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香港作曲家聯會－音樂作品傳承和保育計劃 由 竹韻小集 所揀選的作品 Composers 作曲家 CHAN Joshua 陳錦標 Title of Work 作品名稱 《揚帆行》 Year of Work 作品年份 2021 Duration 長度 - Composers 作曲家 CHAN Ming-chi 陳明志 Title of Work 作品名稱 《風姿花傳》 Year of Work 作品年份 2015 Duration 長度 - Composers 作曲家 CHAN Nga-man 陳雅雯 Title of Work 作品名稱 《寒來暑往》 Year of Work 作品年份 2020 Duration 長度 - Composers 作曲家 CHAN Wing-wah 陳永華 Title of Work 作品名稱 《南蓮池畔》 Year of Work 作品年份 2009 Duration 長度 - Composers 作曲家 CHEN Ning-chi 陳能濟 Title of Work 作品名稱 《歲月流金》 Year of Work 作品年份 2015 Duration 長度 - Composers 作曲家 CHENG Ching-nam 鄭靖楠 Title of Work 作品名稱 《凌波微步》 Year of Work 作品年份 2017 Duration 長度 - Composers 作曲家 HUI Cheung-wai 許翔威 Title of Work 作品名稱 《逆風翱翔》 Year of Work 作品年份 2020 Duration 長度 - Composers 作曲家 HUNG Ming-kin Christopher 洪銘健 Title of Work 作品名稱 《盂蘭盛會》 Year of Work 作品年份 2015 Duration 長度 - Composers 作曲家 KAM Shing-hei Kahlen 甘聖希 Title of Work 作品名稱 《廣東新語》卷廿六，〈香語〉 Year of Work 作品年份 2021 Duration 長度 - Composers 作曲家 LAM Lan-chee 林蘭芝 Title of Work 作品名稱 《火．龍舞》 Year of Work 作品年份 2012 Duration 長度 - Composers 作曲家 LAW Wing-fai 羅永暉 Title of Work 作品名稱 《太白醉酒》 Year of Work 作品年份 1985 Duration 長度 - Composers 作曲家 LEUNG Hin-yan Austin 梁騫仁 Title of Work 作品名稱 《古韻新音》 Year of Work 作品年份 2017 Duration 長度 - Composers 作曲家 LEUNG Ka-tung Tony 梁家棟 Title of Work 作品名稱 《漠露》 Year of Work 作品年份 2014 Duration 長度 - Composers 作曲家 LUK Wai-chun 陸尉俊 Title of Work 作品名稱 《蘭桂騰芳》 Year of Work 作品年份 2020 Duration 長度 - Composers 作曲家 MAK Clarence 麥偉鑄 Title of Work 作品名稱 《蓮動漁舟》 Year of Work 作品年份 2019 Duration 長度 - Composers 作曲家 SHAO Litang 邵麗棠 Title of Work 作品名稱 《涼茶譜》 Year of Work 作品年份 2018 Duration 長度 - Composers 作曲家 TANG Man-ngai 鄧文藝 Title of Work 作品名稱 《燈影城樓》 Year of Work 作品年份 2017 Duration 長度 - Composers 作曲家 TSANG Yip-fat Richard 曾葉發 Title of Work 作品名稱 《大樂天》 Year of Work 作品年份 1999 Duration 長度 - Composers 作曲家 WONG Hok-yeung Alfred 黃學揚 Title of Work 作品名稱 《醮》 Year of Work 作品年份 2018 Duration 長度 - Composers 作曲家 YIP Ho-kwen Austin 葉浩堃 Title of Work 作品名稱 《迴》 Year of Work 作品年份 2013 Duration 長度 - Composers 作曲家 YIP Shu-kin Stephen 葉樹堅 Title of Work 作品名稱 《鏡明塵空》 Year of Work 作品年份 2017 Duration 長度 - 返回

香港當代音樂節 香港當代音樂節於 2018 年起開始舉辦，每兩年舉辦一次，旨在展示我們作曲家的優秀音樂作品。這個音樂節旨在展示香港當代音樂創作，呈現香港當代音樂表演藝術力量。我們鼓勵創新的音樂創作，融合優秀的傳統音樂創作技巧及現代作曲技法，在不斷發展創新的多元文化藝術環境下，以傳承創新的思維去發展推廣香港當代音樂創作。此外，本會亦會委約本地作曲家為香港當代音樂節作曲和首演。 香港當代音樂節的前身為「音樂新文化 Musicarama」音樂節。該音樂節以 1978 年發起的「香港新環境音樂」（New Music Hong Kong Series）活動作為基礎，自 1992 年起由香港作曲家協會開始舉辦。 香港當代音樂節：環宇薈萃 歷屆音樂會 Hong Kong Contemporary Music Festival: Asian Delights 香港當代音樂節：亞洲薈萃 Hong Kong Contemporary Music Festival: Hong Kong Delights 香港當代音樂節：樂在香港

聲影集 2016：香港景觀（作曲家簡介） 聲影集 2016：聲動香港 Concert 音樂會 Composers' Biography 作曲家簡介 Composers' Sharing 作曲家分享 Boo Chun-kit 布俊傑 Chan Chin-ting 陳展霆 Chan Ho-yi 陳浩貽 Chan Kai-young 陳啟揚 Chris Hung 洪銘健 Kwok Tsun-huen 郭雋晅 Lam Lai 林儷 Lau Hiu-kong 劉曉江 Livia Lin 凌崎偵 Lun Wai-kit 倫偉傑 Shao Litang 邵麗棠 Shuen Lai-yin 孫禮賢 So Ho-chi 蘇浩慈 So Ka-wai 蘇家威 Tam Ka-shu 譚家樹 Joyce Tang 鄧慧中 Wong Chun-wai 黃俊諱 Wyman Wat 屈雅汶 Yau May-kay 邱美琪 Austin Yip 葉浩堃 Composers' Biography 作曲家簡介 Boo Chun-kit 布俊傑 Born in Hong Kong, Boo Chun Kit started learning the piano at his young age, while began to compose in secondary school. Boo is currently studying in the Bachelor of Music with major in composition at The Hong Kong Academy for Performing Arts. In 2013, his work Gather Instant was performed in the SOUND- IMAGination: Hong Kong One Moment Concert. In 2014, his work Iridescent Clouds for string quartet was selected to perform in the New Generation 2014 Concert. He is also keen on multimedia production, and exploring music through different presentations and perspectives. Chan Chin-ting 陳展霆 Composer Chin Ting (Patrick) CHAN (b. 1986) has held faculty positions at the University of Missouri–Kansas City and Kansas City Kansas Community College. His music has been featured throughout the North and South Americas, Europe and Asia; at festivals such as the International Computer Music Conference, the International Rostrum of Composers, IRCAM’s ManiFeste, June in Buffalo and the Wellesley Composers Conference, among many others. His works are published with the ABLAZE Records, Darling’s Acoustical Delight, Melos Music, Music from SEAMUS, Navona Records/PARMA Recordings, the SCI Journal of Music Scores and Unfolding Music Publishing (ASCAP). Chan Ho-yi David 陳浩貽 David Ho-Yi Chan is a young composer, conductor and organist born in Hong Kong. His paper and compositions had been presented in various international academic occasions, including 2nd Chinese Composers’ Conference (2013), International Society of Contemporary Music (ISCM) World Music Days (2014) and Asian Composer League Festival & Conference (2015). With the support from CASH Music Fund and Jebsen & Co. Choral Arts Youth Scholarship, Chan is currently pursuing master of composition at the Royal College of Music under the tutelage of Joseph Horovitz. He is also serving as the Director of Music at John Keble Church in London. Chan Kai-young 陳啟揚 A Benjamin Franklin Doctoral Fellow at the University of Pennsylvania, Kai-Young Chan’s music is performed across the continents by leading ensembles such as Pittsburgh Symphony Orchestra, Curtis Symphony Orchestra, Daedalus Quartet, International Ensemble Modern Academy, and Hong Kong New Ensemble. He was featured in ISCM World Music Days (Slovenia in 2015, Belgium in 2012), Havana Contemporary Music Festival (Cuba), International Forum of New Music (Mexico), Chinese Composers’ Festival (Hong Kong), Darmstadt Ferienkurse(Germany), Risuonanze Festival(Italy), and International Rostrum of Composers(Helsinki). His music is published by Editions Peters and recorded on Ablaze Records and PARMA Recordings. Please visit http://www.chankaiyoung.com for more information. Chris Hung 洪銘健 Chris Hung’s music has been performed in many countries and he has collaborated with various ensembles and orchestras around the world. Hung has participated many international music festivals, such as ISCM World Music Days and 45th Darmstadt Summer Course for New Music etc. Accolades include Finalists in 2015 and 2011 SCO Chinese Orchestral Composition, 2014 Sibelius Composition Competition, "Florence String Quartet Call For Scores" Composition Competition and First Prize in “Sofia 2013” International Composition Competition etc. Dr. Hung’s scores are published by French publisher Babelscores. Currently Dr. Hung serves as one of the Directors of the Hong Kong Composers’ Guild. Homepage: http://chris-hung.com Kwok Tsun-huen 郭雋晅 Kwok Tsun Huen, Corvus, graduated from the Hong Kong Baptist University with a Bachelor of music composition and a Master of Conducting. His major composition teachers included Dr. Christopher J. Keyes and Dr. Joyce W. C. Tang. After finishing the study in the University, Corvus went to the Shanghai Music Conservatory to have further studies on Violin Making. Ever since primary school, Corvus started learning to play the violin, then shortly after, the piano, the guitar and also the Guzheng. He even built an electric guitar to try to understand the instrument as a technical device. He is the Foley artist of the film <26 Happiness Road>, and also the Music director of several dramas and musicals, including , , and . His works were selected in the New Generation Composition Competition 2012-2014 and was being performed by several ensembles and being broadcast on RTHK. In 2015, his work is being performed in USA. Lam Lai 林儷 Lam Lai was born in Hong Kong. She studied music composition in The Hong Kong Academy for Performing Arts and the Royal Conservatory in The Hague. Her compositions are performed in public around globe include orchestral, ensemble, electronic and interdisciplinary works. As a composer, she tends to create new hybrids of media and exploring sounds experience in music. She has focused on combining conventional performance practices with other forms of art such as electronic sound, visual art, film, literature and theatre. Currently, she is working with the music-theatre company de Veenfabriek for the performance RAARRR and touring around the Netherlands. Lau Hiu-kong 劉曉江 Lau Hiu Kong, Lawrence is currently pursuing a Bachelor of Music, major in composition at The Hong Kong Academy for Performing Arts. Lau is active on promoting his music. His piano trio, Thorns, was performed on the concert of 32nd Asian Composers League Conference & Festival in Japan. Last year, His works, Cicada’s cry for Pipa, Sheng, Woodwind Quintet and Xiao for four Clarinets were performed in Beijing and Italy respectively. As a student composer, Lau has written for not only chamber music but also theatre, where he explores various concepts and languages. He has participated in several theatre productions, including Claustrophobic Space and Post-Guangxi. Livia Lin 凌崎偵 Livia Lin is the 2011 recipient of the Saint Botolph Club Foundation Emerging Artist Award. A Berklee College of Music graduate double majoring in Music Production & Engineering and Film Scoring, Lin was awarded scholarship to study composition at Tufts University where she received her MA. She has presented her compositions at the Asian Composers’ League Festivals and the Festival of Women in Arts, to name a few. Active in classical music productions, Lin has been credited as audio engineer in albums of composer Arthur Levering, Bang on a Can bassist Robert Black, and the Blue Heron Renaissance Choir. Lin also holds an LRSM (distinction) in piano performance. Lun Wai-kit 倫偉傑 EDWARD LUN, a music free-lancer graduated from the Hong Kong Institute of Education with Bachelor of Education (Secondary), studied composition with Dr. LAI SHEUNG-PING. He is now working as a composer, arranger, producer, etc., and had co-operated with music organizations and artists such as Chan Fai-young and Hilarious Productions Limited, etc. He is now a member of Composers and Authors Society of Hong Kong, Hong Kong Composers’ Guild, musician in Hong Kong Chamber Wind Philharmonia, and teaching brass and band/orchestra in several schools. Shao Litang 邵麗棠 Shao Litang is currently a Doctor of Philosophy candidate at the University of Hong Kong under the supervision of Dr. Joshua Chan. She received her Master of Music degree majoring composition at the Hong Kong Academy for Performing Arts. Shao’s Chinese ensemble work Four Pieces of Chinese Calligraphy for Dizi, Soprano sheng, Pipa, Yangqin and Erhu was shortlisted in the score submission of “Music form the Heart” held by the Hong Kong Chinese Orchestra(HKCO) and was performed by HKCO in the concert. This piece also received the third prize of the 7th Con Tempo Chinese New Chamber Music Composition Competition presented by the Central Conservatory of Music. Shuen Lai-yin 孫禮賢 Shuen Lai Yin is currently studying in The Hong Kong Academy for Performing Arts, with major in composition and electronic music. His compositions range from Western and Chinese instrumental chamber music, live electronics and choral music. His choral compositions “The Turns of Life”, “Goodbye Again, Cambridge” and “Deer Enclosure” are premiered by The Greeners’ Sound. Also, Shuen’s instrumental music has been performed by various music groups as Hong Kong New Music Ensemble, Jenga Percussion Ensemble, Romer String Quartet. Recently, his piece “Rainscape” is selected and premiered in the Asian Composers League 2015. So Ho-chi 蘇浩慈 So Ho Chi is a composition and electronic music student who is now studying in Hong Kong Academy for Performing Arts, under the teaching of Dr. Tang Lok Yin, in which he has presented various acoustic instrumental and vocal chamber and electronics works. So Ka-wai 蘇家威 SO Ka-wai obtained both his undergraduate and M.Phil degree at Hong Kong Baptist University, majoring music composition under the supervision of Prof. Christopher Keyes and Dr. Christopher Coleman. His works have been premiered local and overseas, including ACL Conference and Festival (Taipei in 2011, Manila in 2015), Yogyakarta Contemporary Music Festival (Indonesia), the XVI World Saxophone Congress (Scotland) and Kagoshima Asian Youth Arts Festival (Japan). Moreover, his works were selected as set pieces frequently in the Hong Kong Schools Music Festival. Tam Ka-shu 譚家樹 Ka-Shu Tam (b.1991) draws most of his inspiration from daily conversations. His interest in the human nature and the universe deeply influences his music perceptions. Tam's works have been performed across the world, and have also received radio broadcasts. He also earned commissions, including a commission by Hong Kong Education Bureau. Tam completed his Bachelor of Art in Hong Kong Baptist University. He earned his Master of Music in the University of Missouri - Kansas City. His major composition teachers include James Mobberley, Zhou Long, Chen Yi, Paul Rudy, Christopher Keyes and Christopher Coleman. Joyce Tang 鄧慧中 Joyce Tang has attracted numerous commissions from performing groups and performers, and many of her works have been performed worldwide. Website: www.joycewctang.com Wong Chun-wai 黃俊諱 Earning his doctorate from the Chinese University of Hong Kong, Wong Chun-wai has a versatile composition profile comprising concert music, musicals and film scores. His compositions are featured worldwide in occasions such as the International Rostrum of Composers, ISCM World Music Days and ACL Festival. His music is performed by professional musicians including the Internationale Ensemble Modern Akademie (IEMA), Hong Kong Philharmonic Orchestra and performers from the New York Philharmonic. His works are recorded on Ablaze Records and published by the Hong Kong Composers’ Guild. For more information, please visit http://www.wongchunwaimusic.com . Wyman Wat 屈雅汶 Wyman received her Master of Music Degree from The Hong Kong Academy for Performing Arts, majoring in composition, under the guidance of Mr. Law Wing-fai and Professor Richard Tsang. A number of her compositions had been presented and performed in Hong Kong and overseas with high praises. Her works Ancient Path (2006) and Animated Timeframes (2007) were performed and broadcasted by RTHK Radio 4. Her works Stone Tones (2008), The Man of Dust (2010), Ripples On… (2010), Prelude of Celebration (2011) and Somewhere in a City (2011) were commissioned by the Macao Percussion Association, Hong Kong Wind Kamerata, Parsons Wind Orchestra and HKBDA Band Directors Wind Orchestra respectively. Wyman is also active in promoting contemporary music and creative music making as both a composer and a flutist, collaborating with local and international artists. Yau May-kay 邱美琪 May Kay Yau entered the Hong Kong Academy of Performing Arts at the age of 17. There she was the winner of the Concerto Trial and had her first orchestral piece presented in the concert of the 5th Anniversary of the Establishment of Hong Kong Special Administrative Region. Following that she was awarded a scholarship to pursue a Masters Degree at the Royal Academy of Music in London and completed her PhD study at the University of Bristol. Her compositions have been performed in Asia, North America and Europe. She was awarded Salabert Prix in George Enescu International Competition in Romania, and Aberdeen Music Prize in Scotland. Austin Yip 葉浩堃 Born in Hong Kong, Austin Yip’s works have been performed worldwide, festivals he participated include ISCM, ACL and many more. Yip obtained his PhD and Master of Philosophy (composition) degrees at the University of Hong Kong. He also holds a Bachelor of Arts (Music) degree from the University of California, Berkeley and a FTCL from Trinity College, London. Yip is the holder of James Kitagawa Memorial Music Scholarship, Regents’ and Chancellor’s Scholarship, Henry Holbrook Scholarship, James King Scholarship, Eisner Prize, Milton C. Witzel Memorial Prize, Rayson Huang Scholarship, CASH Best Commissioned Piece Award and the winner of the 1st Singapore Asian Composers Festival. Yip’s works are published by ABRSM (UK), BabelScores (France), Ablaze Records (US/ Australia) and Hong Kong Composers Guild. He is currently a lecturer at the Hong Kong Baptist University. Boo Chun-kit Chan Chin-ting Chan Ho-yi David Chan Kai-young Chris Hung Kwok Tsun-huen Lam Lai Lau Hiu-kong Livia Lin Lun Wai-kit Shao Litang Shuen Lai-yin So Ho-chi So Ka-wai Tam Ka-shu Joyce Tang Wong Chun-wai Wyman Wat Yau May-kay Austin Yip

訪談 蘇家威《時日如飛》 Chan Kai-young’s “Variations on Light and Space” Wyman Wat’s “Space Tight” Wong Chun-wai’s “Journey in the Dark” Chris Hung’s Leaving Lam Lai’s “Twinkle Twinkle Little Tango” So Ho-chi’s “Confined Matters” Livia Lin’s “the tree says…” Tam Ka-shu’s “Little Hidden Momentum” 1 2 3 4 5 ＊部分內容僅提供中文版本。

器樂創作示範講座 2017 主辦：香港作曲家聯會 協辦：教育局 贊助 : 香港作曲家及作詞家協會 場地贊助：康樂及文化事務署 日期：4/12/2017（星期一） 時間：10:00am-1:00pm & 2:30-5:30pm 場地：上環文娛中心劇院 一）鋼琴寫作風格演變解說 主持：陳錦標博士（香港著名作曲家、香港大學音樂系副教授、香港作曲家聯會前任主席） 鋼琴：張郁苓 小提琴：張文蕊 鋼琴寫作風格演變解說，是由香港作曲家聯會主辦、香港教育局協辦，並獲香港作曲家及作詞家協會與康樂及文化事務署贊助的西方鋼琴寫作風格演變的解說分享。 是次分享由18世紀古典風格的樂曲開始，涵蓋浪漫時期、印象派，以及現代風格的樂曲，解說鋼琴寫作的演變。講者將剖析不同時期的鋼琴獨奏、鋼琴小提琴二重奏的創作特色，包括和聲，對位，調性，節奏，民族性等不同範疇，並通過即場演奏樂曲選段，和示範演奏技巧，以深入淺出的對話解說該樂種的寫作技巧和欣賞重點。(設中場休息) 二）中樂小合奏寫作風格演變分享 主持：陳明志博士（香港著名作曲家、星海音樂學院教授、香港中樂團前任駐團作曲家及助理指揮） 中樂演奏家的解說合作演出： 笛子：沈健榆；二胡：陳壁沁；琵琶：林灒桐；笙：彭康泰；古箏：邱丹青 中樂小合奏可以成就一首非常有品味的中樂小品，也可以發展成一首輝煌大曲。中樂小合奏寫作解說，是由香港作曲家聯會主辦、香港教育局協辦，並獲香港作曲家及作詞家協會與康樂及文化事務署贊助的解說和分享。 分享會以互動形式，深入淺出地剖析傳統至現代的中樂創作。演奏家將演奏下列五件樂器的獨奏，或任何兩種(或以上)樂器小合奏的音樂選段，再由主持人及演奏家解說作曲和演奏技巧、中國音樂的風格演變、音樂素材等問題。此外，分享會亦會以大合奏的錄音選段和譜例，介紹大合奏中不同的音色組合和創作技法。(設中場休息)

香港作曲家管樂團作品匯萃 2019 香港作曲家聯會一直致力追求卓越音樂創作的藝術目標。當中包括發揮融合中西傳統和當代作曲技法和音色運用。今次「香港作曲家管樂團作品匯萃」音樂會是專注發揮管樂團的獨特音色和作曲家藝術創作表現手法，也是本年度香港作曲家聯會繼法國香港交流音樂會後另一具特色音樂會。 演出日期和時間： 2019年10月20日（星期日）下午3點 演出場地： 荃灣大會堂演奏廳 音樂會監製： 梁智軒／葉浩堃 指揮： 廖國敏 演奏者： 香港管樂協會 節目： 基斯杜化・馬素爾 - The Audacity of Hope (2008)(6'30") 成俊曦 - 風吹不歇 (2019)(6') 陳展霆 - 分解與重組 (2019)(8')* 梁智軒 - 紡紗機 (2019)(8') 黃學揚 - 數碼之源 (2010)(8') 蘇家威 - 煉朱雀 (2019)(8') *此作品於2019年由香港作曲家聯會委約，費用由香港藝術發展局資助。

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香港當代音樂節 2020： 亞洲薈萃 II Patrick Yim (violin), Reiko Manabe (flute) 嚴天成（小提琴）、間部令子（長笛） Electroacoustic concert with Violin 小提琴與電子音樂會 28.11 .2020 8PM 音樂會場刊 House Programme Lunar Luminance Leung Ka-tung Tony (H ong Kong) Self-talk Au Tin-yung Alex (Hong Kong) * Frises: I. Frise jaune, II. Frise de fleurs Kaija Saariaho (Finland) Palimpsest [Lapsus memoriae VIII] Angus Lee (H ong Kong) * * Commissioned composers 月光光照地堂 梁家棟（香港） 自我對話 歐天勇（香港）* 飾帶： I. 黃飾帶 , II. 花之飾帶 莎維雅荷 (芬蘭） Palimpsest [Lapsus memoriae VIII] 李一葦（香港）* * 委約作曲家 音樂會場刊 House Programme Electroacoustic concert with Flute 長笛與電子音樂會 5.12.2020 8PM Zoon James Boznos (H ong Kong) Hybridity I Anthony Cheng (H ong Kong) * Domain Joji Yuasa (Japan) Torrent Yu Tsz-long (H ong Kong) Shanshui Lee Cheng (H ong Kong) * * Commissioned composers Z oon 龐樂思（香港） 混 I 鄭汝森（香港）* Domain 湯浅譲二（日本） 瀧 余梓朗 （香港） 山水 鄭重言（香港）* * 委約作曲家 Reiko Manabe holds a BM from Toho Gakuen School of Music, an MFA degree from California Institute of the Arts, and a DMA in Contemporary Music Performance from the University of California, San Diego. As a performer and an improvisor, Dr. Manabe has appeared in the United States, France, England, Germany, Singapore, South Korea and Japan. While having given premiers of the works written by established composers such as Roger Reynolds and James Tenney, she collaborates with composers of the next generations including Nicholas Deyoe, Eric Wubbles, Tomohiro Moriyama, Hibiki Mukai among others. Her recordings have been introduced widely in Europe at several music festivals and schools. Since she moved back to Japan in 2008, she has appeared regularly at the contemporary music concerts of JSCM and JFC as well as of Tokyo-based composer collective, NEXT. In 2018 Composers’ group CUE had their concert featuring Dr. Manabe. In 2006 she won the First Prize at the “Kyogaku VII” (The 7th Contemporary Music Performance Competition founded by Japan Society for Contemporary Music) as the first flute solo winner in their history. In the following year, 2007 she received the 16th Asahi Contemporary Music Award. 間部令子獲桐朋學園（大學）音樂部音樂學士、加州藝術學院藝術碩士、聖地牙哥加州大學音樂藝術博士（現代音樂演奏）。她曾以演奏者及即興演奏者身份於美國、法國、英國、德國、星加坡、南韓及日本演出，並為多首現代作曲家的作品作首演，當中包括成名的作曲家，如 Roger Reynolds, James Tenney，及新一代的作曲家，如 Nicholas Deyoe, Eric Wubbles, 森山知広, 向井響等。她的演奏錄音曾於歐洲的音樂節和學院廣泛播放。2008 年她回流日本，自此活躍於現代音樂界，在日本現代音樂協會和日本作曲家協議会主辦的音樂會中演出，以及和駐於東京的作曲家團體 NEXT 緊密聯繫。2018 年作曲家團體 CUE 舉辦間部令子專場音樂會。2006 年她於「競樂VII」（日本現代音樂協會舉辦的第七屆現代音樂表演比賽）中獲首獎，這是此比賽史上首度由長笛手獲獎。2007 年她獲朝日現代音樂獎。 Reiko Manabe 間部令子 Patrick Yim 嚴天成 Honolulu-born violinist Patrick Yim has performed as soloist, recitalist, chamber musician, and orchestral violinist throughout the world, including performances in Carnegie Hall and David Geffen Hall (New York), Seoul Arts Center, Harpa Concert Hall (Reykjavik), Hong Kong City Hall, Severance Hall (Cleveland), Orchestra Hall (Chicago), Teatro alla Scala (Milan), and the Musikverein (Vienna). He made his solo debut with the Honolulu Symphony after winning the Honolulu Symphony Concerto Competition. He has performed in the violin sections of the Hawaii Symphony and the Cleveland Orchestra, among others. He joined the Cleveland Orchestra on tours to New York City, Chicago, Bloomington, Iowa City, Miami, and major cities in Europe, including Paris, Milan, Brussels, Luxembourg, Cologne, Munich, and Vienna. Yim has performed chamber music with members of the Juilliard, Emerson, St. Lawrence, Pacifica, and Ying Quartets, and with musicians from the Cleveland Orchestra and the New York Philharmonic. He has also performed chamber music in festivals in Canada (Banff and Toronto Summer Music Festival), China, the Czech Republic, Denmark, Iceland, and throughout the United States, including a recent performance in Carnegie Hall with members of the Emerson Quartet. As Guest Music Director of the Collegium Musicum Hong Kong, he collaborated with world-renowned pipa virtuoso Wu Man and performed concerts at the Hong Kong City Hall as violinist and conductor. He has performed world premieres at festivals in the United States and Europe, and he recently curated a series of concerts related to the Silk Road at the Hong Kong Museum of History for which he commissioned and premiered new works for solo violin by Michael-Thomas Foumai (Honolulu), Austin Yip (Hong Kong), and Yao Chen (Beijing). He has performed with the Contemporary Chamber Players (New York) and the Hong Kong New Music Ensemble. Yim has taught violin and chamber music at Stony Brook University, the Cleveland Institute of Music Preparatory Department, the Interlochen Summer Arts Camp, the Flatirons Chamber Music Festival, and the Rushmore Music Festival. He has taught masterclasses and workshops in the United States, Denmark, Iceland, Hong Kong, Taiwan, and China. He is a graduate with honours of the Cleveland Institute of Music (CIM) where he was a student of David Updegraff and William Preucil and was awarded the First Prize at the Institute’s Darius Milhaud Performance Prize Competition for two consecutive years. At CIM, he studied chamber music with the Cavani Quartet and Peter Salaff of the Cleveland Quartet. He earned his Doctor of Musical Arts degree from Stony Brook University where he studied violin with Philip Setzer, Jennifer Frautschi, and Hagai Shaham, and chamber music with the Emerson Quartet. He is Assistant Professor in the Department of Music at Hong Kong Baptist University. 小提琴家嚴天成生於火奴魯魯，曾以獨奏家、室內樂及樂團成員身份在世界各地演出，包括紐約的卡奈基音樂廳、大衛‧ 爵芬音樂廳、首爾藝術中心、雷克雅未克的哈巴音樂廳、香港大會堂、克里夫蘭的西雅雲斯音樂廳、芝加哥的樂隊音樂廳、米蘭的斯卡拉歌劇院、維也納的金色大廳等。 嚴氏贏得火奴魯魯交響樂團的協奏曲比賽後，與該交響樂團合作，首度以獨奏者身份擔綱演出。他曾擔任夏威夷交響樂團、克里夫蘭樂團等樂團的小提琴手。他曾參與克里夫蘭樂團的巡迴演出，到訪紐約市、芝加哥、布明頓、愛俄華市、邁亞美，以及歐洲多個重要城市，包括巴黎、米蘭、布魯塞爾、盧森堡、科隆、慕尼黑、維也納等。 嚴氏亦熱衷於室樂演奏，曾與茱莉亞弦樂四重奏、愛默森弦樂四重奏、聖羅倫斯弦樂四重奏、太平洋弦樂四重奏、英弦樂四重奏的成員合作演出，亦曾與克里夫蘭樂團、紐約管弦樂團的成員演出室內樂。他曾參與演出室樂藝術節的國家包括加拿大（班夫及多倫多夏季音樂節）、中國、捷克、丹麥、冰島及美國。最近與愛默森弦樂四重奏成員在卡奈基音樂廳中演出。 嚴氏曾以 Collegium Musicum Hong Kong 客席音樂總監身份與世界知名的琵琶演奏家吳蠻合作，在香港大會堂中演出，負責擔任指揮和小提琴手。 嚴氏曾為作品作世界首演，在美國及歐洲的音樂節中演出。最近他為香港歷史博物館策劃一系列以絲綢之路為主題的音樂會，委約和首演米高–湯瑪士‧富奈（火奴魯魯）、葉浩堃（香港）和姚晨（北京）的小提琴獨奏作品。他曾參與紐約當代室樂合奏團和香港創樂團的音樂會。 嚴氏曾於石溪大學、克里夫蘭音樂學院附屬中學教授小提琴和室內樂；亦在 Interlochen暑期藝術營、法提康室樂音樂節、羅斯摩爾音樂節中擔任導師；並在美國、丹麥、冰島、香港、臺灣和中國主持大師班和工作坊。 嚴氏畢業於克里夫蘭音樂學院，師隨大衛‧ 愛德嘉夫和威廉‧ 浦西爾，連續兩年獲得該學院的米堯演奏比賽首獎。在學期間，曾隨卡雲尼弦樂四重奏以及克里夫蘭弦樂四重奏的彼得‧ 沙拉夫學習。其後嚴氏入讀石溪大學，隨菲臘‧ 薩沙、珍妮花‧ 費殊、夏佳‧ 沙函學習小提琴、愛默森弦樂四重奏學習室內樂演奏，取得音樂藝術博士學位。 嚴氏現任香港浸會大學音樂系助理教授。 Other Concerts of the Festival 其他音樂節音樂會

香港作曲家聯會－音樂作品傳承和保育計劃 由 管樂雅集 所揀選的作品 Composers 作曲家 CHAN Wai-kwong Victor 陳偉光 Title of Work 作品名稱 As if...《一如...》 Duration 長度 - Year of Work 作品年份 2012 Composers 作曲家 CHEUNG Pui-shan 張珮珊 Title of Work 作品名稱 Chi’en IV《乾IV》 Duration 長度 - Year of Work 作品年份 2011 Composers 作曲家 Clarence Mak, Charlotte Chiu, Law Kin Pong, Li Kar Yee, Wyman Wat Title of Work 作品名稱 The Man of Dust《風塵僕僕》 Duration 長度 - Year of Work 作品年份 2010 Composers 作曲家 LAW Wing-fai 羅永暉 Title of Work 作品名稱 Solo Theatre - STILL《一人劇場－此山不動》 Duration 長度 - Year of Work 作品年份 2011 Composers 作曲家 LIU Wing-sum Iris 廖頴琛 Title of Work 作品名稱 Playful Talk for Fifteen Oboes《玩話》給十五支雙簧管 Duration 長度 - Year of Work 作品年份 2013 Composers 作曲家 LO Hau-man 盧厚敏 Title of Work 作品名稱 Rain V《雨 V》 Duration 長度 - Year of Work 作品年份 2006 Composers 作曲家 MAK Clarence 麥偉鑄 Title of Work 作品名稱 Echoing in Stillness《鳴不假風》 Duration 長度 - Year of Work 作品年份 2010 Composers 作曲家 PANG Chun-kit Vincent 彭俊傑 Title of Work 作品名稱 Double Circles《圓 2》 Duration 長度 - Year of Work 作品年份 2014 Composers 作曲家 TSANG Yip-fat Richard 曾葉發 Title of Work 作品名稱 Momentary Discourse《片語》 Duration 長度 - Year of Work 作品年份 2013 返回

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社區文化音樂創作培訓計劃 香港作曲家聯會獲優質教育基金資助，於2014至2016年為本港中小學學生提供一個社區文化音樂創作培訓計劃，旨在讓中小學生在課餘之時，學習音樂創作的樂趣。每間學校將獲派一名作曲家駐校教授，及專業樂師視奏、排練及演奏學生作品，與音樂教師共同協作，締結美好音樂學習環境。 本計劃鼓勵學生探索身處社區的獨特元素，進行實地考察，從生活中吸取創作泉源，並把經驗轉化成具創意的音樂創作。學生將在生活的社區內尋找靈感，創作自己的作品，然後由專業演奏家在校內或公開音樂會中演出，展示個人成果。此外，計劃將製作一份教師手冊，為音樂老師提供創作音樂的參考。每位參與老師需在計劃結束後各自設計一節簡報會，為區內音樂老師介紹計劃內容和分享參與心得。 詳情請瀏覽以下網址：http://hkcgqef.wixsite.com/hkcg-qef-project

音樂新一代 2025 入圍名單（排名不分先後） Title 作品名稱 Composer 作曲家 Order *In the Flow of Resonance *《餘韻流轉》 Zheng Enzhe 鄭恩哲 Genesis 《創》 Leung Kai-sun Joshua 梁啓新 Winner Dancing with the Dragon 《龍舞群聲》 Jero Leung 梁俊灝 Hāni 《哈尼》 Hua Wenyao William 華文堯 2nd Runner up The Calls of Vigilance Resonate 《我聽見警號在迴響》 Chung Yan-qiu 鍾昕荍 Splendid Echoes of a waning dream 《絢爛於夢醒前》 Chung Tsz-yin 鍾子彥 1st Runner up The Wind Rises, the Kites Dance 《風起箏舞》 Chung King-yat 鍾敬逸 Stonescape 《石景》 Cheung Ho-ming Felix 張浩銘 Mountain Chain 《山脈》 Cheung Hei-lam 張希琳 *音樂新一代2024冠軍得獎者的委約作品 音樂會詳情 日期與時間: 2025年6月12日（四）晚上8時 地點: 香港電台一號錄播室 演出團體: Brassdivo