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WONG Anson Ying-shun 王應淳 Anson Wong was born in Hong Kong, his music journey starts at the age of four. He graduated from Diocesan Boys’ School and had been a junior student at the Hong Kong Academy for Performing Arts (HKAPA) since nine, majoring in piano, bassoon and composition. He is now a bachelor degree piano student at the HKAPA, studying with Prof. Gabriel Kwok. He has won numerous prizes in the annual Hong Kong School Music Festivals, Silver prize of 17th Chopin International Piano Competition in Tokyo, the Gold Prize Award and two additional special jury prizes in the Ishikawa International Piano Competition held in Kanazawa, Japan. He was invited to perform in the 6th Shenzhen Piano Music Festival in 2018, alongside other awarded students from Beijing, Shanghai, Macau, Taiwan and Shenzhen. He had also participated in masterclasses by Professors Robert Levin, Gottlieb Wallisch, Arnulf von Arnim and Andreas Frölich in the Salzburg Mozarteum International Summer Academy. Apart from being an able pianist, he is also an accomplished composer. He has studied composition at the Hong Kong Academy for Performing Arts since 2013 with Ms. Poly Ng. In 2017, he won the first prize of the 69th Hong Kong School Music Festival Open class Composition Category with the piece ‘The 5 Elements’. In 2018, he was awarded the Gold standard composition winner in the notation category of the TI:ME Electronic Music Composition Contest in the United States with his composition ‘D’Urban’. He had also presented his original compositions ‘Galaxy’ and ‘Pearl of Orient’ at the 2012 and 2013 Yamaha Asia Pacific Junior Original Concert respectively held in Malaysia and Hong Kong, each with favourable reviews. His abilities in composition is also showcased in his participation in the 2010, 2014 and 2016 Yamaha Asia Pacific Electone Festival held in Taiwan, Malaysia and Macau respectively, in which he composed and performed his compositions himself. In the 2016 season, he was awarded the Grand Prix of the Senior Section, championing in improvisation, performance and composition. 王應淳出生於香港，畢業於拔萃男書院，四歲開始學習音樂，九歲考入香港演藝學院修讀少年音樂課程，主修鋼琴、巴松管、作曲及電子音樂。他現時在香港演藝學院學士課程主修鋼琴，師隨鍵盤系主任郭嘉特教授。 他曾贏得了多個獎項，包括歷屆香港校際音樂節，第十七屆東京亞洲蕭邦國際鋼琴比賽的銀獎，日本石川縣國際鋼琴比賽高級組金獎以及另有兩個特別評審獎項。2018年，他獲邀於第六屆深圳鋼琴音樂節「京滬深港澳台專業院校獲獎學生音樂會」中演出。他亦曾在薩爾茨堡莫扎特大學國際夏令音樂節接受 Robert Levin，Gottlieb Wallisch，Arnulf von Arnim 以及 Andreas Frölich 教授的指導。 作曲方面，他於2013年開始在演藝學院修讀作曲及電子音樂課程，師隨伍巧兒老師。他曾在香港校際音樂節公開作曲組別以《五行》一曲獲得冠軍。他的作品D’Urban獲得了美國TI:ME電子音樂作曲比賽的金獎。另外，他也曾代表香港出席在馬來西亞和香港舉辦的2012、2013年Yamaha亞太區青少年原創音樂會上發表和演奏了他的作品《銀河》和《東方之珠》，獲受好評。除了鋼琴以外，他也是一個出色的電子琴(Electone)手。他曾代表香港以自己的作品出戰在2010、2014和2016年分別在台灣、馬來西亞以及香港舉辦的Yamaha亞太電子琴大賽，而在2016年的大賽中，更在即興演奏和彈奏兩項目，以作品《Skyline》獲得了高級組的全場總冠軍。 MAJOR WORKS 主要作品 Back

WAT Nga-man 屈雅汶 WAT Nga-man, Wyman is a composer and conductor based in Hong Kong. She received her Master of Music from The Hong Kong Academy for Performing Arts, majoring in composition, under the guidance of Mr. Law Wing-fai and Professor Richard Tsang. During her studies, her compositions had been widely presented and performed locally and internationally in Korea, Beijing, Guangzhou, Taiwan and Macao with high praises. Her works Ancient Path (2006) and Animated Timeframes (2007) were performed and broadcasted by RTHK Radio 4. Stone Tones (2008), The Man of Dust (2010), Ripples On… (2010), Prelude of Celebration (2011) and Somewhere in a City (2011) were commissioned by the Macao Percussion Association, Hong Kong Wind Kamerata, Parsons Wind Orchestra and HKBDA Band Directors Wind Orchestra respectively. At the Spotlight on Young Musicians Series 3 Concert – Cross coordinated by the Hong Kong Arts Development Council and Hong Kong Academy for Performing Arts in 2012, Wyman premiered works including Mosaic, Bonfire Light, Earth Beat, Ripples on a Lotus Pond, and was considered a great success. As a composer and a flutist, Wyman is active in promoting contemporary music and creative music making. Her work Wind Infinity (2013) for solo flute was selected to be performed by herself in the Chinese Composers’ Festival 2013. In recent times, Wyman was commissioned by the Hong Kong Composers’ Guild to compose three new works: Space Tight (2016), Silent Sorrow (2016) and Street in the Dark (2017) which were in SOUND-IMAGination concert series, and were broadcasted by RTHK Radio 4. During her study at the HKAPA, Wyman received prizes and scholarships including HKAUW Thomas H. C. Cheung Postgraduate Scholarship, The Lions & Joseph Koo Music Foundation Composition Scholarship, The Society of APA Scholarship and Parsons – Outstanding Composition Student for Wind Music. Apart from her active composing and performing career, Wyman now devotes more concentration on conducting and music composition education. She is currently serving as the music director and conductor in The Open University of Hong Kong Orchestra. 屈雅汶，現為香港公開大學管弦樂團音樂總監及指揮。畢業於香港演藝學院音樂碩士學位，主修作曲，師隨羅永暉先生及曾葉發教授。委約創作包括為澳門敲擊樂協會創作《砰磅碰礫》、為管樂雅集創作的《風塵僕僕》、為柏斯管樂團創作了兩首管樂作品《銅環聲洞》和《慶典序樂》、及為香港管樂協會專業導師管樂團創作及指揮《小城螻蟻》等。 除了創作，屈氏也致力以作曲兼長笛演奏家身份推廣現代音樂及創意音樂，早年於香港藝術發展局及香港演藝學院合辦的《聚「招」青年音樂家》第三季音樂會《織》中發表及演出多首不同風格而且具特色配器的作品，受到不少樂評人的重視及好評。另於2013華人作曲家音樂節，親自演出其長笛獨奏新作品《萬象盡在一管中》。近年屈氏受香港作曲家聯會《聲影集系列》委約創作了多首新作品，包括《緊密空間》、《沉默的哀號》及《夜幕街巷》，由香港電台弦樂四重奏及本地知名樂手演出，並於香港電台第四台轉播。 屈氏近年積極從事本地音樂教育，現任教於香港演藝學院及在多間中小學校擔任樂團指揮及音樂導師工作。 MAJOR WORKS 主要作品 Orchestral Work Transform the Future (2019) Metamorphic Harbour (2008) Miracle of Time (2007) Wind Orchestra/ Concert Band Somewhere in a City (2011) Prelude of Celebration (2011) Ripples On… (2010) Multi-media Work Tasting of Life (2008) for Clarinet, Trumpet, Percussion and Piano with Contemporary Dance Gendered Spaces – Ruminate on Identity (2009) for Flute, Saxophone, Percussion and Piano with Contemporary Dance String Quartet Space Tight (2016) Clash with Friction (2008) Wind Eleganza (2006) Brass Quintet Animated Timeframes (2006) Solo Instrument Street in the Dark (2017) for Solo Cello Sin I (2016) for Solo Violin Sin (2014) for Solo Violin Wind Infinity (2013) for Solo Flute Conversation with Flute (2010) for Solo Flute Instrumental with Computer Lightning Stroke (2011) for Flute, Saxophone, Horn, Sheng and Max/MSP Sound Flourishing (2010) for Flute and Max/MSP Incantation (2008) for Flute and Max/MSP Liristona Chinensis (2007) for Erhu and Max/MSP Chamber Ensemble Tanabata Fantasia (2017) for Alto Saxophone and Bangu Silent Sorrow (2016) for Xiao and ShengBonfire Night (2012) for Pipa, Violin, Cello and Percussion Earth Beat (2012) for Pipa, Violin, Cello and Chinese Drum Ripples on a Lotus Pond (2012) for Saxophone Quartet Mosaic (2012) for Flute, Saxophone and Sheng Gallop (2011) for Flute and Zhuihu Lang Ge (2005) for Clarinet and Saxophone Fortuitous (2005) for Tenor, Violin, Cello and Piano Ancient Path (2006) for Clarinet, Violin, Cello and Piano Autumn Memories (2006) for Guan, Pipa and Zheng Rain or Shine (2007) for Two Saxophones and Two Percussions Wielding Ink (2007) for Flute, Clarinet, Violin, Cello and Piano Illusory Cloudscape (2007) for Flute, Guan, Saxophone, Violin, Erhu and Cello Stone Tone (2008) for Two Percussions Windrunner (2009) for Flute and Sheng A la carte (2009)– Creative Musicking Project for Winds Swift Touches (2009) for Flute, Oboe, Clarinet, Bassoon, Saxophone and Sheng Life and Death (2010) for Flute, Xiao, Cello and Percussion Conversation with Flute Again… (2010) for Flute, Violin and Cello I. Phoenix II. Fountains III. Lanterns IV. Acrobatics V. Metropolis Horizon Beyond (2004) for Flute, Cello and Piano I. Ocean Dialogue II. Lake Night III. River Passion 管弦樂 海岸流影 (2008) 奇幻瞬間 (2007) 管弦樂團/音樂會樂隊 慶典序樂 (2011) 小城螻蟻 (2011) 銅環聲動 (2010) 多媒體作品 性別 ·空間 ﹣尋我個性 (2009) for Flute, Saxophone, Percussion and Piano with Contemporary Dance 樽樽有味 (2008) for Clarinet, Trumpet, Percussion and Piano with Contemporary Dance 弦樂四重奏 角力四弦 (2008) 風采 (2006) 銅管五重奏 動感時光 (2006) 銅管五重奏 善 (2014) for Solo Violin 萬象盡在一管中 (2013) for Solo Flute 笛話 (2010) for Solo Flute 電子 雷擊 (2011) for Flute, Saxophone, Horn, Sheng and Max/MSP 繁聲絮音 (2010) for Flute and Max/MSP 蒲葵 (2007) for Erhu and Max/MSP 室樂 脈 (2004) for Flute, Cello and Piano - I. 海語 - II. 湖夜 - III. 河騰 浪歌 (2005) for Clarinet and Saxophone 偶然 (2005) for Tenor, Violin, Cello and Piano 古道 (2006) for Clarinet, Violin, Cello and Piano 無奈秋濃 (2006) for Guan, Pipa and Zheng 不論雨晴 (2007) for Two Saxophones and Two Percussions 墨舞 (2007) for Flute, Clarinet, Violin, Cello and Piano 綺幻雲影 (2007) for Flute, Guan, Saxophone, Violin, Erhu and Cello 砰磅碰礫 (2008) for Two Percussions 追風鳥 (2009) for Flute and Sheng 百變氣色 (2009) Creative Musicking Project for Winds 快意靈毫 (2009) for Flute, Oboe, Clarinet, Bassoon, Saxophone and Sheng 死生流轉 (2010) for Flute, Xiao, Cello and Percussion 再次笛話 (2010) for Flute, Violin and Cello 草奔 (2011) for Flute and Zhuihu 夜焰花火 (2012) for Pipa, Violin, Cello and Percussion 地動 (2012) for Pipa, Violin, Cello and Chinese Drum 漣蓮 (2012) for Saxophone Quartet 非凡意象 (2012)for Flute, Saxophone and Sheng - I. 鳳凰姿采 - II. 泉 - III. 花燈會 - IV. 藝者 - V. 大都會 Back

LUO Yanjin Lauren 羅彥瑾 Yanjin Luo is an active harpist, composer and conductor in Hong Kong. After obtaining Master of Arts in Music (Dean’s List) in 2022, she pursued further study in the Master of Music in Composition program under the supervision of Professor Chan Kai Young at the Chinese University of Hong Kong. Yanjin played both western and Chinese instruments since young, including harp, pipa, piano and violin, which giving her unique exposure to both western and Chinese music. Yanjin has studied composition under Professor Chan Kai Young and Professor Victor Chan as well as conducting under Ms. Carmen Koon. The fusion of Western and Chinese elements has always been a passion of Yanjin, and she is eager to explore new ways of blending these styles to create unique and innovative pieces of music. Yanjin has received multiple international composition awards, including the Second Prize in International Youth Music Competitions (USA, 2022), the Third Prize in XI International Music Competition AMIGDALA “Giuseppe Raciti” Memorial (Italy, 2022), the Third Prize in Red Maple Music Composition (Canada, 2022), the Fourth Prize in the 17th International Music Performance Competition “Don Vincenzo Vitti” (Italy, 2021), and the First Prize in the 21st Century Talents Composition Competition (Canada, 2021). Yanjin is currently serving as the Artistic Director Assistant of Hong Kong Bauhinia Chinese Orchestra and the Resident Composer and Conductor of the Youth Chinese and Western Orchestra. 羅彥瑾是一名活躍在香港的豎琴演奏家、作曲家和指揮。羅氏於香港中文大學完成音樂文學碩士學位（院長榮譽）後，繼續師從陳啟揚教授於香港中文大學修讀作曲碩士。羅氏自幼學習小提琴、豎琴和琵琶，獲英國皇家音樂學院豎琴文憑演奏級和中央音樂學院高級鋼琴教師證書，並有多年樂團演奏經驗，曾參與2021年香港中文大學音樂系55週年音樂會演出。碩士期間，羅氏也師從官美如老師學習管弦樂指揮。羅氏現任香港紫荊中樂團藝術總監助理和青年中西樂隊駐團作曲兼指揮。 作曲方面，羅氏常常於中西融合中獲得靈感，曾榮獲2021年加拿大二十一世紀天才國際音樂比賽作曲組第一名、2021年第17屆意大利唐文森特維蒂國際作曲比賽高級室內作曲組第四名、2022年美國國際青年音樂比賽作曲組第二名、2022年第11屆意大利紀念朱塞佩拉奇蒂國際音樂比賽作曲組第三名、2022年加拿大紅楓音樂比賽豎琴作曲組第三名等殊榮。 MAJOR WORKS 主要作品 Major Works 主要作品： Orchestral 管弦樂 絲路繁花 Blossoms Silk Road for Chinese Orchestra (2024) 歲華錦時 Le Moment Luminique for Chinese Orchestra (2023) 高山流水主題變奏曲Lofty Mountains and Flowing Water for orchestra (2023) Music for the Harp and Orchestra in D Major, No.2 (2022) Music for the Harp and Orchestra in D Major, No.1 (2021) Chamber/Solo 室內樂作品 歸一Of All That Ends for flute, violin, viola, cello, accordion, glockenspiel and piano (2024) 在水一方Water Fantasia for cello and piano (2024) From Dawn to Dusk for erhu and harp (2022) The Crossroads for string quartet (2021) Spring of Home for harp solo (2021) 高山流水主題變奏曲Lofty Mountains and Flowing Water for string quartet (2021) Vocal/Choral works 獨唱與合唱作品 霧散後When the Mist Clears for voice, piano, violin and harp (2022) Mein schöner Stern! for voice and piano (2021) Electronic 電子音樂 在路上On the Road for violin and fixed media (2022) Arrangements 編曲作品 彩雲追月 Colorful Clouds Chasing the Moon中西樂團 (2024) Opening of Hedwig’s Theme中西樂團 (2024) A Whole New World中西樂團 (2024) My Neighbor Totoro中西樂團 (2024) Doraemon Theme Song中西樂團 (2024) Canon in D中西樂團 (2023) Always with me中西樂團 (2023) Back

LOH Ming-ching Mark 羅明正 MAJOR WORKS 主要作品 Orchestral (Western) Scenescapes from China (1997) 12' Chamber (Western) String Quartet No.2 (Mah Jong) (1998) 12' Instrumental Solo The Four Pillars (1998) 7' for hp Solitude of a General (1995) 4' for hp Triumvirate (1994) 5' for fl Vocal / Choral In Fallen States (2000) 20' for SATB choir & orchestra The Unsung Voice (1996) 10' for soprano & pf The Red Fountain (1994) 5' for soprano, va & db Electro-Acoustic Music / Computer Music Music for catwalk (1999) 3' for tape, sponsored by the Society for the Promotion of New Music, UK Music for Theatre / Drama Homeless (2000) 10' 6-part documentary on rural homelessness in Bristol for HTV Cloud Nine (1995) 15' music & sound designer for the play Carolyn Churchill The Shooting Star (1995) 10' for tape; selected for the Fuji short film competition 1995 Back

SOUND-IMAGination 2016: Hong Kong Landscape SOUND-IMAGination 2016: HONG KONG LANDSCAPE SOUND IMAGination: Hong Kong Lanscape where sound, images and imagination cross 20 specially-commissioned string quartet works by Hong Kong composers will be premiered in a single concert where sound, images and imagination cross. Date/Time: 14th January 2016 (Thursday) 8pm Venue: Multi-media Theatre, HKICC Lee Shau Kee School of Creativity Composers: Boo Chun-kit, Chan Chin-ting, Chan Ho-yi, Chan Kai-young, Chris Hung, Kwok Tsun-huen, Lam Lai, Lau Hiu-kong, Livia Lin, Lun Wai-kit, Shao Litang, Shuen Lai-yin, So Ho-chi, So Ka-wai, Tam Ka-shu, Joyce Tang, Wyman Wat, Wong Chun-wai, Yau May-kay and Austin Yip. Photographers: Ho Ka-ho, Hui Gi-wai, Lam Wing-sze, Lam Yin-kwan, Leung Hoi-nga, Li Yu-fuk, Ng Kai-yan, Wong Mei-yin Performed by the RTHK Quartet Organised by Hong Kong Composers' Guild Concept and Programme by Lam Fung, Lee Wing-ki and Tang Lok-yin In Collaboration with the Academy of Visual Arts, HKBU Supported by the Hong Kong Arts Development Council About the Concert 有關音樂會 Composers' Biography 作曲家簡介 Composers' Sharing 作曲家分享 Facebook Event Page 音樂會Facebook專頁

TANG Hoi-ching Katie 滕鎧晴 Katie is currently studying at the Hong Kong Academy for Performing Arts major in Composition and Electronic Music. Katie is enthusiastic in exploring the relationship of human and nature, thus the relationship of physics and philosophy in the form of art. She is keen on discussing the purpose of life, imagination of utopianism, reality and physics elements that could not be seen with human eye. Her music focused on the timbre of different instrumental sounds and attempted to explore different combination of sound spectrum played by different instruments. She aims to create a musical space for audience to rethink their innatism and stimulates creative imagination that could be brought to our daily life. Her music has been performed by the Academy’s contemporary ensemble and the Academy choir. She has also been selected to participate the music festival “SoundMine 2022” in Belgium in summer 2022 in tuition by Prof. Wim Henderickx, Professor of composition in Antwerp and Amsterdam. MAJOR WORKS 主要作品 Back

YIM Fuk-wing 嚴福榮 嚴福榮，1959年出生於香港，高中畢業後原有意前往美國留學的嚴福榮，因緣際會地來到臺灣，就讀東吳大學音樂系作曲組，師事戴洪軒老師。畢業後返回香港，1987至1993年間赴英國威爾斯大學深造，跟隨William Mathias與Jeffrey Lewis學習作曲，1988年獲碩士學位，1993年獲音樂哲學博士，同年獲聘於東吳大學音樂系。作品陸續發表於香港，歐美及臺灣各地，包括管絃樂、室內樂、獨奏、音樂劇以及合唱作品。曾擔任國際現代音樂協會（ISCM）中華民國協會理事，以及亞洲作曲家聯盟（ACL）中華民國總會理事。目前為東吳大學音樂系專任副教授。除了作曲之外，嚴福榮亦致力於學術研究與寫作，是國內以作曲家的身份同時從事學術研究與論文寫作的代表之一，著重於東方作曲家之作曲理論研究，並朝向建立東北亞研究中心的理想邁進。 YIM Fuk-Wing, born in 1959 in Hong Kong, originally intended to study abroad in the USA but eventually came to Taiwan by incidents, studying composition from Dai Hong-xuan at Department of Music of Soochow University. He went back to Hong Kong upon graduation and then went for advanced studies at University of Wales in 1987-1993, during which he learned composition from William Mathias and Jeffrey Lewis. Yim got his Master’s degree in 1988 and PhD in Music in 1993, and in the same year he was invited to teach at Department of Music, Soochow University. His musical works, including winds and strings music, chamber music, solo music, musicals, and choral works, have been published in Hong Kong, Europe and America as well as Taiwan. Yim had served on the boards of ISCM Taiwan Chapter and ACL Taiwan Chapter, and currently is full-time professor at Department of Music, Soochow University. Besides musical composition, Yim is also dedicated to academic research and writing, making him one good example of Taiwan composers also actively engaged in academic research. Yim’s research focuses on theories employed by oriental composers, with the vision of establishing a research center in North-east Asia. MAJOR WORKS 主要作品 Orchestral Give me Sal (2002) 14" for Chinese orchestra Symphonic Poem: My Hometown draws Me Near (1993) 21'20" Symphonic Poem: A Glimpse of Moonlight (1991/2) 25' Chamber (Western) Continuum (1995) 10' quintet for fl, pf & perc Images of Deep Encounter (1995) 10' for fl, cl, vn, vc, pf & perc Images (1991) 8'20" for woodwind quartet Trio (1991) 8'30" for fl, ob & vn Monologue (1990) 6'50" for fl Quintet (1987) 4'50" for fl, cl, vn, vc & pf Nocturne (1987) 3' for string quartet, hp & timpani String Quartet (1987) 5'30" Nam-Nam (1986) 6'50" for xiao, cl, vn, vc & pf Tension (1986) 3'50" for 2 fl, 2 vn, vc & pf Pastorale (1984) 10' for ob & chamber orchestra Fugue (1984) 4' for string quartet String Quartet (1983) 8'30" Chamber (Chinese) Circulation (1990) 6'50" for pipa, zheng, erhu, dahu & perc Deep Encounter (1989) 3'50" for xiao, erhu, dahu, pf & perc Overture: Fade Flute Playing in the Spring Wind (1982) 3' for dizi & pf Vocal / Choral Sun Rising (1993) 38' musical for mixed chorus & pf Sheng Sheng Man (1991) 7'40" for mixed chorus & pf Salt (1990) 10' for mixed chorus a cappella Four Choral Pieces (1987) 12' for mixed chorus a cappella Song for Tenor and Seven Players (1984) 7'40" for tenor, fl, 2 vn, vc, pf & 2 perc Publications 「淺談從學習音樂理論到和聲學 – 與我何干。」《聖樂季刊》第十五卷第二期第6-7頁。香港：浸信會出版社，1993年。 《音樂劇：艷陽天》。香港：浸信會出版社，1993年。 《混聲合唱曲：聲聲慢》。香港：P&J出版社，1994年。 《長笛獨奏：獨白》。香港：P&J出版社，1994年。 《木管四重奏：三象》。香港：香港作曲家聯會，1995年。 《長笛、雙簧管及小提琴三重奏》。香港：香港作曲家聯會，1995年。 「探討學習作曲敘遇見的難題。」學生會《音樂物語》第16-18頁。台灣：東吳大學音樂系，2001年。 「音樂創作之探索：從視覺刺激的角度探究音樂的思維與體驗。」載於《東吳大學文學院第十八屆系際學術討會論文集》。台灣：東吳大學音樂系，2002年。 管弦樂 給我一把鹽呀 (2002) 14 for Chinese orchestra 望鄉 (1993) 21'20" 雲中月 (1991/2) 25' 室樂 (西樂) 延續 (1995) 10 quintet for fl, pf & perc 深際之幻象 (1995) 10' for fl, cl, vn, vc, pf & perc 心象 (1991) 8'20" for woodwind quartet 三重奏 (1991) 8'30" for fl, ob & vn 獨白 (1990) 6'50" for fl Quintet (1987) 4'50" for fl, cl, vn, vc & pf 夜曲 (1987) 3' for string quartet, hp & timpani 弦樂四重奏 (1987) 5'30" 喃 (1986) 6'50" for xiao, cl, vn, vc & pf 拉力 (1986) 3'50" for 2 fl, 2 vn, vc & pf 田園曲 (1984) 10' for ob & chamber orchestra 賦格 (1984) 4' for string quartet 弦樂四重奏 (1983) 8'30" 室樂 (中樂) 循環 (1990) 6'50" for pipa, zheng, erhu, dahu & perc 深際 (1989) 3'50" for xiao, erhu, dahu, pf & perc 序曲：玉笛春風組曲 (1982) 3' for dizi & pf 聲樂 / 合唱 艷陽天 (1993) 38' musical for mixed chorus & pf 聲聲慢 (1991) 7'40" for mixed chorus & pf 鹽 (1990) 10' for mixed chorus a cappella 四首混聲合唱 (1987) 12' for mixed chorus a cappella 男高音及七位演奏者的歌曲 (1984) 7'40" for tenor, fl, 2 vn, vc, pf & 2 perc 出版刊物 「淺談從學習音樂理論到和聲學-與我何干。」《聖樂季刊》第十五卷第二期第6-7頁。香港：浸信會出版社，1993年。 《音樂劇：艷陽天》。香港：浸信會神學院，1993年。 《混聲合唱曲：聲聲慢》。香港：P&J出版社，1994年。 《長笛獨奏：獨白》。香港：P&J出版社，1994年。 《木管四重奏：心象》。香港：香港作曲家聯會，1995年。 《長笛、雙簧管及小提琴三重奏》。香港：香港作曲家聯會，1995年。 「探討學習作曲常遇見的難題。」學生會《音樂物語》第16-18頁。台灣：東吳大學音樂系，2001年。 「音樂創作之探索：從視覺刺激的角度探究音樂的思維與體驗。」載於《東吳大學文學院第十八屆系際學術研討會論文集》。台灣：東吳大學音樂系，2002年。 Back

NG King-fung Kelvin 伍擎峯 Kelvin King Fung NG was born in Hong Kong and has studied in Hong Kong, USA and Austria. His works germinate from the core concern of ourselves as spatially and temporally co-existing beings, structuring available materials to examine conditions and issues arising from such facts at the existential level, such as presence, consciousness and intersubjectivity, and their possible meanings. In this sense they possess a high degree of affinity with philosophical outputs from a.o. Nancy’s being-with and Rancière’s distribution of the sensible, while their immanent problems and solutions are able to be illuminated and formulated with the help of knowledge from a.o. anthropology, embodied cognition, semiotics as well as cultural and spiritual practices. Most of his works recruit the entire audio-visual and cognitive faculty and call for heightened attention and empathetic engagement from the audience. 伍擎峯生於香港，並曾就學於香港、美國及奧地利。其音樂作品萌芽自我們作為時空共存體此一核心議題，建構可用素材在根本層面上考察研究由此基礎形成的各種如「在場性」、「意識」及「互為主觀」等狀態條件與問題及其意義。從這個角度看，這些作品與南希的「共在」及洪席耶的「感性分配」等哲學產出關係密切，而其內在的音樂問題與解決方案則能透過人類學、具身認知學、符號學等領域及各文化與精神實踐活動中的知識得以協助𨤳清與規劃。大部分作品均牽涉觀眾整體視聽與認知能力，並要求高度專注力和同理投入度。 MAJOR WORKS 主要作品 Western Orchestra Nidra (2011-2) [12’] for 2, 2, 2, 2 – 2, 2, 1, 1 - 4perc – hp, pf – str Chamber Sammul Seoljanggu 삼물설장구 (2018) [14’] for janggu-dance, crash cymbals and lighting operator Sonajo (2017) [10’] for vn & haegeum Fragments, on the bridge (2013) [5’-∞] for vn, va & vc Tombe de Sommeil (2011) [10’] for fl & pf meso- (2009) [5’10”] for sheng, cl, perc, guzheng & vc The Pale Bone from Dragon Spring 粉骨龍泉 (2008) [12’] for fl, cl, vn, vc, perc & pf Asterisk (2006) [10’] for 2vn, va & vc Conveyor II – hedonism (2006) [11’] for fl & vc Conveyor I – determinism (2006) [9’30”] for va & pf Instrumental Solo Brief Version of Seoljanggu 짧은설장구 (2021) [15’] for janggu-dance Seoljanggu 설장구 (2014-8) [24’] for janggu-dance 24 capricci per violino solo da Nicolò Paganini (2014) [10’] for vn Toccata (2013) [5’] for ten-sax Timing and Remembering – I (2010) [12’30”] for va Scherzo (2005) [9’] for pf Electronic / Electroacoustic Music Qin (2010) [5’30”] for electronics une étude sur la vocalitié (2010) [8’] for vn & Max/MSP Multimedia Seas of Ink (2018) [4’] for vn, va, vc, pn & tape video by Tutaj Tram-ism (2017) [2’30”] for va, vc, pipa, tape video by Anthony Cheng moments musicaux (2013) [1’30”] for cl, va & kb & picture Weekend Ritual (2012) [1’] for cl, vn & vc & picture Back

YUNG Sin-kan Bonnie 翁蒨懃 Full of tension and unpredictability, Yung Sin-K=kan Bonnie’s music often draws inspiration from tiny moments of daily life, and yet there is no lack of philosophical notions in her music. Born and raised in Hong Kong, a multicultural city, her music is well-articulated and daring, often filled with great polarities. Her experience in Estonia and her interest in poetry and literature adds a distinctive taste to her music. Yung has been selected by the Hong Kong Philharmonic Orchestra to participate in the Robert H. N. Ho Family Foundation Composers Scheme. She was also commissioned by Hong Kong Baptist University Choir and has collaborated with Placard Quintet, ESTICA Quintet, and various ensembles in Hong Kong and Europe. Yung obtained her Master’s degree in Music (Classical Composition) cum laude at Estonian Academy of Music and Theatre under the tutelage of Toivo Tulev, and Bachelor of Arts (Hon.) in Music (First Honour) at Hong Kong Baptist University under the tutelage of Eugene Birman. She has also participated in numerous masterclasses and was tutored by renowned composers including Helmut Lachenmann, Toshio Hosokawa, and Ken Ueno. 翁蒨懃於香港出生成長， 香港急速的步伐也成為她的音樂的一部份。她的音樂充滿張力及變化，清𥇦大膽，無懼於展現自我。儘管如此，她的靈感卻來自身邊微小的一事一物，而她於愛沙尼亞的經歷及她對文學的喜愛亦為她的音樂增添上不少色彩。翁氏為2020年香港管弦樂團何鴻毅家族基金作曲家計劃的入選作曲家之一，亦於近年承蒙香港浸會大學合唱團以及香港浸會大學創新服務學習中心委約。翁氏曾與多個歐洲及香港的音樂團體合作，包括Placard Quintet 及ESTICA Quintet等。 MAJOR WORKS 主要作品 i wrote my own funeral song (2021) – fl, cl, vla, pno – 6’ 嚮 (Hoeng) (2021) (commissioned by Hong Kong Baptist University Choir) – SATB & pno – 3’ 一期一會 (ichi-go ichi-e) (2020) – cl, vln, cv, perc. – 4’ Fimbulvetr (2020) – symphony orchestra – 10’45” Daylight\moonlight (2020) – soprano & chamber orchestra – 6’15” Papaver rhoeas (2020) – piano trio – 5’10” Let Your Heart Sing (2019) (commissioned by HKBU Centre for Innovative Service-Learning) – vc – 2’40” Dance with the Colour (2019) (commissioned by HKBU Centre for Innovative Service-Learning) – vln – 2’ You Whisper, I Answer (2019) (commissioned for The Age of Robot exhibition) – fl, cl, vln, vc – 1’40” Zephyrus (2019) – cl. duo & live electronics – 6’ My Shadow Was Talking To the Moon (2019) – pno – 8’ Dik dikkattikka dikkattikkattashaa (2019) – fl, cl, baritone sax, vln – 5’ Catch that Fallen Star (2019) – wind quintet – 2’50” 彳• 亍 • 行 (Chik Chuk Hang) (2018/19) – chamber orchestra – 6’20” Will-o’-the-wisps (2018/19) – cl. duo – 5’40” The Shepherd (2018) – SATB – 7’ Orange First or Orange First? (Work in progress) – vc & pno In That Far Off Land (2018) – Concertino for clarinet and mixed ensemble – 11’ 永遇樂 • 彭城夜宿燕子樓 (Lyrics to the Melody of Forever in Happiness) (2018) – SSAA & pno – 3’ What Is The Colour Of Red? (2018) – vln & pno – 4’15” Make A Choice (2017/18) – saxophone quartet – 8’ How Lonesome the Wind Must Feel Nights (2017) – SATB – 3’45” Traffic (2017) – oboe – 2’ How Slow the Wind (2017) – SATB, fl, crotale, marimba – 3’20” Out of Focus (2017) – cl & live electronics – 4’45” Walk Faster (2017) – cl, vla, vc, pno – 4’40” In the Parallel Universe (2016/17) – mixed ensemble – 4’45” Lost and Found (2016/17) – pno & tape – 4’30” A Long Way to Go (2016) – tape – 3’05” Cats in Wanderland (2016) – fl, cl, vln, vc – 2’ Night Thoughts (2015) – pno & tape – 3’15” Night Walk (2015) – pno – 1’40” Nightmare (2015) – pno – 1’ Back

LEUNG Chung-yin Ray 梁頌然 MAJOR WORKS 主要作品 Back

LAM Doming (Honorary President) 林樂培（名譽主席） DOMING LAM, Winner of two Gold Seal Awards for the Best Serious Music. Born in Macau in 1926. Studied music in Canada and Unite States; is the pioneer to lead Hong Kong into the music circles of the world. During 1964-1994 he worked in Hong Kong and Macau, contributed equally well in composing, conducting, teaching, producing music programmers for radio and television. Maestro Lam’s music has been performed over 40 cities around the world. The 2001 New Grove’s Dictionary of Music and Musicians has a detailed biography on Maestro Lam. The music library in the University of Hong Kong, kept a collection of his music. 林樂培，香港大學前任駐校作曲家及兩屆最佳正統音樂CASH金帆獎得主。1926 年生於澳門。把香港引進國際樂壇的開路先鋒。在加拿大及美國研習音樂。1964-94年間活躍於香港和澳門音樂界，在作曲、教學、指揮、製作電台及電視音樂節目上都有成就。作品在國際40多個城市發表過，對後起之秀能產生啟發作用。2001年之高庫音樂全書New Grove’s Dictionary of Music and Musicians有他的詳為盡介紹。香港大學音樂圖書館收藏他的全部作品。 MAJOR WORKS 主要作品 Orchestral (Western) Twilight (1997) a sketch for pipa & orchestra Heaven's Blessing: A Symphonic Prelude (1988) 13' Contrast (1981) 13' for dizi, pipa, yangqin, erhu & orchestra Insect World II (1981) 18' Tai-Ping Shan Panorama (rev 1979) 8'30" Aerial Ode (1978) 13' Image (rev 1977) 25' Thanksgiving to Joe-Kwan, the Kitchen God (1976) 18' Gu-Chu (rev 1971) 23' for pf & orchestra Essay (1958) for string orchestra Orchestral (Chinese) The Trial of Doue in a Dream (1989) 45' cantata for soprano, baritone & Chinese orchestra in the style of Yuan opera Kung Fu (1987) 18' dialogue for pipa & Chinese orchestra Silent Prayer (1981) Insect World (1979) 18' Autumn Execution (1978) 18' Chamber Changing Wind (1990) 14' for vn, bass cl (doubling alto saxophone), pf & perc Breakthrough II (1976) 15' for fl & vc Three Settings of Wai City's Ballad (1966) 8'30" for fl & pf Three Chinese Dances (1963) 8' for vn & pf Chinese Folk Song Suite (1963) 12' Old Fisherman (1962) 7' for vn Sonata: Oriental Pearl (1961) 18' for vn & pf Divertimento No.1 (1958) 16' for 2 fl & pf Duet (1958) 5' for 2 vn Piano Study No.1 (1954) 6' for tape Piano Solo Gu-Chu (rev 1971) 18' Seven Popular Chinese Folk Songs (1962) for young pianists Uncle's Suite (1960) 5' for young pianists Prelude and Scherzo (1959) 7' Vocal Liturgical Music (1994) includes 24 hymns, mass, magnificat, Te Deum & requiem; for chorus & organ Eucharistic Prayer (1994) 17' a set of Proper (type II) in Cantonese for High Mass; for voice & organ Like is their Delight (1980) 29' for soprano & instrumental ensemble Two Farewell Songs from the Poems of Li-Po (1964) 7' for fl & high voice Three Night Songs of Li-Po (1957) 7' for voice & orchestra Reap and Gather (1953-57) 6' 3 songs for voice & pf Choral The War Bridge (1983) 25' cantata for tenor, baritone, mixed chorus & 2 pf A Silent Prayer (1981) 13' for children's choir & Chinese orchestra Open Your Arms (1979) for children's choir & pf/orchestra Missa Laudis (1962) 15' for SATB & organ Gloria Patri (1961) for SATB & organ Ah! Sun Flower (1958) 5' for SATB a cappella Panis Angelicus (1956) for mixed choir, soloist & organ/orchestra Music for Modern Dance Triptych (1982) 33' Legend (1981) 60' Discography Like is Their Delight, Philips 7337157 Sonata: Oriental Pearl, Philips 6598979 Moonlight Over Spring Water, Capital Artists CD3003S Three Night Songs of Li-Po, Jade-Empire Records Two Farewell Songs from the Poems of Li-Po, Jade-Empire Records Scherzo, China Records BL57 Thanksgiving to Joe-Kwan, the Kitchen God, Hong Kong Records Moonlight Over Spring Water for piano, Largo Records Co. LGC8801 / Man Hoi Records VA-2001 The Collection of Liturgical Music by Doming Lam, Hong Kong Catholic Centre 336-3-5005 Changing Wind, Hugo Breakthrough, Hugo HRP 798-2 Violin Sonata, Hugo HRP 7127-2 Publication (partial) "The War Bridge." In Hong Kong Vocal Music Collection, vol.II, edited by D. Law, 23-74. Hong Kong: Chinese Christian Literature Council, 1999. "Three Night Songs of Li-Po." In Hong Kong Vocal Music Collection, vol.VI, edited by D. Law, 43-50. Hong Kong: Chinese Christian Literature Council, 1999. "Two Farewell Songs." In Hong Kong Vocal Music Collection, vol.VIII, edited by D. Law, 64-68. Hong Kong: Chinese Christian Literature Council, 1999. "Ah! Sunflower." In Hong Kong Vocal Music Collection, vol.VIII, edited by D. Law, 69-73. Hong Kong: Chinese Christian Literature Council, 1999. 管弦樂 曙光 (1997) a sketch for pipa & orchestra 天保讚交響序曲 (1988) 13' 對比 (1981) 13' for dizi, pipa, yangqin, erhu & orchestra 昆蟲世界（二）(1981) 18' 太平山下 (rev 1979) 8'30" 天籟 (1978) 13' 形像 (rev 1977) 25' 謝灶君 (1976) 18' 古曲新譯 (rev 1971) 23' for pf & orchestra 弦樂隨筆 (1958) for string orchestra 管弦樂 (中樂) 夢審竇娥 (1989) 45' cantata for soprano, baritone & Chinese orchestra in the style of Yuan opera 功夫 (1987) 18' dialogue for pipa & Chinese orchestra 問蒼天 (1981) 昆蟲世界 (1979) 18' 秋決 (1978) 18' 室樂 風雲變 (1990) 14' for vn, bass cl (doubling alto saxophone), pf & perc 突破（二）(1976) 15' for fl & vc 渭城曲 (1966) 8'30" for fl & pf 古舞曲三首 (1963) 8' for vn & pf 民歌雅集 (1963) 12' 板橋道情 (1962) 7' for vn 東方之珠 (1961) 18' for vn & pf 遣興樂三首 (1958) 16' for 2 fl & pf 輪迴 (1958) 5' for 2 vn 鋼琴研究之一 (1954) 6' for tape 鋼琴獨奏 古曲新譯 (rev 1971) 18' Seven Popular Chinese Folk Songs (1962) for young pianists 舅舅組曲 (1960) 5' for young pianists 小序及諧謔曲 (1959) 7' 聲樂 禮樂集 (1994) includes 24 hymns, mass, magnificat, Te Deum & requiem; for chorus & organ 感恩經 (1994) 17' a set of Proper (type II) in Cantonese for High Mass; for voice & organ 兩相歡 (1980) 29' for soprano & instrumental ensemble 李白驪歌兩首 (1964) 7' for fl & high voice 李白夜詩三首 (1957) 7' for voice & orchestra 初耕集 (1953-57) 6' 3 songs for voice & pf 合唱 塵埃不見咸陽橋 (1983) 25' cantata for tenor, baritone, mixed chorus & 2 pf A Silent Prayer (1981) 13' for children's choir & Chinese orchestra 伸出仁愛的手 (1979) for children's choir & pf/orchestra Missa Laudis (1962) 15' for SATB & organ Gloria Patri (1961) for SATB & organ Ah! Sun Flower (1958) 5' for SATB a cappella Panis Angelicus (1956) for mixed choir, soloist & organ/orchestra 現代舞音樂 Triptych (1982) 33' 洪荒什記 (1981) 60' 唱片目錄 Like is Their Delight, Philips 7337157 Sonata: Oriental Pearl, Philips 6598979 Moonlight Over Spring Water, Capital Artists CD3003S Three Night Songs of Li-Po, Jade-Empire Records Two Farewell Songs from the Poems of Li-Po, Jade-Empire Records Scherzo, China Records BL57 Thanksgiving to Joe-Kwan, the Kitchen God, Hong Kong Records Moonlight Over Spring Water for piano, Largo Records Co. LGC8801 / Man Hoi Records VA-2001 The Collection of Liturgical Music by Doming Lam, Hong Kong Catholic Centre 336-3-5005 Changing Wind, Hugo Breakthrough, Hugo HRP 798-2 Violin Sonata, Hugo HRP 7127-2 出版刊物(部份) 《塵埃不見咸陽橋》 "The War Bridge." In Hong Kong Vocal Music Collection, vol.II, edited by D. Law, 23-74. Hong Kong: Chinese Christian Literature Council, 1999. 《李白夜詩三首》 "Three Night Songs of Li-Po." In Hong Kong Vocal Music Collection, vol.VI, edited by D. Law, 43-50. Hong Kong: Chinese Christian Literature Council, 1999. "Two Farewell Songs." In Hong Kong Vocal Music Collection, vol.VIII, edited by D. Law, 64-68. Hong Kong: Chinese Christian Literature Council, 1999. "Ah! Sunflower." In Hong Kong Vocal Music Collection, vol.VIII, edited by D. Law, 69-73. Hong Kong: Chinese Christian Literature Council, 1999. Back

CHENG Anthony 鄭汝森 Anthony Cheng - a songwriter, film and contemporary music composer, sound engineer and music producer in Hong Kong. His debut on the music scene was as a pianist and composer. As a frequent-awarded composer in multidisciplinary fields of music composition, Cheng’s music consists of an eclectic inspiration of a variety of musical styles. Cheng completed his master degree in music at King's College, London and Ph.D. at the University of Hong Kong. His former composition teachers include Dr. Joshua Chan at HKU, Dr. Silvina Milstein and Professor Sir Harrison Birtwistle at King's. He was a pupil of Denise Ham in orchestral conducting at the Royal Academy of Music. His compositions have been performed internationally at ISCM (Hong Kong 2002), Asia Ocarina Festival (Japan 2012; Taiwan 2016), Musicacoustica-Beijing (Beijing 2014, 2017), IDRS (Tokyo 2015), and in various countries and cities such as Hong Kong, Macau, United Kingdom, Northern Ireland, Japan, China, and Taiwan. Cheng also appeared as composer and conductor with ensembles and orchestras including London University Symphony Orchestra, Surrey Philharmonic Orchestra (UK), Hong Kong Chinese Orchestra, Hong Kong Medical Association Orchestra, HKU Union Philharmonic Orchestra, Lontano (UK) and King’s Harmonica Quintet (HK). Besides, Cheng has been frequently commissioned to write new works by Hong Kong Arts Development Council, Hong Kong Composers’ Guild, Music Office LCSD, several music affiliations and independent artists/musicians. Cheng is now teaching electronic music and popular music production at Hong Kong Baptist University, the Education University of Hong Kong and Hong Kong Lingnan University. 鄭汝森 - 集流行、電影、當代音樂作曲家及唱片監製於一身。早年於英國倫敦大學King’s College音樂碩士畢業，並於香港大學取得哲學博士學位。於2002年開設音樂製作公司Takumi Works，至今曾為過百多個本地及海外的客戶致力創作多不勝數的音樂，並參與國際大型盛事中的音樂後期製作。 鄭氏曾憑古巨基的歌曲『天才與白痴』獲得香港電台第二十八屆十大中文金曲作曲獎以及2005年度四台聯頒歌曲大獎，成為該年度本港四家電台/電視台合共最高播放率的歌曲。2015年憑多媒體音樂作品『遺·留』勇奪CASH音樂金帆獎最佳正統音樂作品殊榮。近年積極為多齣電影作配樂，當中更為第三十五屆香港電影金像獎最佳電影『十年』擔任錄音工作。現應邀為香港浸會大學音樂系、香港教育大學及香港嶺南大學擔任講師，教授電子音樂及流行音樂製作。 MAJOR WORKS 主要作品 Western Orchestra Le Lac d'Annecy - A Picture by Paul Cezanne (1999) [8'30"] for 2, 2, 2, 2 - 2, 2, 2, 1, harp, timp, perc, str Lament for the Princess Diana (1999) [7'] for 2, 2, 2, 2 - 2, 2, 2, 1, timp, str Chinese Orchestra Songful Clock Tower (2001) [7'] Chamber Red Lanterns (2014) [1'30"] for vla, vc, & pf Blue House (2013) [2'30"] for vla & DB DAN (2012) [1'30"] for cl, vln & vc Sketches for Wind Quintet (2000) [8'] for fl, ob, cl, bsn & hn Trio No.1 (2000) [11'] for cl, vc & pf Love Dialogues (2000) [3'] for vln duo Carnival Overture - for the Aberystwyth International Musicfest '99 (1999) [3'] for sax, tpt, tbn, vc & pf Piano Quintet (1998) [7'30"] for fl, vln, vla, vc & pf String Quartet II - Return to China (1998) [6'] for string quartet String Quartet I - Romance (1998) [6'] for string quartet Music for Woodwind Quintet, Percussion, and Vibraphone (1998) [13'] for fl, ob, cl, hn, bsn, perc & vibes Psycho-mind (1996) [5'30"] for soprano, fl, vln, vc, pf & perc Instrumental Solo Three Studies for Piano (1998-2000) [5'] for pf Children Pieces for Pianos (1997-2000) [11'] for pf or 2 pf Chorale Preludes (1998-1999) [3'] for org Impromptus No.1 (1997) [6'] for pf Clarinet Solitude (1996) [6'] for cl Vocal / Choral Wu Xing (2011) [8'30"] for mixed choir, chamber ensemble & tape From the HADES - Opera in Four Acts (2006) [ca.90'] for soloists & chamber ensemble Enigma (2004) [16'] for soprano, tenor, vc & pf Hail, Holy Queen (2004) [4'20"] for tenor, vln & pf Chanson Triste (2002) [7'30"] for tenor, fl & pf Ave verum corpus, Op.5 (2001) [4'] for SATB choir, str & org Praeludium, Chorale and Fughetto, Op.3, No.1 (1998) [4'] for org & SATB choir Ave Maria, Op.2 (1998) [6'] for soprano solo, SATB choir, hn & org Electronic / Electroacoustic Music Bushido II (2015) [15'] for Shakuhachi, harp, Japanese perc, orchestra & live electronics The Great Wall. End (2016) [6'] for erhu, pipa, guzheng, field recordings & live electronics sound x interstellar (2015) [5'] for tape Bushido (2015) [9'] for Shakuhachi, harp, perc, live electronics & tape iMagEs of Life (2014) [7'] for video & tape War Prayer (2012) [6'45"] for video & tape The AniFortune (2003) [8'] for soprano & tape Four Seasons from An Unknown Country (1999) [10'] for vibes & tape Multimedia Lost and Regain (2015) [15'] for tape Back