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CHENG Zen-In Michelle 鄭心言 A Hong Kong-born composer and music educator. Graduated from the Hong Kong Academy for Performing Arts majoring in music composition, Cheng soon pursued her studies in Music Education at Hong Kong Baptist University. She is currently a MA student at the Iceland University of the Arts, a full member of the Hong Kong Composer s’ Guild and a Registered Teacher in Hong Kong. Cheng is enthusiastic about composition for educational purpose. Her work The Time Train (2018) was selected to be published in the Hong Kong Children’s Choir 50th Anniversary Album, performed by the renowned choir, and chosen by the Diocesan Boys’ School Choir as one of their repertoires in 2021. Cheng has a consuming passion for vocal music composition. She entered the finals of the 6th International Choral Composition Competition Japan – in honour of her work Mens Agitat Molem (2020). Her a cappella work Anyone Here? (2020) was selected to be one of the programmes in the Hong Kong Contemporary Music Festival 2020. Apart from vocal music, Cheng’s commissioned work The Outcry (2019) for guitar solo was performed throughout the 2nd Composition Workshop held by the European University of Cyprus, whilst she was one of the selected international composers in the event. 鄭氏為香港土生土長的作曲家及音樂教育工作者，先後畢業於香港演藝學院作曲系及香港浸會大學教育學系。現為冰島藝術大學碩士生、香港作曲家聯會會員及香港註冊教師。 鄭氏熱衷於創作用於音樂教育的作品。她所創作的 時光車 (2018) 被收錄於香港兒童合唱團五十週年歌集內，並由該合唱團首演，及後獲拔萃男書院合唱團選為該團的年度曲目之一。鄭氏近年集中於編寫聲樂作品，其中她的無伴奏合唱作品 Mens Agitat Molem (2020) 為第六屆日本國際合唱作品比賽的決賽曲目，而她的另一首無伴奏合唱作品 人在嗎? (2020) 則被挑選為二〇二〇年香港當代音樂節的曲目。 除聲樂作品外，鄭氏於二〇一九年獲塞浦路斯歐洲大學委約創作結他獨奏作品 The Outcry (2019) ，並以獲選國際作曲家身份應邀出席其主辦之第二屆作曲工作坊。 MAJOR WORKS 主要作品 Orchestral / Symphonic Band 2011 Saxophone Concerto No.1 (for SATB saxophones + orchestra) [8’] 2011 QingFengNian Overture (for mixed Chinese & western symphonic band) [5’] Chamber 2021 The Brimming Vibrance (for percussion trio) [4’] 2020 The Three Movements (for string quartet) [3’] 2013 Dragon Impromptu (for hulusi + piano) [3’] 2013 A Set of Dizi Etudes (for dizi duo) [15’] 2011 Saxophone Concerto No.1 (for AB saxophones + piano) [5’] Instrumental Solo 2021 The Vibrance (for percussion solo) [4’] 2019 The Outcry (for guitar solo) [5’] 2019 The Drunk Beetle (for alto saxophone solo) [3’] Vocal / Choral 2020 Krvava Bajka (for mezzo-soprano and strings) [7’] 2020 Anyone Here? (for SATB + vocal percussion) [5’] 2020 Todo es Música y Razón (for TBB a cappella) [4’] 2020 Pond Pond Pond (for SA + piano) [2’] 2019 Mens agitat molem (for SATB a cappella) [3’] 2018 The Time Train (for SA + piano + metronome) [4’] Multimedia 2015 cINE65 III - Teacher Librarian (Film Scoring) [3’] (https://youtu.be/PLlMcopRVMQ) 2011 Soul Minding (for Cantonese drama + string quartet) [10’] Electronics 2011 Time Tesseract (for harp + live electronics) [5’] Back

TSANG Yiu-kwan 曾耀君 MAJOR WORKS 主要作品 Orchestral Third Scene - Cynthia (1996) 12' concerto for fl & orchestra First Scene - Nuwa Mends the Sky (1995) 10' Overture - Pangu Turns into a Myriad of Things (1995) 5' Concerto No. 1 for Two Erhu's (1993) 12' Chamber (Western) Konzert Fanfare (1996) 10' for brass quintet, tape & vn Nocturne - Misty Moon (1996) 7' for pf & string quartet Flessibilita (1995) 8' for 7 vc Quintet (1994) 8' for vn, fl, ob, cl & bn Space (1993) 8' for pf trio Changing (1993) 7' for cl, alto saxophone, alto fl & pf Dream in Summer 1992 10' for 2 pf & 2 perc Song of Death (1992) 9' for bass cl, baritone, hp & 2 perc Tunnel (1991) 8' for amplified string quartet with electronic music Trifle (1991) 8' for fl, pf, vc & perc Trio for Clarinet, Horn and Viola (1990) 8' Chamber (Chinese) Myth I (1993) 11' for 5-player Chinese ensemble Instrumental Solo White Snake and Green Snake (1996) 12' for vn Same Prime Rhapsody for Bassoon Solo (1995) 5' Electronic / Multimedia Works Inside Music (1994) 10' for 2 dancers & computer Sonic Fantasia (1992) 12' for tape & 2 actors Phone Call my Friend (1991) 4' for tape Computer Music Walk out the Forest (2006) 10' for live computer Flexile Key (1996) 7' for solo fl & computer Humanism II (1996) 13' duet for computer & pf Humanism I (1994) 10' for live computer Trio for Flute, Clarinet and Computer (1993) 7' 管弦樂 Third Scene – Cynthia (1996) 12' concerto for fl & orchestra First Scene – Nuwa Mends the Sky (1995) 10' Overture - Pangu Turns into a Myriad of Things (1995) 5' Concerto No. 1 for Two Erhu's (1993) 12' 室樂 (西樂) Konzert Fanfare (1996) 10' for brass quintet, tape & vn Nocturne – Misty Moon (1996) 7' for pf & string quartet Flessibilita (1995) 8' for 7 vc Quintet (1994) 8' for vn, fl, ob, cl & bn Space (1993) 8' for pf trio Changing (1993) 7' for cl, alto saxophone, alto fl & pf Dream in Summer 1992 10' for 2 pf & 2 perc Song of Death (1992) 9' for bass cl, baritone, hp & 2 perc Tunnel (1991) 8' for amplified string quartet with electronic music Trifle (1991) 8' for fl, pf, vc & perc Trio for Clarinet, Horn and Viola (1990) 8' 室樂 (中樂) Myth I (1993) 11' for 5-player Chinese ensemble 獨奏曲 White Snake and Green Snake (1996) 12' for vn Same Prime Rhapsody for Bassoon Solo (1995) 5' 電子 / 多媒體音樂 Inside Music (1994) 10' for 2 dancers & computer Sonic Fantasia (1992) 12' for tape & 2 actors Phone Call my Friend (1991) 4' for tape 電腦音樂 走出森林 (2006) 10' for live computer Flexile Key (1996) 7' for solo fl & computer Humanism II (1996) 13' duet for computer & pf Humanism I (1994) 10' for live computer Trio for Flute, Clarinet and Computer (1993) 7' Back

LAU Hiu-lam 劉曉霖 Born in Hong Kong, LAU graduated from The Hong Kong Academy for Performing Arts (HKAPA) with a Master of Music in 2016, majoring in composition with Dr. Cheung Pui-shan. She has cooperated with different musicians and groups and her works have been premiering in Hong Kong since 2012. In 2016, LAU is awarded the Cecil Leong Scholarship (Postgraduate). And in 2015, LAU was awarded the Lions Joseph Koo Music Foundation Scholarship and the Stella & Bryan Carter Music Scholarship. LAU graduated from Hong Kong Baptist University in 2014, with the Bachelor degree in Arts (Hons) (Composition and music production). She had studied with Prof. Christopher Keyes and Dr. Christopher Coleman. Lau is also a pianist and was awarded the LTCL in Piano Recital in 2013. LAU is an all-rounded and innovative composer. She has composed different kinds of music such as orchestral works, chamber works, choral works and electronic music. LAU also composes music with multimedia, such as images and videos; and also pop songs and hymns. Besides, LAU keens on participating in different kinds of composition competitions. She attended the RTHK New Generation 2013. And in July 2013, LAU won the championship of a song competition which was held by Christian Nationals’ Evangelism Commission. Apart from compositions, LAU is currently being a conductor in primary school, elderly center and also the CNEC Sweet Aroma Church Choir. During her studies at HKBU, LAU was a member of Cantoria Hong Kong. She joined the concerts tour and performed in the National Centre for the Performing Arts in Beijing in 2012, the Xixiang Hall in Shenzhen in 2013, and universities in Taiwan in 2014. 劉氏在香港出生，於2016年取得香港演藝學院音樂碩士學位，主修作曲，師承 張珮珊博士。由2012年開始，劉氏跟不同的音樂家合作，演出過不少作品。劉氏於2016年獲頒「梁思豪獎學金」，於 2015年獲頒「獅子會與顧嘉輝音樂基金作曲獎學金」及「郭博仁伉儷獎學金」。 劉氏於2014年取得香港浸會大學學士學位（榮譽），主修作曲及音樂製作，師承 祈道褘博士及高爾文博士。 劉氏自幼學習鋼琴，並於2013年考獲倫敦聖三一學院六級音樂演奏文憑（鋼琴）資格（LTCL Recital）。 劉氏創作了不同類型的作品，例如管弦樂、室樂、合唱作品、電子音樂、多媒體創作、流行曲及教會詩歌。劉氏亦參加過不少比賽，曾於2013年奪得中華傳道會七十週年主題曲創作比賽冠軍。 MAJOR WORKS 主要作品 Western Orchestra 50000 Quoaor 創神星 (2016) [11’15”] for 3, 2, 2, 2 – 4, 2, 2, 1, timp, perc, hp, str Chamber Invisible Shackles 影。銬 (2018) [3’30”] for Wind Quintet The Light Of Fireflies 螢焰 (2015) [10’6”] for pipa, erhu, flute, cello and western percussion Dust-And dedicated to F 風塵－兼贈F君 (2014) [11’30”] for mezzo soprano, flute, cello and piano Disturbance 紊亂 (2014) [10’] for string quartet Ordered Chaos (2013) [8’] for percussion trio Tea Break Finished?! (2013) [1’22”] for chamber orchestra Instrumental Solo Innermost World 內心世界 (2016) [10’03”] for percussion solo Lagoon (2013) [3’30”] for piano Fairy Dust (2012) [1’42”] for piano Fluctuation (2012) [2’11”] for piano Fugue in C (2011) [2’03”] for piano Humor Rag (2011) [2’55”] for piano Vocal/ Choral A Quatrain on Summer Days 夏日絕句 (2018) [3’54”] for a soprano solo with piano accompaniment Just Three Words (2013) [4’30”] for SATB and percussion Electronic/ Electroacoustic Music Serendipity 偶然 (2015) [9’5”] for voice and electronics (Ableton Live) Seasons 季 (2014) [14’20”] for erhu, vibraphone, percussion and tape The world is full of… (2014) [7’28”] for voice and electronics (Ableton Live) The First Contact (2012) [3’55”] for piano and tape Multimedia Revert to Purity 歸回 (2016) [19’] for music, dance, video and lighting Pollution (2013) [4’11”] for tape and images Film Scoring Revolutionary Road (2013) [2’02”] https://youtu.be/Toa0jX4AT4k Finding Nemo (2010) [2’06”] https://youtu.be/WVRqklCzHxY Commercial Music 《為何會這樣》(2020) [4’48”] https://www.youtube.com/watch?v=do8BDcTwt4E 《復刻時代》(2018) [4’18”] https://www.youtube.com/watch?v=-tmLUmGj_J4 《遊想曲》(2016) [4’04”] https://youtu.be/f_ambbEQ2j4 詩歌《仰望祢》(2015) [3’51”] https://youtu.be/YL3ZxWuvzeY 詩歌《神在我背後》(2015) [3’20”] https://youtu.be/R4lYjYrcmpQ 織女的天衣 (2014) [4’52”] https://youtu.be/ORwPDD6kmD4 中華傳道會七十週年主題曲創作比賽－冠軍《合一拓展新境界》(2013) [3’30”] https://youtu.be/0n70dqrNvWA Back

CHAN Sze-rok 陳詩諾 Currently a Ph.D. candidate in the Department of Music at the University of Hong Kong, Chan Sze-rok is pursuing a composition research programme under the supervision of Prof. Chan Hing-yan. She obtained her Bachelor’s and MPhil degrees from the same university. She was awarded the best composition at the New Generation in 2005 and won the first prize at the International Music Competition Jeunesses Musicales Bucharest in Romania in the same year. Her commissioned works include an orchestral piece composed for the Hong Kong Sinfonietta, a trio for RTHK Radio 4, a quintet for Musicarama and a string quartet for Szymanowski Quartet. Apart from music, her interest in theatre brought her opportunities to work with All Theatre Art Association (ATAA). In 2010, she composed for and performed live music on stage as a character in ATAA’s multimedia theatre production "E-Garden". Her latest collaboration with the group were "Fool La La" in 2012 and "Spiral of Life" in 2013, and for both of these multimedia productions she composed music as the music director. Through the years, she has been actively scoring music for independent films and documentaries. 現於香港大學攻讀博士學位，師隨陳慶恩教授主修作曲，已分別於2003及2006年修畢文學士及哲學碩士學位。 年幼時已開始學習多項樂器，包括鋼琴、長笛、小號及伸縮號。創作多以西方音樂及世界民族音樂特色糅合見稱。先後獲得由「音樂新一代」頒發的最佳作品及於羅馬尼亞舉辦的 International Music Competition Jeunesses Musicales Bucharest贏得作曲冠軍。獲委約的作品包括為香港小交響樂團、香港電台第四台、音樂新文化及齊瑪諾夫斯基四重奏創作曲目。除了在音樂的發展外，希望藉著音樂創作參與劇場製作；於2010年初次與全劇場合作，為多媒體劇場《極樂花園》作曲，並在參與演出劇中一角時現場演奏，及後又為《Fool La La》及《忘靈之境》擔任音樂總監及作曲。一直致力為獨立電影及紀錄片配樂。 MAJOR WORKS 主要作品 Western Orchestra Prelude to the Forbidden Land (2005) [10'00] Chamber In Search of Lost Time (2016) [2’00”] for string quartet The Bearded Princess (2011) [14’00”] for alto saxophone, flute, bassoon, cello and amplified piano Dream Sketches (2006) [10'00”] for clarinet, cello and amplified piano Elegy to the Victims of Andaman Sea (2005) [10’00”] for soprano, clarinet, cello and guitar Arias and Ostinatos of Celestial Ocean (2005) [13’00”] for flute and amplified piano Multimedia Spiral of Life (2013) [90’00”] Fool La La (2012) [90’00”] E-Garden (2010) [90’00”] Back

LAM Kin-yee Gabriel 林建兒 Lam is a contemporary composer and conductor, music director of 2 Proclaim Production, full member of the Hong Kong Composers' Guild Ltd., Composers and Authors Society of Hong Kong. He was a electronic music lecturer of The Baptist Theological Seminary, and was a music lecturer of Full Time Worker Training Theological Seminary. Adjudicator of the «Schools Creative Music Showcase» at Arts Education Section CDI, EDB; one of the author of the «Chinese Symphonic Music Expo». 2012 as a inverted editor of “Chinese Christian Literature Council Ltd.” Lam was an active conductor and arranger of varies school orchestras. He participated in different schools’ compositional schemes as an instructor. Recently, He focus in the conducting of different choirs, such as he was the conductor of “God With Us Assembly”, was the conductor and director of “Tun Mun Alliance church’s Choir”. 2005 became the reorganised conductor of “Christian Choral Society of Hong Kong”; he was the conductor and arranger of “The Chamber Orchestra of Evangelical Free Church of China”. 2004 became the conductor of “Tsung Tsin Mission of Hong Kong Kau Yan Church’s Choir” until now. Lam had, for a number of years committed to composing, arranging and producing tapes and CDs for Christian organisations. "What Is Man" is one of his early compositions. His compositions had been broadcast through RTHK years ago. 林氏為當代作曲家及指揮、傳韻樂社董事兼音樂總監、香港作曲家聯會、香港作詞 家及作曲家協會正式會員。曾任浸會神學院電子音樂講師、整全訓練神學院之聖樂講師七年, 教育局之”學校音樂創藝展” 音樂評判多年。2008年為「中國交響音樂 愽覽」之專論作家。2012年任基督教文藝出版社特約音樂編輯。 林氏多年活躍於校園的指揮及音樂指導, 曾參與「創意縱橫-學校音樂創作計劃」及「國際現代音樂節現代音樂教育推廣計劃」。先後擔任多間中, 小學之駐校藝術家 (作曲導師), 管絃樂團指揮、導師, 編曲及敲擊樂導師等。此外林氏亦致力於在基督教音樂團體及教會聖樂團隊的指揮工作。他曾擔任「神同在使團」的指揮及「屯門宣道會青森傳歌」指揮及音樂顧問; 2005年起為「基督精兵聖樂團」的復團指揮至今; 曾任播道會港福堂室樂團指揮及編曲。2004年一月起, 林氏成為「基督教香港崇真會救恩堂聖詠團」的指揮至今。 林氏的作品曾接受香港電台第四台之專訪與轉播, 並在本港及海外交流。 MAJOR WORKS 主要作品 Orchestral (Western) Millennium Enigma (2000) 11'20" Mountain and Stream (Symphonic Poem) (1997) 10'10" for Western orchestra with Chinese woodwinds, sheng, pipa & perc Chamber (Western) The Untamed Ocean (1998) 10'40" for fl, cl, bs cl, hn, tp, timp, perc, vibraphone, hp & pf Voyage (1996) 8'50" for fl, cl, bn, tp, hn, perc, timp, vibraphone, hp, vn, va, vc & db Catastrophe (1996) 7'20" for fl, ob, hn, bs cl & pf String Quartet No. 1 (Airborne) (1995) 6'30" Shadow of Dance (1995) 5' trio for cl, vc & pf His Wondrous Love (1991) 6' for fl, ob, cl, vn, vc, pf & organ Sonatina 1 (1985) 7'50" for vn, alto fl & hp True Love (1984) 5'45" pf duet for 4 hands Supersonic Dews (1981) 9'20" for fl, 2 synths, vibra, perc, tp, alto sax & 2 pf Chamber (Chinese) Ye Lou Qiu Yue (1997) 7' for xiao, sheng, zheng & pipa Instrumental Solo Romance on E (1997) 6' for pf Children's Collection (1996) 5'30" 4 pieces for pf Three Chinese Folk Tunes (1979) 7'45" for pf Three Pieces of Two-Part Invention (1978) 10'30" for pf Vocal / Choral Tempestuous Night (1996) 5'20" for tenor & pf Response - Suite (1995) 23' 5 songs for mixed choir & pf True Love (1983) 4'20" for mixed choir & pf. or for mezzo-soprano & pf Hope of Love (1982) 4'30" for mixed choir & pf DORAEMON Series (Cantonese Version) (1982) 18'30" 4 pieces for children's choir & pop band Christmas Dream of Tung Tung and He He (1980) 11'15" children's musical suite Psalm 66 - Fugue (1979) 9'05" for mixed choir a cappella Yang Chun (1976) 5'08" for mixed choir & pf Electronic Music Electro Dragon (1998) 8'10" for tp, jazz drum set & tape Glacier Hawk (1998) 6'50" for pipa & tape Xiao Fantasy (1997) 7'30" for xiao & tape Multi-media Dreams of Centennial Dinosaur (1998) 11'15" for Chinese woodwinds, zheng & tape, with modern dancers & lighting Jubilation of a Fairy Mountain (1997) 8' for Chinese perc & tape, with 4 modern dancers & lighting Discography Soaring Across the Sky (1998) 13 contemporary Christian music arrangements Lord, Dwell in My Heart Forever (1989) for solo voices, mixed choir & chamber orchestra I Want to Love You More (1989) for solo voices, mixed choir & chamber orchestra What is Man? (1986) for solo voices, vocal & instrumental ensemble O Lord I Love You Dearly (1985) for solo voices, mixed choir & chamber orchestra Do you Love The Lord? (1983) for solo voices, mixed choir & chamber orchestra DORAEMON Series (1982) for children voices & pop band Christmas Dream of Tung Tung and He He (1980) for solo voices, harmonica, fl, pf & synth Door of All Blessings (1979) for mixed choir, pf & organ Major Publications Choral Selection of Youth Hymn (for mixed choir & pf). Hong Kong: China Alliance Press, 1989. Door of All Blessings (for mixed choir & pf). Hong Kong: Gospel Communication Centre, 1979. 管弦樂 (西樂) 千禧懸謎 (2000) 11'20" 山水賦 (交響詩) (1997) 10'10" for Western orchestra with Chinese woodwinds, sheng, pipa & perc 室樂 (西樂) 觀滄海 (1998) 10'40" for fl, cl, bs cl, hn, tp, timp, perc, vibraphone, hp & pf 航 (1996) 8'50" for fl, cl, bn, tp, hn, perc, timp, vibraphone, hp, vn, va, vc & db 天災 (1996) 7'20" for fl, ob, hn, bs cl & pf 飛舞 (1995) 6'30" 舞之影 (1995) 5' trio for cl, vc & pf 祂的妙愛 (1991) 6' for fl, ob, cl, vn, vc, pf & organ 第一號小奏鳴曲 (1985) 7'50" for vn, alto fl & hp 真愛 (1984) 5'45" pf duet for 4 hands 超頻露珠 (1981) 9'20" for fl, 2 synths, vibra, perc, tp, alto sax & 2 pf 室樂 (中樂) 夜樓秋月 (1997) 7' for xiao, sheng, zheng & pipa 獨奏曲 E 浪漫曲 (1997) 6' for pf 兒童鋼琴小曲四首 (1996) 5'30" 4 pieces for pf 中國民謠鋼琴短曲三首 (1979) 7'45" for pf 鋼琴二部創意曲三首 (1978) 10'30" for pf 聲樂 / 合唱 古夜驚魂 (1996) 5'20" for tenor & pf 回轉 (1995) 23' 5 songs for mixed choir & pf 真愛 (1983) 4'20" for mixed choir & pf. or for mezzo-soprano & pf 愛之願 (1982) 4'30" for mixed choir & pf 八寶叮噹 (1982) 18'30" 4 pieces for children's choir & pop band 東東嘻嘻聖誕夢 (1980) 11'15" children's musical suite 詩篇六十六 (1979) 9'05" for mixed choir a cappella 陽春曲 (1976) 5'08" for mixed choir & pf 電子音樂 電子戰龍 (1998) 8'10" for tp, jazz drum set & tape 雪嶺飛鷹 (1998) 6'50" for pipa & tape 幽洞玄蕭 (1997) 7'30" for xiao & tape 多媒體音樂 龍武紀夢 (1998) 11'15" for Chinese woodwinds, zheng & tape, with modern dancers & lighting 靈山鼓興 (1997) 8' for Chinese perc & tape, with 4 modern dancers & lighting 唱片目錄 長空飛渡 (1998) 13 contemporary Christian music arrangements 主永活在我心 (1989) for solo voices, mixed choir & chamber orchestra 我要更愛你 (1989) for solo voices, mixed choir & chamber orchestra 人算什麼 (1986) for solo voices, vocal & instrumental ensemble 主啊, 我深愛你 (1985) for solo voices, mixed choir & chamber orchestra 你愛主嗎? (1983) for solo voices, mixed choir & chamber orchestra 八寶叮噹 (1982) for children voices & pop band 東東嘻嘻聖誕夢 (1980) for solo voices, harmonica, fl, pf & synth 萬福之門 (1979) for mixed choir, pf & organ 主要出版刊物 《青年聖歌合唱選》(for mixed choir & pf). Hong Kong: China Alliance Press, 1989. 《萬福之門》(for mixed choir & pf). Hong Kong: Gospel Communication Centre, 1979. Back

CHENG Anthony 鄭汝森 Anthony Cheng - a songwriter, film and contemporary music composer, sound engineer and music producer in Hong Kong. His debut on the music scene was as a pianist and composer. As a frequent-awarded composer in multidisciplinary fields of music composition, Cheng’s music consists of an eclectic inspiration of a variety of musical styles. Cheng completed his master degree in music at King's College, London and Ph.D. at the University of Hong Kong. His former composition teachers include Dr. Joshua Chan at HKU, Dr. Silvina Milstein and Professor Sir Harrison Birtwistle at King's. He was a pupil of Denise Ham in orchestral conducting at the Royal Academy of Music. His compositions have been performed internationally at ISCM (Hong Kong 2002), Asia Ocarina Festival (Japan 2012; Taiwan 2016), Musicacoustica-Beijing (Beijing 2014, 2017), IDRS (Tokyo 2015), and in various countries and cities such as Hong Kong, Macau, United Kingdom, Northern Ireland, Japan, China, and Taiwan. Cheng also appeared as composer and conductor with ensembles and orchestras including London University Symphony Orchestra, Surrey Philharmonic Orchestra (UK), Hong Kong Chinese Orchestra, Hong Kong Medical Association Orchestra, HKU Union Philharmonic Orchestra, Lontano (UK) and King’s Harmonica Quintet (HK). Besides, Cheng has been frequently commissioned to write new works by Hong Kong Arts Development Council, Hong Kong Composers’ Guild, Music Office LCSD, several music affiliations and independent artists/musicians. Cheng is now teaching electronic music and popular music production at Hong Kong Baptist University, the Education University of Hong Kong and Hong Kong Lingnan University. 鄭汝森 - 集流行、電影、當代音樂作曲家及唱片監製於一身。早年於英國倫敦大學King’s College音樂碩士畢業，並於香港大學取得哲學博士學位。於2002年開設音樂製作公司Takumi Works，至今曾為過百多個本地及海外的客戶致力創作多不勝數的音樂，並參與國際大型盛事中的音樂後期製作。 鄭氏曾憑古巨基的歌曲『天才與白痴』獲得香港電台第二十八屆十大中文金曲作曲獎以及2005年度四台聯頒歌曲大獎，成為該年度本港四家電台/電視台合共最高播放率的歌曲。2015年憑多媒體音樂作品『遺·留』勇奪CASH音樂金帆獎最佳正統音樂作品殊榮。近年積極為多齣電影作配樂，當中更為第三十五屆香港電影金像獎最佳電影『十年』擔任錄音工作。現應邀為香港浸會大學音樂系、香港教育大學及香港嶺南大學擔任講師，教授電子音樂及流行音樂製作。 MAJOR WORKS 主要作品 Western Orchestra Le Lac d'Annecy - A Picture by Paul Cezanne (1999) [8'30"] for 2, 2, 2, 2 - 2, 2, 2, 1, harp, timp, perc, str Lament for the Princess Diana (1999) [7'] for 2, 2, 2, 2 - 2, 2, 2, 1, timp, str Chinese Orchestra Songful Clock Tower (2001) [7'] Chamber Red Lanterns (2014) [1'30"] for vla, vc, & pf Blue House (2013) [2'30"] for vla & DB DAN (2012) [1'30"] for cl, vln & vc Sketches for Wind Quintet (2000) [8'] for fl, ob, cl, bsn & hn Trio No.1 (2000) [11'] for cl, vc & pf Love Dialogues (2000) [3'] for vln duo Carnival Overture - for the Aberystwyth International Musicfest '99 (1999) [3'] for sax, tpt, tbn, vc & pf Piano Quintet (1998) [7'30"] for fl, vln, vla, vc & pf String Quartet II - Return to China (1998) [6'] for string quartet String Quartet I - Romance (1998) [6'] for string quartet Music for Woodwind Quintet, Percussion, and Vibraphone (1998) [13'] for fl, ob, cl, hn, bsn, perc & vibes Psycho-mind (1996) [5'30"] for soprano, fl, vln, vc, pf & perc Instrumental Solo Three Studies for Piano (1998-2000) [5'] for pf Children Pieces for Pianos (1997-2000) [11'] for pf or 2 pf Chorale Preludes (1998-1999) [3'] for org Impromptus No.1 (1997) [6'] for pf Clarinet Solitude (1996) [6'] for cl Vocal / Choral Wu Xing (2011) [8'30"] for mixed choir, chamber ensemble & tape From the HADES - Opera in Four Acts (2006) [ca.90'] for soloists & chamber ensemble Enigma (2004) [16'] for soprano, tenor, vc & pf Hail, Holy Queen (2004) [4'20"] for tenor, vln & pf Chanson Triste (2002) [7'30"] for tenor, fl & pf Ave verum corpus, Op.5 (2001) [4'] for SATB choir, str & org Praeludium, Chorale and Fughetto, Op.3, No.1 (1998) [4'] for org & SATB choir Ave Maria, Op.2 (1998) [6'] for soprano solo, SATB choir, hn & org Electronic / Electroacoustic Music Bushido II (2015) [15'] for Shakuhachi, harp, Japanese perc, orchestra & live electronics The Great Wall. End (2016) [6'] for erhu, pipa, guzheng, field recordings & live electronics sound x interstellar (2015) [5'] for tape Bushido (2015) [9'] for Shakuhachi, harp, perc, live electronics & tape iMagEs of Life (2014) [7'] for video & tape War Prayer (2012) [6'45"] for video & tape The AniFortune (2003) [8'] for soprano & tape Four Seasons from An Unknown Country (1999) [10'] for vibes & tape Multimedia Lost and Regain (2015) [15'] for tape Back

MAN Ho-yan 萬可仁 MAJOR WORKS 主要作品 Back

YIP Shu-kin Stephen 葉樹堅 Stephen Yip’s music have been described as post-modernist in style, with Asian roots, gives the inner colors of an advanced spatial sense....... Yip was born in Hong Kong and now living in U.S.A. He received his doctor of musical arts (D.M.A.) at Rice University and bachelor of fine arts (B.F.A.) at the Hong Kong Academy for Performing Arts, studied with Law Wing-fai, Clarence Mak, and Arthur Gottschalk. He has attended major music festivals including: Wellesley Composers Conference, Aspen Music Festival, Asian Composers’ League, ISCM World Music Days, Chinese Composers’ Festival, IMPULS Ensemble Akademie, Luxembourg, the International Summer Course for New Music, Darmstadt, Germany, Wellesley Composers’ Conference. Residencies include: the Atlantic Centre for the Arts, Yaddo Colony and MacDowell Colony. Yip’s works have been performed in the Asia, Europe and America. He has received several composition prizes, included “Salvatore Martirano Memorial Composition Award”, “Taiwan Music Center International Composition Prize”, “Robert Avalon International Prize”, “Singapore International Composition Competition for Chinese Orchestra”, the ALEA III composition Competition, and the 2010 Alvarez Chamber Orchestra Freestyle Composition Competition, London, England. His works are recorded in the ERM-Media, PARMA, Capstone, North South recording, Ablaze records, ATMA Classique, and Beauport Classical labels. Yip is a member of the SCI, NACUSA, and ASCAP. Currently, he is on the music faculty at Houston Community College and works as a freelance composer. 葉樹堅出生於香港，現居美國。畢業於香港演藝學院及美國賴斯大學。他曾參加Aspen音樂節、亞洲作曲家同盟、加州E.A.R.作曲家研討會及捷克第十三屆國際夏日節，亦曾於佛羅里達州的亞特蘭大藝術中心、內布拉斯加州的甘姆哈丁尼爾遜藝術中心及弗吉尼亞州創意藝術中心擔任駐場藝術家。 他的作品曾於美國、歐洲及亞洲演出。曾獲得的作曲獎項包括Salvatore Martirano 紀念國際作曲獎、新加坡中國樂隊國際作曲獎、2011年臺灣音樂中心TMC國際作曲大賽, Isang Yun國際作曲比賽入選獎等。他的作品經ERM-Media、PARMA、North South recording、ATMAClassical及Beauport Classical等品牌灌錄發行。 葉氏曾跟多個著名樂團合作。包括香港中樂團、香港小交響樂團、香港無極樂團、新加坡中樂團、台灣十方樂集、美國Wellesley Composer Conference Ensemble、North/South Consonance、聖保羅室樂團、瑞典Curious Chamber Players、德國Ensemble El Perro Andaluz、韓國TIMF Ensemble、盧森堡Sinfonietta及俄羅斯新音樂團等。 葉樹堅是作曲家協會 (SCI) 及香港作曲家及作詞家協會成員，現任教於侯斯頓社區學院音樂系及自由作曲家。 MAJOR WORKS 主要作品 Orchestral / Large Ensemble (Western) In a Silent Way (2014) for String Ensemble Mantra 真言 (2013) for Wind Ensemble Performed by Hong Kong Band Directors Wind Orchestra, conductor: Stephen Yip ; Tsuen Wan Town Centre, Hong Kong, 2013 Postlude: Etenraku (2012) for Wind Ensemble Performed by EKU Wind Ensemble, conductor: David Clemmer Gifford, EKU Richmond, Kentucky, 2013 The Luminous Mystery (2011) for violin and orchestra Realm of the Immortals (2012) for Chamber Orchestra, Performed by Wellesley Composer Conference Ensemble, conductor: James Baker. Reverberation II (2011) for 12 players Performed by North South Consonance Chamber Orchestra, conductor: Max Lifchitz; Christ and St. Stephen’s Church, New York, NY, 2011 Reverberation (2010) for 10 players Performed by Composers Guild Ensemble, conductor: Richard Tsang; Loke Yew Hall, University of Hong Kong, 2012. White Porcelain (2010) for violin and ensemble (10 players) Performed by El Perro Andaluz Ensemble, solo violinist, Emily Yabe; Internationales Musikinstitut Darmstadt, Germany, 2012. Flying Ink (2010) for chamber orchestra Performed by Hong Kong City Chamber Orcheestra, Hong Kong City Hall, Hong Kong, 2010 Ink. Color (2010) for chamber orchestra Performed by Hong Kong Sinfonietta; Hong Kong City Hall, 2014 The Legendary Phoenix (2009) for Piano and Orchestra Performed by Taipei National University of the Arts Orchestra, Solo pianist: Mei-Ling Chien, conductor: Tien-Chi Lin Asian Composers League Conference and Festival Spirit Labyrinth II (2009) for Harp and String Orchestra Performed by North South Consonance Chamber Orchestra, Solo harpist: Megan Levin, conductor: Max Lifchitz Merkin Concert Hall, New York, NY, 2010 Fragrance of Baekje (2009) for full orchestra Performed by Ensemble TIMF, conductor: Soo-Yeoui Choi Seoul Art Center, Korea, 2011 Six Paths (2007) for 13 players Performed by Luxembourg Sinfonietta, conductor: Marcel Wengler Centre des Arts Pluriels Ed. Juncker, Luxembourg, 2008 Shadow of Golconda (2006) for 15 players Performed by ALEA III Contemporary Music Ensemble, conductor: Theodore Antoniou; TSAI Performance Center, Boston, MA, 2007 Orchestral /Large Ensemble (Chinese) Serene Haven 浮 . 憶 (2015) for large Chinese ensemble of 13 players Soundscape: “Fa Chang” 法常響景 (2011) for Chinese Chamber Orchestra Performed by Hong Kong Chinese Orchestra, conductor: Hee Chiat Chew; Sheung Wan Civic Centre Theatre, Hong Kong, 2011 Nine Actors 九角子 (2011) for Chinese Orchestra Performed by Singapore Chinese Orchestra, conductor: Tsung Yeh; SCO Concert Hall, Singapore, 2011 Chamber (Western) Tranquility in Consonance (2016) for flute, saxophone, bassoon and piano Insight II (2015) for flute, bass clarinet, violn, cello and piano Performed by New York New Music Ensemble, Buffalo, NY, 2015 Fantasy on Green Island 綠島幻想曲 (2014) for violin, cello and piano Peace of Mind (2014) for bass clarinet, baritone saxophone and piano Insight (2014) for viola, cello and piano *Commissioned by Hong Kong Composers’ Guild In Seventh Heaven (2014) for saxophone, double bass and piano Hermit (2014) for 8 players of flute, clarinet, 2 violins, viola, cello doubla bass and piano Performed by Ensemble Eclat, Sai Wan Ho Civic Centre, Hong Kong, 2014 Distant Voices (2013) for String Quartet Performed by Quatetto Ascanio, Palagio de Parte Guelfa, Florence Italy, 2013 Silent Wind (2011) for viola, guitar, and vibraphone Performed by Curious Chamber Players; Internationales Musikinstitut Darmstadt, Germany, 2012 Dark Side of the Shadows (2011) for bass clarinet, cello and piano Performed by Illnois Modern Ensemble, Krannert Center for Performing Arts, 2012 Time and Tide (2010) for trombone and percussion (1 player) Performed by Ryan Rongone, trombone and Jack Westmoreland, percussion; 14 Pews, Houston Composers Salon concert, 2014 Basho’s Six Scenes (2010) for shakuhachi, 2 violins, viola, and cello Performed by Tajima Ken-ichi, shakuhachi and AMF String Quartet; Asian Music Festival, Tokyo Japan, 2010 Echo of Basho’s Voices (2010) for flute, violin, cello, and piano Performed by Festival New Music Ensemble, The 10th Annual Festival of Contemporary Music, 2012 Yugen III (2009) for alto (tenor) saxophone, Bb (bass) clarinet, and piano. Performed by Thelema Trio, SCI National Conference, South Carolina, 2010 Black, Wood, Silence, Color (2009) for erhu, guzheng, flute, bass clarinet, accordion, violin, cello and percussion. Performed by Luxembourg Sinfonietta and guest players; Abbaye de Nemunster, Luxembourg, 2009 Reflection on Klee’s Ancient Sound (2009) for Oboe, Bassoon, Viola, and Guitar Performed by Ensemble Sortisatio, Musicarama New Music Festival, Hong Kong, 2009 Yûgen (2008) for Flute (Piccolo), Bb Clarinet (Bass Clarinet), Cello, and Piano *Commissioned by San Francisco Chamber Mix ensemble Performed by Foundation for Modern Music Ensemble The Museum of Fine Arts, Houston Texas, 2013 Hundun (2008) for Harp and Double Bass Performed by Megan Levin, harp and Shawn Conley, double bass Christ and St Stephen’s church, New York, NY, 2009 Karma II (2008) for Flute, Bass Clarinet, Piano, Guitar, Percussion, Violin, Cello and Double Bass Performed by Juventas New Music Ensemble, Boston, MA, 2007 In the Garden (2007) for Flute, Bass Clarinet, Piano, 2 Violins, Viola, Cello, and Double Bass. Performed by Ensemble Be, Asian Contemporary Music Festival, Seoul, Korea, 2009 Karma (2007) for Flute, Bass Clarinet, Piano, Violin, Cello, and Percussion Performed by E.A.R. UNIT New Music Ensemble, Arcosanti, Arizona, 2007. Beautiful Mind (2006) for String Quartet *Commissioned by Creator of Music Performance Organization Gorintou, Five Rings Pagoda (2006) for Flute, Bass Clarinet, Piano, Violin, Cello, and Percussion. *Commissioned by Hong Kong Composers’ Guild Chamber (Mixed or Chinese) Ding II (2016) for guzheng and string quartet Ding 鼎 (2015) for double bass and guzheng Betweem the Lines II《兩線之間 II》(2013) for 12 mixed wester and chinese instruments Performed by Chinese Virtuosi and Ensemble Amici, conductor: Kuok-man Lio Sheung Wan Civic Centre, Hong Kong, 2013 Message from the Wind《秋月涼風》(2012) for seven Chinese Instruments Performed by Dingyi Music Ensemble, Singapore Conference Hall, Singapore, 2013 Awaiting the Dawn《群鶴待曉》(2011) for seven Chinese instruments Performed by Forum Music Ensemble, Soochow University Performing Arts Center; Taipei, Taiwan, 2012 By the Lotus Pond《蓮葉清響》(2010) for Wuji (Yuan) Ensemble Performed by Wuji Ensemble, Kwai Tsing Theatre, Hong Kong, 2013 Solo Music Jasmine Bloosom (2015) for piano A Spring Morning 曉春 (2015) for flute Ran 然 (2014) for Guzheng Performed by Yu-cheng Wang, Roadhouse Community Arts Center, Vancouver, Canada, 2014 Hui 匯 (2012) for flute Performed by Elizabeth Talbert, Community Music Center, San Francisco, California, 2013 Color. Valley (2010) for Cello Performed by Christophe Mathias GroBer Akademie fur Tonkunst, Darmstadt, Germany, 2010 Spirit Labyrinth (2009) for Harp Performed by Jasmie Hogan, Simon Music Center, Indiana University, Bloomington, Indiana, 2010 Sunflower (2008) for Trombone Performed by Aubrey Tucker, Spring Composers’ Concert, Houston Community College, Houston, Texas, 2013 Vocal / Choral Canción Cantada (2015) for voice, flute and harp Autumn Colors (2012) for soprano, guitar and cello Performed by Great Noise Ensemble, Ward Hall, Washington, D.C., 2013 Moonlight II (2008) for Mezzo Soprano, Violin, Cello and Piano Performed by HCC music faculty, HCC faculty recital, 2011 Discography “The Luminous Mystery” for solo violin and orchestra, on the CD, “Turbulent Sky” by Navona Records. Recorded by Moravian Philharmonic Orchestra, Vit Mužik (solo violin), Petr Vronsky, conductor. more information: http://www.navonarecords.com/catalog/nv6012/ “Dark Side of the Shadows”, Composer: Stephen Yip, by Ablaze Records. more information: http://www.ablazerecords.netStephen_Yip_Dark_Side_of_the_Shadows.html “Hui”, solo flute on the CD, “Millennial Masters vol. 4” by Ablaze Records. Recorded by Izumi Miyahara. more information: http://www.ablazerecords.net/millennial_vol4.html “Sunflower”, trombone solo on the CD, “Paper Clips” by Navona Records. Recorded by Andrew Malloy, trombonist. more information: http://www.navonarecords.com/ “The Legendary Phoenix”, piano and orchestra on the CD, “Fire and Time” by Navona Records. Recorded by Moravian Philharmonic Orchestra, Martin Levicky (piano solo), Petr Vronsky, conductor. more information: http://www.parmarecordings.com/ “Spirit Labyrinth II”, harp solo and chamber orchestra on the CD, “Crosscurrents” by North South Records.Recorded by Megan Levin, harp solo and North/South Chamber Orchestra, Max Lifchitz, conductor. more information: http://www.northsouthmusic.org/default.asp “Yûgen III”, chamber music on the CD, “Millennial Masters vol. 2” by Ablaze Records. Recorded by Thelema Trio. more information: http://www.ablazerecords.net/millennial_vol2.html “In the Garden”, chamber music on the CD, “Millennial Masters vol. 1” by Ablaze Records. Recorded by TIMF Ensemble, Christopher Lee, conductor. more information: http://www.ablazerecords.net/millennial_vol1.html “Gorintou - Five Rings Pagoda”, chamber music on the CD, “Mosaic” by Navona Records. Recorded by Musica Nova New Music Ensemble, Lee Hartman, conductor. more information: http://www.navonarecords.com . “Shun”, flute solo and strings on the CD, “Sound Paintings” by North South Records. Recorded by Lisa Hansen, flute and North/South Chamber Orchestra, Max Lifchitz, conductor. more information: http://www.northsouthmusic.org/default.asp “Hundun”, harp and double bass on the CD, “Ghosts” by Beauport Classical Records. Recorded by Megan Levin, harp and Shawn Conley, double bass. more information: http://www.beauportclassical.com/Beauport_Classical/In_Concert_Series.html “Raining in Autumn”, violin and orchestra on the CD, “Mementos” by Navona Records. Recorded by Moravian Philharmonic Orchestra, Vit Micka, conductor and Ondrej Lebr, violin solo. more information: http://www.navonarecords.com “Yi Bi”, String Quartet on the CD, “Concours Molinari 2005-2006” by ATMA Classique records. Recorded by Molinari String Quartet. more information: http:/ www.quatuormolinari.qc.ca/ “Novela”, Orchestra on the CD, “Masterworks of the New Era vol. 11” by ERM media records. Recorded by Kiev Philharmonic Orchestra, Robert Ian Winstin, conductor. “Six Paths”, Sheng and 11 players on the CD, “Luxembourg Sinfonietta International Composition Prize 2008”, by Editions LGNM No. 408. Recorded by Wu Wei, solo Sheng and Luxembourg Sinfonietta, Marcel Wengler, conductor. “Karma III”, Octet on the CD, “Millennium Project: Made in the Americas”, by ERM media records. Recorded by Millennium Symphony, Robert Ian Winstin, conductor. “Shadow of Golconda III”, Chamber orchestra on the CD, “Masterworks of the New Era vol. 14”, by ERM media records. Recorded by Kiev Philharmonic Orchestra, Robert Ian Winstin, conductor. Back

TANG Hoi-ching Katie 滕鎧晴 Katie is currently studying at the Hong Kong Academy for Performing Arts major in Composition and Electronic Music. Katie is enthusiastic in exploring the relationship of human and nature, thus the relationship of physics and philosophy in the form of art. She is keen on discussing the purpose of life, imagination of utopianism, reality and physics elements that could not be seen with human eye. Her music focused on the timbre of different instrumental sounds and attempted to explore different combination of sound spectrum played by different instruments. She aims to create a musical space for audience to rethink their innatism and stimulates creative imagination that could be brought to our daily life. Her music has been performed by the Academy’s contemporary ensemble and the Academy choir. She has also been selected to participate the music festival “SoundMine 2022” in Belgium in summer 2022 in tuition by Prof. Wim Henderickx, Professor of composition in Antwerp and Amsterdam. MAJOR WORKS 主要作品 Back

LUK Wai-chun 陸尉俊 Luk Wai Chun earned his Doctor of Music degree (D. Mus.) at The Chinese University of Hong Kong. He loves exploring different kinds of musical style. He went to the University of South Florida(USF) as a visiting scholar to study jazz music and conduct research on Latin American Music. Later, he traveled to Cuba, Peru, Bolivia and Brazil for conducting music fieldwork on Latin American music. During his doctoral study, Luk received various scholarships, including the Composers and Authors Society of Hong Kong Scholarship, the ICS Mok Hing Cheong Postgraduate Scholarship, and the Music Scholarship (Local Studies) from the Hong Kong Jockey Club Music and Dance Fund. Wai-Chun collaborated with different music groups, artists from various places, for example, Trey Lee, Zhang Ying, Hong Kong Chinese Orchestra, Windpipe Chinese Music Ensemble, Nanjing Chinese Orchestra, Ding Yi Music Company (Singapore), Ensemble Mise-en (USA), Red Chamber (Canada) and Tacet(i) Ensemble (Thailand), etc. His Chinese instrumental work “Tan-Tiao Rock” won the Gold Prize in Combination of Musical Instruments of the Same Category at 2021 "Dunhuang Award" for Chinese Chamber Music, another pipa solo work "Jazz Pipa” earned the Silver Award in Dunhuang Award for New Works for Pipa Solo in 2017. Other compositions of Wai-Chun were featured at the 67th International Rostrum of Composers (Serbia), São Paulo Contemporary Composers Festival (Brazil), Hong Kong Contemporary Music Festival 2019, ISCM World New Music Days 2017 (Canada), and Intercultural Music Conference & Concert (USA). 陸尉俊在香港中文大學音樂系取得音樂博士（作曲）學位。他喜歡探索不同的音樂風格，而其作品融合不同文化的音樂元素。陸氏曾以訪問學者的身份前往美國南佛羅里達州大學訪學，鑽研爵士音樂及研究拉丁美洲音樂，並到訪古巴、秘魯、玻利維亞和巴西作音樂考察。陸氏修讀博士學位期間獲頒多項獎學金，包括香港作曲家及作詞家協會獎學金、中國文化研究所莫慶鏘獎學金，以及香港賽馬會音樂及舞蹈信託基金本地音樂獎學金等。 陸氏曾與多個地方的音樂家或團體合作或受委約創作，如李垂誼、張瑩、香港中樂團、竹韻小集、南京民族樂團、鼎藝團 (新加坡)、Ensemble Mise（美國）、紅庭（加拿大）、和 Tacet(i) Ensemble（泰國）等。另外，陸氏的中樂作品《彈撥搖滾》於2021「敦煌獎」中國民族室內樂新作品展評活動中贏得金獎第一名（同類樂器組合作品），琵琶獨奏曲《爵士琵琶》則在2017年獲「敦煌獎」重奏新作品展評銀獎。 除此之外，他的作品亦在第 67 屆 International Rostrum of Composers（塞爾維亞）、São Paulo Contemporary Composers Festival（巴西）、2019 第一屆香港現代音樂節、2017 國際現代音樂協會 （ISCM）世界音樂日（溫哥華）及 Intercultural Music Conference and Concerts（美國）發表。 MAJOR WORKS 主要作品 Chamber (Western) Blue Pole《歸墟》(2018) for string quartet Dance of Yi in Honghe《紅河彝舞》(2018) for violin, alto saxophone and piano Love Will Never Let Me Go (2017) for vln, cl, alto sax, tpt, tb, pf, electric bass/db & drumset Pure Land《淨土》(2017) for woodwind quintet Yangzhou Massacre《揚州十日》(2016) for piano quartet Tribal dance (2015) for violin, alto saxophone and piano Mask (2015) for violin, viola, cello, flute, clarinet and piano Reality-Schizophrenia《現實・精神分裂》(2015) for string quartet Roaming in Painting—‘Splendid Image’《畫中遊-萬象神采》(2014) for violin and piano duet Connection Dance《與靈共舞》(2014) for flute and piano duet Pixies (2014) for flute, cello & piano Sunset. Sea《日薄・海》(2014) for violin and piano duet Dream of the Dragon《夢想・巨龍》(2012) for piano trio Chamber (Mixed) Samba Miniature《森巴彈指》(2020) for pipa, piano, double bass and drumset Bian Lian《變臉》(2018) for pierrot ensemble and percussion The Legend of Fairy Cave《仙洞傳說》 (2017) for jazz organ, dizi, pipa, zhongruan, guzheng, string ensemble, electric guitar, bass guitar and drumset Fire Dragon Dance《舞火龍》(2016) for violin, viola, cello, sheng, zhongruan, pipa Chamber (Chinese) Tan Tiao Rock《彈撥搖滾》(2020) for Pipa, Zhongruan and Daruan Lan Kwai Tang Fong 《蘭桂騰芳》(2020) for Cantonese ensemble Window 《窗》(2016) for xiao, sheng & yangqin Instrumental solo (Chinese) Rock Pipa - Fight《搖滾琵琶—FIGHT！》(2020) for pipa Still Ink《沉・墨》(2016) for zhongruan Jazz Pipa《爵士琵琶》(2015) for pipa String Orchestra Xi Shui Yuan Yang《戲水鴛鴦》 (2017) for string orchestra Electro-Acoustic Music/ live electronic Music/ Electronic Music Nian《念》(2016) for trumpet, singing bowl and live electronics(MAXMSP) Dream. Awakening《夢・醒》(2015) electronic music Multimedia Mong Kok’s Corner《旺角一隅》 (2017) for pipa, viola & cello War Ferocity《戰・猙》 (2011) for violin, percussion, piano, SA choir, dance(collaborate with other composers) Theatre (Drama/Music Drama) Faith《信途》 (2017) (theatre scoring/song writing) - Exploration theatre My City《我城》(2013) (theatre scoring/song writing/arranger)(collaborate with other composers) - Serious Play Back

Music Salon aims at forming a network of music departments of the participating institutions for scholarly musical exchanges, performances, researches and coordination of creative musical activities. MUSIC SALON I Guest Performer: Hong Kong Wind Kamerata 演奏嘉賓：管樂雅集 Carmen Ma (Flute) 馬家敏（長笛） Guest Performer: Hong Kong Wind Kamerata 演奏嘉賓：管樂雅集 1/11 Music Salon aims at forming a network of music departments of the participating institutions for scholarly musical exchanges, performances, researches and coordination of creative musical activities. Music Salon also forms a good platform for music exchanges for the student composers and the HKCG composers. We are happy to launch this Music Salon series with the participation from music departments from HKAPA, EdUHK and CUHK. Concert Date & Time: October 15, 2021 (Friday) at 8 p.m. Venue: Theatre, Sai Wan Ho Civic Centre Concert Producers: Lee Kar-tai Phoebus, Viola Yuen Performer: Hong Kong Wind Kamerata Programme: Lau Lik-chi Daniel - Blue Tick (2019) Department of Music, The Chinese University of Hong Kong Pang Kwan - The Magic Mountain (2019) Department of Music, The Chinese University of Hong Kong Tang Chak-yan - Cueva de las Manos (2018) Department of Cultural and Creative Arts, The Education University of Hong Kong Wong Chi-san - Snowfield (2019) Department of Composition and Electronic Music, School of Music, The Hong Kong Academy for Performing Arts Wong Ching-yin - Wandering Glimmer and Broken Light (2019) Department of Music, The Chinese University of Hong Kong Wu Yimin - Sprout (2018) Bowling Green State University Yiu Chi-hong - Moon and Princess Kaguya (2019) Department of Cultural and Creative Arts, The Education University of Hong Kong Yu Tsz-long - The Harbor Never Snows (2018) Department of Composition and Electronic Music, School of Music, The Hong Kong Academy for Performing Arts

MAK Chi-piu 麥志彪 MAJOR WORKS 主要作品 Back