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INTERVIEWS 葉樹堅《日光下澈》 邱美琪《活 * 存》 Wong Chun-wai's "Waning Moon, Shivering Glimmer" 王宇軒《月色》 王廣宇《粵香》 劉詠浲《頂》 Ada Lai's "Studississimo" 陳雅雯《沒有斷線的風箏》 甘聖希《迪》 1 2 3 4 5 *Some content is available in Chinese only.

《謎》 Enigma 伍昕靈 Ng Yan-ling Illuminatius 伍昕靈於香港演藝學院主修作曲及電子音樂，在四年的學習中，曾多次獲獅子會音樂慈善基金獎學金、柏斯音樂創作奬學金、及香港演藝學院成績優異獎學金。其作品多次獲獎，包括2017年美國紐約金鑰匙音樂節鋼琴作曲比賽第二名、2022年香港電影作曲家協會主辦香港原創電影音樂作品優秀評審推薦獎第一名、2023年香港作曲家聯會的音樂新一代作曲比賽第三名等。 伍氏的不同作品屢次獲邀作首演，包括於香港電台第四台、西九龍文化區、台灣當代文化實驗室（C-LAB）、及維也納Palais Ehrbar等，並獲2019年聯合國可持續發展高級別政治論壇之「和諧與和平」周邊會議委約，於紐約開幕禮上首演，大獲好評。伍氏亦經常與香港及世界著名團體及藝術家合作，包括羅曼四重奏、香港創樂團、創不同及敲擊襄等等。 Ng Yan-ling Illuminatius is now studying at the Hong Kong Academy for Performing Arts, majoring in music composition and electronic music. She was awarded the Lions Music Charity Foundation Scholarships, Parson Outstanding Composition Student for Creative Music Scholarships, and The Society of Hong Kong Academy for Performing Arts Merit Awards for Local Students during her four years of study. Her works won many awards, including the second place in the 2017 Golden Key Music Festival - Piano Composition Competition in New York, the United States, the first place in the 2022 Hong Kong Original Film Music Outstanding Jury Recommendation Award, organized by Hong Kong Film Composers’ Association, and the third place in New Generation 2023, organised by Hong Kong Composers’ Guild etc. Ng’s work has been premiered and broadcasted in Radio Television Hong Kong Radio 4, West Kowloon District, and Taiwan Contemporary Culture Lab(C-LAB), and Palais Ehrbar in Vienna. She was also well received in the opening ceremony of “The Side Event at the 2019 High-level Political Forum on Sustainable Development under the auspices of the Economic and Social Council of the United Nations: Harmony and Peace” which was commissioned in New York, the United States in 2019. NG worked with various music groups, artists in Hong Kong and wordwide, including Romer String Quartet, Hong Kong New Music Ensemble, MaD (Make A Difference), and Toolbox Percussion etc. 面對世間萬事萬物，我們能希望處之泰然，從容面對。當我們鼓起勇氣，迎難而上，本相是問題比方法多。作品旨在描繪世界種種，皆高不可際，深不可測。 《謎》分為四部份。「玄．謎」運用各種不平均節奏與不協和音程探索敲擊四重奏特別的聲音融合，例如特別用敲擊棒側部敲打馬林巴琴邊，帶出清脆的聲音。音樂勾畫不如意事對人帶來的衝擊，面對無法解拆的紛擾時，人感到內外交困，束手無策。「困．謎」以各種敲擊樂互相的交替，伴隨着既散亂又迫切的節奏，展現人面對困難時的茫然若失。「懸．謎」，敲打樂段以自由拍子、各種音色概念的變化（如大鼓、鑼、小鼓的superball效果及用硬幣在鈸轉動的聲音），帶出徬徨的情緒。「樂．謎」則以強烈的節奏感，帶出人可樂觀面對眼前的阻攔。。 We all hope to be at ease and face our daily life calmly. When we muster up the courage to face difficulties, the truth is that there are far more problems than solutions. The work aims to describe the world, which is immeasurable and unfathomable. Enigma is divided into 4 sections. The first section, ‘Mysterious’ uses various uneven rhythms and dissonant intervals to explore the unique sounds for percussion quartet, such as playing on the edge of the bar with mallet handles. The music outlines the impact of matters going against people’s wishes, bringing out that when faced with unresolved turmoil, people feel troubled and helpless. The second section, ‘Trap’ utilizes the alternation of percussion instruments, accompanied by scattered rhythms, depicts the perplexity when people facing with difficulties. ‘Lost’ uses free tempo (senza misura) and diverse timbral changes (for example, the sound of superball for bass drum, tam-tam, snare drum, and the sound of a coin to scraping a cymbal) to illustrate the helplessness of people in obstacles. The last section, ‘Energetic’, the unison aims to describe that people can face the hurdles in front of them with optimism. Back

Hāni 《哈尼》 Hua Wenyao William 華文堯 Hua Wenyao William, born in Shenzhen, China in 2001, specializes in contemporary music composition, film scoring, and music production. He is currently studying at the Hong Kong Academy for Performing Arts under the guidance of Prof. Clarence Mak and Dr. Cheung Pui-shan. Previously, he studied with Dr. Chen Yeung-ping at South China Normal University exploring different ways of musical expression. He has won awards for his scores and music production in competitions, contributed to various multimedia and film soundtracks, with his works published in music journals. His works were performed at the Hong Kong International Film Festival, and his multimedia works have been performed at the Hong Kong Palace Museum and the Hong Kong Jockey Club Amphitheatre. He has also collaborated with the Hong Kong Toolbox Percussion, Academy Symphony Orchestra, Chinese Orchestra and the South China Normal University Chorus. The Hani is an ethnic minority in China Yunnan Province. The Hani believe in polytheism and worship natural deities. Their traditional festivals such as the Torch Festival are important celebrations with rich folklore and rituals. This piece combines the sounds the author heard during his travels in Yunnan Province to create an imagination of the Torch Festival rituals. Previous Next

*In the Flow of Resonance *《餘韻流轉》 Zheng Enzhe 鄭恩哲 Zheng Enzhe, the winner of "New Generation 2024", is currently a doctoral candidate at The Chinese University of Hong Kong. Drawing from his Chinese heritage, Zheng’s compositions merge traditional themes and folk materials with contemporary, innovative expressions, creating a unique musical language that reflects the cultural and spiritual essence of modern China. His orchestral piece Rosefinch won the Grand Prize at the Golden Bells International Composition Contest and was premiered at Carnegie Hall. The Time Capsule in the Azure Depths , written for a large Chinese ensemble, was selected for the 2025 "Music from the Heart" series and awarded the "Audience's Favorite Original Work" prize. His composition also won the 3rd Prize at the Musicacoustica Hangzhou 2023 Electroacoustic Music Composition Competition. In the Flow of Resonance is a composition that reinterprets and reconstructs Cantonese music within a contemporary context. While this musical tradition has gradually faded from the mainstream aesthetic landscape, it remains deeply rooted in local culture, subtly influencing and flowing through our lives. This composition draws on some well-known melodies of Stepping High and Autumn Moon Over the Calm Lake , paying tribute to the classics while attempting to fuse them with new musical language. It expresses a nostalgic connection to the sounds of an era and inspires imagination and anticipation for the future development of Cantonese music. While its future remains uncertain, its resonance continues to flow through our collective cultural memory. Previous Next

*《迷霧庭園》 *Garden of Mists 林俊熹 Matthew Lam 林俊熹是一位活躍的作曲家，他熱衷於現代古典音樂，且經常發掘及實驗新風格和技巧，尤其現代樂器技巧和現場電子音樂。 林氏贏得了不同獎項，而他的作品曾於June in Buffalo、International Rostrum of Composers (2023:荷蘭)、MUSLAB (2023:厄瓜多爾)、soundSCAPE Festival、Connecticut Summerfest、SCI National Conference 等多個不同場合演出。 他的作品亦被香港管弦樂團、 Toledo Symphony、Mivos Quartet、Del Sol Quartet、[Switch~ Ensemble]、Mise-en Ensemble,、Du.0、Cong Quartet 等不同團體演奏。 林氏於香港中文大學取得學士學位，並於鮑林格林州立大學修畢作曲碩士。他將於伊士曼音樂學院修讀作曲博士。 Born and raised in Hong Kong, Matthew Lam is an active composer and an enthusiast of contemporary music style. His goal is to explore and experiment on a wide array of sounds and timbre, especially with contemporary instrumental techniques and live electronics. Winning multiple awards, his works were featured in various festivals and conferences, including June in Buffalo (USA), International Rostrum of Composers (2023: Netherlands), MUSLAB (2023: Ecuador), Nanhua University International Symposium of Contemporary Music Research (Taiwan), soundSCAPE Festival (Italy), Connecticut Summerfest (USA), SCI National Conference (USA), Toolbox International Creative Academy (HK), and Hong Kong Contemporary Music Festival (HK). His works were played by various groups, including the Hong Kong Philharmonic Orchestra, Toledo Symphony, Hong Kong Chinese Orchestra, Mivos Quartet, Del Sol Quartet, [Switch~ Ensemble], Mise-en Ensemble, Du.0, Cong Quartet, NEXUS Ensemble, and Toolbox Percussion. Lam earned his Bachelor of Arts in Music with first class honours from the Chinese University of Hong Kong, and completed his master’s studies in composition at Bowling Green State University. He will commence his doctoral studies at Eastman School of Music this fall. 我在創作《迷霧庭園》時一直想著被晨霧籠罩的日本庭園的畫面。此曲並沒有描繪一個特定的庭園（每個庭園皆有其歷史及美學），但就捕捉了庭園的氣氛：靜謐而神秘。以此，我選擇的樂器大部分以金屬所造，並在此曲前後半用了兩組不同的聲音：第一組的特點是通過現代技巧發出相對持續的聲音，例如用超級球及弓演奏。 第二組則相對傳統的使用琴棍。 整首曲沒有明顯的旋律，旨在把所有的音色組合成一個聲景，讓聽者感受意景。 Garden of Mists is composed with Japanese gardens covered in morning mists in mind. Though I do not want to specifically depict any of the Japanese gardens (as each has its history and aesthetic), I attempted to capture the atmosphere of the garden with it being meditative, peaceful, and at the same time, somehow mysterious. With that in mind, I chose a combination of mostly metal percussion instruments using two groups of sounds in two different sections: the first group features ‘sustained sounds’ achieved by non-conventional means of playing such as rubbing with super ball and playing with a bow. The second group returns to the conventional way of using mallets. The entire piece does not have a significant melody, with the aim of combining all sounds into a single soundscape and letting listeners ‘feel’ the atmosphere. Back

Genesis 《創》 Leung Kai-sun Joshua 梁啓新 Leung Kai-sun Joshua is a third-year Music student at the Chinese University of Hong Kong. He currently studies composition under the tutelage of Dr. Lo Hau-man and Prof. Chan Kai-young. During his secondary education, he had studied composition with Dr. Lee Kar-tai Phoebus, Dr. Wong Yat-wai and Mr. Ting Yim-ting. In GalaMusica • School Chamber Compositions 2021, Leung was awarded the Outstanding Composition Award and Best Creative Ideas Award. He was consequently selected to participate in the Hong Kong Composers' Guild Mentorship Scheme. The Versatile Euphonium Ensemble and the Education Bureau have also commissioned Leung, and his compositions are also thrice selected to be featured in Bauhinia Concerts. In August, Leung’s commissioned work “三番” will be premiered by Hong Kong Cohesique Symphonic Band. Besides composition, Leung majors in Trombone, and is currently under the tutelage of Mr. Ben Pelletier. Leung previously studied trombone performance under Mr. Lam Howang and Mr. Cheung Ying-hung. Alluding to the first book of the Old Testament , the brass quintet work Genesis refers to the beginning and becoming of sonorities and intervals. Several extended techniques are employed to highlight the timbral qualities of the brass instruments in both the energetic and enigmatic episodes. Following some gradual unfolding, Genesis ruptures into a “brassy” cliched fanfare, which subsequently simmers down into a slow-moving segment of music. It is then further developed before transitioning back to the pompous fanfare with all the presented patterns incorporated, and descents into utter chaos. Audience members may observe the intervallic changes across the entire piece; as well as the contrasts between, and the integration of order and disorder in various metrics. Previous Next

《花城新聞》— 香港作曲家聯會40週年 以音樂連接世界 （2023.09.27） 香港作曲家联会今年踏入40周年， 25日在香港上环文娱中心排练厅举行40周年纪念活动“传承‧美乐之河”音乐会发布会，宣布启动“山区校歌计划”及“林乐培作曲奖”两大重点项目。香港艺术发展局音乐组主席梁建枫、香港作曲家联会主席梅广钊等出席主礼。 全文刊於《花城新聞》：... 《橙新聞》— 「香港作曲家聯會慶成立40周年 將辦「傳承．美樂之河」音樂會紀念活動」（2023.09.18） 為慶祝香港作曲家聯會成立40周年，由香港作曲家聯會主辦、香港藝術發展局和CASH音樂基金資助的「傳承．美樂之河」音樂會活動於2023年10月至2024年4月期間舉辦，活動發布會將於2023年9月25日舉行，香港藝術發展局梁建楓、香港作曲家聯會主席梅廣釗任主禮嘉賓。... 《商報》－「香港當代音樂節分三場演出 將呈現20首當代音樂作品」（2022.10.06） 由香港作曲家聯會主辦的「香港當代音樂節：環宇薈萃」即將呈現，旨在推廣創作、音樂新思維、深究音樂欣賞及推介高質素的音樂演出。香港藝術發展局資助和CASH音樂基金贊助。陳達文博士、香港藝術節執行委員會委員楊光以及香港作曲家聯會主席梅廣釗早前作為主禮嘉賓，為音樂會揭開了序幕。... 《大公報》－「香港當代音樂節」呈獻多首原創作品（2022.10.05） 【大公報訊】記者劉毅報道：由香港作曲家聯會主辦第3屆「香港當代音樂節」，以「環宇薈萃」為主題，涵蓋3場音樂會，首場音樂會「滙·亞洲室樂團音樂會」將於11月5日在上環文娛中心劇院公演，另外2場「安特衛普二重奏音樂會」、「手風琴室樂團音樂會」則於網上播出。... 《文匯報》－「作曲家聯會辦香港當代音樂節 將演奏多首原創作品」（2022.10.03） （香港文匯報記者 胡茜）近日，香港作曲家聯會即將呈獻「香港當代音樂節:環宇薈萃」，其宗旨為推廣創作、音樂新思維、深究音樂欣賞及推介高質素的音樂演出。發布會的主禮嘉賓為陳達文教授、香港藝術節執行委員會委員楊光先生以及香港作曲家聯會主席梅廣釗博士。... Tam Ka-shu Kenneth wins second prize at the ACL Festival 2022 Young Composers Competition Congratulations to Tam Ka-shu Kenneth for winning second prize with his work “Flux”, at the ACL Festival 2022 Young Composers Competition. Yu Tsz-long was chosen as one of the Recommended Works by Composers Under-30 at the 67th IRC Congratulations to our member Mr. Yu Tsz-long, for his work ‘Please Don’t Open’ being chosen as one of the Recommended Works by Composers... Dr. Austin Yip wins the Award for Young Artist (Music) at the 15th Hong Kong Arts Development Awards Congratulations to our treasurer Dr. Austin Yip on receiving the Award for Young Artist (Music) at the 15th Hong Kong Arts Development... 《橙新聞》－【文化走訪】新鮮出爐的疫情主題樂曲，如何透過線上工作坊展現給觀眾？（2021.05.28） 【橙訊】新冠肺炎疫情已經持續一年半，過往習慣去現場聽演出、看表演的觀眾，漸漸也開始適應在網上看直播、欣賞錄好的節目的狀態。有時，因為少了場地和購票限制，在互聯網上演出的節目反而成為社交媒體熱話，猶記得去年舉辦One World：Together At... 《信報》－面對疫情 音樂創作不會停（2020.11.16） 本港新冠肺炎的新增確診數字就像股市一樣－有升有跌－但是，日子還是要過，電影還是要看，音樂還是要聽。香港作曲家聯會兩年一度的《香港當代音樂節：亞洲薈萃》於本週六揭幕，今屆碰巧遇上疫情，改在網上演出，在疫境下為廣大市民送上不同風格的音樂，把抗疫疫勞一掃而空。... 1 2 3 4 5

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Search Results All (301) Blog Posts (55) Other Pages (246) 301 items found for "" Blog Posts (55) 《花城新聞》— 香港作曲家聯會40週年 以音樂連接世界 （2023.09.27） 香港作曲家联会今年踏入40周年， 25日在香港上环文娱中心排练厅举行40周年纪念活动“传承‧美乐之河”音乐会发布会，宣布启动“山区校歌计划”及“林乐培作曲奖”两大重点项目。香港艺术发展局音乐组主席梁建枫、香港作曲家联会主席梅广钊等出席主礼。 全文刊於《花城新聞》： https://app.gztv.com/plusshare/#/articleDetail?id=1389147643350784 This content is available in Chinese only. 《橙新聞》— 「香港作曲家聯會慶成立40周年 將辦「傳承．美樂之河」音樂會紀念活動」（2023.09.18） 為慶祝香港作曲家聯會成立40周年，由香港作曲家聯會主辦、香港藝術發展局和CASH音樂基金資助的「傳承．美樂之河」音樂會活動於2023年10月至2024年4月期間舉辦，活動發布會將於2023年9月25日舉行，香港藝術發展局梁建楓、香港作曲家聯會主席梅廣釗任主禮嘉賓。 全文刊於《橙新聞》： https://bit.ly/3rlB0Kj This content is available in Chinese only. 《商報》－「香港當代音樂節分三場演出 將呈現20首當代音樂作品」（2022.10.06） 由香港作曲家聯會主辦的「香港當代音樂節：環宇薈萃」即將呈現，旨在推廣創作、音樂新思維、深究音樂欣賞及推介高質素的音樂演出。香港藝術發展局資助和CASH音樂基金贊助。陳達文博士、香港藝術節執行委員會委員楊光以及香港作曲家聯會主席梅廣釗早前作為主禮嘉賓，為音樂會揭開了序幕。 全文刊於《商報》： http://www.hkcd.com/hkcdweb/content/2022/10/06/content_1366255.html This content is available in Chinese only. View All Other Pages (246) CHEN Chi-wai 陳智偉 | Hong Kong Composers' Guild CHEN Chi-wai 陳智偉 Dr. Jason Chen graduated from the University of Missouri-Kansas City Conservatory of Music in 1995 with a Bachelor of Music Degree, majoring in composition and piano with a 4-year scholarship. He later furthered his musical studies at the Hong Kong Baptist University, receiving the Master of Arts (majoring in composition and electro-acoustic music) and Diploma of Education (majoring in Music) respectively in 2000 and 2002. A composer, pianist and researcher, he studied jazz piano and arranging with Prof. Kim Park, and composition under tutorship of Prof. James Mobberley and Prof. John Chen, and has written over 40 compositions including works for orchestra, chamber music, electroacoustic music and writing music for TV commercials, movie soundtracks. His works have been published by Warner music, Universal music, Sony music, Capital Artist, What’s music and EEG Records. Jason is currently the Assistant Professor in the Department of Cultural and Creative Arts at the Hong Kong Institute of Education. He is also a PhD in music technology at Royal Melbourne Institute of Technology (RMIT) University, Australia, researching on multi-media music composition. His articles have been published by the top-ranked journals such as International Journal of Music Education, Research Studies in Music Education and Music Education Research. He was the jury panel for New Generation Concert and conducted various workshops for HKAPA, HKCG and EDB. 陳智偉1995年畢業於美國密蘇里大學堪薩斯城音樂學院，取得四年獎學金主修作曲及鋼琴演奏，獲頒音樂學士學位。其後繼續進修，於香港浸會大學取得音樂碩士學位（主修作曲及電子音樂）及音樂教育文憑。在學期間師從Prof. Kim Park 學習爵士鋼琴及編曲，又隨Prof. James Mobberley 及陳國平博士學習作曲，曾發表不同類型作品，包括管弦樂、室樂、電子音樂、廣告及電影音樂、流行音樂及爵士樂等。 陳氏現為香港教育學院文化及創意藝術學系助理教授。同時為澳洲皇家墨爾本科技大學哲學博士，研究多媒體電腦音樂創作，論文曾在國際音樂期刊 - International Journal of Music Education, Research Studies in Music Education, Music Education Research中發表。他曾擔任音樂新一代作曲比賽評判及於香港演藝學院教授爵士鋼琴工作坊，並擔任教育局新高中音樂課程(音樂)委員，近期著作包括Canto-Jazz音樂由Springer出版。 MAJOR WORKS 主要作品 Commissioned Work Global Warning (2011) [9”] for 12 guitars Orchestral The Voice of God in 3 movements (2000) [15”] for Orchestra and Voice Chamber (Western) A Tribute to Bartok (1998) [6”] for String Quartet Drops (1995) [10”] for 10 percussionists In the mirror I see myself (1994) [8”] for String Quartet Music for Guitar Quartet (1994) [8”] for 4 guitartists Sunrise (1993) [6”] for Voice and Piano Butterfly (1992) [6”] for unaccompanied voice and oboe Reversal (1991) [10”] for fl, ob, vc & piano June fourth for Violin and piano (1991) [8”] for vn, piano Crystal window (1990) [6”] for fl, cl Instrumental Solo Fantasia for solo Saxophone (1996) [15”] for Alto Sax Variations on ‘Autumn Leaves’ (2002) [7”] for piano Electronic Music Chinese Drums (1998) [7”] for 4 speakers Dragon (1995) [7”] for tape Jazz Arrangement Autumn leaves (2005) [6”] for HKIEd Jazz Band Desafinado (2005) [7”] for HKIEd Jazz Band Take five (2005) [7”] for HKIEd Jazz Band How high the moon (2007) [7”] for HKIEd Jazz Band The girl from Ipanema (2007) [7”] for HKIEd Jazz Band Summertime (2009) [6”] for HKIEd Jazz Band Watermelon Man (2009) [7”] for HKIEd Jazz Band How insensitive (2009) [7”] for HKIEd Jazz Band What a wonderful world (2009) [5”] for HKIEd Jazz Band and SCPE chamber choir Spain (2009) [6”] for HKIEd Jazz Band and SCPE chamber choir 喜帖街 (2012) [5”] for HKIEd Jazz Ensemble 幸福摩天輪(2012) [5”] for HKIEd Jazz Ensemble Discography 越過黑暗 (composer for movie soundtrack) CD - EEG FCCS92099 後現代戀愛 (composer for TV commercial) CD - Polygram 534965-2 孤單一個 (composer) CD - Warner 0630-13015-2 只要為我好 (arranger) CD - Capital Artist 02-1266 請您 (arranger) CD - Capital Artist 02-1266 細味 (composer, arranger) CD - 宣道出版社 TCD 142 Global Warning (Composer) CD - Resonating Colours CGCD 1401 Jingles for TV commercial China Bank Group Limited, Ford Car Explorer, Korean Ginseng, Hong Kong Bank Limited Back Breath of Spring | HKCG 香港作曲家聯會 《春之息》 Breath of Spring 鄭恩哲（冠軍） Zheng Enzhe（Winner） 鄭恩哲現為香港中文大學音樂博士候選人，師隨李允琪教授學習作曲。 鄭氏的作品汲取了他的中國文化身份，積極將傳統主題和民間素材與當代創新表達手法相結合，創造出個人獨特的音樂語言，反映了近現代中國的人文特色與精神內涵。鄭氏的作品《朱雀》在金編鐘國際作曲比賽中榮獲大獎，並由美國亞洲文化交響樂團於2022年在美國紐約卡內基音樂廳首演;作品《天外》在2023年中國杭州國際電子作品比賽中榮獲三等獎。 Enzhe Zheng, from China, is currently a doctoral candidate at The Chinese University of Hong Kong, studying composition with Prof. Lee Wan-ki Wendy. Drawing from his Chinese heritage, Zheng's compositions are infused with distinctive cultural elements, merging traditional themes and folk materials with contemporary and innovative expressions to create a unique musical language reflective of modern China. His compositions, Rosefinch, was awarded the Grand Prize winner in the Golden Bells International Composition Contest and was premiered by the Asian Cultural Symphony Orchestra of the U.S.A. at Carnegie Hall in 2022; Beyond the Sky, was awarded the 3rd Prize, Musicacoustica - Hangzhou 2023, Electroacoustic Music Composition Competition. 《春之息》這個作品探索了春天的多面性——從悄悄萌芽的種子到繁花似錦的景象，再到動物們蘇醒的活力。此作品為打擊樂四重奏所作，四位樂手的互動不僅反映了自然界中種種生物的相互作用，也象徵著春天生命循環的不斷輪迴。通過這個作品在表達春日氣息之餘，也提醒著人們對這份脆弱之美的珍惜，對步入新季節報以感動和憧憬。 Breath of Spring explores the multifaceted nature of spring — from the quietly sprouting seeds to the splendid vistas of blooming flowers, and the revived vitality of animals. This piece is composed for a percussion quartet, where the interaction among the four musicians not only reflects the interplay of various life forms in nature but also symbolizes the perpetual cycle of life that spring brings. This composition, while expressing the essence of spring, also serves as a reminder for people to cherish this delicate beauty and to embrace the new season with emotion and anticipation. Back LEUNG Ka-tung Tony 梁家棟 | Hong Kong Composers' Guild LEUNG Ka-tung Tony 梁家棟 Tony K.T. Leung’s compositions have been performed and broadcast in Australia, Belgium, Denmark, France, Hong Kong, Korea, Luxembourg, Ukraine, the USA and Canada by leading contemporary music ensembles. Recordings of works by the composer include CD releases from Luxembourg Sinfonietta, ERMMedia, and Canadian Electroacoustic Community. Born in Hong Kong, Tony discovered music through his first instrument, the erhu, and later the cello. As a youth, he arranged music for a Chinese orchestra, which sparked an early interest in western music and composition. From 1989 to 1992, he studied composition privately with University of Toronto Professor Chan Ka Nin. He received further training through workshops with Arraymusic, Conductors Guild, Esprit Orchestra, National Arts Centre, Thunder Bay Symphony Orchestra, and New Adventures in Sound Art. Other performers of his music include Vancouver Chinese Music Ensemble, Vienna Saxophone Quartet, Motion Ensemble, York Symphony Orchestra, and Regina Symphony Orchestra. As a conductor, he has directed Hong Kong Juvenile & Youth Chinese Classical Orchestra, Toronto Chinese Orchestra, Vancouver Chinese Music Ensemble, and York University Chinese Music Ensemble. He is currently Composer-in-Residence with the Toronto Chinese Orchestra and Artistic Director of Dim Sum Ensemble. 梁家棟的音樂作品曾被現代著名的樂團演奏，並在澳洲、比利時、丹麥、法國、香港、韓國、盧森堡、烏克蘭、 美國及加拿大播放錄音，其中包括有盧森堡小交響樂團、ERMMedia及加拿大電子原音音樂協會錄制的雷射唱片。 梁家棟出生於香港，其音樂興趣始於二胡，及後的大提琴，年青時代，他為中樂團配樂，因而引起他對西方音樂及作曲的興趣。一九八九年至一九九二年其間，他跟隨多倫多大學陳嘉年教授學習作曲。之後他有機會在著名樂團如Arraymusic、指揮聯會、Esprit樂團、國際藝術中心、雷灣交響樂團及新聲音藝術探險會等繼續學習深造。其他演奏過他的作品的樂團包括溫哥華中華樂團、維也納薩克管四重奏、紐賓士域省的Motion樂團、多倫多約克交響樂團及里賈納交響樂團等。他亦曾在香港青少年國樂團、多倫多中樂團 、溫哥華中華樂團及約克大學中樂團的演出中作指揮。他是多倫多中樂團駐團作曲家及點心絲竹樂團藝術總監。 MAJOR WORKS 主要作品 Back View All