音樂新文化 2017：中樂作品展演 演出日期及時間：2018年1月30日（星期二）晚上8點 演出場地：香港中文大學利希慎音樂廳 竹韻小集節目 指揮：何文川 葉樹堅 │ 鏡明塵空 (2017)(7’)* 羅永暉 │ 太白醉酒 (1985)(7’) 梁家棟 │ 漠露 (2014)(7’) 陳明志 │ 風姿花傳 (2015)(9’) 梁騫仁 │ 古韻新音 (2017)(10’) 鄧文藝 │ 燈影城樓 (2017)(7’)* 陳雅雯 │ 晨靄 (2015)(7’10”) 洪銘健 │ 盂蘭盛會 (2014-15初稿，2017年修訂)(10’) *此作品於2017年由香港作曲家聯會委約，費用由香港藝術發展局資助。 下載場刊

國際交流 國際活動 ACL Conference and Festival 亞洲作曲家同盟會議及音樂節 ISCM World Music Days 國際現代音樂協會世界音樂日 International Rostrum of Composers 國際作曲家論壇 本會活動 Hong Kong Contemporary Music Festival: Asian Delights 香港當代音樂節：亞洲薈萃 FRANCE & HONG KONG Exchange Concert 2019 法國香港交流音樂會 Asian Tradition, Asian Contemporary: Japan-Hong Kong Exchange Concert 亞洲傳統與當代音樂： 日本香港交流音樂會

《聲之幻象》跨媒體音樂之旅 由香港作曲家聯會策劃，《聲之幻象》跨媒體音樂之旅將於 2026年2月11日（星期三）晚上8時，香港大會堂劇院隆重舉行。是次演出匯聚三組以作曲家為核心的創作團隊，結合音樂、影像與燈光等媒介，構築出一場虛實交錯、如幻似真的觀演體驗。 這場音樂會不僅僅是對「聲音」的欣賞，更是一場穿梭於感官與想像之間、探索聲像融合可能性的藝術實驗。每一組作品皆呈現出對於音樂敘事、空間感知與跨媒體表達方式的嶄新思考，邀請觀眾進入一個由聲、光、影交織而成的沉浸式世界。 節目作品包括： 《迴光》 作曲及影像設計：蘇傳安、黃詠虹、林鈺浠、鄧灝威、李佳琳 以流動影像與聲音構築記憶空間的演出，引領觀眾在變動與消逝之間，重新觀看、聆聽與感受。 《爍》 創作團隊：李一𥯤、陳一云、余林橞 融合聲與光、模糊感知界線的多媒體作品，靈感源自Jon Fosse小說《Kvitleit》，探討人在極端環境中身心轉化與現實與幻覺交錯的靈性經驗。 《《+;![].我迷失在.＊ 這場﹍×°醫學遊戲：掰擙。阿咩嗯文°°°×．﹏\》》 創作團隊：楊凱晴、胡皓嵐、王晉希 透過模擬外科手術及即時動作感應聲響，將人體轉化為生化樂器，深刻探討科技增強與人類身體之間的關係與矛盾。 購票連結 : https://www.urbtix.hk/event-detail/14466 創作團隊 《爍》 Angus Lee Composer Lee is recognised as one of Hongkong's most exciting composers, with compositions spanning the solo, chamber, orchestral and operatic genres, performed at international music festivals across Asia, continental Europe, the UK, and North America. Recent works include the artificial intelligence opera Chasing Waterfalls (2021-22), commissioned for Semperoper Dresden's 2022/23 season opening; two "studies for orchestra," Des flames... (2023-24) and ...aux cendres (2024) commissioned by the Hong Kong Philharmonic; and the electroacoustic ensemble work hic / nunc (2024-25) commissioned by Croatia's historic Music Biennale Zagreb. In 2025, Lee was conferred the 23rd CASH Golden Sail Music Award for the “Best Serious Composition” by the Composers and Authors Society of Hong Kong. Concurrently, Lee is an active conductor who has worked with leading European ensembles (Ensemble Modern, Ensemble Musikfabrik, Neue Vocalsolisten Stuttgart, to name a few) in performing works by established and emerging composers alike. Lee is equally recognised as one of Hong Kong's leading contemporary music interpreters, having premiered numerous works regionally and internationally by established and emerging composers alike. He has been a musician of the Hong Kong New Music Ensemble since 2016, working at close quarters with leading composers of the day, including Unsuk Chin, Brett Dean, and Toshio Hosokawa. Recent highlights include the Hongkong-premiere of Pierre Boulez's seminal Sonatine (1946-49) for flute and piano, as well as the publication of his performance of flute works by Camilo Mendez on the Austria new music specialist label, KAIROS. He has also been showcased in prominent recital series, including the LCSD's Our Music Talents (2018) and City Hall Virtuosi (2023) series, as well as CityU Arts Festival (2021). He has also performed as soloist at Pierre Boulez's memorial concert at Lucerne Festival in 2016 to critical acclaim. Since 2022, Lee has worked at the University of Hong Kong's Department of Music as a full-time Assistant Lecturer. He is the sole coordinator for the Department's performance curriculum, and teaches conducting, chamber music, and music theory. He is also a part-time lecturer in woodwind chamber music at the Hong Kong Academy for Performing Arts, and has taught as flute faculty at the Lucerne Festival Academy (2022 & 23). He was also faculty at the inaugural South China Contemporary Creative Music Institute (2025), where he gave masterclasses in flute, composition and conducting. Amy Chan Light Designer and Artist Amy Chan is a light and theatre artist, “an exciting practitioner from Hong Kong and an emerging critical voice on light as a performance material” (Theatre and Performance Design, UK). She explores the musicality, relationality and materiality of light, and delves into the in-betweens of light-music, theatre-installation, and arts-medicine. Notable works include light installation-performance Inter-Face, Things That Talk, Morbid Anatomy, and Memento Mori: Sonata for Light. She is active in cross-disciplinary light collaboration, working with celebrated artists, composers, musicians and companies including Ellen Pau, Kingsley Ng, Simon Wan, Rachel Cheung, Ken Ueno and the Hong Kong Dance Company, in various productions such as co-presentation by M+ and Art Basel, M+ commission, New Vision Arts Festival and Tai Kwun Prison Yard Festival, among others. She designed lighting for the installation A Tree to be Found, the award-winner of Hong Kong Arts Biennial 2003 and a collection of Hong Kong Museum of Art. Amy graduated from the Hong Kong Academy for Performing Arts with a Master of Fine Arts (with distinction), majoring in lighting design. Her artistic research was published in international peer-reviewed journals, conferences and local theatre publications. She was the invited speaker on performance lighting in Akademie der Künste of Berlin, Germany and Prague Quadrennial in Czech Republic. Karen Yu percussionist A percussionist, sound artist and curator based in Hong Kong, Karen Yu enjoys exploring the intersection of sound-making, audience engagement, and cross-disciplinary collaboration. Deriving from her background as a percussionist, her creative practice revolves around sound object and bodily movement improvisation, and weaving people together through collaborative experiences. She is currently the artistic director of Contemporary Musiking Hong Kong, a co-founder of the chamber percussion group The Up:Strike Project, and an associate musician of the Hong Kong New Music Ensemble. Previously an artist-in-residence at the Banff Centre for Arts and Creativity and Seoul Dance Centre, Yu was most recently commissioned by the Hong Kong Arts Centre & Castlefield Gallery, Axel Vervoordt Gallery Hong Kong, Hong Kong New Music Ensemble, and Hong Kong West Kowloon Cultural District Freespace. As an active performer, Yu has recently performed in manτεία (manteia), a multimedia performance built on AI tools as an act of divination directed by Peter Nelson and Roberto Trillo, Since When, a multimedia theatre performance by Joyce Tang and Chow Yiu Fai, and Somnium, an installation/opera/trance by Steve Hui. As a curator, Yu has curated the latest edition of the annual sound festival in Hong Kong Sound Forms with Tai Kwun Contemporary, and co-curated the annual UNHEARD sound and music festivals with Eaton Hong Kong and _dtby, as well as the Noise Fest at Freespace West Kowloon. Devoted to promoting sound art and sound pedagogy, she has recently curated a sound art initiative through Contemporary Musiking Hong Kong, Push the ENVELOPE, that aims to diversify our listening approaches and cultivate interests in sound-making as art-making. Karen Yu obtained a Bachelor and a Master of Music (Music Performance, Percussion) from McGill University. She is a part-time faculty member at the University of Hong Kong and the Hong Kong Academy for Performing Arts School of Theatre & Entertainment Arts. 《《+;![].我迷失在.＊ 這場﹍×°醫學遊戲：掰擙。阿咩嗯文°°°×．﹏\》》 Alice Yeung Composer, Lighting and Stage Design, Performer Alice Yeung is a Swiss-based composer-performer from Hong Kong. She works in the field of contemporary music composition, théâtre musical, videography, experimental her-own-vocals, audiovisual installation, and any grey areas in between. Yeung’s music has been internationally featured in professional presentations, such as La Biennale di Venezia, De Doelen Rotterdam (Stichting Rizoom), Hong Kong Sinfonietta, New European Ensemble, Dutch National Opera & Ballet, Gaudeamus Festival, Orkest de Ereprijs, Les Percussions de Strasbourg, Mivos Quartet, ICTUS Ensemble, among others. Her works are prone to show what is fun for her to do, and bring her whimsical mind to life. Besides her music, her film sans-visage was screened in Concours Nicati 2025 as a finalist. Eagle Wu Visual Projection Design, Sensor Programming , Performer Wu Hou-lam (Eagle or AQ) is a musician, composer and interdisciplinary artist. His work encompasses sound installations, interactive web pieces, audiovisual compositions and compositions for acoustic instruments. He is particularly interested in how architecture, as a kind of spatial art, interacts with music/sound as a kind of temporal art. He graduated from the Universität der Künste Berlin, obtaining a Master of Arts (Sound Studies and Sonic Arts); the University of Hong Kong in Architectural Studies; and the School of Music, Hong Kong Academy for Performing Arts, majoring in Composition. Kenny Wong Lighting Design Kenny Wong obtained his BFA degree from the Hong Kong Academy for Performing Arts, majoring in lighting design. His recent works include : The Radiant Theatre’s Toys Fighting!!, Chung Ying Theatre Company’s Ham Meta, Paprika Studio x EKCC’s Ulysses’s Gaze in VR, Make Friends with Puppet Theresa’s The Iron Scarecrow, Pants Theatre Production’s Planning Our City (First Run & Re-run), Lamps Theatre’s The Wishing Stone, Boonfaysau’s Shape of Harmony (2023, 24, 25), Fantasy Puppet Theatre’s The Whale in the Ground. 《迴光》 So Chuen-on Compose So Chuen-on began his musical journey at the Hong Kong Academy for Performing Arts, where he studied composition and electronic music under the guidance of renowned Hong Kong composers Prof. Clarence Mak and Mr. Imen Tang. Currently, he is pursuing a Master's degree in multimedia contemporary scoring for visual media at the European Film College under the tutelage of Prof. Andy Hill, further expanding his expertise in film, television, and interactive media music, thereby solidifying the foundation of his versatile style. So's works span a wide range of genres, including chamber music, orchestral composition, Chinese traditional music, multimedia creation, pop music, and film scoring. He has served as music director, composer, and arranger for several prestigious art projects, such as the "Splendour of Radiance: Ancient Gold Artefacts Exhibition" at the Palace Museum, the "Lotus in Light and Shadow" exhibition for master Jao Tsung-I, and the sound installation "Laila" for the Hong Kong Arts Festival. His collaborators include esteemed institutions and ensembles such as the Hong Kong Philharmonic Orchestra, Windmill Grass Theatre, Hong Kong Gaudeamus Dunhuang Ensemble, Hong Kong New Music Ensemble, the Euphonious, the Hong Kong Yao Yueh Chinese Music Association, the Hong Kong New Youth Choir, and the East Side Dance Troupe. His compositions blend Eastern aesthetics with Western structural techniques, excelling in connecting diverse artistic media through music. He continues to explore the fusion of electronic music, experimental soundscapes, and traditional instruments in his creative practice. Tang Ho-wai Concept Based in Hong Kong, Tang Ho-wai is a theatre director, previously working as Director-in-Residence in the Chung Ying Theatre Company. After graduating from the Hong Kong Academy for Performing Arts (majoring in directing), Tang has directed various productions for different theatre companies. From world classics to contemporary works, his directing credits include Romeo & Juliet, Miss Julie, Mourning Becomes Electra, Peter Handke’s Self-accusation, Lyudmila Razumovskaya’s Dear Yelena Sergeevna. Other original works include A Song Adrift by Ima Collab,Two Dimensions of Minoru Betsuyaki, A Journey to Nowhere by the Fiesta Space, Ox In Kong City by the Nobodies Theatre, The Story of Me and I and Her by the Poor Guy Diary, Ten Bulls-In Search of Hidden Treasures (The Hong Kong Theatre Libre nomination, Best Director and Best Performance), a devised site-specific performance by the Theatre Horizon and the Bobius Strip Theatre of Taiwan. While not directing, Tang is passionate in music by participating as a musician in plays, including The Black and the Blue of a Man (North-east village edition), Antigone (North-east village edition) by the Theatre Horizon. Nickole Li Visual Design Nickole Li graduated from the Hong Kong Academy for Performing Arts in Arts and Event Management (MFA). She is now a theatre freelancer and video designer. She participated in various theatre productions in different stage positions, including production manager, deputy stage manager, stage manager and production assistant. Her recent involvement includes: Hong Kong Dance Exchange H.D.X. 2024, Left Unsaid by Zuni Icosahedron, WestK x Théâtre de la Feuille: Book of Mountains and Seas – The Fates of Mountains and Rivers, “Dance On” Series: You? Choreograph?, Matches - What! A Wonderful World!?, multimedia creation Lullaby, A Journey to Nowhere by Fiesta Space. Among the productions she participated in, the show A Ripple in Sound won the Best Individual Performance Award in the Youth Theater Artists Competition of the 8th Wu Zhen Theatre Festival, where she served as the production manager. Nickole was also actively involved in various concert production and video design works, including “Bye.” BYEJACK CONCERT 2024, The Damn Technology by Chung Ying Theatre Company, and A New Way of Seeing, etc. 李佳琳畢業於香港演藝學院，主修藝術及項目管理（一級榮譽碩士），現為自由身舞台工作者及影像設計師。 李氏曾參與製作多項作品，當中她以製作經理身份參與的《一切從海浪開始》獲第八屆烏鎮戲劇節青年競演小鎮獎「最佳個人表現獎」。 近期參與的劇場作品包括：《香港比舞2024》（製作統籌）；進念 ‧ 二十面體《唔講得》（舞台監督）；西九文化區 x 綠葉劇團：《山海經》第一部曲 ── 山川命（執行舞台監督及舞台監督）；《你係編舞喎》（執行舞台監督）；多空間《球賽 – 奔分世界》（製作經理及舞台監督）；多媒體劇場《一個人的Lullaby》（製作經理）；艾菲斯劇團《離留之境》（助理監製）；新加坡南洋劇社《小塵世》、《牛 · 車 · 水》（製作助理) 等。 近期演唱會製作包括：《FWD 富衛保險呈獻：Jeremy Lee Rise In Love Live 2025》、《My Music．My Life 盧冠廷一生所愛演唱會2025》 、《陳柏宇 LIFE IS LIVE 演唱會 2025》、《周國賢Endy Chow TailorMate Live 2024》、《側田第一秒巡迴演唱會》、麥浚龍2024年《金榜題名 project_mayhem》演唱會等。 近期影像設計作品包括：《'Bye.' BYEJACK CONCERT 2024》、中英劇團《他媽的科技》（影像及平面設計）、《A New Way of Seeing…》等。 Claire Wong Viola Claire Wong is a violist born in Hong Kong, currently pursuing her master’s degree at the Hong Kong Academy for Performing Arts (HKAPA) under the tutelage of Mr. Jeremy Williams. She completed her Bachelor degree of Music in 2023 at HKAPA under the tutelage of Mr. Ray Tsoi and was awarded the Dean’s List in her graduation. Claire has received training from well-known musicians in masterclasses during her studies, including Steven Tenenbom, Stanley Konopka, Wesley Collins and Amihai Grosz. She is also passionate about performing chamber music and orchestral music. She is one of the founding members of the Ionica String Quartet. In 2025, Claire received sponsorships for participating in the 2025 Kent Blossom Music Festival and served as the principal violist of the KBMF chamber orchestra. In 2024, she performed with Steven Tenebom in the opening gala concert of APA String Chamber Festival. She has also served as the principal violist of the Academy Symphony Orchestra since 2022. Claire has received several awards in her study, including the Mr. & Mrs. YS Liu Scholarship, the HKAPA Scholarship, the Wong Wai Ming Memorial Scholarship, etc. She is currently a freelance musician, actively working with different orchestras, such as the Hong Kong Sinfonietta, Macao Orchestra, In-heritage Philharmonic. 黃詠虹是生於香港的中提琴演奏家，目前於香港演藝學院攻讀碩士學位，師從Jeremy Williams先生。她於2023年在香港演藝學院完成音樂學士學位，師從蔡睿先生，畢業時更榮獲院長嘉許名單的殊榮。 在學期間，曾於大師班中接受多位知名音樂家的指導，包括Steven Tenenbom、Stanley Konopka、Wesley Collins、Amihai Grosz等。她對演奏室內樂及管弦樂充滿熱忱，亦是Ionica弦樂四重奏的創團成員。 2025年，黃氏獲資助參加肯特布羅瑟姆音樂節（Kent Blossom Music Festival），並擔任KBMF室內樂團的中提琴首席。2024年，她與Steven Tenenbom於香港演藝學院弦樂室內音樂節的開幕音樂會中同台演出。自2022年起，她亦持續擔任香港演藝學院交響樂團的中提琴首席。 在學期間，黃氏獲得多項獎學金，包括劉元生先生與夫人獎學金、香港演藝學院獎學金及黃維明紀念獎學金等。目前她以自由身音樂家身份活躍於樂壇，積極與多個樂團合作，包括香港小交響樂團、澳門樂團及繼心交響樂團等。

香港作曲家聯會－音樂作品傳承和保育計劃 由 管樂雅集 所揀選的作品 Composers 作曲家 CHAN Wai-kwong Victor 陳偉光 Title of Work 作品名稱 As if...《一如...》 Duration 長度 - Year of Work 作品年份 2012 Composers 作曲家 CHEUNG Pui-shan 張珮珊 Title of Work 作品名稱 Chi’en IV《乾IV》 Duration 長度 - Year of Work 作品年份 2011 Composers 作曲家 Clarence Mak, Charlotte Chiu, Law Kin Pong, Li Kar Yee, Wyman Wat Title of Work 作品名稱 The Man of Dust《風塵僕僕》 Duration 長度 - Year of Work 作品年份 2010 Composers 作曲家 LAW Wing-fai 羅永暉 Title of Work 作品名稱 Solo Theatre - STILL《一人劇場－此山不動》 Duration 長度 - Year of Work 作品年份 2011 Composers 作曲家 LIU Wing-sum Iris 廖頴琛 Title of Work 作品名稱 Playful Talk for Fifteen Oboes《玩話》給十五支雙簧管 Duration 長度 - Year of Work 作品年份 2013 Composers 作曲家 LO Hau-man 盧厚敏 Title of Work 作品名稱 Rain V《雨 V》 Duration 長度 - Year of Work 作品年份 2006 Composers 作曲家 MAK Clarence 麥偉鑄 Title of Work 作品名稱 Echoing in Stillness《鳴不假風》 Duration 長度 - Year of Work 作品年份 2010 Composers 作曲家 PANG Chun-kit Vincent 彭俊傑 Title of Work 作品名稱 Double Circles《圓 2》 Duration 長度 - Year of Work 作品年份 2014 Composers 作曲家 TSANG Yip-fat Richard 曾葉發 Title of Work 作品名稱 Momentary Discourse《片語》 Duration 長度 - Year of Work 作品年份 2013 返回

JOB VACANCY 職位空缺

詩詞傳頌音樂會 2019 中國的詩詞是民族文化的瑰寶，反映了中國人的審美、文化思維和精神面貌。也是我們民族的根和魂！ 今次兩文三語的詩詞入樂《詩詞傳頌音樂會》，目的是透過香港作曲家聯會的作曲家們的原創音樂，使民族的詩詞選，透過中英文和三語（即廣東話，普通話和英文）傳頌於世，打破語言的界限。我們不單創作音樂作品，還灌錄音樂光碟和出版樂譜，使作品進一步被西方了解，達致推廣文化交流目的。 演出日期和時間： 2019年5月30日（星期四）晚上8點 演出場地： 香港文化中心音樂廳 音樂會監製： 梁智軒／阮慧玲 指揮： 黃慧英 洗立姿 伍文輝 陳家曦 阮慧玲 羅明正 劉迪恩 余睿添 黃健怡 鋼琴： 潘曉彤 黃歷琛 陳家尉 張麗群 歐惠雯 陳君儀 演唱合唱團： 香港教育大學室樂合唱團 嘉諾撒聖心書院校友合唱團 何明華會督銀禧中學合唱團 九龍華仁書院男聲合唱團 優才無伴奏合唱和合唱團 香港華仁書院童聲合唱團 瑪利曼中學合唱團 綠韻 節目： 楓橋夜泊 木 蘭 登樂遊原 采葛 菊花 十五夜望月寄杜郎中 春望 題西林壁 古從軍行 相思 詠鵝 新嫁娘 秋風引 尋隱者不遇 清明 出塞 (其一) 滿江紅．寫懷 真善美

CALL FOR SCORES 樂譜徵收 Title: Deadline: 2016-00-00 Entry Fee: Info link: Supporting Document: 項目： 截止日期： 費用： 詳情： 文件： I'm a paragraph. Click here to add your own text and edit me. It's easy. Back

「音樂沙龍」旨在建立一個平台。為各參與的音樂學院進行音樂學術研究、音樂交流、演出、觀摩和進行各具創意的音樂活動。它亦提供一個平台給各學院的同學們和香港作曲家們進行交流和研究。 音樂沙龍：管樂作品展 Guest Performer: Hong Kong Wind Kamerata 演奏嘉賓：管樂雅集 Carmen Ma (Flute) 馬家敏（長笛） Guest Performer: Hong Kong Wind Kamerata 演奏嘉賓：管樂雅集 1/11 「音樂沙龍」旨在建立一個平台。為各參與的音樂學院進行音樂學術研究、音樂交流、演出、觀摩和進行各具創意的音樂活動。它亦提供一個平台給各學院的同學們和香港作曲家們進行交流和研究。「音樂沙龍」本年度參與的院校包括香港演藝學院、香港中文大學、香港教育大學和我們香港作曲家聯會。 演出日期和時間： 2021年10月15日（星期五）晚上8點 演出場地： 西灣河文娛中心劇院 音樂會監製： 李家泰／阮慧玲 演奏嘉賓： 管樂雅集 節目： 劉力致－藍剔（2019） 香港中文大學音樂系 彭珺－魔山（2019） 香港中文大學音樂系 鄧澤恩－手洞（2018） 香港教育大學文化與創意藝術系 黃志燊－雪域（2019） 香港演藝學院音樂學院作曲及電子音樂系 黃正彥－流螢斷續光（2019） 香港中文大學音樂系 吳藝敏－萌生（2018） Bowling Green State University 姚智康－月亮與輝夜姬（2019） 香港教育大學文化與創意藝術系 余梓朗－不會下雪的港（2018） 香港演藝學院音樂學院作曲及電子音樂系

過往活動

香江樂語 2017 由香港中樂團主辦，香港作曲家聯會合辦 世界首演五首以香港為題的作品及嚴選多首香港作曲家作品： 陳明志《我愛香港紅白藍》 陳錦標《岩浪》 張珮珊《大排檔 II》 郭亨基《香江戀》 林蘭芝《擊擊樂・醮》 日期：2017年1月14日（星期六） 時間：晚上8點 地點：香港大學百周年校園李兆基會議中心大會堂

名家趣談作曲 2017 主辦：康樂及文化事務署，香港作曲家聯會 資助：香港藝術發展局 日期：15/3/2016 - 26/4/2017 （逢星期三晚上，共六講 ） 時間：晚上 7：30 場地：香港太空館（演講廳） 網頁：https://goo.gl/ZRYpYN 3月15日－ 我的音樂與不同藝術範疇的對話 講者: 鄧慧中博士 主持: 黎雅婷博士 作曲家鄧慧中近年來一直與不同範疇的藝術家合作，她將分享最近寫給視覺藝術、舞蹈、戲劇和文學的跨領域作品。 3月22日 － 給中國音樂更多空間 講者: 梁志鏘教授 主持: 歐天勇 演出嘉賓: 朱芸編（二胡）及賴應斌（揚琴） 提到中國音樂，大眾一般只認識《梁山伯與祝英台》小提琴協奏曲，但未必知道其作曲家是誰。中國音樂源遠流長，難道欣賞空間果真如此狭隘？作曲家梁志鏘將會從歷史、創作、演奏、指揮、以至推廣等多個角度，通過闡明他過去十年的作品，為大家解開這個謎團，為中國音樂劃出更廣闊的空間。 示範：《連璧》寫給二胡與揚琴（二〇〇九年） 3月29日 － 從我的音樂作品表現同理心 講者: 李允琪副教授 主持: 李家泰博士 演出嘉賓：陳倩婷（鋼琴）及蔣頌恩（女中音） 作曲家李允琪的音樂作品抒情、淒美，着重敘事，然而亦是源自二十及二十一世紀的音樂素材衍生而成。其作品中最主要和關鍵的特色是表現出人與人之間的同理心，不僅在作品標題上，更從作曲技巧以至其他深入層面表達。這場講座，她將帶領觀眾踏上一趟深情的個人音樂旅程。 4月5日 － 尋找魔法：高爾文的音樂（英語主講） 講者: 高爾文博士 主持: 葉浩堃博士 作曲家高爾文將在講座中介紹筆下多首作品。他的創作風格多樣，嚴肅幽默兼而有之。由原音到電子音樂、調性到無調音樂，高爾文的音樂有著始終如一的共通點—尋找讓觀眾感動的奇妙一刻。 4月12日 － 我的經歷與我的幾部作品 講者: 王強教授 主持: 林蘭芝博士 作曲家王強的童年生活於動盪的戰爭年代，及後其音樂生涯亦遇上多個重大的政治運動，令她的作品或多或少敲上烙印。她將在講座分享她的音樂作品，細數背後故事，包括：合唱作品《幸褔河》（一九五八年）、為箜篌、京劇鑼鼓和竹笛而作的《霸王別姬》（二〇一三年）。 4月26日 － 由靈開始 講者: 鄧文藝 主持: 梁智軒博士 演出嘉賓：陳昌隆（小提琴）及 湯偉灝（大提琴） 作曲家鄧文藝將會分享創作《破曉》、《鳥鳴澗》及《呼聲引》的心路歷程，並講述和弦、旋律及織體的應用。

音樂新一代 2023 入圍名單（排名不分先後） Title 作品名稱 Composer 作曲家 Result 成績 Le bois 木 Yiu Ching-lok Douglas 姚晴洛 1st Runner-up 亞軍 Mirage 孰真孰假 Ng Yan-ling Illuminatius 伍昕靈 2nd Runner-up 季軍 Bat, Beasts and Birds 蝙蝠和鳥獸 Lo Tsz-to 盧子陶 Technoblade’s Brain when…?! / Li Tsun-sun 李俊生 The Voices in my Head I 我腦海中的聲音 I Li Cheuk-shing 李焯誠 Hidden Fruit 無花果 Lam Tin-yan 林天恩 Cascading Traces…of Layered Time 層疊蹤影 Chen Xingyi Betty 陳星逸 2nd Runner-up 季軍 Peculiar Voices 怪異之聲 Lam Chun-hei Matthew 林俊熹 Winner 冠軍 音樂會 演出日期和時間：2023年8月4日（星期五） 演出場地：香港電台一號錄播室 演出嘉賓：羅曼四重奏 Romer Quartet