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YU Chiu-for 余昭科 MAJOR WORKS 主要作品 Back

YIP Shu-kin Stephen 葉樹堅 Stephen Yip’s music have been described as post-modernist in style, with Asian roots, gives the inner colors of an advanced spatial sense....... Yip was born in Hong Kong and now living in U.S.A. He received his doctor of musical arts (D.M.A.) at Rice University and bachelor of fine arts (B.F.A.) at the Hong Kong Academy for Performing Arts, studied with Law Wing-fai, Clarence Mak, and Arthur Gottschalk. He has attended major music festivals including: Wellesley Composers Conference, Aspen Music Festival, Asian Composers’ League, ISCM World Music Days, Chinese Composers’ Festival, IMPULS Ensemble Akademie, Luxembourg, the International Summer Course for New Music, Darmstadt, Germany, Wellesley Composers’ Conference. Residencies include: the Atlantic Centre for the Arts, Yaddo Colony and MacDowell Colony. Yip’s works have been performed in the Asia, Europe and America. He has received several composition prizes, included “Salvatore Martirano Memorial Composition Award”, “Taiwan Music Center International Composition Prize”, “Robert Avalon International Prize”, “Singapore International Composition Competition for Chinese Orchestra”, the ALEA III composition Competition, and the 2010 Alvarez Chamber Orchestra Freestyle Composition Competition, London, England. His works are recorded in the ERM-Media, PARMA, Capstone, North South recording, Ablaze records, ATMA Classique, and Beauport Classical labels. Yip is a member of the SCI, NACUSA, and ASCAP. Currently, he is on the music faculty at Houston Community College and works as a freelance composer. 葉樹堅出生於香港，現居美國。畢業於香港演藝學院及美國賴斯大學。他曾參加Aspen音樂節、亞洲作曲家同盟、加州E.A.R.作曲家研討會及捷克第十三屆國際夏日節，亦曾於佛羅里達州的亞特蘭大藝術中心、內布拉斯加州的甘姆哈丁尼爾遜藝術中心及弗吉尼亞州創意藝術中心擔任駐場藝術家。 他的作品曾於美國、歐洲及亞洲演出。曾獲得的作曲獎項包括Salvatore Martirano 紀念國際作曲獎、新加坡中國樂隊國際作曲獎、2011年臺灣音樂中心TMC國際作曲大賽, Isang Yun國際作曲比賽入選獎等。他的作品經ERM-Media、PARMA、North South recording、ATMAClassical及Beauport Classical等品牌灌錄發行。 葉氏曾跟多個著名樂團合作。包括香港中樂團、香港小交響樂團、香港無極樂團、新加坡中樂團、台灣十方樂集、美國Wellesley Composer Conference Ensemble、North/South Consonance、聖保羅室樂團、瑞典Curious Chamber Players、德國Ensemble El Perro Andaluz、韓國TIMF Ensemble、盧森堡Sinfonietta及俄羅斯新音樂團等。 葉樹堅是作曲家協會 (SCI) 及香港作曲家及作詞家協會成員，現任教於侯斯頓社區學院音樂系及自由作曲家。 MAJOR WORKS 主要作品 Orchestral / Large Ensemble (Western) In a Silent Way (2014) for String Ensemble Mantra 真言 (2013) for Wind Ensemble Performed by Hong Kong Band Directors Wind Orchestra, conductor: Stephen Yip ; Tsuen Wan Town Centre, Hong Kong, 2013 Postlude: Etenraku (2012) for Wind Ensemble Performed by EKU Wind Ensemble, conductor: David Clemmer Gifford, EKU Richmond, Kentucky, 2013 The Luminous Mystery (2011) for violin and orchestra Realm of the Immortals (2012) for Chamber Orchestra, Performed by Wellesley Composer Conference Ensemble, conductor: James Baker. Reverberation II (2011) for 12 players Performed by North South Consonance Chamber Orchestra, conductor: Max Lifchitz; Christ and St. Stephen’s Church, New York, NY, 2011 Reverberation (2010) for 10 players Performed by Composers Guild Ensemble, conductor: Richard Tsang; Loke Yew Hall, University of Hong Kong, 2012. White Porcelain (2010) for violin and ensemble (10 players) Performed by El Perro Andaluz Ensemble, solo violinist, Emily Yabe; Internationales Musikinstitut Darmstadt, Germany, 2012. Flying Ink (2010) for chamber orchestra Performed by Hong Kong City Chamber Orcheestra, Hong Kong City Hall, Hong Kong, 2010 Ink. Color (2010) for chamber orchestra Performed by Hong Kong Sinfonietta; Hong Kong City Hall, 2014 The Legendary Phoenix (2009) for Piano and Orchestra Performed by Taipei National University of the Arts Orchestra, Solo pianist: Mei-Ling Chien, conductor: Tien-Chi Lin Asian Composers League Conference and Festival Spirit Labyrinth II (2009) for Harp and String Orchestra Performed by North South Consonance Chamber Orchestra, Solo harpist: Megan Levin, conductor: Max Lifchitz Merkin Concert Hall, New York, NY, 2010 Fragrance of Baekje (2009) for full orchestra Performed by Ensemble TIMF, conductor: Soo-Yeoui Choi Seoul Art Center, Korea, 2011 Six Paths (2007) for 13 players Performed by Luxembourg Sinfonietta, conductor: Marcel Wengler Centre des Arts Pluriels Ed. Juncker, Luxembourg, 2008 Shadow of Golconda (2006) for 15 players Performed by ALEA III Contemporary Music Ensemble, conductor: Theodore Antoniou; TSAI Performance Center, Boston, MA, 2007 Orchestral /Large Ensemble (Chinese) Serene Haven 浮 . 憶 (2015) for large Chinese ensemble of 13 players Soundscape: “Fa Chang” 法常響景 (2011) for Chinese Chamber Orchestra Performed by Hong Kong Chinese Orchestra, conductor: Hee Chiat Chew; Sheung Wan Civic Centre Theatre, Hong Kong, 2011 Nine Actors 九角子 (2011) for Chinese Orchestra Performed by Singapore Chinese Orchestra, conductor: Tsung Yeh; SCO Concert Hall, Singapore, 2011 Chamber (Western) Tranquility in Consonance (2016) for flute, saxophone, bassoon and piano Insight II (2015) for flute, bass clarinet, violn, cello and piano Performed by New York New Music Ensemble, Buffalo, NY, 2015 Fantasy on Green Island 綠島幻想曲 (2014) for violin, cello and piano Peace of Mind (2014) for bass clarinet, baritone saxophone and piano Insight (2014) for viola, cello and piano *Commissioned by Hong Kong Composers’ Guild In Seventh Heaven (2014) for saxophone, double bass and piano Hermit (2014) for 8 players of flute, clarinet, 2 violins, viola, cello doubla bass and piano Performed by Ensemble Eclat, Sai Wan Ho Civic Centre, Hong Kong, 2014 Distant Voices (2013) for String Quartet Performed by Quatetto Ascanio, Palagio de Parte Guelfa, Florence Italy, 2013 Silent Wind (2011) for viola, guitar, and vibraphone Performed by Curious Chamber Players; Internationales Musikinstitut Darmstadt, Germany, 2012 Dark Side of the Shadows (2011) for bass clarinet, cello and piano Performed by Illnois Modern Ensemble, Krannert Center for Performing Arts, 2012 Time and Tide (2010) for trombone and percussion (1 player) Performed by Ryan Rongone, trombone and Jack Westmoreland, percussion; 14 Pews, Houston Composers Salon concert, 2014 Basho’s Six Scenes (2010) for shakuhachi, 2 violins, viola, and cello Performed by Tajima Ken-ichi, shakuhachi and AMF String Quartet; Asian Music Festival, Tokyo Japan, 2010 Echo of Basho’s Voices (2010) for flute, violin, cello, and piano Performed by Festival New Music Ensemble, The 10th Annual Festival of Contemporary Music, 2012 Yugen III (2009) for alto (tenor) saxophone, Bb (bass) clarinet, and piano. Performed by Thelema Trio, SCI National Conference, South Carolina, 2010 Black, Wood, Silence, Color (2009) for erhu, guzheng, flute, bass clarinet, accordion, violin, cello and percussion. Performed by Luxembourg Sinfonietta and guest players; Abbaye de Nemunster, Luxembourg, 2009 Reflection on Klee’s Ancient Sound (2009) for Oboe, Bassoon, Viola, and Guitar Performed by Ensemble Sortisatio, Musicarama New Music Festival, Hong Kong, 2009 Yûgen (2008) for Flute (Piccolo), Bb Clarinet (Bass Clarinet), Cello, and Piano *Commissioned by San Francisco Chamber Mix ensemble Performed by Foundation for Modern Music Ensemble The Museum of Fine Arts, Houston Texas, 2013 Hundun (2008) for Harp and Double Bass Performed by Megan Levin, harp and Shawn Conley, double bass Christ and St Stephen’s church, New York, NY, 2009 Karma II (2008) for Flute, Bass Clarinet, Piano, Guitar, Percussion, Violin, Cello and Double Bass Performed by Juventas New Music Ensemble, Boston, MA, 2007 In the Garden (2007) for Flute, Bass Clarinet, Piano, 2 Violins, Viola, Cello, and Double Bass. Performed by Ensemble Be, Asian Contemporary Music Festival, Seoul, Korea, 2009 Karma (2007) for Flute, Bass Clarinet, Piano, Violin, Cello, and Percussion Performed by E.A.R. UNIT New Music Ensemble, Arcosanti, Arizona, 2007. Beautiful Mind (2006) for String Quartet *Commissioned by Creator of Music Performance Organization Gorintou, Five Rings Pagoda (2006) for Flute, Bass Clarinet, Piano, Violin, Cello, and Percussion. *Commissioned by Hong Kong Composers’ Guild Chamber (Mixed or Chinese) Ding II (2016) for guzheng and string quartet Ding 鼎 (2015) for double bass and guzheng Betweem the Lines II《兩線之間 II》(2013) for 12 mixed wester and chinese instruments Performed by Chinese Virtuosi and Ensemble Amici, conductor: Kuok-man Lio Sheung Wan Civic Centre, Hong Kong, 2013 Message from the Wind《秋月涼風》(2012) for seven Chinese Instruments Performed by Dingyi Music Ensemble, Singapore Conference Hall, Singapore, 2013 Awaiting the Dawn《群鶴待曉》(2011) for seven Chinese instruments Performed by Forum Music Ensemble, Soochow University Performing Arts Center; Taipei, Taiwan, 2012 By the Lotus Pond《蓮葉清響》(2010) for Wuji (Yuan) Ensemble Performed by Wuji Ensemble, Kwai Tsing Theatre, Hong Kong, 2013 Solo Music Jasmine Bloosom (2015) for piano A Spring Morning 曉春 (2015) for flute Ran 然 (2014) for Guzheng Performed by Yu-cheng Wang, Roadhouse Community Arts Center, Vancouver, Canada, 2014 Hui 匯 (2012) for flute Performed by Elizabeth Talbert, Community Music Center, San Francisco, California, 2013 Color. Valley (2010) for Cello Performed by Christophe Mathias GroBer Akademie fur Tonkunst, Darmstadt, Germany, 2010 Spirit Labyrinth (2009) for Harp Performed by Jasmie Hogan, Simon Music Center, Indiana University, Bloomington, Indiana, 2010 Sunflower (2008) for Trombone Performed by Aubrey Tucker, Spring Composers’ Concert, Houston Community College, Houston, Texas, 2013 Vocal / Choral Canción Cantada (2015) for voice, flute and harp Autumn Colors (2012) for soprano, guitar and cello Performed by Great Noise Ensemble, Ward Hall, Washington, D.C., 2013 Moonlight II (2008) for Mezzo Soprano, Violin, Cello and Piano Performed by HCC music faculty, HCC faculty recital, 2011 Discography “The Luminous Mystery” for solo violin and orchestra, on the CD, “Turbulent Sky” by Navona Records. Recorded by Moravian Philharmonic Orchestra, Vit Mužik (solo violin), Petr Vronsky, conductor. more information: http://www.navonarecords.com/catalog/nv6012/ “Dark Side of the Shadows”, Composer: Stephen Yip, by Ablaze Records. more information: http://www.ablazerecords.netStephen_Yip_Dark_Side_of_the_Shadows.html “Hui”, solo flute on the CD, “Millennial Masters vol. 4” by Ablaze Records. Recorded by Izumi Miyahara. more information: http://www.ablazerecords.net/millennial_vol4.html “Sunflower”, trombone solo on the CD, “Paper Clips” by Navona Records. Recorded by Andrew Malloy, trombonist. more information: http://www.navonarecords.com/ “The Legendary Phoenix”, piano and orchestra on the CD, “Fire and Time” by Navona Records. Recorded by Moravian Philharmonic Orchestra, Martin Levicky (piano solo), Petr Vronsky, conductor. more information: http://www.parmarecordings.com/ “Spirit Labyrinth II”, harp solo and chamber orchestra on the CD, “Crosscurrents” by North South Records.Recorded by Megan Levin, harp solo and North/South Chamber Orchestra, Max Lifchitz, conductor. more information: http://www.northsouthmusic.org/default.asp “Yûgen III”, chamber music on the CD, “Millennial Masters vol. 2” by Ablaze Records. Recorded by Thelema Trio. more information: http://www.ablazerecords.net/millennial_vol2.html “In the Garden”, chamber music on the CD, “Millennial Masters vol. 1” by Ablaze Records. Recorded by TIMF Ensemble, Christopher Lee, conductor. more information: http://www.ablazerecords.net/millennial_vol1.html “Gorintou - Five Rings Pagoda”, chamber music on the CD, “Mosaic” by Navona Records. Recorded by Musica Nova New Music Ensemble, Lee Hartman, conductor. more information: http://www.navonarecords.com . “Shun”, flute solo and strings on the CD, “Sound Paintings” by North South Records. Recorded by Lisa Hansen, flute and North/South Chamber Orchestra, Max Lifchitz, conductor. more information: http://www.northsouthmusic.org/default.asp “Hundun”, harp and double bass on the CD, “Ghosts” by Beauport Classical Records. Recorded by Megan Levin, harp and Shawn Conley, double bass. more information: http://www.beauportclassical.com/Beauport_Classical/In_Concert_Series.html “Raining in Autumn”, violin and orchestra on the CD, “Mementos” by Navona Records. Recorded by Moravian Philharmonic Orchestra, Vit Micka, conductor and Ondrej Lebr, violin solo. more information: http://www.navonarecords.com “Yi Bi”, String Quartet on the CD, “Concours Molinari 2005-2006” by ATMA Classique records. Recorded by Molinari String Quartet. more information: http:/ www.quatuormolinari.qc.ca/ “Novela”, Orchestra on the CD, “Masterworks of the New Era vol. 11” by ERM media records. Recorded by Kiev Philharmonic Orchestra, Robert Ian Winstin, conductor. “Six Paths”, Sheng and 11 players on the CD, “Luxembourg Sinfonietta International Composition Prize 2008”, by Editions LGNM No. 408. Recorded by Wu Wei, solo Sheng and Luxembourg Sinfonietta, Marcel Wengler, conductor. “Karma III”, Octet on the CD, “Millennium Project: Made in the Americas”, by ERM media records. Recorded by Millennium Symphony, Robert Ian Winstin, conductor. “Shadow of Golconda III”, Chamber orchestra on the CD, “Masterworks of the New Era vol. 14”, by ERM media records. Recorded by Kiev Philharmonic Orchestra, Robert Ian Winstin, conductor. Back

MAK Clarence 麥偉鑄 Clarence Mak was born in Hong Kong. After graduated from the Chinese University of Hong Kong and the Pennsylvania State University in USA, he returned to Hong Kong with his master degree, as a free-lance composer giving talks and workshops in arts institutes and organizations. He joined the music Faculty of the Hong Kong Academy for Performing Arts, teaching composition, electronic music and theory, studied music programming at Stanford University's Center for Computer Research in Music and Acoustics, and was invited to be the visiting artist at the University of Missouri at Kansas City Conservatory of Music, and the teaching professor in the International Summer Course in Monthureux Le Sec in France. Mak is a founding member of the Academy Electronic Music Studio. His compositions have been featured in concerts locally and internationally, such as Contemporary Music Festival in London, the International Computer Music Symposium in Taiwan, ISCM New Music Festivals in Romania and Hong Kong, ICMC Computer Music Festival in Beijing and Hong Kong, Electronic Music Festival in USA, Percussion Music Festival in Germany, and ACL Music Festivals. Mak was the secretary, the treasurer, and Vice Chairman of the Hong Kong Composers' Guild from 1987 to 2008 respectively and now is the council director. He has been invited to be the adjudicator for international composers’ competitions, and the chief delegate to present Hong Kong composers' works in the Asian-Pacific Music Festivals, the International Rostrums, and the ISCM Festivals. Clarence Mak is currently Head of Composition and Electronic Music at the Hong Kong Academy of Performing Arts. 麥偉鑄出生於香港。畢業於香港中文大學和美國賓夕法尼亞州立大學，獲碩士學位後回港，以自由職業作曲家身份到多個院校及藝術機構講學和舉辦創意音樂工作坊。其後受聘於香港演藝學院，教授作曲、電子音樂和理論。曾多次到史丹福大學電腦音樂中心(CCRMA)研究音樂程式編寫及聲響學，並獲密蘇里大學堪薩斯城音樂學院邀請為訪問藝術家，及於法國索恩皮尼勒塞克國際夏日音樂營教授作曲。於1990年創辦了香港演藝學院的電子音樂室。 作品常發表於本地和海外的音樂會、音樂節、和研討會。於1987至2008年間分別曾任香港作曲家聯會秘書、司庫和副主席，現為理事，推廣音樂創作。多次獲邀擔任國際作曲家比賽評判、國際電腦音樂會議的選曲委員、及代表香港出席亞太音樂節、國際現代音樂節、國際作曲家會議。 麥氏現任香港演藝學院作曲及電子音樂系主任。 MAJOR WORKS 主要作品 Back

IP Mun-wa 葉滿華 Ip Mun Wa, graduated a Master of Art in Music from Chinese Univesity of Hong Kong and Bachelor of Education (Honors) from Hong Kong Institute of Education. He studied composition under the guidance of Dr. Lai Sheung-Ping. Ip has awarded the Champion of Music Lesson Planning Competition held by Hong Kong Association for Music Education, 2nd running up of the Chinese Music Composition Contest at Hong Kong Music Festival, winner of the HKIED’s Artistic Excellence Award (Academic)(2008) and finalist in HKIED’s Artistic Excellence Award (2006-08). IP is current working as Music Teacher, member of Hong Kong Composers’ Guild and Composers and Authors Society of Hong Kong Limited. 葉滿華，畢業於香港中文大學音樂文學碩士及香港教育學院音樂教育榮譽學士，主修音樂教育及鋼琴，師隨黎尚冰博士作曲。葉氏曾獲在香港音樂教學課堂設計大賽冠軍、香港校際音樂節中樂作曲公開組季軍、香港教育學院體藝學系學業成績優異獎，其作品更三度入選香港教育學院優秀藝術獎（作曲）總決賽。葉姓氏現為中學教師，並為香港作曲家聯會（HKCG）、香港作曲及作詞家協會（CASH）會員。 MAJOR WORKS 主要作品 Chamber (Western) Funny (2009) 3' for violin, flute and piano Sob (2007) 5' for ob, cl & bn The Life of Thief (2007) 2'30" for pf, vn & cl Inside of the Heart (2007) 10' for wind band The Poem of the Everlasting (2006) 5'30" for pf, vn & vc Chamber (Chinese) A Pearl in the Night (2008) 2'30" for pipa, xiao, ruan, zhong ruan and da ruan Sheung River (2006) for erhu, pipa, di & zheng Instrumental Solo Devil's Romance (2007) 5' for pf Sheung River (2006) 3' for di Vocal / Choral A Song of Scout (2007) 2' for pf & vocal Music for Theatre / Drama Music for Drama – ‘San Mei’: Fire (2008) Route 2' for piano Love of the Music Box 2' for music box Etude for San Mei 2' for piano A Guitarist in the beach 2' for guitar Falling Leaves 2' for electric piano Waiting 2' for electric piano A triumphant return 2' for electric piano Music for Musical ‘玩．一換’ (2008) Motivation of Happiness 2'30" for orchestra Happy Clown 2' for 3 vocalists, clarinet, horn and mixed music 室樂（西樂) 歡樂 (2009) 3' for violin, flute and piano 泣 (2007) 5' for ob, cl & bn 小偷的一生 (2007) 2'30" for pf, vn & cl 心奈 (2007) 10' for wind band 永遠的變奏詩 (2006) 5'30" for pf, vn & vc 室樂 (中樂) 夜鳴珠 (2008) 2'30" for pipa, xiao, ruan, zhong ruan and da ruan 湘江水逝楚雲飛 (2006) for erhu, pipa, di & zheng 獨奏曲 魔鬼的浪漫 (2007) 5' for pf 湘江水逝楚雲飛 (2006) 3' for di 聲樂 / 合唱 童軍頌 (2007) 2' for pf & vocal 劇場音樂 戲劇《三妹》之配樂：焯 (2008) 路線 2' for piano 音樂盒之戀 2' for music box 三妹之練習曲 2' for piano 海灘上的結他手 2' for guitar 落葉 2' for electric piano 等待 2' for electric piano 回來 2' for electric piano 音樂劇《玩．一換》 (2008) 快樂動機 2'30" for orchestra 快樂小丑 2' for 3 vocalists, clarinet, horn and mixed music Back

SHIU Wai Yau William 邵偉祐 SHIU Wai Yau, William is a Hong Kong-born composer, conductor and performer of piano, clarinet and French Horn. William obtained a master’s degree in music composition under the guidance of Jesse Broekman at KASK & Conservatorium, Ghent, Belgium. He obtained a Bachelor of Arts degree in Music Composition from Hong Kong Baptist University, studying from Christopher Keyes and Camilo Mendez. William’s compositions span a wide range of genres from chamber ensembles, orchestra, open-form to multimedia works. His music has been performed and exhibited in Hong Kong, Netherlands, Belgium, Portugal, etc. Ensemble/organisation William have collaborated with including K622 Clarinet Ensembles (Hong Kong)、Orkest de Ereprijs (Netherlands)、Cello Wercken Zutphen (Netherlands) and Peter Benoit Fonds (Belgium). In 2024, he was awarded the Ereprijs Xtra commission to compose a new work for the 2025 Andriessen Festival. In addition to composing, William has studied orchestral conducting with CHOI Ho Man and Kristiina Poska at HKBU and KASK & Conservatorium respectively. He participated the conducting masterclass by Symfonie Orkest Vlaanderen (Belgium). He is also actively involved in conducting new music and is an accomplished arranger of folk music and popular works from Hong Kong and Belgium. Ensemble William have arranged for including Men of Winds, Shinywinds, Cyber Symphonic Winds, Sforzando Wind Ensemble (Hong Kong), Gents Universitair Harmonie Orkest (Belgium). William was the young ambassador of Belgian National Orchestra in 2023-24 for the promotion of classical orchestral music. In 2025 he formed 'The Maniacs'. The ensemble Interprets any crazy ideas 'hilariously but seriously' from sound-based performances. They regularly perform innovative and bold contemporary music works around the world, alongside new compositions by local composers. It is a platform to promote their music and offers a broader artistic vision to the audience. 邵偉祐是香港作曲、指揮家，以及鋼琴、單簧管和法國號樂手。邵氏畢業於比利時根特藝術學院作曲碩士及香港浸會大學音樂文學士（作曲主修），在校分別師承Jesse Broekman、祈道緯教授和Camilo Mendez。 他的作品涵蓋室內樂、管弦樂、開放形式作品、到多媒體作品等多種聲音創作種類，並曾於香港、荷蘭、比利時、和葡萄牙等地展出或演出。合作過的團體包括K622 Clarinet Ensembles (香港)、Orkest de Ereprijs (荷蘭)、Cello Wercken Zutphen (荷蘭)及 Peter Benoit Fonds (比利時)等。2024 年他更獲得荷蘭現代音樂樂團Orkest de Ereprijs委約，於2025年Andriessen Festival中創作全新管弦樂作品。 作曲以外，偉祐曾師承蔡浩文先生及Kristiina Poska學習管弦樂團指揮，並曾參與Flanders Symphonic Orchestra指揮大師班（比利時），他熱衷於指揮當代音樂及改編香港和比利時的流行音樂與民歌，其曾經合作之樂團包括五十男樂團、眾樂團、香港網樂管樂團、聲大夾樂管樂社（香港）、根特大學管樂團（比利時）等。在比利時留學期間他曾於Belgian National Orchestra擔任青年大使，推廣管弦樂團音樂。 於2025年由他所成立之「香港狂人樂團」，以「狂而不妄」為原則，透過聲音為主的演出，認真地表達各種天馬行空的想法。樂團定期演奏世界各地創新而大膽的當代音樂作品，結合本地作曲家全新作品，提供一個平台推廣他們的音樂，為觀眾帶來更廣闊的藝術視野。 MAJOR WORKS 主要作品 26. Stop it. Get Some Help (2025) Full Orchestra (2.0.2.0. - 2.2.2.1 - pno. - 2 perc. - E. Bass - E. Guitar - Accordion - Sopr. - Strings 2.2.2.2.1) 25. 跳飛機 Hopscotch (2025) (Fl. doub. Picc., Ob., A/T/Bari Saxo., Tbn. and piano (Bird Call + Rainstick optional) 24. Wah! Wahh~! Waaaaahhhhhhh~~~!!! ( Inspired by the game Bing Baang Wah/ 砰 嘭哇) (2025) (6'00") (Bb/A Cl., Fl./Pic./A. Fl., Ob., S/T/Bari Saxo., Tbn. and Piano) 23. The Last Word by Qu Yuan (2025) (5'00") (A. Fl., Ob., Bari. Sax., Hn., B. Tan., 2-channel Audio Tape and Bird Call (Optional) 22. Troublesome Brothers (2025) (6’00”) (Fl. doub. Pic. + Tba.) 21. Churrr~ (2024) (6’00”) (5 Cellos) Recording: https://youtu.be/uhaYsJANKO8 20. Auntie, I don’t want to work hard anymore (2024) (5’45”) (Fl., A. Sax., Accordion, Perc., Vln., Vla.) Recording: https://youtu.be/hrnfTb4GQpU 19a. Poo-Wee-Pee (2024) (11’) (Scene for 4 percussionists) Recording: https://youtu.be/rhyfy6CcVJU 19b. Poo-Wee-Pee (2024) (5’30”) (Scene for clarinet trio) Recording: https://youtu.be/eWXNY5uynIs 19c. Poo-Wee-Pee (2024) (7’) (Scene for improvisation with choreography) Recording: https://youtu.be/JFbegeyzSzY 19d. Poo-Wee-Pee (2024) (12’30”) (Scene for improvisation with animation) Recording: https://youtu.be/Pz8qgzk5I7M 19e. Poo-Wee-Pee (2024) (5’30”) (Scene for solo vocalist) Recording: https://youtu.be/SxLHImOhs4I 19f. Poo-Wee-Pee (2024) (5’05”) (Video installation) Video: https://youtu.be/7nTd_lsEc3s 18. ITTI (2024) (3’20”) (2 Fl., Cl., Tpt., Hn., 2 Tbn., Tuba, 2 Sax., Perc., E. Guitar., E. Bass, Piano) Recording: https://ereprijs.bandcamp.com/track/william-shiu-itti https://youtu.be/gH7G5aNQ9Kc 17. Decomposition (2024) (2’50”) (Cl., 2 Vln., 1 Vla., 1 Vlc.) Recording: https://youtu.be/xjED8pa3mCs 16. Communication Error (2023) (16’) (Planned improvisation featured electromagnetic microphones & HAIRDRYERS) Recording: https://youtu.be/-7X0GhQH_uM 15. KeuCeoiChen (2023) (14’32”) (Electro-acoustic composition) Recording: https://youtu.be/RlJ9xUsS46E 14. The Secret of My Family (2023) (8’45”) (Open-form work for any 4 groups of instrument) Recording: https://youtu.be/jJIVsCHm-Lk 13. Vibrastar (2023) (4’15”) (for 2 percussionists) Recording: https://youtu.be/VjrbD1VaFJA 12. London Bxtch’s Falling Down (2023) (4’15”+) (Saxophone Ensemble, 2S2A2T2B) Recording: https://youtu.be/ojHSRaZe_ZA 11. Peristalsis (2022) (8’) (Solo French Horn) Recording: https://youtu.be/smIflxs77Sg 10. Sound of Monkeys from HKZBG (2022) (2’) (Soundscape work) Recording: https://youtu.be/8VbnPUlfDiI 9. Resonance (2022) (2’45”) (solo soprano) Recording: https://youtu.be/VNbS8GaypcI 8. 13-Orphans 十三么 (2022) (10’) (Percussion quartet) Recording: https://youtu.be/7-zm7Cq9ADM 7. Stay or Get Away? 是走?是留? (2022) (5’15”) (String Quartet) Recording: https://youtu.be/GWqn31VGMio 6. The Last Moments of Ma Shi Po 馬屎埔的最後歲月 (2022) (5’) (Video installation with optional flute) Video: https://youtu.be/HbSW--m3L9c Video with flute: https://youtu.be/2zU16NekWN8 5. Who is the Leader? 估領袖 (2021) (8’) (Open-form work for any 4 groups of instrument) Recording: https://youtu.be/vhtxUjZXMas 4. War in the Future (2020) (3’41”) (Electro-acoustic composition) Recording: https://youtu.be/9JrKK7UFmjY 3. Conflict (2020) (2’10”) (Clarinet and Piano) Recording: https://youtu.be/CQg6S1-V7Cs 2. Nation (2020) (3’40”) (Clarinet and Piano) Recording: https://youtu.be/AQrc7uKTqhU 1. Illusion (2019) (4’30”) (Horn and Piano) Recording: https://youtu.be/xvVZDUhIFX8 Back

SO Chuen-on 蘇傳安 MAJOR WORKS 主要作品 Back

LAU Siu-long Boris 劉劭朗 MAJOR WORKS 主要作品 Back

SHING Chun-hay 成俊曦 SHING Chun-hay identifies creativity with its power to inspire new perception of music, art and life. His works have travelled across continents, performed in concerts and music festivals in—to name some recent locations—Hong Kong, Macau, Taiwan, Thailand, Russia and the USA. He has been named the winner of Rapee Sagarik Composition Award in the 15th Thailand International Composers Competition in 2019 for his piano quartet light-dark (Chiaroscuro). In 2018, his All memories are moistened, selected from over 800 anonymous submissions, was a finalist in Moscow State Conservatory's International Competition for Young Composers “New Classics”. It was subsequently premiered at Rachmaninov Hall and in the following year reprogrammed in a concert of Studio for New Music (Moscow, Russia). As a composer, Shing has worked with many musicians in his native Hong Kong and overseas, including pianist Mary Wu, conductor Lio Kuokman, Hong Kong Chinese Orchestra, Hong Kong Band Directors Association Wind Orchestra, Hong Kong New Music Ensemble, Ensemble Kochi (Japan), Juventas New Music Ensemble (Boston, USA), and Ensemble Mise-en (New York, USA). His music has been featured in Taipei International Choral Competition, Asian Composers League's Asian Music Festival (Tokyo, Japan), the first anniversary of Asia Culture Center (Gwangju, South Korea), and at the Esplanade in Singapore. His other accolades include the First Prize of New Generation 2015, David Gwilt Composition Prize, Composers and Authors Society of Hong Kong Scholarship and Talent Development Scholarship. Alea Publishing and Recording has published his Moon over the West River, for clarinet and piano. Shing obtained his Doctor of Music degree in composition at The Chinese University of Hong Kong under Professor Wendy Wan-ki Lee, having been supported by a full scholarship from Hong Kong Jockey Club Music and Dance Fund. 成俊曦相信創意能為音樂、藝術以至人生啟發新視角。筆下作品曾於多地音樂會及音樂節演出，近來演出地點包括香港、澳門、台灣、泰國、俄羅斯、美國。 成氏憑鋼琴四重奏作品《明—暗》贏得2019年第十五屆泰國國際作曲比賽Rapee Sagarik作曲獎。2018年，作品《所有的記憶都是潮濕的》於莫斯科國立音樂學院舉辦的New Classics國際青年作曲家比賽，由超過800首不具名遞交的參賽作品中脫穎而出，入圍決賽十強，並於該院拉赫曼尼諾夫音樂廳首演，翌年由Studio for New Music（俄羅斯莫斯科）再度演出。 成氏以作曲家身份經常與香港及海外音樂家、音樂團體合作，計有：鋼琴家吳美樂、指揮家廖國敏、香港中樂團、香港管樂協會專業導師管樂團、香港創樂團、東風合奏團（日本）、Juventas New Music Ensemble（美國波士頓）、Ensemble Mise-en（美國紐約）等。作品曾於台北國際合唱大賽、亞洲作曲家聯盟亞洲音樂節（日本東京）、亞洲文化殿堂一週年紀念（南韓光州）、新加坡濱海藝術中心等場合演出。 曾獲其他獎項包括2015年音樂新一代冠軍、紀大衛作曲獎、香港作曲家及作詞家協會獎學金、才藝發展獎學金。為單簧管及鋼琴而寫的《西江月》，由Alea Publishing and Recording出版。 成氏畢業於香港中文大學，獲頒音樂博士（作曲）學位，師隨李允琪教授，在學期間獲香港賽馬會音樂及舞蹈信託基金全額資助。 MAJOR WORKS 主要作品 Orchestral Erupt (2020) - for orchestra The Wind Blows On (2019) - for wind band Chamber Shimmering Red Leaves (2020) - for oboe, viola All memories are moistened (2018) - for flute, clarinet, violin, cello, percussion, piano Refilling the Interregnum (2018) - for violin, cello A Self Tango (2018) - for violin, alto saxophone, piano Four Reminiscences of Childhood (2017) - for flute, oboe, clarinet, horn, bassoon light-dark (Chiaroscuro) (2016) - for violin, viola, cello, piano Lost Memory in Sunset Pixels (2016) - for flute, clarinet, bassoon, horn, violin, viola, cello, double bass Dance to Light (2016) - for saxophone octet Monologue in the Mountain Fog (2015) - for dizi, sheng, erhu, yangqin, zheng Moon over the West River (2014) - for clarinet, piano A Sense of Melancholy, a Song of Farewell (2013) - for violin, cello, piano Choral & Vocal Justus germinabit (2019) - for choral, SATB a cappella; sung in Latin (text from Bible) 隰桑 (xi sang) (2018) - for choral, SATB, a cappella; sung in Mandarin (text by Leung Ping-kwan) 生查子‧元夕 (On the Night of Lantern Festival) (2018) - for baritone, piano; sung in Cantonese (text by Ouyang Xiu) 音樂使我們連結在一起 (Music Brings Us Together) (2013) - for choral, SATB and piano; sung in Mandarin (text by Shing Chun-hay) Solo The Stars Bygone (2017) - for piano By the Lovesick Tree (2015) - for flute Arrangement Shall We Talk (2016) - for string quartet (arr. of Eason Chan’s cantopop song) Back

NG Yan-ling 伍昕靈 MAJOR WORKS 主要作品 Back

PONG Pak-kan 龐百勤 MAJOR WORKS 主要作品 Back

CHAN Ka-fu Paul 陳家富 MAJOR WORKS 主要作品 Back

WONG Hok-yeung Alfred 黃學揚 Born in Hong Kong, Wong’s music has been performed worldwide, Voice of Heritage was received “2014 CASH Golden Sail Music Awards” - Best Serious Composition, Nocturne to the Victoria Harbourand An Illusive Dream were awarded Bronze in the 'Xinyi Cup' for distinctive works for Chinese orchestra by young composers and compositions for the youth orchestra respectively, Flame was selected in International Society for Contemporary Music 2009, etc. In recent years, he is active in writing Chinese instrumental music with more than a hundred output, including theatre music The Eight Immortals' Adventures and The Eight Immortals' Adventures Prequel, jointly presented by the Hong Kong Chinese Orchestra and the Hong Kong Repertory theatre. Besides, Wong often serves as a conductor, he has been invited to conduct in Taiwan, Guangzhou and Malaysia. Received his master degree in the Chinese University of Hong Kong, he is currently teaching courses at The Hong Kong Institute of Education, the School of Professional and Continuing Education of The University of Hong Kong and The Chinese University of Hong Kong. 生於香港，黃學揚的作品常於世界各地演出，《承韻 · 傳音》獲「2014 CASH金帆音樂獎」之最佳正統音樂作品、《維港夜曲》及《黄粱一夢》分別獲中國「新繹杯」青年作曲家民族管弦樂作品及青少年作品評獎銅獎，管風琴曲《焰》入選國際現代音樂節2009等。近年活躍於中樂創作，編寫逾百首樂曲，包括劇樂《八仙過海》及《八仙過海前傳》，由香港中樂團及香港話劇團聯合演出。他亦經常擔任不同音樂會的指揮，曾應邀到台灣、廣州、馬來西亞作客席指揮。獲香港中文大學音樂系音樂碩士學位，現任教於香港教育學院、香港大學專業進修學院及香港中文大學專業進修學院。 MAJOR WORKS 主要作品 Western Orchestra Voice of Heritage (2013) [8.5’] for 0, 0, 0, 0 - 2, 2, 2, 1, timp, 2 perc, org, chorus, Chinese Ensemble, str Liberchaconne (2010) [4’] for 1, 1, 1, 0 - 2, 1, 0, 0, 1 perc, pno, str Two-Minute Waltz (2005) [2.5’] for 2, 2, 2, 2 - 4, 2, 3, 1, timp, 2 perc, hrp, str Fanfare for Brass and Strings (2001) [4’] for 0, 0, 0, 0 - 4, 3, 3, 1, str Wind Orchestra Rosy Clouds (2013) [6.5’] Song of the Sea (2012) [6.5’] Digital Hub (2010) [8’] Flame (2006) [7’] Chinese Orchestra Prologue to A Wanderer’s Autumn Grief (2015) [3.5’] Colours of Clouds (2015) [8’] An Illusive Dream (2012) [5.5’] Soaring Over (2011) [6.5’] Song of the Sea (2010) [6.5’] Eternal Journey (2009) [8’] Digital Hub (2008) [8’] Song of Homeland (2007) [10’] Echoes (2006) [7’] Prelude “3.3.4” (2004) [8’] Nocturne to the Victoria Harbour (2000) [6.5’] Chamber Starry Night (2012) [6'] for Clarinet & Piano Welcoming Prelude (2003) [1.5'] for Clarinet Trio Night Poem (2001) [8.5'] for Cello & Piano A Spring Morning (2000) [5.5'] for Wind Quintet Reverie under the Stars (2000) [5'] for Piano Trio Chamber (Chinese) New Five-piece Combo (2016) for Chinese Ensemble & Piano Picking Flowers (2015) [5'] for Zheng Quartet Prehistoric Hong Kong (2013) [5'] for 2 Xuns & Daruan Glacier (2013) [8'] for Zheng Ensemble Message from Space (2011) [7'] for Yangqin, Pipa & Zheng Metamorphosis (2011) [6'] for Dizi, Soprano Sheng & Bass Guan Music for Winds (2010) [6'] for Dizi, Soprano Sheng & Bass Guan Theme from The Eight Immortals' Adventures (2010/13) [4’] Mountain and Flowing River (2009) [8.5'] for Zheng Quartet [8.5’] A Little Waltz (2007) [5.5'] for Dizi, Ruan & Piano A Little Waltz (2007) [5.5'] for Dizi, Ruan & Piano Night Poem II (2002) [8’] for Cello & Chinese Ensemble The Ghost (1999) [6'] for Erhu & Piano Instrumental Solo Zulu (2013) [7'] for Ruan Solo Cicada (2009) [5'] for Sheng Solo Cicada (2009) [5'] for Sheng Solo Flame (2002) [8'] for Organ Solo Rhapsody (1998) [4.5'] for Piano Solo Vocal / Choral Theme Song “Fantastic Gods and Spirits of China” (2014) [3'] for Children’s Choir & Chinese Orchestra The Magical Mountain in the Waves (2012) [2.5'] for Solo Voice & Chinese Orchestra The Trout - Beyond the Story (1999) [7.5'] for Baritone & Quintet Peach-Blossom Source (2002) [15'] for Bass Solo & Orchestra Theatre Music Obsession (Act 1 Scene 2) (2001) Musical The Eight Immortals' Adventures (2010) Music Theatre - Chinese Orchestra, monodrama & Multimedia] The Eight Immortals' Adventures Prequel (2012) Family Musical with Chinese Orchestra Accompaniment] Fantastic Gods and Spirits of China (Part of the Music) (2014) Family Musical with Chinese Orchestra & Children’s Choir Accompaniment 1894 Hong Kong Plague (2015) Musical 管弦樂 （西樂） 《承韻‧傳音》(2013) [8.5’] 為0, 0, 0, 0 - 2, 2, 2, 1, timp, 2 perc, org, chorus, Chinese Ensemble, str而寫 Liberchaconne (2010) [4’] 為1, 1, 1, 0 - 2, 1, 0, 0, 1 perc, pno, str而寫 Two-Minute Waltz (2005) [2.5’] 為2, 2, 2, 2 - 4, 2, 3, 1, timp, 2 perc, hrp, str而寫 Fanfare for Brass and Strings (2001) [4’] 為0, 0, 0, 0 - 4, 3, 3, 1, str而寫 管樂隊 《彩霞》(2013) [6.5’] 《海之歌》(2012) [6.5’] 《數碼之源》(2010) [8’] 《焰》(2006) [7’] 管弦樂（中樂） 《客途秋恨》開場曲 (2015) [3.5’] 《霞彩》(2015) [8’] 《黃粱一夢》(2012) [5.5’] 《飛躍》(2011) [6.5’] 《海之歌》(2010) [6.5’] 《路遙遙》(2009) [8’] 《數碼之源》(2008)[ 8’] 《故鄉之歌》(2007) [10’] 《迴》(2006) [7’] 《「三.三.四」引》(2004) [8’] 《維港夜曲》(2000) [6.5’] 室樂 《新五架頭》(2016) 中樂小組與鋼琴 《星夜》(2012) [6'] 單簧管與鋼琴 《A Little Waltz》(2007) [5.5'] 笛子、阮與鋼琴] [5.5'] 《Welcoming Prelude》(2003) [1.5'] 單簧管三重奏 《夜詩》(2001) [8.5'] 大提琴與鋼琴 《春曉》(2000) [5.5'] 木管五重奏 《星空下的遐思》(2000) [5']鋼琴三重奏 《鬼魂》(1999) [6'] 二胡與鋼琴 室樂（中樂） 《採花‧採花》(2015) 5' 箏重奏 《祖魯》(2013) [7'] 阮獨奏 《史前香港》(2013) 5' 兩塤與大阮 《冰河》(2013) 8' 箏重奏 《太空信息》(2011) 7' 琵琶、古箏與揚琴 《蛻》(2011) 6' 笛、傳統笙與中音嗩 《氣樂》(2010) 6' 笛子、高音笙與低音管 《八仙過海主題曲》(2010/13) 4' 中樂小組 大提琴與中樂小組 《山河流水》(2009) 8.5' 箏重奏 《蟬》(2009) [5'] 笙獨奏 獨奏曲 《焰》(2002) [8.5'] 管風琴獨奏 《狂想曲》(1998) [4.5'] 鋼琴獨奏 聲樂 / 合唱 《The Trout - Beyond the Story》(1999) [7.5'] 男中音與五重奏 《桃花源記》(2002) [15'] 男低音與樂隊 《浪裡仙山》(2012) [4'] 獨唱及中樂隊 《封神外傳主題曲》(2014) [2.5'] 童聲合唱及中樂隊 劇場音樂 《沉夢行》(幕一場二) (2001) 音樂劇 《八仙過海》(2010) 音樂劇場(中樂隊、獨腳戲與多媒體) 《八仙過海前傳》(2012) 合家歡音樂劇場與中樂隊 《封神外傳》(部分音樂) (2014) 合家歡音樂劇場與中樂隊及童聲合唱 《太平山之疫》(2015) 音樂劇 Back