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SCHOOLS PERFORMING ARTS IN PRACTICE SCHEME “New Energy of Wind and String” A Music Composition Animateur Scheme 2015/16 Presented by LCSD, in cooperation with Hong Kong Composers' Guild Highlight and Objective A school-year-long music composition training project. For primary and secondary schools with students who have basic music knowledge as well as interested in music composition. Aims to engage the teachers, students and the whole school in the unique art form of music composition, develop the ability of music creativity, and communicate and share with others through music. Project activities include lecture demonstration, music appreciation concert, workshops, in-school concert and finale concert. Students’ creative pieces will be performed at in-school concerts as well as having a chance to be selected to perform at a public performing venue. Content Although music composition is a huge undergoing that requires years of training and experience, this requirement does not necessarily prevent new learners to achieve meaningful results within a shorter period of time. We will encourage students to discover their hidden talent by focusing firstly on sound design, rather than complicated topics like harmony and counterpoint. With the project theme “New Energy of Wind and String”, students will explore various kinds of creative sounds on voices, instruments, percussion and everyday objects, and will arrange these sounds in an organized manner in musical contexts. This will naturally lead to the studies of rhythm, notation, pitch organisation and form. Having mastered these basic skills, students will be guided to write creative types of music, for example, emphasizing on irregular phrasing, surprising melodies, dissonance chords, arrhythmic patterns, extended instrumental techniques, etc., with the ultimate aim to express their individuality through instrumental music. Each student will compose his/her own compositions.

YIP Ho-kwen Austin 葉浩堃 Born in Hong Kong, Austin Yip’s works have been performed worldwide. Places like the United States, Argentina, Scotland, Italy, Slovenia, Korea, Japan and Australia etc. have seen traces of his performance records. His musical creations are very diverse, ranging from orchestral piece to electroacoustic works, from Western orchestral to folk instruments. All the above shows his knowledge and creativity upon different styles of music. Yip has participated in numerous music festivals, in which he has worked closely with many world-renowned performers and ensembles. Festivals he participated include the ACL-Singapore, Sguardi Sonori (Italy), World Saxophone Congress (Scotland), ISCM-Sydney etc. Yip has received commissions from the Hong Kong Arts Festival, Hong Kong Composers’ Guild, Hong Kong Chamber Orchestra, and more. Yip received his PhD and Master of Philosophy degrees at the University of Hong Kong under the supervision of Dr. Joshua Chan with the support from the University Postgraduate Fellowship and University Postgraduate Studentship. He also holds a Bachelor of Arts (Music) degree from the University of California, Berkeley with a “high distinction in general scholarship”. Yip is the holder of James Kitagawa Memorial Music Scholarship, Regents’ and Chancellor’s Scholarship, Henry Holbrook Scholarship, James King Scholarship, Eisner Prize, Milton C. Witzel Memorial Prize, Rayson Huang Scholarship and CASH Best Commissioned Piece Award. Yip’s works are published by BabelScores, Ablaze Records and Hong Kong Composers’ Guild. He has taught at the Hong Kong University of Science and Technology and Hong Kong Institute of Education, and is currently a lecturer at the Hong Kong Baptist University. In 2012, he founded the doubledeck factory. As a music critic, his writings have been published on Hong Kong Economic Times, Ta Kung Po and IATC (International Association of Theatre Critics (Hong Kong). 葉浩堃是活躍國際的香港作曲家，作品曾於不同地方演出，包括美國、阿根延、蘇格蘭、意大利、斯洛維尼亞、韓國、日本及澳洲等地。他的創作極為多元化，從大型樂團到純電子音樂、從傳統西方配器到民族器樂，以上都顯出他對不同類型音樂的認知及創意。 葉氏曾參與多個國際音樂節，當中包括新加坡亞洲作曲家同盟音樂節、Sguardi Sonori（意大利）、世界薩克斯風年會、法國五月、悉尼國際現代音樂節等，並與多位國際級知名演奏家及樂團合作。他曾被香港藝術節、香港作曲家聯會、香港室樂團及香港城市管樂團等委約創作。 葉氏於加州大學柏克萊分校主修聲樂畢業後,於香港大學在陳錦標博士指導下獲取哲學碩士(作曲)及哲學博士 (作曲)學位。葉氏是北川詹姆斯紀念音樂獎學金、校董和校長獎學金、亨利·霍爾布魯克獎學金、詹姆斯·京獎學金、艾斯納獎、米爾頓·C·威策爾紀念獎、大學研究生獎學金、黃麗松獎學金及CASH最佳原創歌曲大獎的持有者。葉氏的部份作品被法國出版社 Babelscores、美國唱片公司Ablaze Records及香港作曲家聯會出版。他所創辨的doubledeck factory致力推廣現代音樂的演出、出版與教學。他先後任教於香港教育學院及香港科技大學，並現職於香港浸會大學音樂系。作為樂評人，他的評論曾見於經濟日報、大公報及國際演藝評論家協會(香港分會)網頁。 MAJOR WORKS 主要作品 Orchestral (Western) Scar (2008) Decoding Joke (2008) Chamber (Western) Loch Ness (2007) for clarinet, didgeridoo, violin, cello, percussion and piano Flux (2007) for Bb clarinet, flute, violin, cello, piano and drums Stooge (2007) for violin and piano The Kraken (2007) for flute and percussion The Mat and the Couse (2006) for Bb clarinet, violin, piano and a whistle Insomnia (2006) for violin and piano Instrumental Solo Jin Se (2008) for voice, piano and mouth whistle Twelve Reminiscence (2008) for flute Amazon (2007) for cello Practice Room (2006) for piano A Chick on a Stick (2006) for Bb clarinet Vocal / Choral Lu Chai (2008) for 4 SATB soloists Music for Theatre / Drama Father - This is All About Excitement (2008) Father - When Boredome Arrives (2008) Father - A Lost Event (2008) 管弦樂 (西樂) 海角懸岩 (2008) 解迷 (2008) 室樂 (西樂) 酣獸 (2007) for clarinet, didgeridoo, violin, cello, percussion and piano 流 (2007) for Bb clarinet, flute, violin, cello, piano and drums 傀儡 (2007) for violin and piano 地極海妖 (2007) for flute and percussion 老貓與鼠 (2006) for Bb clarinet, violin, piano and a whistle 失眠 (2006) for violin and piano 獨奏曲 錦瑟 (2008) for voice, piano and mouth whistle 十二回眸 (2008) for flute 阿瑪遜 (2007) for cello 練習室 (2006) for piano 雛鳥 (2006) for Bb clarinet 聲樂 / 合唱 鹿柴 (2008) for 4 SATB soloists 劇場音樂 《父》 - This is All About Excitement (2008) 《父》 - When Boredome Arrives (2008) 《父》- A Lost Event (2008) Back

TANG Pan-hang 鄧斌衡 Pan-hang Tang obtained the Bachelor of Arts (Honours) degree and the Master of Music degree in the Chinese University of Hong Kong, majoring in music composition with Prof. David Gwilt and Prof. Chan Wing-wah. In 2010, under the guidance of Associate Professor Robin Stevens, Tang attained the Doctor of Philosophy degree in music education in Deakin University. Tang has been working as a full-time secondary and primary school teacher. He has also been a music tutor in the Hong Kong Institute of Education, where he taught trombone. He also taught HKCEE music in Centralised Scheme of Music Training for Senior Secondary School Students. Tang is now a member of the Hong Kong Composers’ Guild (HKCG), the Composers and Authors Society of Hong Kong (CASH), the Hong Kong Association for Music Educators (HAME), Gifted Education Council (GEC), and the Special Interest Group for Gifted Education, Creativity and Talent Development (SIGGECTD). He has been working with various performing groups, such as Ensemble Lumbricus, L’harmonie de bois, Moodywoodyand St Mark’s Alumni Band, and composes and arranges music for them. Also, He is currently writing music for Hong Kong Catholic Diocese. 鄧斌衡於香港中文大學取得文學士（榮譽）學位及音樂碩士學位，隨師紀大衛教授陳永華教授主修作曲。其後於2010年隨師羅斌史提芬斯教授，於澳洲迪勤大學取得音樂教育哲學博士學位。 鄧氏是一位全職中小學音樂老師，此外，他曾與多個教學團體合作舉辦不同的音樂課程，包括於香港教育學院任教長號，及任教高中生音樂集中訓練計畫。 鄧氏現時為香港作曲家及作詞家協會會員、香港作曲家聯會會員、香港音樂教育家協會會員和資優教育及才華發展工作小組會員。他現時為多個音樂團體創作音樂，當中包括Ensemble Lumbricus, L’harmonie de bois, Moodywoody，聖馬可校友管樂團及香港天主教教區。 MAJOR WORKS 主要作品 Orchestral (Western) Concerto for Trombone, Strings Orchestra, Percussion Ensemble and Chorus (1st Movement) (1997) 10' Variations for Orchestra (1995) 15' Chamber (Western) Concertino for Piano, Clarinet and Recorder Band – To G. T. Recorder Ensemble (2004) 6’ Cloth (2002) 12' quartet for recorders, ocarinas, perc & MIDI I. Linen II. Cotton III. Nylon IV. Silk Music for Percussion Ensemble (II) (2001) 5' Music for Percussion Ensemble (I) (1999) 5' Four Pieces for Brass Quintet (1999) 10' Four Trios for Flute, Violin & Cello (1998) 12' Music for Double String Quartets (1996) 15' for quartet 1: vn. vn, va, vc; quartet 2: vn, va, vc, cb Percussion Suite (1996) 35' for 2 perc Three Pieces for Four Trombones (1995) 10' Strings Quartet (1993) 10' Instrumental Solo Four Piano Pieces for Children (1996) 8' I. Rural Dance II. Walking Bear III. Weeping Song IV. My First Piano Lessons Rachmaninoff (1995) 3' for tb & pf The Wolf and the Grapery (1994) 3' for tb, pf & narrator Piano Poem (1993) 2' for pf Vocal / Choral In the Harbour (1992) 2' for soprano & pf Electro-Acoustic Music / Computer Music Prelude and Fugue (1997) 4' Publications / Paper Presentations Teaching Musical Creativity in Hong Kong Primary Schools: A Review of the Immediate Past and the Current Situation of Teaching and Learning through Technology, Asian-Pacific Symposium for Music Education Research 5, Morrison, S. (Ed.) University of Washington, Seattle, 2005. 管弦樂 (西樂) Concerto for Trombone, Strings Orchestra, Percussion Ensemble and Chorus (1st Movement) (1997) 10' Variations for Orchestra (1995) 15' 室樂 (西樂) Concertino for Piano, Clarinet and Recorder Band – To G. T. Recorder Ensemble (2004) 6’ 布碎 (2002) 12' quartet for recorders, ocarinas, perc & MIDI I. 麻 II. 棉 III. 尼龍 IV. 絲 融合朗誦、歌唱、舞蹈及敲擊樂演奏的樂曲（二）– 好園丁 (2001) 5' 融合朗誦、歌唱、舞蹈及敲擊樂演奏的樂曲（一）– 小螞蟻 (1999) 5' Four Pieces for Brass Quintet (1999) 10' Four Trios for Flute, Violin & Cello (1998) 12' 零後 (1996) 15' for quartet 1: vn. vn, va, vc; quartet 2: vn, va, vc, cb Percussion Suite (1996) 35' for 2 perc Three Pieces for Four Trombones (1995) 10' 變 (1993) 10' 獨奏曲 四首兒童鋼琴曲 (1996) 8' I. 農村之舞 II. 在走路中的熊 III. 哭泣之歌 IV. 當我初學鋼琴時 Rachmaninoff (1995) 3' for tb & pf 狼與葡萄園 (1994) 3' for tb, pf & narrator Piano Poem (1993) 2' 聲樂 / 合唱 In the Harbour (1992) 2' for soprano & pf 電子音樂 / 電腦音樂 Prelude and Fugue (1997) 4' 出版刊物 / 發表文章 Teaching Musical Creativity in Hong Kong Primary Schools: A Review of the Immediate Past and the Current Situation of Teaching and Learning through Technology, Asian-Pacific Symposium for Music Education Research 5, Morrison, S. (Ed.) University of Washington, Seattle, 2005. Back

CALL FOR SCORES - NEW GENERATION 2025 First held in 1989, the New Generation Concert aims at encouraging music creativity among young composers in Hong Kong by providing a platform for performance and exchange of musical ideas. Selected compositions for New Generation 2025 will be held on 12th June 2025 (Thursday) at RTHK Studio One and recorded by RTHK Radio 4 to be broadcast later. The concert will be performed by the Brassdivo. Submission Details: 1. This Call for Scores is open to Hong Kong residents born on or after 12th June 1995. 2. Eligible composers can only submit one work in PDF file. No other medium of the score, such as recording, is accepted. 3. The duration of each work should be within 5 minutes. An accurate duration of the work must be stated on the score. 4. The work should be written for brass quintet (2 trumpets, 1 French horn, 1 trombone, and 1 tuba). 5. If conducting is required, the composer should conduct the work himself/herself. 6. The entire score (including notation, symbols, necessary instructions to performers, and duration) must be typed and in black-and-white only. Hand-written score will not be accepted. Only the title and instrumentation of the composition in both English and Chinese can be shown on the title page. Name and the institution of composer cannot appear anywhere on the score. Violators will be disqualified. 7. Application fees: Waived for all members* of the Hong Kong Composers’ Guild Limited (HKCG). HK$200 for composers who are not members of HKCG. Payment must be deposited into the Guild’s HSBC account at 636-474546-838. Please keep the deposit slip. Application without the slip will be disqualified. 8. All submissions must include a score in PDF file, a copy of Hong Kong ID, a completed application form in PDF file, and a deposit slip (if any). They should be sent via email to grace@hkcg.org on or before 6pm, 6th April 2025 (Sunday). Late applications will not be considered. * Membership must be confirmed at the time of submission. New application or application in process will not be considered as member. Selection Arrangement: 1. A jury panel, appointed by the Hong Kong Composers’ Guild Limited, will select works on grounds of artistic merit and performance practicality. The decision of the jury panel is final. Results will be announced in mid April 2025 through the HKCG website: www.hkcg.org. Shortlisted composers will be notified by email. 2. Each shortlisted composer must: provide full score and parts, a short programme note, a biography (maximum 200 words each) in English and Chinese, and a recent photo of high-resolution on or before 12pm, 18th April 2025 (Friday); attend rehearsals and the New Generation Concert 2025. Composers who fail to attend the concert will be disqualified. Award: There are three cash awards for the most outstanding compositions: 1st place HK$6,000; 2nd place HK$4,000; 3rd place HK$2,000. The winning composer will be invited to write a new work to be performed in the next New Generation Concert. All shortlisted composers will receive a certificate. Download the Application Form

NEW GENERATION 2024 List of Finalists ( In no particular oder) Title 作品名稱 Composer 作曲家 *Garden of Mists *《迷霧庭園》 Matthew Lam 林俊熹 Kau Nga Ling (West Ridge) 《西狗牙》 Zheng Yui-ka 鄭裔䕒 Breath of Spring 《春之息》 Zheng Enzhe（Winner） 鄭恩哲（冠軍） Stonewall Trees 《石牆樹》 Yeung Sin-tung Jessie 楊倩桐 The Otherworldly Peach Blossom Spring 《世外桃源》 Wong Tsz-sum（1st Runner Up) 黃子森（亞軍） Enigma 《謎》 Ng Yan-ling Illuminatius 伍昕靈 Kaleidoscope 《万華鏡》 Ho Ching-wai 何晴煒 A Chasing Man 《追趕人》 Cheng Sik-nam（2nd Runner Up) 鄭錫楠（季軍） Heteroskedasticity II 《異質變異數 II》 Au Ho-hei 區顥曦 *Commissioned work by the First Prize Winner 2023 The Concert Date & Time: Thursday, 06 June 2024 at 8pm Venue: RTHK Studio One Guest Performer: M.A.R.B.L.E.S. Percussion

CALL FOR SCORES 樂譜徵收 Title: New Generation 2019 Deadline: 2019-04-04 Entry Fee: HK$200 for composers who are not members of HKCG Info link:https://www.hkcg.org/newgeneration2019call Supporting Document: download New Generation 2019 Call-for-Scores First held in 1989, the New Generation Concert aims at encouraging music creativity among young composers in Hong Kong by providing a platform for performance and exchange of musical ideas. Selected compositions for New Generation 2019 will be held on 6th June 2019 (Thursday) at RTHK Studio One and recorded by RTHK Radio 4 to be broadcast later. Submission Details: 1. This Call for Scores is open to Hong Kong residents born on or after 6th June 1989. 2. Eligible composers can only submit one work in the form of hardcopy score. No other medium of the score, such as recording, is accepted. 3. The duration of each work should be within 5 minutes. An accurate duration of the work must be stated on the score. 4. The work should be written for string quartet. 5. The entire score (including notation, symbols, necessary instructions to performers, and duration) must be typed and in black-and-white only. Hand-written score will not be accepted. Only the title and instrumentation of the composition in both English and Chinese can be shown on the title page. Name and the institution of composer cannot appear anywhere on the score. Violators will be disqualified. 6. All submissions must include the printed score, a copy of Hong Kong ID and a completed application form. They should reach Hong Kong Composers’ Guild Limited at Unit 707, Hong Kong Arts Centre, 2 Harbour Road, Wanchai, Hong Kong, on or before 5pm, 4th April 2019 (Thursday) (NOT by postmark). Late applications will not be considered. 7. Application fees: Waived for all members* of the Hong Kong Composers’ Guild Limited (HKCG). HK$200 for composers who are not members of HKCG. Payment must be deposited into the Guild’s HSBC account at 636-474546-838. Please keep the deposit slip. Application without the slip will be disqualified. * Membership must be confirmed at the time of submission. New application or application in process will not be considered as member. Selection Arrangement: 1. A jury panel, appointed by the Hong Kong Composers’ Guild Limited, will select works on grounds of artistic merit and performance practicality. The decision of the jury panel is final. Results will be announced on 12th April 2019 (Friday) through the HKCG website: www.hkcg.org . Shortlisted composers will be notified by email. 2. Each shortlisted composer must: provide full score and parts, a short programme note, a biography (maximum 150 words each) in English and Chinese, and a recent photo of high-resolution on or before 12pm, 17th April 2019 (Wednesday); attend at least one rehearsal and the New Generation Concert 2019. Composers who fail to attend the concert will be disqualified. Award: There are three cash awards for the most outstanding compositions: 1st place HK$6,000; 2nd place HK$4,000; 3rd place HK$2,000. The winning composer will be invited to write a new work to be performed in the next New Generation Concert. All shortlisted composers will receive a certificate. Please acquire application forms from the person-in-charge of each institution as follows: The University of Hong Kong The Chinese University of Hong Kong Hong Kong Music Institute Hong Kong Baptist University The Education University of Hong Kong The Hong Kong University of Science & Technology Dr. Joshua Chan Dr. Chan Kai-young Dr. Ng Chun-hoi Dr. Austin Yip Dr. Leung Chi-hin Mr. Galison Lau Hong Kong Academy for Performing Arts Prof. Clarence Mak 音樂新一代2019音樂會 作品徵集 「音樂新一代」音樂會於1989年首次舉辦，旨在鼓勵香港年青作曲家發表作品，是演出作品及觀摩交流的平台。本年度獲選作品將於 2019年6月6日（星期四）在香港電台一號錄播室發表，並由香港電台第四台錄音於日後播出。 注意事項： 1. 參加者必須於1989年6月6日或之後出生，持香港特別行政區身份証。 2. 每名參加者只可遞交一首作品。作品只限樂譜，其他媒體如錄音恕不受理。 3. 每首作品的長度需為5 分鐘內，請在樂譜上清楚列明作品長度。 4. 作品配器為弦樂四重奏。 5. 樂譜內的所有記譜符號及解述，必須以電腦打出，手寫樂譜將不被接納。樂譜封面只可顯示作品名稱及配器，中英對照。作曲家的任何資料（包括姓名及所屬院校名稱）不可在樂譜任何地方顯示。違例者將被取消資格。 6. 樂譜連同已填妥之參加表格、身份証副本必須於2019年4月4日（星期四）下午5時或之前郵寄或親身遞交到香港灣仔港灣道2號香港藝術中心707室 ﹣香港作曲家聯會有限公司。遲交作品將不受理。 7. 香港作曲家聯會會員*可獲豁免報名費用。非香港作曲家聯會會員須繳付報名費港幣二百元正，並存入香港作曲家聯會有限公司匯豐銀行戶口：636-474546-838。請保留入數收條。不能提交銀行入數收條者將被取消資格。 *會員概指於遞交申請表或之前已正式成為本會會員。即日申請或申請資格尚在批核當中則不獲此豁免。 評選安排： 由香港作曲家聯會委任的評選委員會將就參選作品的藝術性及實踐性進行評審，結果將於 2019年4月12日（星期五）在香港作曲家聯會網頁www.hkcg.org 公佈，獲選參加者將收到電郵通知。評選委員會的決定為最終決定。 獲選作品之參加者必須： 於 2019年4月17日（星期三）正午12時或之前向大會提交作品之總譜、分譜、樂曲簡介、高解像度近照及個人履歷（中、英文版本，各以150字為限）。 出席至少一次排練及音樂會。作曲家如未能出席音樂會將被取消資格。 獎項： 評選委員會將於音樂會當晚選出三首最傑出作品，冠軍獎金港幣六千元，亞軍獎金港幣四千元，季軍獎金港幣二千元。冠軍將獲大會邀請，為下一屆「音樂新一代」音樂會譜新曲。所有入圍作曲家可獲頒證書一張，以示鼓勵。 參加表格可向下列大專院校負責人索取： 香港大學 香港中文大學 香港音樂專科學校 香港浸會大學 香港教育大學 香港科技大學 香港演藝學院 陳錦標博士 陳啟揚博士 吳俊凱博士 葉浩堃博士 梁智軒博士 劉詠浲先生 麥偉鑄教授 Back

As a collaboration project with RTHK, the Guild Council appointed representative as the Hong Kong Representative to attend the International Rostrum of Composers every year and present several selected pieces by Hong Kong composers. INTERNATIONAL ROSTRUM OF COMPOSERS As a collaboration project with RTHK, the Guild Council appointed representative as the Hong Kong Representative to attend the International Rostrum of Composers every year and present several selected pieces by Hong Kong composers. As an international event for radio stations, this conference enabled recordings of new music from each participating country to be played and judged by fellow radio presenters. The best pieces would be selected by the Rostrum and recommended to be broadcast in all radio stations. For more details, please visit the website of the International Rostrum of Composers. Selected pieces by Hong Kong composers: 2021 Belgrade, Serbia (Hong Kong Delegate: Galison Lau) Anthony Cheng: Trapped Angus Lee: Triumvirate Luk Wai-chun: Blue Pole Yu Tsz-long: Please Don’t Open 2019 Patagonia, Argentina (Hong Kong Delegate: Anthony Cheng) Chris Hung: The Yu Lan Festival Galison Lau: In and Out Austin Yip: Metamorphosis 2018 Budapest (Hong Kong Delegate: Chris Hung ) Chan Nga-man: In June Lee Kar-tai Phoebus: Prelude to the Quick Collage Sketches of Rain Tsui Mei-ling Meilina: Four Seasons Stephen Yip: Realm of the Immortals 2017 Palermo, Italy (Hong Kong Delegate: Lee Kar-tai Phoebus) Ng Chun-hoi: Prelude II (Wuxing Interation) Ng Ka-chun Ian: Hop Out and Shuffle Away Wong Chun-wai: Clouds in Twilight 2016 Wroclaw, Poland (Hong Kong Delegate: Tang Lok-yin) Chen Yeung-ping: The Moon in La Jolla Tam Ka-shu: Tam-tam Sonata 2015 Tallinn, Estonian (Hong Kong Delegate: Lam Fung) Chan Chin-ting: time, unfolding Chen Chi-wai Jason: Global Warning Lam Kin-yee: The Dragon of Pan-Cumulus 2014 Helsinki, Finland (Hong Kong Delegate: Viola Yuen) Chan Kai-young: Shimmers the Shivery Moon Pang Chun-ting: As Snow Wu Guanqing: La Ronde 2013 Prague, Czech (Hong Kong Delegate: Mui Kwong-chiu) Leung Chi-hin: Utmost Attack Yip Ho-kwen Austin: A Mournful Cry Viola Yuen: Lamentor 2012 Stockholm, Sweden (Hong Kong Delegate: Hui Cheung-wai) Chris Hung Ming-kin: Fluorescence Wong Chun-wai: Nhemamusasa Yuen Wai-fung Mike: Faces 2011 Vienna, Austria (Hong Kong Delegate: Lo Hau-man) Li Cheong: Drumming Ridge Lam Lan-chee: Ancient Color Tang Lok-yin: Fall Mirage Ng Wah-hei: Exuberance 2010 Lisbon, Portugal (Hong Kong Delegate: Cheung Pui-shan) Tang Man-ngai: Voices Ada Lai: Vibrissae Lai Sheung-ping: Serenade 2009 Paris, France (Hong Kong Delegate: Tang Man-ngai) Stephen Yip: In the Garden Joyce Tang: Aurora Raymond Mok: A Little Suite: Chinoiserie 2008 Dublin, Ireland (Hong Kong Delegate: Clarence Mak) Cheung Pui-shan: Flow with the Stream Lam Kwan-fai: City Instinct Richard Tsang: But for the Heart… 2007 Paris, France (Hong Kong Delegate: Lai Sheung-ping) Mui Kwong-chiu: Hong Kong Landscape Law Wing-fai: The Ink Spirit Chan Sze-rok: Elegy to the Victims of Andaman Sea 2006 Paris, France (Hong Kong Delegate: Ada Lai) Victor Chan: Passion Within Hui Cheung-wai: Post-modern Lyrics - 2 Chinese Songs (I. Meet and Know, II. Parting) Galison Lau: Spelling Vocabularies

WONG Chun-wai 黃俊諱 Wong Chun-wai has a versatile composition profile comprising concert music, musicals and film scores. He often infuses different musical languages to evoke various atmospheres and sceneries, engaging audiences with a quasi-multimedia-art experience. More recently he is developing the idea of “21st century (late) Romanticism”, with various contemporary musical ideas and techniques incorporated into the (Late) Romantic musical language. Published and winning multiple awards across the globe, his compositions are featured in international events such as the International Rostrum of Composers, ISCM World Music Days, ACL (Asian Composers League) Festival and the Asian Youth Orchestra World Tour. His music is performed and recorded by prominent groups and musicians including the Hong Kong Philharmonic Orchestra (with Jaap van Zweden, Bright Sheng, Sebastian Perłowski and others), Internationale Ensemble Modern Akademie (IEMA), performers from the New York Philharmonic and soloists including Dong-Suk Kang and Jan-Erik Gustafsson. Recently he commissioned a Double Concerto by maestro Jaap van Zweden for his 60th birthday. His scores for films and advertisements are featured in international festivals including the Sound and Image Challenge Festival and Pink City International Short Film Festival, as well as on local platforms including Cable TV and Viu TV. Wong is also an active arranger. He has arranged a number of vocal and instrumental music, some of which are performed by renowned artists and singers such as Nick Vujicic, Rebecca Pan Di-hua and Harry Wong. Apart from his creative work, he also authors an online study journal for orchestration, Orchestration Masters . 黃俊諱熱衷於把不同類型的音樂風格融合，並以聲音營造氣氛、情景，形成獨特的個人風格。其作品橫跨室內樂、管弦樂、音樂劇及影片配樂。最近他以浪漫派的意念建構作品，同時加入各種現代音樂元素，發展出「廿一世紀‧(後期)浪漫主義」風格。 他的作品獲獎無數，多次於歐美、亞洲演出（包括ISCM國際現代音樂節、國際作曲家論壇、亞洲作曲家聯盟論壇及音樂節、亞洲青年管弦樂團世界巡迴演出）並出版。他曾與香港管弦樂團（梵志登、盛宗亮、Sebastian Perłowski、廖國敏等指揮）、德國國際現代合奏音樂學院（IEMA）、紐約愛樂交響樂團的成員等演奏團體及演奏家如姜東錫和Jan-Erik Gustafsson合作。最近他獲梵志登大師委約創作小提琴與大提琴雙協奏曲作為他的 60 歲生辰禮物。 他為影片、廣告配樂的作品於國際影展Sound and Image Challenge Festival 及Pink City International Short Film Festival等上映，並於本地播放平台如Cable TV 及 Viu TV播出。 黃氏亦致力於編曲，曾多次編寫聲樂、合唱及管弦音樂，有些更由著名藝人、歌手如Nick Vujicic、潘迪華及Harry哥哥演唱。 他亦為管弦樂配器研究網頁Orchestration Masters 的作者。 MAJOR WORKS 主要作品 Orchestral Double Concerto for Violin, Cello and Orchestra (2020) for solo violin, solo cello and orchestra, commissioned by Jaap van Zweden Labyrinth Collapses (2018) for orchestra, commissioned by the Hong Kong Philharmonic Orchestra Alberich's Nightmare (2018) for orchestra, commissioned by the Hong Kong Philharmonic Orchestra On Wings of Soul (aka As the Heart Soars) (2016) for orchestra Whirling through the Dreams II (2014) for orchestra Clouds in Twilight (2013) for orchestra Petite Suite from "Princess Manman" (2013) for chamber orchestra Lament from the Forest II (2011/13) for chamber orchestra Trio of the Fireflies II (2006/2013) for chamber orchestra Lament from the Forest (2011) for chamber orchestra Second Seal-Rider on the Red Horse (2010) for orchestra Suite from ‘Amazing Melody’ (2010) for vocal & chamber orchestra Symphonic Band Drug Fantasia (2015/16) for symphonic band Sacrifice–The Death of Samson (2011) for symphonic band Chinese Orchestra Lost in the Desert II (2012/16) for Chinese orchestra String Orchestra On Wings of Song and Dance (2014) for string orchestra Chamber (Western) Boredom and Anxiety in Hong Kong under COVID-19 (2020) for cl & vc, commissioned by the Hong Kong Composers' Guild The White Wall II (2015) for string quartet The White Wall (2014) for vln, vla & vc, commissioned by the Musicus Fest 2014 The Light above the Leaves (2014) for vla, vc & pf Whirling through the Dreams (2014) for four percussionists Stress and the City (2013) for cl, vla & pf, commissioned by the Hong Kong Composers' Guild A Breath of Life (2012) for ob, fag, vln, vla & cb, commissioned by the Hong Kong Composers' Guild A Call in the wilds (2012) for two instruments & pf Nhemamusasa (2011) for fl, cl, vln, vla & pf A Twig of Mume Blossoms (2010) for fl, ob, vc & pf A Midsummer Day’s Dream (2010) for pf. 8-hand Tango 3x2 (2010) for woodwind quintet and string quartet The Burning Bush (2010) for woodwind quintet and string quartet Three pieces from ‘Sze-Yee’ (2010) for glk & pf Chamber (Chinese / Mixed Ensemble) Illusory Landscape (2021) for qudi, erhu, zheng & pf, commissioned by The Gong Strikes One Lost in the City (2021) for erhu, zheng & pf, commissioned by The Gong Strikes One Waning Moon, Shivering Glimmer (2016) for sheng, yangqin & erhu, commissioned by the Hong Kong Composers' Guild The Missing Tribe of Amazon (2011) for picc, sheng, tenor sax, hn, & pf, commissioned by The 4Unlike On the DuanChang Cliff (2011) for gaohu, 2 erhus & pf A Forest Forgotten (2010) for 13 performers of mixed Chinese and Western instruments and vocal Traditional Chinese Music Ensemble Hong Kong Music Miniatures (2020), commissioned by The Gong Strikes One Instrumental solo Wandering in the rain (2016) for pf Distant Memories (2016) for pf Sailing through the Clouds (2016) for pf I’m fine (2016) for pf Prelude (2016) for pf Montage of Metropolitan Dreams (2015) for pf …I am waiting for you (2014) for pf By the River (2014) for pf In the Rain (2014) for pf Under the Moon (2014) for pf …There You are (2014) for pf Autumn Leaves (2014) for fl, commissioned by Arioso Music and Art Institute A Yearning for Peace (2012) for vln Lost in the Desert (2012) for pf Discovering...a Mystery (2012) for pf Vocal-Orchestral Hang Seng University of Hong Kong Anthem (2018/20) for vocal (Cantonese) & orch Butterfly's Longing for the Flowers (2010) for vocal, dizi, erhu, zheng, pipa & orch Two Chinese Lyrics—Gone (2008) for vocal, dizi, erhu, zheng & orch Vocal/Choral Hang Seng University of Hong Kong Anthem (2018) for vocal (Cantonese) & pf, commissioned by the Hang Seng University of Hong Kong The Ballad of Liangzhou (2018) for SATB choir (Cantonese) & pf, commissioned by the Hong Kong Composers' Guild Two Child Songs (2018) for one-voice children choir (Cantonese) & pf The Lord is My Shepherd (2015) for SATB choir (Cantonese) & pf Lamentations 3 (2015) for unaccompanied SATB choir I am the Good Shepherd (2013) for unaccompanied SATB choir I’ve got Complaints! (2011) for speech choir (Cantonese), commissioned by In Tuition Creative Learning Ltd. Let’s do Exercise! (2011) for speech choir (Cantonese), commissioned by In Tuition Creative Learning Ltd. Forget her (2009) for 4 performers for vocal (Cantonese), fl, Eng hn, 2 vla & pf Answer (2008) for vocal, fl & pf Perhaps (2003/08) for vocal (Cantonese), vln & pf Electro-Acoustic Music A Call in the Wilds II (2012) for an instrument & live elec. Multimedia Binding (2011) for picc, sheng, tenor sax, hn, live elec. and dance Musical Thus Saith the Moon (2019), commissioned by the Sha Tin Methodist College Dreams of Youth (musical-film) (2009), commissioned by the Sha Tin Methodist College Forget-me-not (collaborate with other composers) (2008) Amazing Melody (collaborate with other composers) (2006), commissioned by the Sha Tin Methodist College Music for Film/Video The Dancer (2018) Please listen to Me (2017), commissioned by The Hong Kong Federation of Youth Groups Jockey Club M21 Pre-Marital Family Education Series III, "Is Love Reliable?", (2017), commissioned by The Hong Kong Federation of Youth Groups Jockey Episode 07, “Can I Have Love Again?” Episode 08, “Can’t Let Go” Episode 09, “To Win at the Starting Line?” Club M21 Angie’s Life (2017), commissioned by The Hong Kong Federation of Youth Groups Jockey Club M21 Frames (2016), commissioned by The Hong Kong Federation of Youth Groups Jockey Club M21 Be True to Yourself (2016), commissioned by The Hong Kong Federation of Youth Groups Jockey Club M21 Six Letters easy to say but hard to do (2015) Journey in the Dark (2015), commissioned by the Hong Kong Composers' Guild Re-score of Bruce Almighty (2014) Mong Kok II Purple (2014) A Journey's End (2014) The Boy Who Wears High Heels (2012) If Your Mum and I… (2012), commissioned by Hong Kong Cancer Fund The Waltz (2012), commissioned by We Love Hong Kong Association Princess Manman (2012), commissioned by We Love Hong Kong Association Softlight (2011), commissioned by We Love Hong Kong Association Bob (2010), commissioned by Hong Kong Film Art Association Silent Embrace (2010), commissioned by We Love Hong Kong Association Sze-Yee (2010) 管弦樂 小提琴與大提琴雙協奏曲 (2020) 為小提琴、大提琴和樂團而作（由梵志登委約創作） 迷宮崩塌 (2018) 為管弦樂團而作（由香港管弦樂團委約創作） 阿爾貝里的夢魘 (2018) 為管弦樂團而作（由香港管弦樂團委約創作） 靈魂之翼 (2016) 為管弦樂團而作 夢行雲 II (2014) 為管弦樂團而作 暮雲 (2013) 為管弦樂團而作 《文文公主》組曲 (2013) 為管弦樂團而作 林裡的哀歌 II (2011/13) 為管弦樂團而作 森林惡霸 II (2006/13) 為管弦樂團而作 林裡的哀歌 (2011) 為室樂團而作 第二封印︰紅馬騎士 (2010) 為管弦樂團而作 《奇妙樂韻》組曲 (2010) 為樂團及聲樂而作 管樂團 毒自幻想曲 (2015/16) 為管樂團而作 犧牲—參孫之死 (2011) 為管樂團而作 中樂團 迷失曠野II (2012/16) 為中樂團而作 弦樂團 乘著歌與舞的翅膀 (2014) 為弦樂團而作 室樂（西樂） 疫城中的悶與慌 (2020) 為單簧管及大提琴（由香港作曲家聯會委約創作） 白壁II (2015) 為弦樂四重奏而作 白壁 (2014) 為小提琴、中提琴及大提琴而作（由樂·誼國際音樂節委約創作） 綠蔭上的曙光 (2014) 為中提琴、大提琴及鋼琴而作 夢行雲 (2014) 為四位敲擊樂手而作 壓力都市 (2013) 為單簧管、中提琴及鋼琴而作（由香港作曲家聯會委約創作） 一息 (2012) 為雙簧管、巴松管、小提琴、中提琴及低音大提琴而作 （由香港作曲家聯會委約創作） 野地的呼喚 (2012) 為兩件樂器及鋼琴而作 戰‧不斷 (2011) 為長笛、單簧管、小提琴、中提琴及鋼琴而作 一翦梅 (2010) 為長笛、雙簧管、大提琴及鋼琴而作 仲夏日之夢 (2010) 為鋼琴八手聯彈而作 探戈3x2 (2010) 為弦樂四重奏及管樂五重奏而作 燃燒的荊棘 (2010) 為弦樂四重奏及管樂五重奏而作 自《詩意》的三首樂曲 (2010) 為鋼琴及鋼片琴而作 室樂（中樂、中西樂混合作品） 幻境 (2021) 為曲笛、二胡、古箏及鋼琴而作 (由一才鑼鼓委約創作) 迷失都市 (2021) 為二胡、古箏及鋼琴而作 (由一才鑼鼓委約創作) 殘月‧寒光 (2016) 為笙，揚琴及二胡而作（由香港作曲家聯會委約創作） 亞馬遜部落失蹤 (2011) 為短笛、三十六簧笙、次中音薩克斯管、圓號及鋼琴而作（由四不像委約創作） 斷腸崖上 (2011) 為高胡、兩支二胡及鋼琴而作 被遺忘的森林 (2010) 為十三位中、西樂樂手及聲樂而作 傳統中樂合奏 香港微音樂 (2020) (由一才鑼鼓委約創作) 器樂獨奏 獨踽冷雨中 (2016) 為鋼琴獨奏而作 遙遠的記憶 (2016) 為鋼琴獨奏而作 雲海航途 (2016) 為鋼琴獨奏而作 我很好 (2016) 為鋼琴獨奏而作 前奏曲 (2016) 為鋼琴獨奏而作 剪接都市夢 (2015) 為鋼琴獨奏而作 …我等候你(2014) 為鋼琴獨奏而作 河畔 (2014) 為鋼琴獨奏而作 雨中 (2014) 為鋼琴獨奏而作 月下 (2014) 為鋼琴獨奏而作 …你來了 (2014) 為鋼琴獨奏而作 秋葉 (2014) 為長笛獨奏而作（由港藝音樂藝術學院有限公司委約創作） 禱 (2012) 為小提琴獨奏而作 迷失曠野 (2012) 為鋼琴獨奏而作 探秘 (2012) 為鋼琴獨奏而作 聲樂—管弦樂 恒大頌曲(2018/20) 為聲樂(粵語) 及管弦樂團而作 蝶戀花 (2010) 為聲樂、笛子、二胡、古箏、琵琶及室樂團而作 詞兩首—逝 (2008) 為聲樂、笛子、二胡、古箏及室樂團而作 聲樂/合唱音樂 恒大頌曲(2018) 為聲樂(粵語) 及鋼琴而作（由香港恒生大學委約創作） 涼州詞(2018) 為混聲四部合唱 (粵語) 及鋼琴而作（由香港作曲家聯會委約創作） 兒歌兩首(2018) 為單聲部兒童合唱(粵語)及鋼琴而作 耶和華是我的牧者(2015) 為混聲四部合唱 (粵語) 及鋼琴而作 耶利米哀歌三章 (2015) 為無伴奏四聲合唱而作 我是好牧人 (2013) 為無伴奏四聲合唱而作 我要投訴﹗ (2011) 為動感聲藝團(粵語)而作（由英翹創意委約創作 ） 齊來運動 (2011) 為動感聲藝團(粵語)而作（由英翹創意委約創作 ） 忘掉她 (2009) 為四位樂手而作的歌曲(粵語) 答案 (2008) 為長笛、聲樂及鋼琴而作的歌曲 也許 (2003/08) 為聲樂(粵語)、小提琴及鋼琴而作的歌曲 電子音樂 野地的呼喚II (2012) 為一件樂器及電子音樂而作 多媒體 綑綁 (2011) 為短笛、三十六簧笙、次中音薩克斯管、圓號、電子音樂及舞蹈而作 音樂劇 月兒說 (2019) （由沙田循道衛理中學委約創作） 唱．青春 （音樂劇電影） (2009) （由沙田循道衛理中學委約創作） 毋忘我 （與其他作曲家合作）(2008) 奇妙樂韻（與其他作曲家合作）(2006) （由沙田循道衛理中學委約創作） 電影/影片配樂 舞者 (2018) 如果可以,請聽我說一句 (2017) （由香港青年協會賽馬會媒體空間M21委約創作） 家庭議會 家庭教育系列－婚前家庭教育篇 (2017)（由香港青年協會賽馬會媒體空間M21委約創作） 第七集：我還可以愛嗎？ 第八集：情難捨 第九集：嬴在起跑線？ 安琪人生 (2017) （由香港青年協會賽馬會媒體空間M21委約創作） 一分鐘一份情: 捉景鑲情 (2016) （由香港青年協會賽馬會媒體空間M21委約創作） 一分鐘一份情: 忠於自己 (2016) （由香港青年協會賽馬會媒體空間M21委約創作） 緣來不是愛 (2015) 黑暗中的旅程 (2015)（由香港作曲家聯會委約創作） 《衰鬼上帝》重新配樂 (2014) 旺角太紫 (2014) A Journey's End (2014) 穿高跟鞋的男生 (2012) 如果你阿媽和我... (2012) （由香港癌症基金會委約創作） 圓舞曲 (2012) （由我愛香港協會委約創作） 文文公主 (2012) （由我愛香港協會委約創作） 柔光 (2011) （由我愛香港協會委約創作） 阿博 (2010) （由香港影藝聯盟委約創作） 沉默的擁抱 (2010) （由我愛香港協會委約創作） 詩意 (2010) 管弦樂 小提琴與大提琴雙協奏曲 (2020) 為小提琴、大提琴和樂團而作（由梵志登委約創作） 迷宮崩塌 (2018) 為管弦樂團而作（由香港管弦樂團委約創作） 阿爾貝里的夢魘 (2018) 為管弦樂團而作（由香港管弦樂團委約創作） 靈魂之翼 (2016) 為管弦樂團而作 夢行雲 II (2014) 為管弦樂團而作 暮雲 (2013) 為管弦樂團而作 《文文公主》組曲 (2013) 為管弦樂團而作 林裡的哀歌 II (2011/13) 為管弦樂團而作 森林惡霸 II (2006/13) 為管弦樂團而作 林裡的哀歌 (2011) 為室樂團而作 第二封印︰紅馬騎士 (2010) 為管弦樂團而作 《奇妙樂韻》組曲 (2010) 為樂團及聲樂而作 管樂團 毒自幻想曲 (2015/16) 為管樂團而作 犧牲—參孫之死 (2011) 為管樂團而作 中樂團 迷失曠野II (2012/16) 為中樂團而作 弦樂團 乘著歌與舞的翅膀 (2014) 為弦樂團而作 室樂（西樂） 疫城中的悶與慌 (2020) 為單簧管及大提琴（由香港作曲家聯會委約創作） 白壁II (2015) 為弦樂四重奏而作 白壁 (2014) 為小提琴、中提琴及大提琴而作（由樂·誼國際音樂節委約創作） 綠蔭上的曙光 (2014) 為中提琴、大提琴及鋼琴而作 夢行雲 (2014) 為四位敲擊樂手而作 壓力都市 (2013) 為單簧管、中提琴及鋼琴而作（由香港作曲家聯會委約創作） 一息 (2012) 為雙簧管、巴松管、小提琴、中提琴及低音大提琴而作（由香港作曲家聯會委約創作） 野地的呼喚 (2012) 為兩件樂器及鋼琴而作 戰‧不斷 (2011) 為長笛、單簧管、小提琴、中提琴及鋼琴而作 一翦梅 (2010) 為長笛、雙簧管、大提琴及鋼琴而作 仲夏日之夢 (2010) 為鋼琴八手聯彈而作 探戈3x2 (2010) 為弦樂四重奏及管樂五重奏而作 燃燒的荊棘 (2010) 為弦樂四重奏及管樂五重奏而作 自《詩意》的三首樂曲 (2010) 為鋼琴及鋼片琴而作 室樂（中樂、中西樂混合作品） 幻境 (2021) 為曲笛、二胡、古箏及鋼琴而作 (由一才鑼鼓委約創作) 迷失都市 (2021) 為二胡、古箏及鋼琴而作 (由一才鑼鼓委約創作) 殘月‧寒光 (2016) 為笙，揚琴及二胡而作（由香港作曲家聯會委約創作） 亞馬遜部落失蹤 (2011) 為短笛、三十六簧笙、次中音薩克斯管、圓號及鋼琴而作 (由四不像委約創作) 斷腸崖上 (2011) 為高胡、兩支二胡及鋼琴而作 被遺忘的森林 (2010) 為十三位中、西樂樂手及聲樂而作 傳統中樂合奏 香港微音樂 (2020) (由一才鑼鼓委約創作) 器樂獨奏 獨踽冷雨中 (2016) 為鋼琴獨奏而作 遙遠的記憶 (2016) 為鋼琴獨奏而作 雲海航途 (2016) 為鋼琴獨奏而作 我很好 (2016) 為鋼琴獨奏而作 前奏曲 (2016) 為鋼琴獨奏而作 剪接都市夢 (2015) 為鋼琴獨奏而作 …我等候你(2014) 為鋼琴獨奏而作 河畔 (2014) 為鋼琴獨奏而作 雨中 (2014) 為鋼琴獨奏而作 月下 (2014) 為鋼琴獨奏而作 …你來了 (2014) 為鋼琴獨奏而作 秋葉 (2014) 為長笛獨奏而作（由港藝音樂藝術學院有限公司委約創作） 禱 (2012) 為小提琴獨奏而作 迷失曠野 (2012) 為鋼琴獨奏而作 探秘 (2012) 為鋼琴獨奏而作 聲樂—管弦樂 恒大頌曲(2018/20) 為聲樂(粵語) 及管弦樂團而作 蝶戀花 (2010) 為聲樂、笛子、二胡、古箏、琵琶及室樂團而作 詞兩首—逝 (2008) 為聲樂、笛子、二胡、古箏及室樂團而作 聲樂/合唱音樂 恒大頌曲(2018) 為聲樂(粵語) 及鋼琴而作（由香港恒生大學委約創作） 涼州詞(2018) 為混聲四部合唱 (粵語) 及鋼琴而作（由香港作曲家聯會委約創作） 兒歌兩首(2018) 為單聲部兒童合唱(粵語)及鋼琴而作 耶和華是我的牧者(2015) 為混聲四部合唱 (粵語) 及鋼琴而作 耶利米哀歌三章 (2015) 為無伴奏四聲合唱而作 我是好牧人 (2013) 為無伴奏四聲合唱而作 我要投訴﹗ (2011) 為動感聲藝團(粵語)而作（由英翹創意委約創作 ） 齊來運動 (2011) 為動感聲藝團(粵語)而作（由英翹創意委約創作 ） 忘掉她 (2009) 為四位樂手而作的歌曲(粵語) 答案 (2008) 為長笛、聲樂及鋼琴而作的歌曲 也許 (2003/08) 為聲樂(粵語)、小提琴及鋼琴而作的歌曲 電子音樂 野地的呼喚II (2012) 為一件樂器及電子音樂而作 多媒體 綑綁 (2011) 為短笛、三十六簧笙、次中音薩克斯管、圓號、電子音樂及舞蹈而作 音樂劇 月兒說 (2019)（由沙田循道衛理中學委約創作） 唱．青春 （音樂劇電影） (2009)（由沙田循道衛理中學委約創作） 毋忘我 （與其他作曲家合作）(2008) 奇妙樂韻（與其他作曲家合作）(2006)（由沙田循道衛理中學委約創作） 電影/影片配樂 舞者 (2018) 如果可以,請聽我說一句 (2017)（由香港青年協會賽馬會媒體空間M21委約創作） 家庭議會 家庭教育系列－婚前家庭教育篇 (2017) 第七集：我還可以愛嗎？ 第八集：情難捨 第九集：嬴在起跑線？ （由香港青年協會賽馬會媒體空間M21委約創作） 安琪人生 (2017)（由香港青年協會賽馬會媒體空間M21委約創作） 一分鐘一份情: 捉景鑲情 (2016)（由香港青年協會賽馬會媒體空間M21委約創作） 一分鐘一份情: 忠於自己 (2016)（由香港青年協會賽馬會媒體空間M21委約創作） 緣來不是愛 (2015) 黑暗中的旅程 (2015)（由香港作曲家聯會委約創作） 《衰鬼上帝》重新配樂 (2014) 旺角太紫 (2014) A Journey's End (2014) 穿高跟鞋的男生 (2012) 如果你阿媽和我... (2012)（由香港癌症基金會委約創作） 圓舞曲 (2012)（由我愛香港協會委約創作） 文文公主 (2012)（由我愛香港協會委約創作） 柔光 (2011)（由我愛香港協會委約創作） 阿博 (2010)（由香港影藝聯盟委約創作） 沉默的擁抱 (2010)（由我愛香港協會委約創作） 詩意 (2010) 音樂影片 香港姿色 (2017) 為鋼琴四重奏而作（由香港作曲家聯會委約創作） 撲水 (2017) 為聲樂、鋼琴、曼陀林及弦樂而作（由香港青年協會賽馬會媒體空間M21委約創作） 毒自幻想 (2015) 為聲樂及樂團而作 灰姑娘與快樂王子 (2013) 為聲樂二重唱及室樂團而作 廣告音樂 《鄰舍第一》API (2016)（由香港青年協會賽馬會媒體空間M21委約創作） 改編音樂選 失落國度的回響 (2019) 改編自林健雄的歌曲 為兒童合唱團及管弦樂團而編（由香港管弦樂團委約編寫） 世上所有的兒童 (2019) 改編自韋特的歌曲 為兒童合唱團及管弦樂團而編（由香港管弦樂團委約編寫） 《普爾欽奈拉》組曲 (Pulcinella Suite) (2019) 改編自史特拉汶斯基的樂曲 為大提琴樂團而編（由Pacific Cello Orchestra Hong Kong委約編寫） Shine (2019) 改編自謝欣欣的歌曲 為女低音、男低音、獨奏小提琴、獨奏鋼琴及管弦樂團而編（由香港管弦樂團委約編寫） Listen to Me (2019) 改編自甄嘉豪的歌曲 為人聲及管弦樂團而編（由香港管弦樂團委約編寫） Remember Me (2018) 改編自Robert Lopez及Kristen Anderson-Lopez的歌曲 為人聲及管弦樂團而編（由香港管弦樂團委約編寫） 遺忘 (2018) 改編自黃友棣的歌曲 為混聲四部合唱團及管弦樂團而編（由香港管弦樂團委約編寫） 完美的夢想 (2018) 改編自謝欣欣的歌曲 為人聲及管弦樂團而編（由香港管弦樂團委約編寫） 香港‧我家 (2017) 改編自馬敬恒、馮允謙的歌曲 為管弦樂團而編（由香港管弦樂團委約編寫） Medley: 香港情 (2017) 改編自香港不同流行歌曲 為童聲二部合唱團及青年管樂團而編（由和富社會企業委約編寫） 親愛主 (2012) 改編自John Laudon的詩歌 為管弦樂團及聲樂而編 （由香港青少年管弦樂團委約編寫 ） 凡事都得勝 (2012) 改編自John Laudon的詩歌 為管樂團及聲樂而編 （由香港青少年管弦樂團委約編寫 ） 兩首陳歌辛歌曲 (2011) 改編自陳歌辛的歌曲 為聲樂、琵琶、鋼琴及敲擊樂而編 《變身怪醫》前奏曲 (2008) 改編自Frank Wildhorn同名音樂劇 為大型合奏團而編 大地好風光 (2007) 改編自John Rutter的詩歌 為混聲合唱團及管弦樂團而編 讚美主奇妙救贖 (2007) 為混聲合唱團、木笛、小提琴及鋼琴改編Charles Wesley的詩歌 鋼琴改編作品選 天方夜譚: 大海與辛巴達的船 (2016) 改編自林姆斯基 - 高沙可夫的作品 第六交響曲: 中等的行板 (2016) 改編自馬勒的作品 第六交響曲: 精力充沛的快板 (2016) 改編自馬勒的作品 女武神：女武神的騎行 (2015) 改編自華格納的作品 Back

TAM Lok-hei Alvin 譚樂希 Born and raised in Hong Kong, Tam is currently a D.M. Candidate (Composition) at Jacobs School of Music, Indiana University. He holds a B.A. in Music from The Chinese University of Hong Kong and later earned an M.Mus in Music Theory and Composition from New York University. Tam’s music highlights a variety of genres, including contemporary classical, electro-acoustic, multimedia scoring, and religious music. As a recipient of numerous awards and commissions, he was granted opportunities to collaborate with many renowned music groups, such as the Hong Kong Philharmonic Orchestra, Manhattan Symphonie, the American Guild of Organists, The Hong Kong Children’s Choir, JACK Quartet, and Cassatt Quartet. He was a former Associated Instructor at Indiana University and is currently an Instructional Assistant at The Hong Kong University of Science and Technology. 譚氏現正為美國印第安納大學積可斯音樂學院作曲博士候選人。他先後在香港中文大 學以級紐約大學獲得藝術學士及音樂碩士學位。 香港和美國皆是譚氏作品演出的活躍場所。除了在就讀大學所合作的獨奏者與樂團外， 他還多次與知名表演團體合作；JACK 弦樂四重奏、Cassatt 弦樂四重奏、美國管風琴 師協會，香港兒童合唱團、曼哈頓交響樂團、香港管弦樂團等團體均有演出過其作品。 作為前印第安納大學副講師的譚氏，現於香港科技大學擔任音樂課程導師。 MAJOR WORKS 主要作品 List of Compositions 1 Orchestral Wabi-Sabi (2023) [12’] 3333, 4331, Perc, Harp, Piano, Strings A Madman’s Diary (2020) [5’30”] 3333, 4331, Timp, Perc, Harp, Piano, Strings Zone (2019) [5’30”] 3333, 4331, Timp, Perc, Harp, Piano, Strings All Keys Make Music (2019) [2’30”] for concert band Cursed Color (2015) [11’] 3233, 4331, Timp, Perc, Harp, Piano, Strings A Fairy Tale from the Heart (2008, Re-Orch. 2012) [4’30”] for chamber orchestra Chamber/Solo Hong Kong Snapshots (2022) [9’30”] for solo organ The Ocean of Revolve (2022) [6’30”] for clarinet and piano First You Look So Strong, Then You Fade Away (2018) [7’] for solo clarinet If Possible《如果可以》(2018) [4’] for treble voice choir (SSAA) and piano Duo for Pipa and Violin (2018) [7’] for pipa and violin Sonata for Viola and Piano (2015) [11’] for viola and piano Ballade ‘Messenger of Sakura’ (2014) [6’] for solo piano Infinite Transmigration (2014) [7’] for string quartet Rap-So-Dominic (2013) [5’] for melodica, clarinet and cello The Four Gentlemen (2012) [10’] for solo piano Undertones at the End of Time (2012) [8’30”] for four voices, piano, percussion and strings An Illustration to the TaiJi Diagram (2012) [10’] for dizi/shao, erhu, zheng and yangqin Le Jardin des Roses Ensanglantées (2011) [6’30”] for piano quintet The Funeral (2011) [7’] for erhu, clarinet and piano Dance For 3 (2011) [6’] for melodica, violin, cello, harp and piano Electronic The Breath of Water (2020) [9’] for programed controllers live performance Glorianthemica (2019) [9’30”] 8-channel fixed media What If He Was Born 2018 (2018) [8’] for violin, live electronics Multimedia Scoring Follower and The Followed (2018) Eyes of Plan 9 (2018) The Lonely Civilization (2017) The Last Lament (2017) Did My Heart Fly To Your Service (2016) Introducing Dorabot (2016) Reminiscence (2016) Back

LAI Sheung-ping 黎尚冰 Dr. Sheung-Ping Lai is an Assistant Professor at the CCA Department, HKIED where she teaches music composition, music theory, composition pedagogy, contemporary music, and jazz study. Dr. Lai is an active composer. Her music covers a wide variety of genres and styles, and her compositions are frequently performed in public, including Western and Chinese instrumental music, electronic music, theatrical music, art songs, pop songs, choral jazz and instrumental jazz, presenting a unique synthesis of the East and the West. Her research interests include music composition, music theory, composition pedagogy, contemporary music, jazz, and cross-cultural studies of Chinese and Western music. She is the Secretary (Administration) of Hong Kong Composers’ Guild where she coordinates the annual New Generation Concert for young composers. Besides promoting music by Hong Kong composers, she also engages in the education of music creativity and composition to younger generations, as well as composition pedagogy to music teachers. 黎尚冰博士多年從事音樂創作及教學工作，目前任教於香港教育學院，並任香港作曲家聯會行政秘書，積極推廣現代音樂及創意教育。黎氏作品豐富，經常公開發表。黎氐的音樂涉及不同樂種和語言，反映出作曲者的多重音樂文化背景。每首作品除了穿梭於調式、調性與無調性之間，對曲式、音色、音樂織體和節奏上也作出新的探索，將東西音樂文化特色再來一次新的混合。 MAJOR WORKS 主要作品 Orchestral (Western) City Motion (2005) 3' for chamber orchestra Innocence (1986) 8' for chamber orchestra Orchestral (Chinese) Utopia (1999) 10' for Chinese instrumental orchestra Chamber (Western) LangGe (2005) 7'30” for vn & vla Taiwanese Suite (1998) 15'for vn, vc & pf Different Times (1993) 10' for cl & pf Trio (1991) 4' for ob, cl & bn Fanfare (1987) 3' for 2 tp & tb Mini-new-et (1987) 4' for db & pf Journey in the Fourth Dimension (1986) 8' for fl, cl, tp, hn, perc, hp, vn & vc Endless Parody (1985) 10' for woodwind quintet Due (1985) 4' for 2 cl A Lunatic's Monologue (1984) 8' for fl, cl, perc & pf Duet (1983) 4' for 2 vn Nightmare (1983) 6' for perc & pf Chamber (Chinese) Trio (1984) 4' for xiao, xun & yangqin Chamber (Mixed) Spiritual Touches (2006) 8'30‘ for two shengs, pipa, Chinese plucked-string ensemble and cello Instrumental Solo Chameleon (2004) 6' for vib Variations on a Sherpa Melody (2000) 20' for gtr Images (1989) 10' for pf Homage a Lili Boulanger (1988) 8' for pf Variations on a Theme by Beethoven (1983) 15' for pf Vocal / Choral 逆境裡的溫情(2003) 4' for soprano, female chorus & pf Songs of Pain and Innocence (1991) 12' for soprano & pf Listen (1988) 4' for SATB Nostalgia (1986) 3' for mezzo soprano, fl & pf Lotus (1985) 4' for SATB & pf Electro-Acoustic Music / Computer Music Dreamscape (1987) 5' for multi-track magnetic tape Music for Theatre / Drama A Children's Play by Chung Ying Theatre Company (1983) Others Over thirty popular songs - Numerous arrangements for Chinese plucked string ensemble and Western string ensemble Publications / Paper Presentations On the Composition of “Sense of Something Coming”. D.M.A. document. The Ohio State University, 1991. Ann Arbor, Michigan, University Microfilms. “How Much Can You Learn?” ICB Voices, International College at Beijing, Nos. 11 & 12, April & November 2002. “What is New Music?” Music Companion Vol. 88, June 2005. “The Journey to be a Composer” Music Companion Vol. 89, June 2006. 管弦樂 (西樂) 都市動感 (2005) 3' for chamber orchestra 童真 (1986) 8' for chamber orchestra 管弦樂 (中樂) 桃花源 (1999) 10' for Chinese instrumental orchestra 室樂 (西樂) 浪歌行板(2005) 7'30” for vn & vla 台灣組曲(1998) 15' for vn, vc & pf 不同時候(1993) 10' for cl & pf 木管三重奏(1991) 4' for ob, cl & bn Fanfare (1987) 3' for 2 tp & tb 新小步舞曲 (1987) 4' for db & pf 新四度空間的旅程 (1986) 8' for fl, cl, tp, hn, perc, hp, vn & vc 效頻篇 (1985) 10' for woodwind quintet 單簧管二重奏 (1985) 4' for 2 cl 瘋人獨白(1984) 8' for fl, cl, perc & pf 小提琴二重奏(1983) 4' for 2 vn 惡夢(1983) 6' for perc & pf 室樂 (中樂) 簫、笙、楊琴三重奏 (1984) 4' for xiao, xun & yangqin 室樂 (混合) 靈機一觸 (2006) 8'30 ‘ for two shengs, pipa, Chinese plucked-string ensemble and cello 獨奏曲 變色龍(2004) 6' for vib 尼泊爾民謠主題變奏曲 (2000) 20' for gtr 形象(1989) 10' for pf 對保蘭瑞致敬(1988) 8' for pf 貝多芬主題變奏曲(1983) 15' for pf 聲樂 / 合唱 逆境裡的溫情(2003) 4' for soprano, female chorus & pf 痛苦與純真之歌(1991) 12' for soprano & pf 聆聽 (1988) 4' for SATB 鄉愁 (1986) 3' for mezzo soprano, fl & pf 蓮(1985) 4' for SATB & pf 電子音樂 / 電腦音樂 夢境 (1987) 5' for multi-track magnetic tape 劇場音樂 中英劇團兒童劇(1983) 其他 流行曲三十多首 為中國彈撥樂團及西洋弦樂團編製多首樂曲 出版刊物 / 發表文章 On the Composition of “Sense of Something Coming”. D.M.A. document. The Ohio State University, 1991. Ann Arbor, Michigan, University Microfilms. “How Much Can You Learn?” ICB Voices, International College at Beijing, Nos. 11 & 12, April & November 2002. 「何謂新音樂？」。載於樂友第88期，2005年6月。 「學習作曲的歷程」。載於樂友第89期，2006年6月。 Back

IP Mun-wa 葉滿華 Ip Mun Wa, graduated a Master of Art in Music from Chinese Univesity of Hong Kong and Bachelor of Education (Honors) from Hong Kong Institute of Education. He studied composition under the guidance of Dr. Lai Sheung-Ping. Ip has awarded the Champion of Music Lesson Planning Competition held by Hong Kong Association for Music Education, 2nd running up of the Chinese Music Composition Contest at Hong Kong Music Festival, winner of the HKIED’s Artistic Excellence Award (Academic)(2008) and finalist in HKIED’s Artistic Excellence Award (2006-08). IP is current working as Music Teacher, member of Hong Kong Composers’ Guild and Composers and Authors Society of Hong Kong Limited. 葉滿華，畢業於香港中文大學音樂文學碩士及香港教育學院音樂教育榮譽學士，主修音樂教育及鋼琴，師隨黎尚冰博士作曲。葉氏曾獲在香港音樂教學課堂設計大賽冠軍、香港校際音樂節中樂作曲公開組季軍、香港教育學院體藝學系學業成績優異獎，其作品更三度入選香港教育學院優秀藝術獎（作曲）總決賽。葉姓氏現為中學教師，並為香港作曲家聯會（HKCG）、香港作曲及作詞家協會（CASH）會員。 MAJOR WORKS 主要作品 Chamber (Western) Funny (2009) 3' for violin, flute and piano Sob (2007) 5' for ob, cl & bn The Life of Thief (2007) 2'30" for pf, vn & cl Inside of the Heart (2007) 10' for wind band The Poem of the Everlasting (2006) 5'30" for pf, vn & vc Chamber (Chinese) A Pearl in the Night (2008) 2'30" for pipa, xiao, ruan, zhong ruan and da ruan Sheung River (2006) for erhu, pipa, di & zheng Instrumental Solo Devil's Romance (2007) 5' for pf Sheung River (2006) 3' for di Vocal / Choral A Song of Scout (2007) 2' for pf & vocal Music for Theatre / Drama Music for Drama – ‘San Mei’: Fire (2008) Route 2' for piano Love of the Music Box 2' for music box Etude for San Mei 2' for piano A Guitarist in the beach 2' for guitar Falling Leaves 2' for electric piano Waiting 2' for electric piano A triumphant return 2' for electric piano Music for Musical ‘玩．一換’ (2008) Motivation of Happiness 2'30" for orchestra Happy Clown 2' for 3 vocalists, clarinet, horn and mixed music 室樂（西樂) 歡樂 (2009) 3' for violin, flute and piano 泣 (2007) 5' for ob, cl & bn 小偷的一生 (2007) 2'30" for pf, vn & cl 心奈 (2007) 10' for wind band 永遠的變奏詩 (2006) 5'30" for pf, vn & vc 室樂 (中樂) 夜鳴珠 (2008) 2'30" for pipa, xiao, ruan, zhong ruan and da ruan 湘江水逝楚雲飛 (2006) for erhu, pipa, di & zheng 獨奏曲 魔鬼的浪漫 (2007) 5' for pf 湘江水逝楚雲飛 (2006) 3' for di 聲樂 / 合唱 童軍頌 (2007) 2' for pf & vocal 劇場音樂 戲劇《三妹》之配樂：焯 (2008) 路線 2' for piano 音樂盒之戀 2' for music box 三妹之練習曲 2' for piano 海灘上的結他手 2' for guitar 落葉 2' for electric piano 等待 2' for electric piano 回來 2' for electric piano 音樂劇《玩．一換》 (2008) 快樂動機 2'30" for orchestra 快樂小丑 2' for 3 vocalists, clarinet, horn and mixed music Back

TUNG Lai-shing 董麗誠 Hong Kong composer Tung Lai Shing is among the first generation of graduates from the Music Department of the Chinese University of Hong Kong in the 70s. He went on to pursue his study in composition at the University of Pennsylvania, where he studied with George Crumb and obtained his PhD. His major compositions include the Book of Laughter and Forgetting for symphonic orchestra and Cantonese Opera singer, commissioned and premiered by the Hong Kong Sinfonietta. 香港作曲家董麗誠為1970年代香港中文大學音樂系第一代畢業學生之一。其後赴笈美國賓歹凡尼亞大學繼續進修作曲，在喬治．克拉姆的指導下完成作曲（哲學）博士課程。其主要作品包括由香港小交響樂團委約、為管弦樂團及粵劇演員而寫的《笑忘書》。 MAJOR WORKS 主要作品 Back