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FRANCE AND HONG KONG EXCHANGE CONCERT 2019 The France-Hong Kong Exchange Concert marks a good musical exchange between Hong Kong Composers' Guild (HKCG) and the Ensemble Télémaque from France. Under this friendly musical exchange arrangement, two Hong Kong composers, namely our Chen Yeung-ping and Lee Kar-tai Phoebus, were invited last year to compose two music pieces for Ensemble Télémaque and premiered in Marseille under the baton of Raoul Lay, their music director. In exchange, Raoul Lay was invited to come to Hong Kong to conduct our local musicians to perform a Hong Kong program, featuring not only the said two commissioned pieces but also other French pieces and HKCG works. Concert Date & Time: September 27, 2019 (Friday) at 8 p.m. Venue: Theatre of Sheung Wan Civic Centre Concert Producers: Galison Lau, Lee Kar-tai Phoebus Conductor: Raoul Lay Performers: Pang Hong-tai (Sheng) Hui Wing-hang (Flute, Alto Flute) Ng Lai-man Stephanie (Clarinet, Bass Clarinet) Cheung Man-yui Kitty (Violin) Yang Fan (Viola) Letty Poon (Cello) Yim Chui-chu Linda (Piano) Vong Wai-man Raymond (Percussion) Programme: Yann Robin - Phigures II (2006)(6') Lee Kar-tai Phoebus - Lueur d'une chandelle sur le paravent au paysage (2018)(12')* Chan Kai-young - Shimmers the Shivery Moon (2013/18)(8') Luk Wai-chun Vincent - Yangzhou massacre (2016)(7') Chen Yeung-ping - The Thoughts of Flowers (2018)(7')* Régis Campo - Pop-art (2002)(11'30") *Commissioned and premiered by Ensemble Télémaque in Marseille, France, in 2018.

LEE Kar-tai Phoebus 李家泰 Born and raised in Hong Kong, Dr. Lee Kar-tai Phoebus is an active composer, contemporary-music researcher, and educator. His music have been performed in numerous international music festivals and conferences. He writes music for concerts, multimedia-staged performances, dances, galleries and exhibitions, short films and movies. His music has always been described as poetic and refined by listeners. His music often suggests inspirations from oriental aesthetics, philosophies, and classic literatures, and displays multicultural assimilations and contemporary visions through fine techniques and sophisticated musicality. Lee attained the Doctor of Music degree at The Chinese University of Hong Kong. He has been a part-time lecturer at the Chinese University of Hong Kong and the Education University of Hong Kong, a composition tutor at the Hong Kong Art Festival youth programme and Hong Kong University of Science and Technology summer programme, as well as an editorial assistant, music researcher, presenter at RTHK Radio 4. He has been teaching music and conducting composition programmes at universities, colleges and schools, giving workshops and lectures to school teachers, students, and the general public, serving as an adjudicators at music festivals and competitions, and being a writer for compositional teaching materials. At various occasions, he also performs as a choral, orchestral or chamber-music conductor, harpsichordist, organist, and pianist on both traditional and contemporary works. 李家泰博士為土生土長的香港作曲家，熱衷於音樂創作、當代音樂研究、音樂教育及創意推廣，他的作品曾經多次於國際音樂節與會議發表。 他的音樂喜好取材自東方美學、哲學與經典文學，不時融匯中西，並以當代手法細緻演繹。作品多被譽為充滿詩意，處理細膩。 李氏在香港中文大學取得音樂博士銜，曾出任香港中文大學的兼職講師及香港教育大學的客席講師、於香港藝術節青年計劃及香港科技大學暑期課程擔任作曲導師、以及香港電台第四台作編輯助理及音樂曲目編輯。李氏亦曾於不同大學、學院、中學、小學授課及主導作曲培訓，並曾於教育局及公開講座演講班，亦於眾多音樂節及比賽中擔任評審，以及執筆編寫音樂創作教材。 李氏亦經常以不同形式參與傳統古典音樂與當代音樂的演出，例如擔任指揮、演奏古鍵琴、管風琴及鋼琴等等。 MAJOR WORKS 主要作品 Western Orchestra Nocturne (2013) 7' for Symphonic Winds Canvas (2012) 10' for large orchestra 4.4.4.4 – 6.4.4.1 – Timp.+3 Perc. – 2 Hp – Pn – 16.16.12.10.8 Palpitation - Montage for Large Orchestra in 100 Seconds (2011) 100" 4.4.4.4 – 4.4.4.1 – Timp.+4 Perc. – Hp – Pn – Strings Carnival (2009) 4' for symphonic band Spring Flowers, Autumn Leaves, Summer Rain, Winter Snow (2008) 7'30" for orchestra and boys choir Large Chamber Yearning . Sober Anguish (2012) 4' for 12 musicians (fl., ob., cl., bsn., tpt., hn., perc., pno., vln., vla., vc., db.) The Reminiscence of Foliage Silhouette (2012) 8' for 10 musicians The Dirge of Remnant Florets (2010) 5' for 9 musicians (fl., ob., cl., hn., bsn., 2 vln., vl., vc.) Cerulean Spectrum (2009) 7' for string octet Opus 18b (2007) 7' for 18 musicians Chamber Creative Musicking (2015) 5' for string quartet Better Half (2014) 9' - 12' for flute, clarinet, violin, cello, and piano Everlasting is the Moon (2014) 7'30" for violin and viola Deliquenscence (2013) 10' for percussion trio A Mirror of Clouds (2012) 6' for 4 violins and piano Half Glass of Water (2011) 6'30" for wind quintet A Lagoon of Clouds (2011) 6' for flute, clarinet, violin, viola, and piano In the Labyrinth of Stained Glass Mosaic (2011) 6' for Bang On A Can All-Stars (clarinet, cello, double bass, electric guitar, piano, percussion) Arid Branches Resound (2010) 4'30" for flute, oboe, horn, viola, cello, and piano Celadon (2009) 4' for clarinet, guzheng, and vibraphone Percussion Quartet (2009) 11' Paper . Jolt and Gu . Zheng (2008) 10' for female voice, Chinese drum daigu, and guzheng Sognando (2007) 18'30" for flute, violin, viola, piano, organ, and percussion Meditation (2007) 3'30" for violin, recorder, and piano Instrumental Solo Pyrus Flower in Rain (2010) 7' for piano Fantasy and Celebration (2010) 8' for organ Scar (2010) 11' for double bass Thousand Piano for piano and MAX/MSP (2008) 6' 17 Piano Works Vocal / Choral Flying Dreams (2015) 3’ for speech choir On the White Stork Tower (2014) 3'30" for SATB and piano Nostalgia in Four Rhymes (2013) 5'40" for SATB and piano Nostalgia in Four Rhymes (2013) 5'40" for soprano/tenor and piano To Actuate (2010) 5' for speech choir A Recitation on Vegetables and Fruits (2010) 3'30" for speech choir I’m a Goldfish in a Globe (2010) 2' for UMS n’ JIP (tenor and recorder) Dews on Bamboo Leaves (2010) 4'30" for SSAATTBB a capella Miniatures A Little Match That Sparkles (2014) 30" for flute, clarinet, violin, cello, double bass and piano Lamma Winds (2013) 81" for bass clarinet, double bass and piano Quiet Carriage / Susurrus (2012) 1' for bass clarinet, cello and piano I’m a Goldfish in a Globe (2010) 2' for UMS n’ JIP (tenor and recorder) Discography HKIEd 20th Anniversary Tan Poetry Choral Project (2015) / HUGO Productions (HK) Ltd. LPCD1630-7343 On the White Stork Tower for SATB and piano 詩人的繆思－余光中詩作聲樂專輯(2014) (trans.: Muse of the Poet – Music for Poems’ by Yu Kwong-chung) / HUGO Productions (HK) Ltd. HK2530-2 Nostalgia in Four Rhymes for tenor and piano Resonating Colours: Chamber Work (2013) / Published by Hong Kong Composers’ Guild Ltd. A Lagoon of Clouds for flute, clarinet, violin, viola, and piano 管弦樂 （西樂） 夜 (2013) 7' 為銅管樂團而寫 畫布 (2012) 10' 為大型管弦樂團而寫 4.4.4.4 – 6.4.4.1 – Timp.+3 Perc. – 2 Hp – Pn – 16.16.12.10.8 悸動 (2011) 100" 為大型管弦樂團而寫的一百秒作品 4.4.4.4 – 4.4.4.1 – Timp.+4 Perc. – Hp – Pn – Strings 嘉年華 (2009) 4' 為銅管樂團而寫 春花秋葉、夏雨冬雪 (2008) 7'30" 為男童聲合唱團與大型管弦樂團而寫 大型室樂 魂牽夢縈 (2012) 4' 為十二人室樂合奏而寫 (fl., ob., cl., bsn., tpt., hn., perc., pno., vln., vla., vc., db.) The Reminiscence of Foliage Silhouette (2012) 8' 為十人室樂合奏而寫 殘花恨韻 (2010) 5' 為九人室樂合奏而寫 (fl., ob., cl., hn., bsn., 2 vln., vl., vc.) 蔚藍光譜 (2009) 7' 為弦樂八重奏而寫 Opus 18b (2007) 7' 為十八人室樂合奏而寫 室樂 弦樂四重奏的創意律動 (2015) 5' 另一半 (2014) 9' - 12' 為長笛、單簧管、小提琴、大提琴與鋼琴而寫 攸然是玉京 (2014) 7'30" 為小提琴與中提琴而寫 Deliquenscence (2013) 10' 為敲擊樂三重奏而寫 雲鏡 (2012) 6' 為四部小提琴與鋼琴而寫 半杯水 (2011) 6'30" 為銅管樂五重奏而寫 雲泊 (2011) 6' 為長笛、單簧管、小提琴、中提琴與鋼琴而寫 碎彩迷圖 (2011) 6' 為 Bang On A Can All-Stars（單簧管、大提琴、低音大提琴、電結他、鋼琴、敲擊樂）而寫 枯丫嘯鳴 (2010) 4'30" 為長笛、雙簧管、圓號、中提琴、大提琴與鋼琴而寫 青瓷 (2009) 4' 為單簧管、古箏與顫音琴而寫 敲擊樂四重奏 (2009) 11' 《紙 · 驚》與《鼓·箏》 (2008) 10' 為女聲、中國大鼓與古箏而寫 如夢 (2007) 18'30" 為長笛、小提琴、中提琴、鋼琴、管風琴與敲擊樂而寫 沉思 (2007) 3'30" 為小提琴、牧笛與鋼琴而寫 獨奏曲 夜雷細雨打梨花，靜聽微風響叮鈴 (2010) 7' 鋼琴獨奏 Fantasy and Celebration (2010) 8' 管風琴獨奏 痕 (2010) 11' 低音大提琴獨奏 千琴 (2008) 6' 鋼琴配以 MAX/MSP獨奏 鋼琴作品十七首 聲樂 / 合唱 夢想飛航 (2015) 3' 為動感聲藝團而寫 登鶴雀樓 (2014) 3'30" 為四部混聲合唱團與鋼琴而寫 鄉愁四韻 (2013) 5'40" 為四部混聲合唱團與鋼琴而寫 鄉愁四韻 (2013) 5'40" 為女高音/男高音與鋼琴而寫 啟動 (2010) 5' 為動感聲藝團而寫 蔬果誦 (2010) 3'30" 為動感聲藝團而寫 我是魚缸裏的小金魚 (2010) 2' 為UMS n’ JIP（男高音與牧笛）而寫 竹露 (2010) 4'30" 為四部混聲合唱團琴而寫 綪緻小品 A Little Match That Sparkles (2014) 30" 為長笛、單簧管、小提琴、大提琴、低音大提琴與鋼琴而寫 南丫風 (2013) 81" 為低音單簧管、低音大提琴與鋼琴而寫 靜音車箱 / 唧唧咕咕 (2012) 1' 為低音單簧管、大提琴與鋼琴而寫 我是魚缸裏的小金魚 (2010) 2' 為UMS n’ JIP（男高音與牧笛）而寫 唱片目錄 詩樂共融－唐詩新曲原創合唱系列 (2015) 雨果LPCD1630-7343 《登鶴雀樓》 為四部混聲合唱團與鋼琴而寫 詩人的繆思－余光中詩作聲樂專輯(2014) 雨果HK2530-2 《鄉愁四韻》 為男高音與鋼琴而寫 原音幻彩1：香港作曲家室樂作品(2013) 香港作曲家聯會出版 《雲泊》 為長笛、單簧管、小提琴、中提琴與鋼琴而寫 Back

LEUNG Hin-yan Austin 梁騫仁 Leung is a graduate of the University of Hong Kong and the Hong Kong Academy for Performing Arts. He is currently studying aboard. Leung has composed a number of pieces for Chinese instruments. Most of them features the guzheng as a solo instrument. Leung’s recent guzheng pieces includes Sailing, Along the Heart of Remembrance for guzheng and string quartet, Renovated Tradition for guzheng and 15 Chinese instruments and A City Lost/Tranquil times for guzheng and Chinese orchestra. The above mentioned pieces are performed by the Hong Kong New Music Ensemble, Mr. Chung Chiu Yee and the Hong Kong Chinese Orchestra respectively. 梁氏畢業於香港大學及香港演藝學院，現於海外進修。梁氏曾創作多首中樂作品，以古箏為獨奏的樂曲為主。 近期的古箏作品包括《撐篙，在回憶的深處》為古箏及弦樂四重奏而作，《古韻新音》為古箏及 15 件中樂樂器而作及《失城・靜好》為古箏及樂隊而作。上述樂曲分別由香港創樂團，鍾朝而先生及香港中樂團演奏。 MAJOR WORKS 主要作品 Back

CALL FOR SCORES 樂譜徵收 Title: Deadline: 2016-00-00 Entry Fee: Info link: Supporting Document: 項目： 截止日期： 費用： 詳情： 文件： I'm a paragraph. Click here to add your own text and edit me. It's easy. Back

The Calls of Vigilance Resonate 《我聽見警號在迴響》 Chung Yan-qiu 鍾昕荍 Chung Yan-qiu’s journey into composition began at an early age when she started creating melodies as a child. Currently a first-year undergraduate composition student at the Hong Kong Academy for Performing Arts, she views music as an essential element across all artistic disciplines. Drawing from a wide range of styles, from pop to contemporary classical, Chung strives to explore her artistic voice. She sees the diversity of art forms as essential inspirations for her creative processes, from sounds and music to the lighting in film. She also enjoys wandering through cities with her camera, capturing the interplay of shadows on the streets. Each new city enriches her cultural and artistic perspective and inspires her music compositions. She also studies how camera movements and music in films enhance the storytelling and evoke emotions, further connecting her interests in visual and auditory art as she continues her artistic journey. I hear the cries, I hear the struggles, I hear the anger... I hear the sirens echoing. A turmoil of unease and anxiety rises within me, struggling in darkness, in fear, in confusion, unable to find an exit. This fear follows me like a shadow, tightly entwined, binding me like a shackle, suffocating me. Previous Next

NEW GENERATION 2023 List of Finalists ( In no particular order) Title 作品名稱 Composer 作曲家 Result 成績 Le bois 木 Yiu Ching-lok Douglas 姚晴洛 1st Runner-up 亞軍 Mirage 孰真孰假 Ng Yan-ling Illuminatius 伍昕靈 2nd Runner-up 季軍 Bat, Beasts and Birds 蝙蝠和鳥獸 Lo Tsz-to 盧子陶 Technoblade’s Brain when…?! / Li Tsun-sun 李俊生 The Voices in my Head I 我腦海中的聲音 I Li Cheuk-shing 李焯誠 Hidden Fruit 無花果 Lam Tin-yan 林天恩 Cascading Traces…of Layered Time 層疊蹤影 Chen Xingyi Betty 陳星逸 2nd Runner-up 季軍 Peculiar Voices 怪異之聲 Lam Chun-hei Matthew 林俊熹 Winner 冠軍 The Concert Date & Time: Friday, 04 August 2023 at 8pm Venue: RTHK Studio One Guest Performer: Romer Quartet

CHAN Heidi 陳曦梅 MAJOR WORKS 主要作品 Back

WONG Yat-wai Joseph 黃逸偉 Joseph Wong studied music at the Chinese University of Hong Kong and the University of York, where he obtained his MMus and PhD respectively. His composition teachers include Dr. Thomas Simaku and Prof. Victor Chan. He also studied voice with Dr. Derek Anthony and sheng (Chinese mouth organ) with Mr. Cheng Tak-wai. As a composer of both acoustic and electro-acoustic music, Wong’s major works have been performed in Hong Kong, United Kingdom, Israel and South Korea. His recent performances include Via Dolorosa for solo violin (The 30th Asian Composers League Music Festival 2012, Isreal), Roll-up-banner for violin and cello with visual projection (SOUND-IMAGination: Hong Kong Snapshots, 2012), and the audio-visual piece In Our Fast-Changing City (Hong Kong Musicarama 2012). In 2009, his Duo for percussion was awarded the Nicola LeFanu Composition Prize by the University of York, United Kingdom. Besides composing, Wong has for many years been working as music editor, educator, arranger and sound editor. He has also published over 100 articles on music technology in printed media and online. He is currently working as an adjunct assistant professor of the Music Department, Chinese University of Hong Kong, and visiting lecturer of the Hong Kong Community College, Hong Kong Polytechnic University. 黃氏畢業於香港中文大學及英國約克大學，分別取得音樂碩士及哲學博士，主修作曲，師承陳偉光教授及 Thomas Simaku 博士。另外亦曾隨 Derek Anthony 博士學習聲樂，及鄭德惠先生學習笙。 作為一位創作傳統樂器及電子音樂的作曲家，黃氏的作品曾於香港、英國、以色列及南韓等地演出。其近期演出之作品包括為小提琴而寫的《苦路》(2012年於以色列舉行之亞洲作曲家同盟音樂節)；為小提琴、大提琴及影像投影而寫的《易拉架》(聲影集：香港剪影音樂會 2012)；以及影音作品《在這瞬息萬變的都市中》(音樂新文化 2011)。另外，黃氏之《敲擊樂二重奏》更於2009年榮獲約克大學頒發 Nicola NeFanu 作曲獎。 除作曲外，黃氏多年來亦從事音樂編輯、教育、編曲及聲效編輯等工作。他曾為本地主要之報章及電腦雜誌撰寫過百篇有關電腦音樂應用軟件之文章，致力推廣電腦音樂在教學及業餘創作上之應用。黃氏現為中文大學音樂系兼任助理教授及香港理工大學專上學院客席講師。 MAJOR WORKS 主要作品 Orchestral (Western) The Last Trumpet 16’ for orchestra Eternal Light (2005) 9' for orchestra Orchestral Prelude (2002) 3' for orchestra Chamber (Western) The Little Vagabond (2008-9) 8' for soprano and 6 players (Clarinet/Bass Clarinet, Trumpet, Percussion, Piano, Violin & Cello) Ruach for 16 Players (2008) 10' for flute, oboe, clarinet, bass clarinet, 2 horns in F, trumpet in C, tenor trombone, 2 percussionists, piano, 2 violins, viola, cello & double bass Percussion Duo (2008) 12' for 2 percussionists Trinitas (2007) 7'30" for clarinet/ bass clarinet in Bb, violin & cello String Quartet No. 2 (2007 / 2011 rev.) 8' The Lord's Prayer (2006) 4' for baritone, clarinet & piano String Quartet No. 1 (2006) 6' Sonatina (1997) 4'40"for clarinet & piano Instrumental Solo Trinitas III: Via Dolorosa (2008) 7' for violin Trinitas II: The Mighty Hands (2007) 5' for cello Lonely at Night (1997) 7' for violin Vocal / Choral The Twenty-Third Psalm (2012) 3’30” for SSATB & piano The Lord Bless You and Keep You (2002) 1'10" for SATB & piano Electro-Acoustic Music / Computer Music In Our Fast-Changing City (2012) 6’ for audio-visual projection Roll-Up-Banner (2012) 1’30” for violin, cello and video projection Trinitas IV: The Wind Blows Wherever It Pleases (2011) 6’ for bass clarinet and live electronics Chorale "Jesu meine Freude" & Variations (2006) 5' for baritone, electronic keyboard & Max/MSP Fantasia at a Solitary Night (2006) 3' for tape Publications / Paper Presentations Co-Author (Music Arrangement), Journey in Music for Primary School (12 Volumes). Excellence Publication, 2006. 管弦樂 (西樂) 號筒末次吹響時 (2011) 16' for orchestra 永恆之光 (2005) 9' for orchestra 前奏曲 (2002) 3' for orchestra 室樂 (西樂) 小浪子 (2008-9) 8' for soprano and 6 players (Clarinet/Bass Clarinet, Trumpet, Percussion, Piano, Violin & Cello) 靈風 (2008) 10' for flute, oboe, clarinet, bass clarinet, 2 horns, trumpet, tenor trombone, 2 percussionists, piano, 2 violins, viola, cello & double bass 敲擊樂二重奏 (2008) 12' for 2 percussionists 三‧一 (2007) 7'30" for clarinet/ bass clarinet, violin & cello 第二弦樂四重奏 (2007 / 2011 rev.) 8' 主禱文 (2006) 4' for baritone, clarinet & piano 第一弦樂四重奏 (2006) 6' 小奏鳴曲 (1997) 4'40" for clarinet & piano 獨奏曲 三‧一系列之三：苦路 (2008) 7' for violin 三‧一系列之二：能手 (2007) 6' for cello 夜孤寂 (1997) 7' for violin 聲樂 / 合唱 詩篇廿三篇 (2012) 3'30" for SSATB & piano 願主賜福保守你 (2002) 1'10" for SATB & piano 電子音樂 / 電腦音樂 在這瞬息萬變的都市中 (2012) 6' for audio-visual projection 易拉架 (2012) 1'30" for violin, cello and video projection 三‧一系列之四：風隨著意思吹 (2011) 6' for Bass Clarinet and Live Electronics 《耶穌吾友》及變奏曲 (2006) 5' for baritone, electronic keyboard & Max/MSP 孤荒夜想 (2006) 3' for tape 出版刊物 / 發表文章 副編 (音樂編曲), 小學音樂之旅 (共十二冊).卓師出版社, 2006. Back

LAM Chi-ying Gigi 林芝瑛 Lam Chi Ying Gigi graduated a Bachelor of Education (Honors) from Hong Kong Institute of Education(HKIEd). She studied organ under the guidance of Mr. David Paul Werner, during her studies , she has awarded the AIA Foundation and Hong Kong Jockey Club Scholarships. Since 2004, she has organized and directed different musical productions, theatre play and performances, including Hong Kong International School (HKIS) , Yao Yuen Chinese Music Association, Joint School Drama Production , Anglican little singers etc. She is also the lyricist and director of the 40thAnniversary musical production of St. Catharine’s’ Secondary School for girsl and 15thanniversary musical production of HKIEd. She has worked as a columnist in English Street of The Hong Kong Economic Times. She is currently working as research assistant in HKIEd , Vice-president of the Hong Kong Jockey Club Scholars’ Alumni Association, music tutor of the Hong Kong Down’s Syndrome Association and Choir conductor. She is also the preparatory member of Hong Kong Composers’ Guild and Composers and Authors Society of Hong Kong Limited. 林芝瑛畢業於香港教育學院，主修中學音樂教育，在學期間獲頒香港賽馬會獎學金及AIA foundation 獎學金，全額支助其學士學位課程。畢業後獲教院提供獎學金，留校攻讀文化創意及藝術學系碩士課程。林氏隨David Paul Werner先生學生管風琴，現為Church of Nations及伯大尼小教堂之風琴師和伴奏。 林氏曾為香港經濟日報英語街文化專欄作家，並自2004年起，她與多個本地及海外團體合作，籌辦及導演參與各個音樂會，劇場製作及活動，合作機構包括香港國際學校(HKIS），力行劇社，樂樂國樂團，聯校戲劇製作，晶晶兒童教育集團，聖公會東九龍教區兒童合唱團等, 亦為聖傑靈女子中學四十週年校慶音樂劇《路得》及香港教育學院十五週年原創校慶音樂劇擔任填詞及導演工作。林氏現為教院研究助理，香港賽馬會獎學金基金同學會有限公司副主席, 香港唐氏綜合症協會音樂導師及多個合唱團指揮，林氏亦為香港作曲家聯會(Hong Kong Composers ‘Guild)預備會員及香港作曲家及作詞家協會(CASH)會員。 MAJOR WORKS 主要作品 Back

LEUNG Chung-yin Ray 梁頌然 MAJOR WORKS 主要作品 Back

MOK Kin-yee Raymond 莫健兒 Raymond Mok obtained the FTCL in Music Composition from the Trinity College, a Master of Philosophy in Music Composition from the University of Hong Kong and Doctor of Philosophy in Music Composition from the University of Adelaide. A number of teachers were influential to his studies, including Prof. Ip Shun-chi, Prof. Ye Xiao-gang, Dr. Chan Hing-yan, Dr. Graeme Koehne and Dr. Kimi Coaldrake. As a composer, Mok’s compositions had been widely performed in concerts such as Music to Touch Your Heart (1999, 2000, & 2001 in Hong Kong), HK Musicarama (2000), Beijing Modern Music Festival (2004, 2007, & 2009), ISCM-ACL, World Music Days (2007 in Hong Kong), Hong Kong Cadenza (2008 & 2010), UNESCO International Rostrum of Composers (2009 in Paris), The Review of Chinese Symphonic Music in the Past Century and the 2nd China Symphonic Festival – Hebei Performance Week(2010 in Hebei), Singapore International Competition for Chinese Orchestral Composition, Concert and Award Presentation(2011 in Singapore), 29th Asian Composers League Conference and Festival (2011 in Taiwan) … Raymond migrated to Macau in 2002 and is currently a lecturer in the Music School of Macau Polytechnic Institute. In 2011, his composition “Cycles of Destiny” gained the Nanyang Award from Singapore International Competition for Chinese Orchestral Composition. 持有倫敦聖三一音樂學院作曲院士文憑、香港大學作曲哲學碩士及澳洲阿德萊德大學作曲哲學博士。學習期間重要的老師分別是葉純之教授、葉小鋼教授、陳慶恩博士、格美. 高尼博士及金美. 哥積克博士。 其作品曾在香港中樂團心樂集（1999、2000、2001）、香港音樂新文化（2000）、北京現代音樂節（2004、2007、2009）及國際現代音樂協會世界音樂日（2007香港）、香港中樂團香江華采（2008、2010）、聯合國教科文組織之國際作曲家論壇（2009 巴黎）、中國交響樂世紀回顧暨第二屆中國交響音樂季－河北展演周（2010）、新加坡國際華樂作曲大賽得獎作品音樂會 （2011 新加坡）及亞洲作曲家聯盟大會暨亞太音樂節（2011 臺灣）等中發表。 莫氏在2002年后移居澳門，任教於澳門理工學院音樂課程。 在2011年，其作《圓來緣去》在新加坡國際華樂作曲大賽中榮獲南洋獎。 MAJOR WORKS 主要作品 Back

TSANG Chi-yeung 曾子揚 MAJOR WORKS 主要作品 Back