為慶祝香港作曲家聯會成立40周年，由香港作曲家聯會主辦、香港藝術發展局和CASH音樂基金資助的「傳承．美樂之河」音樂會活動於2023年10月至2024年4月期間舉辦，活動發布會將於2023年9月25日舉行，香港藝術發展局梁建楓、香港作曲家聯會主席梅廣釗任主禮嘉賓。 全文刊於《橙新聞》： https://bit.ly/3rlB0Kj This content is available in Chinese only.

香港作曲家联会今年踏入40周年， 25日在香港上环文娱中心排练厅举行40周年纪念活动“传承‧美乐之河”音乐会发布会，宣布启动“山区校歌计划”及“林乐培作曲奖”两大重点项目。香港艺术发展局音乐组主席梁建枫、香港作曲家联会主席梅广钊等出席主礼。 全文刊於《花城新聞》： https://app.gztv.com/plusshare/#/articleDetail?id=1389147643350784 This content is available in Chinese only.

香港作曲家联会今年踏入40周年， 25日在香港上环文娱中心排练厅举行40周年纪念活动“传承‧美乐之河”音乐会发布会，宣布启动“山区校歌计划”及“林乐培作曲奖”两大重点项目。香港艺术发展局音乐组主席梁建枫、香港作曲家联会主席梅广钊等出席主礼。 全文刊於《花城新聞》： https://app.gztv.com/plusshare/#/articleDetail?id=1389147643350784 This content is available in Chinese only.

樂譜徵收 本會項目 PROGRAMMES DEADLINES DETAILS New Generation 2026 05/04/2026 Click link 非本會項目 PROGRAMMES DEADLINES DETAILS Franz Schubert and the Music of Modern Music 10/03/2027 Click Link Confédération Musicale de France – Hauts-de-France 1st International Wind Band Composition Competition. 01/12/2026 Click Link THE NEW LEXICON I. 15/10/2026 Clink Link XIX International Accordion Composition Competition Francisco Escudero 25/09/2026 Click Link ＊如果想提交貴主辦單位的樂譜徵收資訊，歡迎發送電郵至 info@hkcg.org 。

《聲之幻象》跨媒體音樂之旅 由香港作曲家聯會策劃，《聲之幻象》跨媒體音樂之旅將於 2026年2月11日（星期三）晚上8時，香港大會堂劇院隆重舉行。是次演出匯聚三組以作曲家為核心的創作團隊，結合音樂、影像與燈光等媒介，構築出一場虛實交錯、如幻似真的觀演體驗。 這場音樂會不僅僅是對「聲音」的欣賞，更是一場穿梭於感官與想像之間、探索聲像融合可能性的藝術實驗。每一組作品皆呈現出對於音樂敘事、空間感知與跨媒體表達方式的嶄新思考，邀請觀眾進入一個由聲、光、影交織而成的沉浸式世界。 節目作品包括： 《迴光》 作曲及影像設計：蘇傳安、黃詠虹、林鈺浠、鄧灝威、李佳琳 以流動影像與聲音構築記憶空間的演出，引領觀眾在變動與消逝之間，重新觀看、聆聽與感受。 《爍》 創作團隊：李一𥯤、陳一云、余林橞 融合聲與光、模糊感知界線的多媒體作品，靈感源自Jon Fosse小說《Kvitleit》，探討人在極端環境中身心轉化與現實與幻覺交錯的靈性經驗。 《《+;![].我迷失在.＊ 這場﹍×°醫學遊戲：掰擙。阿咩嗯文°°°×．﹏\》》 創作團隊：楊凱晴、胡皓嵐、王晉希 透過模擬外科手術及即時動作感應聲響，將人體轉化為生化樂器，深刻探討科技增強與人類身體之間的關係與矛盾。 購票連結 : https://www.urbtix.hk/event-detail/14466 創作團隊 《爍》 Angus Lee Composer Lee is recognised as one of Hongkong's most exciting composers, with compositions spanning the solo, chamber, orchestral and operatic genres, performed at international music festivals across Asia, continental Europe, the UK, and North America. Recent works include the artificial intelligence opera Chasing Waterfalls (2021-22), commissioned for Semperoper Dresden's 2022/23 season opening; two "studies for orchestra," Des flames... (2023-24) and ...aux cendres (2024) commissioned by the Hong Kong Philharmonic; and the electroacoustic ensemble work hic / nunc (2024-25) commissioned by Croatia's historic Music Biennale Zagreb. In 2025, Lee was conferred the 23rd CASH Golden Sail Music Award for the “Best Serious Composition” by the Composers and Authors Society of Hong Kong. Concurrently, Lee is an active conductor who has worked with leading European ensembles (Ensemble Modern, Ensemble Musikfabrik, Neue Vocalsolisten Stuttgart, to name a few) in performing works by established and emerging composers alike. Lee is equally recognised as one of Hong Kong's leading contemporary music interpreters, having premiered numerous works regionally and internationally by established and emerging composers alike. He has been a musician of the Hong Kong New Music Ensemble since 2016, working at close quarters with leading composers of the day, including Unsuk Chin, Brett Dean, and Toshio Hosokawa. Recent highlights include the Hongkong-premiere of Pierre Boulez's seminal Sonatine (1946-49) for flute and piano, as well as the publication of his performance of flute works by Camilo Mendez on the Austria new music specialist label, KAIROS. He has also been showcased in prominent recital series, including the LCSD's Our Music Talents (2018) and City Hall Virtuosi (2023) series, as well as CityU Arts Festival (2021). He has also performed as soloist at Pierre Boulez's memorial concert at Lucerne Festival in 2016 to critical acclaim. Since 2022, Lee has worked at the University of Hong Kong's Department of Music as a full-time Assistant Lecturer. He is the sole coordinator for the Department's performance curriculum, and teaches conducting, chamber music, and music theory. He is also a part-time lecturer in woodwind chamber music at the Hong Kong Academy for Performing Arts, and has taught as flute faculty at the Lucerne Festival Academy (2022 & 23). He was also faculty at the inaugural South China Contemporary Creative Music Institute (2025), where he gave masterclasses in flute, composition and conducting. Amy Chan Light Designer and Artist Amy Chan is a light and theatre artist, “an exciting practitioner from Hong Kong and an emerging critical voice on light as a performance material” (Theatre and Performance Design, UK). She explores the musicality, relationality and materiality of light, and delves into the in-betweens of light-music, theatre-installation, and arts-medicine. Notable works include light installation-performance Inter-Face, Things That Talk, Morbid Anatomy, and Memento Mori: Sonata for Light. She is active in cross-disciplinary light collaboration, working with celebrated artists, composers, musicians and companies including Ellen Pau, Kingsley Ng, Simon Wan, Rachel Cheung, Ken Ueno and the Hong Kong Dance Company, in various productions such as co-presentation by M+ and Art Basel, M+ commission, New Vision Arts Festival and Tai Kwun Prison Yard Festival, among others. She designed lighting for the installation A Tree to be Found, the award-winner of Hong Kong Arts Biennial 2003 and a collection of Hong Kong Museum of Art. Amy graduated from the Hong Kong Academy for Performing Arts with a Master of Fine Arts (with distinction), majoring in lighting design. Her artistic research was published in international peer-reviewed journals, conferences and local theatre publications. She was the invited speaker on performance lighting in Akademie der Künste of Berlin, Germany and Prague Quadrennial in Czech Republic. Karen Yu percussionist A percussionist, sound artist and curator based in Hong Kong, Karen Yu enjoys exploring the intersection of sound-making, audience engagement, and cross-disciplinary collaboration. Deriving from her background as a percussionist, her creative practice revolves around sound object and bodily movement improvisation, and weaving people together through collaborative experiences. She is currently the artistic director of Contemporary Musiking Hong Kong, a co-founder of the chamber percussion group The Up:Strike Project, and an associate musician of the Hong Kong New Music Ensemble. Previously an artist-in-residence at the Banff Centre for Arts and Creativity and Seoul Dance Centre, Yu was most recently commissioned by the Hong Kong Arts Centre & Castlefield Gallery, Axel Vervoordt Gallery Hong Kong, Hong Kong New Music Ensemble, and Hong Kong West Kowloon Cultural District Freespace. As an active performer, Yu has recently performed in manτεία (manteia), a multimedia performance built on AI tools as an act of divination directed by Peter Nelson and Roberto Trillo, Since When, a multimedia theatre performance by Joyce Tang and Chow Yiu Fai, and Somnium, an installation/opera/trance by Steve Hui. As a curator, Yu has curated the latest edition of the annual sound festival in Hong Kong Sound Forms with Tai Kwun Contemporary, and co-curated the annual UNHEARD sound and music festivals with Eaton Hong Kong and _dtby, as well as the Noise Fest at Freespace West Kowloon. Devoted to promoting sound art and sound pedagogy, she has recently curated a sound art initiative through Contemporary Musiking Hong Kong, Push the ENVELOPE, that aims to diversify our listening approaches and cultivate interests in sound-making as art-making. Karen Yu obtained a Bachelor and a Master of Music (Music Performance, Percussion) from McGill University. She is a part-time faculty member at the University of Hong Kong and the Hong Kong Academy for Performing Arts School of Theatre & Entertainment Arts. 《《+;![].我迷失在.＊ 這場﹍×°醫學遊戲：掰擙。阿咩嗯文°°°×．﹏\》》 Alice Yeung Composer, Lighting and Stage Design, Performer Alice Yeung is a Swiss-based composer-performer from Hong Kong. She works in the field of contemporary music composition, théâtre musical, videography, experimental her-own-vocals, audiovisual installation, and any grey areas in between. Yeung’s music has been internationally featured in professional presentations, such as La Biennale di Venezia, De Doelen Rotterdam (Stichting Rizoom), Hong Kong Sinfonietta, New European Ensemble, Dutch National Opera & Ballet, Gaudeamus Festival, Orkest de Ereprijs, Les Percussions de Strasbourg, Mivos Quartet, ICTUS Ensemble, among others. Her works are prone to show what is fun for her to do, and bring her whimsical mind to life. Besides her music, her film sans-visage was screened in Concours Nicati 2025 as a finalist. Eagle Wu Visual Projection Design, Sensor Programming , Performer Wu Hou-lam (Eagle or AQ) is a musician, composer and interdisciplinary artist. His work encompasses sound installations, interactive web pieces, audiovisual compositions and compositions for acoustic instruments. He is particularly interested in how architecture, as a kind of spatial art, interacts with music/sound as a kind of temporal art. He graduated from the Universität der Künste Berlin, obtaining a Master of Arts (Sound Studies and Sonic Arts); the University of Hong Kong in Architectural Studies; and the School of Music, Hong Kong Academy for Performing Arts, majoring in Composition. Kenny Wong Lighting Design Kenny Wong obtained his BFA degree from the Hong Kong Academy for Performing Arts, majoring in lighting design. His recent works include : The Radiant Theatre’s Toys Fighting!!, Chung Ying Theatre Company’s Ham Meta, Paprika Studio x EKCC’s Ulysses’s Gaze in VR, Make Friends with Puppet Theresa’s The Iron Scarecrow, Pants Theatre Production’s Planning Our City (First Run & Re-run), Lamps Theatre’s The Wishing Stone, Boonfaysau’s Shape of Harmony (2023, 24, 25), Fantasy Puppet Theatre’s The Whale in the Ground. 《迴光》 So Chuen-on Compose So Chuen-on began his musical journey at the Hong Kong Academy for Performing Arts, where he studied composition and electronic music under the guidance of renowned Hong Kong composers Prof. Clarence Mak and Mr. Imen Tang. Currently, he is pursuing a Master's degree in multimedia contemporary scoring for visual media at the European Film College under the tutelage of Prof. Andy Hill, further expanding his expertise in film, television, and interactive media music, thereby solidifying the foundation of his versatile style. So's works span a wide range of genres, including chamber music, orchestral composition, Chinese traditional music, multimedia creation, pop music, and film scoring. He has served as music director, composer, and arranger for several prestigious art projects, such as the "Splendour of Radiance: Ancient Gold Artefacts Exhibition" at the Palace Museum, the "Lotus in Light and Shadow" exhibition for master Jao Tsung-I, and the sound installation "Laila" for the Hong Kong Arts Festival. His collaborators include esteemed institutions and ensembles such as the Hong Kong Philharmonic Orchestra, Windmill Grass Theatre, Hong Kong Gaudeamus Dunhuang Ensemble, Hong Kong New Music Ensemble, the Euphonious, the Hong Kong Yao Yueh Chinese Music Association, the Hong Kong New Youth Choir, and the East Side Dance Troupe. His compositions blend Eastern aesthetics with Western structural techniques, excelling in connecting diverse artistic media through music. He continues to explore the fusion of electronic music, experimental soundscapes, and traditional instruments in his creative practice. Tang Ho-wai Concept Based in Hong Kong, Tang Ho-wai is a theatre director, previously working as Director-in-Residence in the Chung Ying Theatre Company. After graduating from the Hong Kong Academy for Performing Arts (majoring in directing), Tang has directed various productions for different theatre companies. From world classics to contemporary works, his directing credits include Romeo & Juliet, Miss Julie, Mourning Becomes Electra, Peter Handke’s Self-accusation, Lyudmila Razumovskaya’s Dear Yelena Sergeevna. Other original works include A Song Adrift by Ima Collab,Two Dimensions of Minoru Betsuyaki, A Journey to Nowhere by the Fiesta Space, Ox In Kong City by the Nobodies Theatre, The Story of Me and I and Her by the Poor Guy Diary, Ten Bulls-In Search of Hidden Treasures (The Hong Kong Theatre Libre nomination, Best Director and Best Performance), a devised site-specific performance by the Theatre Horizon and the Bobius Strip Theatre of Taiwan. While not directing, Tang is passionate in music by participating as a musician in plays, including The Black and the Blue of a Man (North-east village edition), Antigone (North-east village edition) by the Theatre Horizon. Nickole Li Visual Design Nickole Li graduated from the Hong Kong Academy for Performing Arts in Arts and Event Management (MFA). She is now a theatre freelancer and video designer. She participated in various theatre productions in different stage positions, including production manager, deputy stage manager, stage manager and production assistant. Her recent involvement includes: Hong Kong Dance Exchange H.D.X. 2024, Left Unsaid by Zuni Icosahedron, WestK x Théâtre de la Feuille: Book of Mountains and Seas – The Fates of Mountains and Rivers, “Dance On” Series: You? Choreograph?, Matches - What! A Wonderful World!?, multimedia creation Lullaby, A Journey to Nowhere by Fiesta Space. Among the productions she participated in, the show A Ripple in Sound won the Best Individual Performance Award in the Youth Theater Artists Competition of the 8th Wu Zhen Theatre Festival, where she served as the production manager. Nickole was also actively involved in various concert production and video design works, including “Bye.” BYEJACK CONCERT 2024, The Damn Technology by Chung Ying Theatre Company, and A New Way of Seeing, etc. 李佳琳畢業於香港演藝學院，主修藝術及項目管理（一級榮譽碩士），現為自由身舞台工作者及影像設計師。 李氏曾參與製作多項作品，當中她以製作經理身份參與的《一切從海浪開始》獲第八屆烏鎮戲劇節青年競演小鎮獎「最佳個人表現獎」。 近期參與的劇場作品包括：《香港比舞2024》（製作統籌）；進念 ‧ 二十面體《唔講得》（舞台監督）；西九文化區 x 綠葉劇團：《山海經》第一部曲 ── 山川命（執行舞台監督及舞台監督）；《你係編舞喎》（執行舞台監督）；多空間《球賽 – 奔分世界》（製作經理及舞台監督）；多媒體劇場《一個人的Lullaby》（製作經理）；艾菲斯劇團《離留之境》（助理監製）；新加坡南洋劇社《小塵世》、《牛 · 車 · 水》（製作助理) 等。 近期演唱會製作包括：《FWD 富衛保險呈獻：Jeremy Lee Rise In Love Live 2025》、《My Music．My Life 盧冠廷一生所愛演唱會2025》 、《陳柏宇 LIFE IS LIVE 演唱會 2025》、《周國賢Endy Chow TailorMate Live 2024》、《側田第一秒巡迴演唱會》、麥浚龍2024年《金榜題名 project_mayhem》演唱會等。 近期影像設計作品包括：《'Bye.' BYEJACK CONCERT 2024》、中英劇團《他媽的科技》（影像及平面設計）、《A New Way of Seeing…》等。 Claire Wong Viola Claire Wong is a violist born in Hong Kong, currently pursuing her master’s degree at the Hong Kong Academy for Performing Arts (HKAPA) under the tutelage of Mr. Jeremy Williams. She completed her Bachelor degree of Music in 2023 at HKAPA under the tutelage of Mr. Ray Tsoi and was awarded the Dean’s List in her graduation. Claire has received training from well-known musicians in masterclasses during her studies, including Steven Tenenbom, Stanley Konopka, Wesley Collins and Amihai Grosz. She is also passionate about performing chamber music and orchestral music. She is one of the founding members of the Ionica String Quartet. In 2025, Claire received sponsorships for participating in the 2025 Kent Blossom Music Festival and served as the principal violist of the KBMF chamber orchestra. In 2024, she performed with Steven Tenebom in the opening gala concert of APA String Chamber Festival. She has also served as the principal violist of the Academy Symphony Orchestra since 2022. Claire has received several awards in her study, including the Mr. & Mrs. YS Liu Scholarship, the HKAPA Scholarship, the Wong Wai Ming Memorial Scholarship, etc. She is currently a freelance musician, actively working with different orchestras, such as the Hong Kong Sinfonietta, Macao Orchestra, In-heritage Philharmonic. 黃詠虹是生於香港的中提琴演奏家，目前於香港演藝學院攻讀碩士學位，師從Jeremy Williams先生。她於2023年在香港演藝學院完成音樂學士學位，師從蔡睿先生，畢業時更榮獲院長嘉許名單的殊榮。 在學期間，曾於大師班中接受多位知名音樂家的指導，包括Steven Tenenbom、Stanley Konopka、Wesley Collins、Amihai Grosz等。她對演奏室內樂及管弦樂充滿熱忱，亦是Ionica弦樂四重奏的創團成員。 2025年，黃氏獲資助參加肯特布羅瑟姆音樂節（Kent Blossom Music Festival），並擔任KBMF室內樂團的中提琴首席。2024年，她與Steven Tenenbom於香港演藝學院弦樂室內音樂節的開幕音樂會中同台演出。自2022年起，她亦持續擔任香港演藝學院交響樂團的中提琴首席。 在學期間，黃氏獲得多項獎學金，包括劉元生先生與夫人獎學金、香港演藝學院獎學金及黃維明紀念獎學金等。目前她以自由身音樂家身份活躍於樂壇，積極與多個樂團合作，包括香港小交響樂團、澳門樂團及繼心交響樂團等。

錄像 播放影片 播放影片 【風籟聲饗 Aeolian Delights】宣傳片拍攝花絮／訪問精華 II - 蘇家威 梁俊彥 繼續帶大家走入《風籟聲饗 Aeolian Delights》宣傳片拍攝現場。片段訪問兩位作曲家及指揮：蘇家威分享將於音樂會演出的作品《醉玄武》；並由梁俊彥介紹作曲家梁康裕的作品《時光隧道（二B）》。誠邀大家入場支持，一齊感受香港當代管樂作品的想像與能量！ 📅 1 Nov 2026 (Sun) 8:00pm📍 Tsuen Wan Town Hall Auditorium🎟️ HK$180 / HK$150 / HK$100 (URBTIX)🛒 Tickets: https://www.urbtix.hk/event-detail/15525/🌐 HKCG: https://www.hkcg.org/ 播放影片 播放影片 【風籟聲饗 Aeolian Delights】宣傳片拍攝花絮／訪問精華 - 張緯晴 陳錦標 很高興邀請到鋼琴家 張緯晴 Rachel Cheung 與 陳錦標 Joshua Chan 一起分享他們對今次音樂會的期待與亮點，誠邀大家到場支持！ 1 Nov 2026 (Sun) 8:00pm Tsuen Wan Town Hall Auditorium HK$180 / HK$150 / HK$100 (URBTIX) 播放影片 播放影片 《聲之幻象》跨媒體音樂之旅｜《+;![].我迷失在.＊這場﹍×°醫學遊戲》—創作訪談與排練紀實 當身體被視為機械的一部分，音樂是否也能透過手術即時生成？ 本片紀錄多媒體劇場作品《我迷失在這場醫學遊戲》的創作歷程與彩排片段，透過訪談與現場畫面，揭示科技、聲音與身體如何共構一場介於音樂會與解剖室之間的表演。 在演出中，創作人楊凱晴擔任表演者與操演者，於虛構手術場景中進行操作。各式感應器與影像裝置實時記錄身體動作，並即時生成聲響，展現人體與樂器融合的想像。 對談中，聲音設計與互動技術胡皓嵐分享如何將感知與運算技術轉化為音樂語言；燈光設計王晉希則介紹如何透過舞台組光，打造出如診療空間般的視覺氛圍。 《我迷失在這場醫學遊戲》不只是演出形式的實驗，更是一場對「增強」、「內化」與「人機融合」的深度提問。 📍2026年2月11日｜香港大會堂劇院 🎟️ 詳情與購票：https://www.urbtix.hk/event-detail/14466 — 🧑🔬 製作團隊 | Creative Team 構作・表演｜楊凱晴 Yeung Hoi Ching 聲音設計・互動技術｜胡皓嵐 Wu Ho Lam 燈光設計｜王晉希 Wong Chun Hei #聲之幻象 #我迷失在這場醫學遊戲 #跨媒體音樂之旅 #多媒體劇場 #聲音藝術 #音樂劇場 #排練紀錄 #創作訪談 #科技與身體 #CyborgPerformance #VisionsOfSound #ComposerLedProject 播放影片 播放影片 《聲之幻象》跨媒體音樂之旅｜《迴光 》— 創作訪談與排練片段紀實 一段在光影與聲音之中，與記憶再相逢的旅程。 在城市不斷更迭的節奏中，記憶時而清晰、時而模糊。《迴光》是一場詩意而深刻的多媒體演出，透過菲林影像和實驗聲響，捕捉那些稍縱即逝、又難以名狀的瞬間。 不是要「抓住」，而是邀請觀眾「經歷」與「感受」：記憶如何透過聲音漣漪般流動、消散，又在觀察之間悄悄重新浮現。 — 🎼 背景配樂資訊： 本影片部分配樂及聲音素材取自《迴光》原始音樂，由蘇傳安創作，結合錄像設計音效，為影像空間量身定製的聲音紋理。 — 🎭 關於《迴光 Afterglow》 📅 演出日期： 2026年2月11日（星期三）晚上 8 時 📍 地點： 香港大會堂劇院 Hong Kong City Hall Theatre 👁️ 演出系列： 聲之幻象 Visions of Sound 🎟️ 購票及詳情： 🔗 https://www.urbtix.hk/event-detail/14466 — 👤 創作團隊介紹 Creative Team： 🎼 蘇傳安 So Chuen-on｜作曲、影像設計 🎭 鄧灝威 Tang Ho-wai｜導演、戲劇構作 🎥 李佳琳 Nickole Li｜製作人、影像設計 🎻 黃詠虹 Claire Wong｜中提琴演出 🎨 林鈺浠 Jessie Lam｜佈景及服裝設計 — #迴光 #Afterglow #聲之幻象 #蘇傳安 #鄧灝威 #李佳琳 #黃詠虹 #林鈺浠 #聲音藝術 #跨媒體演出 #沉浸式創作 #ComposerLedProject #香港作曲家聯會 #香港藝術 #當代表演藝術 播放影片 播放影片 《聲之幻象》跨媒體音樂之旅｜爍 – 創作團隊訪談與排練紀實 在《聲之幻象》跨媒體音樂之旅中，《爍》以聲與光交織，呈現一場探索身體、感知與靈性轉化的多媒體演出。 影片深入呈現創作過程，包括創作靈感、聲音與光影的設計思考，以及現場排練片段。 《爍》（2025–26）是作曲家李一葦「Lapsus memoriae」系列的第十三首，靈感來自挪威小說家 Jon Fosse 的小說《Kvitleit》（英譯 A Shining）。作品描繪人在雪山迷失與低溫幻覺中的靈性轉化，並以音樂、光影構築出一場感官與意識交錯的旅程。 延續 Fosse 文風中的重複與漸變，《爍》模糊「可聽之音」與「可見之光」的界線，在聲與光的融合中，展現「光亮之聲、共鳴之光」。 — 👁️ 演出系列：聲之幻象 Visions of Sound 📅 演出日期：2026年2月11日（星期三） 晚上8時 📍 地點：香港大會堂劇院 🎶 影片配樂選自《此時／此地》 (hic / nunc [Lapsus memoriae XI], 2024/25)，為擴音樂團與固定媒體創作，由 Music Biennale Zagreb 委約，並由 HKNME × Vertixe Sonora 聯演，李一葦指揮。 ▶️ 原始演出影片： https://www.youtube.com/watch?v=54qt9n0hYXc 播放影片 播放影片 【HKCG x Mivos 網上音樂會】音樂沙龍 II：米費斯弦樂四重奏網上音樂會 Music Salon II: Online Concert with Mivos Quartet 香港作曲家聯會聯乘來自美國著名的Mivos Quartet，演出6首聯會作曲家的作品。 . 是次音樂會打破地域界限，將以線上形式進行： 首播日期👉🏻2024年5月4日 時間👉🏻晚上8時 . Mivos Quartet是「美國最大膽、最兇猛的新音樂合奏團之一」（《芝加哥讀者》），致力於演奏當代作曲家的作品，並向國際觀眾展示多樣化的新音樂。自2008年四重奏成立以來，他們與不斷擴大的國際作曲家團體進行了演出和密切合作，代表了當代作曲的廣泛美學範圍。 . 節目： 邵麗棠｜Capriccio of Cantonese Shadows 黎渺揚｜吐露之水 陳展霆｜行馬 楊凱晴｜耳色流 陳明志｜風雨中抱緊自由 林俊熹｜Invocation . The Hong Kong Composers Guild teamed up with the famous Mivos Quartet from the United States to perform 6 works by composers from the Hong Kong Composers Guild. . Concert Details : Date 👉🏻4th May, 2024 (Sat) Time 👉🏻HKT 8pm . The Mivos Quartet, “one of America’s most daring and ferocious new-music ensembles” (The Chicago Reader), is devoted to performing works of contemporary composers and presenting diverse new music to international audiences. Since the quartet's beginning in 2008 they have performed and closely collaborated with an ever-expanding group of international composers representing a wide aesthetic range of contemporary composition. . Programme : Kiko Shao｜Capriccio of Cantonese Shadows Israel Lai｜out to tolo Chan Chin-ting｜Haengma Yeung Hoi-ching Alice｜FLOW Chan Ming-chi｜Embrace Freedom in the Storm Matthew Lam｜Invocation 播放影片 播放影片 「傳承 . 美樂之河」- 香港兒童合唱團 音樂會 Transcending Music Legacy: Concert with Hong Kong Children's Choir 「傳承 . 美樂之河 」香港兒童合唱團 音樂會 : Transcending Music Legacty: Concert with Hong Kong Children's Choir: 日期 Date : 12.04.2024 (五 Fri) 時間 Time: 晚上8時正 8 p.m. 地點 Venue: 上環文娛中心劇院 Theatre, Sheung Wan Civic Centre 演出者 Performer: 香港兒童合唱團 節目 Programme : 陳永華｜A Bright New Sunny Day（2014） 陳能濟｜遠方的星星（1997） 成俊曦｜音樂使我們連結在一起（2012 / 2023） 梁智軒｜離思（2016） 林樂培｜鳳陽花鼓（1957 改編） 羅永暉｜希望（1988） 葉浩堃｜微風吹拂（2021） 阮慧玲｜不寐倦長更（2016） 許翔威｜想飛（1994 / 2003） 曾葉發｜I Am Not There（2014） 林樂培｜靈山路遠（1985） 陳啟揚｜一個字（2023）* 譚天樂｜新的一天（2023） 播放影片 播放影片 「傳承 . 美樂之河」- 香港天籟敦煌樂團 音樂會 Transcending Music Legacy: Concert with HKGDE 音樂會詳情 : 日期/ 12.01.2024 (五) 時間/ 晚上8時正 地點/ 香港大會堂劇院 節目 : 陳錦標｜春暉園（1998 / 2023） 陳明志｜觀自在敦煌（2023）* 洪銘健｜八陣圖（2013 / 2023） 甘聖希｜謝謝你的時間（2022） 陸尉俊｜彈撥搖滾（2020 / 2023） 梅廣釗｜東風來（2023） 蘇傳安｜苦行（2023） * 此作品於 2023 年由香港作曲家聯會委約，費用由香港藝術發展局資助。 播放影片 播放影片 「傳承 . 美樂之河」- NOVA Ensemble 音樂會 Transcending Music Legacy: Concert with NOVA Ensemble 「傳承 . 美樂之河 」NOVA Ensemble音樂會 : Transcending Music Legacty: Concert with NOVA Ensemble: 日期 Date : 27.10.2023 (五 Fri) 時間 Time: 晚上8時正 8 p.m. 地點 Venue: 上環文娛中心劇院 Theatre, Sheung Wan Civic Centre 演出者 Performer: NOVA Ensemble 特邀嘉賓 Guest Performers: 盧思泓 Loo Sze-wang (笙 sheng), 彭偉倫 Pang Wai-lun (琵琶 pipa) 節目 Programme : 紀大衛 David Gwilt｜變體 Varinats（1991） 林樂培 Doming Lam｜古舞曲三首 Three Chinese Dances（1963 改編） 林俊熹 Matthew Lam｜道盡塗窮 In Extremins（2022） 梁康裕 Leung Hong-yu｜旅 二 Excursion II（2022 / 2023） 盧厚敏 Lo Hau-man｜薩 Shakhi-Zinda（1994） 彭振町 Pang Chun-ting｜如雪 As Snow（2012） 葉樹堅Stephen Yip｜Sempre Invictus（2023） 載入更多