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SOUND-IMAGination 2016: Interview SOUND-IMAGination 2016: HONG KONG LANDSCAPE Concert 音樂會 Composers' Biography 作曲家簡介 Composers' Sharing 作曲家分享 分享可見於： https://thestandnews.com/art/聲影集-香港景觀作曲家分享/ https://thestandnews.com/art/sound-imagination-hong-kong-landscape-composers-sharing-1/ https://thestandnews.com/art/sound-imagination-hong-kong-landscape-composers-sharing-2/ 1/ 蘇家威《時日如飛》 I. Q&A 1) 圖像/影像如何啟發你的創作靈感？ 我代入了自己是拍攝者。拍攝的角度令我虛構了一位老人望著故居有感而發的情景。 2) 請形容一下你眼中的「香港」，在樂曲中如何呈現這感知/意像？ 「香港」是一個多元社會，但找一種聲音可以表達出「香港」則甚艱難。我利用了中國的五聲音階和西方的動機寫作技巧「製造」這種感覺。 3) 是次的委約作品都是根據特定的圖像/影像而創作並於音樂會一併呈現，這創作過程和純綷的音樂創作有何不同？ 圖片伸延了音樂的創意。透過圖片提供的元素，想像空間亦得以擴闊。這比抽象的思維更為實在。 II. 有關作曲家－蘇家威 創作習慣：我總會乖乖的先寫好草稿 喜歡的香港地方：澳牛 (Australia Diary Company) 喜歡的作曲家：陳其鋼、吉松隆、西松朗、Arvo Part 2/ 葉浩堃《縫》 I. Q&A 1) 樂曲如何與影像掛勾和配合？ 就如錄像一樣，在開始的部份看見船慢慢的經過，然後一 個身影隱約的在後方出現。在音樂方面，在緊密的和聲及織體設計下，將主旋律隱藏，然後又偶爾出現。 2) 請形容一下你眼中的「香港」，在樂曲中如何呈現這感知 ／意像？ 香港是一個急速的城市，在過往的作品中，我經常把這緊張的元素加入。在是次首演的作品《縫》當中，我刻意把速度變慢，但卻在這個「慢」的氣氛中加入一些快速的節奏，猶如普遍的香港人般，雖然身體想放鬆，但腦袋仍然不斷在工作。 3) 在這首作品中聽眾可特別留意之處？ 聽眾可以留意和聲的轉變，及弦樂四重奏內四聲部的交錯與交流。 II. 有關作曲家 - 葉浩堃 創作習慣：晚上，很晚的晚上 喜歡的香港地方：我家 喜歡的作曲家：Lutoslawski 3/ Kwok Tsun-huen’s The Barber I. Q&A 1) Briefly introduce your commissioned work. It's a viennese waltz. The music divided into two part, Slow and fast. 2) How did the image/video inspire you to write this piece? The Photograph is about a Barber shaving customer's hair when H5N1 was spreading. I tried to have a piece of music that prove a feeling as if they are having a little shelter from the storm there. 3) How does your commissioned work correlate with the visual image/video? The image gives me a feeling that the two people were having their own shelter when serious disease was spreading. They trusted and didn't mind if each other got the disease and might infect their own. This gives me a very cozy feeling and write the music. II. About the Composer – Kwok Tsun-huen Favorite composers: Stockhausen, Joseph Schwantner, Beethoven, the Beatles Favorite visual artists: Leonardo de Vinci, Pablo Picasso Favorite movies: 2001: Space Odessy, Watchmen 4/ Boo Chun-kit’s Looking from the Below I. Q&A 1. How did the image/video inspire you to write this piece? The duality of this image provides me an inspiration of the number of two. 2. Please share your perception of “Hong Kong”. How did you convey this perception in your work? I think there is full of juxtaposition in Hong Kong, especially for the cultural aspect. In my work, I decide to use two contrasting melodic motives; sometimes I make the two motives appear at the same time. 3. All visual elements of this concert, which served as the initial inspiration for the composers, will be projected on screen during the performance. What is the difference between composing with and without a specified visual image? To compose with a specific visual image, I think composers should aware of the extra-musical elements that may be induced from the image, for example memories, emotion. This can affect how the audiences perceive your music. II. About the Composer - Boo Chun-kit Hobbies: Reading books, watching movies Composing habit: Improvise at first, then find some crucial relations between the musical elements, and recompose Favorite composer: Brahms 5/ Chan Chin-ting’s Reaching Up, Touching Down I. Q&A 1. Briefly introduce your commissioned work. This piece explores different perspectives of Hong Kong’s cityscape, particularly of the perspective looking from below. It is inspired by an image that portrays a person lying on a rooftop amid city noise, facing up against the sunshine but with the face covered. 2. How did the image/video inspire you to write this piece? The music takes inspiration from the image, re-imagines and vitalizes the sound world surrounding the subject, as though the collage of city noise uncovers his/her face, rising up to above and beyond the infinite layers of Hong Kong’s modern cityscape. 3.) Briefly share with us the composing techniques or styles you used in the piece. The composition uses Serial techniques as a foundation for the harmonic contents. The use of certain pitch sets is associated with my impressions of the photograph. II. About the Composer - Chan Chin-ting Hobbies: photography, writing computer programs Composing habit: can compose anywhere with a pencil, eraser and staff paper Favorite sound: sound in nature 6/ Chan Ho-yi’s The Lost Days I. Q&A 1. How did the image/video inspire you to write this piece? The photo makes me to meditate and reminisce my old young days in Hong Kong. And they are only left for me to cherish so I write a sentimental piece. 2. How does your commissioned work correlate with the visual image/video? The music correlates the visual image by its harmonic design. The linear writing in strings also depicts the ladder in the playground. 3. All visual elements of this concert, which served as the initial inspiration for the composers, will be projected on screen during the performance. What is the difference between composing with and without a specified visual image? With a specified visual image, the purpose of music is to serve the message hidden beneath. Music without visual is purely the establishment of relationship through sound. II. About the Composer - Chan Ho-yi Hobbies: Cooking, Eating Favorite scene: The elegance and peacefulness of the medieval town in United Kingdom Favorite music: Chinese choral music 7/ Chan Kai-young’s Variations on Light and Space I. Q&A 1. How did the image/video inspire you to write this piece? I was inspired by the contrasting elements abound in the image: the moving and the still, the living and the lifeless, space and obstruction, natural and artificial entities, to name just a few. 2. How does your commissioned work correlate with the visual image/video? The timeline of piece follows the trajectory of natural light from left to right, following the direction of the protagonist. Incomplete statements of thematic fragments correspond to the hidden subject, and the sudden change of register and texture mirrors the change of spaciousness across the image. 3. All visual elements of this concert, which served as the initial inspiration for the composers, will be projected on screen during the performance. What is the difference between composing with and without a specified visual image? The image is fundamental to guiding the imagination of the audience and offering an extra dimension of meaning in the music. II. About the Composer - Chan Kai-young Hobbies: Travel and Photography Favorite sound: All forms of water Favorite film director: Hayao Miyazaki 8/ Chris Hung’s Leaving I. Q&A 1) How does your commissioned work correlate with the visual image/video? Image serves as the catalyst of the music, being treated as the guiding direction for the idea of the composition. I would reserve my thought here in order to give you some space of free imagination. However, a trace of hint is shown in my program notes: "In the midst of climbing my mountain, On the verge of leaving my dream… Are you just an illusion?" 2) Briefly share with us the composing techniques or styles you used in the piece. Non-exact Imitative texture between different parts. Gradation of tension towards a climatic point. 3) Please introduce the special features or fragments of your work. In general, the melodic contour of the music is ascending with the metaphor of the first impression of the visual stimulus and physical presence of the photo. Very few extended techniques are employed in this work, probably one of the easiest piece I've composed... II. About the Composer – Chris Hung Composing habit: Gestural, fragmental, textural aspects first Favorite place in Hong Kong: Stanley Favorite composer(s): Karl Amadeus Hartmann / György Kurtág / Salvatore Sciarrino / 細川俊夫 9/ Lam Lai’s Twinkle Twinkle Little Tango I. Q&A 1) How did the image/video inspire you to write this piece? When I first viewed the photo, I immediately thought about street dancing. Since Milonga is one of my favourite dance, I was thinking to use an interesting tune that everyone is familiar with. I also think Mozart's Twelve Variations on "Ah vous dirai-je, Maman" may be an interesting match with tango. 2) How does your commissioned work correlate with the visual image/video? I remember I played this game on the street when I was small. There is an interesting rhythm in the foot steps, as most of the time you need to stop your posture and get the balance. I think this kind of irregular rhythm will also be interesting to hear in the piece. 3) Please share your perception of “Hong Kong”. How did you convey this perception in your work? I like the fast pacing of daily life in Hong Kong. When you are walking on the street, there are lots of fast repetition around you. Therefore, I try to put the piece to be similar to this circumstance, which is fast and having lots of tiny repetition. II. About the Composer – Lam Lai Composing habit: Start with a cup of milk tea Favorite place in Hong Kong: Central Favorite sound: water sound 10/ Livia Lin’s the tree says… I. Q&A 1) How did the image/video inspire you to write this piece? While many find Hong Kong to be a small vibrant city lacking recreational spaces, the image reminds me of pockets of nature and greenery in the city which we unconsciously not notice. The dense trees eclipsing the individual inspire me to put the trees on center stage in my composition. 2) All visual elements of this concert, which served as the initial inspiration for the composers, will be projected on screen during the performance. What is the difference between composing with and without a specified visual image? Music is a temporal form of art while a still image offers information instantly. I think composing with specific image prompts me to take more time in expressing an idea because I believe the audience, too, would have the luxury of delving deeper into the artists’ messages through listening and looking simultaneously. 3) Please introduce the special features or fragments of your work. This work anchors on two rhythmic elements – dotted rhythm and triplet. These rhythmic sways mimic the gentle flutter of the leaves throughout the composition. The audience will hopefully disengage from the steady pulse and assimilate with the ambience of the swaying leaves imperceptibly. II. About the Composer – Livia Lin Favorite place in Hong Kong: Lantau Island, Repulse Bay, Hong Kong International Airport Favorite scene: the meeting of the sky and water, the people flow in a cafe Favorite visual artist: Vasily Kandinsky, Jackson Pollock 11/ Lun Wai-kit’s Modernization I. Q&A 1) Briefly introduce your commissioned work. Migration of sound. 2) How did the image/video inspire you to write this piece? The first thing I have done was to find out the place/angle the photo was taken, then with the description of photo, I started to imagine what sound should be included in it. 3) All visual elements of this concert, which served as the initial inspiration for the composers, will be projected on screen during the performance. What is the difference between composing with and without a specified visual image? I don't need to think too much when there is an image. II. About the Composer – Lun Wai-kit Hobbies: DIY Composing habit: start actually composing at the last minute before deadline Favorite sound: Raindrops 12/ Shao Litang’s Seeking I. Q&A 1) How did the image/video inspire you to write this piece? The inspiration of the photo to me is that what we are really looking for in life. Life is full of experiences and anything can happen. Depending on what kind of person you are, you may be looking for different things. 2) All visual elements of this concert, which served as the initial inspiration for the composers, will be projected on screen during the performance. What is the difference between composing with and without a specified visual image? Composers will think about the interaction carefully between the message from the image and music. 3) Briefly share with us the composing techniques or styles you used in the piece. This piece starts with a vigorous six-note motive, followed by a peaceful harmonic section that gradually develops into a multi-layered chant-like theme. This theme becomes more energetic and rhythmic, moving towards a climax that resolves peacefully. II. About the Composer – Shao Litang Hobbies: Eating, Hiking Favorite place in Hong Kong: Tapmun (Grass-Island) Favorite scene: Maple leaves glowed red in the sunlight 13/ Shuen Lai-yin’s Street through a Glass Ball I. Q&A 1) All visual elements of this concert, which served as the initial inspiration for the composers, will be projected on screen during the performance. What is the difference between composing with and without a specified visual image? The visual image gave me loads of inspiration. It helps me to determine the structure, atmosphere and musical flow of the piece. 2) Briefly share with us the composing techniques or styles you used in the piece. I have constructed a chord using diatonic scales, and the chord developed from a close position and expanded to open position, whereas music tension is created and resolved at the same time. 3) Please introduce the special features or fragments of your work. It is a simple short piece. I tried to avoid special gestures in my work, as I would like to express the feeling of "Lost" in my music, which is motionless and solitude. II. About the Composer – Shuen Lai-yin Hobbies: Playing guitar, singing in a choir, riding bicycle. Favorite scene: Sunset near seashore Favorite composer/music: Toru Takemitsu 14/ So Ho-chi’s Confined Matters I. Q&A 1) How did the image/video inspire you to write this piece? The dense composition of the image makes me think of how my life is in this dense city. Hong Kong always have many things happen in a small places. Sometime they are too many, but at least they are colourful and diverse. 2) Please share your perception of “Hong Kong”. How did you convey this perception in your work? I think Hong Kong is a fast-pacing city that people receive many information and feel very differently. In my imagination, it is like montage or painting by Pablo Picasso. Inspired by this idea, I try to organise different blocks of materials in a musical way. 3) Briefly share with us the composing techniques or styles you used in the piece. There are musical elements in the piece where distinguished gesture and texture existed. Some of them might have different pitch organisation system in order to create contrast between elements which is to create the idea of montage. II. About the Composer – So Ho-chi Hobbies: Hiking, wondering in Hong Kong, reading Favorite place in Hong Kong: Tuen Mun Favorite composer/music: Igor Stravinsky 15/ Tam Ka-shu’s Little Hidden Momentum I. Q&A 1) Briefly introduce your commissioned work. My work depicts the restless spirit of Hong Kong – there are motions even in a quiet situation. It is inspired by an image that centred a workman and a still curtain fills up the other space. 2) How did the image/video inspire you to write this piece? While the large curtain in the image seems to project a still atmosphere, the truck and the worker reveal a vivid motion. This contrast in activity immediately connects me to a night scene in Causeway Bay – streets are empty but still project a dynamic atmosphere. 3) All visual elements of this concert, which served as the initial inspiration for the composers, will be projected on screen during the performance. What is the difference between composing with and without a specified visual image? Visual images set a fix parameter for composers. In order to bring out the theme of the images, composers have to fit their imagination within the set boundary. However, this does not mean to limit our creativity. Instead, we might see the parameters as guidelines for composing. II. About the Composer - Tam Ka Shu Favorite place in Hong Kong: Po Toi Island Favorite composer: Gyorgy Ligeti and Alfred Schnittke Favorite visual artist: Salvador Dali 16/ Wong Chun-wai’s Journey in the Dark I. Q&A 1) How did the image/video inspire you to write this piece? Through the video we observe people traveling in a train underground: to an observer they are isolated individuals on an aimless journey, moving forward passively and restlessly. It seems to be asking the meaning of life, a journey that we must all go on. 2) How does your commissioned work correlate with the visual image/video? The video is in black and white, and my music corresponds by carrying a dark tone, resulted from the use of non-functional harmonic progression, the domination of minor-sounding sonorities, and the prominent of the lower register of the instruments. 3) Briefly share with us the composing techniques or styles you used in the piece. In the music the string quartet is divided into three groups of instruments – violin I, cello and the inner group of instruments – each playing with their own materials and styles, symbolizing the isolation of individuals. There are almost no dialogues among them but the wheel of destiny pushes them all. II. About the Composers – Wong Chun-wai Hobbies: Composing Favorite composers: Joe Hisaishi/Gustav Mahler/Maurice Ravel/John Williams Favorite movie: Spirited away 17/ Wyman Wat’s Space Tight I. Q&A 1) Briefly introduce your commissioned work. My work “Space Tight” is about the high-density living environment in Central, Hong Kong. Fast, busy, crowded are the best words to describe the condition nowadays. 2) How does your commissioned work correlate with the visual image/video? According to the image, there are several high buildings surrounding a comparatively shorter yellow building in Central. We cannot find any space left in the picture. Thus, I composed my work with many compact rhythms to create this kind of tight feeling. 3) All visual elements of this concert, which served as the initial inspiration for the composers, will be projected on screen during the performance. What is the difference between composing with and without a specified visual image? With the specified visual image, it is no doubt that the composer’s idea will be more directly projected to the audience, which in turn helps the audiences’ understandings to the new works. Moreover, I believe that the visual elements will further stimulate the audiences’ own imaginations. II. About the Composers - Wyman Wat Favorite scene: Trams on rails in rainy day Favorite composer: Prokofiev Favorite visual artist: Piet Mondrian 18/ Yau May-kay’s The Road before me I. Q&A 1) Briefly introduce your commissioned work. 'The Road Before Me' was composed during busiest time of year 2015. 2) How did the image/video inspire you to write this piece? The video exactly reflects my commuting in Hong Kong - its repetitiveness, its tediousness ... 3) Briefly share with us the composing techniques or styles you used in the piece. Minimalism is used in this piece and I think it describes the video and my thoughts really well. II. About the Composer - Yau May-kay Favorite place in Hong Kong: I like hiking in Fanling, it overlooks the whole area of Fanling and the mainland which is breathtaking. Favorite composer/music: J.S. Bach Favorite director/movie: Abbas Kiarostami

YEUNG Sin-tung Jessie 楊倩桐 Yeung Sin-tung, Jessie, is pursuing a Bachelor of Arts in Music degree from the Chinese University of Hong Kong, majoring in the organ and minoring in the guqin under the teaching of Dr Anne Lam and Professor Lau Chor-wah. She previously studied at The Hong Kong Academy for Performing Arts and was a student in its Junior Music Programme. Upon leaving Munsang College, she studied composition with Poly Ng Hau-yee, Dr Phoebus Lee Kar-tai, and Li Kar-yee. She was granted a scholarship under the Hong Kong Composers’ Guild Mentorship Scheme and studied with Prof Wendy Lee in the GalaMusica•School Chamber Compositions 2019, organized by Hong Kong’s Education Bureau. She created signature tunes representing the four core collections of the Hong Kong Museum of Art under the guidance of Chiu Tsang-hei. She is now the double bassist for the Hong Kong Youth Chinese Orchestra. Yeung would like to express music’s simplicity and intrinsic qualities through performance and composition, exerting herself to explore the essence and inwardness of music in this boundless world of art. 楊倩桐現於香港中文大學就讀文學士（音樂）課程，主修管風琴，副修古琴，跟隨林芍彬博士及劉楚華教授學習。曾就讀香港演藝學院及其青少年音樂課程，畢業於民生書院，過去亦隨伍巧怡老師、李家泰博士、李嘉怡老師學習作曲。在教育局主辦「音樂薈萃．學校室樂創作 2019」獲得香港作曲家聯會導師計劃獎學金，跟隨李允琪博士學習作曲。前年2019 年在趙增熹先生指導下，為香港藝術館四大館藏譜寫和演奏主旋律。現為香港青年中樂團的低音大提琴手。 楊氏希望透過演奏和作曲，表達音樂的純粹。藝術的世界很大，還在探索，尋求音樂蘊含的意義和本質。 MAJOR WORKS 主要作品 Chamber Probity (2020) [8’30”] for Soprano Sheng, Zheng and Chinese Percussion 1st Movement: On the Love of Lotus 2nd Movement: Clean Forgive (2020) [5’] A duet for Cello and Piano Dash-Dots (2019) [3’16”] for Double Bass and Vibraphone with Electronic Sounds To a Tea Lover (2019) [3’] for Xiao, Erhu, Viola and Piano A Literati Painting of Bamboo from Black to Silvery Grey (2019) [4’] for Xiao and Double Bass A Peach Spring Beyond This World (2016) [4’30”] for Xiao, Clarinet in B♭, Erhu and Piano Instrumental Solo N Room (2020) [2’30”] Piano Solo World of Contrast (2019) [2’] for Cello and Electronic Sound Multimedia Volcano (Climax), Volcano (Co-composed) (2019) [2’30”] for Violin, Bassoon and Percussion, Electronic Sound with Dance Arrangement 廉潔進行曲 (2020) [2’10”] A Graduation Gift (2019) [6’] for a Symphony Orchestra 室樂 愛廉潔 (2020) [8’30”] 為高音笙、古箏和中樂敲擊而寫 第一樂章: 愛蓮說 第二樂章: 淨 寬恕 (2020) [5’] 大提琴和鋼琴的二重奏 點劃 (2019) [3’16”] 為低音大提琴、顫音琴和電子音樂而寫 煎茶 (2019) [3’] 為洞簫、二胡、中提琴和鋼琴而寫 渲竹 (2019) [4’30”] 為洞簫及低音大提琴而寫 桃花源 (2016) [4’30”] 為洞簫、單簧管、二胡和鋼琴而寫 獨奏 N 號房間 (2020) [2’30”] 鋼到獨奏 合士乙上 (2019) [2’] 為大低琴和電子音樂而寫 為多媒體創作 火山 (第三樂章) (2019) [2’30”] (合作創作) 為小提琴、巴松管、敲擊和跳舞而寫 編曲 Integrity March (2020) [2’10”] 畢業禮物 (2019) [6’] 為管弦樂團編寫 Back

CONTACT US The Hong Kong Composers' Guild Address: Unit 707 Hong Kong Arts Centre, 2 Harbour Road, Wanchai, Hong Kong Tel: (852) 2877-3982 Fax: (852) 2877-3380 E-mail: info@hkcg.org Office Hours: Monday to Friday 10:00 a.m. - 6:00 p.m. (Lunch hour: 1:00 p.m. - 2:00 p.m.) Closed on Saturdays, Sundays and Public Holidays SEND AN ENQUIRY If you have any enquiries or questions about the Guild, please complete the form below. We will reply to you as soon as possible. SUBMIT Thank you for your enquiry.

LIST OF MEMBERS AU Tin-yung Alex 歐天勇 BOO Chun-kit 布俊傑 BOZNOS James 龐樂思 BROMBERG Brian Patrick# 布萊恩 CHAN Chin-ting# 陳展霆 CHAN Heidi 陳曦梅 CHAN Joshua 陳錦標 CHAN Ka-fu Paul 陳家富 CHAN Kai-young 陳啟揚 CHAN Ming-chi 陳明志 CHAN Nga-man 陳雅雯 CHAN Nok-him 陳諾謙 CHAN Sze-rok 陳詩諾 CHAN Wai-kwong Victor 陳偉光 CHAN Wing-wah 陳永華 CHAN Yuk-pan 陳玉彬 CHANG Herbert# 張海伯 CHEN Chi-wai 陳智偉 CHEN Ning-chi 陳能濟 CHEN Yeung-ping 陳仰平 CHENG Anthony 鄭汝森 CHENG Chin-man 鄭展文 CHENG Ching-nam 鄭靖楠 CHENG Lee 鄭重言 CHENG Sik-nam 鄭錫楠 CHENG Zen-In Michelle 鄭心言 CHEUNG Pui-shan 張珮珊 CHIU Hok-man Elena 趙學文 CHOW Lora 周曉晴 CHUNG Chun-yiu 鍾振耀 CHUNG Tin-hon Aaron 鍾天瀚 CHUNG Wai-hin 鍾偉軒 FONG Lok-chi 方樂知 GWILT David (Honorary President) 紀大衛（名譽主席） HO Carmen 何嘉雯 HO Sung-chi Steve 何崇志 HO Tsz-yan 何子茵 HO Tze-yeung# 何子揚 HOFMANN Denise Mei-yan 何美恩 HUI Cheung-wai 許翔威 HUNG Ming-kin Christopher 洪銘健 IP Mun-wa 葉滿華 KAM Shing-hei Kahlen 甘聖希 KWOK Hang-kei 郭亨基 LAI Boon-tsing Joseph 黎本正 LAI Miu-yeung 黎渺揚 LAI Nga-ting Ada 黎雅婷 LAI Sheung-ping 黎尚冰 LAM Chi-ying Gigi 林芝瑛 LAM Chun-hei Matthew 林俊熹 LAM Doming (Honorary President) 林樂培（名譽主席） LAM Hong Chong Adrian 林瀚聰 LAM Kin-yee Gabriel 林建兒 LAM Kwan-fai 林鈞暉 LAM Shun 林迅 LAU Cheuk-Ho Fredrick 劉卓豪 LAU Hiu-lam 劉曉霖 LAU Siu-long Boris 劉劭朗 LAU Wing-fung Galison 劉詠浲 LAW Daniel 羅炳良 LAW Wing-fai 羅永暉 LEE Kar-tai Phoebus 李家泰 LEE Lok-on 李樂安 LEE Ping-kee Vincent 李秉麒 LEE Pui-shan Sandy 李佩珊 LEE Wan-ki Wendy# 李允琪 LEE Wing-wing# 李永榮 LEE Yi-wei Angus 李一葦 LEE Yin-ping# 李燕萍 LEUNG Chi-cheung 梁志鏘 LEUNG Chi-hin 梁智軒 LEUNG Chi-pong 梁志邦 LEUNG Chung-yin Ray 梁頌然 LEUNG Hin-yan Austin 梁騫仁 LEUNG Hong-yu 梁康裕 LEUNG Ka-tung Tony# 梁家棟 LEUNG Pak-hei 梁柏希 LEUNG Tai-wai David 梁大偉 LEUNG Tiffany 梁恩庭 LEUNG Wing-hang 梁永恆 LI Cheuk-yin 李卓賢 LI Kar-yee 李嘉怡 LI Kit-yiu Emily 李潔瑤 LIN Livia 凌崎偵 LO Hau-man 盧厚敏 LO Tsz-to Toto 盧子陶 LOH Ming-ching Mark 羅明正 LUK Wai-chun 陸尉俊 LUO Yanjin Lauren 羅彥瑾 MA Jiu-yue 馬久越 MAK Chi-piu 麥志彪 MAK Clarence 麥偉鑄 MAN Ho-yan 萬可仁 MOK Kei-hon Simon 莫麒瀚 MOK Kin-yee Raymond 莫健兒 MUI Kwong-chiu 梅廣釗 NG Chun-hoi Daniel 吳俊凱 NG Hau-yee Poly 伍巧怡 NG King-fung Kelvin 伍擎峯 NG Wah-hei 伍華晞 NG Yan-ling 伍昕靈 PANG Chun-ting 彭振町 PANG Kwan 彭珺 PONG Pak-kan 龐百勤 POON Po-choi Maurice 潘寶才 SHAO Litang 邵麗棠 SHING Chun-hay 成俊曦 SHIU Wai Yau William 邵偉祐 SHUEN Lai-yin 孫禮賢 SO Adrian 蘇哲 SO Chuen-on 蘇傳安 SO Ka-wai 蘇家威 SO Lok-pui 蘇諾培 Sandoval Inaki# TAM Chin-fai Samuel 譚展輝 TAM Ka-shu Kenneth 譚家樹 TAM Lok-hei Alvin 譚樂希 TANG Chak-yan 鄧澤恩 TANG Hoi-ching Katie 滕鎧晴 TANG Man-ngai 鄧文藝 TANG Pan-hang 鄧斌衡 TING Chung-wai Brian 丁宗偉 TSANG Chi-yeung 曾子揚 TSANG Lok-yan 曾樂欣 TSANG Shun-han 曾淳頎 TSANG Yip-fat Richard (Founding Chairman) 曾葉發（創會主席） TSANG Yiu-kwan 曾耀君 TSE Nok-kiu 謝諾翹 TSUI Mei-ling Meilina 徐美玲 TUNG Chi-wai 董智煒 TUNG Lai-shing 董麗誠 Talbot George# VONG Hin-ching 黃軒靖 WANG Qiang 王強 WAT Nga-man 屈雅汶 WONG Anson Ying-shun 王應淳 WONG Chi-san 黃志燊 WONG Ching-yin 黃正彥 WONG Chun-wai 黃俊諱 WONG Chung-hei 黃頌熙 WONG Hok-yeung Alfred 黃學揚 WONG Hung-pok 黃鴻博 WONG Kong-yu 王廣宇 WONG Lok-hang Amos 王樂行 WONG Yat-wai Joseph 黃逸偉 WONG Yeuk-hei 黃若曦 WONG Yok-yee 黃育義 WU Ho-chee 胡浩志 WU Yimin 吳藝敏 Wan Tsz-yui Isaac 尹梓睿 YAU Yuk-fung 邱玉鳳 YEUNG Hoi-ching Alice 楊凱晴 YEUNG Pak-lun David 楊伯倫 YEUNG Sin-tung Jessie 楊倩桐 YEUNG Tsz-yan 楊芷欣 YIM Fuk-wing 嚴福榮 YIP Ho-kwen Austin 葉浩堃 YIP Pui-lam Amos 葉沛林 YIP Shu-kin Stephen 葉樹堅 YIP Ting 葉婷 YIU Hon-fai Cliff 姚漢輝 YU Chiu-for 余昭科 YU Tsz-long 余梓朗 YUEN Viola 阮慧玲 YUNG Sin-kan Bonnie 翁蒨懃 YUNG Sing-nga Rita 翁聲雅 # Symbol of Associate Member.

SO Lok-pui 蘇諾培 MAJOR WORKS 主要作品 Back

AWARDS & RECOGNITION Title 項目 HKCG Awards PROGRAMMES RESULTS New Generation 音樂新一代 2024 Click here for the list of finalists and winners Members' Recognition Tam Ka-shu Kenneth wins second prize at the ACL Festival 2022 Young Composers Competition Congratulations to Tam Ka-shu Kenneth for winning second prize with his work “Flux”, at the ACL Festival 2022 Young Composers Competition. Yu Tsz-long was chosen as one of the Recommended Works by Composers Under-30 at the 67th IRC Congratulations to our member Mr. Yu Tsz-long, for his work ‘Please Don’t Open’ being chosen as one of the Recommended Works by Composers... Dr. Austin Yip wins the Award for Young Artist (Music) at the 15th Hong Kong Arts Development Awards Congratulations to our treasurer Dr. Austin Yip on receiving the Award for Young Artist (Music) at the 15th Hong Kong Arts Development... Dr. Mui Kwong-chiu wins the Artist of the Year (Music) at the 14th Hong Kong Arts Development Awards Congratulations to our chairman Dr. Mui Kwong-chiu on receiving the Award of the Year (Music) at the 14th Hong Kong Arts Development...

MUSICAL CONVERGENCE 2019 "Musical Convergence" is a concert jointly presented by Hong Kong Composers’ Guild, Chung Chi College of the Chinese University of Hong Kong and RTHK Radio 4. It is a musical collaboration of Music Joint Association (a Chinese music ensemble) mixing with a saxophone and a flute. In this concert we shall enjoy the music works of Hong Kong Composers’ Guild members as well as compositions from the Music Department of Chung Chi College. Concert Date & Time: March 8, 2019 (Friday) at 8 p.m. Venue: RTHK Studio One Concert Producers: Dr. Chan Kai-young, Daphne Lee Conductor: Raoul Lay Performers: Chan Tsz-chun Brian (Sheng) Wah Chi-shing Anthony (Saxophone) Music-Joint Association Wong Ling-yan Chass (Pipa) Ma Sze-yan Yanki (Yangqin) Lem Ling-ling (Liuqin, Da-ruan) Ng Kai-hei Jason (Zhong-ruan, Da-ruan) Lau Wai-yan (Zheng) Programme: Leung Pak-hei Alvin - Lake Ad Excellentiam Sketch* A Night Between Woods...and Melancholy* Chris Hung - Sands of Time Cheng Ching-nam Hippocrates - Purification Wong Chun-wai - Autumn Leaves Clarence Mak - Flowers Flying Fantastic *Commissioned work

HONG KONG CONTEMPORARY MUSIC FESTIVAL 2020: ASIAN DELIGHTS I Chai Found Music Workshop 采風樂坊 Chinese ensemble concert with Chai Found Music Workshop 中樂合奏音樂會 - 采風樂坊 21.11.2020 8PM 音樂會場刊 House Programme ling4-ling4-ling4 Hippocrates Cheng (H ong Kong) Bald Mountain . Echoed Sound Chris Hung (H ong Kong) Bird Singing by the Brook Tang Man-ngai (H ong Kong) Breakthrough Leung Chi-cheung (H ong Kong) Together as One We Breathe Larry Shuen (H ong Kong) * Here is Wind, There is Tree, But They Never Meet Austin Yip (H ong Kong) * Wandering in a Labyrinth Pan Hwang-long (Taiwan) * Commissioned composers 零・凌・靈 鄭靖楠（香港） 空山・聲鳴 洪銘健（香港） 鳥鳴澗 鄧文藝（香港） 望困破 梁志鏘（香港） 一息 孫禮賢（香港）* 這邊有風，那邊有樹，它們卻不相遇 葉浩堃（香港）* 迷宮・逍遙遊 潘皇龍（台灣） * 委約作曲家 采風樂坊 Chai Found Music Workshop 采風樂坊成立於1991年。成立以來，活躍於國內外樂壇，除了表演傳統音樂及臺灣音樂外，亦致力於現代音樂的演奏。其足跡遍及世界各地，在國際上獲得極高的評價。 在采風樂坊的表演中，無論是純粹的音樂演奏，或是結合跨界的劇場表演，皆以傳統音樂為根基，再進而將觸角延伸至當代，融合各式文化，並擴展其作品範圍。樂坊連續多年獲得文化部傑出演藝團隊殊榮，以及文化部演藝團隊分級獎助計劃的支持。另一方面，樂坊也出版樂譜和音樂專輯，以推廣其音樂理念。 采風樂坊未來仍會秉持立足傳統、迎向當代的理念，繼續提供一個優質的文化融合平台，呈現更廣闊的專業表演。對采風樂坊而言，傳承不只是樸素的承續，更要使傳統再次發展。 Since 1991, the Chai Found Music Workshop (CFMW) has been active on the national and international music scenes. Over the years, the group has performed contemporary classical music as well as traditional Chinese and Taiwanese music in countless concerts in Taiwan, Asia, Europe, and the Americas. CFMW has gained the reputation of being one of the foremost sizhu (Chinese chamber music) ensembles in the world. The idea behind all of CFMW’s musical and cultural activities is the advancement of traditional Taiwanese music, both in and out of the confines of Taiwan. CFMW adheres to the foundation of traditional Taiwanese music and perfects its artistic achievement with contemporary extensions. The Council of Cultural Affairs of Taiwan has supported and endorsed the group’s activities for years, and has granted it numerous awards for its excellence. Chai Found Music Workshop will keep the vision of maintaining the tradition, but at the same time providing a high-quality cultural integration by injecting contemporary elements in its professional performances. It does not only inherit the tradition, but let traditional music to develop again. Other Concerts of the Festival 其他音樂節音樂會

LI Cheuk-yin 李卓賢 李卓賢，香港作曲家，音樂製作人，古典結他演奏者，近年活躍於影視媒體配樂創作。2012年畢業於香港演藝學院，先後獲得音響設計及音樂錄音文憑、作曲文憑及音樂學士（榮譽）主修作曲。在學期間師隨潘寶才學習作曲，黃文錦學習古典結他。在學作品《Life Cycle of Mayfly》曾於入2009年度入選《音樂新一代》。 畢業後曾參與聖樂工作，與香港聖樂促進會創辦人譚靜芝博士合署翻譯《聖經與崇拜》一書。近年主要作品多以影視及多媒體為主，原創電影配樂包括《極限拯救》、《失蹤》、《逃獄兄弟》及《魔根》等等；電視劇集配樂製作多不勝數，其中包括超過2500集《愛回家》系列、《東方華爾街》、《PTU機動部隊》、《長安少年行》等等；舞台劇作品有包括《All's Well That Ends Well 終成眷屬》、《Moodless》、《Moodless II: Severely Unaffordable》及Inital 2018春夏《東方列車》發佈會。其舞台劇作品《火鳳燎原》舞台劇‧壹《亂世英雄》於2019年與林鈞暉和陳玉彬一同獲頒香港舞台劇獎最佳原創音樂（戲劇）。 李氏多年來積極為古典結他創作嚴肅音樂作品，亦曾參與不同古典結他工作坊及大師班，並參與Alvaro Pierri 及Gerald Garcia 的結他大師班演出並獲得指導。 李氏亦熱衷於多媒體科技、創意學及意識學研究，曾於2019-2022年任職香港理工大學多媒體及科技碩士課程作客席講師，教授音響設計與科技課程。 MAJOR WORKS 主要作品 管弦樂 雅歌 Song of Songs (2012) 為大型管弦樂團而寫 大型室樂 前奏曲 Overture (2010) 為十四人室樂合奏而寫 室樂 氣息 qi xi (2007) 為鋼琴和大提琴而寫 不能承受的生命之輕 L'insoutenable légèreté de l'être (2008) 為長笛、大提琴和顫音琴而寫 Life Cycle of Mayfly (2009) 為單簧管、大提琴、笙、古箏和敲擊樂而寫 Dead Man Walking (2009) 為低音結他和顫音琴而寫 綠感 Quartet for the Touch of Green (2010) 為單簧管、巴松管、豎琴和中提琴而寫 死水 (2010) 為女高音、單簧管、大提琴和鋼琴而寫 念 nim6 (2011) 為弦樂四重奏而寫 憂愁變為喜樂 Grief Will Turn To Joy (2012) 為手鈴獨奏和結他而寫 三首歌 Three Songs (2012) 為女高音和結他而寫 獨奏 凝望星星的耳朵 Stargazing Ears (2008) 為鋼琴而寫 小品一號 Miniature No.1 (2010) 為中提琴而寫 眼淚的香膏 Perfume of Tears (2012) 為結他而寫 聖三一默想 Meditation on the Holy Trinity (2012) 為管風琴而寫 電子音樂 Stillness Flow (2011) 為Max/MSP 而寫 Back

WONG Ching-yin 黃正彥 Wong is currently studying music at the Chinese University of Hong Kong in the second year, majoring in pipe organ under Dr. Anne Lam. Since secondary school, he engaged in composing and arranging, in particular Chinese orchestral and contemporary chamber works. Wong actively composes for different settings. In 2015 and 2016, Wong’s works Entanglements and Fanfare were selected respectively for the Music from the Heart concerts of the Hong Kong Chinese Orchestra. In March 2016, his Chinese orchestral miniature …Standing at the far end of street, where the candlelight is the dimmest was discussed in the orchestral workshop at the Chinese Music Without Bounds - International Composers' Summit . In the recent years at the university, his works Asian Colors for Erhu Quartet and Vibes (4 Moments for Chamber Group) are premiered the Bauhinia Concert, a student composers’ showcase and were selected in both 2016 and 2017. Wong also performs on Chinese musical instruments. He studied erhu under guidance of Mr. Cheung Wai-fung. He was featured as soloists in multiple concerts, and is currently the concertmaster of the Hong Kong Youth Chinese Orchestra. He has followed the orchestra to tours in Taiwan, Shenyang and Shanghai. In the university, he is member of the Chinese music ensemble and has toured in Tsinghua University at Beijing China, as well as University of Cambridge and University of Oxford in the United Kingdom. 現為香港中文大學音樂系學士二年級生，師承林芍彬博士主修管風琴。自中學 年代，他投入於作曲和編曲，以現代民族管弦樂隊合奏和現代室內樂為主。 黃正彥積極為不同場合作曲。作品《纏繞》和《嘹亮》曾分別於 2015 和 2016年入選香港中樂團心樂集徵曲活動。2016 年三月，作品《那人，卻在燈火闌珊處》於中樂無疆界「國際作曲家高峰會」上被香港中樂團演奏。近年於大學裡，二胡四重奏《亞洲色彩》和室內樂《給室內樂組的 4 個瞬間：氛圍》亦分別於2016 和 2017 年入選音樂系紫荊音樂會。 除作曲外，黃正彥亦演奏中國弓弦樂器，二胡曾師承張偉鋒老師，並於多場音樂會中擔任獨奏。現為香港青年中樂團樂團首席，曾隨團赴台灣、瀋陽和上海演出。大學方面，他現為音樂系中樂小組的成員，曾代表中大出訪英國劍橋大學、牛津大學和北京的清華大學。 MAJOR WORKS 主要作品 Back

HONG KONG CONTEMPORARY MUSIC FESTIVAL 2020: ASIAN DELIGHTS I 21.11.2020 – 8PM Chinese ensemble concert 中樂合奏音樂會 with Chai Found Music Workshop (Taiwan) 采風樂坊（台灣） II 28.11 & 5.12.2020 – 8PM Electroacoustic concert with flute and violin 電子音樂會 - 長笛和小提琴 with Reiko Manabe (Japan) 間部令子（日本） Patrick Yim (Hong Kong) 嚴天成（香港） III 12.12 & 19.12.2020 – 8PM A cappella concert 無伴奏合唱音樂會 with Resonance (Taiwan) 留聲樂團（台灣） Sregnis Singers (Hong Kong) 合唱俠（香港） Play Video Play Video 59:02 中樂合奏音樂會 - 采風樂坊 Chinese Ensemble Concert with Chai Found Music Workshop 「香港當代音樂節：亞洲薈萃」第一場網上音樂會《中樂合奏音樂會﹣采風樂坊》今晚8時（2020年11月21日）在香港作曲家聯會Facebook和 YouTube 同時首播 ! 來自台灣的《釆風樂坊》將會向大眾呈獻以下7首具亞洲特色的原創當代音樂作品。各位音樂愛好者不容錯過！ 00:54 鄭靖楠 (香港) -《零．凌．靈》 08:50 洪銘健 (香港) -《空山．聲鳴》 15:24 鄧文藝 (香港) -《鳥鳴澗》 23:00 梁志鏘 (香港) -《望困破》 29:04 孫禮賢 (香港) -《一息》* 38:13 葉浩堃 (香港) -《這邊有風，那邊有樹，它們卻不相遇》* 47:13 潘皇龍 (台灣) -《迷宮．逍遙遊》 * 委約作品 音樂會場刊：https://www.hkcg.org/hkcmf20201 The 1st online concert “Chinese Ensemble Concert with Chai Found Music Workshop” of the Hong Kong Contemporary Music Festival: Asian Delights is NOW having its premiere (21 November 2020) on Guild’s Facebook and YouTube! Performed by Chai Found Music Workshop from Taiwan, the following 7 originally written contemporary works will be featured. Stay tuned! 00:54 Hippocrates Cheng (Hong Kong) – ling4-ling4-ling4 08:50 Chris Hung (Hong Kong) - Bald Mountain ‧ Echoed Sound 15:24 Tang Man-ngai (Hong Kong) – Birds singing by the brook 23:00 Leung Chi-cheung (Hong Kong) – Breakthrough 29:04 Larry Shuen (Hong Kong) – Together as One We Breathe* 38:13 Austin Yip (Hong Kong) – Here is Wind, There is Tree, But They Never Meet* 47:13 Pan Hwang-long (Taiwan) – Wandering in a Labyrinth * Commissioned works Concert House Programme: https://www.hkcg.org/hkcmf20201 Play Video Play Video 38:56 小提琴電子音樂會 Electroacoustic Concert with Violin 「香港當代音樂節：亞洲薈萃」第二場網上音樂會《電子音樂會 ﹣小提琴》於2020年11月28日晚上8時在香港作曲家聯會Facebook和 YouTube 同時首播 ! 是次音樂會融合音樂、電子及影像三大元素，小提琴家嚴天成將向大眾呈獻4首各具特色的原創當代音樂作品。各位音樂愛好者請細心欣賞！ 01:00 梁家棟 (香港) -《月光光照地堂》 09:55 歐天勇 (香港) -《自我對話》* 19:09 莎維雅荷（芬蘭） ﹣《飾帶》I. 黃飾帶， II. 花之飾帶 29:09 李一葦 (香港) -《Palimpsest [Lapsus memoriae VIII] 》* * 委約作品 音樂會場刊：https://www.hkcg.org/hkcmf20202 The 2nd online concert “Electroacoustic Concert with Violin” of the Hong Kong Contemporary Music Festival: Asian Delights is now having its premiere (28 November 2020 at 8pm) on Guild’s Facebook and YouTube! Performed by violinist Patrick Yim, this concert combines music, electronics and visual featuring the following unique contemporary works written by 4 composers. Please enjoy! 01:00 Leung Ka-tung Tony (Hong Kong) – Lunar Luminance 09:55 Au Tin-yung Alex (Hong Kong) – Self-talk* 19:09 Kaija Saariaho (Finland) – Frises: I. Frise jaune, II. Frise de fleurs 29:09 Angus Lee (Hong Kong) - Palimpsest [Lapsus memoriae VIII] * * Commissioned works Concert house programme: https://www.hkcg.org/hkcmf20202 Play Video Play Video 49:04 長笛電子音樂會 Electroacoustic Concert with Flute 「香港當代音樂節：亞洲薈萃」第三場網上音樂會《電子音樂會 ﹣長笛》於2020年12月5日晚上8時在香港作曲家聯會Facebook和 YouTube 同時首播 ! 音樂會再次融合音樂、電子及影像三大元素，由來自日本的長笛演奏家間部令子向大眾呈獻5首各具特色的原創當代音樂作品。請大家細心欣賞！ 1:07 龐樂思 (香港) -《Zoon》 10:35 鄭汝森 (香港) -《混 I》* 19:20 湯淺讓二 (日本) -《領域》 29:09 余梓朗 (香港) -《瀧》 38:33 鄭重言 (香港) -《山水》* * 委約作品 音樂會場刊：https://www.hkcg.org/hkcmf20202 The 3rd online concert “Electroacoustic Concert with Flute” of the Hong Kong Contemporary Music Festival: Asian Delights is now having its premiere (5 December 2020 at 8pm) on Guild’s Facebook and YouTube! Performed by Japanese flutist Reiko Manabe, this concert combines music, electronics and visual featuring the following unique contemporary works written by 5 composers. Please enjoy! 1:07 James Boznos (Hong Kong) – Zoon 10:35 Anthony Cheng (Hong Kong) – Hybridity I* 19:20 Joji Yuasa (Japan) – Domain 29:09 Yu Tsz-long (Hong Kong) – Torrent 38:33 Lee Cheng (Hong Kong) - Shanshui* * Commissioned works Concert house programme: https://www.hkcg.org/hkcmf20202 Play Video Play Video 36:18 無伴奏合唱音樂會 - 留聲樂團 A Cappella concert with Resonance 「香港當代音樂節：亞洲薈萃」第四場網上音樂會《無伴奏合唱音樂會 ﹣留聲樂團》於2020年12月12日晚上8時在香港作曲家聯會Facebook和 YouTube 同時首播 ! 這場音樂會由來自台灣的留聲樂團向大眾呈獻6首香港作曲家原創 A Cappella 作品 + 台灣歌編作。請立即收聽，不要錯過! 02:14 譚展輝 (香港) -《將進酒》* 09:14 邱恩 [編曲] (台灣) - 《奈何》 15:08 鄭心言 (香港) -《人在嗎?》 20:14 謝宇威 (台灣) -《一儕》 26:39 梁柏希 (香港) -《是，你還是害怕忘記想起來了》 33:28 邱恩 [編曲] (台灣) - 《南王系之歌》 * 委約作品 音樂會場刊：https://www.hkcg.org/hkcmf20203 The 4th online concert “A Cappella Concert with Resonance” of the Hong Kong Contemporary Music Festival: Asian Delights is now having its premiere (12 December 2020 at 8pm) on Guild’s Facebook and YouTube! Performed by Resonance from Taiwan, the following 6 original A Cappella works written by Hong Kong composers and Taiwanese arrangement works will be featured. Please enjoy! 02:14 Tam Chin-fai Samuel (Hong Kong) – Qiang Jin Jiu* 09:14 Sakinu Tjakisuvun (arranger)(Taiwan) - Sigh of not being with you 15:08 Cheng Zen-in Michelle (Hong Kong) – Anyone here? 20:14 Hsieh Yu-wai (Taiwan) - Alone 26:39 Leung Pak-hei (Hong Kong) – Rain Fragments 33:28 Sakinu Tjakisuvun (arranger)(Taiwan) - Song of Puyuma * Commissioned work Concert house programme: https://www.hkcg.org/hkcmf20203 Play Video Play Video 32:10 無伴奏合唱音樂會 - 合唱俠 A Cappella Concert with Sregnis Singers 「香港當代音樂節：亞洲薈萃」最後一場網上音樂會《無伴奏合唱音樂會﹣合唱俠》於2020年12月19日晚上8時在香港作曲家聯會Facebook和 YouTube 同時首播 ! 是晚音樂會由香港古典派無伴奏合唱組合「合唱俠」向大眾呈獻5首香港作曲家原創 A Cappella 作品 。請細心收聽，不要錯過！ 00:57 彭珺 (香港) -《聖母頌》 07:18 阮慧玲 (香港) - 《出路…》 12:30 伍華晞 (香港) -《冬》* 18:31 鄧澤恩 (香港) - 《散步》 25:39 李佩珊 (香港) -《一步》 * 委約作品 音樂會場刊：https://www.hkcg.org/hkcmf20203 The final online concert “A Cappella Concert with Sregnis Singers” of the Hong Kong Contemporary Music Festival: Asian Delights is now having its premiere (19 December 2020 at 8pm) on Guild’s Facebook and YouTube! Performed by the local classical-style A Cappella ensemble - Sregnis Singers, the following 5 original A Cappella works written by Hong Kong composers will be featured. Please enjoy! 00:57 Pang Kwan Kevin (Hong Kong) – Ave Maria 07:18 Viola Yuen (Hong Kong) – A Way Out… 12:30 Ng Wah-hei (Hong Kong) – Winter* 18:31 Tang Chak-yan (Hong Kong) – Stroll 25:39 Lee Pui-shan Sandy (Hong Kong) – One Step * Commissioned work Concert house programme: https://www.hkcg.org/hkcmf20203 21 Nov 2020 Chai Found Music Workshop 采風樂坊 Chinese ensemble concert with Chai Found Music Workshop 中樂合奏音樂會 - 采風樂坊 Hippocrates Cheng (Hong Kong) Chris Hung (Hong Kong) Leung Chi-cheung (Hong Kong) Pan Hwang-long (Taiwan) Larry Shuen (Hong Kong) * Tang Man-ngai (Hong Kong) Austin Yip (Hong Kong) * * Commissioned composers 鄭靖楠（香港） 洪銘健（香港） 梁志鏘（香港） 潘皇龍（台灣） 孫禮賢（香港）* 鄧文藝（香港） 葉浩堃（香港）* * 委約作曲家 Concert Details 音樂會詳情 28 Nov & 5 Dec 2020 Patrick Yim (violin), Reiko Manabe (flute) 嚴天成（小提琴）、間部令子（長笛） Electroacoustic concert with violin and flute 電子音樂會 - 小提琴和長笛 James Boznos (Hong Kong) Anthony Cheng (Hong Kong) * Lee Cheng (Hong Kong) * Yu Tsz-long (Hong Kong) Joji Yuasa (Japan) Au Tin-yung Alex (Hong Kong) * Angus Lee (Hong Kong) * Leung Ka-tung Tony (Hong Kong) Kaija Saariaho (Finland) * Commissioned composers 龐樂思（香港） 鄭汝森（香港）* 鄭重言（香港）* 余梓朗 （香港） 湯浅譲二（日本） 歐天勇（香港）* 李一葦（香港）* 梁家棟（香港） 莎維雅荷 (芬蘭） * 委約作曲家 Concert Details 音樂會詳情 12 & 19 Dec 2020 Resonance, Sregnis Singers 留聲樂團、合唱俠 A cappella concert with Resonance and Sregnis Singers 無伴奏合唱音樂會 - 留聲樂團和合唱俠 Cheng Zen-in, Michelle (Hong Kong) Leung Pak-hei, Alvin (Hong Kong) Tam Chin-fai, Samuel (Hong Kong) * Hsieh Yu-wai (Taiwan) Sakinu Tjakisuvun (Taiwan) Lee Pui-shan, Sandy (Hong Kong) Ng Wah-hei (Hong Kong) * Pang Kwan (Hong Kong) Tang Chak-yan (Hong Kong) Viola Yuen (Hong Kong) * Commissioned composer 鄭心言（香港） 梁柏希（香港） 譚展輝（香港）* 謝宇威 (台灣) 邱恩 (台灣) 李佩珊（香港） 伍華晞（香港）* 彭珺（香港） 鄧澤恩（香港） 阮慧玲（香港） * 委約作曲家 Concert Details 音樂會詳情

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