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為慶祝香港作曲家聯會成立40周年，由香港作曲家聯會主辦、香港藝術發展局和CASH音樂基金資助的「傳承．美樂之河」音樂會活動於2023年10月至2024年4月期間舉辦，活動發布會將於2023年9月25日舉行，香港藝術發展局梁建楓、香港作曲家聯會主席梅廣釗任主禮嘉賓。 全文刊於《橙新聞》： https://bit.ly/3rlB0Kj This content is available in Chinese only.

香港作曲家联会今年踏入40周年， 25日在香港上环文娱中心排练厅举行40周年纪念活动“传承‧美乐之河”音乐会发布会，宣布启动“山区校歌计划”及“林乐培作曲奖”两大重点项目。香港艺术发展局音乐组主席梁建枫、香港作曲家联会主席梅广钊等出席主礼。 全文刊於《花城新聞》： https://app.gztv.com/plusshare/#/articleDetail?id=1389147643350784 This content is available in Chinese only.

香港作曲家联会今年踏入40周年， 25日在香港上环文娱中心排练厅举行40周年纪念活动“传承‧美乐之河”音乐会发布会，宣布启动“山区校歌计划”及“林乐培作曲奖”两大重点项目。香港艺术发展局音乐组主席梁建枫、香港作曲家联会主席梅广钊等出席主礼。 全文刊於《花城新聞》： https://app.gztv.com/plusshare/#/articleDetail?id=1389147643350784 This content is available in Chinese only.

社區文化音樂創作培訓計劃 香港作曲家聯會獲優質教育基金資助，於2014至2016年為本港中小學學生提供一個社區文化音樂創作培訓計劃，旨在讓中小學生在課餘之時，學習音樂創作的樂趣。每間學校將獲派一名作曲家駐校教授，及專業樂師視奏、排練及演奏學生作品，與音樂教師共同協作，締結美好音樂學習環境。 本計劃鼓勵學生探索身處社區的獨特元素，進行實地考察，從生活中吸取創作泉源，並把經驗轉化成具創意的音樂創作。學生將在生活的社區內尋找靈感，創作自己的作品，然後由專業演奏家在校內或公開音樂會中演出，展示個人成果。此外，計劃將製作一份教師手冊，為音樂老師提供創作音樂的參考。每位參與老師需在計劃結束後各自設計一節簡報會，為區內音樂老師介紹計劃內容和分享參與心得。 詳情請瀏覽以下網址：http://hkcgqef.wixsite.com/hkcg-qef-project

《聲之幻象》跨媒體音樂之旅 由香港作曲家聯會策劃，《聲之幻象》跨媒體音樂之旅將於 2026年2月11日（星期三）晚上8時，香港大會堂劇院隆重舉行。是次演出匯聚三組以作曲家為核心的創作團隊，結合音樂、影像與燈光等媒介，構築出一場虛實交錯、如幻似真的觀演體驗。 這場音樂會不僅僅是對「聲音」的欣賞，更是一場穿梭於感官與想像之間、探索聲像融合可能性的藝術實驗。每一組作品皆呈現出對於音樂敘事、空間感知與跨媒體表達方式的嶄新思考，邀請觀眾進入一個由聲、光、影交織而成的沉浸式世界。 節目作品包括： 《迴光》 作曲及影像設計：蘇傳安、黃詠虹、林鈺浠、鄧灝威、李佳琳 以流動影像與聲音構築記憶空間的演出，引領觀眾在變動與消逝之間，重新觀看、聆聽與感受。 《爍》 創作團隊：李一𥯤、陳一云、余林橞 融合聲與光、模糊感知界線的多媒體作品，靈感源自Jon Fosse小說《Kvitleit》，探討人在極端環境中身心轉化與現實與幻覺交錯的靈性經驗。 《《+;![].我迷失在.＊ 這場﹍×°醫學遊戲：掰擙。阿咩嗯文°°°×．﹏\》》 創作團隊：楊凱晴、胡皓嵐、王晉希 透過模擬外科手術及即時動作感應聲響，將人體轉化為生化樂器，深刻探討科技增強與人類身體之間的關係與矛盾。 購票連結 : https://www.urbtix.hk/event-detail/14466 About the Artists 《爍》 Angus Lee Composer Lee is recognised as one of Hongkong's most exciting composers, with compositions spanning the solo, chamber, orchestral and operatic genres, performed at international music festivals across Asia, continental Europe, the UK, and North America. Recent works include the artificial intelligence opera Chasing Waterfalls (2021-22), commissioned for Semperoper Dresden's 2022/23 season opening; two "studies for orchestra," Des flames... (2023-24) and ...aux cendres (2024) commissioned by the Hong Kong Philharmonic; and the electroacoustic ensemble work hic / nunc (2024-25) commissioned by Croatia's historic Music Biennale Zagreb. In 2025, Lee was conferred the 23rd CASH Golden Sail Music Award for the “Best Serious Composition” by the Composers and Authors Society of Hong Kong. Concurrently, Lee is an active conductor who has worked with leading European ensembles (Ensemble Modern, Ensemble Musikfabrik, Neue Vocalsolisten Stuttgart, to name a few) in performing works by established and emerging composers alike. Lee is equally recognised as one of Hong Kong's leading contemporary music interpreters, having premiered numerous works regionally and internationally by established and emerging composers alike. He has been a musician of the Hong Kong New Music Ensemble since 2016, working at close quarters with leading composers of the day, including Unsuk Chin, Brett Dean, and Toshio Hosokawa. Recent highlights include the Hongkong-premiere of Pierre Boulez's seminal Sonatine (1946-49) for flute and piano, as well as the publication of his performance of flute works by Camilo Mendez on the Austria new music specialist label, KAIROS. He has also been showcased in prominent recital series, including the LCSD's Our Music Talents (2018) and City Hall Virtuosi (2023) series, as well as CityU Arts Festival (2021). He has also performed as soloist at Pierre Boulez's memorial concert at Lucerne Festival in 2016 to critical acclaim. Since 2022, Lee has worked at the University of Hong Kong's Department of Music as a full-time Assistant Lecturer. He is the sole coordinator for the Department's performance curriculum, and teaches conducting, chamber music, and music theory. He is also a part-time lecturer in woodwind chamber music at the Hong Kong Academy for Performing Arts, and has taught as flute faculty at the Lucerne Festival Academy (2022 & 23). He was also faculty at the inaugural South China Contemporary Creative Music Institute (2025), where he gave masterclasses in flute, composition and conducting. Amy Chan Light Designer and Artist Amy Chan is a light and theatre artist, “an exciting practitioner from Hong Kong and an emerging critical voice on light as a performance material” (Theatre and Performance Design, UK). She explores the musicality, relationality and materiality of light, and delves into the in-betweens of light-music, theatre-installation, and arts-medicine. Notable works include light installation-performance Inter-Face, Things That Talk, Morbid Anatomy, and Memento Mori: Sonata for Light. She is active in cross-disciplinary light collaboration, working with celebrated artists, composers, musicians and companies including Ellen Pau, Kingsley Ng, Simon Wan, Rachel Cheung, Ken Ueno and the Hong Kong Dance Company, in various productions such as co-presentation by M+ and Art Basel, M+ commission, New Vision Arts Festival and Tai Kwun Prison Yard Festival, among others. She designed lighting for the installation A Tree to be Found, the award-winner of Hong Kong Arts Biennial 2003 and a collection of Hong Kong Museum of Art. Amy graduated from the Hong Kong Academy for Performing Arts with a Master of Fine Arts (with distinction), majoring in lighting design. Her artistic research was published in international peer-reviewed journals, conferences and local theatre publications. She was the invited speaker on performance lighting in Akademie der Künste of Berlin, Germany and Prague Quadrennial in Czech Republic. Karen Yu percussionist A percussionist, sound artist and curator based in Hong Kong, Karen Yu enjoys exploring the intersection of sound-making, audience engagement, and cross-disciplinary collaboration. Deriving from her background as a percussionist, her creative practice revolves around sound object and bodily movement improvisation, and weaving people together through collaborative experiences. She is currently the artistic director of Contemporary Musiking Hong Kong, a co-founder of the chamber percussion group The Up:Strike Project, and an associate musician of the Hong Kong New Music Ensemble. Previously an artist-in-residence at the Banff Centre for Arts and Creativity and Seoul Dance Centre, Yu was most recently commissioned by the Hong Kong Arts Centre & Castlefield Gallery, Axel Vervoordt Gallery Hong Kong, Hong Kong New Music Ensemble, and Hong Kong West Kowloon Cultural District Freespace. As an active performer, Yu has recently performed in manτεία (manteia), a multimedia performance built on AI tools as an act of divination directed by Peter Nelson and Roberto Trillo, Since When, a multimedia theatre performance by Joyce Tang and Chow Yiu Fai, and Somnium, an installation/opera/trance by Steve Hui. As a curator, Yu has curated the latest edition of the annual sound festival in Hong Kong Sound Forms with Tai Kwun Contemporary, and co-curated the annual UNHEARD sound and music festivals with Eaton Hong Kong and _dtby, as well as the Noise Fest at Freespace West Kowloon. Devoted to promoting sound art and sound pedagogy, she has recently curated a sound art initiative through Contemporary Musiking Hong Kong, Push the ENVELOPE, that aims to diversify our listening approaches and cultivate interests in sound-making as art-making. Karen Yu obtained a Bachelor and a Master of Music (Music Performance, Percussion) from McGill University. She is a part-time faculty member at the University of Hong Kong and the Hong Kong Academy for Performing Arts School of Theatre & Entertainment Arts. 《《+;![].我迷失在.＊ 這場﹍×°醫學遊戲：掰擙。阿咩嗯文°°°×．﹏\》》 Alice Yeung Composer, Lighting and Stage Design, Performer Alice Yeung is a Swiss-based composer-performer from Hong Kong. She works in the field of contemporary music composition, théâtre musical, videography, experimental her-own-vocals, audiovisual installation, and any grey areas in between. Yeung’s music has been internationally featured in professional presentations, such as La Biennale di Venezia, De Doelen Rotterdam (Stichting Rizoom), Hong Kong Sinfonietta, New European Ensemble, Dutch National Opera & Ballet, Gaudeamus Festival, Orkest de Ereprijs, Les Percussions de Strasbourg, Mivos Quartet, ICTUS Ensemble, among others. Her works are prone to show what is fun for her to do, and bring her whimsical mind to life. Besides her music, her film sans-visage was screened in Concours Nicati 2025 as a finalist. Eagle Wu Visual Projection Design, Sensor Programming , Performer Wu Hou-lam (Eagle or AQ) is a musician, composer and interdisciplinary artist. His work encompasses sound installations, interactive web pieces, audiovisual compositions and compositions for acoustic instruments. He is particularly interested in how architecture, as a kind of spatial art, interacts with music/sound as a kind of temporal art. He graduated from the Universität der Künste Berlin, obtaining a Master of Arts (Sound Studies and Sonic Arts); the University of Hong Kong in Architectural Studies; and the School of Music, Hong Kong Academy for Performing Arts, majoring in Composition. Kenny Wong Lighting Design Kenny Wong obtained his BFA degree from the Hong Kong Academy for Performing Arts, majoring in lighting design. His recent works include : The Radiant Theatre’s Toys Fighting!!, Chung Ying Theatre Company’s Ham Meta, Paprika Studio x EKCC’s Ulysses’s Gaze in VR, Make Friends with Puppet Theresa’s The Iron Scarecrow, Pants Theatre Production’s Planning Our City (First Run & Re-run), Lamps Theatre’s The Wishing Stone, Boonfaysau’s Shape of Harmony (2023, 24, 25), Fantasy Puppet Theatre’s The Whale in the Ground. 《迴光》 So Chuen-on Compose So Chuen-on began his musical journey at the Hong Kong Academy for Performing Arts, where he studied composition and electronic music under the guidance of renowned Hong Kong composers Prof. Clarence Mak and Mr. Imen Tang. Currently, he is pursuing a Master's degree in multimedia contemporary scoring for visual media at the European Film College under the tutelage of Prof. Andy Hill, further expanding his expertise in film, television, and interactive media music, thereby solidifying the foundation of his versatile style. So's works span a wide range of genres, including chamber music, orchestral composition, Chinese traditional music, multimedia creation, pop music, and film scoring. He has served as music director, composer, and arranger for several prestigious art projects, such as the "Splendour of Radiance: Ancient Gold Artefacts Exhibition" at the Palace Museum, the "Lotus in Light and Shadow" exhibition for master Jao Tsung-I, and the sound installation "Laila" for the Hong Kong Arts Festival. His collaborators include esteemed institutions and ensembles such as the Hong Kong Philharmonic Orchestra, Windmill Grass Theatre, Hong Kong Gaudeamus Dunhuang Ensemble, Hong Kong New Music Ensemble, the Euphonious, the Hong Kong Yao Yueh Chinese Music Association, the Hong Kong New Youth Choir, and the East Side Dance Troupe. His compositions blend Eastern aesthetics with Western structural techniques, excelling in connecting diverse artistic media through music. He continues to explore the fusion of electronic music, experimental soundscapes, and traditional instruments in his creative practice. Tang Ho-wai Concept Based in Hong Kong, Tang Ho-wai is a theatre director, previously working as Director-in-Residence in the Chung Ying Theatre Company. After graduating from the Hong Kong Academy for Performing Arts (majoring in directing), Tang has directed various productions for different theatre companies. From world classics to contemporary works, his directing credits include Romeo & Juliet, Miss Julie, Mourning Becomes Electra, Peter Handke’s Self-accusation, Lyudmila Razumovskaya’s Dear Yelena Sergeevna. Other original works include A Song Adrift by Ima Collab,Two Dimensions of Minoru Betsuyaki, A Journey to Nowhere by the Fiesta Space, Ox In Kong City by the Nobodies Theatre, The Story of Me and I and Her by the Poor Guy Diary, Ten Bulls-In Search of Hidden Treasures (The Hong Kong Theatre Libre nomination, Best Director and Best Performance), a devised site-specific performance by the Theatre Horizon and the Bobius Strip Theatre of Taiwan. While not directing, Tang is passionate in music by participating as a musician in plays, including The Black and the Blue of a Man (North-east village edition), Antigone (North-east village edition) by the Theatre Horizon. Nickole Li Visual Design Nickole Li graduated from the Hong Kong Academy for Performing Arts in Arts and Event Management (MFA). She is now a theatre freelancer and video designer. She participated in various theatre productions in different stage positions, including production manager, deputy stage manager, stage manager and production assistant. Her recent involvement includes: Hong Kong Dance Exchange H.D.X. 2024, Left Unsaid by Zuni Icosahedron, WestK x Théâtre de la Feuille: Book of Mountains and Seas – The Fates of Mountains and Rivers, “Dance On” Series: You? Choreograph?, Matches - What! A Wonderful World!?, multimedia creation Lullaby, A Journey to Nowhere by Fiesta Space. Among the productions she participated in, the show A Ripple in Sound won the Best Individual Performance Award in the Youth Theater Artists Competition of the 8th Wu Zhen Theatre Festival, where she served as the production manager. Nickole was also actively involved in various concert production and video design works, including “Bye.” BYEJACK CONCERT 2024, The Damn Technology by Chung Ying Theatre Company, and A New Way of Seeing, etc. 李佳琳畢業於香港演藝學院，主修藝術及項目管理（一級榮譽碩士），現為自由身舞台工作者及影像設計師。 李氏曾參與製作多項作品，當中她以製作經理身份參與的《一切從海浪開始》獲第八屆烏鎮戲劇節青年競演小鎮獎「最佳個人表現獎」。 近期參與的劇場作品包括：《香港比舞2024》（製作統籌）；進念 ‧ 二十面體《唔講得》（舞台監督）；西九文化區 x 綠葉劇團：《山海經》第一部曲 ── 山川命（執行舞台監督及舞台監督）；《你係編舞喎》（執行舞台監督）；多空間《球賽 – 奔分世界》（製作經理及舞台監督）；多媒體劇場《一個人的Lullaby》（製作經理）；艾菲斯劇團《離留之境》（助理監製）；新加坡南洋劇社《小塵世》、《牛 · 車 · 水》（製作助理) 等。 近期演唱會製作包括：《FWD 富衛保險呈獻：Jeremy Lee Rise In Love Live 2025》、《My Music．My Life 盧冠廷一生所愛演唱會2025》 、《陳柏宇 LIFE IS LIVE 演唱會 2025》、《周國賢Endy Chow TailorMate Live 2024》、《側田第一秒巡迴演唱會》、麥浚龍2024年《金榜題名 project_mayhem》演唱會等。 近期影像設計作品包括：《'Bye.' BYEJACK CONCERT 2024》、中英劇團《他媽的科技》（影像及平面設計）、《A New Way of Seeing…》等。 Claire Wong Viola Claire Wong is a violist born in Hong Kong, currently pursuing her master’s degree at the Hong Kong Academy for Performing Arts (HKAPA) under the tutelage of Mr. Jeremy Williams. She completed her Bachelor degree of Music in 2023 at HKAPA under the tutelage of Mr. Ray Tsoi and was awarded the Dean’s List in her graduation. Claire has received training from well-known musicians in masterclasses during her studies, including Steven Tenenbom, Stanley Konopka, Wesley Collins and Amihai Grosz. She is also passionate about performing chamber music and orchestral music. She is one of the founding members of the Ionica String Quartet. In 2025, Claire received sponsorships for participating in the 2025 Kent Blossom Music Festival and served as the principal violist of the KBMF chamber orchestra. In 2024, she performed with Steven Tenebom in the opening gala concert of APA String Chamber Festival. She has also served as the principal violist of the Academy Symphony Orchestra since 2022. Claire has received several awards in her study, including the Mr. & Mrs. YS Liu Scholarship, the HKAPA Scholarship, the Wong Wai Ming Memorial Scholarship, etc. She is currently a freelance musician, actively working with different orchestras, such as the Hong Kong Sinfonietta, Macao Orchestra, In-heritage Philharmonic. 黃詠虹是生於香港的中提琴演奏家，目前於香港演藝學院攻讀碩士學位，師從Jeremy Williams先生。她於2023年在香港演藝學院完成音樂學士學位，師從蔡睿先生，畢業時更榮獲院長嘉許名單的殊榮。 在學期間，曾於大師班中接受多位知名音樂家的指導，包括Steven Tenenbom、Stanley Konopka、Wesley Collins、Amihai Grosz等。她對演奏室內樂及管弦樂充滿熱忱，亦是Ionica弦樂四重奏的創團成員。 2025年，黃氏獲資助參加肯特布羅瑟姆音樂節（Kent Blossom Music Festival），並擔任KBMF室內樂團的中提琴首席。2024年，她與Steven Tenenbom於香港演藝學院弦樂室內音樂節的開幕音樂會中同台演出。自2022年起，她亦持續擔任香港演藝學院交響樂團的中提琴首席。 在學期間，黃氏獲得多項獎學金，包括劉元生先生與夫人獎學金、香港演藝學院獎學金及黃維明紀念獎學金等。目前她以自由身音樂家身份活躍於樂壇，積極與多個樂團合作，包括香港小交響樂團、澳門樂團及繼心交響樂團等。

亞洲作曲家同盟(ACL)是現今於亞洲與大平洋地區中最活躍推廣當代音樂的機構，由一群亞洲重要的領航作曲家於1973年成立。香港作曲家聯會為亞洲作曲家同盟的香港區會員。 亞洲作曲家同盟 會議及音樂節 亞洲作曲家同盟（ACL）是現今於亞洲與大平洋地區中最活躍推廣當代音樂的機構，由一群亞洲重要的領航作曲家於1973年成立。香港作曲家聯會為亞洲作曲家同盟的香港區會員。 亞洲作曲家同盟會議及音樂節是年度及雙年度舉行的盛事，由各會員國在亞洲作曲家同盟的協助下舉辦。這是重要的場合讓不同文化背景的亞洲－太平洋的作曲家演出作品、交流意念並建立關係。 請瀏覽亞洲作曲家同盟的網站 以獲取更多資訊。 被揀選的香港作曲家作品： 2022 奧克蘭和基督城 新西蘭 陳展霆: In-pulse 譚家樹: Flux 吳藝敏: Wedge 2018 台灣 Chan Ming-chi: The Joyful Heart washed by Hakka for Chinese orchestra Elena Chiu: Twenty-Third Psalm: "The Lord is My Shepherd" for choir Lee Kar-tai Phoebus: Better Half for chamber ensemble Leung Chi-hin: Striking in the Tornado for percussion ensemble Mok Kin-yee Raymond: Bamboo in Silhouette for orchestra Tam Ka-shu: City Story - Flying Sword for electroacoustics/multimedia Richard Tsang: And When I Die for choir Stephen Yip: motto for beauty for Chinese orchestra 2017 東京 日本 Lee Kar-tai: Everlasting is the Moon for violin and viola Lee Yi-wei Angus: Jarosinski-Fragments for string quartet Clarence Mak: Illusive Color in Emptiness for electroacoustic Shing Chun-hay: Lost Memory in Sun Set Pixels for chamber orchestra Richard Tsang: But for the Heart...for chamber orchestra Austin Yip: Wind Quintet No.1: Eagle Eyes 2016 越南 Chan Ho-yi David: A Night Abroad Livia Lin: Labyrinth for string quartet Mak Yui-kan Raphael: Orchestra Piece for New Era for orchestra Ian Ng: Think Twice - Three Little Musical Games So Ho-chi: Cautious Indulgence for Young Composers' Competition Richard Tsang: Shades for Orchestra Tsui Mei-ling Meilina: Dancing Shades and Echoes Austin Yip: String Quartet No.1: BE for string quartet 2015 菲律賓 陳浩貽《重聚》 朱曉芳 - Halika Dito (Come here, I am waiting for you) 洪銘健《鳥鳴澗》 梁智軒《荒洲殘響》 孫禮賢《雨景》 蘇家威《祭青龍》 王強《間奏曲》 黃俊諱《戰‧不斷》 阮慧玲 - Lullaby for Choral 2014 日本 陳明志《千堆雪》 劉曉江《荊棘》 梁志邦《日冕》 李健一《第七子的七傳人》 曾葉發《逍遙樂》 2013 新加坡 林丰 "Three Movements for String Quartet" 劉詠浲《無盡的白》 李家泰《鄉愁四韻》 莫健兒《圓來緣去》 鄧樂妍 "The Sunflower – On a Painting by Van Gogh" 曾葉發《茫》 王廣宇 Plants and Men 葉浩堃《城》 葉樹堅《秋月涼風》 2012 以色列 陳錦標 "Moments of Peace" 曾葉發《獨白》 李家泰《夜雷細雨打梨花，靜聽微風響叮鈴》 伍華晞《生死界》 邱美琪《櫻花的殞落》 彭振町《如雪》 伍家駿《小提琴上的大跳 》 黃逸偉《苦路》 2011 台灣 李家泰《悸動》 葉樹堅《鳳凰傳說》 鄧樂姸《潮》 梅廣釗 "The Sea Off the Little Palm Beach" 林樂培《塵埃不見咸陽橋》 陳偉光《古悠悠行》 洪銘健《石紋變》 麥偉鑄《朝來》 凌崎偵《顯》-《矩》 蘇家威《古道之夢》 林蘭芝《古色》 陳錦標《環型三角》 莫健兒《三聲五樂》 袁偉鋒《臉》 2009 韓國 曾葉發《龍形》 Alice Ho "Lamia\" 陳偉光《夢猶未已》 黎雅婷《星星不要閃亮》 鄧慧中《極光》 葉樹堅《庭》 張珮珊《墨戲》 洪銘健《震慟》 林蘭芝《星夜》 黃逸偉《敲擊樂二重奏》 伍擎峯《粉骨龍泉》 2007 香港 陳慶恩 "There's Something in the Wind" 陳錦標《電車走過的日子》 陳明志《精．氣．神》 陳偉光《中國歌曲兩首》 張珮珊《水姿幻象》 Ip Kim-ho "Momento" 林樂培《謝灶君》 林鈞暉《城市本能》 劉詠浲《學生字》 羅永暉《千章掃》 麥偉鑄《緣在半途間》 莫健兒《彩幻千層》 鄧樂姸《 溶》 鄧文藝《安魂曲—紀念教宗若望保祿二世》 曾葉發《心。動》 Wu Cheuk-nam "Ayala" 2006 紐西蘭 麥偉鑄《海喚》 林丰《明》 張珮珊《龍》 Lee Wai-shan "Similar Space" 鄧樂姸《奉獻樹》 2005 泰國 Lydia Ayers "Tala Malika Jak" 陳永華《逺山》 Alice Ho "Garage" 林樂培《春江花月夜》 鄧文藝《遠象》 Li Kar-yee "Summer"