Cheung Ho-ming Felix is currently a doctoral student at The Chinese University of Hong Kong, studying composition with Professor Lee Wan-ki Wendy. He focuses on exploring the spectrum of elements of a concert performance and composes his pieces by adopting those elements to create an immersive concert-going experience. In recent years, he also explores and composes ambient music for his multi-media works.

He graduated from the Royal Conservatoire of The Hague, Netherlands, with a Master of Composition Research degree under the guidance of renowned contemporary composers Martijn Padding, Jan van de Putte, and Alison Isadora. He was also awarded a Master of Music (Composition) degree at the Royal Birmingham Conservatoire and a Bachelor of Arts in Music degree at Brunel University London. During which he was tutored by renowned composers Peter Wiegold, Jennifer Walshe, Ed Bennett, and Andrew Toovey to gain exposure to a wide variety of performing arts, ranging from conventional contemporary genres to improvisations and theatrical performance.

Stones come in different shapes as they are the fantastic crafts of Mother Nature. Going through thousands of years of harsh and gentle weather, each tells a story of where it belongs. Therefore, they often resemble different landscapes such as mountains, lakes or rivers, and even shapes of different kinds of animals or sculptures. The beauty of stones has been appreciated since the Tang Dynasty in China and later influenced the development of different forms of stone appreciation in Japan and Korea respectively.

Although stones give us an impression of being staunch and tough, their beauty often comes from their surrender towards Mother Nature. This seems to resemble our relationship with nature.