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《世外桃源》 The Otherworldly Peach Blossom Spring 黃子森（亞軍） Wong Tsz-sum（1st Runner Up) 香港科技大學物理系畢業生，曾於大學隨 Ilari Kaila 學習作曲。黃氏曾入圍「#未開館先開鑼！」作曲比賽及香港青年樂隊大賽決賽，創作類型包括中西交響及室內樂，曾參與短片配樂創作，亦有中英日流行曲作曲作詞經驗。 Physics Graduate of The Hong Kong University of Science and Technology, and student of Ilari Kaila in composition in university. Wong was one of the 21 selected composers in Sig. Tune for HKMoA: Creative Music Programme, and finalist in Hong Kong Youth Band Competition. Wong writes Western and Chinese chamber and symphonic works, has previously participated in video score writing, and has experience in composing and writing popular music in Chinese, English and Japanese. 晉朝劉宋陶淵明所寫的《桃花源記》是聞名的文學經典。文中體現出對理想鄉的嚮往，描寫這個理想鄉的脫俗的同時，也畫上了幾分夢幻。 本曲旨在引導聽者代入文中的漁民，一同探索這蓬萊美景。 Written by Tao Yuanming, the “Peach Blossom Spring Story” is a staple in Classical Chinese Literature. The fable exemplifies the author’s longing for an utopia by illustrating the etheralness of the village, which also painted a mysterious stroke for the story. This piece aims to guide the audience into the place of the fisherman of the story, and explore together the otherworldly beauty of the Peach Blossom Spring. Back

《謎》 Enigma 伍昕靈 Ng Yan-ling Illuminatius 伍昕靈於香港演藝學院主修作曲及電子音樂，在四年的學習中，曾多次獲獅子會音樂慈善基金獎學金、柏斯音樂創作奬學金、及香港演藝學院成績優異獎學金。其作品多次獲獎，包括2017年美國紐約金鑰匙音樂節鋼琴作曲比賽第二名、2022年香港電影作曲家協會主辦香港原創電影音樂作品優秀評審推薦獎第一名、2023年香港作曲家聯會的音樂新一代作曲比賽第三名等。 伍氏的不同作品屢次獲邀作首演，包括於香港電台第四台、西九龍文化區、台灣當代文化實驗室（C-LAB）、及維也納Palais Ehrbar等，並獲2019年聯合國可持續發展高級別政治論壇之「和諧與和平」周邊會議委約，於紐約開幕禮上首演，大獲好評。伍氏亦經常與香港及世界著名團體及藝術家合作，包括羅曼四重奏、香港創樂團、創不同及敲擊襄等等。 Ng Yan-ling Illuminatius is now studying at the Hong Kong Academy for Performing Arts, majoring in music composition and electronic music. She was awarded the Lions Music Charity Foundation Scholarships, Parson Outstanding Composition Student for Creative Music Scholarships, and The Society of Hong Kong Academy for Performing Arts Merit Awards for Local Students during her four years of study. Her works won many awards, including the second place in the 2017 Golden Key Music Festival - Piano Composition Competition in New York, the United States, the first place in the 2022 Hong Kong Original Film Music Outstanding Jury Recommendation Award, organized by Hong Kong Film Composers’ Association, and the third place in New Generation 2023, organised by Hong Kong Composers’ Guild etc. Ng’s work has been premiered and broadcasted in Radio Television Hong Kong Radio 4, West Kowloon District, and Taiwan Contemporary Culture Lab(C-LAB), and Palais Ehrbar in Vienna. She was also well received in the opening ceremony of “The Side Event at the 2019 High-level Political Forum on Sustainable Development under the auspices of the Economic and Social Council of the United Nations: Harmony and Peace” which was commissioned in New York, the United States in 2019. NG worked with various music groups, artists in Hong Kong and wordwide, including Romer String Quartet, Hong Kong New Music Ensemble, MaD (Make A Difference), and Toolbox Percussion etc. 面對世間萬事萬物，我們能希望處之泰然，從容面對。當我們鼓起勇氣，迎難而上，本相是問題比方法多。作品旨在描繪世界種種，皆高不可際，深不可測。 《謎》分為四部份。「玄．謎」運用各種不平均節奏與不協和音程探索敲擊四重奏特別的聲音融合，例如特別用敲擊棒側部敲打馬林巴琴邊，帶出清脆的聲音。音樂勾畫不如意事對人帶來的衝擊，面對無法解拆的紛擾時，人感到內外交困，束手無策。「困．謎」以各種敲擊樂互相的交替，伴隨着既散亂又迫切的節奏，展現人面對困難時的茫然若失。「懸．謎」，敲打樂段以自由拍子、各種音色概念的變化（如大鼓、鑼、小鼓的superball效果及用硬幣在鈸轉動的聲音），帶出徬徨的情緒。「樂．謎」則以強烈的節奏感，帶出人可樂觀面對眼前的阻攔。。 We all hope to be at ease and face our daily life calmly. When we muster up the courage to face difficulties, the truth is that there are far more problems than solutions. The work aims to describe the world, which is immeasurable and unfathomable. Enigma is divided into 4 sections. The first section, ‘Mysterious’ uses various uneven rhythms and dissonant intervals to explore the unique sounds for percussion quartet, such as playing on the edge of the bar with mallet handles. The music outlines the impact of matters going against people’s wishes, bringing out that when faced with unresolved turmoil, people feel troubled and helpless. The second section, ‘Trap’ utilizes the alternation of percussion instruments, accompanied by scattered rhythms, depicts the perplexity when people facing with difficulties. ‘Lost’ uses free tempo (senza misura) and diverse timbral changes (for example, the sound of superball for bass drum, tam-tam, snare drum, and the sound of a coin to scraping a cymbal) to illustrate the helplessness of people in obstacles. The last section, ‘Energetic’, the unison aims to describe that people can face the hurdles in front of them with optimism. Back

《異質變異數 II》 Heteroskedasticity II 區顥曦 Au Ho-hei 區顥曦目前正在香港大學攻讀作曲哲學碩士學位，師從陳慶恩教授。區氏曾與多個藝團合作。最近，他的管弦合唱作品《聽！那午夜的鐘聲在迴蕩》於2024年3月由香港管弦樂團首演。 除作曲外，區氏亦活躍於指揮領域，演出自己的作品。他曾指揮香港大學管弦樂團首演他的《金氏變奏曲》，以及指揮聯校大學樂團演出西貝流士《芬蘭頌》。去年，他亦指揮香港管弦樂團圓號小組，首演他的《戀人們與星辰的愛》。 Anthony Au Ho-hei is currently an MPhil (Composition) candidate at the University of Hong Kong (HKU), under the tutelage of Professor Chan Hing-yan. Previously, Au attained a Bachelor of Finance with First Class Honours from HKU in 2022, consistently earning a place on the Dean’s Honours List each year. Au has worked closely with various art groups, including the Hong Kong Philharmonic Orchestra, Hong Kong New Music Ensemble, Hong Kong University Philharmonic Orchestra, and HKU MUSE. Au is also engaged in conducting, often premiering his own works. In 2019, he led the premiere of his Korean Variations with the Hong Kong University Philharmonic Orchestra. In 2021, he conducted the Joint University Orchestra to bring Sibelius’ Finlandia. In 2023, he conducted the horn section of the Hong Kong Philharmonic Orchestra in the premiere of his chamber work, Lovers and the Love of the Stars. Recently, in March 2024, Au’s orchestral-choral composition Hark! The Midnight Bell Echoes was premiered by the Hong Kong Philharmonic Orchestra, Hong Kong Philharmonic Chorus, and HKU Chamber Singers, under the baton of Chloé Dufresne, with soprano Kenix Tsang serving as the reciter. 此曲旨在呈現，藝術是現實中隨機過程的節錄和再現。世界是由成千上萬的隨機過程交織而成，而音樂和隨機過程亦驚人地相似。音樂與股票價格或經濟指標一樣，可以被分析為時間序列或縱橫資料。它們會隨著時間推移而演變，在宏觀層面上展現出隨機行為，同時亦受最近的表現影響。 藝術和音樂不是隨機過程，而是我們在隨機過程中捕捉、節錄並再現的部分。相比起建造，藝術創作可能更接近是個減除的過程，在大千世界中挑選有趣的時刻，並加以雕琢和演繹。 Heteroskedasticity II is a musical embodiment of the concept that art is a reinterpretation of real-world stochastic processes. Our world is a complex tapestry of stochastic processes, evident in our societies and individual lives. The unpredictability of daily life manifest as randomness; events often unfold by chance and without a predictable pattern. Every aspect of life, from the trajectory of our careers to our marital plans, is essentially a stochastic process. While we can observe and estimate broad trends and macro patterns, precise predictions elude us due to this inherent randomness. Music exhibits striking similarities to stochastic processes. A musical composition, akin to fluctuations in stock prices or changes in macroeconomic indicators, can be analyzed as a time series or panel data. These phenomena evolve over time, displaying stochastic behaviors at a macro level while maintaining a dependency on their recent past. Their visual representations also bear resemblances. Art, including music, can be viewed as our attempt to capture and reproduce parts of these stochastic processes that resonate with us. The genesis of art might better be understood as a process of subtraction, of selecting and reproducing moments of interest from the vast stochastic process of the existing world, rather than as an act of pure creation. Back

LO Tsz-to Toto 盧子陶 Lo Tsz To (Toto) is a composer and pianist from Hong Kong. He completed his Master’s degree in Music Composition at the University of Oxford, supported by the Hong Kong Scholarship for Excellence Scheme. Prior to that, he studied composition at Hong Kong Baptist University, where he was awarded the Scholarship for Outstanding Performance from the HKSAR Government Scholarship Fund. In 2024, Toto collaborated with a visual artist and writer Valerie Asiimwe Amani on the art film Language of Eternal Hauntedness , showcased at Fusion Arts FOCUS during the inaugural DEPOT event in Oxford. That same year, he began New Hybrids , an art film and music concert combining electronics and piano performance with the film, presented at the Jacqueline du Pré Music Building, St Hilda’s College. During Toto’s studies at Oxford, his 30-minute piano improvisation Sand & Sea was performed at the Leonard Wolfson Auditorium, Wolfson College. His compositions have been performed by the Oxford Philharmonic Orchestra, and his song was showcased by Oxford Song Young Artist Jonathan Eyers and pianist Thomas Eeckhout during the Oxford International Song Festival. His piano sextet Stars premiered at the Holywell Music Room, and other solo piano works were performed by pianist David Palmer. Toto’s string quartet Bat, Beasts and Birds was a finalist entry in the New Generation 2023 Competition, performed by the Romer Quartet at Radio Television Hong Kong. His trio Hexagonal Buzzing was presented by the Red Note Ensemble in The Glad Cafe at Glasgow, and his electroacoustic work From Jekyll to Hyde was diffused at Audio Mostly 2022 at St. Pölten University of Applied Sciences in Austria. His music has also been recorded by acclaimed musicians, including organist Ulla Krigul, Berliner Philharmoniker flautist Egor Egorkin, and harpist Olivia Jageurs. Toto is passionate about opera and has served as a répétiteur for the Oxford Opera Society, performing in In Her Place in May 2024. As a piano accompanist, he has worked with the Oxford Singers, the Wolfson Choir, the United College Choir (CUHK), and the Carol Bateman School of Dancing. As a choral performer, he has sung with the St Hilda’s College Choir in Mozart Requiem at the University Church, and with the Oxford University Chorus in Mahler Symphony No. 2 at the Sheldonian Theatre. He participated in the Thirteenth Symposium on Educational Advances in Artificial Intelligence, joining the Mentored Undergraduate Research Challenge: Human-Aware AI in Sound and Music. As a stage performer, Toto has taken part in numerous productions, including the Hong Kong Arts Festival, Palazzetto Bru Zane (Carmen ), American Ballet Theatre (Whipped Cream ), Teatro Regio Torino (Simon Boccanegra ), Bayerisches Staatsballett (La Bayadère ), Ballett Zürich (Anna Karenina ), and several productions with Opera Hong Kong, such as Turandot and Aida . MAJOR WORKS 主要作品 Back

CHAN Yuk-pan 陳玉彬 To be updated. 稍後更新。 MAJOR WORKS 主要作品 Back

YU Tsz-long 余梓朗 Yu Tsz Long, a Year 3 student is pursuing his Bachelor of Music degree at the Hong Kong Academy for Performing Arts(HKAPA), major in Music Composition & Electronic Music under the guidance of Ms. Poly Ng. Yu’s works have been premiered and broadcasted in different places like Radio Television Hong Kong Radio 4, Hong Kong Museum of Arts, WSU Electroacoustic Mini Festival etc, by different ensemble and artist as Wind Kamerata, Cong Quartet, Chiyauyan in Hong Kong; Dr. Sarah Miller(Trombonist) in USA. Also, one of the work’s recording “Please Don’t Open” for Trombone and Electronic has been selected to the 67th International Rostrum of Composers in the coming November. 余梓朗現為香港演藝學院音樂學士三年級生，師隨伍巧怡老師，主修作曲及電子音樂，作品類型由小型合奏至大型管樂團和電子音樂等。余氏的作品曾由管樂雅集、Cong 四重奏、自由人、Dr. Sarah Miller(長號手)等，在香港電台第四台、香港藝術館、華盛頓州立大學電子音樂節等演出。另外，作品《請不要打開》為長號和電子而作的錄音，更被選中音參與11月的國際作曲家論壇 2020。 MAJOR WORKS 主要作品 Back

WU Yimin 吳藝敏 Yimin Wu's compositions have been actively performed in various regions and through radios. His music have been featured in WOCMAT Forum Conference (TW), Zodiac Music Academy & Festival (FR), Acoustic Frontier Project (US), Bowling Green State University MicroOpera Concert (US), KC VITAs Summer Series (US), International Computer Music Conference (KR), Asian Composers League Festival & Conference (TW), The Robert H. N. Ho Family Foundation Composers Scheme (HK), among others. His work was performed by notable ensembles and musicians, such as Toledo Symphony Orchestra (US), Hong Kong Philharmonic Orchestra, Brazilian National Orchestra (BR), Hong Kong New Music Ensemble, Zodiac Trio (FR/US), Cong Quartet (HK), Unassisted Fold (IT), and Hong Kong Wind Kamerata. Wu won the First Prize in 2018 New Generation Concert, held by the Hong Kong Composers' Guild and Radio Television Hong Kong. His orchestral work has been selected for the Asian Composers League Conference (NZ). Wu graduated from Bowling Green State University and Hong Kong Baptist University in music composition. Wu's primary composition teachers are Christopher Coleman, Mikel Kuehn, and Marilyn Shrude. Wu received LRSM in piano performance. Wu has received numerous scholarships, including Toledo Symphony Orchestra Composition Scholarship, HKSAR Government Talent Development Scholarship, HKBU Metropolitan Attachment Program Scholarship, and Pro Musica Graduate Scholarship. 吳藝敏的作品多次於香港和美國上演，亦在其他地區於音樂節、會議及電台中亮相。他的作品於國際電腦音樂暨法國IRCAM工作坊聯合研討會、現代學院習作演出、Zodiac音樂節、創藝匯新聲、Acoustic Frontier計劃、鮑林格林微歌劇音樂會、KC VITAs 2018暑期音樂會系列、國際電腦音樂會議，highSCORE音樂節 和 亞洲作曲家聯盟亞太音樂節。他於近期贏得「音樂新一代」作曲比賽。他的管弦樂作品獲選在亞洲作曲家聯盟（新西蘭）進行演出。 吳氏畢業於香港浸會大學音和美國鮑林格林州立大學。他的導師分別為Marilyn Shrude，Mikel Kuehn，和Christopher Coleman。 他曾多次獲得獎學金，包括香港特區政府頒發的2017年才藝發展獎學金、托萊多交響樂團作曲獎學金，以及Pro Musica 碩士獎學金 和 大都會體驗計劃獎學金。 MAJOR WORKS 主要作品 Chamber & Solo Everglade Metallic (2019) for alto saxophone solo 6' Commissioned by Chia-Wei Chao Performed at Bowling Green State University, United States Humanity: Side I (2019) for string quartet 5'50" Commissioned by Hong Kong Composers' Guild Performed at "New Generation 2019" on RTHK Radio 4 and Tai Kwun: Afternoon Series - Projekt Berlin by Cong Quartet Late Spring 晚春 (2019) arranged for soprano saxophone solo 5'50" Arranged for Chia-Wei Chao Performed at Bowling Green State University, United States Late Spring 晚春 (2019) for oboe and piano 5'40" Commissioned by Ryan Ion-Seng Fong Performed at Bowling Green State University and University of Michigan at Ann Arbor, United States Plough (2019) for alto saxophone and bass trombone 4'30" Commissioned by Jonathan Kierspe Performed at University of South Carolina, Winthrop University, Limestone College, Governors School for the Arts, Franklin College, Ohio State University, Oakland University, among others Squirrel X Food (2018) for oboe and violoncello 4'50" Performed at the 35th Asian Composers League Conference & Festival, Taiwan Meet, Far, Saw (2018) for flute and guitar 4'20" Performed at highSCORE Festival, Italy Sprout (2018/2019) for woodwind quintet 5'20" Performed at "New Generation 2018" on RTHK Radio 4 by Hong Kong Wind Kamerata, Hong Kong First prize winner Scheduled to be performed at Music Salon, Hong Kong Our City Our Future (2018) for cello and video 3'20" Written for "SOUND--IMAGination 2018: Hong Kong Culture" Performed at Hong Kong Arts Centre, Hong Kong Pace (2017) for Eb clarinet, Bb clarinet, and bass clarinet 9' Commissioned by Acoustic Frontier Performed at SPECTRUM, New York, United States The Season of Typhoon (2017) for piano trio 8'15" Commissioned by 2017 Zodiac Music Academy & Festival Performed at Valdeblore, France Underneath (2017) for piano quintet 6'20" Performed at Hong Kong Baptist University, Hong Kong If if rocks (2016/2017) for piano four-hands 7' Performed at Valdeblore, France; Hong Kong Baptist University, Hong Kong An Afternoon at Andersonville (2016) for sheng, zheng, bass clarinet, double bass, and percussion 5' Performed at Hong Kong Academy of Performing Arts, Hong Kong Large Ensemble Faucet (2019) for orchestra (2222/4231/T+1/Hp/Strings Commissioned by São Paulo Contemporary Composers Festival; Performed by Brazilian National Orchestra, Brasilia Wedge 楔 (2018/2019) for orchestra (3333/4331/T+2/Hp/Strings) 4' Featured in the Robert H. N. Ho Family Foundation Composers Scheme; Performed by Hong Kong Philharmonic Orchestra, Hong Kong Looking for (2018) for orchestra (3333/4331/T+3/Hp/Pno/Strings) 7'30" Featured in Toledo Symphony Orchestra reading session, Bowling Green State University, United States Pangu 盤古 (2017) for baritone, wind instruments and percussions 7' Performed at Hong Kong Baptist University, Hong Kong The Gate (2015/2016) for mixed ensemble 7' Performed at Hong Kong Baptist University, Hong Kong Vocal The Peaceful Stars (2018) for tenor solo and piano 5'30" Performed at RTHK Studio 1, Hong Kong; Kansas City, United States; Bowling Green State University, United States A Three-Course Song (2018) for unaccompanied solo voice 3' Performed at Bowling Green State University, United States Double Sided (2017) for 3 females voices, cello, and piano 11'20" Written for and performed at 2018 BGSU MicroOpera Project Concert, United States Electro-acoustic Uh, Flight got Delayed (2018) for fixed media 7'06" Presented at 2018 International Workshop on Computer Music and Audio Technology (WOCMAT), Taiwan Behind the Seaweed (2018) for fixed media 3'08" In a City (2017) for fixed media 7'10" Presented at International Computer Music Conference (ICMC) 2018, South Korea; Guangzhou, China Voyager #2 (2017) for fixed media 3' Presented at ArtsX, Bowling Green State University, United States Who's the Magician (2017) for trumpet and interactive electronics 6' Performed at Hong Kong Baptist University, Hong Kong Turbulence in my Stomach (2016) for 5.1 surround sound 3'15" Presented at 2016 International Workshop on Computer Music and Audio Technology (WOCMAT), Taiwan Back

《万華鏡》 Kaleidoscope 何晴煒 Ho Ching-wai 何晴煒現為香港演藝學院二年級生，師隨李嘉怡女士，主修作曲及電子音樂。何氏的創作包括室內樂、無伴奏合唱、流行歌曲及電影配樂。在學期間曾獲得香港特別行政區政府獎學金、香港演藝學院傑出獎學金以及鄭桂生先生紀念獎學金。 Ho Ching-wai is currently pursuing a Bachelor of Music degree at the Hong Kong Academy for Performing Arts, majoring in Music Composition & Electronic Music under the guidance of Ms. Li Kar-yee. Her previous works include chamber music, A cappella, pop songs and film scoring. She has been awarded the HKSAR Government Scholarship, the HKAPA Recruitment & Outstanding Scholarships and Mr. K. S. Cheng Memorial Scholarship throughout her study years. 這首作品靈感來自於令人懷念的兒時玩具「萬花筒」。透過不同音色的運用以及打擊樂器間的互動和交織，描繪出穿透進「萬花筒」的光，色彩繽紛的幾何對稱形狀、以及不斷轉動和變換的畫面。 This piece is inspired by the nostalgic childhood plaything, the kaleidoscope. The composition depicts the shimmering light passing through the kaleidoscope, the colourful geometric and symmetrical shapes, and the ever-changing views produced by the rotating mechanism through the use of various timbres and the rhythmic interplay of percussion instruments. Back

WONG Yok-yee 黃育義 Born in Swatow, China in 1924. Graduated from the Chinese Sacred Music School and remained in the same school as teacher of harmony and theory. He went to West Germany in 1960 and joined the Hamburg Musik Hochschule majoring in composition under Prof. Klussmann. He graduated in 1965 and stayed on to study twelve-tone series. After his return to Hong Kong in 1967, he has been teaching in the Hong Kong Music Institute. His works are mostly polyphonic. He adopted pentatonic and octatonic scales and twelve-tone series. He also experiments on the mixed use of twelve-tone series and the pentatonic scale. His compositions include orchestral, chamber pieces, songs, piano music and primary school textbooks in music. 1924年生於汕頭。早年畢業於中國聖樂院，後在該院擔任樂理及和聲課程。1960年赴德國入漢堡國立音樂院作曲系，隨庫斯曼教授研習。1965年畢業，並留院研究十二列音之現代音樂。1967年回港，任教於香港音樂專科學校。其作品多用多線條之對位手法，少用大小調音階而多採五音音階、八音音階及十二列音，並嘗試將五音音階及十二列音混合使用。其作品有管弦樂曲、室樂曲、歌曲、鋼琴及小學音樂教材。 MAJOR WORKS 主要作品 Orchestral (Western) Four Christmas Songs (1991) 16'30" Suite: Looking for Plum Blossom (1977) 19'35" Overture for Hong Kong Festival (1969) 8' Symphony No.1 (1965) 32' Four Songs in German (1964) 12' for orchestra & soprano The Lament of Zhao Jun (1963) 7' Brass Band 滿江紅 (1996) Chamber Erhu Sonata (1988) 13' for erhu & pf Piano Trio (1985) 34' for vn, vc & pf String Quartet (1978) 5'30" Piano Trio (1972) 13' for vn, cl & pf String Quartet (1966) 8' Pipe Organ Twenty-Four Choral Preludes (1994) Piano Solo The Walk in the Fog (1982) 5' The Beautiful Dream (1973) 2'30" St. Luke Church (1964) 3' Vocal Twenty-Five New Songs of Life (1995) 35' Love (1987) 6'30" Psalm No.103 (1985) 4'50" The Sound of a Rivulet (1974) 2'40" for soprano, fl & pf The Lament of Zhao Jun (1972) 7' 勸酒詞 (1966) Psalm No.23 (1966) 2'48" for soprano, fl & pf 將進酒 (1962) The Pass (1959) 1'30" Prayer (1950) 2'15" Vocal Duet 訴衷情 (1964) 2'45" 人靜似夜 (1954) 1'35" Choral Work for Children I Love You, Mother (1995) Paper Boat (1993) 2'34" Lonely Goose (1992) Little Stars (1985) 2'30" Sweet Dreaming Child (1984) 3' 搖到賣魚橋 (1983) 3'30" Little Mouse (1981) 3' Choral Lonely Star (1996) 5'30" Mass in Chinese (1990) 37' Birthday Song (1987) 2' Lord, my Hope Rests upon Thee (1982) 3'45" Song of Thanks Giving (1980) 2'30" The Lord has resurrected (1973) 3' In the Wild of Bethlehem (1972) 4' The Shining Stars of Bethlehem (1971) 3' Xiao (1969) 3' 相思 (1964) 4' 遊子吟 (1963) 3' 救世羔羊 (1952) 2'12" 管弦樂 (西樂) 聖誕歌曲四首 (1991) 16'30" 踏雪尋梅組曲 (1977) 19'35" 香港節序曲 (1969) 8' 第一交響曲 (1965) 32' 德文歌曲四首 (1964) 12' for orchestra & soprano 昭君怨 (1963) 7' 銅管樂隊 滿江紅 (1996) 室樂 二胡奏鳴曲 (1988) 13' for erhu & pf 鋼琴三重奏 (1985) 34' for vn, vc & pf 弦樂四重奏《錦繡年華》 (1978) 5'30" 鋼琴三重奏 (1972) 13' for vn, cl & pf 鋼琴三重奏 (1966) 8' 管風琴 聖詩風琴前奏曲24首 (1994) 鋼琴獨奏 霧中行 (1982) 5' 美麗的夢 (1973) 2'30" 聖路加禮拜堂 (1964) 3' 聲樂 生命新歌25首 (1995) 35' 愛 (1987) 6'30" 詩篇103篇 (1985) 4'50" 溪聲 (1974) 2'40" for soprano, fl & pf 昭君怨 (1972) 7' 勸酒詞 (1966) 詩篇23篇 (1966) 2'48" for soprano, fl & pf 將進酒 (1962) 往事 (1959) 1'30" 禱告 (1950) 2'15" 聲樂二重奏 訴衷情 (1964) 2'45" 人靜似夜 (1954) 1'35" 兒童合唱曲 母親我愛你 (1995) 紙船 (1993) 2'34" 孤雁 (1992) 小星星 (1985) 2'30" 兒安眠 (1984) 3' 搖到賣魚橋 (1983) 3'30" 小老鼠 (1981) 3' 合唱 孤星 (1996) 5'30" 中文彌撒曲 (1990) 37' 祝壽歌 (1987) 2' 主啊我的指望在乎你 (1982) 3'45" 感恩歌 (1980) 2'30" 主復活了 (1973) 3' 在伯利恆的野地裡 (1972) 4' 伯利恆星光燦爛 (1971) 3' 簫 (1969) 3' 相思 (1964) 4' 遊子吟 (1963) 3' 救世羔羊 (1952) 2'12" Back

CHAN Wing-wah 陳永華 Prof. Chan was the first Resident Composer of the Hong Kong Philharmonic Orchestra. His orchestral works including 8 Symphonies, 7 of them published by Hugo Productions were recorded by the Russian Philharmonic Orchestra and Voronezh State Symphony Orchestra in Russia, the Hong Kong Sinfonietta and the Hong Kong Chinese Orchestra. The music score of Symphony No.7 ‘Great Wall’ was published by Beijing People’s Music Publishing House. His international awards include First Prize in the International Double Reed Society Composition Conest, USA; the Yoshiro Irino Memorial Award from the Asian Composers League and the 20thCentury Masterpiece Award by the China Culture Promotion Society, Beijing. Locally he received the Composer of the Year Award from the Hong Kong Artists' Guild (1991), the Ten Outstanding Young Persons Award (1992), TVB Children Song Gold Award, CASH Golden Sail Music Awards 2004 and 2007. His recent works were performed in the International Society for Contemporary Music-World Music Days Festival in Stuttgart, Germany; Summer Music Festival in Ljubljana, Slovenia; Trieste Prima Festival in Trieste, Italy; Alesander Tansman Music Festival in Lodz, Poland; Festival LIM 2Mil in Madrid and the Festival BBK in the Guggenheim Museum in Bilbao, Spain; Klang-Klee Festival to commemorate Paul Klee in Winterthur and Bern, Switzerland; and music festivals in Argentina, Korea and Japan. His biography is included in the New Grove Dictionary of Music & Musicians Online. Prof. Chan became Music Director of the Hong Kong Oratorio Society(founded 1956) since 1995 and has been leading this choir with regular concerts and occasional concert tours to perform oratorios and other masterpieces. He has conducted orchestras in Shanghai, Beijing, Macao, Shenzhen, Gwangju(Korea) in addition to the HK Philharmonic Orchestra, HK Sinfonietta, HK Chinese Orchestra and HK Strings. Chan is Chairman of the Composers and Authors Society of Hong Kong and a Council Director of the Hong Kong Chinese Orchestra. He also serves as advisor to numerous groups including the China Broadcasting Folk Orchestra (Beijing) and the Hong Kong Dance Company. He had also served as a member of the Arts Development Council for over ten years, Chairman of the Hong Kong Composers' Guild 1993-2004 and the Jockey Club Music and Dance Fund 1996-2006. The Hong Kong Government appointed him Justice of the Peace in 2000. He was invited to become a member of the Chinese Musicians Association in 2009. Prof. Chan graduated from the Chinese University of Hong Kong with a BA in Music. He further studied composition at the University of Toronto and earned his Master and Doctor of Music degrees on a British Commonwealth Scholarship. He had also attended the Darmstadt Summer Course in New Music on a grant from the German Academic Exchange Service. He was Professor of Music of the Chinese University of Hong Kong and had served as Chairman of the Music Dept and Deputy Dean of Arts. He is now Associate Director of the School of Professional And Continuing Education, The University of Hong Kong (HKU SPACE) and Head of its Centre for Creative and Performing Arts. Compositions: 8 symphonies, other orchestral and chamber works, choral music, children songs, etc. His music is published by Hugo Productions and People’s Music Publishing, Beijing. Awards: First Prize in the International Double Reed Society Composition Contest, USA; Yoshiro Irino Memorial Award (Asian Composers League); 20th Century Masterpiece Award (China Culture Promotion Society, Beijing); Composer of the Year Award (Hong Kong Artists' Guild 1991); Ten Outstanding Young Persons Award (1992), CASH 1997 Most-Performed Serious Music Award; TVB Children Song Gold Award, CASH Golden Sail Music Awards 2004 and 2007. His biography is included in the New Grove Dictionary of Music & Musicians Online. Present duties: Associate Director, The University of Hong Kong’s School of Professional And Continuing Education (HKU SPACE), Head of its Centre for Creative and Performing Arts. Chairman, the Composers and Authors Society of Hong Kong; Music Director, Hong Kong Oratorio Society; Council member, Hong Kong Chinese Orchestra; Honorary Advisor: China Broadcasting Folk Orchestra (Beijing), Hong Kong Dance Company, etc. The Hong Kong Government appointed him Justice of the Peace in 2000. He was invited to become a member of the Chinese Musicians Association in 2009. Education: BA in Music, the Chinese University of Hong Kong; Master and Doctor of Music in Composition, University of Toronto. Former positions: Professor of Music at the Chinese University of Hong Kong and its Music Dept. Chairman and Associate Dean of Arts; Chairman of HK Jockey Club Music & Dance Fund; HK Arts Development Council member, etc. 香港管弦樂團首位駐團作曲家. 創作八首交響曲中，七首由香港小交響樂團, 香港中樂團及俄羅斯的兩隊交響樂團灌錄，雨果製作有限公司出版。第七交響曲《長城》總譜則由北京人民音樂出版社出版。 曾獲美國「國際雙簧協會作曲比賽」首獎, 日本「入野義朗紀念獎」, 北京中華民族文化促進會《廿世紀華人音樂經典》獎。香港藝術家聯盟頒「作曲家年獎」，「十大傑出青年」獎, 香港電視廣播有限公司《兒歌金曲獎》, 香港作曲家及作詞家協會「1997本地正統音樂最廣泛演出獎」及2004, 2007「最佳正統音樂作品金帆音樂獎」。他在國際發表近作的地方包括: 德國斯圖加特「ISCM國際現代音樂節」、斯洛文尼亞「盧布爾雅那夏日音樂節」、義大利迪里雅斯特的首屆音樂節、波蘭Lodz「亞歷山大唐斯曼音樂節」、西班牙馬德里的LIM 2Mil及畢爾巴古根海姆博物館的BBK藝術節、瑞士溫特圖爾及伯恩的「Klang-Klee音樂節」、亞根廷、日本及韓國的音樂節等。 他被列入「葛洛夫音樂百科全書」線上版。 1995年出任香港聖樂團音樂總監.◦曾指揮的樂團包括上海、北京、澳門、深圳、韓國光州以及香港管弦樂團、香港小交響樂團、香港中樂團及香港弦樂團等◦ 現任香港作曲家及作詞家協會主席 ，香港中樂團理事，及多個團體的顧問包括中國廣播民族樂團、香港舞蹈團等。曾任香港作曲家聯會主席, 藝術發展局委員及賽馬會音樂及舞蹈基金會主席逾十年。2000年獲港府委任為太平紳士。2009 年獲邀成爲中國音樂家協會會員。 陳氏為香港中文大學文學士, 同時獲倫敦聖三一音樂學院作曲院士銜.。後獲英聯邦獎學金赴加拿大多倫多大學深造，獲音樂碩士及博士銜。亦獲德國學術交流部獎學金參加達木斯達現代音樂夏令班. 1986- 2007年間任教於香港中文大學音樂系，為音樂講座教授，系主任及文學院副院長。 现任香港大學專業進修學院副院長，及其創意及表演藝術中心總監。 作品:八首交響曲，管弦樂、室樂，詩歌、兒歌等，部份由雨果製作有限公司及人民音樂出版社出版。 獎項: 美國「國際雙簧協會作曲比賽首獎」,日本「入野義朗紀念獎」, 北京中華民族文化促進會《廿世紀華人音樂經典》獎。香港藝術家聯盟「1991作曲家年獎」，1992年「十大傑出青年」獎, 香港電視廣播有限公司《兒歌金曲獎》, 香港作曲家及作詞家協會「1997本地正統音樂最廣泛演出獎」及2004, 2007「最佳正統音樂作品金帆音樂獎」。 被列入「葛洛夫音樂百科全書」線上版。 教育:香港中文大學文學士, 加拿大多倫多大學音樂碩士及博士。 現任:香港大學專業進修學院副院長，及其創意及表演藝術中心總監。香港作曲家及作詞家協會主席，香港聖樂團音樂總監, 香港中樂團理事及多個團體的顧問包括中國廣播民族樂團、香港舞蹈團等。2000年獲港府委任為太平紳士。2009 年獲邀成爲中國音樂家協會會員。 曾任: 香港中文大學音樂系講座教授,系主任及文學院副院長。賽馬會音樂及舞蹈基金會主席, 藝術發展局委員等. MAJOR WORKS 主要作品 Orchestral (Western) Drum Dance 鼓舞(2013) for Orchestra(written for the Daegu International New Music Festival, premiered by the Daegu International Opera Orchestra in Daegu, Korea) Reflections of Macao 濠江映照 (2005) 9' commissioned by the Macao Symphony Orchestra Moon Over Mountain Pass 關山月(1998) 12'48" commissioned by Echoes of the Silk Road Committee for HK Phil Orch Overture - The Sea of Stars 星之海 (1998) 6' for organ & orchestra; commissioned by Guangzhou Ministry of Culture for the opening of Xinghai Concert Hall Symphony No.6 (Reunification) (1996) 25' commissioned by HKPO Symphony No.5 (1995) 29' for double orchestra; commissioned by HKPO Elevation (1994) 15' for organ & orchestra; commissioned by HKPO for its 20th anniversary Symphony No.4 (Te Deum) (1992) 35' for soprano, tenor, choir & orchestra; commissioned by the Hong Kong Oratorio Society & the Council for Performing Arts Morning Sun (1990) 15' commissioned by the Chinese Canadian Music Society of Ontario and CASH Transit (1988) 10' commissioned by HKCG for the 1988 ISCM-ACL World Music Days Expose (1987) 13'30" commissioned by the Music Office for its 10th anniversary Symphony No.3 (1985) 35' for double orchestra Celebration (1984) 8' commissioned by HKPO for its 10th anniversary Symphony No.2 (1981) 18' for 2 pipas & orchestra Symphony No.1 (1979) 22' Orchestral (Chinese) Thunderous Drums Shaking the Earth 雷鼓動山川(2007), 12’ commissioned by the Hong Kong Chinese Orchestra Eight Steeds八駿 (2007) 5’30” commissioned by the Hong Kong Chinese Orchestra Symphony No. 7 – The Great Wall第七交響曲“長城” (2005) 25' commissioned by the Hong Kong Chinese Orchestra Symphony No.8 -- This Boundless Land 第八交響曲“蒼茫大地” (2006) 30' commissioned by the HK Chinese Orchestra Moon Over Bounteous Land 朗月耀九州(2002) 6'53" commissioned by the Hong Kong Chinese Orchestra Rejoice in Peace (1993) 16' Flying Clouds (1990) 15' Festival Overture (1989) 11' Chamber (Western) Sages Plateau 仙人台上 (2012) for clarinet, violin, viola & cello(for the victims of the 311 earthquake in Tohoku area, Japan) (premiered by Ensemble Eclat in Contemporary Music Festival, Hiroshima, Japan) Light of Faith光照寰宇(2012) for fl., ob., cl., bn., pf., 2 vn., va, vc & db 10’ commissioned by Chung Chi College, CUHK for the College’s 60th anniversary Wind Over the Grassland (2011) for viola, double bass, guitar & tom-tom. commissioned by the 14th Young-nam International Contemporary Music Festival in Daegu, Korea, premiered by the Ensemble Nomad from Tokyo. SAGES PLATEAU for clarinet, violin, viola & cello(2012) commissioned by the Contemporary Music Festival of East Asia, Hiroshima, Japan. M+ (2009) 8’ for tenor trb, db & pf commissioned by the Melbourne New Music Festival, premiered in Melbourne and Hobart, Tasmania. Oriental Garden 東方花園(2008) 9' for eng. hn, va & guitar; written for the Sortisatio Ensemble, Leipzig for the 2008 Klang Klee Festival in Bern and Winterthur, Switzerland The Flying Apsaras 敦煌飛天 (2006) 8’ for string quartet; written for the Ensemble Antipodes in 2006 ISCM World New Music Festival, Stuttgart Into Immensity 在深處 for fl, cl, trb, va, vc, perc & pf (2006) 10’ written for the Ljubljana Festival 2006, Slovenia Love is Beyond Words II 無言的爱 II(2003) 6'30" for violin & pf Eternal Love 永恒的爱(2003) 4'20" for string quartet The Path of Love爱的足跡 (2003) 4'38" for string quartet Spark 火花(2002) 8' for pipa, 2 vn, va & vc The Lord is My Shepherd (2002) 4'24" for string quartet & pf Distant Hill 逺山 (2000) 10' for string quartet; commissioned by LCSD for HK Phil. Orch. Summer Day 夏日(2000) 6' for ob, va & vc Dragon Spirit (2000) 6' for 2 vn Et in Terra Pax 地上的平安(1999) 12' for oboe, viola, cello & pipa Impact (1995) 7' for 4 perc; commissioned by HKAF Merge (1990) 6' for string quartet; commissioned by HKAF & CASH Three Piano Pieces for Children (1989) 5' Continuity (1989) 12' for vn, vc & pf; commissioned by the Canzona Trio Divertimento (1987) 8' for bn & pf; commissioned by the Department of Music, HKU Impressions (1987) 9' for 2 pf Focus (1986) 11' for fl, bn & pf; commissioned by the Hong Kong Arts Centre and the Cable & Wireless Ltd. Blossoms (1983) 12' for fl, cl, vn/va, vc, pf-hpch & perc; commissioned by HKAF Concertino (1983) 17' for pf, female voices & chamber ensemble Qing Shang Bian (1982) 10' two variations for pf on the Qing Shang mode Trio (1982) 15' for vn, zheng or hpch & vc Circle (1981) 10' for fl, vn, tb, pipa & perc Autumn (1980) 7' for fl, ob, gtr & va Quintet (1980) 10' for fl, ob,vn, va & vc; commissioned by the HKAC Scherzo (1978) 7' for va & pf Chamber (Chinese) 關山渡若飛 for pipa & piano (2012) commissioned by the Taipei Municipal Chinese Orchestra for its Pipa Competition By the Pool of the Nan-lian Garden 南蓮池畔 (2009) 9’ for dizi, sheng, ruan, yang-qin, zheng, pipa, erhu & zhong hu; written for the Chinese Music Virtuosi Beyond the Sky 天蒼蒼(2003) 12'30" for sheng, erhu, pipa, zheng, cl & fl; written for the Chinese Music Virtuosi Over Ten Thousand Mountains 逾萬山(2002) 8'35" for bang-di, sheng, erhu & zheng; written for the Chinese Music Virtuosi God of Protection 守護神(2002) 8'30" for a large ensemble of 40-50 players of Chinese plucked-string instruments Shi Huai 釋懷(1999) 10' for dizi, sheng & yangqin Instrumental Solo Moon Dance月舞 (2004) 6'30" Love is Beyond Words I無言的爱I (2003) 6'43" for pf Fire of Love 爱火(2003) 4'30" for vc Timer for pf; commissioned by RTHK (1987) 10' Mo Shan Qi (1980) 6' for pipa Vocal / Choral Sanctus(2012) for SATB, oboe and cello Sanctus(2012) for SATB & organ Let Us Rejoice (from Song of Songs) (2013) for soprano, tenor solo, SATB & piano (in memory of Ms. Lee Bing) SANCTUS for oboe d’amore, viola da gamba & SATB choir (also arranged for SATB Choir & organ) (2012) commissioned by the HK New Music Ensemble, premiered by HK Bach Choir 19 children songs (2011) published in 陳永華 鄭國江幼童作品專題, 香港兒童合唱團出版, 2012 Our song of Peace for choir & piano陳鈞潤 詞,(2010) commissioned by UNESCO Peace International Foundation, premiered in the HK Peace Festival. 國殤 --為四川大地震受難同胞而作, 霍韜晦 詞 (2009) 虹, 陳鈞潤 詞,(2009) A theme song of the musical of the same name, commissioned by 港福堂 for its anniversary. 為光作見證 for choir, trumpet, cello, timpani and organ陳鈞潤 詞 (2008) 15’ commissioned by 中華基督教會閩南堂 for its 70th anniversary One World, One Voice, 陳鈞潤 詞(2008) for youth choir & orchestra 6’ commissioned by the World Youth Choir Festival, premiered in HK Asia World Expo, broadcast by Phoenix TV and ATV) 絃韻歌聲遍大地 Music for world Harmony(2008) 吴瑞卿 詞for narrator, choir, Chinese and western orchestra 15’ commissioned by the HK Schools Music & Speech Festival for its 60th anniversary Gala Concert. 孔聖頌， 徐尉玲 詞 （2007） commissioned by 孔教學會 誠信直航，鄭國江詞 (2007) commissioned by 傑出青年拹會 for an ICAC function for youths. 黄大仙组曲 吴瑞卿 詞（2007）commissioned by 黄大仙區議會 Reminiscence 追憶， 吴瑞卿 詞(2006) 4’ for mezzo-soprano & piano 光明的捐獻 (2005) 鄭國江詞1'35" written for the Action for Vision, Eye Foundation for the Eye Care Campaign for School Children Season of Love 陳鈞潤 詞(2003) 6' for SATB & pf The Lord is My Shepherd (2002) 4'24" for SATB & orchestra The Lord is My Shepherd (2002) 4'24" for SATB & pf Tue s Petrus (2002) 5'30" for SATB & pf Reviving Arts and Culture 復興文藝，陳鈞潤 詞 (1998) 9' for SATB & pf Nine Regions Sing As One九州同頌， 陳鈞潤 詞 (1997) 10' for tenor solo, SATB & pf Canterbury Bell (1995) 4' for mezzo-soprano & pf Ten Sisters (1994) 3' arranged for chorus & Chinese instrumental ensemble White Jasmine (1994) 3' arranged for chorus & Chinese instrumental ensemble Ma-Yi-La (1994) 3' arranged for chorus & Chinese instrumental ensemble Love Song/Reminiscence (1993) 4' version 1: for soprano & pf version 2: for mixed voices & pf I Love to Sing My Song (1991) 3' for children's choir Peace to the Planets (1990) 4' for children's or female choir Musica (1989) 4' for children's or female choir Mei Ren (1989) 5' arranged for choir Looking Afar (1987) 4' for SATB choir Big Little World (1986) 4' for children's choir; commissioned by the Hong Kong Children's Choir Moonlight Lullaby (1985) 7' version 1: for choir & pf version 2: for choir & Chinese orchestra Ten Sisters (1985) 4' for choir & pf Nunc Dimittis (1980) 5'30" for mixed chorus a cappella Pater Noster (1979) 6' for soprano & pf Yu Mei Ren (1978) 4' for soprano & pf Drama & Ballet Music Caligula 卡里古拉 (2009) music for drama; commissioned by the HK Repertory Zheng He 鄭和(2005) music for drama; commissioned by the HK Repertory Looking for the Dragon 尋龍記- TV Documentary (2007) The Strangers (Piano Reduction) (1993) 25' Others Numerous congregational hymns and anthems, children song-books and school songs Discography i. Orchestral Celebration, Hong Kong Records CD8.242119 Morning Sun, Hugo HRP 795-2 Morning Sun, CUMUS 001 Symphony No.1, Hugo HRP 795-2 Symphony No.3 for Double Orchestra (3rd mvt.), Hong Kong Records CD8.240442 Symphony No.3 for Double Orchestra, Hugo HRP 795-2 Transit, Hugo HRP 799-2 Transit, D & I Dragon Classic DIGP-CD8.242142 Symphony No.4 (Te Deum), Hugo HRP 7135-2 Symphony No.5 (The Three Kingdoms), HRP 7184-2 Symphony No.6 (Reunification), HRP7184-2 Symphony No.7 (The Great Wall) for Chinese Orchestra, HRP7271-2 Symphony No.8 (This Boundless Land) for Choir, Organ & Chinese Orchestra, HRP7271-2 ii. Chamber The Source of Love, Hugo ST2506-2 Spark, "CASH 25th Anniversary - A Creative Odyssey", CASH-03 Impressions, Hong Kong Records CD8.242142 Timer, CBS/SONY CLD 1001 iii.Vocal / Choral Yumeiren, "Fruits on the Tree", Hugo ML-W3105 Folksong Suite: Moonlight Lullaby, HKCC 3003 Folksong Suite: Moonlight Lullaby, Hong Kong Records CD8.242118 Looking Afar, Marco Polo HKC-8.001 Reminiscence, Hugo HRP301G 301-2 The Canterbury Bell, BMG 74321-32617-2 iv. VCD / DVD Moon Over Bounteous Land, HKCO-VCD-5-2003-7 Moon Over Bounteous Land, HKCO-VCD-4-2003-7 The Source of Love, Wind Flower Production-VCD-2003 The Source of Love, Wind Flower Production-DVD-2003 Yumeiren, "Allegro Singers 40th Anniversary Concert", Allegro Singers-DVD-2004 Publications Symphony No.6 'Reunification'第六交響曲'九州同' (full score with CD) was published by People's Music Publishing House, Beijing 北京人民音樂出版社 2011 陳永華, 鄭國江幼童作品專輯 (＋九首兒歌). 香港兒童合唱團出版. 2012 「音樂對全人發展的重要」載於《青年研究學報》香港青年協會，2005年。頁8-11。 "Composing Music in Hong Kong", Asian Composers in the 20th Century. ed. Japan: Japan Federation of Composers, 2002. pp.189-192. "Dragon Spirit", Passions Within for Violin. Australia: Red House Editions, 2001. pp. 6-8. 〈戀歌〉《荷花飄香樂悠揚》香港中文大學崇基學院，2001年。頁204-207。 〈中秋月〉《音樂之旅》第一冊，Excellence Publication Co. Ltd.，2001年。頁90。 「香港音樂教育發展」載於《中國當代學校音樂教育研究文集》中國瀋陽：遼海出版社，2000年。頁329-359。"The Development of Music Education in Hong Kong." (in Chinese) 「香港的現代音樂」載於朱瑞冰編之《香港音樂發展概論》香港：三聯書店（香港）出版社，1999年。頁177-216。"Contemporary Music in Hong Kong." (In Chinese) 「香港新音樂委約創作年表 1970-1990」載於劉靖之編之《中國新音樂史論集》香港：香港大學亞洲研究中心，1992年。頁342-369。 "Catalogue of Commissioned Music Compositions in Hong Kong from 1970-1990." (In Chinese) In History of New Music in China: A Critical Review 1885-1985. edited by Liu Ching-chih, 342-69. Hong Kong: Centre of Asian Studies, University of Hong Kong, 1992. Music Appreciation: The Classical Era. (in Chinese) Hong Kong: Hong Kong Philharmonic Society Ltd., 1989. 13pp. Hong Kong Composers' Guild 1988: An Introduction to the Members of the Hong Kong Composers' Guild. (Bilingual: English & Chinese) ed. Hong Kong: Hong Kong Composers' Guild, 1988. 152pp. A Guide to Orchestral Music. (Bilingual: English & Chinese) Hong Kong: Hong Kong Philharmonic Society Ltd., 1986. 44pp. Back

LEUNG Chi-pong 梁志邦 After obtaining a Bachelor degree in Art (Music) from Hong Kong Baptist University, Leung Chi Pong is studying master in music (composition) in the Hong Kong Academy for Performing Arts. His teacher includes Mr. Clarence Mak, Dr. Lo Hau Man, Dr. Christopher Keyes and Dr. Christopher Coleman. Leung’s works were performed by Bang on a Can All-Stars, Hong Kong Kamerata, Hong Kong New Music Ensemble, Hong Kong Academy Symphony Orchestra, Musicogenic Symphony Orchestra, Kwai Tsing Philharmonic Orchestra and Miss Emily Li (Handbells). In 2012, he achieved a 3rdprize in the 10th Italy Percussion Composition Competition. Being the Music Director and Resident Conductor of Kwai Tsing Philharmonic Orchestra and Grandmaster Philharmonic Orchestra since 2009, the Hong Kong conductor Leung Chi Pong is described as “liberate expression and passion from music”. His Teacher includes Dr. Jerome Hoberman, Prof. Kenneth Kiesler, Mr. James Judd and Prof. Jerry F. Junkin. Leung had collaborated with many renowned artists, including violinist Prof. Suli Xue, pianist Dr. Karl Lo, mezzo soprano Sophie Gopsill and flutist Brian Gopsill. He has also appeared with orchestras such as The Academic Symphony Orchestra (Kharkov/Ukraine), Lithuanian State Symphony Orchestra (Lithuania) and Musicogenic Symphony Orchestra (Hong Kong). Recently, Chi Pong was selected to conduct the Berlin Sinfonietta and study with Prof. Kenneth Kiesler in March 2013. 梁志邦於香港浸會大學音樂系畢業後，入讀香港演藝學院修讀專業文憑及音樂碩士，他的老師包括麥偉鑄、盧厚敏博士、祁道緯博士和高爾文博士。他的作品曾被不同組合演奏，包括美國組合Bang on a Can All Star樂團、 香港創樂團、 Hong Kong Kamerata、演藝交響樂團 、樂賢交響樂團、葵青管弦樂團和李潔瑤小姐(手玲)。他的作品亦被帶到於哈爾科夫(烏克蘭)和里斯本(葡萄牙)公演。在2012年，梁氏憑著作品『閃雷』獲得第十屆意大利敲擊作曲比賽第三獎。 梁氏自2009年開始分別擔任『葵青管弦樂團』及『藝韻管弦樂團』的音樂總監及駐團指揮，同時受教於著名指揮家Dr. JeromeHoberman。他曾在大師班中受教於James Judd及Prof. JerryF.Junkin。他曾指揮過的樂隊包括立陶宛國家交響樂團(立陶宛)、哈爾科夫管弦樂團(烏克蘭)和樂賢交響樂團(香港)。最近，他獲選於2013年3月到德國指揮柏林小交響樂團和受教於Prof. Kenneth Kiesler。 MAJOR WORKS 主要作品 Back

MUI Kwong-chiu 梅廣釗 Dr Mui Kwong-chiu is the Chairman of the Hong Kong Composers’ Guild; Director of Composers and Authors Society of Hong Kong (CASH), Chinese Musicians’ Association member; Artistic Director of World Dulcimer Orchestra; an Examiner in Music at the Hong Kong Arts Development Council; Advisor of the Hong Kong Yanqin Association; Honorary Advisor of the Music Program of the School of Continuing and Professional Studies of The Chinese University of Hong Kong; Honorary Advisor of Tien Ma Chorus, and Hong Kong Parents Choir; Honorary Composer-in-Residence of the Hong Kong Harmonica Association. He also sat on the jury panel of the Asia Pacific Harmonica Festival, World Harmonica Festival and Hong Kong Drum Festival. In 2020 he was awarded ‘The 14th Hong Kong Arts Development Award’ Artist of the Year (Music) by the Hong Kong Arts Development Council. In 2018, for his achievements in music and contribution to Hong Kong society, he was awarded the Hong Kong Baptist University (HKBU) Distinguished Communication Alumni Award to celebrate HKBU Communication 50th anniversary. Dr Mui holds a PhD and M. Phil in Music at The University of Hong Kong, and a Bachelor's degree in Cinematography at Hong Kong Baptist University. He immersed himself in an array of diverse and innovative music and art projects: Fight the Covid 19 Song for Hong Kong antivirus campaign; Bauhinia Blossom – Cross media Musical Show in relation to the National Security Education Day 2022 (as Composer/ Script/ Director); Theme music for West Kowloon Palace Museum, History of Hong Kong I, II, III, IV (all RTHK TV production) ; The Great Earth Flute, Piano Concerto with Chorale; Cross media Chinese Music Theatre Intoxicating Nature and Ode to Water for Hong Kong Chinese Orchestra (HKCO); Chinese Folk Melody Suite for Hong Kong String Orchestra, Fatherland for HKCO; Evergreen Pine Trees for Allegro Singers; The Beach Multimedia Concert of the 1st Hong Kong Youth Festival in Sai Kung (as Composer/Director); The Spirited Lion Dance Drums featured in the HKCO Hong Kong Drum Festival 2018; Hero Erhu Concerto; Snowy Mountain in Spring Yangqin Concerto premiered in The 3rd International Dulcimer Music Festival in Beijing; Elijah, You Make me Fly Again (Cross Media Revival Musical) ; and many original music themes for RTHK TV series. 梅廣釗博士為香港作曲家聯會主席、香港作曲家及作詞家協會理事，世界揚琴樂團藝術總監、香港藝術發展局音樂界別審批員、香港揚琴總會顧問、香港中文大學專業進修學院音樂課程榮譽顧問、天馬合唱團、家長合唱團榮譽顧問、香港口琴協會榮譽駐團作曲家，亦多次為亞太口琴節、世界口琴節及香港鼓樂節擔任榮譽評審。2020 獲香港藝術發展局頒發第十四屆香港藝術發展獎藝術家年獎； 2018年因其音樂成就獲頒香港浸會大學傳理學院「傑出傳理人獎」。 梅氏畢業於香港大學音樂系，獲頒哲學博士和碩士；亦畢業於香港浸會大學電影系。梅氏音樂創作豐富和多元化： 包括2022年為香港抗疫的宣傳歌曲「全民抗疫」； 「紫荊花開」跨媒體音樂匯演（作曲/文本/導演，由香港國安處主辦，港台製作，闡述香港國安法的概念和香港的歷史）；港台製作的西九文化博物館，(片頭音樂及配樂)；2017在黑龍江大慶歌劇院首演之《大地》鋼琴、長笛、管弦樂雙協奏曲之三大樂章《泰山、大江曲、長城故事》；香港中樂團40樂季載譽重演的跨媒體中樂劇融合豐富中國文化、音樂、詩舞於一爐香港中樂團中樂劇《山花醉》及 《千水情》的全劇作曲 ；為香港弦樂團編曲之「戀戀民謠組曲 I， II」（編曲)；香港中樂團的「大地恩情」音樂會（統籌/編曲）；2018/19 年度包括第 一屆香港青年節海灘實景跨界音樂會《千帆並舉耀香江》（作曲兼導演）、香港中樂團鼓樂節之《獅鼓樂飛揚》 ；二胡協奏曲《大漠之歌》、北京舉行的第三屆國際 揚琴音樂節揚琴協奏曲《春雪千峰》、港台電視《香港歷史系列I,II,III,IV》，《香港風物誌》系列原創配樂及悉尼舉行之「以利亞飛鷹再展翅」跨媒體奮興音樂神劇（全劇作曲兼導演）。 梅廣釗博士促進本會與國際組織之間的交流合作。在2013年，梅博士曾經代表協會及香港電台第四台出席在捷克布拉格舉行的國際作曲家論壇（International Rostrum of Composers）；於2017年及2018年參加分別在溫哥華及北京舉行的國際現代音樂節（International Society for Contemporary Music），以及在台北舉行的亞洲作曲家聯盟大會暨亞太音樂節（Asian Composers League Festival and Conference）等。 MAJOR WORKS 主要作品 Orchestral (Western) The River of Clouds for Harmonica Orchestra (2006) 7' for harmonica orchestra Glamour of Asia Pacific (2004) 5' for a thousand harmonicas - for the Grand Finale of Fifth Asia Pacific Harmonica Festival Prelude for Harmonica Orchestra (2003) 7' for harmonica orchestra Sea Breeze Sketches (2002) 19' for Handbell and Orchestra I. The Sea and Wind Dialogue II. Leaves in the Wind III. The Dawn Breaks Symphonic Poem-Genesis (2000) 18' A Dream in the City (1999) 10' Symphonic Poem Prelude II (1994) 10' Symphonic Poem Prelude I (1992) 10' Orchestral (Chinese) Bring in the Wine (2005) 8' Rhapsody of Color Cloud Chasing the Moon (2004) 10' Farewell at the Inn (1996) 9' Symphonic Poem Song of the Yellow Soil (1995) 10' Chamber (Western) Twinkling Reflections (2004) 11' for cl, vc & pf Spirit II (2002) 9' for piano and clarinet Hong Kong Landscape Suite (2001) 14' for harmonica quintet, pf & percussions Color Clouds Suite (2000) 15' for harmonica quintet Innervision I (1999) 10' for string quartet Innervision II (1999) 7' for string quartet Music of the Universe (1997) 12' for perc ensemble Night (1995) 9' for fl, vn & pf Journey (1992) 4' for string quartet Chamber (Chinese) Moonlight Reflections over Cloudy Ripples (2003) 13' for guzheng, zhongrhan and xiao Plum Blossom in the Snow (2001) 8' for Chinese plucked-string ensemble Moon Palace Reflected on Sea of Clouds (2000) 9' for Chinese wind ensemble & percussions Drunken Night at the Peak of the Mountain (1999) 8' for Chinese ensemble Chamber (Mixed) Rhapsody of Beautiful Clouds Chasing the Moon (2003) 10' for Harmonica Quintet, shengand Piano Three Petite Pieces (2002) 13' for guitar, sheng, violin and viola I Chasing the Waves II Air Eleganza III The Three Giggs Song of Free Birds (2001) 5' for 2 dizi's, fl & pf Autumn Landscape Suite (2000) 14' for harmonica quintet, sheng, hp, pf & perc The World of Da Tong (2000) 10' for mixed ensemble Instrumental Solo Spirit I (1997) 5' for cl Song of the River (1995) 8' for pf Lake Lo Fuo (1994) 5' for zheng Two Preludes (1992) 5' for pf Violin Solo in G Minor (1992) 8' for vn & pf The Wind of Spring (1992) 5' for zheng Four Seasons (1992) 10' for pf Vocal / Choral Hong Kong, You are Beautiful! (2005) 8' Min Feng San Yue (2005) 13' for mixed chorus 情繫香江 (2002) 10' for mixed chorus Yuen Long Tone Poem (2001) 6' for children chorus Song of the Universe (2000) 5' for soprano The Drunken Old Man (1995) 8' for solo tenor & pf Nian Xie (1994) 5' for solo soprano & pf Train (1994) 10' for chorus Empty Streets (1992) 6' for soprano & pf 浣溪沙 (1992) 8' for solo alto, chorus & pf Picking Lotus (1992) 4' for tenor, soprano duet with pf To Remember (1992) 10' for chorus, pf & perc Electro-Acoustic Music / Computer Music Vibration in Stillness(2004) 70' for electronic music, live percussions and choreography Music for Ballet / Dance Vibration in Stillness(2004) 70' for electronic music, live percussions and choreography Music for Theatre / Drama The Seven Wise Men from the Bamboo Grove (1994) 45' for drama Children theatrical puppet musical The Little Fish (2006) 90' for musical Multimedia / Installation Drunken Night at the Peak of the Mountain (2000) 11' for Chinese ensemble, multi-media & dancer Meditation at the Sea (2001) 15' for tape, fl, vc & dancer Music for Video Production The Story of Tea II (1997) 20' for Chinese ensemble The Art of Wan Lau (1996) 20' for MIDI production The Story of Tea I (1995) 20' for Chinese ensemble Music for TV Original soundtracks for over 40 episodes of RTHK TV series since 1990 Film Music / Jingles Film Music for Cream Soda and Milk(1982) 30' Jingle for Esko Products Spring/ Summer (male version) (1984) 30 Jingle for Esko Products Spring/ Summer (male version) (1984) 15 Jingle for Esko Products Spring/ Summer (female version) (1984) 15 Jingle for Esko Products Autumn/Winter (male version) (1984) 30 Jingle for Esko Products Autumn/Winter (male version) (1984) 15 Jingle for Esko Products Autumn/Winter (female version) (1984) 15 Publications / Paper Presentations The article entitled ‘Analysis of Tan Dun's Ghost Opera' by Mui Kwong Chiu was collected lin A Collection of Articles in Commemoration of the 20 Anniversary of the Hong Kong Ethnomusicology Society, jointlypublished by Center of Asian Studies, HKU and Hong Kong Ethnomusicology Society in September 2005. An essay entitled ‘The mixing instrumentations of harmonica with other musical instruments as seen from the newly created harmonica compositions' was published in the book ‘Seventy Years of Hong Kong Harmonica' published by Joint Publishing Co. Ltd. in August, 2004. A review entitled ‘The Fifth Asia Pacific Harmonica Festival 2004' was published in the September issue, 2004 in the quarterly publication CASHFLOW of Composers and Author's Society of Hong Kong (CASH). A research paper entitled ‘New Possibilities for Chinese Instrumental Music: Compositional Techniques in Two Original Chamber Works' was delivered in the Research Colloquia in Autumn 2003 in the Department of Music at the University of Hong Kong. The paper discusses the incorporation of compositional techniques from both Chinese and Western traditions as integrated in Mui Kwong Chiu's two musical works. Music Theatre and Multi Media: Teaching Resource Kit." (in collaboration with Joshua Chan) In Contemporary Music Education Campaign of the ISCM World Music Days 2002. Hong Kong: Hong Kong Composers' Guild and the Education Department, 2002. ‘Analysis of Tan Dun's Ghost Opera' by Mui Kwong Chiu was first published as papers and proceedings of the Sixth Seminar on the History of New Music in China: Its Form, Craftsmanship and Aesthetics in 2000. It was later published in the same year in Collected Essays on History of New Music in China, Vol. No 6 by HKU Center of Asia Studies. A feature article entitled ‘An Exploration of Coherence in Music from Pop Song to Serious Music' was published in Issue 29 in the summer of 1999 in CASHFLOW the quarterly publication of CASH. In the article, compositional techniques in both pop and contemporary music genre were discussed, with a special focus on some of Joseph Koo's modulation techniques and his twin use of modes, with illustrations from some of his pop songs serving as demonstrations. Part of Mui Kwong Chiu's vocal music (serious category) from 1980 to 1999 have been listed in ‘Hong Kong Vocal Music: A General Index' among the works of other prominent Hong Kong Composers. Chinese Christians Literature Council Ltd published the collection of vocal music with the above index in March 1999, with sponsorship from Hong Kong Arts Development Council. 管弦樂 (西樂) 天上雲河 (2006) 7’ for harmonica orchestra Glamour of Asia Pacific (2004) 5’ for a thousand harmonicas - for the Grand Finale of Fifth Asia Pacific Harmonica Festival 口琴樂隊前奏曲 (2003) 7’ for harmonica orchestra 海韻風情 (2002) 19’ for Handbell and Orchestra I. The Sea and Wind Dialogue II. Leaves in the Wind III. The Dawn Breaks 交響詩《創世紀》 (2000) 18' 城市中的夢想 (1999) 10' 思潮 (1994) 10' 生命序曲 (1992) 10' 管弦樂 (中樂) 將進酒 (2005) 8’ 彩雲追月狂想曲 (2004) 10’ 酒肆留別 (1996) 9' 黃土鄉情 (1995) 10' 室樂 (西樂) 銀海星閃 (2004) 11' for cl, vc & pf Spirit II (2002) 9’ for piano and clarinet 香江素描組曲 (2001) 14' for harmonica quintet, pf & percussions 紅映雪語組曲 (2000) 15' for harmonica quintet 心語一 (1999) 10' for string quartet 心語二 (1999) 7' for string quartet Music of the Universe (1997) 12' for perc ensemble 夜 (1995) 9' for fl, vn & pf 旅程 (1992) 4' for string quartet 室樂 (中樂) 水雲月 (2003) 13' for guzheng, zhongrhan and xiao 傲雪寒梅 (2001) 8' for Chinese plucked-string ensemble 雲海暉月映瓊宮 (2000) 9' for Chinese wind ensemble & percussions 夜醉凌峰 (1999) 8' for Chinese ensemble 室樂 (混合) 彩雲追月狂想曲 (2003) 10' for Harmonica Quintet, sheng and Piano Three Petite Pieces (2002) 13’ for guitar, sheng, violin and viola I Chasing the Waves II Air Eleganza III 三擊 三鳥朝陽 (2001) 5' for 2 dizi's, fl & pf 秋山紅葉組曲 (2000) 14' for harmonica quintet, sheng, hp, pf & perc 世界大同 (2000) 10' for mixed ensemble 獨奏曲 Spirit I (1997) 5' for cl 大江曲 (1995) 8' for pf 盧沽湖 (1994) 5' for zheng Two Preludes (1992) 5' for pf Violin Solo in G Minor (1992) 8' for vn & pf 春風 (1992) 5' for zheng 春夏秋冬 (1992) 10' for pf 聲樂 / 合唱 Hong Kong, You are Beautiful! (2005) 8’ 民風三樂 (2005) 13' for mixed chorus 情繫香江 (2002) 10' for mixed chorus 元朗音畫 (2001) 6' for children chorus Song of the Universe (2000) 5' for soprano 老酒三兩三 (1995) 8' for solo tenor & pf 靈犀 (1994) 5' for solo soprano & pf 一列車 (1994) 10' for chorus 空巷 (1992) 6' for soprano & pf 浣溪沙 (1992) 8' for solo alto, chorus & pf 採蓮歌 (1992) 4' for tenor, soprano duet with pf 念 (1992) 10' for chorus, pf & perc 電子音樂 / 電腦音樂 音悠極擊 (2004) 70' for electronic music, live percussions and choreography 舞蹈音樂 音悠極擊 (2004) 70' for electronic music, live percussions and choreography 劇場音樂 竹林七賢 (1994) 45' 話劇 小魚與海 (2006) 90' 音樂劇 多媒體音樂 / 裝置音樂 夜醉凌峰多媒體舞蹈版 (2000) 11' for Chinese ensemble, multi-media & dancer 海的變奏 (2001) 15' for tape, fl, vc & dancer 視像音樂 茶的藝術 (1997) 20' for Chinese ensemble 文樓的藝術 (1996) 20' for MIDI production 茗趣 (1995) 20' for Chinese ensemble 電視音樂 Original soundtracks for over 40 episodes of RTHK TV series since 1990 電影音樂 電影配樂《忌廉溝鮮奶(1982) 30' Jingle for Esko Products Spring/ Summer (male version) (1984) 30 Jingle for Esko Products Spring/ Summer (male version) (1984) 15 Jingle for Esko Products Spring/ Summer (female version) (1984) 15 Jingle for Esko Products Autumn/Winter (male version) (1984) 30 Jingle for Esko Products Autumn/Winter (male version) (1984) 15 Jingle for Esko Products Autumn/Winter (female version) (1984) 15 出版刊物 / 發表文章 The article entitled ‘Analysis of Tan Dun’s Ghost Opera’ by Mui Kwong Chiu was collected lin A Collection of Articles in Commemoration of the 20 Anniversary of the Hong Kong Ethnomusicology Society, jointlypublished by Center of Asian Studies, HKU and Hong Kong Ethnomusicology Society in September 2005. An essay entitled ‘The mixing instrumentations of harmonica with other musical instruments as seen from the newly created harmonica compositions’ was published in the book ‘Seventy Years of Hong Kong Harmonica’ published by Joint Publishing Co. Ltd. in August, 2004. A review entitled ‘The Fifth Asia Pacific Harmonica Festival 2004’ was published in the September issue, 2004 in the quarterly publication CASHFLOW of Composers and Author’s Society of Hong Kong (CASH). A research paper entitled ‘New Possibilities for Chinese Instrumental Music: Compositional Techniques in Two Original Chamber Works’ was delivered in the Research Colloquia in Autumn 2003 in the Department of Music at the University of Hong Kong. The paper discusses the incorporation of compositional techniques from both Chinese and Western traditions as integrated in Mui Kwong Chiu’s two musical works. Music Theatre and Multi Media: Teaching Resource Kit." (in collaboration with Joshua Chan) In Contemporary Music Education Campaign of the ISCM World Music Days 2002. Hong Kong: Hong Kong Composers' Guild and the Education Department, 2002. ‘Analysis of Tan Dun’s Ghost Opera’ by Mui Kwong Chiu was first published as papers and proceedings of the Sixth Seminar on the History of New Music in China: Its Form, Craftsmanship and Aesthetics in 2000. It was later published in the same year in Collected Essays on History of New Music in China, Vol. No 6 by HKU Center of Asia Studies. A feature article entitled ‘An Exploration of Coherence in Music from Pop Song to Serious Music’ was published in Issue 29 in the summer of 1999 in CASHFLOW the quarterly publication of CASH. In the article, compositional techniques in both pop and contemporary music genre were discussed, with a special focus on some of Joseph Koo’s modulation techniques and his twin use of modes, with illustrations from some of his pop songs serving as demonstrations. Part of Mui Kwong Chiu’s vocal music (serious category) from 1980 to 1999 have been listed in ‘Hong Kong Vocal Music: A General Index’ among the works of other prominent Hong Kong Composers. Chinese Christians Literature Council Ltd published the collection of vocal music with the above index in March 1999, with sponsorship from Hong Kong Arts Development Council. Back