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香港作曲家联会今年踏入40周年， 25日在香港上环文娱中心排练厅举行40周年纪念活动“传承‧美乐之河”音乐会发布会，宣布启动“山区校歌计划”及“林乐培作曲奖”两大重点项目。香港艺术发展局音乐组主席梁建枫、香港作曲家联会主席梅广钊等出席主礼。 全文刊於《花城新聞》： https://app.gztv.com/plusshare/#/articleDetail?id=1389147643350784 This content is available in Chinese only.

為慶祝香港作曲家聯會成立40周年，由香港作曲家聯會主辦、香港藝術發展局和CASH音樂基金資助的「傳承．美樂之河」音樂會活動於2023年10月至2024年4月期間舉辦，活動發布會將於2023年9月25日舉行，香港藝術發展局梁建楓、香港作曲家聯會主席梅廣釗任主禮嘉賓。 全文刊於《橙新聞》： https://bit.ly/3rlB0Kj This content is available in Chinese only.

由香港作曲家聯會主辦的「香港當代音樂節：環宇薈萃」即將呈現，旨在推廣創作、音樂新思維、深究音樂欣賞及推介高質素的音樂演出。香港藝術發展局資助和CASH音樂基金贊助。陳達文博士、香港藝術節執行委員會委員楊光以及香港作曲家聯會主席梅廣釗早前作為主禮嘉賓，為音樂會揭開了序幕。 全文刊於《商報》： http://www.hkcd.com/hkcdweb/content/2022/10/06/content_1366255.html This content is available in Chinese only.

Lui Tsz-yan 呂芷茵 Lui Tsz Yan is currently pursuing a Master of Arts in Music at The Chinese University of Hong Kong, studying the Pipa under the guidance of Zhang Ying, Principal Pipa Player of the Hong Kong Chinese Music Orchestra. Lui is proficient in performing a wide range of Chinese and Western instruments. For Chinese instruments: Pipa, Dizi, Erhu, and Liuqin, all at a professional performance level; for Western instruments: Flute, Cello, Drumsets, among others. She has also attained Grade 2 (Highest Level) in Chinese Music Theory from the Central Conservatory of Music and Grade 8 in Music Theory from the Associated Board of the Royal Schools of Music (ABRSM), with years of ensemble performance experience. Currently, Lui serves as an executive committee member and Cello section player of the Hong Kong New Tune Music Orchestra, as well as a Dizi player in the Chung Chi Chinese Orchestra of CUHK and Pipa player in the Yue Pipa Ensemble. In recent years, Lui has actively explored composition, with published works including Western chamber ensemble “Autumn Sorrow” and Plucked-string chamber ensemble “A Glimpse of Memories”. She has also composed numerous pieces for small ensembles during her MA degree recitals in 2024 and 2025. 呂芷茵現正就讀香港中文大學音樂文學系碩士，並師從香港中樂團琵琶首席張瑩老師進修琵琶。呂氏精通演奏不同中西樂器：中樂方面琵琶、笛子、二胡、柳琴等已達演奏級；西樂亦能演奏長笛、大提琴、爵士鼓等。呂氏同時亦已考獲中央音樂學院中樂樂理二級（最高級）以及英國皇家音樂學院樂理八級，並有多年樂團演奏經驗。呂氏現為香港新聲國樂團執委和低音組成員，香港中文大學崇基中樂團笛子組成員、瑆玥@玥琵琶室內樂團成員之一。 呂氏近年積極發展作曲相關興趣，曾發表的作品有西樂室內樂重奏《Autumn Sorrow》、彈撥室內樂重奏《彈指時光》等；亦在二零二四及二五年的音樂文學系碩士音樂會中為小組編寫不少作品。 二零二四年獲屯門中西器樂比賽重奏公開組冠軍、二零二一年獲國際青少年音樂大賽2021中樂公開組亞軍及第五屆香港青少年國際音樂大賽笛子公開組冠軍。過往曾於二零一四年參加第二屆”敦煌杯”全國琵琶大賽，獲得職業B組獨奏演奏獎及非職業重奏組金獎；二零一五年獲屯門文藝協進會主辦屯門區中西器樂比賽中樂吹管A公開組亞軍，香港國際音樂節民樂小組B第一名及第三屆港珠澳中國民族器樂大賽青年組三等獎；二零一六年獲屯門文藝協進會主辦屯門區中西器樂比賽小合奏公開組冠軍及中樂拉弦公開組優異獎。 MAJOR WORKS 主要作品 Orchestral 賀慶 Festival Celebration for Chinese Orchestra (2024) Chamber / Solo 室內樂 醉逍遙 Lethe for Dizi, Erhu and Piano Ensemble (2025) Rift for Woodwind Ensemble (2025) 彈指時光 A Glimpse of Memories for Chinese Plucked String Ensemble (2024) 秋愁Autumn Sorrow for Flute, Clarinet, Bassoon, Viola, Cello, Piano (2024) String Quartet No.1 (2024) Vocal / Choral Works 獨唱與合唱作品 錯過 Pop Song for Female Vocal Solo with Zhonghu and Piano (2025) 琵琶歌 Pipa Song for Treble Choir and Chinese Orchestra (2024) Arrangement 編曲作品 殘酷天使的行動綱領 for Dizi, Erhu, Cello, Guzheng and Piano (2025) 在那遙遠的地方 for Dizi, Erhu, Cello, Guzheng and Piano (2025) Waltz No.2 from Shostakovich for Cello trio (2025) 紅蓮華 for Pipa, Erhu, Cello, Guzheng and Piano (2024) Blessed Assurance for Cello, Piano and Choir with Tenor Descant (2024) Oh Christmas Tree for Chinese Orchestra (2022) Back

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SHARING LECTURES BY HONG KONG COMPOSERS 2017 Presented by: Leisure and Cultural Services Department, Hong Kong Composers' Guild Supported by: Hong Kong Arts Development Council Date: 15/3/2016 - 26/4/2017 (6 lectures in six Wednesday evenings) Time: 7:30pm Venue: Hong Kong Space Museum (Lecture Hall) Website: https://goo.gl/ZRYpYN 15 March - My Music in Dialogue with Different Art Forms Speaker: Dr. Joyce Tang Moderator: Dr. Ada Lai Composer Joyce Tang has been collaborating with artists of different disciplines in recent years. In this lecture, she will discuss her recent interdisciplinary compositions for visual arts, dance, theatre and literature. 22 March - More Space for Chinese Music Speaker: Prof. Leung Chi-cheung Moderator: Au Tin-yung Alex Demonstrators: Chu Wan-pin (Erhu) and Bryan Lai (Yangqin) Mentioning about Chinese music, most people only know about the violin concerto Butterfly Lovers, but whether they know about the name of the composer would be another question. Is there such a little space to appreciate Chinese music given its long history? Composer Leung Chi-cheung will answer this question from different perspectives in history, composing, performing, conducting and even marketing. Through illustration of his works in the last decade, Prof. Leung will talk about a wider space for the development of Chinese music. Demonstration: The Pair of Jades for Erhu and Yangqin (2009) 29 March - Representation of Human Empathy in My Music Speaker: Associate Prof. Wendy Lee Moderator: Dr. Lee Kar-tai Phoebus Demonstrators: Cynthia Chan (Piano) and Grace Chiang (Mezzo-soprano) The music of composer Wendy Lee is lyrical, poignant, and narrative, but it also derives from an engagement with the musical materials of the 20th and 21st centuries. A central and crucial feature of her music is its representation of human empathy. This empathy arises not only as a result of her composition titles, but of the technical implications and other deeper inner workings of such pieces as well. In this lecture, she will take the audience onto her musical journey that is highly emotional and personal. 5 April - Searching for Magic: The Music of Christopher Coleman Speaker: Dr. Christopher Coleman Moderator: Dr. Austin Yip In this lecture, Composer Christopher Coleman will present a sampling of his works. A polystylistic composer, he writes music that is serious, music that is humourous, and everything in-between. From acoustic to electronic music, tonal to atonal, Coleman’s music shares one feature throughout — a search for a magic moment where the audience feels transported.e. 12 April - My Experience and Several of My Works Speaker: Prof. Wang Qiang Moderator: Dr. Lam Lan-chee Composer Wang Qiang’s childhood years coincided with the turmoil of wartime. A number of massive political movements occurred throughout her musical journey. That could explain why her works are somehow imprinted with a certain watermark. In this lecture, she will present some of her works and share the stories behind these compositions, including River of Fortune (for Chorus) (1958), Farewell My Concubine (for Konghou, Peking Opera Percussion and Dizi) (2013) 26 April - From Inspiration to Sounds Speaker: Tang Man-ngai Moderator: Dr. Leung Chi-hin Demonstrators: Terry Chan (Violin) and Tong Wai-ho (Cello) Composer TANG Man-ngai will share his writing experience of Dawn, Birds Singing by the Brook and Voices and discuss the use of harmony, melody and texture in these works.