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LAU Siu-long Boris 劉劭朗 MAJOR WORKS 主要作品 Back

THE HERITAGE & PRESERVATION OF HONG KONG COMPOSERS' GUILD MUSIC COMPOSITIONS Selections by Windpipe Chinese Music Ensemble Composers 作曲家 CHAN Joshua 陳錦標 Title of Work 作品名稱 《揚帆行》 Year of Work 作品年份 2021 Duration 長度 - Composers 作曲家 CHAN Ming-chi 陳明志 Title of Work 作品名稱 《風姿花傳》 Year of Work 作品年份 2015 Duration 長度 - Composers 作曲家 CHAN Nga-man 陳雅雯 Title of Work 作品名稱 《寒來暑往》 Year of Work 作品年份 2020 Duration 長度 - Composers 作曲家 CHAN Wing-wah 陳永華 Title of Work 作品名稱 《南蓮池畔》 Year of Work 作品年份 2009 Duration 長度 - Composers 作曲家 CHEN Ning-chi 陳能濟 Title of Work 作品名稱 《歲月流金》 Year of Work 作品年份 2015 Duration 長度 - Composers 作曲家 CHENG Ching-nam 鄭靖楠 Title of Work 作品名稱 《凌波微步》 Year of Work 作品年份 2017 Duration 長度 - Composers 作曲家 HUI Cheung-wai 許翔威 Title of Work 作品名稱 《逆風翱翔》 Year of Work 作品年份 2020 Duration 長度 - Composers 作曲家 HUNG Ming-kin Christopher 洪銘健 Title of Work 作品名稱 《盂蘭盛會》 Year of Work 作品年份 2015 Duration 長度 - Composers 作曲家 KAM Shing-hei Kahlen 甘聖希 Title of Work 作品名稱 《廣東新語》卷廿六，〈香語〉 Year of Work 作品年份 2021 Duration 長度 - Composers 作曲家 LAM Lan-chee 林蘭芝 Title of Work 作品名稱 《火．龍舞》 Year of Work 作品年份 2012 Duration 長度 - Composers 作曲家 LAW Wing-fai 羅永暉 Title of Work 作品名稱 《太白醉酒》 Year of Work 作品年份 1985 Duration 長度 - Composers 作曲家 LEUNG Hin-yan Austin 梁騫仁 Title of Work 作品名稱 《古韻新音》 Year of Work 作品年份 2017 Duration 長度 - Composers 作曲家 LEUNG Ka-tung Tony 梁家棟 Title of Work 作品名稱 《漠露》 Year of Work 作品年份 2014 Duration 長度 - Composers 作曲家 LUK Wai-chun 陸尉俊 Title of Work 作品名稱 《蘭桂騰芳》 Year of Work 作品年份 2020 Duration 長度 - Composers 作曲家 MAK Clarence 麥偉鑄 Title of Work 作品名稱 《蓮動漁舟》 Year of Work 作品年份 2019 Duration 長度 - Composers 作曲家 SHAO Litang 邵麗棠 Title of Work 作品名稱 《涼茶譜》 Year of Work 作品年份 2018 Duration 長度 - Composers 作曲家 TANG Man-ngai 鄧文藝 Title of Work 作品名稱 《燈影城樓》 Year of Work 作品年份 2017 Duration 長度 - Composers 作曲家 TSANG Yip-fat Richard 曾葉發 Title of Work 作品名稱 《大樂天》 Year of Work 作品年份 1999 Duration 長度 - Composers 作曲家 WONG Hok-yeung Alfred 黃學揚 Title of Work 作品名稱 《醮》 Year of Work 作品年份 2018 Duration 長度 - Composers 作曲家 YIP Ho-kwen Austin 葉浩堃 Title of Work 作品名稱 《迴》 Year of Work 作品年份 2013 Duration 長度 - Composers 作曲家 YIP Shu-kin Stephen 葉樹堅 Title of Work 作品名稱 《鏡明塵空》 Year of Work 作品年份 2017 Duration 長度 - Back

CHAN Ka-fu Paul 陳家富 MAJOR WORKS 主要作品 Back

LEUNG Chi-hin 梁智軒 Dr. Chi-hin Leung was born in a metropolitan city - Hong Kong. With diverse cultural background, his compositions mix with both East and West thoughts, and with special interests in timbral and textural explorations. Leung’s compositions and recordings are published by Schott Music (Germany), MOECK (Germany), Edition HH (U.K.), PARMA Recordings (U.S.), From the Top Music (U.S.), Oxford University Press (China) and Hong Kong Composers’ Guild. His works have been featured by ISCM World New Music Days, UNESCO International “Arts for Peace” Festival, International Rostrum of Composers, International Electronic Music Week, World Choir Games, International Handbell Symposium, ISME World Conference on Music Education, Asian Recorder Festival, Singapore Saxophone Symposium, Summa Cum Laude International Youth Music Festival Vienna, Taipei Traditional Arts Festival, Musicarama, Hong Kong Schools Music Festival and many. He is currently a lecturer at the Education University of Hong Kong. 梁智軒博士生於國際大都會－香港。受其多樣性的文化背景所影響，梁氏的創作揉合東方和西方的思想，亦特別熱衷於音色與織體的探索。 他的作品及錄音由Schott Music（德國）、MOECK（德國）、Edition HH（英國）、PARMA Recordings（美國）、From The Top Music（美國）及牛津大學出版社（中國）出版。梁氏的作品曾於多個國際音樂節中演出，包括國際現代音樂節（ISCM）、聯合國教科文組織「國際和平藝術節」、國際作曲家交流會議（IRC）、國際電子音樂周（EMW）、世界合唱比賽、世界手鈴大會、國際音樂教育協會（ISME）、亞洲木笛節、新加坡蕯克斯風國際研討會、維也納青少年音樂節、台北傳統藝術節、音樂新文化及香港學校音樂節等。梁氏現為香港教育大學講師 。 MAJOR WORKS 主要作品 Orchestral (Western) Blank Shadow (2009) 6' for 1fl, 1ob, 1cl, 1bsn, 1hn, 1perc, vn I, vn II, vla, vc, db Whirling in the Ocean (2008) 6' for 1fl, 1ob, 1cl, 1bsn, 1hn, vn I, vn II, vla, vc, db Concert Overture (2007) 5' for orchestra Chamber (Western) A Drop in the Ocean (2009) 6' for cl, vn, vc, pf The Colors of Peace (2009) 9' for handbell and handchime Feng Qing Yun Dan (2009) 9’30” for recorder quartet Variations on the theme of It's a Small World (2009) 4' for handbell and handchime The Victoria (2007) 4' for handbell and handchime Brazing Snow (2007) 6'30" for ob, cl & bsn Brazing Snow (2007) 6'30" for Bb picc. tpt, C tpt, Bb tpt, horn, tbm, euph & tba Deep Ocean (2007) 7'30" for cl, vc & pf Dance of the Clown (2006) 4'30" for vn, vc & pf Trio in D minor (2006) 5' for vn, vc & pf String Quartet No.1 (Reminiscence) (2005) 5' for string quartet Chamber (Chinese) Thousands of Pearly Drops (2008) 5' for ruan quartet (gaoruan, xiaoruan zhongruan and daruan) Heart Strings (2006) 4'30" for ehru, 2 pipas, 2 ruans & 2 zhengs Chamber (Mixed) Music of the Land (2009) 6' for cl, vc, sh, zh, perc Vocal / Choral New Hong Kong Poem (2007) 3' for voice & pf Scout (2007) 2' for voice & pf Wind Chime (2007) 6' for soprano, baritone, handbell, perc & pf Wind Chime (2006) 6' for SATB, handbell, perc & pf Music for Theatre / Drama Dance in the 70s from Step on the Way (2009) 2' for pop band Hand-in-hand from Step on the Way (2009) 3' for voice, pop band Network Symphony from musical Change (2008) 4' for voice, orchestra Toy World from musical Change (2008) 3' for voice, pf Evening from musical Change (2008) 3' for voice, pf Network Symphony Finale from musical Change (2008) 4' for voice, orchestra Evening from drama San Mei (2008) 3' for pf Dark from drama San Mei (2008) 3' for pf Multimedia / Installation Wind Chime (2008) 6' for SATB, handbell, perc, pf, movements, hand signs 管弦樂 (西樂) 空影 (2009) 6' for 1fl, 1ob, 1cl, 1bsn, 1hn, 1perc, vn I, vn II, vla, vc, db 迴旋．海 (2008) 6' for 1fl, 1ob, 1cl, 1bsn, 1hn, vn I, vn II, vla, vc, db 音樂會序曲 (2007) 5' for orchestra 室樂 (西樂) 深海一滴 (2009) 6' for cl, vn, vc, pf 平和之色 (2009) 9' for handbell and handchime 風輕雲淡 (2009) 9’30” for recorder quartet 世界真細小變奏曲 (2009) 4' for handbell and handchime 幻彩維港 (2007) 4' for handbell & handchime 焰雪 (2007) 6'30" for ob, cl & bsn 焰雪 (2007) 6'30" for Bb picc. tpt, C tpt, Bb tpt, horn, tbm, euph & tba 心海 (2007) 7'30" for cl, vc & pf 小丑之舞 (2006) 4'30" for vn, vc & pf D小調三重奏 (2006) 5' for vn, vc & pf 第一號弦樂四重奏〈回憶〉 (2005) 5' for string quartet 室樂 (中樂) 點滴萬千 (2008) 5' for ruan quartet (gaoruan, xiaoruan zhongruan and daruan) 心弦 (2006) 4'30" for ehru, 2 pipas, 2 ruans & 2 zhengs 室樂 (混合) 天韻 (2009) 6' for cl, vc, sh, zh, perc 聲樂 / 合唱 新香港頌 (2007) 3' for voice & pf 童軍與我 (2007) 2' for voice & pf 風鈴 (2007) 6' for soprano, baritone, handbell, perc & pf 風鈴 (2006) 6' for SATB, handbell, perc & pf 劇場音樂 舞動於七十年代（選自《青少年暑期創藝體驗展現Show》）(2009) 2' for pop band 牽著手（選自《青少年暑期創藝體驗展現Show》）(2009) 3' for voice, pop band 網絡交響（選自音樂劇《換．一玩》）(2008) 4' for voice, orchestra 玩具樂園（選自音樂劇《換．一玩》）(2008) 3' for voice, pf 黃昏（選自音樂劇《換．一玩》）(2008) 3' for voice, pf 網絡交響終曲（選自音樂劇《換．一玩》） (2008) 4' for voice, orchestra 暗黑（選自舞台劇《三妹》）(2008) 3' for pf 黃昏（選自舞台劇《三妹》）(2008) 3' for pf 多媒體音樂 / 裝置音樂 風鈴 (2008) 6' for SATB, handbell, perc, pf, movements, hand signs Back

WONG Chung-hei 黃頌熙 MAJOR WORKS 主要作品 Back

NG Yan-ling 伍昕靈 MAJOR WORKS 主要作品 Back

MUI Kwong-chiu 梅廣釗 Dr Mui Kwong-chiu is the Chairman of the Hong Kong Composers’ Guild; Director of Composers and Authors Society of Hong Kong (CASH), Chinese Musicians’ Association member; Artistic Director of World Dulcimer Orchestra; an Examiner in Music at the Hong Kong Arts Development Council; Advisor of the Hong Kong Yanqin Association; Honorary Advisor of the Music Program of the School of Continuing and Professional Studies of The Chinese University of Hong Kong; Honorary Advisor of Tien Ma Chorus, and Hong Kong Parents Choir; Honorary Composer-in-Residence of the Hong Kong Harmonica Association. He also sat on the jury panel of the Asia Pacific Harmonica Festival, World Harmonica Festival and Hong Kong Drum Festival. In 2020 he was awarded ‘The 14th Hong Kong Arts Development Award’ Artist of the Year (Music) by the Hong Kong Arts Development Council. In 2018, for his achievements in music and contribution to Hong Kong society, he was awarded the Hong Kong Baptist University (HKBU) Distinguished Communication Alumni Award to celebrate HKBU Communication 50th anniversary. Dr Mui holds a PhD and M. Phil in Music at The University of Hong Kong, and a Bachelor's degree in Cinematography at Hong Kong Baptist University. He immersed himself in an array of diverse and innovative music and art projects: Fight the Covid 19 Song for Hong Kong antivirus campaign; Bauhinia Blossom – Cross media Musical Show in relation to the National Security Education Day 2022 (as Composer/ Script/ Director); Theme music for West Kowloon Palace Museum, History of Hong Kong I, II, III, IV (all RTHK TV production) ; The Great Earth Flute, Piano Concerto with Chorale; Cross media Chinese Music Theatre Intoxicating Nature and Ode to Water for Hong Kong Chinese Orchestra (HKCO); Chinese Folk Melody Suite for Hong Kong String Orchestra, Fatherland for HKCO; Evergreen Pine Trees for Allegro Singers; The Beach Multimedia Concert of the 1st Hong Kong Youth Festival in Sai Kung (as Composer/Director); The Spirited Lion Dance Drums featured in the HKCO Hong Kong Drum Festival 2018; Hero Erhu Concerto; Snowy Mountain in Spring Yangqin Concerto premiered in The 3rd International Dulcimer Music Festival in Beijing; Elijah, You Make me Fly Again (Cross Media Revival Musical) ; and many original music themes for RTHK TV series. 梅廣釗博士為香港作曲家聯會主席、香港作曲家及作詞家協會理事，世界揚琴樂團藝術總監、香港藝術發展局音樂界別審批員、香港揚琴總會顧問、香港中文大學專業進修學院音樂課程榮譽顧問、天馬合唱團、家長合唱團榮譽顧問、香港口琴協會榮譽駐團作曲家，亦多次為亞太口琴節、世界口琴節及香港鼓樂節擔任榮譽評審。2020 獲香港藝術發展局頒發第十四屆香港藝術發展獎藝術家年獎； 2018年因其音樂成就獲頒香港浸會大學傳理學院「傑出傳理人獎」。 梅氏畢業於香港大學音樂系，獲頒哲學博士和碩士；亦畢業於香港浸會大學電影系。梅氏音樂創作豐富和多元化： 包括2022年為香港抗疫的宣傳歌曲「全民抗疫」； 「紫荊花開」跨媒體音樂匯演（作曲/文本/導演，由香港國安處主辦，港台製作，闡述香港國安法的概念和香港的歷史）；港台製作的西九文化博物館，(片頭音樂及配樂)；2017在黑龍江大慶歌劇院首演之《大地》鋼琴、長笛、管弦樂雙協奏曲之三大樂章《泰山、大江曲、長城故事》；香港中樂團40樂季載譽重演的跨媒體中樂劇融合豐富中國文化、音樂、詩舞於一爐香港中樂團中樂劇《山花醉》及 《千水情》的全劇作曲 ；為香港弦樂團編曲之「戀戀民謠組曲 I， II」（編曲)；香港中樂團的「大地恩情」音樂會（統籌/編曲）；2018/19 年度包括第 一屆香港青年節海灘實景跨界音樂會《千帆並舉耀香江》（作曲兼導演）、香港中樂團鼓樂節之《獅鼓樂飛揚》 ；二胡協奏曲《大漠之歌》、北京舉行的第三屆國際 揚琴音樂節揚琴協奏曲《春雪千峰》、港台電視《香港歷史系列I,II,III,IV》，《香港風物誌》系列原創配樂及悉尼舉行之「以利亞飛鷹再展翅」跨媒體奮興音樂神劇（全劇作曲兼導演）。 梅廣釗博士促進本會與國際組織之間的交流合作。在2013年，梅博士曾經代表協會及香港電台第四台出席在捷克布拉格舉行的國際作曲家論壇（International Rostrum of Composers）；於2017年及2018年參加分別在溫哥華及北京舉行的國際現代音樂節（International Society for Contemporary Music），以及在台北舉行的亞洲作曲家聯盟大會暨亞太音樂節（Asian Composers League Festival and Conference）等。 MAJOR WORKS 主要作品 Orchestral (Western) The River of Clouds for Harmonica Orchestra (2006) 7' for harmonica orchestra Glamour of Asia Pacific (2004) 5' for a thousand harmonicas - for the Grand Finale of Fifth Asia Pacific Harmonica Festival Prelude for Harmonica Orchestra (2003) 7' for harmonica orchestra Sea Breeze Sketches (2002) 19' for Handbell and Orchestra I. The Sea and Wind Dialogue II. Leaves in the Wind III. The Dawn Breaks Symphonic Poem-Genesis (2000) 18' A Dream in the City (1999) 10' Symphonic Poem Prelude II (1994) 10' Symphonic Poem Prelude I (1992) 10' Orchestral (Chinese) Bring in the Wine (2005) 8' Rhapsody of Color Cloud Chasing the Moon (2004) 10' Farewell at the Inn (1996) 9' Symphonic Poem Song of the Yellow Soil (1995) 10' Chamber (Western) Twinkling Reflections (2004) 11' for cl, vc & pf Spirit II (2002) 9' for piano and clarinet Hong Kong Landscape Suite (2001) 14' for harmonica quintet, pf & percussions Color Clouds Suite (2000) 15' for harmonica quintet Innervision I (1999) 10' for string quartet Innervision II (1999) 7' for string quartet Music of the Universe (1997) 12' for perc ensemble Night (1995) 9' for fl, vn & pf Journey (1992) 4' for string quartet Chamber (Chinese) Moonlight Reflections over Cloudy Ripples (2003) 13' for guzheng, zhongrhan and xiao Plum Blossom in the Snow (2001) 8' for Chinese plucked-string ensemble Moon Palace Reflected on Sea of Clouds (2000) 9' for Chinese wind ensemble & percussions Drunken Night at the Peak of the Mountain (1999) 8' for Chinese ensemble Chamber (Mixed) Rhapsody of Beautiful Clouds Chasing the Moon (2003) 10' for Harmonica Quintet, shengand Piano Three Petite Pieces (2002) 13' for guitar, sheng, violin and viola I Chasing the Waves II Air Eleganza III The Three Giggs Song of Free Birds (2001) 5' for 2 dizi's, fl & pf Autumn Landscape Suite (2000) 14' for harmonica quintet, sheng, hp, pf & perc The World of Da Tong (2000) 10' for mixed ensemble Instrumental Solo Spirit I (1997) 5' for cl Song of the River (1995) 8' for pf Lake Lo Fuo (1994) 5' for zheng Two Preludes (1992) 5' for pf Violin Solo in G Minor (1992) 8' for vn & pf The Wind of Spring (1992) 5' for zheng Four Seasons (1992) 10' for pf Vocal / Choral Hong Kong, You are Beautiful! (2005) 8' Min Feng San Yue (2005) 13' for mixed chorus 情繫香江 (2002) 10' for mixed chorus Yuen Long Tone Poem (2001) 6' for children chorus Song of the Universe (2000) 5' for soprano The Drunken Old Man (1995) 8' for solo tenor & pf Nian Xie (1994) 5' for solo soprano & pf Train (1994) 10' for chorus Empty Streets (1992) 6' for soprano & pf 浣溪沙 (1992) 8' for solo alto, chorus & pf Picking Lotus (1992) 4' for tenor, soprano duet with pf To Remember (1992) 10' for chorus, pf & perc Electro-Acoustic Music / Computer Music Vibration in Stillness(2004) 70' for electronic music, live percussions and choreography Music for Ballet / Dance Vibration in Stillness(2004) 70' for electronic music, live percussions and choreography Music for Theatre / Drama The Seven Wise Men from the Bamboo Grove (1994) 45' for drama Children theatrical puppet musical The Little Fish (2006) 90' for musical Multimedia / Installation Drunken Night at the Peak of the Mountain (2000) 11' for Chinese ensemble, multi-media & dancer Meditation at the Sea (2001) 15' for tape, fl, vc & dancer Music for Video Production The Story of Tea II (1997) 20' for Chinese ensemble The Art of Wan Lau (1996) 20' for MIDI production The Story of Tea I (1995) 20' for Chinese ensemble Music for TV Original soundtracks for over 40 episodes of RTHK TV series since 1990 Film Music / Jingles Film Music for Cream Soda and Milk(1982) 30' Jingle for Esko Products Spring/ Summer (male version) (1984) 30 Jingle for Esko Products Spring/ Summer (male version) (1984) 15 Jingle for Esko Products Spring/ Summer (female version) (1984) 15 Jingle for Esko Products Autumn/Winter (male version) (1984) 30 Jingle for Esko Products Autumn/Winter (male version) (1984) 15 Jingle for Esko Products Autumn/Winter (female version) (1984) 15 Publications / Paper Presentations The article entitled ‘Analysis of Tan Dun's Ghost Opera' by Mui Kwong Chiu was collected lin A Collection of Articles in Commemoration of the 20 Anniversary of the Hong Kong Ethnomusicology Society, jointlypublished by Center of Asian Studies, HKU and Hong Kong Ethnomusicology Society in September 2005. An essay entitled ‘The mixing instrumentations of harmonica with other musical instruments as seen from the newly created harmonica compositions' was published in the book ‘Seventy Years of Hong Kong Harmonica' published by Joint Publishing Co. Ltd. in August, 2004. A review entitled ‘The Fifth Asia Pacific Harmonica Festival 2004' was published in the September issue, 2004 in the quarterly publication CASHFLOW of Composers and Author's Society of Hong Kong (CASH). A research paper entitled ‘New Possibilities for Chinese Instrumental Music: Compositional Techniques in Two Original Chamber Works' was delivered in the Research Colloquia in Autumn 2003 in the Department of Music at the University of Hong Kong. The paper discusses the incorporation of compositional techniques from both Chinese and Western traditions as integrated in Mui Kwong Chiu's two musical works. Music Theatre and Multi Media: Teaching Resource Kit." (in collaboration with Joshua Chan) In Contemporary Music Education Campaign of the ISCM World Music Days 2002. Hong Kong: Hong Kong Composers' Guild and the Education Department, 2002. ‘Analysis of Tan Dun's Ghost Opera' by Mui Kwong Chiu was first published as papers and proceedings of the Sixth Seminar on the History of New Music in China: Its Form, Craftsmanship and Aesthetics in 2000. It was later published in the same year in Collected Essays on History of New Music in China, Vol. No 6 by HKU Center of Asia Studies. A feature article entitled ‘An Exploration of Coherence in Music from Pop Song to Serious Music' was published in Issue 29 in the summer of 1999 in CASHFLOW the quarterly publication of CASH. In the article, compositional techniques in both pop and contemporary music genre were discussed, with a special focus on some of Joseph Koo's modulation techniques and his twin use of modes, with illustrations from some of his pop songs serving as demonstrations. Part of Mui Kwong Chiu's vocal music (serious category) from 1980 to 1999 have been listed in ‘Hong Kong Vocal Music: A General Index' among the works of other prominent Hong Kong Composers. Chinese Christians Literature Council Ltd published the collection of vocal music with the above index in March 1999, with sponsorship from Hong Kong Arts Development Council. 管弦樂 (西樂) 天上雲河 (2006) 7’ for harmonica orchestra Glamour of Asia Pacific (2004) 5’ for a thousand harmonicas - for the Grand Finale of Fifth Asia Pacific Harmonica Festival 口琴樂隊前奏曲 (2003) 7’ for harmonica orchestra 海韻風情 (2002) 19’ for Handbell and Orchestra I. The Sea and Wind Dialogue II. Leaves in the Wind III. The Dawn Breaks 交響詩《創世紀》 (2000) 18' 城市中的夢想 (1999) 10' 思潮 (1994) 10' 生命序曲 (1992) 10' 管弦樂 (中樂) 將進酒 (2005) 8’ 彩雲追月狂想曲 (2004) 10’ 酒肆留別 (1996) 9' 黃土鄉情 (1995) 10' 室樂 (西樂) 銀海星閃 (2004) 11' for cl, vc & pf Spirit II (2002) 9’ for piano and clarinet 香江素描組曲 (2001) 14' for harmonica quintet, pf & percussions 紅映雪語組曲 (2000) 15' for harmonica quintet 心語一 (1999) 10' for string quartet 心語二 (1999) 7' for string quartet Music of the Universe (1997) 12' for perc ensemble 夜 (1995) 9' for fl, vn & pf 旅程 (1992) 4' for string quartet 室樂 (中樂) 水雲月 (2003) 13' for guzheng, zhongrhan and xiao 傲雪寒梅 (2001) 8' for Chinese plucked-string ensemble 雲海暉月映瓊宮 (2000) 9' for Chinese wind ensemble & percussions 夜醉凌峰 (1999) 8' for Chinese ensemble 室樂 (混合) 彩雲追月狂想曲 (2003) 10' for Harmonica Quintet, sheng and Piano Three Petite Pieces (2002) 13’ for guitar, sheng, violin and viola I Chasing the Waves II Air Eleganza III 三擊 三鳥朝陽 (2001) 5' for 2 dizi's, fl & pf 秋山紅葉組曲 (2000) 14' for harmonica quintet, sheng, hp, pf & perc 世界大同 (2000) 10' for mixed ensemble 獨奏曲 Spirit I (1997) 5' for cl 大江曲 (1995) 8' for pf 盧沽湖 (1994) 5' for zheng Two Preludes (1992) 5' for pf Violin Solo in G Minor (1992) 8' for vn & pf 春風 (1992) 5' for zheng 春夏秋冬 (1992) 10' for pf 聲樂 / 合唱 Hong Kong, You are Beautiful! (2005) 8’ 民風三樂 (2005) 13' for mixed chorus 情繫香江 (2002) 10' for mixed chorus 元朗音畫 (2001) 6' for children chorus Song of the Universe (2000) 5' for soprano 老酒三兩三 (1995) 8' for solo tenor & pf 靈犀 (1994) 5' for solo soprano & pf 一列車 (1994) 10' for chorus 空巷 (1992) 6' for soprano & pf 浣溪沙 (1992) 8' for solo alto, chorus & pf 採蓮歌 (1992) 4' for tenor, soprano duet with pf 念 (1992) 10' for chorus, pf & perc 電子音樂 / 電腦音樂 音悠極擊 (2004) 70' for electronic music, live percussions and choreography 舞蹈音樂 音悠極擊 (2004) 70' for electronic music, live percussions and choreography 劇場音樂 竹林七賢 (1994) 45' 話劇 小魚與海 (2006) 90' 音樂劇 多媒體音樂 / 裝置音樂 夜醉凌峰多媒體舞蹈版 (2000) 11' for Chinese ensemble, multi-media & dancer 海的變奏 (2001) 15' for tape, fl, vc & dancer 視像音樂 茶的藝術 (1997) 20' for Chinese ensemble 文樓的藝術 (1996) 20' for MIDI production 茗趣 (1995) 20' for Chinese ensemble 電視音樂 Original soundtracks for over 40 episodes of RTHK TV series since 1990 電影音樂 電影配樂《忌廉溝鮮奶(1982) 30' Jingle for Esko Products Spring/ Summer (male version) (1984) 30 Jingle for Esko Products Spring/ Summer (male version) (1984) 15 Jingle for Esko Products Spring/ Summer (female version) (1984) 15 Jingle for Esko Products Autumn/Winter (male version) (1984) 30 Jingle for Esko Products Autumn/Winter (male version) (1984) 15 Jingle for Esko Products Autumn/Winter (female version) (1984) 15 出版刊物 / 發表文章 The article entitled ‘Analysis of Tan Dun’s Ghost Opera’ by Mui Kwong Chiu was collected lin A Collection of Articles in Commemoration of the 20 Anniversary of the Hong Kong Ethnomusicology Society, jointlypublished by Center of Asian Studies, HKU and Hong Kong Ethnomusicology Society in September 2005. An essay entitled ‘The mixing instrumentations of harmonica with other musical instruments as seen from the newly created harmonica compositions’ was published in the book ‘Seventy Years of Hong Kong Harmonica’ published by Joint Publishing Co. Ltd. in August, 2004. A review entitled ‘The Fifth Asia Pacific Harmonica Festival 2004’ was published in the September issue, 2004 in the quarterly publication CASHFLOW of Composers and Author’s Society of Hong Kong (CASH). A research paper entitled ‘New Possibilities for Chinese Instrumental Music: Compositional Techniques in Two Original Chamber Works’ was delivered in the Research Colloquia in Autumn 2003 in the Department of Music at the University of Hong Kong. The paper discusses the incorporation of compositional techniques from both Chinese and Western traditions as integrated in Mui Kwong Chiu’s two musical works. Music Theatre and Multi Media: Teaching Resource Kit." (in collaboration with Joshua Chan) In Contemporary Music Education Campaign of the ISCM World Music Days 2002. Hong Kong: Hong Kong Composers' Guild and the Education Department, 2002. ‘Analysis of Tan Dun’s Ghost Opera’ by Mui Kwong Chiu was first published as papers and proceedings of the Sixth Seminar on the History of New Music in China: Its Form, Craftsmanship and Aesthetics in 2000. It was later published in the same year in Collected Essays on History of New Music in China, Vol. No 6 by HKU Center of Asia Studies. A feature article entitled ‘An Exploration of Coherence in Music from Pop Song to Serious Music’ was published in Issue 29 in the summer of 1999 in CASHFLOW the quarterly publication of CASH. In the article, compositional techniques in both pop and contemporary music genre were discussed, with a special focus on some of Joseph Koo’s modulation techniques and his twin use of modes, with illustrations from some of his pop songs serving as demonstrations. Part of Mui Kwong Chiu’s vocal music (serious category) from 1980 to 1999 have been listed in ‘Hong Kong Vocal Music: A General Index’ among the works of other prominent Hong Kong Composers. Chinese Christians Literature Council Ltd published the collection of vocal music with the above index in March 1999, with sponsorship from Hong Kong Arts Development Council. Back

LAM Doming (Honorary President) 林樂培（名譽主席） DOMING LAM, Winner of two Gold Seal Awards for the Best Serious Music. Born in Macau in 1926. Studied music in Canada and Unite States; is the pioneer to lead Hong Kong into the music circles of the world. During 1964-1994 he worked in Hong Kong and Macau, contributed equally well in composing, conducting, teaching, producing music programmers for radio and television. Maestro Lam’s music has been performed over 40 cities around the world. The 2001 New Grove’s Dictionary of Music and Musicians has a detailed biography on Maestro Lam. The music library in the University of Hong Kong, kept a collection of his music. 林樂培，香港大學前任駐校作曲家及兩屆最佳正統音樂CASH金帆獎得主。1926 年生於澳門。把香港引進國際樂壇的開路先鋒。在加拿大及美國研習音樂。1964-94年間活躍於香港和澳門音樂界，在作曲、教學、指揮、製作電台及電視音樂節目上都有成就。作品在國際40多個城市發表過，對後起之秀能產生啟發作用。2001年之高庫音樂全書New Grove’s Dictionary of Music and Musicians有他的詳為盡介紹。香港大學音樂圖書館收藏他的全部作品。 MAJOR WORKS 主要作品 Orchestral (Western) Twilight (1997) a sketch for pipa & orchestra Heaven's Blessing: A Symphonic Prelude (1988) 13' Contrast (1981) 13' for dizi, pipa, yangqin, erhu & orchestra Insect World II (1981) 18' Tai-Ping Shan Panorama (rev 1979) 8'30" Aerial Ode (1978) 13' Image (rev 1977) 25' Thanksgiving to Joe-Kwan, the Kitchen God (1976) 18' Gu-Chu (rev 1971) 23' for pf & orchestra Essay (1958) for string orchestra Orchestral (Chinese) The Trial of Doue in a Dream (1989) 45' cantata for soprano, baritone & Chinese orchestra in the style of Yuan opera Kung Fu (1987) 18' dialogue for pipa & Chinese orchestra Silent Prayer (1981) Insect World (1979) 18' Autumn Execution (1978) 18' Chamber Changing Wind (1990) 14' for vn, bass cl (doubling alto saxophone), pf & perc Breakthrough II (1976) 15' for fl & vc Three Settings of Wai City's Ballad (1966) 8'30" for fl & pf Three Chinese Dances (1963) 8' for vn & pf Chinese Folk Song Suite (1963) 12' Old Fisherman (1962) 7' for vn Sonata: Oriental Pearl (1961) 18' for vn & pf Divertimento No.1 (1958) 16' for 2 fl & pf Duet (1958) 5' for 2 vn Piano Study No.1 (1954) 6' for tape Piano Solo Gu-Chu (rev 1971) 18' Seven Popular Chinese Folk Songs (1962) for young pianists Uncle's Suite (1960) 5' for young pianists Prelude and Scherzo (1959) 7' Vocal Liturgical Music (1994) includes 24 hymns, mass, magnificat, Te Deum & requiem; for chorus & organ Eucharistic Prayer (1994) 17' a set of Proper (type II) in Cantonese for High Mass; for voice & organ Like is their Delight (1980) 29' for soprano & instrumental ensemble Two Farewell Songs from the Poems of Li-Po (1964) 7' for fl & high voice Three Night Songs of Li-Po (1957) 7' for voice & orchestra Reap and Gather (1953-57) 6' 3 songs for voice & pf Choral The War Bridge (1983) 25' cantata for tenor, baritone, mixed chorus & 2 pf A Silent Prayer (1981) 13' for children's choir & Chinese orchestra Open Your Arms (1979) for children's choir & pf/orchestra Missa Laudis (1962) 15' for SATB & organ Gloria Patri (1961) for SATB & organ Ah! Sun Flower (1958) 5' for SATB a cappella Panis Angelicus (1956) for mixed choir, soloist & organ/orchestra Music for Modern Dance Triptych (1982) 33' Legend (1981) 60' Discography Like is Their Delight, Philips 7337157 Sonata: Oriental Pearl, Philips 6598979 Moonlight Over Spring Water, Capital Artists CD3003S Three Night Songs of Li-Po, Jade-Empire Records Two Farewell Songs from the Poems of Li-Po, Jade-Empire Records Scherzo, China Records BL57 Thanksgiving to Joe-Kwan, the Kitchen God, Hong Kong Records Moonlight Over Spring Water for piano, Largo Records Co. LGC8801 / Man Hoi Records VA-2001 The Collection of Liturgical Music by Doming Lam, Hong Kong Catholic Centre 336-3-5005 Changing Wind, Hugo Breakthrough, Hugo HRP 798-2 Violin Sonata, Hugo HRP 7127-2 Publication (partial) "The War Bridge." In Hong Kong Vocal Music Collection, vol.II, edited by D. Law, 23-74. Hong Kong: Chinese Christian Literature Council, 1999. "Three Night Songs of Li-Po." In Hong Kong Vocal Music Collection, vol.VI, edited by D. Law, 43-50. Hong Kong: Chinese Christian Literature Council, 1999. "Two Farewell Songs." In Hong Kong Vocal Music Collection, vol.VIII, edited by D. Law, 64-68. Hong Kong: Chinese Christian Literature Council, 1999. "Ah! Sunflower." In Hong Kong Vocal Music Collection, vol.VIII, edited by D. Law, 69-73. Hong Kong: Chinese Christian Literature Council, 1999. 管弦樂 曙光 (1997) a sketch for pipa & orchestra 天保讚交響序曲 (1988) 13' 對比 (1981) 13' for dizi, pipa, yangqin, erhu & orchestra 昆蟲世界（二）(1981) 18' 太平山下 (rev 1979) 8'30" 天籟 (1978) 13' 形像 (rev 1977) 25' 謝灶君 (1976) 18' 古曲新譯 (rev 1971) 23' for pf & orchestra 弦樂隨筆 (1958) for string orchestra 管弦樂 (中樂) 夢審竇娥 (1989) 45' cantata for soprano, baritone & Chinese orchestra in the style of Yuan opera 功夫 (1987) 18' dialogue for pipa & Chinese orchestra 問蒼天 (1981) 昆蟲世界 (1979) 18' 秋決 (1978) 18' 室樂 風雲變 (1990) 14' for vn, bass cl (doubling alto saxophone), pf & perc 突破（二）(1976) 15' for fl & vc 渭城曲 (1966) 8'30" for fl & pf 古舞曲三首 (1963) 8' for vn & pf 民歌雅集 (1963) 12' 板橋道情 (1962) 7' for vn 東方之珠 (1961) 18' for vn & pf 遣興樂三首 (1958) 16' for 2 fl & pf 輪迴 (1958) 5' for 2 vn 鋼琴研究之一 (1954) 6' for tape 鋼琴獨奏 古曲新譯 (rev 1971) 18' Seven Popular Chinese Folk Songs (1962) for young pianists 舅舅組曲 (1960) 5' for young pianists 小序及諧謔曲 (1959) 7' 聲樂 禮樂集 (1994) includes 24 hymns, mass, magnificat, Te Deum & requiem; for chorus & organ 感恩經 (1994) 17' a set of Proper (type II) in Cantonese for High Mass; for voice & organ 兩相歡 (1980) 29' for soprano & instrumental ensemble 李白驪歌兩首 (1964) 7' for fl & high voice 李白夜詩三首 (1957) 7' for voice & orchestra 初耕集 (1953-57) 6' 3 songs for voice & pf 合唱 塵埃不見咸陽橋 (1983) 25' cantata for tenor, baritone, mixed chorus & 2 pf A Silent Prayer (1981) 13' for children's choir & Chinese orchestra 伸出仁愛的手 (1979) for children's choir & pf/orchestra Missa Laudis (1962) 15' for SATB & organ Gloria Patri (1961) for SATB & organ Ah! Sun Flower (1958) 5' for SATB a cappella Panis Angelicus (1956) for mixed choir, soloist & organ/orchestra 現代舞音樂 Triptych (1982) 33' 洪荒什記 (1981) 60' 唱片目錄 Like is Their Delight, Philips 7337157 Sonata: Oriental Pearl, Philips 6598979 Moonlight Over Spring Water, Capital Artists CD3003S Three Night Songs of Li-Po, Jade-Empire Records Two Farewell Songs from the Poems of Li-Po, Jade-Empire Records Scherzo, China Records BL57 Thanksgiving to Joe-Kwan, the Kitchen God, Hong Kong Records Moonlight Over Spring Water for piano, Largo Records Co. LGC8801 / Man Hoi Records VA-2001 The Collection of Liturgical Music by Doming Lam, Hong Kong Catholic Centre 336-3-5005 Changing Wind, Hugo Breakthrough, Hugo HRP 798-2 Violin Sonata, Hugo HRP 7127-2 出版刊物(部份) 《塵埃不見咸陽橋》 "The War Bridge." In Hong Kong Vocal Music Collection, vol.II, edited by D. Law, 23-74. Hong Kong: Chinese Christian Literature Council, 1999. 《李白夜詩三首》 "Three Night Songs of Li-Po." In Hong Kong Vocal Music Collection, vol.VI, edited by D. Law, 43-50. Hong Kong: Chinese Christian Literature Council, 1999. "Two Farewell Songs." In Hong Kong Vocal Music Collection, vol.VIII, edited by D. Law, 64-68. Hong Kong: Chinese Christian Literature Council, 1999. "Ah! Sunflower." In Hong Kong Vocal Music Collection, vol.VIII, edited by D. Law, 69-73. Hong Kong: Chinese Christian Literature Council, 1999. Back

MUSICARAMA 2017: CHORAL & VOCAL MUSIC CONCERT Concert Date & Time: October 13, 2017 (Friday) at 8 p.m. Venue: Theatre, Hong Kong City Hall Programme by the Hong Kong Children's Choir Conductors: Albert Lim, Vivian Suen Hui Cheung-wai - The Bamboo Grove (2014)(3’40”) Leung Chi-hin - Thoughts of Separation (2016)(4’) Thomas Wong - Here’s to Life (2016)(4’30”) Wong Kong-yu - Two Poems of Chen Zi-ang (2017)(5’30”) Viola Yuen - On a Sleepless Night (2016)(7’10”) Li Kar-yee - Waiting for…x3 (2017)(5’40”)* Chan Sze-rok - The Superstitious Ghost (2017)(5’)* Vocal works: Lin Sheng-shih - Four Cancrizans Poems by Su Shi (1963-65)(12’) Chan Kai-young - Poem Without a Title: Hard it is to Meet and Part (2014)(4’30”) Galison Lau - When I have Thought of You (2017)(6’)* Austin Yip - The Poetess (2011)(7’) Anthony Cheng - Chanson Triste (2002, rev. 2017)(8’) Lee Kar-tai - Nostalgia in Four Rhymes (2013)(5’) Tam Chin-fai - Liao Zhai: Wailing Ghosts (2017)(6’)*

SOUND-IMAGination 2016: Introducing the Composers SOUND-IMAGination 2016: HONG KONG LANDSCAPE Concert 音樂會 Composers' Biography 作曲家簡介 Composers' Sharing 作曲家分享 Boo Chun-kit 布俊傑 Chan Chin-ting 陳展霆 Chan Ho-yi 陳浩貽 Chan Kai-young 陳啟揚 Chris Hung 洪銘健 Kwok Tsun-huen 郭雋晅 Lam Lai 林儷 Lau Hiu-kong 劉曉江 Livia Lin 凌崎偵 Lun Wai-kit 倫偉傑 Shao Litang 邵麗棠 Shuen Lai-yin 孫禮賢 So Ho-chi 蘇浩慈 So Ka-wai 蘇家威 Tam Ka-shu 譚家樹 Joyce Tang 鄧慧中 Wong Chun-wai 黃俊諱 Wyman Wat 屈雅汶 Yau May-kay 邱美琪 Austin Yip 葉浩堃 Composers' Biography 作曲家簡介 Boo Chun-kit 布俊傑 Born in Hong Kong, Boo Chun Kit started learning the piano at his young age, while began to compose in secondary school. Boo is currently studying in the Bachelor of Music with major in composition at The Hong Kong Academy for Performing Arts. In 2013, his work Gather Instant was performed in the SOUND- IMAGination: Hong Kong One Moment Concert. In 2014, his work Iridescent Clouds for string quartet was selected to perform in the New Generation 2014 Concert. He is also keen on multimedia production, and exploring music through different presentations and perspectives. Chan Chin-ting 陳展霆 Composer Chin Ting (Patrick) CHAN (b. 1986) has held faculty positions at the University of Missouri–Kansas City and Kansas City Kansas Community College. His music has been featured throughout the North and South Americas, Europe and Asia; at festivals such as the International Computer Music Conference, the International Rostrum of Composers, IRCAM’s ManiFeste, June in Buffalo and the Wellesley Composers Conference, among many others. His works are published with the ABLAZE Records, Darling’s Acoustical Delight, Melos Music, Music from SEAMUS, Navona Records/PARMA Recordings, the SCI Journal of Music Scores and Unfolding Music Publishing (ASCAP). Chan Ho-yi David 陳浩貽 David Ho-Yi Chan is a young composer, conductor and organist born in Hong Kong. His paper and compositions had been presented in various international academic occasions, including 2nd Chinese Composers’ Conference (2013), International Society of Contemporary Music (ISCM) World Music Days (2014) and Asian Composer League Festival & Conference (2015). With the support from CASH Music Fund and Jebsen & Co. Choral Arts Youth Scholarship, Chan is currently pursuing master of composition at the Royal College of Music under the tutelage of Joseph Horovitz. He is also serving as the Director of Music at John Keble Church in London. Chan Kai-young 陳啟揚 A Benjamin Franklin Doctoral Fellow at the University of Pennsylvania, Kai-Young Chan’s music is performed across the continents by leading ensembles such as Pittsburgh Symphony Orchestra, Curtis Symphony Orchestra, Daedalus Quartet, International Ensemble Modern Academy, and Hong Kong New Ensemble. He was featured in ISCM World Music Days (Slovenia in 2015, Belgium in 2012), Havana Contemporary Music Festival (Cuba), International Forum of New Music (Mexico), Chinese Composers’ Festival (Hong Kong), Darmstadt Ferienkurse(Germany), Risuonanze Festival(Italy), and International Rostrum of Composers(Helsinki). His music is published by Editions Peters and recorded on Ablaze Records and PARMA Recordings. Please visit http://www.chankaiyoung.com for more information. Chris Hung 洪銘健 Chris Hung’s music has been performed in many countries and he has collaborated with various ensembles and orchestras around the world. Hung has participated many international music festivals, such as ISCM World Music Days and 45th Darmstadt Summer Course for New Music etc. Accolades include Finalists in 2015 and 2011 SCO Chinese Orchestral Composition, 2014 Sibelius Composition Competition, "Florence String Quartet Call For Scores" Composition Competition and First Prize in “Sofia 2013” International Composition Competition etc. Dr. Hung’s scores are published by French publisher Babelscores. Currently Dr. Hung serves as one of the Directors of the Hong Kong Composers’ Guild. Homepage: http://chris-hung.com Kwok Tsun-huen 郭雋晅 Kwok Tsun Huen, Corvus, graduated from the Hong Kong Baptist University with a Bachelor of music composition and a Master of Conducting. His major composition teachers included Dr. Christopher J. Keyes and Dr. Joyce W. C. Tang. After finishing the study in the University, Corvus went to the Shanghai Music Conservatory to have further studies on Violin Making. Ever since primary school, Corvus started learning to play the violin, then shortly after, the piano, the guitar and also the Guzheng. He even built an electric guitar to try to understand the instrument as a technical device. He is the Foley artist of the film <26 Happiness Road>, and also the Music director of several dramas and musicals, including , , and . His works were selected in the New Generation Composition Competition 2012-2014 and was being performed by several ensembles and being broadcast on RTHK. In 2015, his work is being performed in USA. Lam Lai 林儷 Lam Lai was born in Hong Kong. She studied music composition in The Hong Kong Academy for Performing Arts and the Royal Conservatory in The Hague. Her compositions are performed in public around globe include orchestral, ensemble, electronic and interdisciplinary works. As a composer, she tends to create new hybrids of media and exploring sounds experience in music. She has focused on combining conventional performance practices with other forms of art such as electronic sound, visual art, film, literature and theatre. Currently, she is working with the music-theatre company de Veenfabriek for the performance RAARRR and touring around the Netherlands. Lau Hiu-kong 劉曉江 Lau Hiu Kong, Lawrence is currently pursuing a Bachelor of Music, major in composition at The Hong Kong Academy for Performing Arts. Lau is active on promoting his music. His piano trio, Thorns, was performed on the concert of 32nd Asian Composers League Conference & Festival in Japan. Last year, His works, Cicada’s cry for Pipa, Sheng, Woodwind Quintet and Xiao for four Clarinets were performed in Beijing and Italy respectively. As a student composer, Lau has written for not only chamber music but also theatre, where he explores various concepts and languages. He has participated in several theatre productions, including Claustrophobic Space and Post-Guangxi. Livia Lin 凌崎偵 Livia Lin is the 2011 recipient of the Saint Botolph Club Foundation Emerging Artist Award. A Berklee College of Music graduate double majoring in Music Production & Engineering and Film Scoring, Lin was awarded scholarship to study composition at Tufts University where she received her MA. She has presented her compositions at the Asian Composers’ League Festivals and the Festival of Women in Arts, to name a few. Active in classical music productions, Lin has been credited as audio engineer in albums of composer Arthur Levering, Bang on a Can bassist Robert Black, and the Blue Heron Renaissance Choir. Lin also holds an LRSM (distinction) in piano performance. Lun Wai-kit 倫偉傑 EDWARD LUN, a music free-lancer graduated from the Hong Kong Institute of Education with Bachelor of Education (Secondary), studied composition with Dr. LAI SHEUNG-PING. He is now working as a composer, arranger, producer, etc., and had co-operated with music organizations and artists such as Chan Fai-young and Hilarious Productions Limited, etc. He is now a member of Composers and Authors Society of Hong Kong, Hong Kong Composers’ Guild, musician in Hong Kong Chamber Wind Philharmonia, and teaching brass and band/orchestra in several schools. Shao Litang 邵麗棠 Shao Litang is currently a Doctor of Philosophy candidate at the University of Hong Kong under the supervision of Dr. Joshua Chan. She received her Master of Music degree majoring composition at the Hong Kong Academy for Performing Arts. Shao’s Chinese ensemble work Four Pieces of Chinese Calligraphy for Dizi, Soprano sheng, Pipa, Yangqin and Erhu was shortlisted in the score submission of “Music form the Heart” held by the Hong Kong Chinese Orchestra(HKCO) and was performed by HKCO in the concert. This piece also received the third prize of the 7th Con Tempo Chinese New Chamber Music Composition Competition presented by the Central Conservatory of Music. Shuen Lai-yin 孫禮賢 Shuen Lai Yin is currently studying in The Hong Kong Academy for Performing Arts, with major in composition and electronic music. His compositions range from Western and Chinese instrumental chamber music, live electronics and choral music. His choral compositions “The Turns of Life”, “Goodbye Again, Cambridge” and “Deer Enclosure” are premiered by The Greeners’ Sound. Also, Shuen’s instrumental music has been performed by various music groups as Hong Kong New Music Ensemble, Jenga Percussion Ensemble, Romer String Quartet. Recently, his piece “Rainscape” is selected and premiered in the Asian Composers League 2015. So Ho-chi 蘇浩慈 So Ho Chi is a composition and electronic music student who is now studying in Hong Kong Academy for Performing Arts, under the teaching of Dr. Tang Lok Yin, in which he has presented various acoustic instrumental and vocal chamber and electronics works. So Ka-wai 蘇家威 SO Ka-wai obtained both his undergraduate and M.Phil degree at Hong Kong Baptist University, majoring music composition under the supervision of Prof. Christopher Keyes and Dr. Christopher Coleman. His works have been premiered local and overseas, including ACL Conference and Festival (Taipei in 2011, Manila in 2015), Yogyakarta Contemporary Music Festival (Indonesia), the XVI World Saxophone Congress (Scotland) and Kagoshima Asian Youth Arts Festival (Japan). Moreover, his works were selected as set pieces frequently in the Hong Kong Schools Music Festival. Tam Ka-shu 譚家樹 Ka-Shu Tam (b.1991) draws most of his inspiration from daily conversations. His interest in the human nature and the universe deeply influences his music perceptions. Tam's works have been performed across the world, and have also received radio broadcasts. He also earned commissions, including a commission by Hong Kong Education Bureau. Tam completed his Bachelor of Art in Hong Kong Baptist University. He earned his Master of Music in the University of Missouri - Kansas City. His major composition teachers include James Mobberley, Zhou Long, Chen Yi, Paul Rudy, Christopher Keyes and Christopher Coleman. Joyce Tang 鄧慧中 Joyce Tang has attracted numerous commissions from performing groups and performers, and many of her works have been performed worldwide. Website: www.joycewctang.com Wong Chun-wai 黃俊諱 Earning his doctorate from the Chinese University of Hong Kong, Wong Chun-wai has a versatile composition profile comprising concert music, musicals and film scores. His compositions are featured worldwide in occasions such as the International Rostrum of Composers, ISCM World Music Days and ACL Festival. His music is performed by professional musicians including the Internationale Ensemble Modern Akademie (IEMA), Hong Kong Philharmonic Orchestra and performers from the New York Philharmonic. His works are recorded on Ablaze Records and published by the Hong Kong Composers’ Guild. For more information, please visit http://www.wongchunwaimusic.com . Wyman Wat 屈雅汶 Wyman received her Master of Music Degree from The Hong Kong Academy for Performing Arts, majoring in composition, under the guidance of Mr. Law Wing-fai and Professor Richard Tsang. A number of her compositions had been presented and performed in Hong Kong and overseas with high praises. Her works Ancient Path (2006) and Animated Timeframes (2007) were performed and broadcasted by RTHK Radio 4. Her works Stone Tones (2008), The Man of Dust (2010), Ripples On… (2010), Prelude of Celebration (2011) and Somewhere in a City (2011) were commissioned by the Macao Percussion Association, Hong Kong Wind Kamerata, Parsons Wind Orchestra and HKBDA Band Directors Wind Orchestra respectively. Wyman is also active in promoting contemporary music and creative music making as both a composer and a flutist, collaborating with local and international artists. Yau May-kay 邱美琪 May Kay Yau entered the Hong Kong Academy of Performing Arts at the age of 17. There she was the winner of the Concerto Trial and had her first orchestral piece presented in the concert of the 5th Anniversary of the Establishment of Hong Kong Special Administrative Region. Following that she was awarded a scholarship to pursue a Masters Degree at the Royal Academy of Music in London and completed her PhD study at the University of Bristol. Her compositions have been performed in Asia, North America and Europe. She was awarded Salabert Prix in George Enescu International Competition in Romania, and Aberdeen Music Prize in Scotland. Austin Yip 葉浩堃 Born in Hong Kong, Austin Yip’s works have been performed worldwide, festivals he participated include ISCM, ACL and many more. Yip obtained his PhD and Master of Philosophy (composition) degrees at the University of Hong Kong. He also holds a Bachelor of Arts (Music) degree from the University of California, Berkeley and a FTCL from Trinity College, London. Yip is the holder of James Kitagawa Memorial Music Scholarship, Regents’ and Chancellor’s Scholarship, Henry Holbrook Scholarship, James King Scholarship, Eisner Prize, Milton C. Witzel Memorial Prize, Rayson Huang Scholarship, CASH Best Commissioned Piece Award and the winner of the 1st Singapore Asian Composers Festival. Yip’s works are published by ABRSM (UK), BabelScores (France), Ablaze Records (US/ Australia) and Hong Kong Composers Guild. He is currently a lecturer at the Hong Kong Baptist University. Boo Chun-kit Chan Chin-ting Chan Ho-yi David Chan Kai-young Chris Hung Kwok Tsun-huen Lam Lai Lau Hiu-kong Livia Lin Lun Wai-kit Shao Litang Shuen Lai-yin So Ho-chi So Ka-wai Tam Ka-shu Joyce Tang Wong Chun-wai Wyman Wat Yau May-kay Austin Yip

《追趕人》 A Chasing Man 鄭錫楠（季軍） Cheng Sik-nam（2nd Runner Up) 鄭錫楠在香港出生和成長，他予2022年畢業於香港演藝學院音樂學院，主修作曲及電子音樂，師隨邱玉鳯博士（2018-2019）以及鄧慧中博士（2020-2022），在兩位老師的栽培下，鄭氏在作曲技巧、獨立思考和對藝術的看法得到獨到的個人風格。鄭氏予2022年為 JK & Ingrid Lee 創意項目基金的獲獎者，並且在2021/22年度獲得 ‘CASH Composition Scholarship’ 獲學金。 鄭氏致力探索不同型式的創作。在2022年，他參與由香港演藝學院戲劇學院學生演出的戲目《無病呻吟》作曲、填詞和鋼琴演奏的部分。他在2022年創作了一首管弦樂作品《亮紅新星》，以及在2020年為香港大學學生會編製學生會會歌。 他最近熱衷於演奏手碟並正尋找演出機會分享他的音樂。 Born and raised in Hong Kong, Cheng Sik-nam graduated from The Hong Kong Academy for Performing Arts in 2022, studying the Bachelor of Music (Hons.). He majored in composition and electronic music with Dr. Yau Yuk-fung in 2018-2019 and Dr. Joyce Tang in 2020-2022. Cheng’s composition techniques, critical thinking and the perspective of arts were cultivated during both doctor’s tutelage. He was an awardee of the JK & Ingrid Lee Foundation Creative Project Fund in 2022 and CASH Composition Scholarship 2021/22. Cheng aims to explore different form factors of creations. He was the songwriter, lyricist and pianist of Le Made Imaginaire, a drama show by HKAPA drama school, held in 2022 in Rita Tong Liu Drama Theatre, HKAPA. He composed an orchestral work Luminous Red Nova in 2022. He was the arranger of the Union Song for the Hong Kong University Student Union in 2020. He is currently having much passion on handpan and seeking opportunities to share his music. 人一生中，我們會自然地與別人比較，像是大中小學的學業成績、工作的事業發展，乃至結 婚生小孩，彷彿我們不斷追趕着一班列車，有人一早就登上了列車，亦有人仍拼命追趕着。 然而，我們都不知道這班列車的終點站在哪裏、哪裏有些甚麼、何時到達。那麼，我們到底 為了什麼如此拼命地追趕？為了別人的期望？抑或是自己為了不被別人超越？ 《追趕人》以快速而平穩的節奏模仿人類追趕列車的情境，從而反思自己的人生。 School’s academic results, career development at work, starting a family, these things we will undoubtedly be compared with others during our lifetime. Seemingly we are chasing a train endlessly that some maybe on board already but some haven’t. For the destination, things we will see in the terminal, time of arrival, we, however, know nothing about it. So, is it worth using lots of effort to chase it? Are we actually fulfilling people’s expectations? Or are we afraid of being chased by others? In a certain period of our life, we will know whether we take the right train or not. Ask yourself, what kind of thing means a lot to you? Is it wealth and power? Starting a family? Or is it pursuing a healthy physical and mental life? After all, it is our desire to decide where the terminal is and only yourself know about it. A Chasing Man uses a rapid and steady rhythm, depicting the scenario of people chasing a train and thus, reflecting our career. Back

CHOW Lora 周曉晴 Award-winning composer and coloratura soprano Lora Chow is celebrated for her cross-cultural musical innovation. Born in Hong Kong, she graduated magna cum laude from Yale University with a double major in Music and Economics, subsequently refining her craft under Hollywood composers Christopher Young, Patrick Kirst, and Lawrence Shragge. Chow’s pioneering compositions – spanning orchestral, chamber, vocal, and film genres have lyrical melodies in a unique voice. Her works have been premiered by the Hong Kong Philharmonic Orchestra (Exsultate, Jubilate , 2018; Sympathy, 2019; Awakening for Soprano/Piano/Harp and Orchestra , 2024; Sleepless Moon Medley , 2025), Orchestra della Toscana (film score The Notting Hill Finale ), Sofia Sinfonietta , and Budapest Scoring Orchestra . Universal Edition publishes her scores, while Prima Classic releases her piano recordings. Her major works include the musical Dr. Clown , the East-West opera Sleepless Moon , Cantonese opera Ambush from All Sides , and piano albums Reveries on Ivories and Pursuits from the Roots . Her accolades include the Chigiana Film Scoring Award for Best Storytelling (2024), CASH Golden Sail Award Top 5 Best Young Composer , Cole Porter Fellowship in Music and Theater , Anita Hewitt-Jones Composition Prize , and Louis Sudler Creative and Performing Arts Award . Chow was the former Associate Music Director at Shanghai Disney . She appears as Soprano Fellow with the Hong Kong Philharmonic Orchestra . Her operatic roles have included Cherubino (Le Nozze di Figaro ) and Isabella (L ’Italiana in Algeri ). She toured across continents with Yale Schola Cantorum under Maestro Masaaki Suzuki and Simon Carrington. Chow has co-founded Virtuoso Fiesta and the Yale Alumni Chamber Music Society of Hong Kong , serves as Vice-Chairwoman of SingFest , and is a member of the Hong Kong Government ’s LCSD Programme and Development Committee . 屢獲殊榮的作曲家暨花腔女高音周曉晴，以開創性的跨文化音樂創作馳譽國際。香港出生，以優等榮譽畢業於耶魯大學音樂及經濟雙學系，師承荷里活配樂大師Christopher Young、Patrick Kirst及Lawrence Shragge精研作曲。 周氏的音樂創作橫跨管弦樂、室樂、聲樂及電影音樂，更開創中西融合歌劇。作品由香港管弦樂團（《喜悅・歡欣》2018、《同情》2019、《春臨大地》2024、《蔽月無眠組曲》2025）、意大利托斯卡納樂團（電影配樂《諾丁山戀曲》）、保加利亞索非亞小交響樂團及布達佩斯影視樂團等國際級樂團首演。樂譜由環球出版社（Universal Edition）發行，鋼琴專輯經Prima Classic製作。主要作品包括音樂劇《小丑醫生》、中西歌劇《蔽月無眠》、粵劇《十面埋伏》及鋼琴專輯《心韻》和《本韻》。 榮獲基賈納國際電影配樂獎「最佳敘事獎」 (2024)、CASH 金帆音樂獎「最佳年輕作曲家正統音樂作品」五強、科爾・波特音樂戲劇獎學金、安妮塔・休伊特- 瓊斯作曲大獎及路易斯・蘇德勒創意表演藝術獎等獎項。 周氏曾任上海迪士尼副音樂總監，現為香港管弦樂團女高音團員。歌劇角色涵蓋莫札特《費加羅的婚禮》凱魯比諾及羅西尼《阿爾及利亞的意大利女郎》伊莎貝拉，並隨耶魯Schola Cantorum合唱團巡演歐亞美。 周氏聯合創辦樂鑽會及耶魯大學香港室樂社，現任聲蜚合唱節副主席及香港康樂及文化事務署節目及發展委員會委員。 MAJOR WORKS 主要作品 MAJOR WORKS (Updated in Sep 2025) Orchestra The Clown Song (2025) The Unfulfilled Dream (2025) The Weight of Control (2025) The Parting Song (2025) A New Embrace (2025) Sleepless Moon Medley (2025) L’Acqua (2024) The Notting Hill Finale (2024) The Artists’ Playground (2024) Awakening for Soprano/Piano/Harp and Orchestra (2024) The Lost Inner Child (2023) Sympathy for Soprano and Orchestra (2019) Exsultate, Jubilate for Soprano and Orchestra (2018) The Colours of Life (2018) Maldives (2015) The Wedding Gift (2015) Symphonic Band The Adventure to Glory (2025) Commemoration: A Tribute to Maestro Lai (2024) Strings Orchestra The Summer of Hong Kong (2025) Follow your Heart (2023) Opera Arias Sleepless Moon (2024) Love At First Sight (2024) Fluttering Heart (2024) Cantonese Opera Ambush from All Sides (2025) Battle Dance (2025) Immortal Renown (2025) Song of Chu (2025) Song of Gaixia (2025) Lament of The Conquered Earth (2025) Crimson Currents (2025) Ensemble with Chinese and Western Instruments Fantasyland (2025) The Metropolitan Kaleidoscope of Hong Kong (2024) The Flower Princess (2024) Chamber Our Voices Rise In Song for Three Sopranos, Mezzo-Soprano and Piano (2024) The Olympics Trio for Trumpet, Viola and Piano (2023) Virtuoso Fiesta for Four Violins and Bass (2023) Winter Septet (2023) En Voyage for Clarinet and Piano (2023) Piano Quartet “Friends” (2023) Trauma-Bonded for Cello and Piano (2022) The Wind from East to West for Flute, Clarinet, Violin and Piano (2019) Sea Waltz for two clarinets, violin, cello and four-hand piano (2017) Varna for flute, bass clarinet, marimba, violin, cello, double bass and piano (2015) Sonata for Violin and Piano (2011) Vocal Selig sind die Toten (2023) Rhapsody on the Return of the Violin for Soprano and Violin (2023) Paint my Shadow in the Sunlight (2023) With Love, this Special Day (2021) Fireworks (2021) Can or Cannot? (2021) Piano Silent River (2025) Hydrangea (2025) Dokodemo Door (2025) Uncharted (2025) The Music Says It All (2025) Paperflower (2025)The Moon’s Gaze Upon The Deep (2024) Caprice (2024) Wonder and Ponder (2024) Happy 90th Birthday, Mr. Steiner! Equanimity (2024) Zen (2024) Morning Dew (2024) Fire in the Waves (2024) Iceland Suite (2024) Prescription (2023) Steps Through the Darkened Path (2023) A Wanderlust at the Parisi Udvar (2023) Paracetamol (2023) The One Season of Hong Kong (2023) Love Yourself And Dream Big (2023) Wonders of the Woods (2023) To Heal is to Feel (2023) Waterfalling (2023) Bank Run Rhapsody (2023) Love Knows No Boundaries (2023) When Magic Happens (2023) Ballet of the Stars (2022) All I want for Christmas is Yoga (2022) Light at the End of the Tunnel (2022) Upside Down (2022) Nazar (2022) Prayer for Healing (2022) Lesson (2022) Blessings (2021) The Un-lovable One (2021) A Merry Little Christmas at Home (2020) Together (2020) Cul-de-Sac (2020) A Midnight Stroll (2020) The Angel of Light (2020) Prayer for the World (2020) The Coronavirus (2020) Nostalgia (2015) A Boy is Born (2007) First Light (1996) Harp Kung Hei Fat Choy! (2021) 主要作品 (更新於2025年9月) 管弦樂 小丑之歌 (2025) 未完之歌 (2025) 生舊叉燒 (2025) 言訴無遺 (2025) 同行之歌 (2025) 水色粼粼 (2024) 諾丁山戀曲 (2024) 藝術遊樂場 (2024) 春臨大地 (2024) 內心迷途 (2023) 同情 (2019) 喜悅．歡欣 (2018) 生命的色彩 (2018) 馬爾代夫 (2015) 結婚禮物 (2015) 管樂 拼勁 (2025) 銘刻心中 (2024) 弦樂 夏港 (2025) 心之所往 (2023) 音樂劇 小丑醫生 (2025) 歌劇詠歎調 蔽月無眠 (2024) 一眼便永恆 (2024) 心動 (2024) 粵劇 十面埋伏 (2025) 垓下戰雲 (2025) 百世流芳 (2025) 楚歌 (2025) 垓下歌 (2025) 漢兵已略地 (2025) 碧血傾江 (2025) 中西樂合奏 夢幻世界 (2025) 都市萬象 (2024) 帝女花隨想曲 (2024) 室樂 高歌心願 (2024) 奧運三重奏 (2024) 演藝聯歡 (2024) 冬日七重奏 (2023) 踏浪尋夢 (2023) 鋼琴四重奏「朋友」(2023) 創傷羈絆 (2022) 東風西漸 (2019) 深海華爾茲 (2017) 瓦爾納 (2015) 小提琴奏鳴曲 (2011) 聲樂 福臨逝者 (2023) 小提琴的自白 (2023) 日光下的彩色影子 (2023) 這日結婚見證著你 (2021) 煙花婆婆 (2021) 可以嗎？ (2021) 鋼琴 墨川 (2025) 繡球花 (2025) 隨意門 (2025) 輿圖之外 (2025) 樂語情深 (2025) 簕杜鵑 (2025) 明月深眸 (2024) 隨性美 (2024) 深思．奇想 (2024) 壽比南山 (2024) 靜水深流 (2024) 禪心如水 (2024) 露韻清晨 (2024) 浪間烈焰 (2024) 冰島組曲 (2024) 藥方 (2023) 暗徑行 (2023) 巴黎庭院酒店 (2023) 止痛良方 (2023) 一季．香港 (2023) 自愛夢遠 (2023) 森林浴 (2023) 癒．感 (2023) 瀑布奔流 (2023) 崩盤狂想曲 (2023) 愛無邊 (2023) 奇幻時刻 (2023) 星空芭蕾舞 (2022) 聖誕瑜珈 (2022) 隧道末 (2022) 顛倒 (2022) 納扎爾護身符 (2022) 阿Mo代禱 (2022) 成長的一課 (2022) 幸福的恩賜 (2021) 不．可愛 (2021) 在家過聖誕 (2020) 同行 (2020) 掘頭路 (2020) 寂夜漫步 (2020) 天使燭光 (2020) 為世界祈禱 (2020) 新冠病毒 (2020) 心系往昔 (2015) 誕生 (2007) 初曉 (1996) 豎琴 恭喜發財！(2021) Back