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LAM Doming (Honorary President) 林樂培（名譽主席） DOMING LAM, Winner of two Gold Seal Awards for the Best Serious Music. Born in Macau in 1926. Studied music in Canada and Unite States; is the pioneer to lead Hong Kong into the music circles of the world. During 1964-1994 he worked in Hong Kong and Macau, contributed equally well in composing, conducting, teaching, producing music programmers for radio and television. Maestro Lam’s music has been performed over 40 cities around the world. The 2001 New Grove’s Dictionary of Music and Musicians has a detailed biography on Maestro Lam. The music library in the University of Hong Kong, kept a collection of his music. 林樂培，香港大學前任駐校作曲家及兩屆最佳正統音樂CASH金帆獎得主。1926 年生於澳門。把香港引進國際樂壇的開路先鋒。在加拿大及美國研習音樂。1964-94年間活躍於香港和澳門音樂界，在作曲、教學、指揮、製作電台及電視音樂節目上都有成就。作品在國際40多個城市發表過，對後起之秀能產生啟發作用。2001年之高庫音樂全書New Grove’s Dictionary of Music and Musicians有他的詳為盡介紹。香港大學音樂圖書館收藏他的全部作品。 MAJOR WORKS 主要作品 Orchestral (Western) Twilight (1997) a sketch for pipa & orchestra Heaven's Blessing: A Symphonic Prelude (1988) 13' Contrast (1981) 13' for dizi, pipa, yangqin, erhu & orchestra Insect World II (1981) 18' Tai-Ping Shan Panorama (rev 1979) 8'30" Aerial Ode (1978) 13' Image (rev 1977) 25' Thanksgiving to Joe-Kwan, the Kitchen God (1976) 18' Gu-Chu (rev 1971) 23' for pf & orchestra Essay (1958) for string orchestra Orchestral (Chinese) The Trial of Doue in a Dream (1989) 45' cantata for soprano, baritone & Chinese orchestra in the style of Yuan opera Kung Fu (1987) 18' dialogue for pipa & Chinese orchestra Silent Prayer (1981) Insect World (1979) 18' Autumn Execution (1978) 18' Chamber Changing Wind (1990) 14' for vn, bass cl (doubling alto saxophone), pf & perc Breakthrough II (1976) 15' for fl & vc Three Settings of Wai City's Ballad (1966) 8'30" for fl & pf Three Chinese Dances (1963) 8' for vn & pf Chinese Folk Song Suite (1963) 12' Old Fisherman (1962) 7' for vn Sonata: Oriental Pearl (1961) 18' for vn & pf Divertimento No.1 (1958) 16' for 2 fl & pf Duet (1958) 5' for 2 vn Piano Study No.1 (1954) 6' for tape Piano Solo Gu-Chu (rev 1971) 18' Seven Popular Chinese Folk Songs (1962) for young pianists Uncle's Suite (1960) 5' for young pianists Prelude and Scherzo (1959) 7' Vocal Liturgical Music (1994) includes 24 hymns, mass, magnificat, Te Deum & requiem; for chorus & organ Eucharistic Prayer (1994) 17' a set of Proper (type II) in Cantonese for High Mass; for voice & organ Like is their Delight (1980) 29' for soprano & instrumental ensemble Two Farewell Songs from the Poems of Li-Po (1964) 7' for fl & high voice Three Night Songs of Li-Po (1957) 7' for voice & orchestra Reap and Gather (1953-57) 6' 3 songs for voice & pf Choral The War Bridge (1983) 25' cantata for tenor, baritone, mixed chorus & 2 pf A Silent Prayer (1981) 13' for children's choir & Chinese orchestra Open Your Arms (1979) for children's choir & pf/orchestra Missa Laudis (1962) 15' for SATB & organ Gloria Patri (1961) for SATB & organ Ah! Sun Flower (1958) 5' for SATB a cappella Panis Angelicus (1956) for mixed choir, soloist & organ/orchestra Music for Modern Dance Triptych (1982) 33' Legend (1981) 60' Discography Like is Their Delight, Philips 7337157 Sonata: Oriental Pearl, Philips 6598979 Moonlight Over Spring Water, Capital Artists CD3003S Three Night Songs of Li-Po, Jade-Empire Records Two Farewell Songs from the Poems of Li-Po, Jade-Empire Records Scherzo, China Records BL57 Thanksgiving to Joe-Kwan, the Kitchen God, Hong Kong Records Moonlight Over Spring Water for piano, Largo Records Co. LGC8801 / Man Hoi Records VA-2001 The Collection of Liturgical Music by Doming Lam, Hong Kong Catholic Centre 336-3-5005 Changing Wind, Hugo Breakthrough, Hugo HRP 798-2 Violin Sonata, Hugo HRP 7127-2 Publication (partial) "The War Bridge." In Hong Kong Vocal Music Collection, vol.II, edited by D. Law, 23-74. Hong Kong: Chinese Christian Literature Council, 1999. "Three Night Songs of Li-Po." In Hong Kong Vocal Music Collection, vol.VI, edited by D. Law, 43-50. Hong Kong: Chinese Christian Literature Council, 1999. "Two Farewell Songs." In Hong Kong Vocal Music Collection, vol.VIII, edited by D. Law, 64-68. Hong Kong: Chinese Christian Literature Council, 1999. "Ah! Sunflower." In Hong Kong Vocal Music Collection, vol.VIII, edited by D. Law, 69-73. Hong Kong: Chinese Christian Literature Council, 1999. 管弦樂 曙光 (1997) a sketch for pipa & orchestra 天保讚交響序曲 (1988) 13' 對比 (1981) 13' for dizi, pipa, yangqin, erhu & orchestra 昆蟲世界（二）(1981) 18' 太平山下 (rev 1979) 8'30" 天籟 (1978) 13' 形像 (rev 1977) 25' 謝灶君 (1976) 18' 古曲新譯 (rev 1971) 23' for pf & orchestra 弦樂隨筆 (1958) for string orchestra 管弦樂 (中樂) 夢審竇娥 (1989) 45' cantata for soprano, baritone & Chinese orchestra in the style of Yuan opera 功夫 (1987) 18' dialogue for pipa & Chinese orchestra 問蒼天 (1981) 昆蟲世界 (1979) 18' 秋決 (1978) 18' 室樂 風雲變 (1990) 14' for vn, bass cl (doubling alto saxophone), pf & perc 突破（二）(1976) 15' for fl & vc 渭城曲 (1966) 8'30" for fl & pf 古舞曲三首 (1963) 8' for vn & pf 民歌雅集 (1963) 12' 板橋道情 (1962) 7' for vn 東方之珠 (1961) 18' for vn & pf 遣興樂三首 (1958) 16' for 2 fl & pf 輪迴 (1958) 5' for 2 vn 鋼琴研究之一 (1954) 6' for tape 鋼琴獨奏 古曲新譯 (rev 1971) 18' Seven Popular Chinese Folk Songs (1962) for young pianists 舅舅組曲 (1960) 5' for young pianists 小序及諧謔曲 (1959) 7' 聲樂 禮樂集 (1994) includes 24 hymns, mass, magnificat, Te Deum & requiem; for chorus & organ 感恩經 (1994) 17' a set of Proper (type II) in Cantonese for High Mass; for voice & organ 兩相歡 (1980) 29' for soprano & instrumental ensemble 李白驪歌兩首 (1964) 7' for fl & high voice 李白夜詩三首 (1957) 7' for voice & orchestra 初耕集 (1953-57) 6' 3 songs for voice & pf 合唱 塵埃不見咸陽橋 (1983) 25' cantata for tenor, baritone, mixed chorus & 2 pf A Silent Prayer (1981) 13' for children's choir & Chinese orchestra 伸出仁愛的手 (1979) for children's choir & pf/orchestra Missa Laudis (1962) 15' for SATB & organ Gloria Patri (1961) for SATB & organ Ah! Sun Flower (1958) 5' for SATB a cappella Panis Angelicus (1956) for mixed choir, soloist & organ/orchestra 現代舞音樂 Triptych (1982) 33' 洪荒什記 (1981) 60' 唱片目錄 Like is Their Delight, Philips 7337157 Sonata: Oriental Pearl, Philips 6598979 Moonlight Over Spring Water, Capital Artists CD3003S Three Night Songs of Li-Po, Jade-Empire Records Two Farewell Songs from the Poems of Li-Po, Jade-Empire Records Scherzo, China Records BL57 Thanksgiving to Joe-Kwan, the Kitchen God, Hong Kong Records Moonlight Over Spring Water for piano, Largo Records Co. LGC8801 / Man Hoi Records VA-2001 The Collection of Liturgical Music by Doming Lam, Hong Kong Catholic Centre 336-3-5005 Changing Wind, Hugo Breakthrough, Hugo HRP 798-2 Violin Sonata, Hugo HRP 7127-2 出版刊物(部份) 《塵埃不見咸陽橋》 "The War Bridge." In Hong Kong Vocal Music Collection, vol.II, edited by D. Law, 23-74. Hong Kong: Chinese Christian Literature Council, 1999. 《李白夜詩三首》 "Three Night Songs of Li-Po." In Hong Kong Vocal Music Collection, vol.VI, edited by D. Law, 43-50. Hong Kong: Chinese Christian Literature Council, 1999. "Two Farewell Songs." In Hong Kong Vocal Music Collection, vol.VIII, edited by D. Law, 64-68. Hong Kong: Chinese Christian Literature Council, 1999. "Ah! Sunflower." In Hong Kong Vocal Music Collection, vol.VIII, edited by D. Law, 69-73. Hong Kong: Chinese Christian Literature Council, 1999. Back

MUSICARAMA 2017: CHORAL & VOCAL MUSIC CONCERT Concert Date & Time: October 13, 2017 (Friday) at 8 p.m. Venue: Theatre, Hong Kong City Hall Programme by the Hong Kong Children's Choir Conductors: Albert Lim, Vivian Suen Hui Cheung-wai - The Bamboo Grove (2014)(3’40”) Leung Chi-hin - Thoughts of Separation (2016)(4’) Thomas Wong - Here’s to Life (2016)(4’30”) Wong Kong-yu - Two Poems of Chen Zi-ang (2017)(5’30”) Viola Yuen - On a Sleepless Night (2016)(7’10”) Li Kar-yee - Waiting for…x3 (2017)(5’40”)* Chan Sze-rok - The Superstitious Ghost (2017)(5’)* Vocal works: Lin Sheng-shih - Four Cancrizans Poems by Su Shi (1963-65)(12’) Chan Kai-young - Poem Without a Title: Hard it is to Meet and Part (2014)(4’30”) Galison Lau - When I have Thought of You (2017)(6’)* Austin Yip - The Poetess (2011)(7’) Anthony Cheng - Chanson Triste (2002, rev. 2017)(8’) Lee Kar-tai - Nostalgia in Four Rhymes (2013)(5’) Tam Chin-fai - Liao Zhai: Wailing Ghosts (2017)(6’)*

SOUND-IMAGination 2016: Introducing the Composers SOUND-IMAGination 2016: HONG KONG LANDSCAPE Concert 音樂會 Composers' Biography 作曲家簡介 Composers' Sharing 作曲家分享 Boo Chun-kit 布俊傑 Chan Chin-ting 陳展霆 Chan Ho-yi 陳浩貽 Chan Kai-young 陳啟揚 Chris Hung 洪銘健 Kwok Tsun-huen 郭雋晅 Lam Lai 林儷 Lau Hiu-kong 劉曉江 Livia Lin 凌崎偵 Lun Wai-kit 倫偉傑 Shao Litang 邵麗棠 Shuen Lai-yin 孫禮賢 So Ho-chi 蘇浩慈 So Ka-wai 蘇家威 Tam Ka-shu 譚家樹 Joyce Tang 鄧慧中 Wong Chun-wai 黃俊諱 Wyman Wat 屈雅汶 Yau May-kay 邱美琪 Austin Yip 葉浩堃 Composers' Biography 作曲家簡介 Boo Chun-kit 布俊傑 Born in Hong Kong, Boo Chun Kit started learning the piano at his young age, while began to compose in secondary school. Boo is currently studying in the Bachelor of Music with major in composition at The Hong Kong Academy for Performing Arts. In 2013, his work Gather Instant was performed in the SOUND- IMAGination: Hong Kong One Moment Concert. In 2014, his work Iridescent Clouds for string quartet was selected to perform in the New Generation 2014 Concert. He is also keen on multimedia production, and exploring music through different presentations and perspectives. Chan Chin-ting 陳展霆 Composer Chin Ting (Patrick) CHAN (b. 1986) has held faculty positions at the University of Missouri–Kansas City and Kansas City Kansas Community College. His music has been featured throughout the North and South Americas, Europe and Asia; at festivals such as the International Computer Music Conference, the International Rostrum of Composers, IRCAM’s ManiFeste, June in Buffalo and the Wellesley Composers Conference, among many others. His works are published with the ABLAZE Records, Darling’s Acoustical Delight, Melos Music, Music from SEAMUS, Navona Records/PARMA Recordings, the SCI Journal of Music Scores and Unfolding Music Publishing (ASCAP). Chan Ho-yi David 陳浩貽 David Ho-Yi Chan is a young composer, conductor and organist born in Hong Kong. His paper and compositions had been presented in various international academic occasions, including 2nd Chinese Composers’ Conference (2013), International Society of Contemporary Music (ISCM) World Music Days (2014) and Asian Composer League Festival & Conference (2015). With the support from CASH Music Fund and Jebsen & Co. Choral Arts Youth Scholarship, Chan is currently pursuing master of composition at the Royal College of Music under the tutelage of Joseph Horovitz. He is also serving as the Director of Music at John Keble Church in London. Chan Kai-young 陳啟揚 A Benjamin Franklin Doctoral Fellow at the University of Pennsylvania, Kai-Young Chan’s music is performed across the continents by leading ensembles such as Pittsburgh Symphony Orchestra, Curtis Symphony Orchestra, Daedalus Quartet, International Ensemble Modern Academy, and Hong Kong New Ensemble. He was featured in ISCM World Music Days (Slovenia in 2015, Belgium in 2012), Havana Contemporary Music Festival (Cuba), International Forum of New Music (Mexico), Chinese Composers’ Festival (Hong Kong), Darmstadt Ferienkurse(Germany), Risuonanze Festival(Italy), and International Rostrum of Composers(Helsinki). His music is published by Editions Peters and recorded on Ablaze Records and PARMA Recordings. Please visit http://www.chankaiyoung.com for more information. Chris Hung 洪銘健 Chris Hung’s music has been performed in many countries and he has collaborated with various ensembles and orchestras around the world. Hung has participated many international music festivals, such as ISCM World Music Days and 45th Darmstadt Summer Course for New Music etc. Accolades include Finalists in 2015 and 2011 SCO Chinese Orchestral Composition, 2014 Sibelius Composition Competition, "Florence String Quartet Call For Scores" Composition Competition and First Prize in “Sofia 2013” International Composition Competition etc. Dr. Hung’s scores are published by French publisher Babelscores. Currently Dr. Hung serves as one of the Directors of the Hong Kong Composers’ Guild. Homepage: http://chris-hung.com Kwok Tsun-huen 郭雋晅 Kwok Tsun Huen, Corvus, graduated from the Hong Kong Baptist University with a Bachelor of music composition and a Master of Conducting. His major composition teachers included Dr. Christopher J. Keyes and Dr. Joyce W. C. Tang. After finishing the study in the University, Corvus went to the Shanghai Music Conservatory to have further studies on Violin Making. Ever since primary school, Corvus started learning to play the violin, then shortly after, the piano, the guitar and also the Guzheng. He even built an electric guitar to try to understand the instrument as a technical device. He is the Foley artist of the film <26 Happiness Road>, and also the Music director of several dramas and musicals, including , , and . His works were selected in the New Generation Composition Competition 2012-2014 and was being performed by several ensembles and being broadcast on RTHK. In 2015, his work is being performed in USA. Lam Lai 林儷 Lam Lai was born in Hong Kong. She studied music composition in The Hong Kong Academy for Performing Arts and the Royal Conservatory in The Hague. Her compositions are performed in public around globe include orchestral, ensemble, electronic and interdisciplinary works. As a composer, she tends to create new hybrids of media and exploring sounds experience in music. She has focused on combining conventional performance practices with other forms of art such as electronic sound, visual art, film, literature and theatre. Currently, she is working with the music-theatre company de Veenfabriek for the performance RAARRR and touring around the Netherlands. Lau Hiu-kong 劉曉江 Lau Hiu Kong, Lawrence is currently pursuing a Bachelor of Music, major in composition at The Hong Kong Academy for Performing Arts. Lau is active on promoting his music. His piano trio, Thorns, was performed on the concert of 32nd Asian Composers League Conference & Festival in Japan. Last year, His works, Cicada’s cry for Pipa, Sheng, Woodwind Quintet and Xiao for four Clarinets were performed in Beijing and Italy respectively. As a student composer, Lau has written for not only chamber music but also theatre, where he explores various concepts and languages. He has participated in several theatre productions, including Claustrophobic Space and Post-Guangxi. Livia Lin 凌崎偵 Livia Lin is the 2011 recipient of the Saint Botolph Club Foundation Emerging Artist Award. A Berklee College of Music graduate double majoring in Music Production & Engineering and Film Scoring, Lin was awarded scholarship to study composition at Tufts University where she received her MA. She has presented her compositions at the Asian Composers’ League Festivals and the Festival of Women in Arts, to name a few. Active in classical music productions, Lin has been credited as audio engineer in albums of composer Arthur Levering, Bang on a Can bassist Robert Black, and the Blue Heron Renaissance Choir. Lin also holds an LRSM (distinction) in piano performance. Lun Wai-kit 倫偉傑 EDWARD LUN, a music free-lancer graduated from the Hong Kong Institute of Education with Bachelor of Education (Secondary), studied composition with Dr. LAI SHEUNG-PING. He is now working as a composer, arranger, producer, etc., and had co-operated with music organizations and artists such as Chan Fai-young and Hilarious Productions Limited, etc. He is now a member of Composers and Authors Society of Hong Kong, Hong Kong Composers’ Guild, musician in Hong Kong Chamber Wind Philharmonia, and teaching brass and band/orchestra in several schools. Shao Litang 邵麗棠 Shao Litang is currently a Doctor of Philosophy candidate at the University of Hong Kong under the supervision of Dr. Joshua Chan. She received her Master of Music degree majoring composition at the Hong Kong Academy for Performing Arts. Shao’s Chinese ensemble work Four Pieces of Chinese Calligraphy for Dizi, Soprano sheng, Pipa, Yangqin and Erhu was shortlisted in the score submission of “Music form the Heart” held by the Hong Kong Chinese Orchestra(HKCO) and was performed by HKCO in the concert. This piece also received the third prize of the 7th Con Tempo Chinese New Chamber Music Composition Competition presented by the Central Conservatory of Music. Shuen Lai-yin 孫禮賢 Shuen Lai Yin is currently studying in The Hong Kong Academy for Performing Arts, with major in composition and electronic music. His compositions range from Western and Chinese instrumental chamber music, live electronics and choral music. His choral compositions “The Turns of Life”, “Goodbye Again, Cambridge” and “Deer Enclosure” are premiered by The Greeners’ Sound. Also, Shuen’s instrumental music has been performed by various music groups as Hong Kong New Music Ensemble, Jenga Percussion Ensemble, Romer String Quartet. Recently, his piece “Rainscape” is selected and premiered in the Asian Composers League 2015. So Ho-chi 蘇浩慈 So Ho Chi is a composition and electronic music student who is now studying in Hong Kong Academy for Performing Arts, under the teaching of Dr. Tang Lok Yin, in which he has presented various acoustic instrumental and vocal chamber and electronics works. So Ka-wai 蘇家威 SO Ka-wai obtained both his undergraduate and M.Phil degree at Hong Kong Baptist University, majoring music composition under the supervision of Prof. Christopher Keyes and Dr. Christopher Coleman. His works have been premiered local and overseas, including ACL Conference and Festival (Taipei in 2011, Manila in 2015), Yogyakarta Contemporary Music Festival (Indonesia), the XVI World Saxophone Congress (Scotland) and Kagoshima Asian Youth Arts Festival (Japan). Moreover, his works were selected as set pieces frequently in the Hong Kong Schools Music Festival. Tam Ka-shu 譚家樹 Ka-Shu Tam (b.1991) draws most of his inspiration from daily conversations. His interest in the human nature and the universe deeply influences his music perceptions. Tam's works have been performed across the world, and have also received radio broadcasts. He also earned commissions, including a commission by Hong Kong Education Bureau. Tam completed his Bachelor of Art in Hong Kong Baptist University. He earned his Master of Music in the University of Missouri - Kansas City. His major composition teachers include James Mobberley, Zhou Long, Chen Yi, Paul Rudy, Christopher Keyes and Christopher Coleman. Joyce Tang 鄧慧中 Joyce Tang has attracted numerous commissions from performing groups and performers, and many of her works have been performed worldwide. Website: www.joycewctang.com Wong Chun-wai 黃俊諱 Earning his doctorate from the Chinese University of Hong Kong, Wong Chun-wai has a versatile composition profile comprising concert music, musicals and film scores. His compositions are featured worldwide in occasions such as the International Rostrum of Composers, ISCM World Music Days and ACL Festival. His music is performed by professional musicians including the Internationale Ensemble Modern Akademie (IEMA), Hong Kong Philharmonic Orchestra and performers from the New York Philharmonic. His works are recorded on Ablaze Records and published by the Hong Kong Composers’ Guild. For more information, please visit http://www.wongchunwaimusic.com . Wyman Wat 屈雅汶 Wyman received her Master of Music Degree from The Hong Kong Academy for Performing Arts, majoring in composition, under the guidance of Mr. Law Wing-fai and Professor Richard Tsang. A number of her compositions had been presented and performed in Hong Kong and overseas with high praises. Her works Ancient Path (2006) and Animated Timeframes (2007) were performed and broadcasted by RTHK Radio 4. Her works Stone Tones (2008), The Man of Dust (2010), Ripples On… (2010), Prelude of Celebration (2011) and Somewhere in a City (2011) were commissioned by the Macao Percussion Association, Hong Kong Wind Kamerata, Parsons Wind Orchestra and HKBDA Band Directors Wind Orchestra respectively. Wyman is also active in promoting contemporary music and creative music making as both a composer and a flutist, collaborating with local and international artists. Yau May-kay 邱美琪 May Kay Yau entered the Hong Kong Academy of Performing Arts at the age of 17. There she was the winner of the Concerto Trial and had her first orchestral piece presented in the concert of the 5th Anniversary of the Establishment of Hong Kong Special Administrative Region. Following that she was awarded a scholarship to pursue a Masters Degree at the Royal Academy of Music in London and completed her PhD study at the University of Bristol. Her compositions have been performed in Asia, North America and Europe. She was awarded Salabert Prix in George Enescu International Competition in Romania, and Aberdeen Music Prize in Scotland. Austin Yip 葉浩堃 Born in Hong Kong, Austin Yip’s works have been performed worldwide, festivals he participated include ISCM, ACL and many more. Yip obtained his PhD and Master of Philosophy (composition) degrees at the University of Hong Kong. He also holds a Bachelor of Arts (Music) degree from the University of California, Berkeley and a FTCL from Trinity College, London. Yip is the holder of James Kitagawa Memorial Music Scholarship, Regents’ and Chancellor’s Scholarship, Henry Holbrook Scholarship, James King Scholarship, Eisner Prize, Milton C. Witzel Memorial Prize, Rayson Huang Scholarship, CASH Best Commissioned Piece Award and the winner of the 1st Singapore Asian Composers Festival. Yip’s works are published by ABRSM (UK), BabelScores (France), Ablaze Records (US/ Australia) and Hong Kong Composers Guild. He is currently a lecturer at the Hong Kong Baptist University. Boo Chun-kit Chan Chin-ting Chan Ho-yi David Chan Kai-young Chris Hung Kwok Tsun-huen Lam Lai Lau Hiu-kong Livia Lin Lun Wai-kit Shao Litang Shuen Lai-yin So Ho-chi So Ka-wai Tam Ka-shu Joyce Tang Wong Chun-wai Wyman Wat Yau May-kay Austin Yip

《追趕人》 A Chasing Man 鄭錫楠（季軍） Cheng Sik-nam（2nd Runner Up) 鄭錫楠在香港出生和成長，他予2022年畢業於香港演藝學院音樂學院，主修作曲及電子音樂，師隨邱玉鳯博士（2018-2019）以及鄧慧中博士（2020-2022），在兩位老師的栽培下，鄭氏在作曲技巧、獨立思考和對藝術的看法得到獨到的個人風格。鄭氏予2022年為 JK & Ingrid Lee 創意項目基金的獲獎者，並且在2021/22年度獲得 ‘CASH Composition Scholarship’ 獲學金。 鄭氏致力探索不同型式的創作。在2022年，他參與由香港演藝學院戲劇學院學生演出的戲目《無病呻吟》作曲、填詞和鋼琴演奏的部分。他在2022年創作了一首管弦樂作品《亮紅新星》，以及在2020年為香港大學學生會編製學生會會歌。 他最近熱衷於演奏手碟並正尋找演出機會分享他的音樂。 Born and raised in Hong Kong, Cheng Sik-nam graduated from The Hong Kong Academy for Performing Arts in 2022, studying the Bachelor of Music (Hons.). He majored in composition and electronic music with Dr. Yau Yuk-fung in 2018-2019 and Dr. Joyce Tang in 2020-2022. Cheng’s composition techniques, critical thinking and the perspective of arts were cultivated during both doctor’s tutelage. He was an awardee of the JK & Ingrid Lee Foundation Creative Project Fund in 2022 and CASH Composition Scholarship 2021/22. Cheng aims to explore different form factors of creations. He was the songwriter, lyricist and pianist of Le Made Imaginaire, a drama show by HKAPA drama school, held in 2022 in Rita Tong Liu Drama Theatre, HKAPA. He composed an orchestral work Luminous Red Nova in 2022. He was the arranger of the Union Song for the Hong Kong University Student Union in 2020. He is currently having much passion on handpan and seeking opportunities to share his music. 人一生中，我們會自然地與別人比較，像是大中小學的學業成績、工作的事業發展，乃至結 婚生小孩，彷彿我們不斷追趕着一班列車，有人一早就登上了列車，亦有人仍拼命追趕着。 然而，我們都不知道這班列車的終點站在哪裏、哪裏有些甚麼、何時到達。那麼，我們到底 為了什麼如此拼命地追趕？為了別人的期望？抑或是自己為了不被別人超越？ 《追趕人》以快速而平穩的節奏模仿人類追趕列車的情境，從而反思自己的人生。 School’s academic results, career development at work, starting a family, these things we will undoubtedly be compared with others during our lifetime. Seemingly we are chasing a train endlessly that some maybe on board already but some haven’t. For the destination, things we will see in the terminal, time of arrival, we, however, know nothing about it. So, is it worth using lots of effort to chase it? Are we actually fulfilling people’s expectations? Or are we afraid of being chased by others? In a certain period of our life, we will know whether we take the right train or not. Ask yourself, what kind of thing means a lot to you? Is it wealth and power? Starting a family? Or is it pursuing a healthy physical and mental life? After all, it is our desire to decide where the terminal is and only yourself know about it. A Chasing Man uses a rapid and steady rhythm, depicting the scenario of people chasing a train and thus, reflecting our career. Back

CHOW Lora 周曉晴 Award-winning composer and coloratura soprano Lora Chow is celebrated for her cross-cultural musical innovation. Born in Hong Kong, she graduated magna cum laude from Yale University with a double major in Music and Economics, subsequently refining her craft under Hollywood composers Christopher Young, Patrick Kirst, and Lawrence Shragge. Chow’s pioneering compositions – spanning orchestral, chamber, vocal, and film genres have lyrical melodies in a unique voice. Her works have been premiered by the Hong Kong Philharmonic Orchestra (Exsultate, Jubilate , 2018; Sympathy, 2019; Awakening for Soprano/Piano/Harp and Orchestra , 2024; Sleepless Moon Medley , 2025), Orchestra della Toscana (film score The Notting Hill Finale ), Sofia Sinfonietta , and Budapest Scoring Orchestra . Universal Edition publishes her scores, while Prima Classic releases her piano recordings. Her major works include the musical Dr. Clown , the East-West opera Sleepless Moon , Cantonese opera Ambush from All Sides , and piano albums Reveries on Ivories and Pursuits from the Roots . Her accolades include the Chigiana Film Scoring Award for Best Storytelling (2024), CASH Golden Sail Award Top 5 Best Young Composer , Cole Porter Fellowship in Music and Theater , Anita Hewitt-Jones Composition Prize , and Louis Sudler Creative and Performing Arts Award . Chow was the former Associate Music Director at Shanghai Disney . She appears as Soprano Fellow with the Hong Kong Philharmonic Orchestra . Her operatic roles have included Cherubino (Le Nozze di Figaro ) and Isabella (L ’Italiana in Algeri ). She toured across continents with Yale Schola Cantorum under Maestro Masaaki Suzuki and Simon Carrington. Chow has co-founded Virtuoso Fiesta and the Yale Alumni Chamber Music Society of Hong Kong , serves as Vice-Chairwoman of SingFest , and is a member of the Hong Kong Government ’s LCSD Programme and Development Committee . 屢獲殊榮的作曲家暨花腔女高音周曉晴，以開創性的跨文化音樂創作馳譽國際。香港出生，以優等榮譽畢業於耶魯大學音樂及經濟雙學系，師承荷里活配樂大師Christopher Young、Patrick Kirst及Lawrence Shragge精研作曲。 周氏的音樂創作橫跨管弦樂、室樂、聲樂及電影音樂，更開創中西融合歌劇。作品由香港管弦樂團（《喜悅・歡欣》2018、《同情》2019、《春臨大地》2024、《蔽月無眠組曲》2025）、意大利托斯卡納樂團（電影配樂《諾丁山戀曲》）、保加利亞索非亞小交響樂團及布達佩斯影視樂團等國際級樂團首演。樂譜由環球出版社（Universal Edition）發行，鋼琴專輯經Prima Classic製作。主要作品包括音樂劇《小丑醫生》、中西歌劇《蔽月無眠》、粵劇《十面埋伏》及鋼琴專輯《心韻》和《本韻》。 榮獲基賈納國際電影配樂獎「最佳敘事獎」 (2024)、CASH 金帆音樂獎「最佳年輕作曲家正統音樂作品」五強、科爾・波特音樂戲劇獎學金、安妮塔・休伊特- 瓊斯作曲大獎及路易斯・蘇德勒創意表演藝術獎等獎項。 周氏曾任上海迪士尼副音樂總監，現為香港管弦樂團女高音團員。歌劇角色涵蓋莫札特《費加羅的婚禮》凱魯比諾及羅西尼《阿爾及利亞的意大利女郎》伊莎貝拉，並隨耶魯Schola Cantorum合唱團巡演歐亞美。 周氏聯合創辦樂鑽會及耶魯大學香港室樂社，現任聲蜚合唱節副主席及香港康樂及文化事務署節目及發展委員會委員。 MAJOR WORKS 主要作品 MAJOR WORKS (Updated in Sep 2025) Orchestra The Clown Song (2025) The Unfulfilled Dream (2025) The Weight of Control (2025) The Parting Song (2025) A New Embrace (2025) Sleepless Moon Medley (2025) L’Acqua (2024) The Notting Hill Finale (2024) The Artists’ Playground (2024) Awakening for Soprano/Piano/Harp and Orchestra (2024) The Lost Inner Child (2023) Sympathy for Soprano and Orchestra (2019) Exsultate, Jubilate for Soprano and Orchestra (2018) The Colours of Life (2018) Maldives (2015) The Wedding Gift (2015) Symphonic Band The Adventure to Glory (2025) Commemoration: A Tribute to Maestro Lai (2024) Strings Orchestra The Summer of Hong Kong (2025) Follow your Heart (2023) Opera Arias Sleepless Moon (2024) Love At First Sight (2024) Fluttering Heart (2024) Cantonese Opera Ambush from All Sides (2025) Battle Dance (2025) Immortal Renown (2025) Song of Chu (2025) Song of Gaixia (2025) Lament of The Conquered Earth (2025) Crimson Currents (2025) Ensemble with Chinese and Western Instruments Fantasyland (2025) The Metropolitan Kaleidoscope of Hong Kong (2024) The Flower Princess (2024) Chamber Our Voices Rise In Song for Three Sopranos, Mezzo-Soprano and Piano (2024) The Olympics Trio for Trumpet, Viola and Piano (2023) Virtuoso Fiesta for Four Violins and Bass (2023) Winter Septet (2023) En Voyage for Clarinet and Piano (2023) Piano Quartet “Friends” (2023) Trauma-Bonded for Cello and Piano (2022) The Wind from East to West for Flute, Clarinet, Violin and Piano (2019) Sea Waltz for two clarinets, violin, cello and four-hand piano (2017) Varna for flute, bass clarinet, marimba, violin, cello, double bass and piano (2015) Sonata for Violin and Piano (2011) Vocal Selig sind die Toten (2023) Rhapsody on the Return of the Violin for Soprano and Violin (2023) Paint my Shadow in the Sunlight (2023) With Love, this Special Day (2021) Fireworks (2021) Can or Cannot? (2021) Piano Silent River (2025) Hydrangea (2025) Dokodemo Door (2025) Uncharted (2025) The Music Says It All (2025) Paperflower (2025)The Moon’s Gaze Upon The Deep (2024) Caprice (2024) Wonder and Ponder (2024) Happy 90th Birthday, Mr. Steiner! Equanimity (2024) Zen (2024) Morning Dew (2024) Fire in the Waves (2024) Iceland Suite (2024) Prescription (2023) Steps Through the Darkened Path (2023) A Wanderlust at the Parisi Udvar (2023) Paracetamol (2023) The One Season of Hong Kong (2023) Love Yourself And Dream Big (2023) Wonders of the Woods (2023) To Heal is to Feel (2023) Waterfalling (2023) Bank Run Rhapsody (2023) Love Knows No Boundaries (2023) When Magic Happens (2023) Ballet of the Stars (2022) All I want for Christmas is Yoga (2022) Light at the End of the Tunnel (2022) Upside Down (2022) Nazar (2022) Prayer for Healing (2022) Lesson (2022) Blessings (2021) The Un-lovable One (2021) A Merry Little Christmas at Home (2020) Together (2020) Cul-de-Sac (2020) A Midnight Stroll (2020) The Angel of Light (2020) Prayer for the World (2020) The Coronavirus (2020) Nostalgia (2015) A Boy is Born (2007) First Light (1996) Harp Kung Hei Fat Choy! (2021) 主要作品 (更新於2025年9月) 管弦樂 小丑之歌 (2025) 未完之歌 (2025) 生舊叉燒 (2025) 言訴無遺 (2025) 同行之歌 (2025) 水色粼粼 (2024) 諾丁山戀曲 (2024) 藝術遊樂場 (2024) 春臨大地 (2024) 內心迷途 (2023) 同情 (2019) 喜悅．歡欣 (2018) 生命的色彩 (2018) 馬爾代夫 (2015) 結婚禮物 (2015) 管樂 拼勁 (2025) 銘刻心中 (2024) 弦樂 夏港 (2025) 心之所往 (2023) 音樂劇 小丑醫生 (2025) 歌劇詠歎調 蔽月無眠 (2024) 一眼便永恆 (2024) 心動 (2024) 粵劇 十面埋伏 (2025) 垓下戰雲 (2025) 百世流芳 (2025) 楚歌 (2025) 垓下歌 (2025) 漢兵已略地 (2025) 碧血傾江 (2025) 中西樂合奏 夢幻世界 (2025) 都市萬象 (2024) 帝女花隨想曲 (2024) 室樂 高歌心願 (2024) 奧運三重奏 (2024) 演藝聯歡 (2024) 冬日七重奏 (2023) 踏浪尋夢 (2023) 鋼琴四重奏「朋友」(2023) 創傷羈絆 (2022) 東風西漸 (2019) 深海華爾茲 (2017) 瓦爾納 (2015) 小提琴奏鳴曲 (2011) 聲樂 福臨逝者 (2023) 小提琴的自白 (2023) 日光下的彩色影子 (2023) 這日結婚見證著你 (2021) 煙花婆婆 (2021) 可以嗎？ (2021) 鋼琴 墨川 (2025) 繡球花 (2025) 隨意門 (2025) 輿圖之外 (2025) 樂語情深 (2025) 簕杜鵑 (2025) 明月深眸 (2024) 隨性美 (2024) 深思．奇想 (2024) 壽比南山 (2024) 靜水深流 (2024) 禪心如水 (2024) 露韻清晨 (2024) 浪間烈焰 (2024) 冰島組曲 (2024) 藥方 (2023) 暗徑行 (2023) 巴黎庭院酒店 (2023) 止痛良方 (2023) 一季．香港 (2023) 自愛夢遠 (2023) 森林浴 (2023) 癒．感 (2023) 瀑布奔流 (2023) 崩盤狂想曲 (2023) 愛無邊 (2023) 奇幻時刻 (2023) 星空芭蕾舞 (2022) 聖誕瑜珈 (2022) 隧道末 (2022) 顛倒 (2022) 納扎爾護身符 (2022) 阿Mo代禱 (2022) 成長的一課 (2022) 幸福的恩賜 (2021) 不．可愛 (2021) 在家過聖誕 (2020) 同行 (2020) 掘頭路 (2020) 寂夜漫步 (2020) 天使燭光 (2020) 為世界祈禱 (2020) 新冠病毒 (2020) 心系往昔 (2015) 誕生 (2007) 初曉 (1996) 豎琴 恭喜發財！(2021) Back

Dancing with the Dragon 《龍舞群聲》 Jero Leung 梁俊灝 Jero Leung is currently pursuing a Master's degree in Music at the Hong Kong Academy for Performing Arts. As a composer, Leung has been involved in a variety of media and music projects, including collaborations with pop singers and composing music for television commercials, local dramas, and short films. Although his academic background is not in traditional music studies, he has been passionate about music since childhood. He formally began studying classical music in 2023. As a music enthusiast, he is dedicated to exploring and creating works infused with local Hong Kong styles through his diverse compositions. This is a piece based on Chinese wind and percussion music, using traditional Chinese melodies as motifs. It starts with scattered musical elements that gradually organize into familiar, festive wind music. The entire work showcases a blend of tradition and modernity, allowing the audience to feel a strong cultural atmosphere and the joy of celebration. Previous Next

TSANG Yip-fat Richard (Founding Chairman) 曾葉發（創會主席） Richard Tsang has been for many years the Founding Chairman of the Hong Kong Composers' Guild, Vice-Chairman of the Asian Composers’ League (ACL) and subsequently served as President of the International Society for Contemporary Music (ISCM) from 2002-2008, the first non-European to hold this position since the society’s establishment in 1923. He has been active as a promoter of contemporary music and has organized in the past three decades many international exchange events and festivals in this field. As a composer, Tsang's works have been commissioned and/or performed by many local and international groups including the Boston Symphony Orchestra, Stockholm Wind Symphony Orchestra, Japan Folklore Foundation, Taiwan Municipal Chinese Orchestra, Seoul Philharmonic Orchestra, Orion Ensemble of Switzerland, Ensemble Antipodes, the Hong Kong Ballet, Hong Kong Philharmonic Orchestra, Hong Kong Chinese Orchestra, Hong Kong Sinfonietta, etc. Tsang has been the founding Music Director of the Hong Kong Sinfonietta and has guest conducted many local and overseas orchestras including the Hong Kong Philharmonic, Hong Kong Chinese Orchestra, the Tokyo Philharmonic Orchestra, etc. in premieres of his own compositions. He is also a veteran broadcaster and has worked with Radio Television Hong Kong since 1979 in various capacities as producer, channel head and Head of English Programme Services. Academically, Professor Tsang is currently Professor of Music and Dean of Students at the Education University of Hong Kong, actively involved in the research and promotion of creative musicking concept and practices. 生於香港，是活躍於本地及國際樂壇的現代音樂創作及推廣者。他是香港作曲家聯會的創會主席，1990至1996年期間擔任國際現代音樂協會及亞洲作曲家聯盟的副會長，並於2002年10月獲選為國際現代音樂協會會長，是該會自1923年創會以來首位非歐裔人士會長。曾氏曾多次應本地和國際藝術團體的委約進行創作，合作的團體包括波士頓交響樂團、斯德哥爾摩木管交響樂團、日本民間藝術基金會、香港芭蕾舞團、香港管弦樂團、香港中樂團及香港小交響樂團等。 曾氏曾任多個藝術團體的客席指揮，其中包括香港管弦樂團、香港中樂團及台北市立中樂團等。他亦是香港小交響樂團1990至1993年的首任音樂總監，並曾指揮多個聲樂團，包括香港聖樂團、明儀合唱團及雅樂社合唱團等。 多年來，曾氏曾多次獲獎，包括1988年獲選十大傑出青年、英港藝術基金會藝術家年獎和1990年香港作曲家年獎的得主，2002年更憑《龍形》獲CASH金帆音樂獎最佳正統音樂作品。曾葉發是音樂教育家亦是資深的電台工作者，自1979年起於香港電台工作，曾先後出任節目編導、第四台總監及英文台台長等職位，並曾任教於香港中文大學、香港演藝學院及英國京士頓大學等高等院校。自2009年起，曾氏出任香港教育大學文化與創意藝術系教授及學生事務長，並致力研究透過嶄新的「樂動」(Creative Musicking)理念推廣音樂創意及表現力至社會每一階層。 MAJOR WORKS 主要作品 Orchestral (Western) The Music is but Momentary…(Consolation) – Gu-zheng Concerto (2010) 18’ for Gu-zheng & orchestra / for Gu-zeng & Chinese orchestra Solace Dolce – Horn Concerto (2009) 15' for horn & chamber orchestra Overture FM (2004) 9'47" Dragon Signs (2002) 19'56" for clarinet & orchestra The Emperor and the Nightingale - Orchestral suite (2001) 50' In Tune (2000) 7'20" for chamber orchestra Spinoff (1999) 15'13" Concerto for flute & orchestra The Sky - Like A Dream (1995) 16'56" Shades II (1994) 6'18" Different Planes (1993) 20' for Chinese and Western orchestras Shades (1990) 7'05" Peng Lai (1990) 13'50" for SATB and orchestra Prelude for Orchestra (1988) 7'46" Gradation (1988) 8'49" Overture for Orchestra (1985) 8' Sinfonietta for Strings (1978) 18' Orchestra (Chinese) Hsu-huai (2008) 16'10 for treble choir and Chinese orchestra Dai-Lok-Tin (2008) 11' Temple Rituals / Ceremonial Ode (2008) 8'10" Wu-C'ang (1998) 15' An-ching (1997) 7' To the Ancient Spirits (1995) 12' Tai-Loi (1992) 10' Eternal Sorrow (1990) 17'50" for erhu and gaigu soli & Chinese orchestra Images of Bamboo (1989) 11'30" Hong Kong Panorama (1987) 6' Changing Images (1987) 15' for guzheng & Chinese orchestra Thinking of the Sages (1985) 9'44 Three Meditations (1983) 13'50" Chamber (Western) But For the Heart..... (2007) 13'15" for larger chamber ensemble Multifracts (2005) 5'24" for violin, cello & piano Inter-Flow (2004) 7'20" for violin & cello Chasing Shadows (1998) 9' for clarinet & string quartet Echo-Mime (1996) 15'38" for clarinet solo & cl sextet Emergence (1993) 6'50" for violin, cello & piano Lotus Fantasy (1992) 9'30" for clarinet, violin & piano Drumming (1989) for 4 perc. Contra-Flux (1979) 8'40" for flute, violin, cello & piano Elegie (1977) 6' for clarinet & piano Six Pieces for Four Players (1975) 10'30" for flute, violin, cello & piano Nocturne (1974) 5'45" for violin & piano Chamber (Chinese) San-Xiang (1999) 7'48" for dizi, pipa & guzheng "Dai Lok Tin", original tune in Cantonese style (1998) 5'52" for Cantonese ensemble "Leisurely", original tune in Cantonese style (1998) 6'28" for Cantonese ensemble "Where is the Blue Sky?", original tune in Cantonese style for Cantonese ensemble Dou-Sou (1980) 6'30" for solo pipa & pipa ensemble (tape for pipa ensemble available) Ling-Kai (1986) 10' for Chinese chamber ensemble (flexible) Chamber (Mixed) "The Music is but Momentary......." (2009) 15' for guzheng & chamber ensemble Airstream (2002) 10' for donghsiao & string quartet When Sounds are Silenced (1998) 9'30 for genkan & hookyoo (pipa & marimba) Towards the East (1991) 13'50" for Chinese, Japanese & other ethnic instruments Three Movements for Traditional Ensemble (1980) 14' for soprano, mixed ancient European instruments Instrumental Solo Soliloquy (2005) 6'38" for violin Ji-Li (1992) 8'37" for piano Images of Bells (1979) 11'25" for piano Ternary (1974) 6' for flute Vocal / Choral Twilight Destitute (2013) 4’00” for SAB & piano Two Larkin Song: “Ignorance” & “The Trees” (2013) 10’00” for baritone, violin, trumpet & piano 天人雜唱 (2012) 5’00” for speech choir ensemble of individual singers Life's Love Song (2011) 6’00” for SSA 3-part female chorus & piano Skywards (2011) 10’00” for mass choir, Handbells and ensemble There must be Time for Grief (2010) 4’45” for soprano & piano 時光機七號 (2008) 4' for speech choir 九聲歌 (2008) 4' for speech choir 西施死時 (2007) 2'30" for speech choir MOMi-Play (2007) 12' for interactive treble choir Sky Bridge (2005) 10'50" for 4 treble choirs Friendship (2004) 3' for SATB & piano All for Love (2000) 5'30" for 2 part treble & piano (string orchestra) or SATB, string orchestra & piano A Little Chamber Music (1997) 10'16" for vocal quartet (SATB) & piano Mang (1996) 5'30" for mezzo soprano and piano Lux Aeterna (1996) 7' for SATB & piano Ke-chung (1993) 3'30" for mezzo oprano & piano Rainy Days (1991) 4'20" for 2 part treble & piano (string orchestra) Song for Four Seasons (1989) 4'36 for 2 part treble & piano October (1987) 10' for SATB & piano Lullaby (1986) 3'30" for 2 part treble & piano Ru Meng Ling (1979) 5'30" for SATB & piano Arise My Love (1977) 8'30" for baritone, SS & piano 4 hands O Sweet Little Jesus (1976) 5')) for SATB & piano Songs of Yang Kwan (1974) 3'30" for SATB & piano And When I Die (1974) 7'00 for SATB & piano Love Under the Rain (1974) 5'30" for mezzo soprano & piano Electro-Acoustic Music / Computer Music Nemisis (1992) 11' for clarinet & tape Music for Ballet / Dance The Emperor & the Nightingale (1997) 110' for col. soprano, Chinese ensemble, 3 drummers, male choir, orchestra & electronics Yu Yi (1995) 20' for orchestra Hidden Domain (1984) 24' for electronic (tape) Man & Ghost (1983) 30' for elctronic (tape) The Monkey Epic (Tale of the Spider (1980) 80' for electronic (tape) Music for Theatre / Drama Children's Musical: "The Story of Robo" (1986) 70' for singers & pop accompaniment Others Game for 3 Players (1990) 10' for free emsemble RTHK Radio Station ID (1987) 0'15" for brass quartet Discography Nocturne (for violin and piano), Philips 6598979, 1974 Love Under the Rain (for mezzo soprano and piano), Hong Kong Records 6.242104, 1974 Ru Meng Ling (for mezzo soprano and piano), Hugo2 HRP 301, 1979 Ru Meng Ling (for mixed chorus & piano), Hugo HRP ML W3105, 1979 Dou-Sou (for solo pipa and tape), CBS/SONY CLD 1001, 1980 Overture for orchestra, Hong Kong Records 8.242119, 1985 Prelude for orchestra, Hugo HRP 799-2, 1988 Shades for orchestra, HKCG CGCD9401, 1990 Ke-chung (for mezzo soprano and piano), Hugo HRP 301-2, 1993 Meng (for mezzo soprano and piano), HK Records 74321-32617-2, 1996 An-ching (for Chinese orchestra), Hugo HRP 7208-2, 1997 Transcending (Cantonese tune for ensemble), RTHK CD 10.05, 1998 All for Love (for treble choir, mixed chorus, piano and string orchestra), RTHK CD 06.03, 2000 Airstream (for donghsiao and string quartet), CASH 20th Anniversary CD, 2002 Publications 曾葉發 (2011)：《動感聲藝創作、訓練及演出導論》，香港，英翹創意。ISBN 978-988-15821-7-1 "Images of Bells" 「鐘之幻象」 for piano solo. In Contemporary Hong Kong Music 1984: A Collection of Piano Works by Hong Kong Composers. Hong Kong: Hong Kong Composers' Guild, 1984. "Towards a Hong Kong Music." In An Introduction to the Members of the Hong Kong Composers' Guild 1988, edited by Chan Wing-wah, 1-5. Hong Kong: Hong Kong Composers' Guild, 1988. 「談 現代音樂之民族性問題」“Nationalism in Contemporary Music.” (Chinese) In「民族音樂研究」Collected Essays on Ethnomusicology, edited by Liu Ching-chi, 193-201. Hong Kong: Commercial Press, 1989. And When I Die. 「當我死時」for SATB & piano. In Chinese Choral Works of Hong Kong Composers, HKCM1. Hong Kong: Hong Kong Composers' Guild, 1992. Ru-meng-ling. 「如夢令」 for SATB & piano. In Chinese Choral Works of Hong Kong Composers, HKCM2. Hong Kong: Hong Kong Composers' Guild, 1992. Songs of Yang-kwan. 「陽關三疊」for SATB & piano. In Chinese Choral Works of Hong Kong Composers, HKCM3. Hong Kong: Hong Kong Composers' Guild, 1992. Ru-meng-ling. 「如夢令」 for solo voice & piano. In Hong Kong Vocal Music Collection, vol.I, edited by D. Law, 68-73. Hong Kong: Chinese Christian Literature Council, 1998. Love under the Rain. 「雨 戀」 In Hong Kong Vocal Music Collection, vol.VI, edited by D. Law, 133-138. Hong Kong: Chinese Christian Literature Council, 1999. O Sweet Little Jesus. 「小耶穌甜美的嬰孩」In Hong Kong Vocal Music Collection, vol.VII, edited by D. Law, 96-106. Hong Kong: Chinese Christian Literature Council, 1999. October. 「十月」for SATB & piano. In Hong Kong Vocal Music Collection, vol.VIII, edited by D. Law, 81-100. Hong Kong: Chinese Christian Literature Council, 1999. Si Yin Kuk. 「施然曲」In 「廣東音樂薈萃」Best of Cantonese Music, edited by Kam Sheung-si, 184-186. Guangdong Higher Education Press, 1999. “All for Love” 「全賴愛」 for treble choir & piano. In「童聲合唱歌曲創作大賽得獎作品集」Music for Treble Choir Composition Competition Winning Works, 1-5. 香港童聲合唱協會The Hong Kong Treble Choir Society, 2001. “Module on Rhythm.” In ISCM Education Campaign 20th Century Music Teaching Resource Kit, edited by Prof. Edward Ho, Estella Charm & Chan Ming-chi. CUHK Press, 2001. “Rainy Days” 「下雨天」 for treble choir, strings & piano. In 「香港兒童合唱團(高級組)歌集」Hong Kong Children's Choir Senior Level Songbook 1, 54-77. 香港兒童合唱團The Hong Kong Children's Choir, 2003. “Over Eight Decades of New Music - Does the ISCM World Music Days Festival Need a Revival?” In World New Music Magazine, Vol.16, edited by Stefan Fricke, 113-114. Germany: Pfau-Verlag, 2006. “Handbook for Teachers 2008-09年度校際動感聲藝訓練及匯演計劃 教師手冊” In 2008-09 Speech Choir Project. Joint InTuition & EDB Project, 2008. 管弦樂 (西樂) The Music is but Momentary…(Consolation) – Gu-zheng Concerto (2010) 18’ for Gu-zheng & orchestra / for Gu-zeng & Chinese orchestra Solace Dolce – Horn Concerto (2009) 15' for horn & chamber orchestra 逍遙樂 (2004) 9'47" 龍形 (2002) 19'56" for clarinet & orchestra 國王與夜鶯組曲 (2001) 50' 一調子 (2000) 7'20" for chamber orchestra Spinoff (1999) 15'13" Concerto for flute & orchestra 夢天 (1995) 16'56" 形影 II (1994) 6'18" 異界 (1993) 20' for Chinese and Western orchestras 形影 (1990) 7'05" 蓬萊 (1990) 13'50" for SATB and orchestra 管弦樂前奏曲 (1988) 7'46" 漸 (1988) 8'49" 管弦樂序曲 (1985) 8' 弦樂小交響曲 (1978) 18' 管弦樂 (中樂) 虛懷 (2008) 16'10 for treble choir and Chinese orchestra 粵風聯奏：〔大樂天〕 (2008) 11' 廟祭 / 風雅贊 (2008) 8'10" 無常 (1998) 15' 安晴 (Song of Bliss) (1997) 7' 古靈 (1995) 12' 泰來 (1992) 10' 太真長恨 (1990) 17'50" for erhu and gaigu soli & Chinese orchestra 竹意 (1989) 11'30" 香港盤旋 (1987) 6' 變象 (1987) 15' for guzheng & Chinese orchestra 思賢曲 (1985) 9'44 神遊三闕 (1983) 13'50" 室樂 (西樂) 心. 動 (2007) 13'15" for larger chamber ensemble 閃爍光影 (2005) 5'24" for violin, cello & piano 流 (2004) 7'20" for violin & cello 追影 (1998) 9' for clarinet & string quartet 迴響的默劇 (1996) 15'38" for clarinet solo & cl sextet 現 (1993) 6'50" for violin, cello & piano 蓮的聯想 (1992) 9'30" for clarinet, violin & piano 鼓動 (1989) for 4 perc. 逆流 (1979) 8'40" for flute, violin, cello & piano 哀歌 (1977) 6' for clarinet & piano 四重奏小品六首 (1975) 10'30" for flute, violin, cello & piano 夜曲 (1974) 5'45" for violin & piano 室樂 (中樂) 三晌 (1999) 7'48" for dizi, pipa & guzheng 大樂天 （飛越）, original tune in Cantonese style (1998) 5'52" for Cantonese ensemble 施然曲, original tune in Cantonese style (1998) 6'28" for Cantonese ensemble 雲深何處, original tune in Cantonese style for Cantonese ensemble 抖擻 (1980) 6'30" for solo pipa & pipa ensemble (tape for pipa ensemble available) 靈界 (1986) 10' for Chinese chamber ensemble (flexible) 室樂 (混合) "The Music is but Momentary......." (2009) 15' for guzheng & chamber ensemble 柔絲 (2002) 10' for donghsiao & string quartet 音止操 (1998) 9'30 for genkan & hookyoo (pipa & marimba) 東漸 (1991) 13'50" for Chinese, Japanese & other ethnic instruments 古樂三章 (1980) 14' for soprano, mixed ancient European instruments 獨奏曲 獨白 (2005) 6'38" for violin 支離 (1992) 8'37" for piano 鐘之幻象 (1979) 11'25" for piano 三段體 (1974) 6' for flute 聲樂 / 合唱 晚紅飛盡 (2013) 4’00” for SAB & piano Two Larkin Song: “Ignorance” & “The Trees” (2013) 10’00” for baritone, violin, trumpet & piano 天人雜唱 (2012) 5’00” for speech choir ensemble of individual singers 生命之戀歌 (2011) 6’00”m for SSA 3-part female chorus & piano 天語 (2011) 10’00” for mass choir, Handbells and ensemble There must be Time for Grief (2010) 4’45” for soprano & piano 時光機七號 (2008) 4' for speech choir 九聲歌 (2008) 4' for speech choir 西施死時 (2007) 2'30" for speech choir 動感 、音、 樂 園 (2007) 12' for interactive treble choir 天空之橋 (2005) 10'50" for 4 treble choirs 真善美 (2004) 3' for SATB & piano 全賴愛 (2000) 5'30" for 2 part treble & piano (string orchestra) or SATB, string orchestra & piano 小小室內樂 (1997) 10'16" for vocal quartet (SATB) & piano 茫 (1996) 5'30" for mezzo soprano and piano 永恆之光 (1996) 7' for SATB & piano 客中 (1993) 3'30" for mezzo oprano & piano 下雨天 (1991) 4'20" for 2 part treble & piano (string orchestra) 四季歌 (1989) 4'36 for 2 part treble & piano 十月 (1987) 10' for SATB & piano 安眠曲 (1986) 3'30" for 2 part treble & piano 如夢令 (1979) 5'30" for SATB & piano 我的良人起來吧 (1977) 8'30" for baritone, SS & piano 4 hands 小耶穌甜美的嬰孩 (1976) 5')) for SATB & piano 陽關三疊 (1974) 3'30" for SATB & piano 當我死時 (1974) 7'00 for SATB & piano 雨戀 (1974) 5'30" for mezzo soprano & piano 電子音樂 / 電腦音樂 凶敵 (1992) 11' for clarinet & tape 舞蹈音樂 國王與夜鶯 (1997) 110' for col. soprano, Chinese ensemble, 3 drummers, male choir, orchestra & electronics 如意 (1995) 20' for orchestra 隱所 (1984) 24' for electronic (tape) 人鬼 (1983) 30' for elctronic (tape) 西遊記之大鬧盤絲洞 (1980) 80' for electronic (tape) 劇場音樂 兒童音樂劇 [機械人奇遇記] (1986) 70' for singers & pop accompaniment 其他 遊戲 (1990) 10' for free emsemble 港台第四台主題 (1987) 0'15" for brass quartet 唱片目錄 Nocturne (for violin and piano), Philips 6598979, 1974 「雨戀」 (for mezzo soprano and piano), Hong Kong Records 6.242104, 1974 「如夢令」 (for mezzo soprano and piano), Hugo2 HRP 301, 1979 「如夢令」 (for mixed chorus & piano), Hugo HRP ML W3105, 1979 「抖擻」 (for solo pipa and tape), CBS/SONY CLD 1001, 1980 Overture for orchestra, Hong Kong Records 8.242119, 1985 Prelude for orchestra, Hugo HRP 799-2, 1988 Shades for orchestra, HKCG CGCD9401, 1990 「客中」 (for mezzo soprano and piano), Hugo HRP 301-2, 1993 「茫」 (for mezzo soprano and piano), HK Records 74321-32617-2, 1996 「安晴」 (for Chinese orchestra), Hugo HRP 7208-2, 1997 「大樂天」 (Cantonese tune for ensemble), RTHK CD 10.05, 1998 「全賴愛」 (for treble choir, mixed chorus, piano and string orchestra), RTHK CD 06.03, 2000 「柔絲」 (for donghsiao and string quartet), CASH 20th Anniversary CD, 2002 出版刊物 / 發表文章 曾葉發 (2011)：《動感聲藝創作、訓練及演出導論》，香港，英翹創意。ISBN 978-988-15821-7-1 "Images of Bells" 「鐘之幻象」 for piano solo. In Contemporary Hong Kong Music 1984: A Collection of Piano Works by Hong Kong Composers. Hong Kong: Hong Kong Composers' Guild, 1984. "Towards a Hong Kong Music." In An Introduction to the Members of the Hong Kong Composers' Guild 1988, edited by Chan Wing-wah, 1-5. Hong Kong: Hong Kong Composers' Guild, 1988. 「談 現代音樂之民族性問題」“Nationalism in Contemporary Music.” (Chinese) In「民族音樂研究」Collected Essays on Ethnomusicology, edited by Liu Ching-chi, 193-201. Hong Kong: Commercial Press, 1989. And When I Die. 「當我死時」for SATB & piano. In Chinese Choral Works of Hong Kong Composers, HKCM1. Hong Kong: Hong Kong Composers' Guild, 1992. Ru-meng-ling. 「如夢令」 for SATB & piano. In Chinese Choral Works of Hong Kong Composers, HKCM2. Hong Kong: Hong Kong Composers' Guild, 1992. Songs of Yang-kwan. 「陽關三疊」for SATB & piano. In Chinese Choral Works of Hong Kong Composers, HKCM3. Hong Kong: Hong Kong Composers' Guild, 1992. Ru-meng-ling. 「如夢令」 for solo voice & piano. In Hong Kong Vocal Music Collection, vol.I, edited by D. Law, 68-73. Hong Kong: Chinese Christian Literature Council, 1998. Love under the Rain. 「雨 戀」 In Hong Kong Vocal Music Collection, vol.VI, edited by D. Law, 133-138. Hong Kong: Chinese Christian Literature Council, 1999. O Sweet Little Jesus. 「小耶穌甜美的嬰孩」In Hong Kong Vocal Music Collection, vol.VII, edited by D. Law, 96-106. Hong Kong: Chinese Christian Literature Council, 1999. October. 「十月」for SATB & piano. In Hong Kong Vocal Music Collection, vol.VIII, edited by D. Law, 81-100. Hong Kong: Chinese Christian Literature Council, 1999. Si Yin Kuk. 「施然曲」In 「廣東音樂薈萃」Best of Cantonese Music, edited by Kam Sheung-si, 184-186. Guangdong Higher Education Press, 1999. “All for Love” 「全賴愛」 for treble choir & piano. In「童聲合唱歌曲創作大賽得獎作品集」Music for Treble Choir Composition Competition Winning Works, 1-5. 香港童聲合唱協會The Hong Kong Treble Choir Society, 2001. “Module on Rhythm.” In ISCM Education Campaign 20th Century Music Teaching Resource Kit, edited by Prof. Edward Ho, Estella Charm & Chan Ming-chi. CUHK Press, 2001. “Rainy Days” 「下雨天」 for treble choir, strings & piano. In 「香港兒童合唱團(高級組)歌集」Hong Kong Children's Choir Senior Level Songbook 1, 54-77. 香港兒童合唱團The Hong Kong Children's Choir, 2003. “Over Eight Decades of New Music - Does the ISCM World Music Days Festival Need a Revival?” In World New Music Magazine, Vol.16, edited by Stefan Fricke, 113-114. Germany: Pfau-Verlag, 2006. “Handbook for Teachers 2008-09年度校際動感聲藝訓練及匯演計劃 教師手冊” In 2008-09 Speech Choir Project. Joint InTuition & EDB Project, 2008. Back

YU Chiu-for 余昭科 MAJOR WORKS 主要作品 Back

LAW Wing-fai 羅永暉 Law Wing-fai (Solo Theatre) is a leading composer in Hong Kong, and one of the few to have crossed over the boundary between commercial music and the arts. He is currently a Composer-in-Residence at the Hong Kong Academy for Performing Arts, and Artistic Director of Wuji Ensemble. Law graduated from the University of California with a Master’s degree in Music (Composition and Electronic Music). He worked closely with Hong Kong’s New Wave directors in films during the 1980’s, having scored for more than 20 films including the award-winning Boat People, Dream Lovers and A Simple Life. He was the founding Head of Composition of the Hong Kong Academy for Performing Arts, a position which he subsequently held for many years. During the 1990’s, he was a Visiting Scholar at Stanford University where he gave lectures and wrote music. On returning to Hong Kong, he found a new angle in music composition, which resulted in many important works using Chinese-Western mixed instrumentation, the most representative of which are When Mountains Roar and Linli. He also founded Wuji Ensemble, a group that is known for its unique character. In May 2008, the Hong Kong Chinese Orchestra presented a critically acclaimed concert featuring Law’s works. With a diverse oeuvre spanning serious and commercial music, Law has written for pop music, commercials, drama, opera and in particular, for over a dozen dance dramas such as Song of the Good Earth and Rouge. His long list of accolades include the Irino Memorial Award presented at the Asian Composers’ League, the Hong Kong Film Award for Best Original Score, “Composer of the Year” by the Hong Kong Artists’ Guild, and being selected as one of the “Twentieth Century Masterpieces by Chinese Composers” by the Chinese Culture Promotion Society in Beijing. Law’s score for the drama production The Peach Blossom Fan was awarded “Best Original Music” by the Hong Kong Federation of Drama Societies. Law was also a five-time winner of the CASH Golden Sail Music Award between 2001 and 2008, with his opera Dreaming Plum Blossoms Away, Flowing Fancies for pipa and Western orchestra, Feng Liu for Chinese plucked strings, A Thousand Sweeps for pipa and Chinese orchestra, and Flowing Phantasm for Chinese Orchestra. 羅永暉是本港少數跨越藝術與商業領域的資深作曲家。現任香港演藝學院駐校作曲家及「無極樂團」藝術總監。他早年畢業於美國加州大學，主修作曲，獲碩士學位。 回港後與新浪潮導演合作創寫超過二十部電影音樂，如《投奔怒海》、《夢中人》及最近的《桃姐》等。其間創立香港演藝學院作曲系，並擔任該系系主任多年。 1995年再次赴美以訪問學人身份在美國史丹福大學從事講學及音樂創作，回港後以嶄新的寫作風格，發表多首大型中西樂器混合的作品如《山鳴》、《淋漓》 等，並創立風格獨特的「無極樂團」。2008年5月，香港中樂團舉辦「星河潑墨」— 羅永暉的中樂新境界專場音樂會，他的作品獲得音樂界的高度評價。 羅氏寫作多元化，除藝術音樂外還有流行音樂、廣告、電視劇、話劇、歌劇及十多齣舞劇音樂，如城市當代舞蹈團的《狂想大地》、香港舞蹈團的《胭脂扣》等。嬴得 的重要獎項中，包括亞洲作曲家同盟會議頒贈的入野義朗紀念大獎、香港電影金像獎最佳配樂獎、香港藝術家聯盟頒贈的藝術家年獎以及作品被北京中華民族文化促 進會選為「二十世紀華人音樂經典」之一。2001年至2008年期間，他以《桃花扇》獲得香港戲劇協會頒贈的最佳戲劇音樂獎，並以歌劇《夢拾紅梅》、琵琶 與西洋樂隊作品《逸筆草草》、中國彈撥樂作品《風流》、琵琶與中樂隊作品《千章掃》及中樂隊作品《星河潑墨》連獲五次香港作曲家及作詞家協會頒贈的金帆音樂獎。 MAJOR WORKS 主要作品 Orchestral (Western) Linli (1998) 15' for guan, sanxian & orchestra When Mountains Roar (1997) 12' for 4 Chinese soloists, orchestra & chorus A Thousand Sweeps (1997) 10' for pipa & orchestra Visions Beyond (1996) 12' Prealudium (1994) 2' for 2 ob, 2 hn & string orchestra Phantasm (1994) 16'30" for vc & orchestra Chou Si (1993) 20' for 3 high voices, Chinese & Western orchestras Intrada (1993) 15' Sphere Supreme (1992) 10' Overture (1989) 8' Musica Concertata (1987) 16' Pipa Concerto (1986) 30' Rice Field Dance (1979) 6' When Clouds Rise (1978) 12' Qian (1977) 10' Orchestral (Chinese) Flying Brush (1999) 16' Tang Capriccio (1996) 15' Ink Spirit (1996) 12' for pipa & Chinese string orchestra Puck (1990) 15' Ballade for 2 Pipas & Chinese Orchestra Concerto for Percussion and Orchestra (1986) 15' for Chinese perc & Chinese orchestra Soundscapes (1983) 20' Chamber (Western) Moon Spirit (2000) 15' for pipa & string quartet Link (1999) 10' for woodwind quintet Mood Sketches (1998) 12' for string quartet Vortex (1996) 10' for 2 pf Season Without a Name (1996) 15' for fl, ob, cl, string quartet & pf Ink Spirit (1995) 10' for pipa & string quartet Qian Si (1994) 8' for pipa & string quartet Kunk (1989) 14' for 4 pf & 2 perc Fantasia (1988) 10' for hpch & gtr Caprice in G (1988) 6' for vn & pf Plus One (1987) 8' for string quartet Sleeve Dance (1984) 12' for 2 pf & perc Sun Soundic (1983) 10' for fl, cl, pf, vn, vc & tape Dionysus Fantasia (1979) 7' for 3 fl, pf (celesta) & 2 perc Si Ahu Kou (1978) 8' for fl, va & pf Mulberry Grove Dance (1975) 7' for fl & gtr Chamber (Chinese) Autumn Vista on the River (1999) 5' for Cantonese ensemble A Spring Walk in the Mountains (1999) 5' for Cantonese ensemble Desolate Petals on the Guileless Water (1999) 5' for Cantonese ensemble Air Eleganza (1999) 12' for xiao, sheng, yangqin & zheng Incense Offerings (1986) 10' for xiao, erhu, pipa & zheng The Drunken Tai Bai (1985) 7' for dizi, sheng, yangqin & zheng Instrumental Solo In One Stroke (1996) 10' for pipa Shake'n Roll (1995) 10' for pipa Of Butterflies and Frogs (1992) 3' for pf Toccata (1991) 10' for marimba Intermezzo (1988) 8' for gtr Cantilena for One Finger (1985) 9' for pipa Misty (1974) 7' for pipa Three Little Pieces with Spiritual Touch (1972) 7' for pf Silkworm (1972) 7' for pipa Opera Dreaming Plum Blossoms Away (2000) 2 hrs Vocal / Choral Chou Nu Er (1996) 10' for mixed choir & pf What is the Taste of Sorrow (1994) 10' for alto, vn & pf My Ambition (1993) 5' for children' choir & pf/orchestra Yu Lin Ling (1993) 8' for mixed choir & pf Hope (1991) 6' for children's choir & pf Garden Song (1982) 7' for mixed choir & pf Neither Out Far Nor in Deep (1978) 6' for alto & cl in Bb Music for Dance / Drama Parting at River Yi (1993) 1 hr 30" Suppressed Romance (1991) 1 hr 30" Rouge (1991) 1 hr 30" Three Romantic Chinese-Song of the Earth II (1990) 1 hr 30" Homeland (1990) 1 hr Femme Fatale (1987) 1 hr 30" Chinese Historical Myth-Sun and Moon (Fame and Love) (1985) 30' Hung Liu Zui Yu (1983) 30' Song of the Good Earth (1983) 1 hr 30" Theatre Music Synopsis (1990) 1 hr The Emperor and the Nightingale (1985) 1 hr 30" Dragon Dance (1980) 30' Film Music Romance of Book and Sword (1988) Princess Fragrance (1988) Dream Lover (1986) Woman of Wrath (1985) Just Like Weather (1985) Women (1984) Boat People (1981) TV Music Vanguard (1985) Discography Tang Capriccio Hugo 7208-2 A Thousand Sweeps Hugo 7205-2 Pipa Concerto Hugo 71042 Phantasm Hugo 71042 Musica Concertata Hugo 71042 Sphere Supreme Hugo 799-2 Musica Concertata H.K. Record 8.242119 Sun Soundic H.K. Record 8.242120 Silkworm CMS 601 What is the Taste of Sorrow BMG 74321-326172-2 Misty Kolin 5035 Hope H.K Record 4.242118 Plus One CGCD 9402 Mulberry Grove Dance Philips 7399285 管弦樂(西樂) 淋漓(1998) 15' for guan, sanxian & orchestra 山鳴 (1997) 12' for 4 Chinese soloists, orchestra & chorus 千章掃 (1997) 10' for pipa & orchestra 無極意象 (1996) 12' 小序曲 (1994) 2' for 2 ob, 2 hn & string orchestra 飛絮 (1994) 16'30" for vc & orchestra 抽思 (1993) 20' for 3 high voices, Chinese & Western orchestras 管弦樂前奏曲 (1993) 15' 天驕 (1992) 10' 管弦樂序曲 (1989) 8' 管弦樂小協奏曲 (1987) 16' 琵琶協奏曲 (1986) 30' 耘耘舞 (1979) 6' 坐看雲起時 (1978) 12' 籤 (1977) 10' 管弦樂(中樂) 亳飛集 (1999) 16' 風采 (1996) 15' 潑墨仙人 (1996) 12' for pipa & Chinese string orchestra 雙琵琶與樂隊敘事曲《天靈靈》 (1990) 15' Ballade for 2 Pipas & Chinese Orchestra 打擊樂協奏曲 (1986) 15' for Chinese perc & Chinese orchestra 山水響 (1983) 20' 室樂 (西樂) 月鬼 (2000) 15' for pipa & string quartet 靈犀 (1999) 10' for woodwind quintet 意筆白描 (1998) 12' for string quartet 漩渦 (1996) 10' for 2 pf 無名季節 (1996) 15' for fl, ob, cl, string quartet & pf 潑墨仙人 (1995) 10' for pipa & string quartet 牽絲 (1994) 8' for pipa & string quartet 狂弦四聲 (1989) 14' for 4 pf & 2 perc 幻想曲 (1988) 10' for hpch & gtr G調隨想曲 (1988) 6' for vn & pf 第五聲 (1987) 8' for string quartet 水袖 (1984) 12' for 2 pf & perc 響晴 (1983) 10' for fl, cl, pf, vn, vc & tape 醉鄉 (1979) 7' for 3 fl, pf (celesta) & 2 perc 絲竹扣 (1978) 8' for fl, va & pf 桑林調 (1975) 7' for fl & gtr 室樂 (中樂) 秋水連天 (1999) 5' for Cantonese ensemble 山徑春行 (1999) 5' for Cantonese ensemble 花自飄零水自流 (1999) 5' for Cantonese ensemble 清音寫意 (1999) 12' for xiao, sheng, yangqin & zheng 香火 (1986) 10' for xiao, erhu, pipa & zheng 太白醉酒 (1985) 7' for dizi, sheng, yangqin & zheng 獨奏曲 一筆 (1996) 10' for pipa 滾沙沙 (1995) 10' for pipa 青蛙草蝶 (1992) 3' for pf 馬林巴琴展技曲 (1991) 10' for marimba 間奏曲 (1988) 8' for gtr 一指禪 (1985) 9' for pipa 寒雲路 (1974) 7' for pipa 靈河三章 (1972) 7' for pf 蠶 (1972) 7' for pipa 歌劇 夢拾紅梅 (2000) 2 hrs 聲音 / 合唱 醜奴兒 (1996) 10' for mixed choir & pf 少年不識愁滋味 (1994) 10' for alto, vn & pf 我的志願 (1993) 5' for children' choir & pf/orchestra 雨霖鈴 (1993) 8' for mixed choir & pf 希望 (1991) 6' for children's choir & pf 花園之歌 (1982) 7' for mixed choir & pf 近在咫尺 (1978) 6' for alto & cl in Bb 舞蹈劇音樂 易水寒 (1993) 1 hr 30" 自梳女 (1991) 1 hr 30" 胭脂扣 (1991) 1 hr 30" 狂想大地之二：三個浪漫的中國人 (1990) 1 hr 30" 香港情懷之時光動畫編號四 (1990) 1 hr 女色 (1987) 1 hr 30" 搜神之日月「名利、愛情」(1985) 30' 紅樓碎玉 (1983) 30' 狂想大地 (1983) 1 hr 30" 劇場音樂 美人如玉劍如虹 (1990) 1 hr 國王與夜鶯 (1985) 1 hr 30" 龍舞 (1980) 30' 電影音樂 書劍恩仇錄 (1988) 香香公主 (1988) 夢中人 (1986) 殺夫 (1985) 美國心 (1985) 女人心 (1984) 投奔怒海 (1981) 電視音樂 廉政先鋒 (1985) 唱片目錄 Tang Capriccio, Hugo 7208-2 A Thousand Sweeps, Hugo 7205-2 Pipa Concerto, Hugo 71042 Phantasm, Hugo 71042 Musica Concertata, Hugo 71042 Sphere Supreme, Hugo 799-2 Musica Concertata, H.K. Record 8.242119 Sun Soundic, H.K. Record 8.242120 Silkworm, CMS 601 What is the Taste of Sorrow, BMG 74321-326172-2 Misty, Kolin 5035 Hope, H.K Record 4.242118 Plus One, CGCD 9402 Mulberry Grove Dance, Philips 7399285 Back

LEE Pui-shan Sandy 李佩珊 Sandy was born in Hong Kong. She is active in music composition, arrangements and creative music education. After graduating from Hong Kong Baptist University and Hong Kong Academy for Performing Arts, she established her own studio “Sandy’s Musical” which produced children creative shows at Shenzhen. As a music educator, she leads her students participate in Schools Creative Music Showcase, Schools Speech Choir Showcase and Composition Workshops run by EDB and LCSD. Sandy was cooperating with Hong Kong Education University. Her handbell composition “Drunk Horse in the Moon” was performed by EdUHK Handbell Ensemble at the 18th International Handbell Symposium in Cairns 2018. Studio theatre work “World of Flowers” was performed the following year at Ko Shan Theatre. Her trilingual choral work “Visiting the Ancient Plain of Leyou” was premiered by Sacred Heart Canossian College in 2019. A cappella work “One Step” was premiered by Sregnis Singers at 2020 Hong Kong Contemporary Music Festival: Asian Delights. 李佩珊生於香港，活躍於音樂創作及編曲，對培育年青一代的藝術創意尤為熱衷。她獲取香港浸會大學榮譽音樂學士學位及香港演藝學院作曲專業文憑後，於2008年成立工作坊「新的音樂—Sandy’s Musical」，在本港及深圳推動兒童音樂創作。除了擔任音樂事務處創作課程講者，李氏曾帶領多間中、小學參與香港教育局主辦的「學校音樂創藝展」及「學校動感聲藝展」，屢獲佳績。 李氏經常與本港年青新秀合作，她為香港教育大學手鈴隊創作的《醉馬賞月》於2018年澳洲開恩茲擧行的國際手鈴音樂節中發表，次年，多媒體劇場《花花世界》在高山劇場上演；融合傳統詩詞及現代樂思的合唱作品 《登樂遊原》將於香港作曲家聯會主辨的「詩詞傳頌音樂會」中由嘉諾撒聖心書院合唱團首演；無伴奏合唱作品《一步》在香港當代音樂節：亞洲薈萃中發表，由合唱俠演出。 MAJOR WORKS 主要作品 Orchestral Winds (1998) 6'30" Chamber Cocoon (1998) 7' for cl, pf, perc, vn, va & db Triad (1996) 10' for fl, cl, pf, vn & vc The Pain (1996) 6'30" for bn, 2 vn, va & vc Circle (1993) 10' for fl, cl, pf, 2 perc & vn Choral One Step (2020) 4’57” for 8-part SATB chorus Visiting the Asian Plain of Leyou (2019) 4’45” for 3-part female chorus & pf Crow (2002) 3' 30" for 3-part children chorus (senior primary school), 3 actors & pf Eternal Life (2002) 3' for 3-part female chorus & pf Pa-pa Ma-ma Gee-Lee-Gua-La (2001) 2' for 2-part children chorus (junior primary school), pf & perc Handbell Choir World of Flowers (2019) 5’ for 5-6 octaves handbell chorus Drunk Horse in the Moon (2018) 6’ for 5-6 octaves handbell chorus Electronic Music Fine Tuning (1997) 6' for cl & tape Musical for Children See you Tommorrow (2019) Take a Seat (2016) Naughty Boy and the Sea (1995) Multi-media Drun Flying (1998) 8' for 2 dancers, synthesizer & lighting Guess (1997) 3' for 3 actors & tape Other Shak Chung Shan Memorial Catholic Primary School Anthem (1999) 2' Publication 「爸爸媽媽Gee-Lee-Gua-La.」載於《童聲合唱歌曲創作大賽得獎作品集》頁67-72。香港：童聲合唱協會，2001年。 管弦樂 滾滾風塵 (1998) 6'30" 室樂 破繭 (1998) 7' for cl, pf, perc, vn, va & db Triad (1996) 10' for fl, cl, pf, vn & vc 痛苦 (1996) 6'30" for bn, 2 vn, va & vc 反璞歸真 (1993) 10' for fl, cl, pf, 2 perc & vn 合唱 烏鴉 (2002) 3' 30" for 3-part children chorus (senior primary school), 3 actors & pf 永恆的生命 (2002) 3' for 3-part female chorus & pf 爸爸媽媽Gee-Lee-Gua-La (2001) 2' for 2-part children chorus (junior primary school), pf & perc 電子音樂 微音調 (1997) 6' for cl & tape 兒童音樂劇 哪叱鬧東海 (1995) 多媒體音樂 鼓舞飄 (1998) 8' for 2 dancers, synthesizer & lighting 猜 (1997) 3' for 3 actors & tape 其他 天主教石鐘山紀念小學校歌 (1999) 2' 出版刊物 「爸爸媽媽Gee-Lee-Gua-La.」 載於《童聲合唱歌曲創作大賽得獎作品集》頁67-72。香港：童聲合唱協會，2001年。 Back

LIN Livia 凌崎偵 Recipient of the 2011 St Botolph Club Foundation Emerging Artist Award, Livia Lin recently received an Honorable Mention in the 2011 International Music Prize for her work Ju, written for Boston Modern Orchestra Project (BMOP) principal oboist Jennifer Slowik. In 2006, with just one year of composition experience under her belt, her woodwind trio received an Honorable Mention in the MTNA Young Artist Composition Competition. Her music has since then been receiving critical acclaims in festivals including the Festival of Women in Arts in New York and the Asian Music Festival in Tokyo. A talented pianist since a young age, she appeared in the commercially released educational video of world-renowned pianist Liu Shih Kun at just age eight. After attaining LRSM in Piano Performance in 2001, Lin went on to study Music Production & Engineering and Film Scoring at Berklee College of Music in Boston, earning a B.Mus. magna cum laude. She also holds a M.A. in Composition from Tufts University. For years, Lin has been an active audio engineer. While in Boston, she had participated in production projects of BMOP, Bang On A Can bassist Robert Black, to name a few. She was also the sound engineer of Cambridge Community Chorus and King’s Chapel Choir. Find out more at livialin.weebly.com. Saint Botolph Club Foundation新晉藝術家獎得主凌崎偵曾於亞洲曲盟音樂節、紐約女性藝術節等發表其作品。自05年開始作曲，凌氏的作品屢獲嘉許，包括在MTNA青年藝術家作曲比賽和國際音樂獎比賽中獲優異獎。凌氏幼年開始習琴，8歲便受邀於《劉詩昆教你彈鋼琴》教材中示範演出。19歲的她以特優成績考獲LRSM鋼琴演奏文憑。凌氏05年赴美入讀柏克理音樂學院，雙主修音樂製作及工程和電影音樂，後來再在塔夫斯大學研習作曲，並取得碩士學位 。旅美期間，凌氏曾參與波士頓現代管弦樂團，以及Lee Hyla、Donald Crockett等作曲家的錄音和後製工作。 MAJOR WORKS 主要作品 Back

NG Wah-hei 伍華晞 MAJOR WORKS 主要作品 Back