng has a consuming passion for vocal music composition. She entered the finals of the 6th International Choral Composition Competition Japan – in honour of her work Mens Agitat Molem (2020). Her a cappella work Anyone Here? (2020) was selected to be one of the programmes in the Hong Kong Contemporary Music Festival 2020. Apart from vocal music, Cheng’s commissioned work The Outcry (2019) for guitar solo was performed throughout the 2nd Composition Workshop held by the European University of Cyprus, whilst she was one of the selected international composers in the event. 鄭氏為香港土生土長的作曲家及音樂教育工作者，先後畢業於香港演藝學院作曲系及香港浸會大學教育學系。現為冰島藝術大學碩士生、香港作曲家聯會會員及香港註冊教師。 鄭氏熱衷於創作用於音樂教育的作品。她所創作的 時光車 (2018) 被收錄於香港兒童合唱團五十週年歌集內，並由該合唱團首演，及後獲拔萃男書院合唱團選為該團的年度曲目之一。鄭氏近年集中於編寫聲樂作品，其中她的無伴奏合唱作品 Mens Agitat Molem (2020) 為第六屆日本國際合唱作品比賽的決賽曲目，而她的另一首無伴奏合唱作品 人在嗎? (2020) 則被挑選為二〇二〇年香港當代音樂節的曲目。 除聲樂作品外，鄭氏於二〇一九年獲塞浦路斯歐洲大學委約創作結他獨奏作品 The Outcry (2019) ，並以獲選國際作曲家身份應邀出席其主辦之第二屆作曲工作坊。 MAJOR WORKS 主要作品 Orchestral / Symphonic Band 2011 Saxophone Concerto No.1 (for SATB saxophones + orchestra) [8’] 2011 QingFengNian Overture (for mixed Chinese & western symphonic band) [5’] Chamber 2021 The Brimming Vibrance (for percussion trio) [4’] 2020 The Three Movements (for string quartet) [3’] 2013 Dragon Impromptu (for hulusi + piano) [3’] 2013 A Set of Dizi Etudes (for dizi duo) [15’] 2011 Saxophone Concerto No.1 (for AB saxophones + piano) [5’] Instrumental Solo 2021 The Vibrance (for percussion solo) [4’] 2019 The Outcry (for guitar solo) [5’] 2019 The Drunk Beetle (for alto saxophone solo) [3’] Vocal / Choral 2020 Krvava Bajka (for mezzo-soprano and strings) [7’] 2020 Anyone Here? (for SATB + vocal percussion) [5’] 2020 Todo es Música y Razón (for TBB a cappella) [4’] 2020 Pond Pond Pond (for SA + piano) [2’] 2019 Mens agitat molem (for SATB a cappella) [3’] 2018 The Time Train (for SA + piano + metronome) [4’] Multimedia 2015 cINE65 III - Teacher Librarian (Film Scoring) [3’] (https://youtu.be/PLlMcopRVMQ) 2011 Soul Minding (for Cantonese drama + string quartet) [10’] Electronics 2011 Time Tesseract (for harp + live electronics) [5’] Back

CHAN Wing Wah 陳永華 Prof. Chan was the first Resident Composer of the Hong Kong Philharmonic Orchestra. His orchestral works including 8 Symphonies, 7 of them published by Hugo Productions were recorded by the Russian Philharmonic Orchestra and Voronezh State Symphony Orchestra in Russia, the Hong Kong Sinfonietta and the Hong Kong Chinese Orchestra. The music score of Symphony No.7 ‘Great Wall’ was published by Beijing People’s Music Publishing House. His international awards include First Prize in the International Double Reed Society Composition Conest, USA; the Yoshiro Irino Memorial Award from the Asian Composers League and the 20thCentury Masterpiece Award by the China Culture Promotion Society, Beijing. Locally he received the Composer of the Year Award from the Hong Kong Artists' Guild (1991), the Ten Outstanding Young Persons Award (1992), TVB Children Song Gold Award, CASH Golden Sail Music Awards 2004 and 2007. His recent works were performed in the International Society for Contemporary Music-World Music Days Festival in Stuttgart, Germany; Summer Music Festival in Ljubljana, Slovenia; Trieste Prima Festival in Trieste, Italy; Alesander Tansman Music Festival in Lodz, Poland; Festival LIM 2Mil in Madrid and the Festival BBK in the Guggenheim Museum in Bilbao, Spain; Klang-Klee Festival to commemorate Paul Klee in Winterthur and Bern, Switzerland; and music festivals in Argentina, Korea and Japan. His biography is included in the New Grove Dictionary of Music & Musicians Online. Prof. Chan became Music Director of the Hong Kong Oratorio Society(founded 1956) since 1995 and has been leading this choir with regular concerts and occasional concert tours to perform oratorios and other masterpieces. He has conducted orchestras in Shanghai, Beijing, Macao, Shenzhen, Gwangju(Korea) in addition to the HK Philharmonic Orchestra, HK Sinfonietta, HK Chinese Orchestra and HK Strings. Chan is Chairman of the Composers and Authors Society of Hong Kong and a Council Director of the Hong Kong Chinese Orchestra. He also serves as advisor to numerous groups including the China Broadcasting Folk Orchestra (Beijing) and the Hong Kong Dance Company. He had also served as a member of the Arts Development Council for over ten years, Chairman of the Hong Kong Composers' Guild 1993-2004 and the Jockey Club Music and Dance Fund 1996-2006. The Hong Kong Government appointed him Justice of the Peace in 2000. He was invited to become a member of the Chinese Musicians Association in 2009. Prof. Chan graduated from the Chinese University of Hong Kong with a BA in Music. He further studied composition at the University of Toronto and earned his Master and Doctor of Music degrees on a British Commonwealth Scholarship. He had also attended the Darmstadt Summer Course in New Music on a grant from the German Academic Exchange Service. He was Professor of Music of the Chinese University of Hong Kong and had served as Chairman of the Music Dept and Deputy Dean of Arts. He is now Associate Director of the School of Professional And Continuing Education, The University of Hong Kong (HKU SPACE) and Head of its Centre for Creative and Performing Arts. Compositions: 8 symphonies, other orchestral and chamber works, choral music, children songs, etc. His music is published by Hugo Productions and People’s Music Publishing, Beijing. Awards: First Prize in the International Double Reed Society Composition Contest, USA; Yoshiro Irino Memorial Award (Asian Composers League); 20th Century Masterpiece Award (China Culture Promotion Society, Beijing); Composer of the Year Award (Hong Kong Artists' Guild 1991); Ten Outstanding Young Persons Award (1992), CASH 1997 Most-Performed Serious Music Award; TVB Children Song Gold Award, CASH Golden Sail Music Awards 2004 and 2007. His biography is included in the New Grove Dictionary of Music & Musicians Online. Present duties: Associate Director, The University of Hong Kong’s School of Professional And Continuing Education (HKU SPACE), Head of its Centre for Creative and Performing Arts. Chairman, the Composers and Authors Society of Hong Kong; Music Director, Hong Kong Oratorio Society; Council member, Hong Kong Chinese Orchestra; Honorary Advisor: China Broadcasting Folk Orchestra (Beijing), Hong Kong Dance Company, etc. The Hong Kong Government appointed him Justice of the Peace in 2000. He was invited to become a member of the Chinese Musicians Association in 2009. Education: BA in Music, the Chinese University of Hong Kong; Master and Doctor of Music in Composition, University of Toronto. Former positions: Professor of Music at the Chinese University of Hong Kong and its Music Dept. Chairman and Associate Dean of Arts; Chairman of HK Jockey Club Music & Dance Fund; HK Arts Development Council member, etc. 香港管弦樂團首位駐團作曲家. 創作八首交響曲中，七首由香港小交響樂團, 香港中樂團及俄羅斯的兩隊交響樂團灌錄，雨果製作有限公司出版。第七交響曲《長城》總譜則由北京人民音樂出版社出版。 曾獲美國「國際雙簧協會作曲比賽」首獎, 日本「入野義朗紀念獎」, 北京中華民族文化促進會《廿世紀華人音樂經典》獎。香港藝術家聯盟頒「作曲家年獎」，「十大傑出青年」獎, 香港電視廣播有限公司《兒歌金曲獎》, 香港作曲家及作詞家協會「1997本地正統音樂最廣泛演出獎」及2004, 2007「最佳正統音樂作品金帆音樂獎」。他在國際發表近作的地方包括: 德國斯圖加特「ISCM國際現代音樂節」、斯洛文尼亞「盧布爾雅那夏日音樂節」、義大利迪里雅斯特的首屆音樂節、波蘭Lodz「亞歷山大唐斯曼音樂節」、西班牙馬德里的LIM 2Mil及畢爾巴古根海姆博物館的BBK藝術節、瑞士溫特圖爾及伯恩的「Klang-Klee音樂節」、亞根廷、日本及韓國的音樂節等。 他被列入「葛洛夫音樂百科全書」線上版。 1995年出任香港聖樂團音樂總監.◦曾指揮的樂團包括上海、北京、澳門、深圳、韓國光州以及香港管弦樂團、香港小交響樂團、香港中樂團及香港弦樂團等◦ 現任香港作曲家及作詞家協會主席 ，香港中樂團理事，及多個團體的顧問包括中國廣播民族樂團、香港舞蹈團等。曾任香港作曲家聯會主席, 藝術發展局委員及賽馬會音樂及舞蹈基金會主席逾十年。2000年獲港府委任為太平紳士。2009 年獲邀成爲中國音樂家協會會員。 陳氏為香港中文大學文學士, 同時獲倫敦聖三一音樂學院作曲院士銜.。後獲英聯邦獎學金赴加拿大多倫多大學深造，獲音樂碩士及博士銜。亦獲德國學術交流部獎學金參加達木斯達現代音樂夏令班. 1986- 2007年間任教於香港中文大學音樂系，為音樂講座教授，系主任及文學院副院長。 现任香港大學專業進修學院副院長，及其創意及表演藝術中心總監。 作品:八首交響曲，管弦樂、室樂，詩歌、兒歌等，部份由雨果製作有限公司及人民音樂出版社出版。 獎項: 美國「國際雙簧協會作曲比賽首獎」,日本「入野義朗紀念獎」, 北京中華民族文化促進會《廿世紀華人音樂經典》獎。香港藝術家聯盟「1991作曲家年獎」，1992年「十大傑出青年」獎, 香港電視廣播有限公司《兒歌金曲獎》, 香港作曲家及作詞家協會「1997本地正統音樂最廣泛演出獎」及2004, 2007「最佳正統音樂作品金帆音樂獎」。 被列入「葛洛夫音樂百科全書」線上版。 教育:香港中文大學文學士, 加拿大多倫多大學音樂碩士及博士。 現任:香港大學專業進修學院副院長，及其創意及表演藝術中心總監。香港作曲家及作詞家協會主席，香港聖樂團音樂總監, 香港中樂團理事及多個團體的顧問包括中國廣播民族樂團、香港舞蹈團等。2000年獲港府委任為太平紳士。2009 年獲邀成爲中國音樂家協會會員。 曾任: 香港中文大學音樂系講座教授,系主任及文學院副院長。賽馬會音樂及舞蹈基金會主席, 藝術發展局委員等. MAJOR WORKS 主要作品 Orchestral (Western) Drum Dance 鼓舞(2013) for Orchestra(written for the Daegu International New Music Festival, premiered by the Daegu International Opera Orchestra in Daegu, Korea) Reflections of Macao 濠江映照 (2005) 9' commissioned by the Macao Symphony Orchestra Moon Over Mountain Pass 關山月(1998) 12'48" commissioned by Echoes of the Silk Road Committee for HK Phil Orch Overture - The Sea of Stars 星之海 (1998) 6' for organ & orchestra; commissioned by Guangzhou Ministry of Culture for the opening of Xinghai Concert Hall Symphony No.6 (Reunification) (1996) 25' commissioned by HKPO Symphony No.5 (1995) 29' for double orchestra; commissioned by HKPO Elevation (1994) 15' for organ & orchestra; commissioned by HKPO for its 20th anniversary Symphony No.4 (Te Deum) (1992) 35' for soprano, tenor, choir & orchestra; commissioned by the Hong Kong Oratorio Society & the Council for Performing Arts Morning Sun (1990) 15' commissioned by the Chinese Canadian Music Society of Ontario and CASH Transit (1988) 10' commissioned by HKCG for the 1988 ISCM-ACL World Music Days Expose (1987) 13'30" commissioned by the Music Office for its 10th anniversary Symphony No.3 (1985) 35' for double orchestra Celebration (1984) 8' commissioned by HKPO for its 10th anniversary Symphony No.2 (1981) 18' for 2 pipas & orchestra Symphony No.1 (1979) 22' Orchestral (Chinese) Thunderous Drums Shaking the Earth 雷鼓動山川(2007), 12’ commissioned by the Hong Kong Chinese Orchestra Eight Steeds八駿 (2007) 5’30” commissioned by the Hong Kong Chinese Orchestra Symphony No. 7 – The Great Wall第七交響曲“長城” (2005) 25' commissioned by the Hong Kong Chinese Orchestra Symphony No.8 -- This Boundless Land 第八交響曲“蒼茫大地” (2006) 30' commissioned by the HK Chinese Orchestra Moon Over Bounteous Land 朗月耀九州(2002) 6'53" commissioned by the Hong Kong Chinese Orchestra Rejoice in Peace (1993) 16' Flying Clouds (1990) 15' Festival Overture (1989) 11' Chamber (Western) Sages Plateau 仙人台上 (2012) for clarinet, violin, viola & cello(for the victims of the 311 earthquake in Tohoku area, Japan) (premiered by Ensemble Eclat in Contemporary Music Festival, Hiroshima, Japan) Light of Faith光照寰宇(2012) for fl., ob., cl., bn., pf., 2 vn., va, vc & db 10’ commissioned by Chung Chi College, CUHK for the College’s 60th anniversary Wind Over the Grassland (2011) for viola, double bass, guitar & tom-tom. commissioned by the 14th Young-nam International Contemporary Music Festival in Daegu, Korea, premiered by the Ensemble Nomad from Tokyo. SAGES PLATEAU for clarinet, violin, viola & cello(2012) commissioned by the Contemporary Music Festival of East Asia, Hiroshima, Japan. M+ (2009) 8’ for tenor trb, db & pf commissioned by the Melbourne New Music Festival, premiered in Melbourne and Hobart, Tasmania. Oriental Garden 東方花園(2008) 9' for eng. hn, va & guitar; written for the Sortisatio Ensemble, Leipzig for the 2008 Klang Klee Festival in Bern and Winterthur, Switzerland The Flying Apsaras 敦煌飛天 (2006) 8’ for string quartet; written for the Ensemble Antipodes in 2006 ISCM World New Music Festival, Stuttgart Into Immensity 在深處 for fl, cl, trb, va, vc, perc & pf (2006) 10’ written for the Ljubljana Festival 2006, Slovenia Love is Beyond Words II 無言的爱 II(2003) 6'30" for violin & pf Eternal Love 永恒的爱(2003) 4'20" for string quartet The Path of Love爱的足跡 (2003) 4'38" for string quartet Spark 火花(2002) 8' for pipa, 2 vn, va & vc The Lord is My Shepherd (2002) 4'24" for string quartet & pf Distant Hill 逺山 (2000) 10' for string quartet; commissioned by LCSD for HK Phil. Orch. Summer Day 夏日(2000) 6' for ob, va & vc Dragon Spirit (2000) 6' for 2 vn Et in Terra Pax 地上的平安(1999) 12' for oboe, viola, cello & pipa Impact (1995) 7' for 4 perc; commissioned by HKAF Merge (1990) 6' for string quartet; commissioned by HKAF & CASH Three Piano Pieces for Children (1989) 5' Continuity (1989) 12' for vn, vc & pf; commissioned by the Canzona Trio Divertimento (1987) 8' for bn & pf; commissioned by the Department of Music, HKU Impressions (1987) 9' for 2 pf Focus (1986) 11' for fl, bn & pf; commissioned by the Hong Kong Arts Centre and the Cable & Wireless Ltd. Blossoms (1983) 12' for fl, cl, vn/va, vc, pf-hpch & perc; commissioned by HKAF Concertino (1983) 17' for pf, female voices & chamber ensemble Qing Shang Bian (1982) 10' two variations for pf on the Qing Shang mode Trio (1982) 15' for vn, zheng or hpch & vc Circle (1981) 10' for fl, vn, tb, pipa & perc Autumn (1980) 7' for fl, ob, gtr & va Quintet (1980) 10' for fl, ob,vn, va & vc; commissioned by the HKAC Scherzo (1978) 7' for va & pf Chamber (Chinese) 關山渡若飛 for pipa & piano (2012) commissioned by the Taipei Municipal Chinese Orchestra for its Pipa Competition By the Pool of the Nan-lian Garden 南蓮池畔 (2009) 9’ for dizi, sheng, ruan, yang-qin, zheng, pipa, erhu & zhong hu; written for the Chinese Music Virtuosi Beyond the Sky 天蒼蒼(2003) 12'30" for sheng, erhu, pipa, zheng, cl & fl; written for the Chinese Music Virtuosi Over Ten Thousand Mountains 逾萬山(2002) 8'35" for bang-di, sheng, erhu & zheng; written for the Chinese Music Virtuosi God of Protection 守護神(2002) 8'30" for a large ensemble of 40-50 players of Chinese plucked-string instruments Shi Huai 釋懷(1999) 10' for dizi, sheng & yangqin Instrumental Solo Moon Dance月舞 (2004) 6'30" Love is Beyond Words I無言的爱I (2003) 6'43" for pf Fire of Love 爱火(2003) 4'30" for vc Timer for pf; commissioned by RTHK (1987) 10' Mo Shan Qi (1980) 6' for pipa Vocal / Choral Sanctus(2012) for SATB, oboe and cello Sanctus(2012) for SATB & organ Let Us Rejoice (from Song of Songs) (2013) for soprano, tenor solo, SATB & piano (in memory of Ms. Lee Bing) SANCTUS for oboe d’amore, viola da gamba & SATB choir (also arranged for SATB Choir & organ) (2012) commissioned by the HK New Music Ensemble, premiered by HK Bach Choir 19 children songs (2011) published in 陳永華 鄭國江幼童作品專題, 香港兒童合唱團出版, 2012 Our song of Peace for choir & piano陳鈞潤 詞,(2010) commissioned by UNESCO Peace International Foundation, premiered in the HK Peace Festival. 國殤 --為四川大地震受難同胞而作, 霍韜晦 詞 (2009) 虹, 陳鈞潤 詞,(2009) A theme song of the musical of the same name, commissioned by 港福堂 for its anniversary. 為光作見證 for choir, trumpet, cello, timpani and organ陳鈞潤 詞 (2008) 15’ commissioned by 中華基督教會閩南堂 for its 70th anniversary One World, One Voice, 陳鈞潤 詞(2008) for youth choir & orchestra 6’ commissioned by the World Youth Choir Festival, premiered in HK Asia World Expo, broadcast by Phoenix TV and ATV) 絃韻歌聲遍大地 Music for world Harmony(2008) 吴瑞卿 詞for narrator, choir, Chinese and western orchestra 15’ commissioned by the HK Schools Music & Speech Festival for its 60th anniversary Gala Concert. 孔聖頌， 徐尉玲 詞 （2007） commissioned by 孔教學會 誠信直航，鄭國江詞 (2007) commissioned by 傑出青年拹會 for an ICAC function for youths. 黄大仙组曲 吴瑞卿 詞（2007）commissioned by 黄大仙區議會 Reminiscence 追憶， 吴瑞卿 詞(2006) 4’ for mezzo-soprano & piano 光明的捐獻 (2005) 鄭國江詞1'35" written for the Action for Vision, Eye Foundation for the Eye Care Campaign for School Children Season of Love 陳鈞潤 詞(2003) 6' for SATB & pf The Lord is My Shepherd (2002) 4'24" for SATB & orchestra The Lord is My Shepherd (2002) 4'24" for SATB & pf Tue s Petrus (2002) 5'30" for SATB & pf Reviving Arts and Culture 復興文藝，陳鈞潤 詞 (1998) 9' for SATB & pf Nine Regions Sing As One九州同頌， 陳鈞潤 詞 (1997) 10' for tenor solo, SATB & pf Canterbury Bell (1995) 4' for mezzo-soprano & pf Ten Sisters (1994) 3' arranged for chorus & Chinese instrumental ensemble White Jasmine (1994) 3' arranged for chorus & Chinese instrumental ensemble Ma-Yi-La (1994) 3' arranged for chorus & Chinese instrumental ensemble Love Song/Reminiscence (1993) 4' version 1: for soprano & pf version 2: for mixed voices & pf I Love to Sing My Song (1991) 3' for children's choir Peace to the Planets (1990) 4' for children's or female choir Musica (1989) 4' for children's or female choir Mei Ren (1989) 5' arranged for choir Looking Afar (1987) 4' for SATB choir Big Little World (1986) 4' for children's choir; commissioned by the Hong Kong Children's Choir Moonlight Lullaby (1985) 7' version 1: for choir & pf version 2: for choir & Chinese orchestra Ten Sisters (1985) 4' for choir & pf Nunc Dimittis (1980) 5'30" for mixed chorus a cappella Pater Noster (1979) 6' for soprano & pf Yu Mei Ren (1978) 4' for soprano & pf Drama & Ballet Music Caligula 卡里古拉 (2009) music for drama; commissioned by the HK Repertory Zheng He 鄭和(2005) music for drama; commissioned by the HK Repertory Looking for the Dragon 尋龍記- TV Documentary (2007) The Strangers (Piano Reduction) (1993) 25' Others Numerous congregational hymns and anthems, children song-books and school songs Discography i. Orchestral Celebration, Hong Kong Records CD8.242119 Morning Sun, Hugo HRP 795-2 Morning Sun, CUMUS 001 Symphony No.1, Hugo HRP 795-2 Symphony No.3 for Double Orchestra (3rd mvt.), Hong Kong Records CD8.240442 Symphony No.3 for Double Orchestra, Hugo HRP 795-2 Transit, Hugo HRP 799-2 Transit, D & I Dragon Classic DIGP-CD8.242142 Symphony No.4 (Te Deum), Hugo HRP 7135-2 Symphony No.5 (The Three Kingdoms), HRP 7184-2 Symphony No.6 (Reunification), HRP7184-2 Symphony No.7 (The Great Wall) for Chinese Orchestra, HRP7271-2 Symphony No.8 (This Boundless Land) for Choir, Organ & Chinese Orchestra, HRP7271-2 ii. Chamber The Source of Love, Hugo ST2506-2 Spark, "CASH 25th Anniversary - A Creative Odyssey", CASH-03 Impressions, Hong Kong Records CD8.242142 Timer, CBS/SONY CLD 1001 iii.Vocal / Choral Yumeiren, "Fruits on the Tree", Hugo ML-W3105 Folksong Suite: Moonlight Lullaby, HKCC 3003 Folksong Suite: Moonlight Lullaby, Hong Kong Records CD8.242118 Looking Afar, Marco Polo HKC-8.001 Reminiscence, Hugo HRP301G 301-2 The Canterbury Bell, BMG 74321-32617-2 iv. VCD / DVD Moon Over Bounteous Land, HKCO-VCD-5-2003-7 Moon Over Bounteous Land, HKCO-VCD-4-2003-7 The Source of Love, Wind Flower Production-VCD-2003 The Source of Love, Wind Flower Production-DVD-2003 Yumeiren, "Allegro Singers 40th Anniversary Concert", Allegro Singers-DVD-2004 Publications Symphony No.6 'Reunification'第六交響曲'九州同' (full score with CD) was published by People's Music Publishing House, Beijing 北京人民音樂出版社 2011 陳永華, 鄭國江幼童作品專輯 (＋九首兒歌). 香港兒童合唱團出版. 2012 「音樂對全人發展的重要」載於《青年研究學報》香港青年協會，2005年。頁8-11。 "Composing Music in Hong Kong", Asian Composers in the 20th Century. ed. Japan: Japan Federation of Composers, 2002. pp.189-192. "Dragon Spirit", Passions Within for Violin. Australia: Red House Editions, 2001. pp. 6-8. 〈戀歌〉《荷花飄香樂悠揚》香港中文大學崇基學院，2001年。頁204-207。 〈中秋月〉《音樂之旅》第一冊，Excellence Publication Co. Ltd.，2001年。頁90。 「香港音樂教育發展」載於《中國當代學校音樂教育研究文集》中國瀋陽：遼海出版社，2000年。頁329-359。"The Development of Music Education in Hong Kong." (in Chinese) 「香港的現代音樂」載於朱瑞冰編之《香港音樂發展概論》香港：三聯書店（香港）出版社，1999年。頁177-216。"Contemporary Music in Hong Kong." (In Chinese) 「香港新音樂委約創作年表 1970-1990」載於劉靖之編之《中國新音樂史論集》香港：香港大學亞洲研究中心，1992年。頁342-369。 "Catalogue of Commissioned Music Compositions in Hong Kong from 1970-1990." (In Chinese) In History of New Music in China: A Critical Review 1885-1985. edited by Liu Ching-chih, 342-69. Hong Kong: Centre of Asian Studies, University of Hong Kong, 1992. Music Appreciation: The Classical Era. (in Chinese) Hong Kong: Hong Kong Philharmonic Society Ltd., 1989. 13pp. Hong Kong Composers' Guild 1988: An Introduction to the Members of the Hong Kong Composers' Guild. (Bilingual: English & Chinese) ed. Hong Kong: Hong Kong Composers' Guild, 1988. 152pp. A Guide to Orchestral Music. (Bilingual: English & Chinese) Hong Kong: Hong Kong Philharmonic Society Ltd., 1986. 44pp. Back

LI Kar Yee 李嘉怡 LI Kar-yee is a Hong Kong-born composer. She produced numbers of concerts in the public with her compositions of different genres performed, including orchestra, ensembles, choir music, electronic music and multi-media productions. She collaborated with artists from different medias with her compositions premiered in recent years, including 2022 New Music Festival in Seoul (Korea), Flowing Sound in 2019, HK Musicarama in 2017, 2009 and 2006, HKAPA 30th Anniversary Concert, La Sax the 7th Annual Concert, Spotlight Series 3 – Rendering, Spotlight Series 2 – Sing East Hit West, Hell Hot New Music Festival, The Carmerata Annual, The Bel Canto Singers Annual Concert and HK-Macao Collaboration Concert. Li’s compositions were also awarded as the best composition in the HK New Generation Composition Competition in 2006 and 1st runner-up in 2003, and selected as the HK Young Composer Representative in the Bangkok ACL (Asian Composers’ League) in 2005. After receiving her Master Degree of Music with full-scholarship in The Hong Kong Academy for Performing Arts, Li committed actively in music education and promoting creative art for the young generation. She has been teaching composition and music creating courses at the HK Academy for Performing Arts and Education University of Hong Kong. She is currently a lecturer at the HK Academy for Performing Arts. 李嘉怡生於香港，從事音樂創作及教育工作，致力推廣現代音樂。曾於不同院校教授音樂創作課程，並製作無數本地音樂會，演出及指揮不同類型作品包括管弦樂團、室樂、合唱團、電子音樂及多媒體製作等。近年參與之作品演出及製作包括：《2022韓國首爾新音樂節》、2019多媒體製作《流聲》、《音樂新環境》2017、2009、2006、《演藝30周年音樂會》、《La Sax 7周年音樂會》、《第一屆Hell Hot 音樂節》、Spotlight 系列之多媒體製作《Illusion．Imagine》及《喜怒哀樂》、《The Bel Canto Singers周年音樂會》、《The Carmerata 周年音樂會》、《香港・澳門交流音樂會》、泰國《亞州作曲家聯盟音樂節》等。 李氏畢業於香港演藝學院，獲碩士及學士（榮譽）學位，主修作曲及電子音樂，師隨羅永暉及麥偉鑄。於在學時期多次獲頒獎學金，包括「埃克森美孚獎學金」、「演藝學院友誼社獎學金」、「春天舞台獎學金」、「柏斯音樂基金會獎學金」及「香港演藝學院全額碩士獎學金」。其間亦獲選為2005《亞州作曲家聯盟音樂節・香港年青作曲家代表》、《音樂新一代》作曲比賽2006冠軍及2003亞冠 。現於香港演藝學擔任講師。 MAJOR WORKS 主要作品 Ensemble and Solo works Fruit Taste in a Tree 《樹上水果的滋味》 (2022) for Flute, Clarinet, Cello and Percussion Collaboration and Confrontation《合作與對抗》(2016) for Piano 8 hands One Minute on Stage 《台上一分鐘》(2014) for Guitar Sextet Train to Sax 《色式旅程》(2012) for Saxophone Quartet Summer Resail 《再夏》(2009) for Clarinet, Violin and Percussion As I Like 《隨我鍾意》(2008) for Flute, Oboe, Saxophone and Marimba The Beginning 《起初》(2008) for Piano solo Song of Victory 《凱旋之歌》(2007) for Brass Quintet The Sun 《日》(2007) for Brass Quintet Shadow Chasing 《追影》(2006) for Recorder and Guitar / for Recorder and Tenor Spring 《春》(2006) for Clarinet, Violin, Cello and Piano / Percussion Fellowmen《同僚》(2006) for Flute, Clarinet, Cello and 3 percussionists Xian Dong Qi Sheng《弦動氣生》(2005) for Xiao and Zheng Ling Dong 《靈動》(2005) for String Quartet Summer《夏》(2004) for Clarinet, Violin, Cello, Piano and Percussion The Waldspirale 《木旋》(2004) for Piano solo An Autumn Leaf《一葉知秋》(2003) for Flute and Harp The Way Alone《寂山行》(2003) for Xiao, Clarinet, Cello and percussion Mind Script《心靈手稿》(2003) for Guitar solo Fruit Taste《水果的滋味》(2003) for Percussion Ensemble Ado…Efface…Death《忙…忘…亡》(2002) for String Quartet Youth Emotion 《青心》(2001) For Flute, Clarinet and Bassoon Starry Sound《星聲》(2001) for Flute, Cello and Piano Up-Down, Joy《起落、喜樂》(2001) for Clarinet and Trombone Choir / Vocal Waiting for…x3《等・等・等》(2017) for SSA choir and Piano 《聆．山行》(2009) for SSTBB Whispering Hope 《微聲盼望》(2005) for SATB choir and Percussions All Things Bright and Beautiful《一切美麗光明物》(2002) for SATB choir, Flute and Vibraphone Multimedia Production Flowing Sound 《流聲》(2019) for electro-acoustic music, dance and flow-art Illusion．Imagine (2012) for Flute, Saxophone, Sheng, Percussion, Visual Projection and movement The Four Senses《喜怒哀樂》 (2011) for 4 Voices, percussions and movement Escape 《逃》(2008) for live Saxophone, Violin, electronic music, visual projection, dance and movement Illusion《幻覺》(2006) for visual projection, voice and movement Seeking For Hearts《靈覓凡心》(2005) for electro-acoustic music and movement Schrodingers Kitten (2003) - Music for short film Love in Heart, Autumn (2003) - Music for short film Electronic / Acoustic-electronic Music The Moment 《那時》(2008) for Flute and Electronics Love is… 《愛是…》(2005) for Voice and Electronics Unexpected Time 《捉不到的時間》(2004) for Live Electronics Spiritual Ignition《靈韻》(2004) for Soprano, Cello and Electronics Fishing《釣魚》(2003) for Flute and Electronics Orchestra / Wind Band Sound From The Land 《地鳴》(2009) for Electronic Drum set and Concert Band Thousands of Torii 《千本鳥居》(2008) for Solo Flute, Cello, Zheng and Chinese Orchestra A Time for Everything《萬物有時》(2007) for SATB Choir and Western Orchestra Growing 《成長》(2006) for Western Orchestra Onto The Cross《十架上》(2005) for Solo Soprano and Orchestra Back

MAK Clarence 麥偉鑄 Clarence Mak was born in Hong Kong. After graduated from the Chinese University of Hong Kong and the Pennsylvania State University in USA, he returned to Hong Kong with his master degree, as a free-lance composer giving talks and workshops in arts institutes and organizations. He joined the music Faculty of the Hong Kong Academy for Performing Arts, teaching composition, electronic music and theory, studied music programming at Stanford University's Center for Computer Research in Music and Acoustics, and was invited to be the visiting artist at the University of Missouri at Kansas City Conservatory of Music, and the teaching professor in the International Summer Course in Monthureux Le Sec in France. Mak is a founding member of the Academy Electronic Music Studio. His compositions have been featured in concerts locally and internationally, such as Contemporary Music Festival in London, the International Computer Music Symposium in Taiwan, ISCM New Music Festivals in Romania and Hong Kong, ICMC Computer Music Festival in Beijing and Hong Kong, Electronic Music Festival in USA, Percussion Music Festival in Germany, and ACL Music Festivals. Mak was the secretary, the treasurer, and Vice Chairman of the Hong Kong Composers' Guild from 1987 to 2008 respectively and now is the council director. He has been invited to be the adjudicator for international composers’ competitions, and the chief delegate to present Hong Kong composers' works in the Asian-Pacific Music Festivals, the International Rostrums, and the ISCM Festivals. Clarence Mak is currently Head of Composition and Electronic Music at the Hong Kong Academy of Performing Arts. 麥偉鑄出生於香港。畢業於香港中文大學和美國賓夕法尼亞州立大學，獲碩士學位後回港，以自由職業作曲家身份到多個院校及藝術機構講學和舉辦創意音樂工作坊。其後受聘於香港演藝學院，教授作曲、電子音樂和理論。曾多次到史丹福大學電腦音樂中心(CCRMA)研究音樂程式編寫及聲響學，並獲密蘇里大學堪薩斯城音樂學院邀請為訪問藝術家，及於法國索恩皮尼勒塞克國際夏日音樂營教授作曲。於1990年創辦了香港演藝學院的電子音樂室。 作品常發表於本地和海外的音樂會、音樂節、和研討會。於1987至2008年間分別曾任香港作曲家聯會秘書、司庫和副主席，現為理事，推廣音樂創作。多次獲邀擔任國際作曲家比賽評判、國際電腦音樂會議的選曲委員、及代表香港出席亞太音樂節、國際現代音樂節、國際作曲家會議。 麥氏現任香港演藝學院作曲及電子音樂系主任。 MAJOR WORKS 主要作品 Back

Score Publications - Chinese Ensemble List To Purchase, please contact grace@hkcg.org Go Back Moments Between Ledges and Frets 彈指品相間(2023-2024) for Pipa and Chinese Chamber Ensemble 琵琶與中樂團 Composer 作曲家：LUK Wai-chun Vincent 陸尉俊 Preview

LUI Tsz Yan 呂芷茵 Lui Tsz Yan is currently pursuing a Master of Arts in Music at The Chinese University of Hong Kong, studying the Pipa under the guidance of Zhang Ying, Principal Pipa Player of the Hong Kong Chinese Music Orchestra. Lui is proficient in performing a wide range of Chinese and Western instruments. For Chinese instruments: Pipa, Dizi, Erhu, and Liuqin, all at a professional performance level; for Western instruments: Flute, Cello, Drumsets, among others. She has also attained Grade 2 (Highest Level) in Chinese Music Theory from the Central Conservatory of Music and Grade 8 in Music Theory from the Associated Board of the Royal Schools of Music (ABRSM), with years of ensemble performance experience. Currently, Lui serves as an executive committee member and Cello section player of the Hong Kong New Tune Music Orchestra, as well as a Dizi player in the Chung Chi Chinese Orchestra of CUHK and Pipa player in the Yue Pipa Ensemble. In recent years, Lui has actively explored composition, with published works including Western chamber ensemble “Autumn Sorrow” and Plucked-string chamber ensemble “A Glimpse of Memories”. She has also composed numerous pieces for small ensembles during her MA degree recitals in 2024 and 2025. 呂芷茵現正就讀香港中文大學音樂文學系碩士，並師從香港中樂團琵琶首席張瑩老師進修琵琶。呂氏精通演奏不同中西樂器：中樂方面琵琶、笛子、二胡、柳琴等已達演奏級；西樂亦能演奏長笛、大提琴、爵士鼓等。呂氏同時亦已考獲中央音樂學院中樂樂理二級（最高級）以及英國皇家音樂學院樂理八級，並有多年樂團演奏經驗。呂氏現為香港新聲國樂團執委和低音組成員，香港中文大學崇基中樂團笛子組成員、瑆玥@玥琵琶室內樂團成員之一。 呂氏近年積極發展作曲相關興趣，曾發表的作品有西樂室內樂重奏《Autumn Sorrow》、彈撥室內樂重奏《彈指時光》等；亦在二零二四及二五年的音樂文學系碩士音樂會中為小組編寫不少作品。 二零二四年獲屯門中西器樂比賽重奏公開組冠軍、二零二一年獲國際青少年音樂大賽2021中樂公開組亞軍及第五屆香港青少年國際音樂大賽笛子公開組冠軍。過往曾於二零一四年參加第二屆”敦煌杯”全國琵琶大賽，獲得職業B組獨奏演奏獎及非職業重奏組金獎；二零一五年獲屯門文藝協進會主辦屯門區中西器樂比賽中樂吹管A公開組亞軍，香港國際音樂節民樂小組B第一名及第三屆港珠澳中國民族器樂大賽青年組三等獎；二零一六年獲屯門文藝協進會主辦屯門區中西器樂比賽小合奏公開組冠軍及中樂拉弦公開組優異獎。 MAJOR WORKS 主要作品 Orchestral 管弦樂 賀慶 Festival Celebration for Chinese Orchestra (2024) Chamber / Solo 室內樂 渡荒川 Lethe for Dizi, Erhu and Piano Ensemble (2025) Rift for Woodwind Ensemble (2025) 彈指時光 A Glimpse of Memories for Chinese Plucked String Ensemble (2024) 秋愁Autumn Sorrow for Flute, Clarinet, Bassoon, Viola, Cello, Piano (2024) String Quartet No.1 (2024) Vocal / Choral Works 獨唱與合唱作品 錯過 Pop Song for Female Vocal Solo with Zhonghu and Piano (2025) 琵琶歌 Pipa Song for Treble Choir and Chinese Orchestra (2024) Arrangement 編曲作品 殘酷天使的行動綱領 for Dizi, Erhu, Cello, Guzheng and Piano (2025) 在那遙遠的地方 for Dizi, Erhu, Cello, Guzheng and Piano (2025) Waltz No.2 from Shostakovich for Cello trio (2025) 紅蓮華 for Pipa, Erhu, Cello, Guzheng and Piano (2024) Blessed Assurance for Cello, Piano and Choir with Tenor Descant (2024) Oh Christmas Tree for Chinese Orchestra (2022) Back