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Transcending Music Legacy Hong Kong Composers’ Guild (HKCG) is celebrating its 40th Anniversary this year. To mark this special occasion and to share our music creativity and musical ideas of the past four decades to the public, HKCG is proud to present the Transcending Music Legacy. Original compositions selected by HKCG will be showcased in the following concerts: ​ 1. Concert with Nova Ensemble 2. Concert with Hong Kong Gaudeamus Dunhuang Ensemble; and 3. Concert with The Hong Kong Children’s Choir ​ A total of 26 contemporary music will be featured in this festival, with 3 commissioned pieces composed by local composers Stephen Yip, Chan Ming Chi and Chan Kai Young. ​ A press conference for the event will be held on Monday, 25 September 2023 at the Sheung Wan Civic Center(7/F, Sheung Wan Municipal Services Building, 345 Queen’s Road Central, Hong Kong). The Honourable Officiating Guests are Mr. Leung Kin-fung (HKADC representative of Music), and HKCG Chairman Dr. MUI Kwong-chiu. ​ The Transcending Music Legacy is presented by HKCG, supported by the Hong Kong Arts Development Council and CASH Music Fund. Press Conference 1. Concert with Nova Ensemble Read More The Interview with Nova Ensemble & Composers Live Concert Concert Details : Date/ 27.10.2023 (Friday) Time/ 8pm Venue/ Theatre of Sheung Wan Civic Centre ​Special Guest/ LOO Sze-wang (Sheng), PANG Wai-lun (Pipa) Program : David GWILT | Variants (1991) Doming LAM | Three Chinese Dances (arr. 1963) Matthew LAM | In Extremis (2022) LEUNG Hong-yu | Excursion II (2022/rev. 2023) LO Hau-man | Shakhi-Zinda (1994) PANG Chun-ting | As Snow (2012) Stephen YIP | Sempre Invictus (2023) * *Commissioned by Hong Kong Composers’ Guild in 2023 with support from Hong Kong Arts Development Council. Our Composer Three Chinese Dances (arr. 1963) Variants (1991) Sempre Invictus (2023) * Shakhi-Zinda (1994) As Snow (2012) Excursion II (2022/rev. 2023) In Extremis (2022) 2. Concert with Hong Kong Gaudeamus Dunhuang Ensemble The Interview with Hong Kong Gaudeamus Dunhuang Ensemble & Composers Live Concert Concert Details : Date/ 12.01.2024 (Friday) Time/ 8pm Venue/ Theatre of Hong Kong City Hall Program : Joshua CHAN | The Spring Garden (1998, rev. 2023) CHAN Ming-chi | Guanzizai‧Dunhuang (2023)* Chris HUNG | Stone Sentinel Maze (2013, rev. 2023) KAM Shing-hei | Thank you for your time (2022) LUK Wai-chun | Tan-tiao Rock (2020, rev. 2023) MUI Kwong-chiu | Here comes the East Wind (2023) SO Chuen-on | Ascetic (2023) ​ *Commissioned by Hong Kong Composers’ Guild in 2023 with support from Hong Kong Arts Development Council. Our Composer Tan-tiao Rock (2020, rev. 2023) Here comes the East Wind (2023) The Spring Garden (1998, rev. 2023) Thank you for your time (2022) Stone Sentinel Maze (2013, rev. 2023) Guanzizai · Dunhuang (2023) Ascetic (2023) 3. Concert with Hong Kong Children's Choir The HKCC 3 The HKCC 1 The HKCC 3 1/2 Interview with The Hong Kong Children's Choir & Composers Live Concert DSC00115 0N7A7911 0N7A6611 DSC00115 1/9 Concert Details : Date/ 12.04.2024 (Friday) Time/ 8pm Venue/ Theatre of Sheung Wan Civic Centre Program : CHAN Wing-wah | A Bright New Sunny Day (2014) CHEN Ning-chi | The Far Away Star (1997) SHIN G Chun-hay | Music Brings Us Together (2012, rev. 2023) LEUN G Chi-hin | Thoughts of Separation (2016) Doming LAM | Flower Drum Song (arr. 1957) LAW Wing-fai | Hope (1988) Austi n YIP | Breeze (2021) Viola YUEN | On a Sleepless Night (2016) HUI Cheung-wai | Wish to Fly (1994/2003) Richard TSANG | I Am Not There (2014) Doming LAM | Holy Mountain Afar (1985) CHAN Kai-young | in a word (2023) Alex TAM | A New Day (2023) ​ ​ *Commissioned by Hong Kong Composers’ Guild in 2023 with support from Hong Kong Arts Development Council. Our Composer A Bright New Sunny Day (2014) The Far Away Stars (1997) Music Brings Us Together (2012, rev. 2023) Thoughts of Separation (2016) Flower Drum Song (arr. 1957) Holy Mountain Afar (1985) Hope（1988） Breeze (2021) On a Sleepless Night (2016) Wish to Fly (1994/2003) I Am Not There (2014) In a word (2023)* A New Day（2023） Ticket

OTHER EVENTS Year of 2024 EdUHK ArtFiesta Gala Concert 香港教育大學「樂藝盛典」演藝菁華音樂會 香港教育大學「樂藝盛典」演藝菁華音樂會 Future Classics - Shining Talents and Confluent Music 未來的傳統 - 星閃閃 樂悠悠 未來的傳統 - 星閃閃 樂悠悠 Year of 2023 Music Flows in Hong Kong Deep Love for Our Motherland 樂動香江情繫神州 Our Dream 2023 我們的夢 2023 Musique Sans Frontières 樂無疆 Future Classics: Selected Commission Works by Windpipe Chinese Music Ensemble 竹韻南曲．小集大雅 Year of 2021 Chamber Music Concert with Rosetta Contemporary Ensemble 室樂音樂會 Percussion Duo Concert with RE.MIX RE.MIX 敲擊樂二重奏 音樂會 Music Salon I 音樂沙龍：管樂作品展 Decoding Creativity: Interactive Platform for Contemporary Music Appreciation 創樂背後：現代音樂展演交流平台 Year of 2019 Contemporary Wind Band Compositions by Hong Kong Composers Concert 2019 香港作曲家管樂團作品匯萃 2019 FRANCE and HONG KONG Exchange Concert 2019 法國香港交流音樂會 2019 Contemporary Choral Compositions of Chinese Poems Concert 2019 詩詞傳頌音樂會 2019 Musical Convergence 琴緣飛渡 Year of 2018 ASIAN TRADITION, ASIAN CONTEMPORARY: Japan - HK Exchange Concert 亞洲傳統與當代音樂： 日本香港交流音樂會 Match Making Concert 2018 創藝匯新聲 2018﹣ 創 ‧ 演青年音樂家 Year of 2013 - 2017 Musicarama 2017: Chinese Ensemble Music Concert 音樂新文化 2017：中樂作品展演 Musicarama 2017: Choral & Vocal Music Concert 音樂新文化 2017： 合唱和聲樂作品音樂會 Sharing Lectures by Hong Kong Composers 2017 名家趣談作曲 2017 Instrumental Writing Lecture Demonstration 2017 器樂創作示範講座 2017 Melodius Hong Kong 2017 香江樂語 2017 Sharing Lectures by Hong Kong Composers 2016 名家趣談作曲 2016 Musicarama 2016 音樂新文化 2016 Sharing Lectures by Hong Kong Composers 2015 名家趣談作曲 2015 Sharing Lectures by Hong Kong Composers 2014 名家趣談作曲 2014 Match Making 2014 Concert 創藝匯新聲音樂會 2014 Sharing Lectures by Hong Kong Composers 2013 名家趣談作曲 2013

LAM Shun 林迅 LAM Shun, a member of Hong Kong Composers’ Guild and Vice-President of the Chinese Woman Composers’ Association is a member of the International Alliance for Women in Music , graduated from the Hong Kong Academy for Performing Arts and the Chinese University of Hong Kong. She studied composition, western orchestration and piano with Mr. Law Wing-fai, Dr. Chan Wing-wah and Miss Eleanor Wong respectively. Her works including both Chinese and western Chamber instrumentations’ work, Orchestral, dance music, Opera, hymns, songs and musical for children, piano works including Solo, duo & Piano concerto and also works for Konghou etc. Her compositions had been performed by the Hong Kong Philharmonic Orchestra, the Hong Kong Sinfonietta, the Hong Kong Chinese Orchestra, the Japan’s Ensemble Kochi, the Scottish Chamber Orchestra, the Chinese Virtuosi(HK), Shenzhen Symphony Orchestra, China National Symphony Orchestra, Guangdong National Orchestra, Evergreen Symphony Orchestra of Taiwan, Dun Huang Chinese Ensemble(Shanghai), Shanghai Philharmonic Orchestra and City Chamber Orchestra of Hong Kong. Her compositions had been presented in Hong Kong, Beijing, Shanghai, Taiwan, Italy and Paris respectively. LAM is now working as a composer, piano teacher and accompanist respectively. 林迅 ，香港作曲家聯會會員、華人女作曲家協會副主席及 國際女音樂家聯會會員，先後畢業於香港演藝學院及香港中文大學。師承羅永暉老師習作曲、陳永華教授習西方管弦樂配器、以及隨黃懿倫教授習鋼琴。 林氏的作品包括獨奏、室樂、管弦樂、舞蹈音樂、聖詩、兒歌、歌劇及兒童音樂劇等等。其作品曾由香港管弦樂團、香港小交響樂團、香港中樂團、曰本東風合奏團、蘇格蘭室樂團、龢鳴樂坊、深圳交響樂團、中國交響樂團、廣東民樂團、長榮交響樂團、敦煌民樂小組、上海 愛樂樂團及香港城市室樂團等演奏；並於香港、北京、上海、臺灣、意大利、及巴黎等地發表。 林氏現正從事作曲、編曲、鋼琴教學及伴奏等工作。 MAJOR WORKS 主要作品 Orchestral Reflections by the Lake II (1995) 15' for string orchestra Twilight of Swayanbonath (1994) 3' Saytankarxi (also called Ghost Town) (1993) 12'43" Beyond the Border (1988) 6' Chamber (Western) Reflections by the Lake (1994) 12' for string quartet Chi Di (1992) 13' for fl, cl, vn, vc & pf Life (1992) 10' for cl, marimba & vibraphone Duet for Clarinet, Bass Clarient & Percussion (1991) 8' Mi (1989) 6' for double zheng's, vn, vc & perc Trio (1989) 7' for fl, cl, bass cl Reminiscence (1988) 5' for string quartet Chamber (Chinese) - also for Chinese modern dance Clerical Script (1996) 2' for dizi, pipa, zheng, erhu & perc Regular Script (1996) 7' for dizi, pipa, zheng, erhu & perc Instrumental Solo Irresistible Impulse (2001) 2' for pf Life II (1992) 10' for marimba Spingende Golden Bohne (1991) 7' for marimba Celestial Fire (1990) 5' for pf Chamber Opera The Divorce (2000) 50' Vocal / Choral 套曲 (2001) 1. 私家車 for children voices & pf 2. 火車 for children voices & perc 3. 交通工具–車輛 for children voices, pf & body movement Electronic Music Accidents (1992) 8' for tape Discography Saytankarxi Hugo HRP 7209-2 Publications 「套曲 (私家車，火車，交通工具–車輛)」《教樂樂、學樂樂：歌集附鐳射唱片》Hong Kong: The Hong Kong Institute of Education, 2001. 「小小實驗室」及「遊戲廣場」《小學聲響設計作品指引》Guidelines for School Creative Music Project, 22-27. Hong Kong: Advisory Inspectorate (Music), Eduaction Department, 1998. 管弦樂 湖想（二）(1995) 15' for string orchestra 職斯瓦楊布勒的晨曦 (1994) 3' 沙依坦克爾西（又名：鬼城）(1993) 12'43" Beyond the Border (1988) 6' 室樂 (西樂) 湖想 (1994) 12' for string quartet 赤地 (1992) 13' for fl, cl, vn, vc & pf 生命 (1992) 10' for cl, marimba & vibraphone Duet for Clarinet, Bass Clarient & Percussion (1991) 8' 迷 (1989) 6' for double zheng's, vn, vc & perc 三重奏 (1989) 7' for fl, cl, bass cl 憶 (1988) 5' for string quartet 室樂 (中樂)與中國現代舞 隸書 (1996) 2' for dizi, pipa, zheng, erhu & perc 楷書 (1996) 7' for dizi, pipa, zheng, erhu & perc 獨奏曲 Irresistible Impulse (2001) 2' for pf 生命(二) (1992) 10' for marimba Spingende Golden Bohne (1991) 7' for marimba Celestial Fire (1990) 5' for pf 室內樂歌劇 離婚 (2000) 50' 聲樂 / 合唱 套曲 (2001) 1. 私家車：for children voices & pf 2. 火車：for children voices & perc 3. 交通工具 - 車輛：for children voices, pf & body movement 電子音樂 Accidents (1992) 8' for tape 唱片目錄 Saytankarxi, Hugo HRP 7209-2 出版刊物 「套曲一 (私家車，火車，交通工具–車輛)」《教樂樂、學樂樂：歌集附鐳射唱片》Hong Kong: The Hong Kong Institute of Education, 2001. 「小小實驗室」及「遊戲廣場」《小學聲響設計作品指引》Guidelines for School Creative Music Project, 22-27. Hong Kong: Advisory Inspectorate (Music), Eduaction Department, 1998. Back

PANG Chun-ting 彭振町 MAJOR WORKS 主要作品 Back

WONG Chung-hei 黃頌熙 MAJOR WORKS 主要作品 Back

YEUNG Hoi-ching Alice 楊凱晴 Alice Yeung was born and raised in Hong Kong. She is an active composer and instrumentalist who is enthusiastic about exploring new definitions of music from human nature and philosophy. Yeung is currently pursuing her Bachelor of Music Degree (specializing in Composition and Electronic Music) at The Hong Kong Academy for Performing Arts, under the supervision of Prof. Clarence Mak, Ms. Poly Ng, and Dr. Pui-shan Cheung. Her works have been commissioned and performed by Hong Kong Composers’ Guild, Hong Kong Gaudeamus Dunhuang Ensemble, Ictus Ensemble, Ligeti Quartet, Takuya Otaki, Ross Aftel, among others. Yeung’s works range from instrumental solo pieces to orchestral music, world, and inter disciplinary music. She was chosen as the participant of The International Young Composers Academy 2021 in Tichino, Switzerland. She was the representative student to participate in the music exchange activities at Seoul National University (2018), also a composer and violist in “SPARK: The Science and Art of Creativity Festival” organized by the British Council. Yeung has received scholarships to attend activities such as international conferences and short study courses with artists in Mainland China and overseas, such as Takefu International Music Festival 2018 & 2019, Yeoncheon DMZ International Music Festival 2013 & 2018. She has received important benefits for her artistic development from the tutelages of Chinary Ung, Toshio Hosokawa, Samson Young, Nishioka Tatsuhiko, and among other composers, via international workshops, academies, and masterclasses. She composed music with various styles which were characterized by her life, emotions, and philosophical nature. 楊凱晴是香港土生土長的作曲家，現於香港演藝學院修讀作曲及電子音樂。創作範疇有管弦 樂、中樂團、電子音樂、世界音樂、各類型室樂合奏及獨奏、以及音樂裝置編程多媒體作品。 近年委約作品有香港作曲家聯會「創樂背後：現代音樂展演交流平台」— 琵琶獨奏《鎖清 秋》、香港天籟敦煌樂團「古韻薪傳音樂會」— 䆳、唐笙、箜篌、曲項琵琶四重奏《枯木 說》、為美國紐約敲擊樂手Ross Aftel譜曲的馬林巴琴及電子原聲二重奏《Decay》。曾演奏 其作品的包括英國倫敦利蓋蒂四重奏、比利時 Ictus Ensemble、鋼琴演奏家大瀧拓哉，演藝 交響樂團、中樂團、當代合奏團等。 楊氏近年獲多個奬學金資助，前往各地作曲音樂節、大師班及座談會鑽研音樂。最近獲選為 瑞士國際青年作曲家學院（2021）作曲生。過往參與了日本武生國際音樂節（2018 & 2019）、英國文化協會於古蹟及藝術館大館舉辦的「SPARK - 科學與藝術創意節」(2018)、 韓國仁川DMZ國際音樂節（2018 & 2013）。 MAJOR WORKS 主要作品 Orchestral (Western) SPIDER (2020) 7’ Orchestral (Chinese) Alice in the Wonder(ish)land // 清央 (2020) 6’ Chamber (Western) Dedicated to Ictus Ensemble: Ding! Dong! Cha! // 丁! 噹! 查! (2021) 6’ for Contrabass flute, Cello and Percussions Dedicated to Ligeti Quartet: Stormy Carnival next to the Creek (2020) 5’ for String Quartet Wind Sailer // 撲風 (2020) 5’ for String Quartet Abyss // 深淵 (2018) 9’ for Voice, Clarinet, Recorder, Cello The Oasis (2018) 5’ for Flute, Violin, Viola, Cello, Piano Significant Dust (2018) 4’ for Flute, Violin, Viola, Cello Nostalgia // 陳憶 (2018) 4’ for Cello, Piano The Abandoned Seelie // 不羈靈 (2018) 8’ for Alto saxophone, Vibraphone, Harp, Piano, Cello The Eternal Waves from the Other Side // 從彼岸迎來的浪 (2018) 10’ for Flute, Harp Chaos // 狼藉 (2017) 7’ for Saxophone, Piano Bonfire Jungle // 營火叢(2017) 5’ for Flute, Violin, Cello, Timpani Fugue for Flute Duo (2017) 4’ for Flute duo Untitled Sonata // 毋嗚 (2016) 4’ for Cello, Piano Cotton Field (2015) // 棉花田 6’ for Flute, Oboe, Clarinet Chamber (Chinese) As the Winds sweep by, the Creek trickles… // 風流水動之澗 (2019) 8’ for Guzheng ensemble The Immortal Memoir // 枯木說 (2020) 6’ for Tangsheng, Xun, Konghou, Bent-neck pipa Chamber (Mixed) Pearl in Ditch //倒珠 (2019) 7’ for Flute, Oboe, Soprano sheng, Baritone saxophone, 2 percussionists Reveal: Terra-Firma (2019) 6’ for Flute, Taonga puoro Night Parade of a Hundred Demons // 百鬼夜行 (2019) 8’ for Viola and Zhongruan Instrumental Solo Barred Autumn // 鎖清秋 (2020) 4’ for Pipa Solo Dedicated to Takuya Otaki: Perception (2020) 4’ for Solo Piano The Broken Rooftop // 破簷 (2019) 6’ for Solo Piano Dedicated to Kam-fung Fan: Corpses in Dreams (2019) 12’ for Solo Alto Saxophone Electroacoustic Music Dedicated to Ross Aftel: DECAY (2021) 4’ for Solo Marimba and Tape Computer Music The 2020th Blackout Cycle in 2020 // 二零二零年的第二千零二十次暈厥循環 (2020) 4’ compiled by Ableton Live Inter-disciplinary Music Beneath You // 在這般背景中完成 (2021) 25’ for Interactive Audiovisual Installation, Lighting, Short Film Back

BOZNOS James 龐樂思 A versatile musician, James Boznos (1969, Chicago) has been the Principal Timpanist of the Hong Kong Philharmonic Orchestra (HK Phil) since 2000. James has been a soloist with the HK Phil on three occasions, having performed both of the William Kraft Timpani Concertos as well as his own composition Concerto for Timpani, Roto-Toms and Orchestra. In 2019, the China Philharmonic and Guangzhou Symphony premiered Concerto no. 2, Pavilions, for extended timpani, orchestra and mp3, with the composer as soloist. He has been a frequent guest principal with the Taiwan Philharmonic, Singapore Symphony, Orchestra Ensemble Kanazawa and the Seoul Philharmonic. He teaches at the Hong Kong Academy for Performing Arts and the University of Hong Kong. Prior to joining the HK Phil, James worked regularly with the Chicago Symphony and the leading new music groups of Boston and Chicago. In those years, some highlights include performing Iannis Xenakis' Psappha for solo percussion in the ancient amphitheatre in Delphi, Greece, and playing Derive I and II at the Berlin Staatsoper for Pierre Boulez's 75th birthday, with Boulez himself conducting. With his ensemble KLANG, he conducted over 60 contemporary works including the US and Asia premiere of Donnerstags Gruss by Stockhausen. He has also conducted the Taiwan Philharmonic, HK Phil and the Chicago Chamber Orchestra. As a composer, James Boznos uses the pen name OZNO. He has written music for orchestra, chamber, solo, vocal, electronic genres as well as for the theatre. Recent premieres have included: Cantata no.1, Anesti, for 6 instruments, 6 voices and synthetic orchestra, Cantata no. 2, Nevu’ah, for 6-part chorus, 19 instrumentalists and tape, Cantata no. 3, Gabriel, for soloists, choir, orchestra and mp3, with the Hong Kong Bach Choir. Jaap van Zweden and the HK Phil performed Oikogeneia for orchestra in 2016, and will premiere his Concerto for Piccolo with Linda Stuckey as soloist. 身兼表演者、作曲家及指揮的龐樂思，1969年出生於芝加哥，自2000年起加入香港管弦樂團成為首席定音鼓，並曾三度為港樂擔當獨奏家，分別演出卡夫茲的兩首定音鼓協奏曲，以及龐樂思本人的定音鼓、輪鼓與樂隊協奏曲。2019年中國愛樂和廣州交響樂團分別首演他的第二定音樂鼓協奏曲，由作曲家擔任獨奏。 龐樂思定期為亞洲多個樂團擔任客席首席，亦在香港大學及香港演藝學院任教。在加入港樂前，龐樂思定期與芝加哥交響樂團，以及波士頓和芝加哥各大樂團合作。他還指揮過台灣愛樂、港樂和芝加哥室樂團，包括為施托克豪森《星期四的問候》作美國和亞洲首演。 龐樂思以OZNO為筆名，撰寫管弦樂、室樂、獨奏樂、聲樂、電子音樂及劇場音樂，近期在香港首演的作品包括：第一首清唱劇《復活》、第二首清唱劇《預言》、第三首清唱劇《加百列》（為獨奏家、合唱團、管弦樂團及mp3而寫），由香港巴赫合唱團首演。梵志登與港樂於2016年呈獻他的《家庭》首演；又將呈獻他的短笛協奏曲的首演，由施家蓮擔任獨奏。 MAJOR WORKS 主要作品 Social Distancing (2020) op. 23, for 10 antiphonal instrumentalists and mp3 (“11) Concerto for Piccolo and Orchestra(2020) op. 22 (“20) Cantata Nr.3 “Gabriel” (2019) op. 21, for soloists, 4 part mixed choir, orchestra and mp3 (“30) orchestra and mp3 (“40)(4.3.3.3)(4.3.3.1) tmp, 5 prc.,hrp, piano (strings) Concerto Nr.2 “Pavilions” (2019) op. 20, for extended timpani, Cantata Nr.2 “Nevu’ah” (2015) op. 19, for solo soprano, 6 part mixed chorus,19 instrumentalists and mp3 (“40) a time, and times, and half a time (2013) op. 18, for solo snare drummer and synthetic instruments (“10) Cantata Nr.1 “Anesti” (2012) op. 17,for 6 part mixed chorus, 6 instrumentalists, synthetic orchestra/tape (“25) Locutions of Dune (2010) op. 16, for saxophone quartet (“14) Symphony No.1 “The Staircase of the Tian-Wang” (2006/7)op.15, for 16 antiphonal musicians, synthetic orchestra and mp3(“50) Oikogenia (2006/2016) op. 14, for orchestra (“45) YuYuan Preludes (2005/8) op. 13, for flute, oboe, clarinet, horn, bassoon, percussion, violin and piano (“13) Google (2005/14) op. 12, for orchestra (2.2.2.2)(4.2.2.1)(T3)(pno)(strings) (“3) Zoon (2005) op.11a, for solo flute and drone, op.11b(2009) for solo percussion and drone (“12) The Gathering (2004) op. 10, for synthetic ensemble (lute, banjo, cimbalon, harp, hand-bells, koto and shakuhachi) (“6) The Elisabeth Music (2005) op. 9, for violin and orchestra (2.2.2.2)(2.2.2.0)(T2)(cel)(hrp)(strings) (“17)​ Taniquetil (2004) op. 8, for orchestra (3.3.3.3)(4.3.3.1)(T4)(pno)(hrp)(strings)(tape) (“18) Concerto for Timpani, Roto-toms and Orchestra (2003) op.7, (3.2.3.2)(4.3.3.1)(4)(pno/cel)(strings) (“25) Angkor (2003) op.6, for 3 trumpets and 3 trombones (“20) Shadow Puppets (2002) op.5, for oboe, vibraphone, harp, 2 violins, viola, cello and bass (“10) The Shaman (1994) op. 4, for solo percussionist and tape (“8) Piano Etudes (1992) op. 3, for solo piano (“15) Escher Themes (1991) op. 2, for orchestra, (3.2.3.2)(4.3.3.1)(T4)(pno/cel)(strings) (“12) The Obligatory Recitative (1989-90) op. 1, for woodwind quintet (“20) Back