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TSANG Yip-fat Richard (Founding Chairman) 曾葉發（創會主席） Richard Tsang has been for many years the Founding Chairman of the Hong Kong Composers' Guild, Vice-Chairman of the Asian Composers’ League (ACL) and subsequently served as President of the International Society for Contemporary Music (ISCM) from 2002-2008, the first non-European to hold this position since the society’s establishment in 1923. He has been active as a promoter of contemporary music and has organized in the past three decades many international exchange events and festivals in this field. As a composer, Tsang's works have been commissioned and/or performed by many local and international groups including the Boston Symphony Orchestra, Stockholm Wind Symphony Orchestra, Japan Folklore Foundation, Taiwan Municipal Chinese Orchestra, Seoul Philharmonic Orchestra, Orion Ensemble of Switzerland, Ensemble Antipodes, the Hong Kong Ballet, Hong Kong Philharmonic Orchestra, Hong Kong Chinese Orchestra, Hong Kong Sinfonietta, etc. Tsang has been the founding Music Director of the Hong Kong Sinfonietta and has guest conducted many local and overseas orchestras including the Hong Kong Philharmonic, Hong Kong Chinese Orchestra, the Tokyo Philharmonic Orchestra, etc. in premieres of his own compositions. He is also a veteran broadcaster and has worked with Radio Television Hong Kong since 1979 in various capacities as producer, channel head and Head of English Programme Services. Academically, Professor Tsang is currently Professor of Music and Dean of Students at the Education University of Hong Kong, actively involved in the research and promotion of creative musicking concept and practices. 生於香港，是活躍於本地及國際樂壇的現代音樂創作及推廣者。他是香港作曲家聯會的創會主席，1990至1996年期間擔任國際現代音樂協會及亞洲作曲家聯盟的副會長，並於2002年10月獲選為國際現代音樂協會會長，是該會自1923年創會以來首位非歐裔人士會長。曾氏曾多次應本地和國際藝術團體的委約進行創作，合作的團體包括波士頓交響樂團、斯德哥爾摩木管交響樂團、日本民間藝術基金會、香港芭蕾舞團、香港管弦樂團、香港中樂團及香港小交響樂團等。 曾氏曾任多個藝術團體的客席指揮，其中包括香港管弦樂團、香港中樂團及台北市立中樂團等。他亦是香港小交響樂團1990至1993年的首任音樂總監，並曾指揮多個聲樂團，包括香港聖樂團、明儀合唱團及雅樂社合唱團等。 多年來，曾氏曾多次獲獎，包括1988年獲選十大傑出青年、英港藝術基金會藝術家年獎和1990年香港作曲家年獎的得主，2002年更憑《龍形》獲CASH金帆音樂獎最佳正統音樂作品。曾葉發是音樂教育家亦是資深的電台工作者，自1979年起於香港電台工作，曾先後出任節目編導、第四台總監及英文台台長等職位，並曾任教於香港中文大學、香港演藝學院及英國京士頓大學等高等院校。自2009年起，曾氏出任香港教育大學文化與創意藝術系教授及學生事務長，並致力研究透過嶄新的「樂動」(Creative Musicking)理念推廣音樂創意及表現力至社會每一階層。 MAJOR WORKS 主要作品 Orchestral (Western) The Music is but Momentary…(Consolation) – Gu-zheng Concerto (2010) 18’ for Gu-zheng & orchestra / for Gu-zeng & Chinese orchestra Solace Dolce – Horn Concerto (2009) 15' for horn & chamber orchestra Overture FM (2004) 9'47" Dragon Signs (2002) 19'56" for clarinet & orchestra The Emperor and the Nightingale - Orchestral suite (2001) 50' In Tune (2000) 7'20" for chamber orchestra Spinoff (1999) 15'13" Concerto for flute & orchestra The Sky - Like A Dream (1995) 16'56" Shades II (1994) 6'18" Different Planes (1993) 20' for Chinese and Western orchestras Shades (1990) 7'05" Peng Lai (1990) 13'50" for SATB and orchestra Prelude for Orchestra (1988) 7'46" Gradation (1988) 8'49" Overture for Orchestra (1985) 8' Sinfonietta for Strings (1978) 18' Orchestra (Chinese) Hsu-huai (2008) 16'10 for treble choir and Chinese orchestra Dai-Lok-Tin (2008) 11' Temple Rituals / Ceremonial Ode (2008) 8'10" Wu-C'ang (1998) 15' An-ching (1997) 7' To the Ancient Spirits (1995) 12' Tai-Loi (1992) 10' Eternal Sorrow (1990) 17'50" for erhu and gaigu soli & Chinese orchestra Images of Bamboo (1989) 11'30" Hong Kong Panorama (1987) 6' Changing Images (1987) 15' for guzheng & Chinese orchestra Thinking of the Sages (1985) 9'44 Three Meditations (1983) 13'50" Chamber (Western) But For the Heart..... (2007) 13'15" for larger chamber ensemble Multifracts (2005) 5'24" for violin, cello & piano Inter-Flow (2004) 7'20" for violin & cello Chasing Shadows (1998) 9' for clarinet & string quartet Echo-Mime (1996) 15'38" for clarinet solo & cl sextet Emergence (1993) 6'50" for violin, cello & piano Lotus Fantasy (1992) 9'30" for clarinet, violin & piano Drumming (1989) for 4 perc. Contra-Flux (1979) 8'40" for flute, violin, cello & piano Elegie (1977) 6' for clarinet & piano Six Pieces for Four Players (1975) 10'30" for flute, violin, cello & piano Nocturne (1974) 5'45" for violin & piano Chamber (Chinese) San-Xiang (1999) 7'48" for dizi, pipa & guzheng "Dai Lok Tin", original tune in Cantonese style (1998) 5'52" for Cantonese ensemble "Leisurely", original tune in Cantonese style (1998) 6'28" for Cantonese ensemble "Where is the Blue Sky?", original tune in Cantonese style for Cantonese ensemble Dou-Sou (1980) 6'30" for solo pipa & pipa ensemble (tape for pipa ensemble available) Ling-Kai (1986) 10' for Chinese chamber ensemble (flexible) Chamber (Mixed) "The Music is but Momentary......." (2009) 15' for guzheng & chamber ensemble Airstream (2002) 10' for donghsiao & string quartet When Sounds are Silenced (1998) 9'30 for genkan & hookyoo (pipa & marimba) Towards the East (1991) 13'50" for Chinese, Japanese & other ethnic instruments Three Movements for Traditional Ensemble (1980) 14' for soprano, mixed ancient European instruments Instrumental Solo Soliloquy (2005) 6'38" for violin Ji-Li (1992) 8'37" for piano Images of Bells (1979) 11'25" for piano Ternary (1974) 6' for flute Vocal / Choral Twilight Destitute (2013) 4’00” for SAB & piano Two Larkin Song: “Ignorance” & “The Trees” (2013) 10’00” for baritone, violin, trumpet & piano 天人雜唱 (2012) 5’00” for speech choir ensemble of individual singers Life's Love Song (2011) 6’00” for SSA 3-part female chorus & piano Skywards (2011) 10’00” for mass choir, Handbells and ensemble There must be Time for Grief (2010) 4’45” for soprano & piano 時光機七號 (2008) 4' for speech choir 九聲歌 (2008) 4' for speech choir 西施死時 (2007) 2'30" for speech choir MOMi-Play (2007) 12' for interactive treble choir Sky Bridge (2005) 10'50" for 4 treble choirs Friendship (2004) 3' for SATB & piano All for Love (2000) 5'30" for 2 part treble & piano (string orchestra) or SATB, string orchestra & piano A Little Chamber Music (1997) 10'16" for vocal quartet (SATB) & piano Mang (1996) 5'30" for mezzo soprano and piano Lux Aeterna (1996) 7' for SATB & piano Ke-chung (1993) 3'30" for mezzo oprano & piano Rainy Days (1991) 4'20" for 2 part treble & piano (string orchestra) Song for Four Seasons (1989) 4'36 for 2 part treble & piano October (1987) 10' for SATB & piano Lullaby (1986) 3'30" for 2 part treble & piano Ru Meng Ling (1979) 5'30" for SATB & piano Arise My Love (1977) 8'30" for baritone, SS & piano 4 hands O Sweet Little Jesus (1976) 5')) for SATB & piano Songs of Yang Kwan (1974) 3'30" for SATB & piano And When I Die (1974) 7'00 for SATB & piano Love Under the Rain (1974) 5'30" for mezzo soprano & piano Electro-Acoustic Music / Computer Music Nemisis (1992) 11' for clarinet & tape Music for Ballet / Dance The Emperor & the Nightingale (1997) 110' for col. soprano, Chinese ensemble, 3 drummers, male choir, orchestra & electronics Yu Yi (1995) 20' for orchestra Hidden Domain (1984) 24' for electronic (tape) Man & Ghost (1983) 30' for elctronic (tape) The Monkey Epic (Tale of the Spider (1980) 80' for electronic (tape) Music for Theatre / Drama Children's Musical: "The Story of Robo" (1986) 70' for singers & pop accompaniment Others Game for 3 Players (1990) 10' for free emsemble RTHK Radio Station ID (1987) 0'15" for brass quartet Discography Nocturne (for violin and piano), Philips 6598979, 1974 Love Under the Rain (for mezzo soprano and piano), Hong Kong Records 6.242104, 1974 Ru Meng Ling (for mezzo soprano and piano), Hugo2 HRP 301, 1979 Ru Meng Ling (for mixed chorus & piano), Hugo HRP ML W3105, 1979 Dou-Sou (for solo pipa and tape), CBS/SONY CLD 1001, 1980 Overture for orchestra, Hong Kong Records 8.242119, 1985 Prelude for orchestra, Hugo HRP 799-2, 1988 Shades for orchestra, HKCG CGCD9401, 1990 Ke-chung (for mezzo soprano and piano), Hugo HRP 301-2, 1993 Meng (for mezzo soprano and piano), HK Records 74321-32617-2, 1996 An-ching (for Chinese orchestra), Hugo HRP 7208-2, 1997 Transcending (Cantonese tune for ensemble), RTHK CD 10.05, 1998 All for Love (for treble choir, mixed chorus, piano and string orchestra), RTHK CD 06.03, 2000 Airstream (for donghsiao and string quartet), CASH 20th Anniversary CD, 2002 Publications 曾葉發 (2011)：《動感聲藝創作、訓練及演出導論》，香港，英翹創意。ISBN 978-988-15821-7-1 "Images of Bells" 「鐘之幻象」 for piano solo. In Contemporary Hong Kong Music 1984: A Collection of Piano Works by Hong Kong Composers. Hong Kong: Hong Kong Composers' Guild, 1984. "Towards a Hong Kong Music." In An Introduction to the Members of the Hong Kong Composers' Guild 1988, edited by Chan Wing-wah, 1-5. Hong Kong: Hong Kong Composers' Guild, 1988. 「談 現代音樂之民族性問題」“Nationalism in Contemporary Music.” (Chinese) In「民族音樂研究」Collected Essays on Ethnomusicology, edited by Liu Ching-chi, 193-201. Hong Kong: Commercial Press, 1989. And When I Die. 「當我死時」for SATB & piano. In Chinese Choral Works of Hong Kong Composers, HKCM1. Hong Kong: Hong Kong Composers' Guild, 1992. Ru-meng-ling. 「如夢令」 for SATB & piano. In Chinese Choral Works of Hong Kong Composers, HKCM2. Hong Kong: Hong Kong Composers' Guild, 1992. Songs of Yang-kwan. 「陽關三疊」for SATB & piano. In Chinese Choral Works of Hong Kong Composers, HKCM3. Hong Kong: Hong Kong Composers' Guild, 1992. Ru-meng-ling. 「如夢令」 for solo voice & piano. In Hong Kong Vocal Music Collection, vol.I, edited by D. Law, 68-73. Hong Kong: Chinese Christian Literature Council, 1998. Love under the Rain. 「雨 戀」 In Hong Kong Vocal Music Collection, vol.VI, edited by D. Law, 133-138. Hong Kong: Chinese Christian Literature Council, 1999. O Sweet Little Jesus. 「小耶穌甜美的嬰孩」In Hong Kong Vocal Music Collection, vol.VII, edited by D. Law, 96-106. Hong Kong: Chinese Christian Literature Council, 1999. October. 「十月」for SATB & piano. In Hong Kong Vocal Music Collection, vol.VIII, edited by D. Law, 81-100. Hong Kong: Chinese Christian Literature Council, 1999. Si Yin Kuk. 「施然曲」In 「廣東音樂薈萃」Best of Cantonese Music, edited by Kam Sheung-si, 184-186. Guangdong Higher Education Press, 1999. “All for Love” 「全賴愛」 for treble choir & piano. In「童聲合唱歌曲創作大賽得獎作品集」Music for Treble Choir Composition Competition Winning Works, 1-5. 香港童聲合唱協會The Hong Kong Treble Choir Society, 2001. “Module on Rhythm.” In ISCM Education Campaign 20th Century Music Teaching Resource Kit, edited by Prof. Edward Ho, Estella Charm & Chan Ming-chi. CUHK Press, 2001. “Rainy Days” 「下雨天」 for treble choir, strings & piano. In 「香港兒童合唱團(高級組)歌集」Hong Kong Children's Choir Senior Level Songbook 1, 54-77. 香港兒童合唱團The Hong Kong Children's Choir, 2003. “Over Eight Decades of New Music - Does the ISCM World Music Days Festival Need a Revival?” In World New Music Magazine, Vol.16, edited by Stefan Fricke, 113-114. Germany: Pfau-Verlag, 2006. “Handbook for Teachers 2008-09年度校際動感聲藝訓練及匯演計劃 教師手冊” In 2008-09 Speech Choir Project. Joint InTuition & EDB Project, 2008. 管弦樂 (西樂) The Music is but Momentary…(Consolation) – Gu-zheng Concerto (2010) 18’ for Gu-zheng & orchestra / for Gu-zeng & Chinese orchestra Solace Dolce – Horn Concerto (2009) 15' for horn & chamber orchestra 逍遙樂 (2004) 9'47" 龍形 (2002) 19'56" for clarinet & orchestra 國王與夜鶯組曲 (2001) 50' 一調子 (2000) 7'20" for chamber orchestra Spinoff (1999) 15'13" Concerto for flute & orchestra 夢天 (1995) 16'56" 形影 II (1994) 6'18" 異界 (1993) 20' for Chinese and Western orchestras 形影 (1990) 7'05" 蓬萊 (1990) 13'50" for SATB and orchestra 管弦樂前奏曲 (1988) 7'46" 漸 (1988) 8'49" 管弦樂序曲 (1985) 8' 弦樂小交響曲 (1978) 18' 管弦樂 (中樂) 虛懷 (2008) 16'10 for treble choir and Chinese orchestra 粵風聯奏：〔大樂天〕 (2008) 11' 廟祭 / 風雅贊 (2008) 8'10" 無常 (1998) 15' 安晴 (Song of Bliss) (1997) 7' 古靈 (1995) 12' 泰來 (1992) 10' 太真長恨 (1990) 17'50" for erhu and gaigu soli & Chinese orchestra 竹意 (1989) 11'30" 香港盤旋 (1987) 6' 變象 (1987) 15' for guzheng & Chinese orchestra 思賢曲 (1985) 9'44 神遊三闕 (1983) 13'50" 室樂 (西樂) 心. 動 (2007) 13'15" for larger chamber ensemble 閃爍光影 (2005) 5'24" for violin, cello & piano 流 (2004) 7'20" for violin & cello 追影 (1998) 9' for clarinet & string quartet 迴響的默劇 (1996) 15'38" for clarinet solo & cl sextet 現 (1993) 6'50" for violin, cello & piano 蓮的聯想 (1992) 9'30" for clarinet, violin & piano 鼓動 (1989) for 4 perc. 逆流 (1979) 8'40" for flute, violin, cello & piano 哀歌 (1977) 6' for clarinet & piano 四重奏小品六首 (1975) 10'30" for flute, violin, cello & piano 夜曲 (1974) 5'45" for violin & piano 室樂 (中樂) 三晌 (1999) 7'48" for dizi, pipa & guzheng 大樂天 （飛越）, original tune in Cantonese style (1998) 5'52" for Cantonese ensemble 施然曲, original tune in Cantonese style (1998) 6'28" for Cantonese ensemble 雲深何處, original tune in Cantonese style for Cantonese ensemble 抖擻 (1980) 6'30" for solo pipa & pipa ensemble (tape for pipa ensemble available) 靈界 (1986) 10' for Chinese chamber ensemble (flexible) 室樂 (混合) "The Music is but Momentary......." (2009) 15' for guzheng & chamber ensemble 柔絲 (2002) 10' for donghsiao & string quartet 音止操 (1998) 9'30 for genkan & hookyoo (pipa & marimba) 東漸 (1991) 13'50" for Chinese, Japanese & other ethnic instruments 古樂三章 (1980) 14' for soprano, mixed ancient European instruments 獨奏曲 獨白 (2005) 6'38" for violin 支離 (1992) 8'37" for piano 鐘之幻象 (1979) 11'25" for piano 三段體 (1974) 6' for flute 聲樂 / 合唱 晚紅飛盡 (2013) 4’00” for SAB & piano Two Larkin Song: “Ignorance” & “The Trees” (2013) 10’00” for baritone, violin, trumpet & piano 天人雜唱 (2012) 5’00” for speech choir ensemble of individual singers 生命之戀歌 (2011) 6’00”m for SSA 3-part female chorus & piano 天語 (2011) 10’00” for mass choir, Handbells and ensemble There must be Time for Grief (2010) 4’45” for soprano & piano 時光機七號 (2008) 4' for speech choir 九聲歌 (2008) 4' for speech choir 西施死時 (2007) 2'30" for speech choir 動感 、音、 樂 園 (2007) 12' for interactive treble choir 天空之橋 (2005) 10'50" for 4 treble choirs 真善美 (2004) 3' for SATB & piano 全賴愛 (2000) 5'30" for 2 part treble & piano (string orchestra) or SATB, string orchestra & piano 小小室內樂 (1997) 10'16" for vocal quartet (SATB) & piano 茫 (1996) 5'30" for mezzo soprano and piano 永恆之光 (1996) 7' for SATB & piano 客中 (1993) 3'30" for mezzo oprano & piano 下雨天 (1991) 4'20" for 2 part treble & piano (string orchestra) 四季歌 (1989) 4'36 for 2 part treble & piano 十月 (1987) 10' for SATB & piano 安眠曲 (1986) 3'30" for 2 part treble & piano 如夢令 (1979) 5'30" for SATB & piano 我的良人起來吧 (1977) 8'30" for baritone, SS & piano 4 hands 小耶穌甜美的嬰孩 (1976) 5')) for SATB & piano 陽關三疊 (1974) 3'30" for SATB & piano 當我死時 (1974) 7'00 for SATB & piano 雨戀 (1974) 5'30" for mezzo soprano & piano 電子音樂 / 電腦音樂 凶敵 (1992) 11' for clarinet & tape 舞蹈音樂 國王與夜鶯 (1997) 110' for col. soprano, Chinese ensemble, 3 drummers, male choir, orchestra & electronics 如意 (1995) 20' for orchestra 隱所 (1984) 24' for electronic (tape) 人鬼 (1983) 30' for elctronic (tape) 西遊記之大鬧盤絲洞 (1980) 80' for electronic (tape) 劇場音樂 兒童音樂劇 [機械人奇遇記] (1986) 70' for singers & pop accompaniment 其他 遊戲 (1990) 10' for free emsemble 港台第四台主題 (1987) 0'15" for brass quartet 唱片目錄 Nocturne (for violin and piano), Philips 6598979, 1974 「雨戀」 (for mezzo soprano and piano), Hong Kong Records 6.242104, 1974 「如夢令」 (for mezzo soprano and piano), Hugo2 HRP 301, 1979 「如夢令」 (for mixed chorus & piano), Hugo HRP ML W3105, 1979 「抖擻」 (for solo pipa and tape), CBS/SONY CLD 1001, 1980 Overture for orchestra, Hong Kong Records 8.242119, 1985 Prelude for orchestra, Hugo HRP 799-2, 1988 Shades for orchestra, HKCG CGCD9401, 1990 「客中」 (for mezzo soprano and piano), Hugo HRP 301-2, 1993 「茫」 (for mezzo soprano and piano), HK Records 74321-32617-2, 1996 「安晴」 (for Chinese orchestra), Hugo HRP 7208-2, 1997 「大樂天」 (Cantonese tune for ensemble), RTHK CD 10.05, 1998 「全賴愛」 (for treble choir, mixed chorus, piano and string orchestra), RTHK CD 06.03, 2000 「柔絲」 (for donghsiao and string quartet), CASH 20th Anniversary CD, 2002 出版刊物 / 發表文章 曾葉發 (2011)：《動感聲藝創作、訓練及演出導論》，香港，英翹創意。ISBN 978-988-15821-7-1 "Images of Bells" 「鐘之幻象」 for piano solo. In Contemporary Hong Kong Music 1984: A Collection of Piano Works by Hong Kong Composers. Hong Kong: Hong Kong Composers' Guild, 1984. "Towards a Hong Kong Music." In An Introduction to the Members of the Hong Kong Composers' Guild 1988, edited by Chan Wing-wah, 1-5. Hong Kong: Hong Kong Composers' Guild, 1988. 「談 現代音樂之民族性問題」“Nationalism in Contemporary Music.” (Chinese) In「民族音樂研究」Collected Essays on Ethnomusicology, edited by Liu Ching-chi, 193-201. Hong Kong: Commercial Press, 1989. And When I Die. 「當我死時」for SATB & piano. In Chinese Choral Works of Hong Kong Composers, HKCM1. Hong Kong: Hong Kong Composers' Guild, 1992. Ru-meng-ling. 「如夢令」 for SATB & piano. In Chinese Choral Works of Hong Kong Composers, HKCM2. Hong Kong: Hong Kong Composers' Guild, 1992. Songs of Yang-kwan. 「陽關三疊」for SATB & piano. In Chinese Choral Works of Hong Kong Composers, HKCM3. Hong Kong: Hong Kong Composers' Guild, 1992. Ru-meng-ling. 「如夢令」 for solo voice & piano. In Hong Kong Vocal Music Collection, vol.I, edited by D. Law, 68-73. Hong Kong: Chinese Christian Literature Council, 1998. Love under the Rain. 「雨 戀」 In Hong Kong Vocal Music Collection, vol.VI, edited by D. Law, 133-138. Hong Kong: Chinese Christian Literature Council, 1999. O Sweet Little Jesus. 「小耶穌甜美的嬰孩」In Hong Kong Vocal Music Collection, vol.VII, edited by D. Law, 96-106. Hong Kong: Chinese Christian Literature Council, 1999. October. 「十月」for SATB & piano. In Hong Kong Vocal Music Collection, vol.VIII, edited by D. Law, 81-100. Hong Kong: Chinese Christian Literature Council, 1999. Si Yin Kuk. 「施然曲」In 「廣東音樂薈萃」Best of Cantonese Music, edited by Kam Sheung-si, 184-186. Guangdong Higher Education Press, 1999. “All for Love” 「全賴愛」 for treble choir & piano. In「童聲合唱歌曲創作大賽得獎作品集」Music for Treble Choir Composition Competition Winning Works, 1-5. 香港童聲合唱協會The Hong Kong Treble Choir Society, 2001. “Module on Rhythm.” In ISCM Education Campaign 20th Century Music Teaching Resource Kit, edited by Prof. Edward Ho, Estella Charm & Chan Ming-chi. CUHK Press, 2001. “Rainy Days” 「下雨天」 for treble choir, strings & piano. In 「香港兒童合唱團(高級組)歌集」Hong Kong Children's Choir Senior Level Songbook 1, 54-77. 香港兒童合唱團The Hong Kong Children's Choir, 2003. “Over Eight Decades of New Music - Does the ISCM World Music Days Festival Need a Revival?” In World New Music Magazine, Vol.16, edited by Stefan Fricke, 113-114. Germany: Pfau-Verlag, 2006. “Handbook for Teachers 2008-09年度校際動感聲藝訓練及匯演計劃 教師手冊” In 2008-09 Speech Choir Project. Joint InTuition & EDB Project, 2008. Back

YU Chiu-for 余昭科 MAJOR WORKS 主要作品 Back

LAW Wing-fai 羅永暉 Law Wing-fai (Solo Theatre) is a leading composer in Hong Kong, and one of the few to have crossed over the boundary between commercial music and the arts. He is currently a Composer-in-Residence at the Hong Kong Academy for Performing Arts, and Artistic Director of Wuji Ensemble. Law graduated from the University of California with a Master’s degree in Music (Composition and Electronic Music). He worked closely with Hong Kong’s New Wave directors in films during the 1980’s, having scored for more than 20 films including the award-winning Boat People, Dream Lovers and A Simple Life. He was the founding Head of Composition of the Hong Kong Academy for Performing Arts, a position which he subsequently held for many years. During the 1990’s, he was a Visiting Scholar at Stanford University where he gave lectures and wrote music. On returning to Hong Kong, he found a new angle in music composition, which resulted in many important works using Chinese-Western mixed instrumentation, the most representative of which are When Mountains Roar and Linli. He also founded Wuji Ensemble, a group that is known for its unique character. In May 2008, the Hong Kong Chinese Orchestra presented a critically acclaimed concert featuring Law’s works. With a diverse oeuvre spanning serious and commercial music, Law has written for pop music, commercials, drama, opera and in particular, for over a dozen dance dramas such as Song of the Good Earth and Rouge. His long list of accolades include the Irino Memorial Award presented at the Asian Composers’ League, the Hong Kong Film Award for Best Original Score, “Composer of the Year” by the Hong Kong Artists’ Guild, and being selected as one of the “Twentieth Century Masterpieces by Chinese Composers” by the Chinese Culture Promotion Society in Beijing. Law’s score for the drama production The Peach Blossom Fan was awarded “Best Original Music” by the Hong Kong Federation of Drama Societies. Law was also a five-time winner of the CASH Golden Sail Music Award between 2001 and 2008, with his opera Dreaming Plum Blossoms Away, Flowing Fancies for pipa and Western orchestra, Feng Liu for Chinese plucked strings, A Thousand Sweeps for pipa and Chinese orchestra, and Flowing Phantasm for Chinese Orchestra. 羅永暉是本港少數跨越藝術與商業領域的資深作曲家。現任香港演藝學院駐校作曲家及「無極樂團」藝術總監。他早年畢業於美國加州大學，主修作曲，獲碩士學位。 回港後與新浪潮導演合作創寫超過二十部電影音樂，如《投奔怒海》、《夢中人》及最近的《桃姐》等。其間創立香港演藝學院作曲系，並擔任該系系主任多年。 1995年再次赴美以訪問學人身份在美國史丹福大學從事講學及音樂創作，回港後以嶄新的寫作風格，發表多首大型中西樂器混合的作品如《山鳴》、《淋漓》 等，並創立風格獨特的「無極樂團」。2008年5月，香港中樂團舉辦「星河潑墨」— 羅永暉的中樂新境界專場音樂會，他的作品獲得音樂界的高度評價。 羅氏寫作多元化，除藝術音樂外還有流行音樂、廣告、電視劇、話劇、歌劇及十多齣舞劇音樂，如城市當代舞蹈團的《狂想大地》、香港舞蹈團的《胭脂扣》等。嬴得 的重要獎項中，包括亞洲作曲家同盟會議頒贈的入野義朗紀念大獎、香港電影金像獎最佳配樂獎、香港藝術家聯盟頒贈的藝術家年獎以及作品被北京中華民族文化促 進會選為「二十世紀華人音樂經典」之一。2001年至2008年期間，他以《桃花扇》獲得香港戲劇協會頒贈的最佳戲劇音樂獎，並以歌劇《夢拾紅梅》、琵琶 與西洋樂隊作品《逸筆草草》、中國彈撥樂作品《風流》、琵琶與中樂隊作品《千章掃》及中樂隊作品《星河潑墨》連獲五次香港作曲家及作詞家協會頒贈的金帆音樂獎。 MAJOR WORKS 主要作品 Orchestral (Western) Linli (1998) 15' for guan, sanxian & orchestra When Mountains Roar (1997) 12' for 4 Chinese soloists, orchestra & chorus A Thousand Sweeps (1997) 10' for pipa & orchestra Visions Beyond (1996) 12' Prealudium (1994) 2' for 2 ob, 2 hn & string orchestra Phantasm (1994) 16'30" for vc & orchestra Chou Si (1993) 20' for 3 high voices, Chinese & Western orchestras Intrada (1993) 15' Sphere Supreme (1992) 10' Overture (1989) 8' Musica Concertata (1987) 16' Pipa Concerto (1986) 30' Rice Field Dance (1979) 6' When Clouds Rise (1978) 12' Qian (1977) 10' Orchestral (Chinese) Flying Brush (1999) 16' Tang Capriccio (1996) 15' Ink Spirit (1996) 12' for pipa & Chinese string orchestra Puck (1990) 15' Ballade for 2 Pipas & Chinese Orchestra Concerto for Percussion and Orchestra (1986) 15' for Chinese perc & Chinese orchestra Soundscapes (1983) 20' Chamber (Western) Moon Spirit (2000) 15' for pipa & string quartet Link (1999) 10' for woodwind quintet Mood Sketches (1998) 12' for string quartet Vortex (1996) 10' for 2 pf Season Without a Name (1996) 15' for fl, ob, cl, string quartet & pf Ink Spirit (1995) 10' for pipa & string quartet Qian Si (1994) 8' for pipa & string quartet Kunk (1989) 14' for 4 pf & 2 perc Fantasia (1988) 10' for hpch & gtr Caprice in G (1988) 6' for vn & pf Plus One (1987) 8' for string quartet Sleeve Dance (1984) 12' for 2 pf & perc Sun Soundic (1983) 10' for fl, cl, pf, vn, vc & tape Dionysus Fantasia (1979) 7' for 3 fl, pf (celesta) & 2 perc Si Ahu Kou (1978) 8' for fl, va & pf Mulberry Grove Dance (1975) 7' for fl & gtr Chamber (Chinese) Autumn Vista on the River (1999) 5' for Cantonese ensemble A Spring Walk in the Mountains (1999) 5' for Cantonese ensemble Desolate Petals on the Guileless Water (1999) 5' for Cantonese ensemble Air Eleganza (1999) 12' for xiao, sheng, yangqin & zheng Incense Offerings (1986) 10' for xiao, erhu, pipa & zheng The Drunken Tai Bai (1985) 7' for dizi, sheng, yangqin & zheng Instrumental Solo In One Stroke (1996) 10' for pipa Shake'n Roll (1995) 10' for pipa Of Butterflies and Frogs (1992) 3' for pf Toccata (1991) 10' for marimba Intermezzo (1988) 8' for gtr Cantilena for One Finger (1985) 9' for pipa Misty (1974) 7' for pipa Three Little Pieces with Spiritual Touch (1972) 7' for pf Silkworm (1972) 7' for pipa Opera Dreaming Plum Blossoms Away (2000) 2 hrs Vocal / Choral Chou Nu Er (1996) 10' for mixed choir & pf What is the Taste of Sorrow (1994) 10' for alto, vn & pf My Ambition (1993) 5' for children' choir & pf/orchestra Yu Lin Ling (1993) 8' for mixed choir & pf Hope (1991) 6' for children's choir & pf Garden Song (1982) 7' for mixed choir & pf Neither Out Far Nor in Deep (1978) 6' for alto & cl in Bb Music for Dance / Drama Parting at River Yi (1993) 1 hr 30" Suppressed Romance (1991) 1 hr 30" Rouge (1991) 1 hr 30" Three Romantic Chinese-Song of the Earth II (1990) 1 hr 30" Homeland (1990) 1 hr Femme Fatale (1987) 1 hr 30" Chinese Historical Myth-Sun and Moon (Fame and Love) (1985) 30' Hung Liu Zui Yu (1983) 30' Song of the Good Earth (1983) 1 hr 30" Theatre Music Synopsis (1990) 1 hr The Emperor and the Nightingale (1985) 1 hr 30" Dragon Dance (1980) 30' Film Music Romance of Book and Sword (1988) Princess Fragrance (1988) Dream Lover (1986) Woman of Wrath (1985) Just Like Weather (1985) Women (1984) Boat People (1981) TV Music Vanguard (1985) Discography Tang Capriccio Hugo 7208-2 A Thousand Sweeps Hugo 7205-2 Pipa Concerto Hugo 71042 Phantasm Hugo 71042 Musica Concertata Hugo 71042 Sphere Supreme Hugo 799-2 Musica Concertata H.K. Record 8.242119 Sun Soundic H.K. Record 8.242120 Silkworm CMS 601 What is the Taste of Sorrow BMG 74321-326172-2 Misty Kolin 5035 Hope H.K Record 4.242118 Plus One CGCD 9402 Mulberry Grove Dance Philips 7399285 管弦樂(西樂) 淋漓(1998) 15' for guan, sanxian & orchestra 山鳴 (1997) 12' for 4 Chinese soloists, orchestra & chorus 千章掃 (1997) 10' for pipa & orchestra 無極意象 (1996) 12' 小序曲 (1994) 2' for 2 ob, 2 hn & string orchestra 飛絮 (1994) 16'30" for vc & orchestra 抽思 (1993) 20' for 3 high voices, Chinese & Western orchestras 管弦樂前奏曲 (1993) 15' 天驕 (1992) 10' 管弦樂序曲 (1989) 8' 管弦樂小協奏曲 (1987) 16' 琵琶協奏曲 (1986) 30' 耘耘舞 (1979) 6' 坐看雲起時 (1978) 12' 籤 (1977) 10' 管弦樂(中樂) 亳飛集 (1999) 16' 風采 (1996) 15' 潑墨仙人 (1996) 12' for pipa & Chinese string orchestra 雙琵琶與樂隊敘事曲《天靈靈》 (1990) 15' Ballade for 2 Pipas & Chinese Orchestra 打擊樂協奏曲 (1986) 15' for Chinese perc & Chinese orchestra 山水響 (1983) 20' 室樂 (西樂) 月鬼 (2000) 15' for pipa & string quartet 靈犀 (1999) 10' for woodwind quintet 意筆白描 (1998) 12' for string quartet 漩渦 (1996) 10' for 2 pf 無名季節 (1996) 15' for fl, ob, cl, string quartet & pf 潑墨仙人 (1995) 10' for pipa & string quartet 牽絲 (1994) 8' for pipa & string quartet 狂弦四聲 (1989) 14' for 4 pf & 2 perc 幻想曲 (1988) 10' for hpch & gtr G調隨想曲 (1988) 6' for vn & pf 第五聲 (1987) 8' for string quartet 水袖 (1984) 12' for 2 pf & perc 響晴 (1983) 10' for fl, cl, pf, vn, vc & tape 醉鄉 (1979) 7' for 3 fl, pf (celesta) & 2 perc 絲竹扣 (1978) 8' for fl, va & pf 桑林調 (1975) 7' for fl & gtr 室樂 (中樂) 秋水連天 (1999) 5' for Cantonese ensemble 山徑春行 (1999) 5' for Cantonese ensemble 花自飄零水自流 (1999) 5' for Cantonese ensemble 清音寫意 (1999) 12' for xiao, sheng, yangqin & zheng 香火 (1986) 10' for xiao, erhu, pipa & zheng 太白醉酒 (1985) 7' for dizi, sheng, yangqin & zheng 獨奏曲 一筆 (1996) 10' for pipa 滾沙沙 (1995) 10' for pipa 青蛙草蝶 (1992) 3' for pf 馬林巴琴展技曲 (1991) 10' for marimba 間奏曲 (1988) 8' for gtr 一指禪 (1985) 9' for pipa 寒雲路 (1974) 7' for pipa 靈河三章 (1972) 7' for pf 蠶 (1972) 7' for pipa 歌劇 夢拾紅梅 (2000) 2 hrs 聲音 / 合唱 醜奴兒 (1996) 10' for mixed choir & pf 少年不識愁滋味 (1994) 10' for alto, vn & pf 我的志願 (1993) 5' for children' choir & pf/orchestra 雨霖鈴 (1993) 8' for mixed choir & pf 希望 (1991) 6' for children's choir & pf 花園之歌 (1982) 7' for mixed choir & pf 近在咫尺 (1978) 6' for alto & cl in Bb 舞蹈劇音樂 易水寒 (1993) 1 hr 30" 自梳女 (1991) 1 hr 30" 胭脂扣 (1991) 1 hr 30" 狂想大地之二：三個浪漫的中國人 (1990) 1 hr 30" 香港情懷之時光動畫編號四 (1990) 1 hr 女色 (1987) 1 hr 30" 搜神之日月「名利、愛情」(1985) 30' 紅樓碎玉 (1983) 30' 狂想大地 (1983) 1 hr 30" 劇場音樂 美人如玉劍如虹 (1990) 1 hr 國王與夜鶯 (1985) 1 hr 30" 龍舞 (1980) 30' 電影音樂 書劍恩仇錄 (1988) 香香公主 (1988) 夢中人 (1986) 殺夫 (1985) 美國心 (1985) 女人心 (1984) 投奔怒海 (1981) 電視音樂 廉政先鋒 (1985) 唱片目錄 Tang Capriccio, Hugo 7208-2 A Thousand Sweeps, Hugo 7205-2 Pipa Concerto, Hugo 71042 Phantasm, Hugo 71042 Musica Concertata, Hugo 71042 Sphere Supreme, Hugo 799-2 Musica Concertata, H.K. Record 8.242119 Sun Soundic, H.K. Record 8.242120 Silkworm, CMS 601 What is the Taste of Sorrow, BMG 74321-326172-2 Misty, Kolin 5035 Hope, H.K Record 4.242118 Plus One, CGCD 9402 Mulberry Grove Dance, Philips 7399285 Back

LEE Pui-shan Sandy 李佩珊 Sandy was born in Hong Kong. She is active in music composition, arrangements and creative music education. After graduating from Hong Kong Baptist University and Hong Kong Academy for Performing Arts, she established her own studio “Sandy’s Musical” which produced children creative shows at Shenzhen. As a music educator, she leads her students participate in Schools Creative Music Showcase, Schools Speech Choir Showcase and Composition Workshops run by EDB and LCSD. Sandy was cooperating with Hong Kong Education University. Her handbell composition “Drunk Horse in the Moon” was performed by EdUHK Handbell Ensemble at the 18th International Handbell Symposium in Cairns 2018. Studio theatre work “World of Flowers” was performed the following year at Ko Shan Theatre. Her trilingual choral work “Visiting the Ancient Plain of Leyou” was premiered by Sacred Heart Canossian College in 2019. A cappella work “One Step” was premiered by Sregnis Singers at 2020 Hong Kong Contemporary Music Festival: Asian Delights. 李佩珊生於香港，活躍於音樂創作及編曲，對培育年青一代的藝術創意尤為熱衷。她獲取香港浸會大學榮譽音樂學士學位及香港演藝學院作曲專業文憑後，於2008年成立工作坊「新的音樂—Sandy’s Musical」，在本港及深圳推動兒童音樂創作。除了擔任音樂事務處創作課程講者，李氏曾帶領多間中、小學參與香港教育局主辦的「學校音樂創藝展」及「學校動感聲藝展」，屢獲佳績。 李氏經常與本港年青新秀合作，她為香港教育大學手鈴隊創作的《醉馬賞月》於2018年澳洲開恩茲擧行的國際手鈴音樂節中發表，次年，多媒體劇場《花花世界》在高山劇場上演；融合傳統詩詞及現代樂思的合唱作品 《登樂遊原》將於香港作曲家聯會主辨的「詩詞傳頌音樂會」中由嘉諾撒聖心書院合唱團首演；無伴奏合唱作品《一步》在香港當代音樂節：亞洲薈萃中發表，由合唱俠演出。 MAJOR WORKS 主要作品 Orchestral Winds (1998) 6'30" Chamber Cocoon (1998) 7' for cl, pf, perc, vn, va & db Triad (1996) 10' for fl, cl, pf, vn & vc The Pain (1996) 6'30" for bn, 2 vn, va & vc Circle (1993) 10' for fl, cl, pf, 2 perc & vn Choral One Step (2020) 4’57” for 8-part SATB chorus Visiting the Asian Plain of Leyou (2019) 4’45” for 3-part female chorus & pf Crow (2002) 3' 30" for 3-part children chorus (senior primary school), 3 actors & pf Eternal Life (2002) 3' for 3-part female chorus & pf Pa-pa Ma-ma Gee-Lee-Gua-La (2001) 2' for 2-part children chorus (junior primary school), pf & perc Handbell Choir World of Flowers (2019) 5’ for 5-6 octaves handbell chorus Drunk Horse in the Moon (2018) 6’ for 5-6 octaves handbell chorus Electronic Music Fine Tuning (1997) 6' for cl & tape Musical for Children See you Tommorrow (2019) Take a Seat (2016) Naughty Boy and the Sea (1995) Multi-media Drun Flying (1998) 8' for 2 dancers, synthesizer & lighting Guess (1997) 3' for 3 actors & tape Other Shak Chung Shan Memorial Catholic Primary School Anthem (1999) 2' Publication 「爸爸媽媽Gee-Lee-Gua-La.」載於《童聲合唱歌曲創作大賽得獎作品集》頁67-72。香港：童聲合唱協會，2001年。 管弦樂 滾滾風塵 (1998) 6'30" 室樂 破繭 (1998) 7' for cl, pf, perc, vn, va & db Triad (1996) 10' for fl, cl, pf, vn & vc 痛苦 (1996) 6'30" for bn, 2 vn, va & vc 反璞歸真 (1993) 10' for fl, cl, pf, 2 perc & vn 合唱 烏鴉 (2002) 3' 30" for 3-part children chorus (senior primary school), 3 actors & pf 永恆的生命 (2002) 3' for 3-part female chorus & pf 爸爸媽媽Gee-Lee-Gua-La (2001) 2' for 2-part children chorus (junior primary school), pf & perc 電子音樂 微音調 (1997) 6' for cl & tape 兒童音樂劇 哪叱鬧東海 (1995) 多媒體音樂 鼓舞飄 (1998) 8' for 2 dancers, synthesizer & lighting 猜 (1997) 3' for 3 actors & tape 其他 天主教石鐘山紀念小學校歌 (1999) 2' 出版刊物 「爸爸媽媽Gee-Lee-Gua-La.」 載於《童聲合唱歌曲創作大賽得獎作品集》頁67-72。香港：童聲合唱協會，2001年。 Back

LIN Livia 凌崎偵 Recipient of the 2011 St Botolph Club Foundation Emerging Artist Award, Livia Lin recently received an Honorable Mention in the 2011 International Music Prize for her work Ju, written for Boston Modern Orchestra Project (BMOP) principal oboist Jennifer Slowik. In 2006, with just one year of composition experience under her belt, her woodwind trio received an Honorable Mention in the MTNA Young Artist Composition Competition. Her music has since then been receiving critical acclaims in festivals including the Festival of Women in Arts in New York and the Asian Music Festival in Tokyo. A talented pianist since a young age, she appeared in the commercially released educational video of world-renowned pianist Liu Shih Kun at just age eight. After attaining LRSM in Piano Performance in 2001, Lin went on to study Music Production & Engineering and Film Scoring at Berklee College of Music in Boston, earning a B.Mus. magna cum laude. She also holds a M.A. in Composition from Tufts University. For years, Lin has been an active audio engineer. While in Boston, she had participated in production projects of BMOP, Bang On A Can bassist Robert Black, to name a few. She was also the sound engineer of Cambridge Community Chorus and King’s Chapel Choir. Find out more at livialin.weebly.com. Saint Botolph Club Foundation新晉藝術家獎得主凌崎偵曾於亞洲曲盟音樂節、紐約女性藝術節等發表其作品。自05年開始作曲，凌氏的作品屢獲嘉許，包括在MTNA青年藝術家作曲比賽和國際音樂獎比賽中獲優異獎。凌氏幼年開始習琴，8歲便受邀於《劉詩昆教你彈鋼琴》教材中示範演出。19歲的她以特優成績考獲LRSM鋼琴演奏文憑。凌氏05年赴美入讀柏克理音樂學院，雙主修音樂製作及工程和電影音樂，後來再在塔夫斯大學研習作曲，並取得碩士學位 。旅美期間，凌氏曾參與波士頓現代管弦樂團，以及Lee Hyla、Donald Crockett等作曲家的錄音和後製工作。 MAJOR WORKS 主要作品 Back

NG Wah-hei 伍華晞 MAJOR WORKS 主要作品 Back

LAI Sheung-ping 黎尚冰 Dr. Sheung-Ping Lai is an Assistant Professor at the CCA Department, HKIED where she teaches music composition, music theory, composition pedagogy, contemporary music, and jazz study. Dr. Lai is an active composer. Her music covers a wide variety of genres and styles, and her compositions are frequently performed in public, including Western and Chinese instrumental music, electronic music, theatrical music, art songs, pop songs, choral jazz and instrumental jazz, presenting a unique synthesis of the East and the West. Her research interests include music composition, music theory, composition pedagogy, contemporary music, jazz, and cross-cultural studies of Chinese and Western music. She is the Secretary (Administration) of Hong Kong Composers’ Guild where she coordinates the annual New Generation Concert for young composers. Besides promoting music by Hong Kong composers, she also engages in the education of music creativity and composition to younger generations, as well as composition pedagogy to music teachers. 黎尚冰博士多年從事音樂創作及教學工作，目前任教於香港教育學院，並任香港作曲家聯會行政秘書，積極推廣現代音樂及創意教育。黎氏作品豐富，經常公開發表。黎氐的音樂涉及不同樂種和語言，反映出作曲者的多重音樂文化背景。每首作品除了穿梭於調式、調性與無調性之間，對曲式、音色、音樂織體和節奏上也作出新的探索，將東西音樂文化特色再來一次新的混合。 MAJOR WORKS 主要作品 Orchestral (Western) City Motion (2005) 3' for chamber orchestra Innocence (1986) 8' for chamber orchestra Orchestral (Chinese) Utopia (1999) 10' for Chinese instrumental orchestra Chamber (Western) LangGe (2005) 7'30” for vn & vla Taiwanese Suite (1998) 15'for vn, vc & pf Different Times (1993) 10' for cl & pf Trio (1991) 4' for ob, cl & bn Fanfare (1987) 3' for 2 tp & tb Mini-new-et (1987) 4' for db & pf Journey in the Fourth Dimension (1986) 8' for fl, cl, tp, hn, perc, hp, vn & vc Endless Parody (1985) 10' for woodwind quintet Due (1985) 4' for 2 cl A Lunatic's Monologue (1984) 8' for fl, cl, perc & pf Duet (1983) 4' for 2 vn Nightmare (1983) 6' for perc & pf Chamber (Chinese) Trio (1984) 4' for xiao, xun & yangqin Chamber (Mixed) Spiritual Touches (2006) 8'30‘ for two shengs, pipa, Chinese plucked-string ensemble and cello Instrumental Solo Chameleon (2004) 6' for vib Variations on a Sherpa Melody (2000) 20' for gtr Images (1989) 10' for pf Homage a Lili Boulanger (1988) 8' for pf Variations on a Theme by Beethoven (1983) 15' for pf Vocal / Choral 逆境裡的溫情(2003) 4' for soprano, female chorus & pf Songs of Pain and Innocence (1991) 12' for soprano & pf Listen (1988) 4' for SATB Nostalgia (1986) 3' for mezzo soprano, fl & pf Lotus (1985) 4' for SATB & pf Electro-Acoustic Music / Computer Music Dreamscape (1987) 5' for multi-track magnetic tape Music for Theatre / Drama A Children's Play by Chung Ying Theatre Company (1983) Others Over thirty popular songs - Numerous arrangements for Chinese plucked string ensemble and Western string ensemble Publications / Paper Presentations On the Composition of “Sense of Something Coming”. D.M.A. document. The Ohio State University, 1991. Ann Arbor, Michigan, University Microfilms. “How Much Can You Learn?” ICB Voices, International College at Beijing, Nos. 11 & 12, April & November 2002. “What is New Music?” Music Companion Vol. 88, June 2005. “The Journey to be a Composer” Music Companion Vol. 89, June 2006. 管弦樂 (西樂) 都市動感 (2005) 3' for chamber orchestra 童真 (1986) 8' for chamber orchestra 管弦樂 (中樂) 桃花源 (1999) 10' for Chinese instrumental orchestra 室樂 (西樂) 浪歌行板(2005) 7'30” for vn & vla 台灣組曲(1998) 15' for vn, vc & pf 不同時候(1993) 10' for cl & pf 木管三重奏(1991) 4' for ob, cl & bn Fanfare (1987) 3' for 2 tp & tb 新小步舞曲 (1987) 4' for db & pf 新四度空間的旅程 (1986) 8' for fl, cl, tp, hn, perc, hp, vn & vc 效頻篇 (1985) 10' for woodwind quintet 單簧管二重奏 (1985) 4' for 2 cl 瘋人獨白(1984) 8' for fl, cl, perc & pf 小提琴二重奏(1983) 4' for 2 vn 惡夢(1983) 6' for perc & pf 室樂 (中樂) 簫、笙、楊琴三重奏 (1984) 4' for xiao, xun & yangqin 室樂 (混合) 靈機一觸 (2006) 8'30 ‘ for two shengs, pipa, Chinese plucked-string ensemble and cello 獨奏曲 變色龍(2004) 6' for vib 尼泊爾民謠主題變奏曲 (2000) 20' for gtr 形象(1989) 10' for pf 對保蘭瑞致敬(1988) 8' for pf 貝多芬主題變奏曲(1983) 15' for pf 聲樂 / 合唱 逆境裡的溫情(2003) 4' for soprano, female chorus & pf 痛苦與純真之歌(1991) 12' for soprano & pf 聆聽 (1988) 4' for SATB 鄉愁 (1986) 3' for mezzo soprano, fl & pf 蓮(1985) 4' for SATB & pf 電子音樂 / 電腦音樂 夢境 (1987) 5' for multi-track magnetic tape 劇場音樂 中英劇團兒童劇(1983) 其他 流行曲三十多首 為中國彈撥樂團及西洋弦樂團編製多首樂曲 出版刊物 / 發表文章 On the Composition of “Sense of Something Coming”. D.M.A. document. The Ohio State University, 1991. Ann Arbor, Michigan, University Microfilms. “How Much Can You Learn?” ICB Voices, International College at Beijing, Nos. 11 & 12, April & November 2002. 「何謂新音樂？」。載於樂友第88期，2005年6月。 「學習作曲的歷程」。載於樂友第89期，2006年6月。 Back

LAM Kwan-fai 林鈞暉 林鈞暉，一位於國際舞台上屢獲獎項的作曲家，作品以多元化見稱，由學術到商業、古典到前衛，遍及電影、戲劇、舞蹈，跨媒體等。曾留學美國加洲藝術學院（又名迪士尼學校），畢業後獲藝術家簽證，留美工作。在美期間曾參與多個何荷里活電影的大型製作，亦為多個著名劇團擔任作曲家一職。個人獎項包括國際作曲家比賽「許常惠創作獎」及「亞洲作曲家同盟的青年作曲家獎」；其參與作品曾提名「國際艾美獎最佳紀錄長片」、「動畫奧斯卡 Annie Award」最佳學生作品、榮獲「蒙地雷國際電影節」最佳劇情短片，「IndieProducers’ Award 2009」最佳動畫等。 先後畢業於香港演藝學院及美國加州藝術學院作曲系。在學其間多次獲獎，包括零六於台灣主辦的國際作曲家比賽「許常惠創作獎」，零七年「亞洲作曲家同盟的青年作曲家獎」。以及零九年獲香港賽馬會全額獎學金赴美完成其碩士課程。林氏活躍於參與不同媒體音樂製作，如電影、戲劇及舞蹈。其參與配樂的電影作品曾於不同的國際電影節中參展並獲獎，包括 Across Land Across Sea 提名「第四十一屆國際艾美獎」最佳紀錄長片，The Monk 榮獲「第三屆鮮浪潮國際電影節」最佳短片，Little By Little 榮獲「蒙地雷國際電影節」最佳劇情短片, The Lost Generation 「IndieProducers’ Award 2009」最佳動畫。 劇場方面，林氏於零七至零八年，出任由康樂及文化事務署與國際演藝評論家協會(香港分會)所協辦的「《舒寫戲舞》音樂劇表演/評論培訓計劃」的音樂總監一職，同時付責作曲及作詞的工作。在加州藝術學院畢業後，同時亦於艾美獎提名作曲家 Gil Talmi 的電影配樂工作室，以自由身身份參與不同的大型製作。其他合作劇團包括， Stella Alder Acting Studio (New York), Boston Court Theater (Pasadena), Early Morning Opera (LA)。一三年夏天，林氏獲加州聖地牙哥著名劇院 The Old Globe Theater 邀請，參與創作其重點劇目 Double Indemnity。創作團隊包括殿堂級設計師，東尼獎得主 Christopher Barreca, 耶魯大學設計系主任 Stephen Strawbridge 等。 MAJOR WORKS 主要作品 Back

MUSIC COMPOSITION TRAINING PROGRAMME WITH CULTURAL EXPLORATION 香港作曲家聯會獲優質教育基金資助，於2014至2016年為本港中小學學生提供一個社區文化音樂創作培訓計劃，旨在讓中小學生在課餘之時，學習音樂創作的樂趣。每間學校將獲派一名作曲家駐校教授，及專業樂師視奏、排練及演奏學生作品，與音樂教師共同協作，締結美好音樂學習環境。 本計劃鼓勵學生探索身處社區的獨特元素，進行實地考察，從生活中吸取創作泉源，並把經驗轉化成具創意的音樂創作。學生將在生活的社區內尋找靈感，創作自己的作品，然後由專業演奏家在校內或公開音樂會中演出，展示個人成果。此外，計劃將製作一份教師手冊，為音樂老師提供創作音樂的參考。每位參與老師需在計劃結束後各自設計一節簡報會，為區內音樂老師介紹計劃內容和分享參與心得。 詳情請瀏覽以下網址：http://hkcgqef.wixsite.com/hkcg-qef-project

NG Hau-yee Poly 伍巧怡 NG Hau Yee, Poly was born in Hong Kong. She graduated with distinction from the Hong Kong Academy for Performing Arts where she studied composition with Law Wing Fai and she earned a Professional Diploma in Electronic Music with Clarence Mak. Miss Ng awarded the Lee Hysan Foundation Fellowship from the Asian Cultural Council in 1995 and The Boston Conservatory Music Division Scholarship in 1996 where she was awarded a Master Degree majoring in composition studying with Dr. John Clement Adams at The Boston Conservatory. She won the composition scholarship given by the Composers’ and Authors’ Society of Hong Kong (CASH) in 1993. She was also the prize winner of the New Generation Young Composers’ Award in 1992 and 1993. Besides that, she was also won the first prize in The Asian Composers’ League(ACL) Young Composers’ Award in 1993 in Korea. Miss Ng is now teaching composition at the Hong Kong Academy for Performing Arts. She is the member of the LSCD Art Form Panel (Community) in 2010-2012 and also the audition member for the Open Stage Pilot Scheme in 2012. 出生於香港的伍巧怡畢業於香港演藝學院深造文憑課程，主修作曲，師從羅永暉先生。又於翌年完成專業文憑課程，隨麥偉鑄先生習電子音樂課程。伍是一九九二及一九九三年【新一代青年作曲家】獎得主，又於一九九三年獲得香港作曲家及作詞家協會之獎學金。更於同年代表香港前往韓國參加亞洲音樂節青年作曲家比賽，並獲得冠軍。她亦獲得亞洲文化協會所頒贈之獎學金及波士頓藝術學院獎學金於該校隨約翰、克雷孟特、亞當斯博士進修作曲，並於一九九七年五月取得碩士學位。 除作曲外，伍氏更熱衷於教學工作，現為香港演藝學院作曲系導師，學生於本地及海外多個國際作曲比賽中嬴取冠軍。於2010﹣2012年其間為康樂及文化事務署社區小組委員及「開放舞台」試驗計劃評審委員。 MAJOR WORKS 主要作品 Back

HONG KONG CONTEMPORARY MUSIC FESTIVAL 2020: ASIAN DELIGHTS II Patrick Yim (violin), Reiko Manabe (flute) 嚴天成（小提琴）、間部令子（長笛） Electroacoustic concert with Violin 小提琴與電子音樂會 28.11 .2020 8PM 音樂會場刊 House Programme Lunar Luminance Leung Ka-tung Tony (H ong Kong) Self-talk Au Tin-yung Alex (Hong Kong) * Frises: I. Frise jaune, II. Frise de fleurs Kaija Saariaho (Finland) Palimpsest [Lapsus memoriae VIII] Angus Lee (H ong Kong) * * Commissioned composers 月光光照地堂 梁家棟（香港） 自我對話 歐天勇（香港）* 飾帶： I. 黃飾帶 , II. 花之飾帶 莎維雅荷 (芬蘭） Palimpsest [Lapsus memoriae VIII] 李一葦（香港）* * 委約作曲家 音樂會場刊 House Programme Electroacoustic concert with Flute 長笛與電子音樂會 5.12.2020 8PM Zoon James Boznos (H ong Kong) Hybridity I Anthony Cheng (H ong Kong) * Domain Joji Yuasa (Japan) Torrent Yu Tsz-long (H ong Kong) Shanshui Lee Cheng (H ong Kong) * * Commissioned composers Z oon 龐樂思（香港） 混 I 鄭汝森（香港）* Domain 湯浅譲二（日本） 瀧 余梓朗 （香港） 山水 鄭重言（香港）* * 委約作曲家 Reiko Manabe holds a BM from Toho Gakuen School of Music, an MFA degree from California Institute of the Arts, and a DMA in Contemporary Music Performance from the University of California, San Diego. As a performer and an improvisor, Dr. Manabe has appeared in the United States, France, England, Germany, Singapore, South Korea and Japan. While having given premiers of the works written by established composers such as Roger Reynolds and James Tenney, she collaborates with composers of the next generations including Nicholas Deyoe, Eric Wubbles, Tomohiro Moriyama, Hibiki Mukai among others. Her recordings have been introduced widely in Europe at several music festivals and schools. Since she moved back to Japan in 2008, she has appeared regularly at the contemporary music concerts of JSCM and JFC as well as of Tokyo-based composer collective, NEXT. In 2018 Composers’ group CUE had their concert featuring Dr. Manabe. In 2006 she won the First Prize at the “Kyogaku VII” (The 7th Contemporary Music Performance Competition founded by Japan Society for Contemporary Music) as the first flute solo winner in their history. In the following year, 2007 she received the 16th Asahi Contemporary Music Award. 間部令子獲桐朋學園（大學）音樂部音樂學士、加州藝術學院藝術碩士、聖地牙哥加州大學音樂藝術博士（現代音樂演奏）。她曾以演奏者及即興演奏者身份於美國、法國、英國、德國、星加坡、南韓及日本演出，並為多首現代作曲家的作品作首演，當中包括成名的作曲家，如 Roger Reynolds, James Tenney，及新一代的作曲家，如 Nicholas Deyoe, Eric Wubbles, 森山知広, 向井響等。她的演奏錄音曾於歐洲的音樂節和學院廣泛播放。2008 年她回流日本，自此活躍於現代音樂界，在日本現代音樂協會和日本作曲家協議会主辦的音樂會中演出，以及和駐於東京的作曲家團體 NEXT 緊密聯繫。2018 年作曲家團體 CUE 舉辦間部令子專場音樂會。2006 年她於「競樂VII」（日本現代音樂協會舉辦的第七屆現代音樂表演比賽）中獲首獎，這是此比賽史上首度由長笛手獲獎。2007 年她獲朝日現代音樂獎。 Reiko Manabe 間部令子 Patrick Yim 嚴天成 Honolulu-born violinist Patrick Yim has performed as soloist, recitalist, chamber musician, and orchestral violinist throughout the world, including performances in Carnegie Hall and David Geffen Hall (New York), Seoul Arts Center, Harpa Concert Hall (Reykjavik), Hong Kong City Hall, Severance Hall (Cleveland), Orchestra Hall (Chicago), Teatro alla Scala (Milan), and the Musikverein (Vienna). He made his solo debut with the Honolulu Symphony after winning the Honolulu Symphony Concerto Competition. He has performed in the violin sections of the Hawaii Symphony and the Cleveland Orchestra, among others. He joined the Cleveland Orchestra on tours to New York City, Chicago, Bloomington, Iowa City, Miami, and major cities in Europe, including Paris, Milan, Brussels, Luxembourg, Cologne, Munich, and Vienna. Yim has performed chamber music with members of the Juilliard, Emerson, St. Lawrence, Pacifica, and Ying Quartets, and with musicians from the Cleveland Orchestra and the New York Philharmonic. He has also performed chamber music in festivals in Canada (Banff and Toronto Summer Music Festival), China, the Czech Republic, Denmark, Iceland, and throughout the United States, including a recent performance in Carnegie Hall with members of the Emerson Quartet. As Guest Music Director of the Collegium Musicum Hong Kong, he collaborated with world-renowned pipa virtuoso Wu Man and performed concerts at the Hong Kong City Hall as violinist and conductor. He has performed world premieres at festivals in the United States and Europe, and he recently curated a series of concerts related to the Silk Road at the Hong Kong Museum of History for which he commissioned and premiered new works for solo violin by Michael-Thomas Foumai (Honolulu), Austin Yip (Hong Kong), and Yao Chen (Beijing). He has performed with the Contemporary Chamber Players (New York) and the Hong Kong New Music Ensemble. Yim has taught violin and chamber music at Stony Brook University, the Cleveland Institute of Music Preparatory Department, the Interlochen Summer Arts Camp, the Flatirons Chamber Music Festival, and the Rushmore Music Festival. He has taught masterclasses and workshops in the United States, Denmark, Iceland, Hong Kong, Taiwan, and China. He is a graduate with honours of the Cleveland Institute of Music (CIM) where he was a student of David Updegraff and William Preucil and was awarded the First Prize at the Institute’s Darius Milhaud Performance Prize Competition for two consecutive years. At CIM, he studied chamber music with the Cavani Quartet and Peter Salaff of the Cleveland Quartet. He earned his Doctor of Musical Arts degree from Stony Brook University where he studied violin with Philip Setzer, Jennifer Frautschi, and Hagai Shaham, and chamber music with the Emerson Quartet. He is Assistant Professor in the Department of Music at Hong Kong Baptist University. 小提琴家嚴天成生於火奴魯魯，曾以獨奏家、室內樂及樂團成員身份在世界各地演出，包括紐約的卡奈基音樂廳、大衛‧ 爵芬音樂廳、首爾藝術中心、雷克雅未克的哈巴音樂廳、香港大會堂、克里夫蘭的西雅雲斯音樂廳、芝加哥的樂隊音樂廳、米蘭的斯卡拉歌劇院、維也納的金色大廳等。 嚴氏贏得火奴魯魯交響樂團的協奏曲比賽後，與該交響樂團合作，首度以獨奏者身份擔綱演出。他曾擔任夏威夷交響樂團、克里夫蘭樂團等樂團的小提琴手。他曾參與克里夫蘭樂團的巡迴演出，到訪紐約市、芝加哥、布明頓、愛俄華市、邁亞美，以及歐洲多個重要城市，包括巴黎、米蘭、布魯塞爾、盧森堡、科隆、慕尼黑、維也納等。 嚴氏亦熱衷於室樂演奏，曾與茱莉亞弦樂四重奏、愛默森弦樂四重奏、聖羅倫斯弦樂四重奏、太平洋弦樂四重奏、英弦樂四重奏的成員合作演出，亦曾與克里夫蘭樂團、紐約管弦樂團的成員演出室內樂。他曾參與演出室樂藝術節的國家包括加拿大（班夫及多倫多夏季音樂節）、中國、捷克、丹麥、冰島及美國。最近與愛默森弦樂四重奏成員在卡奈基音樂廳中演出。 嚴氏曾以 Collegium Musicum Hong Kong 客席音樂總監身份與世界知名的琵琶演奏家吳蠻合作，在香港大會堂中演出，負責擔任指揮和小提琴手。 嚴氏曾為作品作世界首演，在美國及歐洲的音樂節中演出。最近他為香港歷史博物館策劃一系列以絲綢之路為主題的音樂會，委約和首演米高–湯瑪士‧富奈（火奴魯魯）、葉浩堃（香港）和姚晨（北京）的小提琴獨奏作品。他曾參與紐約當代室樂合奏團和香港創樂團的音樂會。 嚴氏曾於石溪大學、克里夫蘭音樂學院附屬中學教授小提琴和室內樂；亦在 Interlochen暑期藝術營、法提康室樂音樂節、羅斯摩爾音樂節中擔任導師；並在美國、丹麥、冰島、香港、臺灣和中國主持大師班和工作坊。 嚴氏畢業於克里夫蘭音樂學院，師隨大衛‧ 愛德嘉夫和威廉‧ 浦西爾，連續兩年獲得該學院的米堯演奏比賽首獎。在學期間，曾隨卡雲尼弦樂四重奏以及克里夫蘭弦樂四重奏的彼得‧ 沙拉夫學習。其後嚴氏入讀石溪大學，隨菲臘‧ 薩沙、珍妮花‧ 費殊、夏佳‧ 沙函學習小提琴、愛默森弦樂四重奏學習室內樂演奏，取得音樂藝術博士學位。 嚴氏現任香港浸會大學音樂系助理教授。 Other Concerts of the Festival 其他音樂節音樂會

The Wind Rises, the Kites Dance 《風起箏舞》 Chung King-yat 鍾敬逸 Chung King-yat is currently studying in the fourth year of the Bachelor of Arts (Honours) in Creative Arts and Culture and Bachelor of Education (Honours) (Music) (Five-year Full-time) (co-terminal double degree) at the Education University of Hong Kong. He was awarded the “Parsons Music Scholarship" in 2021. Chung studied the saxophone under the guidance of Mr. Martin Choy Kwok-tin, and also learned handbells and handbell conducting from Ms. Wong Wai-ching, Ms. Leung Lai-shee, and Ms. Yeung Tsz-ting. Chung continued to study ensemble music through performance, conducting, and composition, and achieved distinction in the AMusTCL from Trinity College London in recent years. After entering the Education University of Hong Kong, Chung joined many ensembles in EdUHK, and was awarded the 23-24 CASH Composition Award of the EdUHK department of Cultural and Creative Arts. This work is inspired by Wu Guanzhong’s Spring Breeze . Since wind cannot be directly depicted on canvas, Wu Guanzhong used a sky full of kites to evoke the fleeting, whimsical presence of the spring breeze. Similarly, this composition attempts to capture the traces of wind through the movement of kites — sometimes strong, sometimes gentle, ever-changing. The piece extensively employs the wholetone scale and parallel fourths to enhance its sense of instability and weightlessness. Most sections focus on the melodic contour of individual instruments, creating imagery of kites in motion. Previous Next