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Li Cheuk Shing (Sampson) 李焯誠 Sampson's compositions have been recognized internationally. His recognitions include winning the 2023 JACK Studio (JACK Quartet) , the Barcelona Modern International Composition Course Call , Toolbox Percussion International Composition Competition, Hong Kong New Music Ensemble Sonic-Visual Interplay (CoLab) Call . He was also a finalist in the Hong Kong Composers' Guild New Generation Competition (2022 and 2023) and a recipient of scholarships such as the David M. Schimmel Memorial Composition Scholarship Fund and the Dr. Paul Gregory Bonneau Memorial Composition Scholarship in 2024. His works have been performed by ensembles like the Barcelona Modern Ensemble , New Morse Code , Romer Quartet , Dawning Quartet , Hong Kong New Music Ensemble, Passepartout Duo, Ensemble Dal Niente, [Switch~ Ensemble] and JACK Quartet. They have been featured in renowned festivals, including the Barcelona Modern Festival, the June in Buffalo and the Toolbox International Creative Academy Festival. He is currently pursuing a master's degree in music composition at the University of North Texas , where he studies with Panayiotis Kokoras and Jon Nelson . His artistic development has been further enriched by working with composers such as Chaya Czernowin, George Lewis, Ken Ueno, Karola Obermüller and Ying Wang, among others. MAJOR WORKS 主要作品 Back

CHEUNG Pui-shan 張珮珊 Pui-shan CHEUNG is prize winner of many international and national composition competitions. Described as "beautiful sounds with abrupt intrusions of jagged explosive ideas." (Peninsula Review). Her music has been performed by Gothenburg Opera Symphony Orchestra, Estonia National Symphony Orchestra, Hong Kong Philharmonic Orchestra, Shen Zhen Symphony Orchestra, UMKC Symphony Orchestra, HKAPA Academy Orchestra, as well as Stockholm Saxophone Quartet (Sweden), Darmstadt Trio (Germany), Reconcil Ensemble (Vienna), Saxcess Saxophone Quartet (New Zealand), TIMF (Korea), Pacific Sounding Ensemble (Japan), Eighth Black-bird (U.S.A.), Empyrean Ensemble (San Francisco), Liberace Woodwind Quintet (Kansas City), Wuji Chinese Plucked-string Music Ensemble (H.K.) and etc. Pui-shan has received number of awards and prizes, including the first prize in the II International Lepo Sumera Composition Contest in Tallinn, Estonia, third prize in the International Music Prize Luxembourg in Luxembourg, Libby Larsen Prize in the International Alliance for Women in Music Search for New Music by Women Composers Composition Contest, special prize in the IBLA World Competition in Italy, first prize in the University of Missouri, Kansas City (UMKC), Orchestral Composition Competition, first prize in the UMKC Chamber Music Composition Competition and two regional prizes in the SCI/ASCAP Composition Commission Program. She has held residency at the Atlantic Centre for the Arts and Wuji Chinese-plucked Music Ensemble. Born in Hong Kong, Pui-shan received her degrees from the Hong Kong Academy for Performing Arts (B.M. (hons), University of California, San Diego (M.A.) and University of Missouri, Kansas City (DMA). She has served as Assistant Professor at the Central Conservatory of Music in Beijing, currently lecturer at HKAPA and guest lecturer at HKIEd. Please browse www.cheungpuishan.com for more information. 張珮珊為首位香港作曲家獲北京中央音樂學院聘任為全職音樂教授。 她是多項國際音樂大賽得主，包括第二屆愛沙尼亞Lepo Sumera國際管弦樂大賽第一名、盧森堡國際音樂大賽第三名、意大利IBLA國際音樂大賽特別獎、美國國際女作曲家聯會作曲大賽Libby Larson獎、美國密蘇里大學管弦樂比賽及室樂比賽兩項第一名、美國作曲家聯會唱片計畫獎、美國作曲家填詞家協會連續兩年區域獎等。 張博士音樂被美國半島雜誌評為”美麗而具爆發力的音樂”。她曾與世界著名管弦樂團合作, 包括瑞典哥德堡管弦樂團、愛沙尼亞管弦樂團、香港管弦樂團、美國密蘇里大學管弦樂團、深圳管弦樂團、香港演藝學院管弦樂團。 張博士為香港演藝學院音樂學士、美國加州大學聖地牙哥音樂碩士及美國密蘇里大學博士。 現任教於香港演藝學院。其作品已出版於德國VDM-Verlag及灌錄於盧森堡LGNM、美國Capstone Records及香港APA唱片上。 MAJOR WORKS 主要作品 Back

LEUNG Hong-yu 梁康裕 Leung Hong-yu is a second-year undergraduate student at the Chinese University of Hong Kong (CUHK). His compositions are mainly in the contemporary style. His work Echoes of Spring was selected for the ‘New Generation 2020 Call for Scores’ organized by the Hong Kong Composers’ Guild. Anechoic Scream and Deadline Jitters were selected for the CUHK Ensemble-in-Residence 2020 - 2021 and 2019 - 2020 respectively. Apart from Western music, Leung has forayed into composing Chinese music. In 2020, his Night Thoughts premiered on the 5G live broadcasting concert ‘Music from the Heart’. It was followed by Pureness and Finding the Light , which were selected for the ‘HKCO Net Festival – With New Tunes, We Connect’. Leung is now majoring in violin under the tutelage of Goh Ching. Previously, he was a pupil of Alan Kwong and Janson Lung. 香港中文大學音樂系學士二年級生。他的作品《春迴》被香港作曲家聯會舉辦的「音樂新一代 2020」選中，而藉著《消聲吶喊》和《Deadline Jitters》更讓梁氏有機會與 Cong 四重奏合作。 除西樂之外，他亦勇於創作中樂。2020 年，《夜醒憶飛》於 5G 網上直播音樂會「心樂集」中 亮相，隨後他的《純粹》和《盼》更入選了為疫情所設的「同聲抗疫－香港網上中樂節」之「新韻傳音」。 作曲以外，梁氏主修小提琴，現師從吳晉，曾為鄺焯崙及龍向輝之學生。 MAJOR WORKS 主要作品 Back

NG Chun-hoi Daniel 吳俊凱 Ng Chun Hoi, Daniel serves as a music educator, composer and music critic. Ng studied composition with David Gwilt at the Chinese University of Hong Kong and with Anne Boyd and Doming Lam at the University of Hong Kong. He also undertook research in Chinese music and teacher education and obtained his doctoral degree from the University of New South Wales, Australia. Ng has taught music courses such as theory and composition, music education and Chinese music at various institutions including the Hong Kong Institute of Education, Hong Kong Baptist University, Hong Kong Academy for the Performing Arts and the Hong Kong Music Institute. He is often commissioned for new works by different organizations and a number of his work has been performed and broadcast in Hong Kong and overseas. His publications include vocal and choral compositions published in an anthology: the Hong Kong Vocal Music Collection, a chamber work Lyric Dialogues published in discography by Hugo Productions; a violin duet, Nocturne published by Red House Editions; Moody for clarinet and piano; Morning Rain for piano solo published by the Hong Kong Composers’ Guild; November Winds for string quartet and Prelude II (Wuxing Interaction) for 2 guitars published in discography distributed by Navona Records. 吳俊凱為資深音樂教育工作者、作曲家和樂評人，先後於香港中文大學和香港大學隨紀大衛、梅安妮和林樂培學習作曲，並於澳洲新南威爾斯大學取得哲學博士學位，專注研究中國音樂與師資培訓的課題。吳氏曾於韓國、澳洲、日本、美國和香港等地發表和出版多篇學術論文和教育著作，包括《學習潮州弦詩樂》教學光碟、《歌樂流芳—黃自音樂賞析與教學專集》等。歷任香港教育學院講師、香港浸會大學及香港演藝學院客席講師及香港音樂專科學校教務長，教授作曲、音樂理論和中國音樂等課程。 在音樂創作方面，吳氏經常獲不同團體委約創作，作品亦多次於本港及海外廣播和演出。已出版的作品包括於香港聲樂作品集發表的四首聲樂曲，雨果唱片公司灌錄的室樂作品【抒情對話】，澳洲Red House Editions出版的小提琴二重奏【夜曲】，香港作曲家聯會出版的單簧管與鋼琴二重奏【情緒】，鋼琴獨奏【南山朝雨】，由Navona Records發行的弦樂四重奏【秋意涼】及結他二重奏【前奏曲II-五行】等。 MAJOR WORKS 主要作品 Orchestral Orchestral Dances from the Prodigal Son (2001) 5’ The Moment (1993) 2'30" Rhombus (1983) 12' Chamber (Western) Boundless Realms (2015) 1’30’’ for violin and piano Prelude II (2013) 4’22’’ for 2 guitars Connecxion (2013) 6’ for violin and viola Nocturne (1999) 4' for 2 violins Lyric Dialogues (1995) 11' for clarinet, violin & piano Five Pieces for Wind Quartet (1991) 12' November Winds (1991) 8' for string quartet Yi Bi (1983) 4' Madrigal (1982) 4' for trumpet, horn & piano Moody (1981) 3’ for clarinet & piano Chamber (Chinese) Xi Yue (1997) 10' for erhu, pipa & zheng Instrumental Solo Ru Ge (2014) 5’ for sheng Morning Rain (2000) 3’30’’ for piano A Day in the Mountain (1993) 8'30" for gtr Vocal / Choral The Testimony of Unity Brings Glory to our Lord (2015) 3’40’’ for SATB chorus and keyboard Song of Everlasting Joy (2010) 4’22” for vocal and keyboard The Cross (2010) 4’ for vocal and guitar Changes (2002) 3' for junior treble choir Heritage and Pilgrimage (2001) 2’ for vocal and orchestra Graceful Lord, We Love Thee (1998) 2’ for vocal and piano The Prodigal Son (1993) 20' cantata for soli, chorus & orchestra I.The Wicked Boasts of the Desires of his Heart II. Vulture of the Wilderness III. And I Called on the Name of the Lord IV. The Moment Filled with Compassion V. When Brothers Dwell in Unity VI. Lead Me in the Way Everlasting Immersed in the Easterly Wind (1991) 5' for SATB chorus & pf Autumn Thoughts (1991) 4'30" for tenor solo, cl & gtr Cuo Wu (1989) 3'30" for a capella mixed chorus The Magnifying Glass (1989) 7' for treble choir & pf Duan Zhang (1986) 4' for female chorus & pf Yi Jian Mei (1981) 2'30" for soprano solo & pf Multi-media As a Watch in the Night (1999) 6' for tape & lighting Discography Song of Everlasting Joy(永恆喜樂歌), The Cross(十架真道), in “Love, Worshipping”(愛‧敬拜) CD, Kwun Tong Methodist Church Moody in Resonating Colours Vol. 1 CD, Hong Kong Composers’ Guild Morning Rain in Resonating Colours Vol. 3 CD, Hong Kong Composers’ Guild Song of Everlasting Joy (永恆喜樂歌) in Sacred Music Festival 2012 DVD, Methodist Church Hong Kong Heritage and Pilgrimage (溯源踐信、守約創路), VCD ,Methodist Church Hong Kong Lyric Dialogues, Hugo HRP 7210-2 Publications Ng, C. H. D. (2006).The impact of exposure to Chaozhou Xianshi music on pre-service teachers’ development as music educators. (PhD dissertation, University of New South Wales, Australia, 2006) Ng, C. H. D. (2006).Connecting cultures: Challenges and strategies to introduce indigenous Chinese music to pre-service teachers in Hong Kong. In M. Moore & B.W. Leung (Eds.). School music and teacher Education: A global perspective in the new century (pp.151-163). Hong Kong: The Hong Kong Institute of Education. Ng, C. H. D. (2005). Musicians in Chinese culture: Lessons from xianshi musicians. Asia-Pacific Journal for Arts Education, 3(2), 3-36. Wong, P. W. Y., Ng, C.H.,Lai, M. T., & So, M.C. (2004). Huang Zi Choral Literature Collection 《歌樂流芳—黃自音樂賞析與教學專集》Hong Kong: Longman "Learning Strategies and Retention Process with different Notation Systems: Lessons from Chaozhou Xianshi music." In Searching for a New Paradigm of music Education Research: An international Perspective, edited by E. Choi, 319-329. Soel: Korean Education Society, 1997. 「如詩如畫」"Like Poems and Paintings." In Guidelines for School Creative Music Project, edited by Education Department, 45-47. Hong Kong: Education Department, 1998. 「如花一朵」"As A Flower." In Guidelines for School Creative Music Project, edited by Education Department, 48-50. Hong Kong: Education Department, 1998. "Introducing Chaozhou Xianshi Musical Elements into the Theory and Aural Classes of Initial Teacher Training Courses In Hong Kong." Proceedings of the 2nd Asia -Pacific Symposium on Music Education Research (held in Launceston, Australia), (1999): 221-226. 「無伴奏合唱曲三首﹣選自清唱劇《浪子》」 "Three A Capella Choral Pieces from The Prodigal Son." In Hong Kong Vocal Music Collection, vol.VII, edited by D. Law, 80-89. Hong Kong: Chinese Christian Literature Council, 1999. 「一剪梅」 "Yi Jian Mei." In Hong Kong Vocal Music Collection, vol.VI, edited by D. Law, 120-121. Hong Kong: Chinese Christian Literature Council, 1999. 「斷章」 "Duan Zhang." In Hong Kong Vocal Music Collection, vol.III, edited by D. Law, 96-104. Hong Kong: Chinese Christian Literature Council, 1999. 「沉醉東風」 "Immersed in the Easterly Winds." In Hong Kong Vocal Music Collection, vol.II, edited by D. Law, 94-105. Hong Kong: Chinese Christian Literature Council, 1999. "The Underlying Educational Principles of the Two Earliest Official Primary Music Syllabi." (in collaboration with Yu-Wu Yuet-wah) In School Curriculum Change and Development in Hong Kong, edited by Cheng Yin-Cheong, Chow King-Wai & Tsui Kwok-Tung, 483-503. Hong Kong: Hong Kong Institute of Education, 2000. 「學習潮州弦詩樂」"Learning Chaozhou Xianshi Music". Hong Kong: Hong Kong Institute of Education, 2001. CD-ROM. 「覓」、「路」、「暗問」、「素願」、「一剪梅」。載於《荷花飄香樂悠揚》，張越華主編，頁71-73, 76-78, 214-215。香港：香港中文大學崇基學院，2001。 "Nocturne for two violins." In Passions Within for Violin, 17-19. Footscray, Australia: Red House Editions, 2001 《教樂樂學樂樂》 "Teaching Kit and Resources: Joyful Teaching and Joyful Learning in Music". (in collaboration with Lai May-tan, Wong Wai-ying & Yuen Tze-leung). Hong Kong: Hong Kong Institute of Education, 2001 「郊遊樂」、「愛護地球」、「雨後驕陽」。載於《教樂樂、學樂樂歌集》，黎美丹、吳俊凱、袁子良、黃慧英編，頁40-45。香港：香港教育學院，2001。 "Capturing the Essence of Traditional Musical Heritage with Technology: A CD ROM Project of Introducing Chaozhou Xianshi Music into the Teacher Training Courses in Hong Kong." Proceedings of the 3rd Asia-Pacific Symposium on Music Education Research and International Symposium on Uragoe and Gender (held in Nagoya Japan), Vol 2 (2001): 57-60. Ng, C. H. D. (1993).Original Compositions for Young Musicians. (MPhil dissertation, University of Hong Kong, Hong Kong, 1993) Duan Zhang for SSA Female Chorus and Piano. Hong Kong: Hong Kong Composers' Guild, 1992. 管弦樂 管弦樂舞曲選自清唱劇《浪子》(2001) 5’ 時刻 (1993) 2'30" 菱形 (1983) 12' 室樂 (西樂) 無間東西 (2015) 1’30’’ for violin and piano 前奏曲 II (2013) 4’22’’ for 2 guitars 連繫 (2013) 6’ for violin and viola 夜曲 (1999) 4' for 2 violins 抒情對話 (1995) 12' for clarinet, violin & piano 木管樂四重奏 (1991) 12' 秋意涼 (1991) 8' for string quartet 意筆 (1983) 4' 牧歌 (1982) 4' for trumpet, horn & piano 情緒 (1981) 3' for clarinet & piano 室樂 (中樂) 細樂 (1997) 10' for erhu, pipa & zheng 獨奏曲 如歌 (2014) 5’ for sheng 南山朝雨 (2000) 3’30” for piano 山中一日 (1993) 8'30"for guitar 聲樂 / 合唱 合一見證榮歸神 (2015) 3’40” for SATB chorus and keyboard 永恆喜樂歌 (2010) 4’22’’ for vocal and keyboard 十架真道 (2010) 4’ for vocal and guitar 聲相應 (2002) 3' for junior treble choir 溯源踐信、守約創路 (2001) 2’ for vocal and orchestra 回溯主恩、愛主一生 (1998) 2’ for vocal and piano 浪子 (1993) 20' cantata for soli, chorus & orchestra I. 惡人以心愿自誇 II. 荒場的鴞鳥 III. 身陷絕境，求告主名 IV. 相離還遠，動慈心 V. 和睦何其美 VI. 主佑我靈不盡 秋 沉醉東風 (1991) 5' for SATB chorus & pf 秋思 (1991) 4'30" for tenor solo, cl & gtr 錯誤 (1989) 3'30" for a capella mixed chorus 放大鏡 (1989) 7' for treble choir & pf 斷章 (1986) 4' for female chorus & pf 一剪梅 (1981) 2'30" for soprano solo & pf 多媒體音樂 如夜一更 (1999) 6' for tape & lighting 唱片目錄 Song of Everlasting Joy(永恆喜樂歌), The Cross(十架真道), in “Love, Worshipping”(愛‧敬拜) CD, Kwun Tong Methodist Church Moody in Resonating Colours Vol. 1 CD, Hong Kong Composers’ Guild Morning Rain in Resonating Colours Vol. 3 CD, Hong Kong Composers’ Guild Song of Everlasting Joy (永恆喜樂歌) in Sacred Music Festival 2012 DVD, Methodist Church Hong Kong Heritage and Pilgrimage (溯源踐信、守約創路), VCD ,Methodist Church Hong Kong Lyric Dialogues Hugo HRP 7210-2 出版刊物 Ng, C. H. D. (2006).The impact of exposure to Chaozhou Xianshi music on pre-service teachers’ development as music educators. (PhD dissertation, University of New South Wales, Australia, 2006) Ng, C. H. D. (2006).Connecting cultures: Challenges and strategies to introduce indigenous Chinese music to pre-service teachers in Hong Kong. In M. Moore & B.W. Leung (Eds.). School music and teacher Education: A global perspective in the new century (pp.151-163). Hong Kong: The Hong Kong Institute of Education. Ng, C. H. D. (2005). Musicians in Chinese culture: Lessons from xianshi musicians. Asia-Pacific Journal for Arts Education, 3(2), 3-36. Wong, P. W. Y., Ng, C.H., Lai, M. T., & So, M.C. (2004). Huang Zi Choral Literature Collection 《歌樂流芳—黃自音樂賞析與教學專集》Hong Kong: Longman "Learning Strategies and Retention Process with different Notation Systems: Lessons from Chaozhou Xianshi music." In Searching for a New Paradigm of music Education Research: An international Perspective, edited by E. Choi, 319-329. Soel: Korean Education Society, 1997. 「如詩如畫」"Like Poems and Paintings." In Guidelines for School Creative Music Project, edited by Education Department, 45-47. Hong Kong: Education Department, 1998. 「如花一朵」"As A Flower." In Guidelines for School Creative Music Project, edited by Education Department, 48-50. Hong Kong: Education Department, 1998. "Introducing Chaozhou Xianshi Musical Elements into the Theory and Aural Classes of Initial Teacher Training Courses In Hong Kong." Proceedings of the 2nd Asia -Pacific Symposium on Music Education Research (held in Launceston, Australia), (1999): 221-226. 「無伴奏合唱曲三首﹣選自清唱劇《浪子》」 "Three A Capella Choral Pieces from The Prodigal Son." In Hong Kong Vocal Music Collection, vol.VII, edited by D. Law, 80-89. Hong Kong: Chinese Christian Literature Council, 1999. 「一剪梅」 "Yi Jian Mei." In Hong Kong Vocal Music Collection, vol.VI, edited by D. Law, 120-121. Hong Kong: Chinese Christian Literature Council, 1999. 「斷章」 "Duan Zhang." In Hong Kong Vocal Music Collection, vol.III, edited by D. Law, 96-104. Hong Kong: Chinese Christian Literature Council, 1999. 「沉醉東風」 "Immersed in the Easterly Winds." In Hong Kong Vocal Music Collection, vol.II, edited by D. Law, 94-105. Hong Kong: Chinese Christian Literature Council, 1999. "The Underlying Educational Principles of the Two Earliest Official Primary Music Syllabi." (in collaboration with Yu-Wu Yuet-wah) In School Curriculum Change and Development in Hong Kong, edited by Cheng Yin-Cheong, Chow King-Wai & Tsui Kwok-Tung, 483-503. Hong Kong: Hong Kong Institute of Education, 2000. 「學習潮州弦詩樂」"Learning Chaozhou Xianshi Music". Hong Kong: Hong Kong Institute of Education, 2001. CD-ROM. 「覓」、「路」、「暗問」、「素願」、「一剪梅」。載於《荷花飄香樂悠楊》，張越華主編，頁71-73, 76-78, 214-215。香港：香港中文大學崇基學院，2001。 "Nocturne for two violins." In Passions Within for Violin, 17-19. Footscray, Australia: Red House Editions, 2001 《教樂樂學樂樂》 "Teaching Kit and Resources: Joyful Teaching and Joyful Learning in Music". (in collaboration with Lai May-tan, Wong Wai-ying & Yuen Tze-leung). Hong Kong: Hong Kong Institute of Education, 2001 「郊遊樂」、「愛護地球」、「雨後驕陽」。載於《教樂樂、學樂樂歌集》，黎美丹、吳俊凱、袁子良、黃慧英編，頁40-45。香港：香港教育學院，2001 "Capturing the Essence of Traditional Musical Heritage with Technology: A CD ROM Project of Introducing Chaozhou Xianshi Music into the Teacher Training Courses in Hong Kong." Proceedings of the 3rd Asia-Pacific Symposium on Music Education Research and International Symposium on Uragoe and Gender (held in Nagoya Japan), Vol 2 (2001): 57-60. Ng, C. H. D. (1993).Original Compositions for Young Musicians. (MPhil dissertation, University of Hong Kong, Hong Kong,1993) Duan Zhang for SSA Female Chorus and Piano. Hong Kong: Hong Kong Composers' Guild, 1992. Back

SO Adrian 蘇哲 MAJOR WORKS 主要作品 Back

WONG Chun-wai 黃俊諱 Wong Chun-wai has a versatile composition profile comprising concert music, musicals and film scores. He often infuses different musical languages to evoke various atmospheres and sceneries, engaging audiences with a quasi-multimedia-art experience. More recently he is developing the idea of “21st century (late) Romanticism”, with various contemporary musical ideas and techniques incorporated into the (Late) Romantic musical language. Published and winning multiple awards across the globe, his compositions are featured in international events such as the International Rostrum of Composers, ISCM World Music Days, ACL (Asian Composers League) Festival and the Asian Youth Orchestra World Tour. His music is performed and recorded by prominent groups and musicians including the Hong Kong Philharmonic Orchestra (with Jaap van Zweden, Bright Sheng, Sebastian Perłowski and others), Internationale Ensemble Modern Akademie (IEMA), performers from the New York Philharmonic and soloists including Dong-Suk Kang and Jan-Erik Gustafsson. Recently he commissioned a Double Concerto by maestro Jaap van Zweden for his 60th birthday. His scores for films and advertisements are featured in international festivals including the Sound and Image Challenge Festival and Pink City International Short Film Festival, as well as on local platforms including Cable TV and Viu TV. Wong is also an active arranger. He has arranged a number of vocal and instrumental music, some of which are performed by renowned artists and singers such as Nick Vujicic, Rebecca Pan Di-hua and Harry Wong. Apart from his creative work, he also authors an online study journal for orchestration, Orchestration Masters . 黃俊諱熱衷於把不同類型的音樂風格融合，並以聲音營造氣氛、情景，形成獨特的個人風格。其作品橫跨室內樂、管弦樂、音樂劇及影片配樂。最近他以浪漫派的意念建構作品，同時加入各種現代音樂元素，發展出「廿一世紀‧(後期)浪漫主義」風格。 他的作品獲獎無數，多次於歐美、亞洲演出（包括ISCM國際現代音樂節、國際作曲家論壇、亞洲作曲家聯盟論壇及音樂節、亞洲青年管弦樂團世界巡迴演出）並出版。他曾與香港管弦樂團（梵志登、盛宗亮、Sebastian Perłowski、廖國敏等指揮）、德國國際現代合奏音樂學院（IEMA）、紐約愛樂交響樂團的成員等演奏團體及演奏家如姜東錫和Jan-Erik Gustafsson合作。最近他獲梵志登大師委約創作小提琴與大提琴雙協奏曲作為他的 60 歲生辰禮物。 他為影片、廣告配樂的作品於國際影展Sound and Image Challenge Festival 及Pink City International Short Film Festival等上映，並於本地播放平台如Cable TV 及 Viu TV播出。 黃氏亦致力於編曲，曾多次編寫聲樂、合唱及管弦音樂，有些更由著名藝人、歌手如Nick Vujicic、潘迪華及Harry哥哥演唱。 他亦為管弦樂配器研究網頁Orchestration Masters 的作者。 MAJOR WORKS 主要作品 Orchestral Double Concerto for Violin, Cello and Orchestra (2020) for solo violin, solo cello and orchestra, commissioned by Jaap van Zweden Labyrinth Collapses (2018) for orchestra, commissioned by the Hong Kong Philharmonic Orchestra Alberich's Nightmare (2018) for orchestra, commissioned by the Hong Kong Philharmonic Orchestra On Wings of Soul (aka As the Heart Soars) (2016) for orchestra Whirling through the Dreams II (2014) for orchestra Clouds in Twilight (2013) for orchestra Petite Suite from "Princess Manman" (2013) for chamber orchestra Lament from the Forest II (2011/13) for chamber orchestra Trio of the Fireflies II (2006/2013) for chamber orchestra Lament from the Forest (2011) for chamber orchestra Second Seal-Rider on the Red Horse (2010) for orchestra Suite from ‘Amazing Melody’ (2010) for vocal & chamber orchestra Symphonic Band Drug Fantasia (2015/16) for symphonic band Sacrifice–The Death of Samson (2011) for symphonic band Chinese Orchestra Lost in the Desert II (2012/16) for Chinese orchestra String Orchestra On Wings of Song and Dance (2014) for string orchestra Chamber (Western) Boredom and Anxiety in Hong Kong under COVID-19 (2020) for cl & vc, commissioned by the Hong Kong Composers' Guild The White Wall II (2015) for string quartet The White Wall (2014) for vln, vla & vc, commissioned by the Musicus Fest 2014 The Light above the Leaves (2014) for vla, vc & pf Whirling through the Dreams (2014) for four percussionists Stress and the City (2013) for cl, vla & pf, commissioned by the Hong Kong Composers' Guild A Breath of Life (2012) for ob, fag, vln, vla & cb, commissioned by the Hong Kong Composers' Guild A Call in the wilds (2012) for two instruments & pf Nhemamusasa (2011) for fl, cl, vln, vla & pf A Twig of Mume Blossoms (2010) for fl, ob, vc & pf A Midsummer Day’s Dream (2010) for pf. 8-hand Tango 3x2 (2010) for woodwind quintet and string quartet The Burning Bush (2010) for woodwind quintet and string quartet Three pieces from ‘Sze-Yee’ (2010) for glk & pf Chamber (Chinese / Mixed Ensemble) Illusory Landscape (2021) for qudi, erhu, zheng & pf, commissioned by The Gong Strikes One Lost in the City (2021) for erhu, zheng & pf, commissioned by The Gong Strikes One Waning Moon, Shivering Glimmer (2016) for sheng, yangqin & erhu, commissioned by the Hong Kong Composers' Guild The Missing Tribe of Amazon (2011) for picc, sheng, tenor sax, hn, & pf, commissioned by The 4Unlike On the DuanChang Cliff (2011) for gaohu, 2 erhus & pf A Forest Forgotten (2010) for 13 performers of mixed Chinese and Western instruments and vocal Traditional Chinese Music Ensemble Hong Kong Music Miniatures (2020), commissioned by The Gong Strikes One Instrumental solo Wandering in the rain (2016) for pf Distant Memories (2016) for pf Sailing through the Clouds (2016) for pf I’m fine (2016) for pf Prelude (2016) for pf Montage of Metropolitan Dreams (2015) for pf …I am waiting for you (2014) for pf By the River (2014) for pf In the Rain (2014) for pf Under the Moon (2014) for pf …There You are (2014) for pf Autumn Leaves (2014) for fl, commissioned by Arioso Music and Art Institute A Yearning for Peace (2012) for vln Lost in the Desert (2012) for pf Discovering...a Mystery (2012) for pf Vocal-Orchestral Hang Seng University of Hong Kong Anthem (2018/20) for vocal (Cantonese) & orch Butterfly's Longing for the Flowers (2010) for vocal, dizi, erhu, zheng, pipa & orch Two Chinese Lyrics—Gone (2008) for vocal, dizi, erhu, zheng & orch Vocal/Choral Hang Seng University of Hong Kong Anthem (2018) for vocal (Cantonese) & pf, commissioned by the Hang Seng University of Hong Kong The Ballad of Liangzhou (2018) for SATB choir (Cantonese) & pf, commissioned by the Hong Kong Composers' Guild Two Child Songs (2018) for one-voice children choir (Cantonese) & pf The Lord is My Shepherd (2015) for SATB choir (Cantonese) & pf Lamentations 3 (2015) for unaccompanied SATB choir I am the Good Shepherd (2013) for unaccompanied SATB choir I’ve got Complaints! (2011) for speech choir (Cantonese), commissioned by In Tuition Creative Learning Ltd. Let’s do Exercise! (2011) for speech choir (Cantonese), commissioned by In Tuition Creative Learning Ltd. Forget her (2009) for 4 performers for vocal (Cantonese), fl, Eng hn, 2 vla & pf Answer (2008) for vocal, fl & pf Perhaps (2003/08) for vocal (Cantonese), vln & pf Electro-Acoustic Music A Call in the Wilds II (2012) for an instrument & live elec. Multimedia Binding (2011) for picc, sheng, tenor sax, hn, live elec. and dance Musical Thus Saith the Moon (2019), commissioned by the Sha Tin Methodist College Dreams of Youth (musical-film) (2009), commissioned by the Sha Tin Methodist College Forget-me-not (collaborate with other composers) (2008) Amazing Melody (collaborate with other composers) (2006), commissioned by the Sha Tin Methodist College Music for Film/Video The Dancer (2018) Please listen to Me (2017), commissioned by The Hong Kong Federation of Youth Groups Jockey Club M21 Pre-Marital Family Education Series III, "Is Love Reliable?", (2017), commissioned by The Hong Kong Federation of Youth Groups Jockey Episode 07, “Can I Have Love Again?” Episode 08, “Can’t Let Go” Episode 09, “To Win at the Starting Line?” Club M21 Angie’s Life (2017), commissioned by The Hong Kong Federation of Youth Groups Jockey Club M21 Frames (2016), commissioned by The Hong Kong Federation of Youth Groups Jockey Club M21 Be True to Yourself (2016), commissioned by The Hong Kong Federation of Youth Groups Jockey Club M21 Six Letters easy to say but hard to do (2015) Journey in the Dark (2015), commissioned by the Hong Kong Composers' Guild Re-score of Bruce Almighty (2014) Mong Kok II Purple (2014) A Journey's End (2014) The Boy Who Wears High Heels (2012) If Your Mum and I… (2012), commissioned by Hong Kong Cancer Fund The Waltz (2012), commissioned by We Love Hong Kong Association Princess Manman (2012), commissioned by We Love Hong Kong Association Softlight (2011), commissioned by We Love Hong Kong Association Bob (2010), commissioned by Hong Kong Film Art Association Silent Embrace (2010), commissioned by We Love Hong Kong Association Sze-Yee (2010) 管弦樂 小提琴與大提琴雙協奏曲 (2020) 為小提琴、大提琴和樂團而作（由梵志登委約創作） 迷宮崩塌 (2018) 為管弦樂團而作（由香港管弦樂團委約創作） 阿爾貝里的夢魘 (2018) 為管弦樂團而作（由香港管弦樂團委約創作） 靈魂之翼 (2016) 為管弦樂團而作 夢行雲 II (2014) 為管弦樂團而作 暮雲 (2013) 為管弦樂團而作 《文文公主》組曲 (2013) 為管弦樂團而作 林裡的哀歌 II (2011/13) 為管弦樂團而作 森林惡霸 II (2006/13) 為管弦樂團而作 林裡的哀歌 (2011) 為室樂團而作 第二封印︰紅馬騎士 (2010) 為管弦樂團而作 《奇妙樂韻》組曲 (2010) 為樂團及聲樂而作 管樂團 毒自幻想曲 (2015/16) 為管樂團而作 犧牲—參孫之死 (2011) 為管樂團而作 中樂團 迷失曠野II (2012/16) 為中樂團而作 弦樂團 乘著歌與舞的翅膀 (2014) 為弦樂團而作 室樂（西樂） 疫城中的悶與慌 (2020) 為單簧管及大提琴（由香港作曲家聯會委約創作） 白壁II (2015) 為弦樂四重奏而作 白壁 (2014) 為小提琴、中提琴及大提琴而作（由樂·誼國際音樂節委約創作） 綠蔭上的曙光 (2014) 為中提琴、大提琴及鋼琴而作 夢行雲 (2014) 為四位敲擊樂手而作 壓力都市 (2013) 為單簧管、中提琴及鋼琴而作（由香港作曲家聯會委約創作） 一息 (2012) 為雙簧管、巴松管、小提琴、中提琴及低音大提琴而作 （由香港作曲家聯會委約創作） 野地的呼喚 (2012) 為兩件樂器及鋼琴而作 戰‧不斷 (2011) 為長笛、單簧管、小提琴、中提琴及鋼琴而作 一翦梅 (2010) 為長笛、雙簧管、大提琴及鋼琴而作 仲夏日之夢 (2010) 為鋼琴八手聯彈而作 探戈3x2 (2010) 為弦樂四重奏及管樂五重奏而作 燃燒的荊棘 (2010) 為弦樂四重奏及管樂五重奏而作 自《詩意》的三首樂曲 (2010) 為鋼琴及鋼片琴而作 室樂（中樂、中西樂混合作品） 幻境 (2021) 為曲笛、二胡、古箏及鋼琴而作 (由一才鑼鼓委約創作) 迷失都市 (2021) 為二胡、古箏及鋼琴而作 (由一才鑼鼓委約創作) 殘月‧寒光 (2016) 為笙，揚琴及二胡而作（由香港作曲家聯會委約創作） 亞馬遜部落失蹤 (2011) 為短笛、三十六簧笙、次中音薩克斯管、圓號及鋼琴而作（由四不像委約創作） 斷腸崖上 (2011) 為高胡、兩支二胡及鋼琴而作 被遺忘的森林 (2010) 為十三位中、西樂樂手及聲樂而作 傳統中樂合奏 香港微音樂 (2020) (由一才鑼鼓委約創作) 器樂獨奏 獨踽冷雨中 (2016) 為鋼琴獨奏而作 遙遠的記憶 (2016) 為鋼琴獨奏而作 雲海航途 (2016) 為鋼琴獨奏而作 我很好 (2016) 為鋼琴獨奏而作 前奏曲 (2016) 為鋼琴獨奏而作 剪接都市夢 (2015) 為鋼琴獨奏而作 …我等候你(2014) 為鋼琴獨奏而作 河畔 (2014) 為鋼琴獨奏而作 雨中 (2014) 為鋼琴獨奏而作 月下 (2014) 為鋼琴獨奏而作 …你來了 (2014) 為鋼琴獨奏而作 秋葉 (2014) 為長笛獨奏而作（由港藝音樂藝術學院有限公司委約創作） 禱 (2012) 為小提琴獨奏而作 迷失曠野 (2012) 為鋼琴獨奏而作 探秘 (2012) 為鋼琴獨奏而作 聲樂—管弦樂 恒大頌曲(2018/20) 為聲樂(粵語) 及管弦樂團而作 蝶戀花 (2010) 為聲樂、笛子、二胡、古箏、琵琶及室樂團而作 詞兩首—逝 (2008) 為聲樂、笛子、二胡、古箏及室樂團而作 聲樂/合唱音樂 恒大頌曲(2018) 為聲樂(粵語) 及鋼琴而作（由香港恒生大學委約創作） 涼州詞(2018) 為混聲四部合唱 (粵語) 及鋼琴而作（由香港作曲家聯會委約創作） 兒歌兩首(2018) 為單聲部兒童合唱(粵語)及鋼琴而作 耶和華是我的牧者(2015) 為混聲四部合唱 (粵語) 及鋼琴而作 耶利米哀歌三章 (2015) 為無伴奏四聲合唱而作 我是好牧人 (2013) 為無伴奏四聲合唱而作 我要投訴﹗ (2011) 為動感聲藝團(粵語)而作（由英翹創意委約創作 ） 齊來運動 (2011) 為動感聲藝團(粵語)而作（由英翹創意委約創作 ） 忘掉她 (2009) 為四位樂手而作的歌曲(粵語) 答案 (2008) 為長笛、聲樂及鋼琴而作的歌曲 也許 (2003/08) 為聲樂(粵語)、小提琴及鋼琴而作的歌曲 電子音樂 野地的呼喚II (2012) 為一件樂器及電子音樂而作 多媒體 綑綁 (2011) 為短笛、三十六簧笙、次中音薩克斯管、圓號、電子音樂及舞蹈而作 音樂劇 月兒說 (2019) （由沙田循道衛理中學委約創作） 唱．青春 （音樂劇電影） (2009) （由沙田循道衛理中學委約創作） 毋忘我 （與其他作曲家合作）(2008) 奇妙樂韻（與其他作曲家合作）(2006) （由沙田循道衛理中學委約創作） 電影/影片配樂 舞者 (2018) 如果可以,請聽我說一句 (2017) （由香港青年協會賽馬會媒體空間M21委約創作） 家庭議會 家庭教育系列－婚前家庭教育篇 (2017)（由香港青年協會賽馬會媒體空間M21委約創作） 第七集：我還可以愛嗎？ 第八集：情難捨 第九集：嬴在起跑線？ 安琪人生 (2017) （由香港青年協會賽馬會媒體空間M21委約創作） 一分鐘一份情: 捉景鑲情 (2016) （由香港青年協會賽馬會媒體空間M21委約創作） 一分鐘一份情: 忠於自己 (2016) （由香港青年協會賽馬會媒體空間M21委約創作） 緣來不是愛 (2015) 黑暗中的旅程 (2015)（由香港作曲家聯會委約創作） 《衰鬼上帝》重新配樂 (2014) 旺角太紫 (2014) A Journey's End (2014) 穿高跟鞋的男生 (2012) 如果你阿媽和我... (2012) （由香港癌症基金會委約創作） 圓舞曲 (2012) （由我愛香港協會委約創作） 文文公主 (2012) （由我愛香港協會委約創作） 柔光 (2011) （由我愛香港協會委約創作） 阿博 (2010) （由香港影藝聯盟委約創作） 沉默的擁抱 (2010) （由我愛香港協會委約創作） 詩意 (2010) 管弦樂 小提琴與大提琴雙協奏曲 (2020) 為小提琴、大提琴和樂團而作（由梵志登委約創作） 迷宮崩塌 (2018) 為管弦樂團而作（由香港管弦樂團委約創作） 阿爾貝里的夢魘 (2018) 為管弦樂團而作（由香港管弦樂團委約創作） 靈魂之翼 (2016) 為管弦樂團而作 夢行雲 II (2014) 為管弦樂團而作 暮雲 (2013) 為管弦樂團而作 《文文公主》組曲 (2013) 為管弦樂團而作 林裡的哀歌 II (2011/13) 為管弦樂團而作 森林惡霸 II (2006/13) 為管弦樂團而作 林裡的哀歌 (2011) 為室樂團而作 第二封印︰紅馬騎士 (2010) 為管弦樂團而作 《奇妙樂韻》組曲 (2010) 為樂團及聲樂而作 管樂團 毒自幻想曲 (2015/16) 為管樂團而作 犧牲—參孫之死 (2011) 為管樂團而作 中樂團 迷失曠野II (2012/16) 為中樂團而作 弦樂團 乘著歌與舞的翅膀 (2014) 為弦樂團而作 室樂（西樂） 疫城中的悶與慌 (2020) 為單簧管及大提琴（由香港作曲家聯會委約創作） 白壁II (2015) 為弦樂四重奏而作 白壁 (2014) 為小提琴、中提琴及大提琴而作（由樂·誼國際音樂節委約創作） 綠蔭上的曙光 (2014) 為中提琴、大提琴及鋼琴而作 夢行雲 (2014) 為四位敲擊樂手而作 壓力都市 (2013) 為單簧管、中提琴及鋼琴而作（由香港作曲家聯會委約創作） 一息 (2012) 為雙簧管、巴松管、小提琴、中提琴及低音大提琴而作（由香港作曲家聯會委約創作） 野地的呼喚 (2012) 為兩件樂器及鋼琴而作 戰‧不斷 (2011) 為長笛、單簧管、小提琴、中提琴及鋼琴而作 一翦梅 (2010) 為長笛、雙簧管、大提琴及鋼琴而作 仲夏日之夢 (2010) 為鋼琴八手聯彈而作 探戈3x2 (2010) 為弦樂四重奏及管樂五重奏而作 燃燒的荊棘 (2010) 為弦樂四重奏及管樂五重奏而作 自《詩意》的三首樂曲 (2010) 為鋼琴及鋼片琴而作 室樂（中樂、中西樂混合作品） 幻境 (2021) 為曲笛、二胡、古箏及鋼琴而作 (由一才鑼鼓委約創作) 迷失都市 (2021) 為二胡、古箏及鋼琴而作 (由一才鑼鼓委約創作) 殘月‧寒光 (2016) 為笙，揚琴及二胡而作（由香港作曲家聯會委約創作） 亞馬遜部落失蹤 (2011) 為短笛、三十六簧笙、次中音薩克斯管、圓號及鋼琴而作 (由四不像委約創作) 斷腸崖上 (2011) 為高胡、兩支二胡及鋼琴而作 被遺忘的森林 (2010) 為十三位中、西樂樂手及聲樂而作 傳統中樂合奏 香港微音樂 (2020) (由一才鑼鼓委約創作) 器樂獨奏 獨踽冷雨中 (2016) 為鋼琴獨奏而作 遙遠的記憶 (2016) 為鋼琴獨奏而作 雲海航途 (2016) 為鋼琴獨奏而作 我很好 (2016) 為鋼琴獨奏而作 前奏曲 (2016) 為鋼琴獨奏而作 剪接都市夢 (2015) 為鋼琴獨奏而作 …我等候你(2014) 為鋼琴獨奏而作 河畔 (2014) 為鋼琴獨奏而作 雨中 (2014) 為鋼琴獨奏而作 月下 (2014) 為鋼琴獨奏而作 …你來了 (2014) 為鋼琴獨奏而作 秋葉 (2014) 為長笛獨奏而作（由港藝音樂藝術學院有限公司委約創作） 禱 (2012) 為小提琴獨奏而作 迷失曠野 (2012) 為鋼琴獨奏而作 探秘 (2012) 為鋼琴獨奏而作 聲樂—管弦樂 恒大頌曲(2018/20) 為聲樂(粵語) 及管弦樂團而作 蝶戀花 (2010) 為聲樂、笛子、二胡、古箏、琵琶及室樂團而作 詞兩首—逝 (2008) 為聲樂、笛子、二胡、古箏及室樂團而作 聲樂/合唱音樂 恒大頌曲(2018) 為聲樂(粵語) 及鋼琴而作（由香港恒生大學委約創作） 涼州詞(2018) 為混聲四部合唱 (粵語) 及鋼琴而作（由香港作曲家聯會委約創作） 兒歌兩首(2018) 為單聲部兒童合唱(粵語)及鋼琴而作 耶和華是我的牧者(2015) 為混聲四部合唱 (粵語) 及鋼琴而作 耶利米哀歌三章 (2015) 為無伴奏四聲合唱而作 我是好牧人 (2013) 為無伴奏四聲合唱而作 我要投訴﹗ (2011) 為動感聲藝團(粵語)而作（由英翹創意委約創作 ） 齊來運動 (2011) 為動感聲藝團(粵語)而作（由英翹創意委約創作 ） 忘掉她 (2009) 為四位樂手而作的歌曲(粵語) 答案 (2008) 為長笛、聲樂及鋼琴而作的歌曲 也許 (2003/08) 為聲樂(粵語)、小提琴及鋼琴而作的歌曲 電子音樂 野地的呼喚II (2012) 為一件樂器及電子音樂而作 多媒體 綑綁 (2011) 為短笛、三十六簧笙、次中音薩克斯管、圓號、電子音樂及舞蹈而作 音樂劇 月兒說 (2019)（由沙田循道衛理中學委約創作） 唱．青春 （音樂劇電影） (2009)（由沙田循道衛理中學委約創作） 毋忘我 （與其他作曲家合作）(2008) 奇妙樂韻（與其他作曲家合作）(2006)（由沙田循道衛理中學委約創作） 電影/影片配樂 舞者 (2018) 如果可以,請聽我說一句 (2017)（由香港青年協會賽馬會媒體空間M21委約創作） 家庭議會 家庭教育系列－婚前家庭教育篇 (2017) 第七集：我還可以愛嗎？ 第八集：情難捨 第九集：嬴在起跑線？ （由香港青年協會賽馬會媒體空間M21委約創作） 安琪人生 (2017)（由香港青年協會賽馬會媒體空間M21委約創作） 一分鐘一份情: 捉景鑲情 (2016)（由香港青年協會賽馬會媒體空間M21委約創作） 一分鐘一份情: 忠於自己 (2016)（由香港青年協會賽馬會媒體空間M21委約創作） 緣來不是愛 (2015) 黑暗中的旅程 (2015)（由香港作曲家聯會委約創作） 《衰鬼上帝》重新配樂 (2014) 旺角太紫 (2014) A Journey's End (2014) 穿高跟鞋的男生 (2012) 如果你阿媽和我... (2012)（由香港癌症基金會委約創作） 圓舞曲 (2012)（由我愛香港協會委約創作） 文文公主 (2012)（由我愛香港協會委約創作） 柔光 (2011)（由我愛香港協會委約創作） 阿博 (2010)（由香港影藝聯盟委約創作） 沉默的擁抱 (2010)（由我愛香港協會委約創作） 詩意 (2010) 音樂影片 香港姿色 (2017) 為鋼琴四重奏而作（由香港作曲家聯會委約創作） 撲水 (2017) 為聲樂、鋼琴、曼陀林及弦樂而作（由香港青年協會賽馬會媒體空間M21委約創作） 毒自幻想 (2015) 為聲樂及樂團而作 灰姑娘與快樂王子 (2013) 為聲樂二重唱及室樂團而作 廣告音樂 《鄰舍第一》API (2016)（由香港青年協會賽馬會媒體空間M21委約創作） 改編音樂選 失落國度的回響 (2019) 改編自林健雄的歌曲 為兒童合唱團及管弦樂團而編（由香港管弦樂團委約編寫） 世上所有的兒童 (2019) 改編自韋特的歌曲 為兒童合唱團及管弦樂團而編（由香港管弦樂團委約編寫） 《普爾欽奈拉》組曲 (Pulcinella Suite) (2019) 改編自史特拉汶斯基的樂曲 為大提琴樂團而編（由Pacific Cello Orchestra Hong Kong委約編寫） Shine (2019) 改編自謝欣欣的歌曲 為女低音、男低音、獨奏小提琴、獨奏鋼琴及管弦樂團而編（由香港管弦樂團委約編寫） Listen to Me (2019) 改編自甄嘉豪的歌曲 為人聲及管弦樂團而編（由香港管弦樂團委約編寫） Remember Me (2018) 改編自Robert Lopez及Kristen Anderson-Lopez的歌曲 為人聲及管弦樂團而編（由香港管弦樂團委約編寫） 遺忘 (2018) 改編自黃友棣的歌曲 為混聲四部合唱團及管弦樂團而編（由香港管弦樂團委約編寫） 完美的夢想 (2018) 改編自謝欣欣的歌曲 為人聲及管弦樂團而編（由香港管弦樂團委約編寫） 香港‧我家 (2017) 改編自馬敬恒、馮允謙的歌曲 為管弦樂團而編（由香港管弦樂團委約編寫） Medley: 香港情 (2017) 改編自香港不同流行歌曲 為童聲二部合唱團及青年管樂團而編（由和富社會企業委約編寫） 親愛主 (2012) 改編自John Laudon的詩歌 為管弦樂團及聲樂而編 （由香港青少年管弦樂團委約編寫 ） 凡事都得勝 (2012) 改編自John Laudon的詩歌 為管樂團及聲樂而編 （由香港青少年管弦樂團委約編寫 ） 兩首陳歌辛歌曲 (2011) 改編自陳歌辛的歌曲 為聲樂、琵琶、鋼琴及敲擊樂而編 《變身怪醫》前奏曲 (2008) 改編自Frank Wildhorn同名音樂劇 為大型合奏團而編 大地好風光 (2007) 改編自John Rutter的詩歌 為混聲合唱團及管弦樂團而編 讚美主奇妙救贖 (2007) 為混聲合唱團、木笛、小提琴及鋼琴改編Charles Wesley的詩歌 鋼琴改編作品選 天方夜譚: 大海與辛巴達的船 (2016) 改編自林姆斯基 - 高沙可夫的作品 第六交響曲: 中等的行板 (2016) 改編自馬勒的作品 第六交響曲: 精力充沛的快板 (2016) 改編自馬勒的作品 女武神：女武神的騎行 (2015) 改編自華格納的作品 Back

PANG Kwan 彭珺 Pang Kwan, Kevin attained his medical degree and Master of Arts in Music at the Chinese University of Hong Kong (CUHK). He is in his study of Master of Music at CUHK, under the supervision of Prof Chan Kai Young. His compositions have been performed at the National Symphony Orchestra Musicians at Home Concert in USA, Hong Kong Contemporary Music Festival 2020, Interactive Platform for Contemporary Music Appreciation of Hong Kong Composers’ Guild and Ensemble-in-Residence concerts of CUHK Department of Music. His compositions had also been selected for performance at the Music Salon of Hong Kong Composers’ Guild, and as finalist entry for New Generation 2020 etc. His music has been performed by various groups such as the Lehner Quartet, Cong Quartet, Sregnis Singers and Stellar Trio. 彭珺先後於香港中文大學取得內外全科醫學士學位及音樂文學碩士，並於香港中文大學音樂系修讀作曲音樂碩士，師隨陳啟揚教授。其作品曾於美國國家交響樂團《National Symphony Orchestra at Home》音樂會、《香港當代音樂節 2020》、香港作曲家聯會《現代音樂展演交流平台》及香港中文大學音樂系《駐校樂團計劃》音樂會演出。其作品亦曾入選《音樂新一代2020》決賽及香港作曲家聯會《音樂沙龍》等。他的作品獲不同團體演出，包括 Lehner四重奏、Cong四重奏、合唱俠，及Stellar三重奏等。 MAJOR WORKS 主要作品 Chamber Scherzo [3’40”] for string quartet Lullaby [7’30”] for string quartet A Tree of Jade Standing in the Autumn Wind [5’10”] for erhu and guzheng Wojtek [5’10”] for clarinet, percussion, violin, and violoncello La Serenata [7’20”] for string quartet Consolation [6’10”] for string quartet The Magic Mountain [5’] for wind quintet Habanera [6’30”] for clarinet, violoncello and piano Vocal/Choral Ave Maria [4’40”] for SSAATTBB a cappella Back

MAK Clarence 麥偉鑄 Clarence Mak was born in Hong Kong. After graduated from the Chinese University of Hong Kong and the Pennsylvania State University in USA, he returned to Hong Kong with his master degree, as a free-lance composer giving talks and workshops in arts institutes and organizations. He joined the music Faculty of the Hong Kong Academy for Performing Arts, teaching composition, electronic music and theory, studied music programming at Stanford University's Center for Computer Research in Music and Acoustics, and was invited to be the visiting artist at the University of Missouri at Kansas City Conservatory of Music, and the teaching professor in the International Summer Course in Monthureux Le Sec in France. Mak is a founding member of the Academy Electronic Music Studio. His compositions have been featured in concerts locally and internationally, such as Contemporary Music Festival in London, the International Computer Music Symposium in Taiwan, ISCM New Music Festivals in Romania and Hong Kong, ICMC Computer Music Festival in Beijing and Hong Kong, Electronic Music Festival in USA, Percussion Music Festival in Germany, and ACL Music Festivals. Mak was the secretary, the treasurer, and Vice Chairman of the Hong Kong Composers' Guild from 1987 to 2008 respectively and now is the council director. He has been invited to be the adjudicator for international composers’ competitions, and the chief delegate to present Hong Kong composers' works in the Asian-Pacific Music Festivals, the International Rostrums, and the ISCM Festivals. Clarence Mak is currently Head of Composition and Electronic Music at the Hong Kong Academy of Performing Arts. 麥偉鑄出生於香港。畢業於香港中文大學和美國賓夕法尼亞州立大學，獲碩士學位後回港，以自由職業作曲家身份到多個院校及藝術機構講學和舉辦創意音樂工作坊。其後受聘於香港演藝學院，教授作曲、電子音樂和理論。曾多次到史丹福大學電腦音樂中心(CCRMA)研究音樂程式編寫及聲響學，並獲密蘇里大學堪薩斯城音樂學院邀請為訪問藝術家，及於法國索恩皮尼勒塞克國際夏日音樂營教授作曲。於1990年創辦了香港演藝學院的電子音樂室。 作品常發表於本地和海外的音樂會、音樂節、和研討會。於1987至2008年間分別曾任香港作曲家聯會秘書、司庫和副主席，現為理事，推廣音樂創作。多次獲邀擔任國際作曲家比賽評判、國際電腦音樂會議的選曲委員、及代表香港出席亞太音樂節、國際現代音樂節、國際作曲家會議。 麥氏現任香港演藝學院作曲及電子音樂系主任。 MAJOR WORKS 主要作品 Back

WONG Chi-san 黃志燊 MAJOR WORKS 主要作品 Back

CHAN Chin-ting# 陳展霆 Composer Chin Ting (Patrick) CHAN (b. 1986) has held faculty positions at the University of Missouri–Kansas City and Kansas City Kansas Community College. His music has been featured throughout the North and South Americas, Europe and Asia; at festivals such as the International Computer Music Conference, the International Rostrum of Composers, IRCAM’s ManiFeste, June in Buffalo and the Wellesley Composers Conference, among many others. His works are published with the ABLAZE Records, Darling’s Acoustical Delight, Melos Music, Music from SEAMUS, Navona Records/PARMA Recordings, the SCI Journal of Music Scores and Unfolding Music Publishing (ASCAP). 香港作曲家陳展霆，現居美國，其音樂作品著重於以聲音表達抽象視覺形式，以不同的角度探索兩種感官的聯系。他的創作範疇涉獵甚廣，除了發表大小型室樂及管弦樂作品外，也致力參與電子音樂及聲響設計的創作和研究，且屢獲殊榮，曾認可於維也納跨學科音樂節、ASCAP、美利堅獎、音樂教師國家總會、現代音樂協會、香港作曲家聯會、林耀基中國音樂基金會、中美現代音樂中心、新耳現代室內樂團、新音樂會社、Soli fan tutti 作曲獎、WOCMAT 國際Phil Winsor電子音樂獎、新音樂推廣中心和維珍尼亞藝術中心。他更曾與世界知名的演奏團體合作，包括香港城市室樂團、香港創樂團、Ensemble intercontemporain、Ensemble Metamorphosis、ensemble mise-en、Ensemble Signal、eighth blackbird、Hypercube和Mivos Quartet，更於二十多個國家演出及廣播。他也曾獲邀參與多個重要的音樂節，包括IRCAM ManiFeste、國際電腦音樂會議和維斯理作曲家會議，其中更代表香港出席聯合國教科文組織國際作曲家論壇和ISCM世界音樂節。 陳氏現於美國鮑爾州立大學任作曲系助理教授。他曾就讀於聖荷西州立大學和鮑林格林州立大學，2014年於密蘇里大學(堪薩斯城分校)獲取音樂博士，在學期間主要師從著名作曲家陳怡、周龍、James Mobberley、Paul Rudy、Marilyn Shrude和Brian Belet。 MAJOR WORKS 主要作品 Large Ensemble Deform and Reform for wind ensemble – ca. 8' (2019) (picc, 2 fl, 2 ob, Eb cl, 3 cl, b cl, 2 bsn, 2 a. sax, t. sax, b. sax, 4 hn, 3 tpt, 3 trbn, euph, tuba, 4 perc) Commissioned by the Hong Kong Composers’ Guild Qing Ming for SATB choir and piano – ca. 4’ 30” (2018) Commissioned by the Hong Kong Composers’ Guild Dust Devil for chamber orchestra – ca. 6' (2018) (fl, ob, cl, bsn, hn, tpt, pno, strings) Commissioned by the Hong Kong Composers' Guild Untitled for large chamber ensemble – ca. 5' (2018) (fl, cl, hn, perc, pno, vln, vla, vlc, db) Falling Stars for wind ensemble – ca. 7' 30" (2016-17) (picc, fl, ob, 2 cl, b. cl, bsn, s. sax, a. sax, t. sax, b. sax, 2 hn, 2 tpt, trbn, euph, tuba, pno, 3 perc, db) Commissioned by conductor Caroline Hand and the Ball State University Wind Ensemble Shadow Play for chamber wind ensemble – ca. 10' (2015-16) (picc, fl, ob, cl, b. cl, bsn, a. sax, t. sax, hn, 2 tpt, trbn, euph, tuba, 2 perc, db) Joint commission by conductors Michael Mapp (Washburn University Wind Ensemble) and William Perrine (Concordia University Ann Arbor Wind Ensemble) time, unfolding for large chamber ensemble – ca. 10' (2014) (fl, cl, bsn, hn, perc, pno, 2 vln, vla, vlc, db) Veiled Light for large chamber ensemble – ca. 8' (2013) (fl, cl, tpt, trbn, pno, 2 vln, vlc, db) (Alternate version: fl, cl, hn, perc, pno, vln, vla, vlc, db) (2014) Apparitions - a fantasy for chamber ensemble – ca. 8' 30'' (2010-11) (fl, ob, cl, bsn, hn, tpt, trbn, 2 perc, pno, 2 vln, vla, vlc, db) Fanfare for Brass and Percussion – ca. 6' 30'' (2009) (3 tpt, 3 hn, 3 trbn, 2 euph, 3 tuba, timp, 2 perc) Commissioned by conductor Jason Thorpe Buchanan and the UNLV Brass Ensemble Symphonic Movements for orchestra – ca. 23' (2008) I. Lento II. Largo III. Grand (picc, 2 fl, 2 ob, 2 cl, 2 bsn, 4 hn, 2 tpt, 2 trbn, tuba, timp, 4 perc, hp, strings) Back

Presented by LCSD and in cooperate with Hong Kong Compsoers' Guild, the Sharing Lectures by Hong Kong Composers presents six lectures on six consecutive Wednesday evening at Hong Kong Space Museum since 2013.  SHARING LECTURES BY HONG KONG COMPOSERS 2013 - 2016 Presented by LCSD and in cooperate with Hong Kong Compsoers' Guild, the Sharing Lectures by Hong Kong Composers presents six lectures on six consecutive Wednesday evening at Hong Kong Space Museum since 2013. Sharing Lectures by Hong Kong Composers 2016 
名家趣談作曲 2016 Date 日期：2/5 - 8/6/2016 "Our Community as a Source of Inspiration for Music Compositions" 「樂悠寫區」 Speaker: Dr. Ada Lai 講者：黎雅婷博士 "Bewilderment" 「惑」 Speaker: Dr. Mok Kin-yee, Raymond 講者：莫健兒博士 "Stylistic Gesture as an Emotional Vehicle in My Work" 「不同音樂風格作為我創作的基礎」 Speaker: Kung Chi-shing 講者：龔志成 "Ng Cheuk-yin's Music World" 「伍卓賢的音樂世界」 Speaker: Ng Cheuk-yin 講者：伍卓賢 "Innovation, Technology, and Contemporary Music" 「創新、科技與現代音樂」 Speaker: Prof. Christopher Keyes (Conducted in English) 講者：祁道緯教授 （英語主講） "In Quest of Diversity - The Legacy of Postmodernism" 「求異存同—後現代的遺產」 Speaker: Dr. Tung Lai-shing 講者：董麗誠博士 Sharing Lectures by Hong Kong Composers 2015 
名家趣談作曲 2015 Date 日期：15/4 - 20/5/2015 "Creativity Within and Without the Boundaries of the Musical Traditions" 傳統框架裡外的音樂創作」 Speaker: Clarence Mak 講者：麥偉鑄 Composition: Crossing over Genres 作曲：跨越流派 Speaker cum Piano Performance: Lam Man-yee 講者暨鋼琴演出：林敏怡 Exploring a New Musical Language 我的音樂藝術語言 Speaker: Dr. Mui Kwong-chiu 講者：梅廣釗博士 My Music in the Context of Multimedia Creativity 我的多媒體音樂創作 Speaker: Dr. Chan Ming-chi 講者：陳明志博士 The Writing of Christian Songs: A Sharing of Experience and Music Making 聖歌創作經驗分享與示範 Speaker: Lai Boon-tsing, Joseph 講者：黎本正 My Sixty Years of Composing Life 作曲生涯六十年 Speaker cum Piano Performance: Prof. David Gwilt 講者暨鋼琴演出：紀大衛教授 Sharing Lectures by Hong Kong Composers 2014 
名家趣談作曲 2014 Date 日期：9/4 - 14/5/2014 "In Search of Resonance between Different Times" 古今之間有共鳴 Speaker: Hui Cheung-wai 講者：許翔威 Aspirations: In Search of Identity and Expression in Comtemporary Music Composition 尋夢：創作園地中之個性與表達 Speaker: Dr. Ng Chun-hoi 講者：吳俊凱博士 A Classical Approach to Contemporary Choral Writing 現代合唱創作：從古典出發 Speaker: Prof. Victor Chan 講者：陳偉光教授 In Search of Cultural Identity in Music Composition 從音樂創作中探索文化認同 Speaker: Dr. Lai Sheung-ping 講者：黎尚冰博士 Writing for Wind Ensemble 管樂團音樂寫作 Speaker: Dr. Lo Hau-man 講者：盧厚敏博士 New Music is also Beautiful 現代音樂也可以是動聽的 Speaker cum Violin / Erhu performer: Dr. Joshua Chan 講者暨小提琴/二胡演出 ：陳錦標博士 Sharing Lectures by Hong Kong Composers 2013 
名家趣談作曲 2013 Date 日期：15/4 - 20/5/2013 "Sixty Years of Music Writing – Doming Lam" 「林樂培作曲六十年」 Speaker: Doming Lam 講者︰林樂培 "A Review of My Symphonic Works" 「我的交響樂創作」 Speaker: Prof Chan Wing-wah 講者︰陳永華教授 "John Chen – World Music Approach, as Reflected in His Compositions Through the Years" 「無國界音樂—陳國平的作品面面觀」 Speaker: Dr Chen Kwok-ping, John 講者︰陳國平博士 "From the Comprehension of Ancient Wisdom to the Creation of New Experience in Contemporary Aesthetics" 「從解讀古典智慧到創造現代美感」 Speaker: Law Wing-fai 講者︰羅永暉 "Music Composition as a Creative Expression" 「漫談音樂創作」 Speaker: Chen Ning-chi 講者︰陳能濟 "Thoughts on New Choral Potentials" 「現代合唱創作縱橫談」 Speaker: Prof Richard Tsang 講者︰曾葉發教授 2016 2015 2014 2013

NG King-fung Kelvin 伍擎峯 Kelvin King Fung NG was born in Hong Kong and has studied in Hong Kong, USA and Austria. His works germinate from the core concern of ourselves as spatially and temporally co-existing beings, structuring available materials to examine conditions and issues arising from such facts at the existential level, such as presence, consciousness and intersubjectivity, and their possible meanings. In this sense they possess a high degree of affinity with philosophical outputs from a.o. Nancy’s being-with and Rancière’s distribution of the sensible, while their immanent problems and solutions are able to be illuminated and formulated with the help of knowledge from a.o. anthropology, embodied cognition, semiotics as well as cultural and spiritual practices. Most of his works recruit the entire audio-visual and cognitive faculty and call for heightened attention and empathetic engagement from the audience. 伍擎峯生於香港，並曾就學於香港、美國及奧地利。其音樂作品萌芽自我們作為時空共存體此一核心議題，建構可用素材在根本層面上考察研究由此基礎形成的各種如「在場性」、「意識」及「互為主觀」等狀態條件與問題及其意義。從這個角度看，這些作品與南希的「共在」及洪席耶的「感性分配」等哲學產出關係密切，而其內在的音樂問題與解決方案則能透過人類學、具身認知學、符號學等領域及各文化與精神實踐活動中的知識得以協助𨤳清與規劃。大部分作品均牽涉觀眾整體視聽與認知能力，並要求高度專注力和同理投入度。 MAJOR WORKS 主要作品 Western Orchestra Nidra (2011-2) [12’] for 2, 2, 2, 2 – 2, 2, 1, 1 - 4perc – hp, pf – str Chamber Sammul Seoljanggu 삼물설장구 (2018) [14’] for janggu-dance, crash cymbals and lighting operator Sonajo (2017) [10’] for vn & haegeum Fragments, on the bridge (2013) [5’-∞] for vn, va & vc Tombe de Sommeil (2011) [10’] for fl & pf meso- (2009) [5’10”] for sheng, cl, perc, guzheng & vc The Pale Bone from Dragon Spring 粉骨龍泉 (2008) [12’] for fl, cl, vn, vc, perc & pf Asterisk (2006) [10’] for 2vn, va & vc Conveyor II – hedonism (2006) [11’] for fl & vc Conveyor I – determinism (2006) [9’30”] for va & pf Instrumental Solo Brief Version of Seoljanggu 짧은설장구 (2021) [15’] for janggu-dance Seoljanggu 설장구 (2014-8) [24’] for janggu-dance 24 capricci per violino solo da Nicolò Paganini (2014) [10’] for vn Toccata (2013) [5’] for ten-sax Timing and Remembering – I (2010) [12’30”] for va Scherzo (2005) [9’] for pf Electronic / Electroacoustic Music Qin (2010) [5’30”] for electronics une étude sur la vocalitié (2010) [8’] for vn & Max/MSP Multimedia Seas of Ink (2018) [4’] for vn, va, vc, pn & tape video by Tutaj Tram-ism (2017) [2’30”] for va, vc, pipa, tape video by Anthony Cheng moments musicaux (2013) [1’30”] for cl, va & kb & picture Weekend Ritual (2012) [1’] for cl, vn & vc & picture Back