搜尋結果

樂譜徵收－音樂新一代2025 香港作曲家聯會有限公司主辦 香港電台第四台協辦 香港作曲家及作詞家協會贊助 「音樂新一代」音樂會於1989年首次舉辦，旨在鼓勵香港年青作曲家發表作品，是演出作品及觀摩交流的平台。 《音樂新一代2025》音樂會將於2025年6月12日在香港電台一號錄播室舉行，屆時將會由Brassdivo演奏本年度的入圍作品。音樂會將會由香港電台第四台負責錄製並於稍後播出。 《音樂新一代2025》注意事項： 參加者必須於1995年6月12日或之後出生，持香港特別行政區身份証。 每名參加者只可遞交一首作品。作品只限樂譜，其他媒體如錄音恕不受理。 每首作品的長度需為5分鐘內，請在樂譜上清楚列明作品長度。 作品配器為銅管樂器（共5位樂手）。樂器詳情如下：小號 x 2，法國號 x 1 , 長號 x 1 , 大號 x 1。 如演出需要指揮，作曲家需由自己同時擔任作品指揮家。 樂譜內的所有記譜符號及解述，必須以電腦打出，手寫樂譜將不被接納。樂譜封面只可顯示作品名稱及配器，中英對照。作曲家的任何資料（包括姓名及所屬院校名稱）不可在樂譜任何地方顯示。違例者將被取消資格。 樂譜連同已填妥之參加表格、身份証副本必須於 2025年4月6日（星期日）下午6時或之前以電郵形式發送至 grace@hkcg.org 。遲交作品將不獲受理。 香港作曲家聯會會員*可獲豁免報名費用。非香港作曲家聯會會員須繳付報名費港幣二百元正，並存入香港作曲家聯會有限公司匯豐銀行戶口：636-474546-838 。請保留入數收條並將副本以電郵形式發送至 grace@hkcg.org 以作證明。不能提交銀行入數收條者將被取消資格。 *會員概指於遞交申請表或之前已正式成為本會會員。即日申請或申請資格尚在批核當中則不獲此豁免。 評選安排： 由香港作曲家聯會委任的評選委員會將就參選作品的藝術性及實踐性進行評審，結果將於 2025年4月中旬 在香港作曲家聯會網頁（www.hkcg.org ）公佈，獲選參加者將收到電郵通知。評選委員會的決定為最終決定。 獲選作品之參加者必須： 於 2025年4月18日（星期五）下午12時或之前 向大會提交作品之總譜、分譜、樂曲簡介、高解像度近照及個人履歷（中、英文版本，各以200字為限）。 出席所有排練及音樂會。作曲家如未能出席音樂會將被取消資格。 獎項： 評選委員會將於音樂會當晚選出三首最傑出作品，冠軍獎金港幣六千元，亞軍獎金港幣四千元，季軍獎金港幣二千元。冠軍將獲大會邀請，為下一屆「音樂新一代」音樂會譜新曲。所有入圍作曲家可獲頒證書一張，以示鼓勵。 （中文譯本僅供參考，文義如與英文有歧異，概以英文版本為準。） 下載申請表格

創藝匯新聲 2018﹣創 ‧ 演青年音樂家 下載場刊

音樂新文化 2017：中樂作品展演 演出日期及時間：2018年1月30日（星期二）晚上8點 演出場地：香港中文大學利希慎音樂廳 竹韻小集節目 指揮：何文川 葉樹堅 │ 鏡明塵空 (2017)(7’)* 羅永暉 │ 太白醉酒 (1985)(7’) 梁家棟 │ 漠露 (2014)(7’) 陳明志 │ 風姿花傳 (2015)(9’) 梁騫仁 │ 古韻新音 (2017)(10’) 鄧文藝 │ 燈影城樓 (2017)(7’)* 陳雅雯 │ 晨靄 (2015)(7’10”) 洪銘健 │ 盂蘭盛會 (2014-15初稿，2017年修訂)(10’) *此作品於2017年由香港作曲家聯會委約，費用由香港藝術發展局資助。 下載場刊

聲影集（SOUND-IMAGination）旨在展示本地作曲家的不同風格，並以全新的視角呈現我們的城市； 是一場讓音樂、錄像和想像力交織的音樂會。 聲影集 聲影集（SOUND-IMAGination）旨在展示本地作曲家的不同風格，並以全新的視角呈現我們的城市； 是一場讓音樂、錄像和想像力交織的音樂會。 SOUND-IMAGination 聲影集 2018 SOUND-IMAGination 聲影集 2017 SOUND-IMAGination 聲影集 2016

香港當代音樂節 2020： 亞洲薈萃 I Chai Found Music Workshop 采風樂坊 Chinese ensemble concert with Chai Found Music Workshop 中樂合奏音樂會 - 采風樂坊 21.11.2020 8PM 音樂會場刊 House Programme ling4-ling4-ling4 Hippocrates Cheng (H ong Kong) Bald Mountain . Echoed Sound Chris Hung (H ong Kong) Bird Singing by the Brook Tang Man-ngai (H ong Kong) Breakthrough Leung Chi-cheung (H ong Kong) Together as One We Breathe Larry Shuen (H ong Kong) * Here is Wind, There is Tree, But They Never Meet Austin Yip (H ong Kong) * Wandering in a Labyrinth Pan Hwang-long (Taiwan) * Commissioned composers 零・凌・靈 鄭靖楠（香港） 空山・聲鳴 洪銘健（香港） 鳥鳴澗 鄧文藝（香港） 望困破 梁志鏘（香港） 一息 孫禮賢（香港）* 這邊有風，那邊有樹，它們卻不相遇 葉浩堃（香港）* 迷宮・逍遙遊 潘皇龍（台灣） * 委約作曲家 采風樂坊 Chai Found Music Workshop 采風樂坊成立於1991年。成立以來，活躍於國內外樂壇，除了表演傳統音樂及臺灣音樂外，亦致力於現代音樂的演奏。其足跡遍及世界各地，在國際上獲得極高的評價。 在采風樂坊的表演中，無論是純粹的音樂演奏，或是結合跨界的劇場表演，皆以傳統音樂為根基，再進而將觸角延伸至當代，融合各式文化，並擴展其作品範圍。樂坊連續多年獲得文化部傑出演藝團隊殊榮，以及文化部演藝團隊分級獎助計劃的支持。另一方面，樂坊也出版樂譜和音樂專輯，以推廣其音樂理念。 采風樂坊未來仍會秉持立足傳統、迎向當代的理念，繼續提供一個優質的文化融合平台，呈現更廣闊的專業表演。對采風樂坊而言，傳承不只是樸素的承續，更要使傳統再次發展。 Since 1991, the Chai Found Music Workshop (CFMW) has been active on the national and international music scenes. Over the years, the group has performed contemporary classical music as well as traditional Chinese and Taiwanese music in countless concerts in Taiwan, Asia, Europe, and the Americas. CFMW has gained the reputation of being one of the foremost sizhu (Chinese chamber music) ensembles in the world. The idea behind all of CFMW’s musical and cultural activities is the advancement of traditional Taiwanese music, both in and out of the confines of Taiwan. CFMW adheres to the foundation of traditional Taiwanese music and perfects its artistic achievement with contemporary extensions. The Council of Cultural Affairs of Taiwan has supported and endorsed the group’s activities for years, and has granted it numerous awards for its excellence. Chai Found Music Workshop will keep the vision of maintaining the tradition, but at the same time providing a high-quality cultural integration by injecting contemporary elements in its professional performances. It does not only inherit the tradition, but let traditional music to develop again. Other Concerts of the Festival 其他音樂節音樂會

支持本會 香港作曲家聯會是本地嚴肅音樂作曲家為培育及推介新音樂創作及欣賞而成立的非牟利組織。除了定期舉辦新作品音樂會、作曲比賽、研習班、講座展覽、委約創作、出版樂譜及唱片錄音之外，香港作曲家聯會更致力提高大眾、特別是青年人對作曲的興趣，並定期指派作曲家到學校培訓下一代創作人材，矢志在本港推動音樂這重要創意藝術在各方面的發展。 您的捐款支持對本會的發展十分重要。詳情請致電2877 3982或電郵至info@hkcg.org 與本會聯絡。

Top of Page Concert II. Chinese Ensemble Music Showcase Windpipe Chinese Music Ensemble The Hong Kong Children's Choir Concert I. Choral and Vocal Music Concert 音樂新文化 2017：不協和的融和 P_20180130_214945_p P_20180130_101606_p P_20180130_203926_p P_20180130_214945_p 1/9 Concert II. Chinese Ensemble Music Showcase Windpipe Chinese Music Ensemble II. Chinese Ensemble Music Showcase 中樂作品展演 30.1.2018 8 p.m. Tuesday 星 期 二 Lee Hysan Concert Hall, CUHK 香港中文大學利希慎音樂廳 Musicarama 2017 Programme by Windpipe Chinese Music Ensemble Conductor: Ho Man-chuen Stephen Yip │ Motto for Beauty (2017)(7’)* Law Wing-fai │ The Drunken Tai Bai (1985)(7’) Leung Ka-tung │ Desert Dew (2014)(7’) Chan Ming-chi │ The Legend of Windscape (2015)(9’) Leung Hin-yan│ Renovated Tradition (2017)(10’) Tang Man-ngai │ City of Lights (2017)(7’)* Chan Nga-man │ The Morning Mist (2015)(7’10”) Chris Hung │ The Yu Lan Festival (2014-15, rev. 2017)(10’) 竹韻小集節目 指揮：何文川 葉樹堅 │ 鏡明塵空 (2017)(7’)* 羅永暉 │ 太白醉酒 (1985)(7’) 梁家棟 │ 漠露 (2014)(7’) 陳明志 │ 風姿花傳 (2015)(9’) 梁騫仁 │ 古韻新音 (2017)(10’) 鄧文藝 │ 燈影城樓 (2017)(7’)* 陳雅雯 │ 晨靄 (2015)(7’10”) 洪銘健 │ 盂蘭盛會 (2014-15初稿，2017年修訂)(10’) *Commissioned by Hong Kong Composers’ Guild in 2017 with support from Hong Kong Arts Development Council. 此作品於2017年由香港作曲家聯會委約，費用由香港藝術發展局資助。 House Programme Concert I. Choral and Vocal Music Concert Performer 演奏者 30.1.2018 - Chinese Ensemble Music Showcase 中樂作品展演 Windpipe Chinese Music Ensemble 竹韻小集 Conductor: Ho Man-chuen 指揮：何文川 Founded in 2003, Windpipe Chinese Music Ensemble is a professional Chinese music ensemble actively promoting local talents and producing quality chamber concerts with a mission to promote Chinese music culture in Hong Kong and to show the unique charm of Chinese instrumental ensemble music. The Ensemble bears the artistic motto ‘Small but Elegant, Simple yet Refined’ of characteristic Chinese music, passing on Cantonese, Hakka and Chiuchow music culture. Since its establishment, it has presented over 50 series concerts and 400 outreach concerts, commissioned and premièred over 20 new works by Hong Kong composers, and cooperated with many international and local maestros. In 2011, conductor Ho Man-chuen was appointed as its Artistic Adviser, and the Ensemble’s founder Chan Chiu-yin was appointed as its Executive Director. Currently it is a grant recipient of the Hong Kong Arts Development Council and a registered non-profit-making organization in Hong Kong. Representing Hong Kong, the Ensemble has been engaging in various cultural exchange performances in over 20 countries and regions. Invited performances include Zhangjiajie International Country Music Week (2011), the Chinese Traditional Wind Instrument Music Week at the Shanghai Conservatory of Music (2012), China-ASEAN (Nanning) Music Week (2013), Musicarama (2014), Macau International Music Festival (2015), Silk Road International Arts Festival (2016), Chengdu International Sister Cities Youth Music Festival (2017) and other international music festivals. 竹韻小集成立於2003年，為重視本土、製作精緻、充滿活力的專業小型中樂團體，以發揚「香港中樂文化」為目標，致力展現中國音樂「小而美、簡而精」的獨特魅力。現任常任樂師皆為香港各大專院校音樂科系畢業的優秀青年音樂家，具有豐富演出經驗。樂器種類齊全，編制上繼承了傳統絲竹樂演奏形式，表現手法靈活，勝任傳統與現代的作品，配備各種香港本土傳統和特色樂器，薪傳具有香港特色的廣府、客家及潮汕音樂文化，並委約及首演香港作曲家新作品逾二十首。自成立至今已策劃系列音樂會逾五十場及社區外展音樂會逾四百場，曾合作演出的國際與香港本地名家多不勝數。2011年成立「竹韻小集有限公司」，由知名指揮家何文川擔任藝術指導，樂團創辦人陳照延擔任行政總監，帶領樂團開創新里程。現為香港藝術發展局資助藝團及香港註冊慈善機構。 竹韻小集曾多次代表香港作交流演出，介紹「香港中樂文化」，足跡遍及亞洲、北美洲及歐洲二十多個國家和地區。曾應邀出席之藝術節活動包括「張家界國際鄉村音樂週」(2011)、「上海音樂學院民族管樂週」(2012)、「中國-東盟（南寧）音樂週」(2013)、「音樂新文化」(2014)、「澳門國際音樂節」(2015)、「中國國際青年藝術週」(2016)、「絲綢之路國際藝術節」(2016)、「成都國際友城青年音樂週」(2017)等。 Performers 演奏者 13.10.2017 - Choral and Vocal Music Concert 合唱及聲樂作品音樂會 HKCC Concert Choir HKCC Boys Chamber Choir The Hong Kong Children’s Choir 香港兒童合唱團 Music Director/Principal Conductor: Kathy Fok 音樂總監兼首席指揮: 霍嘉敏 The Hong Kong Children’s Choir (HKCC) was founded in 1969 as a registered non-profit-making charitable organization and has made tremendous contributions for children’s arts training in Hong Kong. HKCC is now the biggest choir in the world and has grown into a diversified arts organization for children. HKCC is invited to perform overseas each year, spreading the message of love and peace in different parts of the world. The Choir has been well received and appreciated in many countries, gaining an international reputation as the “Little Goodwill Singing Ambassadors” and “one of the best children’s choirs in the world”. HKCC was named “China’s Top Ten Children Chorus” in 2003 and won the prestigious “Award of the Audience” at the “Vivace 2006 International Choir Festival” in Hungary. In 2008, the choir was awarded the “Gold Cup” from “Shanghai International Children’s Chorus Festival”. In 2014, HKCC is selected by the International Federation for Choral Music (IFCM) as one of the IFCM Ambassadors for 2013 to 2015. The Choir was invited to perform in the 2014 “10th World Symposium on Choral Music” in South Korea and 2015 “The 1st IFCM World Choral Expo” in Macau. Apart from touring abroad, HKCC also actively participates in local charitable events, including the 1999 “Chorathon” to raise fund for children with hearing disabilities, 2001 “Bridges of Friendship, Bridges of Songs” concert for the Hong Kong Association of the Deaf, 2003 “All for Love” fundraising concert for We Care Education Fund established for children who lost their parents in SARS, 2006 fundraising concert for the Chinese University of Hong Kong, 2008 fundraising music marathon for UNICEF to help children after the Sichuan earthquake, 2010 “Qinghai Earthquake Relief Fundraising Concert” for World Vision Hong Kong to help earthquake victims in Qinghai, “Carol Singing Festival 2011 Sing for Our Next Generation Charity Concert” for the Child Development Matching Fund and 2012 “Bridge of Love Fundraising Concert” for Suen Mei Speech & Hearing Centre which serves children with hearing impairment. As the children’s choir that best represents Hong Kong, HKCC took part in many historical moments, including the Hong Kong Handover Ceremony in 1997, the opening ceremony of the Hong Kong International Airport in 1998, the Hong Kong Disneyland Grand Opening in 2005, various performances to commemorate the 10th Anniversary of Hong Kong’s reunification with China in 2007, and series of performances celebrating the 2008 Beijing Olympic Games, celebrations for the 60th Anniversary of the Founding of the People’s Republic of China, the East Asian Games in 2009, and performances celebrating the 15th Anniversary as well as the 20th Anniversary of the establishment of HKSAR in 2012 and 2017. 香港兒童合唱團（簡稱「香兒」）成立於1969年，為政府註冊非牟利慈善團體，多年來積極推動藝術培訓，為香港音樂及文化界培育不少人才。現時「香兒」已成為世界上人數最多、組織最龐大的兒童合唱團，更發展為一個多元兒童藝術團體。 「香兒」每年均到外地演出，把愛與和平的訊息傳遍世界，獲譽為「小小音樂親善大使」和「世界最傑出兒童合唱團之一」。「香兒」於2003年獲選為「中國十大少年合唱團」，2006年於匈牙利「Vivace國際合唱節」中奪得最高殊榮的「最受觀眾歡迎大獎」，2008年在「上海國際童聲合唱展演」獲頒贈「金杯獎」，2014年更獲選為2013至2015年度「國際合唱聯盟大使」，並獲邀出席2014年韓國「第十屆世界合唱會議」，以及2015年澳門「首屆國際合唱聯盟世界合唱博覽會」，同時作示範演出。 除外地演出，「香兒」亦積極參與各項慈善表演，包括1999年為聽障兒童籌款的「香港合唱馬拉松」、2001年為香港聾人協進會籌款的「2001慈善音樂會——橋」、2003年聯同護幼教育基金為沙士孤雛籌募教育經費而舉辦的「全賴愛：護幼音樂會」、2006年為香港中文大學籌款的「萬眾童心籌款音樂會」、2008年為聯合國兒童基金會募捐以幫助四川大地震受災兒童的「『童聲傳千里．愛心暖蜀童』馬拉松音樂會」、2010年為香港世界宣明會募捐以協助青海地震災民的「青海地震籌款音樂會」、2011年為兒童發展配對基金籌款的「『聖誕頌歌節2011』啟動慈善音樂會」及2012年為服務聽障兒童的宣美語言及聽覺訓練中心籌款的「心．橋籌款音樂會」。 「香兒」為本港最具代表性的兒童合唱團，經常於香港的歷史性時刻演出，包括1997年香港政權交接儀式、1998年香港國際機場開幕典禮、2005年香港迪士尼樂園開幕典禮、2007年多場慶祝香港回歸10週年的活動、2008年一系列迎接北京奧運活動、2009年多場慶祝建國60週年系列活動、東亞運動會開幕禮、2012年多場慶祝香港回歸15週年的活動及2017年回歸20週年文藝晚會及活動。 I. Choral and Vocal Music Concert 合唱及聲樂作品音樂會 13.10.2017 8 p.m. Friday 星 期 五 Theatre, Hong Kong City Hall 香港大會堂劇院 Programme by the Hong Kong Children's Choir Conductors: Albert Lim, Vivian Suen Hui Cheung-wai │ The Bamboo Grove (2014)(3’40”) Leung Chi-hin │ Thoughts of Separation (2016)(4’) Thomas Wong│ Here’s to Life (2016)(4’30”) Wong Kong-yu │ Two Poems of Chen Zi-ang (2017)(5’30”) Viola Yuen │ On a Sleepless Night (2016)(7’10”) Li Kar-yee │Waiting for…x3 (2017)(5’40”)* Chan Sze-rok │ The Superstitious Ghost (2017)(5’)* Vocal works: Lin Sheng-shih│ Four Cancrizans Poems by Su Shi (1963-65)(12’) Chan Kai-young │ Poem Without a Title: Hard it is to Meet and Part (2014)(4’30”) Galison Lau │ When I have Thought of You (2017)(6’)* Austin Yip │ The Poetess (2011)(7’) Anthony Cheng │ Chanson Triste (2002, rev. 2017)(8’) Lee Kar-tai│ Nostalgia in Four Rhymes (2013)(5’) Tam Chin-fai │ Liao Zhai: Wailing Ghosts (2017)(6’)* 香港兒童合唱團節目 指揮：林俊、孫明慧 許翔威│ 竹里館 (2014)(3’40”) 梁智軒│ 離思 (2016)(4’) 黃子衡│ 將進酒 (2016)(4’30”) 王廣宇│ 陳子昂詩兩首 (2017)(5’30”) 阮慧玲│ 不寐倦長更 (2016)(7’10”) 李嘉怡│ 等‧等‧等 (2017)(5’40”)* 陳詩諾│ 迷信的幽靈 (2017)(5’)* 聲樂作品： 林聲翕│ 蘇軾迴文詞四首 (1963-65)(12’) 陳啟揚│ 無題：相見時難別亦難 (2014)(4’30”) 劉詠浲│ 當我想到你的時候 (2017)(6’)* 葉浩堃│ 易安居士 (2011)(7’) 鄭汝森│ 悲‧歌 (2002初稿，2017年修訂)(8’) 李家泰│ 鄉愁四韻 (2013)(5’) 譚展輝│ 聊齋之鬼哭 (2017)(6’)* The Hong Kong Children's Choir

成立於1983年，香港作曲家聯會是本地嚴肅音樂作曲家為培育及推介音樂創作而成立的一個專業組織，致力提高大眾、特別是青年人對作曲的興趣，並定期指派作曲家到學校培訓下一代創作人材，及在香港將音樂作為一種極為重要的創意藝術來推動其各方面的發展。 歡迎來到 香港作曲家聯會 成立於1983年，香港作曲家聯會是本地嚴肅音樂作曲家為培育及推介音樂創作而成立的一個專業組織，致力提高大眾、特別是青年人對作曲的興趣，並定期指派作曲家到學校培訓下一代創作人材，以及在香港將音樂作為一種極為重要的創意藝術來推動其各方面的發展。 成為會員 《聲之 幻象 》 跨媒體音樂之旅 《聲之幻象》跨媒體音樂之旅是香港作曲家聯會推出的全新實驗製作，匯聚三組作曲家團隊，跨界融合原創音樂、沉浸式影像與實驗燈光設計，展現聲音與影像如何共同重構現實與感知。觀眾將置身於一個虛實交錯的幻象世界之中，體驗聲影交織下的感官探索之旅。三首作品包括：蘇傳安的《迴光》、李一𥯤的《爍》，以及楊凱晴的《《+;![].我迷失在.＊ 這場﹍×°醫學遊戲：掰擙。阿咩嗯文°°°×．﹏\》》，每一首各具風格，從不同角度探索聲音的邊界與可能性。這是作曲家聯會首次跨媒體實驗，旨在打破感官界限，重新定義音樂與藝術的敘事方式。 詳情 香江華采2.0 徵曲活動簡章 香港作曲家聯會與香港中樂團再度攜手合 作《香江華采2.0 》，以音樂訴說香港故事，讓中樂成為這座城市最怡人的聲音。除了公開徵集作品外，音樂會更特別邀請三位本地作曲家—陳永華、黃學揚及許翔威，創作全新樂章。不同世代的作曲家聚首一堂，以音符交流、以旋律對話，透過他們的筆觸描繪時代脈搏，呈現多元而鮮活的城市風貌。 詳情 音樂新一代 2025 NG2025 NG2025 NG2025 NG2025 1/3 音樂新一代 2025 音樂會已於6月12日晚上八時，於香港電台一號錄播室順利舉行。恭喜優勝者： 第一名：「創」- 梁啓新 第二名：「絢爛於夢醒前」- 鍾子彥 第三名：「哈尼」- 華文堯 閱讀更多 焦點音樂會及活動 林樂培作曲獎 2025 恭喜邵麗棠小姐取得林樂培作曲獎2025的殊榮。 得獎作品：「一盅兩件」 2025廣西採風之旅 廣西採風之旅已於2025年1月6日至1月9日順利舉行。 了解更多 陳能濟先生 1940 - 2025 資深作曲家陳能濟於2025年3月18日離世。香港作曲家聯會對此深表哀痛，並向陳老師家人予以深切慰問。 香港作曲家聯會－ 音樂作品傳承和保育計劃 《香港作曲家聯會－音樂作品傳承與保育計劃》旨在保育、傳承及推廣一系列由香港作曲家所創作的優秀音樂作品，並由本會會員及一眾音樂演出團體所推薦。 詳情 Subscribe to our newsletter • Don’t miss out! Email* Join I want to subscribe to your mailing list.

樂譜徵收 本會項目 PROGRAMMES DEADLINES DETAILS New Generation 2026 05/04/2026 Click link 非本會項目 PROGRAMMES DEADLINES DETAILS 9th Brandenburg Biennial 17/04/2026 Click Link Intimacy of Creativity 2026 - The Bright Sheng Partnership: Composers Meet Performers in Hong Kong - Call for Scores 01/03/2026 Click Link ＊如果想提交貴主辦單位的樂譜徵收資訊，歡迎發送電郵至 info@hkcg.org 。

香港當代音樂節 2020： 亞洲薈萃 III Resonance, Sregnis Singers 留聲樂團 、合唱俠 A cappella concert with Resonance 無伴奏合唱音樂會 - 留聲 樂團 12.12. 2020 8PM 音樂會場刊 House Programme Qiang Jin Jiu Tam Chin-fai, Samuel (H ong Kong) * Sigh of not being with you Sakinu Tjakisuvun (arranger) (Taiwan) Anyone Here? Cheng Zen-in, Michelle (H ong Kong) Alone Hsieh Yu-wai ( Taiwan ) Rain Fragments Leung Pak-hei, Alvin (H ong Kong) Song of Puyuma Sakinu Tjakisuvun (arranger) (Taiwan) * Commissioned composer 將進酒 譚展輝（香港）* 奈何 邱恩 【編曲】 (台灣) 人在嗎? 鄭心言（香港） 一儕 謝宇威 (台灣) 是，你還是害怕忘記想起來了 梁柏希（香港） 南王系之歌 邱恩 【編曲】 (台灣) * 委約作曲家 音樂會場刊 House Programme A cappella concert with Sregnis Singers 無伴奏合唱音樂會 - 合唱俠 19.12.2020 8PM Ave Maria Pang Kwan Kevin (H ong Kong) A Way Out... Viola Yuen (H ong Kong) Winter Ng Wah-hei (H ong Kong) * Stroll Tang Chak-yan (H ong Kong) One Step Lee Pui-shan, Sandy (H ong Kong) * Commissioned composer 聖母頌 彭珺（香港） 出路 ... 阮慧玲（香港） 冬 伍華晞（香港）* 散步 鄧澤恩（香港） 一步 李佩珊（香港） * 委約作曲家 Sregnis Singers 合唱俠 音樂總監：阮慧玲博士 Appraised as “very well-polished in tone and style” by the world's best loved a cappella ensemble The King's Singers, and as “The Hong Kong equivalent of the Swingle Singers!” by Japanese media, The Sregnis Singers is the first and one of the very few classical-style a cappella ensembles in Hong Kong. Established in 1994 by 10 enthusiastic musicians, The Sregnis Singers has been singing in 'King's Singers' style'. With lots of classical choral works in its repertoire, it also does orchestral transcriptions and pop songs. Unlike the 6-part King's Singers, Sregnis Singers normally has 9 singers, with two altos and one mezzo-soprano, but it also does SSAATTBB in some occasions. The Sregnis Singers is also known for frequently performing works from local contemporary composers. It has premiered works by Doming Lam, Joyce Tang, Samuel Tam, Julian Chan, Issac Hui, Li Cheong, Eric Tse and Viola Yuen, to name a few. The Sregnis Singers was one of the Hong Kong representative teams in the Xi’an International Horticultural Exposition. It participated in Professor Victor Chan’s project in recording the “Chung Chi College 60th Anniversary Celebration Theme Song”. It also took part in pop singer Sammi Cheng’s album as a group of backup vocalists. 「合唱俠」成立於1994年，是本港第一隊無伴奏小組合唱組合 (a cappella ensemble) ，也是本港極少數的古典派無伴奏合唱組合，獲享譽全球的 King’s Singers讚譽為「音色、風格皆十分精煉」，又獲日本傳媒讚譽為「香港的Swingle Singers」。 「合唱俠」由十位熱愛小組合唱的音樂家創立，走 King's Singers 的路線，曲風和唱腔都是古典風格，classical choral 的味道強烈。一般編制是五女四男SSAAATTBB，加強了女中低音的比例，有時也會是四女四男SSAATTBB，跟六人的 King's Singers不同。選曲方面除了 King's Singers 的編曲作品、本地當代嚴肅作品外，也有一些影視改編作品和流行歌曲，跟以唱流行歌為主的本地無伴奏界別有所不同。 「合唱俠」是本地當代無伴奏合唱作品主力演出者及推廣者，曾首演多首本地無伴奏作品，包括「香港新音樂之父」林樂培、鄧慧中、譚展輝、陳玉彬、許德彰、李昌、謝建銓及阮慧玲的世界首演作品。 「合唱俠」曾應特區政府邀請，代表香港參與「西安國際園藝博覽會」表演；曾獲陳偉光教授邀請，灌錄中文大學崇基學院六十週年「崇基頌歌」；曾參與無線電視劇 “4 in Love”的配樂錄音；也曾替流行歌手鄭秀文和音。 Resonance 留聲樂團 Resonance is made up of a group of music lovers who wish to “leave” （留） the audiences a good impression of “sound” （聲）after its performance of voice-only music. The styles of its repertoire range from classical to pop, and it incorporates the music elements of the indigenous of Taiwan and Hakka as well. It aims at creating a unique voice of Taiwan. 因對音樂的「共鳴」（resonance）而緊密連結的一群人，希望藉由純粹的人聲，「留」下美好的「聲」音給觀眾。曲風橫跨古典至流行，亦善於融合原住民、客家音樂元素，詮釋屬於臺灣的聲音。 Awards: 2019 - First Runner-up, International Hakka Popular Music Festival 2018 - Silver Prize, Community Group, World Cup of Contemporary A Cappella Competition - Silver Medal, Community Group, Taiwan Cup of Contemporary A Cappella Competition - First Runner-up, Hakka Choral Competition - First Runner-up, International Hakka Popular Music Festival 2016 - Finalist, Asian Cup of International A Cappella Music Festival - Silver Prize, Community Group, World Cup of Contemporary A Cappella Competition - Silver Prize, Community Group, Taiwan Cup of Contemporary A Cappella Competition 獲獎紀錄： 2019 國際客家流行音樂節 第二名 2018 世界盃現代阿卡貝拉大賽 社會組 銀牌獎 臺灣盃現代阿卡貝拉大賽 社會組 金牌第二名 客家合唱比賽 第二名 國際客家流行音樂節 第二名 2016 國際阿卡貝拉藝術節 亞洲盃 決選 世界盃現代阿卡貝拉大賽 社會組 銀牌獎 臺灣盃現代阿卡貝拉大賽 社會組 銀牌獎 Other Concerts of the Festival其他音樂節音樂會

聲影集 2016：香港景觀（作曲家分享） 聲影集 2016：香港景觀 Concert 音樂會 Composers' Biography 作曲家簡介 Composers' Sharing 作曲家分享 分享可見於： https://thestandnews.com/art/聲影集-香港景觀作曲家分享/ https://thestandnews.com/art/sound-imagination-hong-kong-landscape-composers-sharing-1/ https://thestandnews.com/art/sound-imagination-hong-kong-landscape-composers-sharing-2/ 1/ 蘇家威《時日如飛》 I. Q&A 1) 圖像/影像如何啟發你的創作靈感？ 我代入了自己是拍攝者。拍攝的角度令我虛構了一位老人望著故居有感而發的情景。 2) 請形容一下你眼中的「香港」，在樂曲中如何呈現這感知/意像？ 「香港」是一個多元社會，但找一種聲音可以表達出「香港」則甚艱難。我利用了中國的五聲音階和西方的動機寫作技巧「製造」這種感覺。 3) 是次的委約作品都是根據特定的圖像/影像而創作並於音樂會一併呈現，這創作過程和純綷的音樂創作有何不同？ 圖片伸延了音樂的創意。透過圖片提供的元素，想像空間亦得以擴闊。這比抽象的思維更為實在。 II. 有關作曲家－蘇家威 創作習慣：我總會乖乖的先寫好草稿 喜歡的香港地方：澳牛 (Australia Diary Company) 喜歡的作曲家：陳其鋼、吉松隆、西松朗、Arvo Part 2/ 葉浩堃《縫》 I. Q&A 1) 樂曲如何與影像掛勾和配合？ 就如錄像一樣，在開始的部份看見船慢慢的經過，然後一 個身影隱約的在後方出現。在音樂方面，在緊密的和聲及織體設計下，將主旋律隱藏，然後又偶爾出現。 2) 請形容一下你眼中的「香港」，在樂曲中如何呈現這感知 ／意像？ 香港是一個急速的城市，在過往的作品中，我經常把這緊張的元素加入。在是次首演的作品《縫》當中，我刻意把速度變慢，但卻在這個「慢」的氣氛中加入一些快速的節奏，猶如普遍的香港人般，雖然身體想放鬆，但腦袋仍然不斷在工作。 3) 在這首作品中聽眾可特別留意之處？ 聽眾可以留意和聲的轉變，及弦樂四重奏內四聲部的交錯與交流。 II. 有關作曲家 - 葉浩堃 創作習慣：晚上，很晚的晚上 喜歡的香港地方：我家 喜歡的作曲家：Lutoslawski 3/ Kwok Tsun-huen’s The Barber I. Q&A 1) Briefly introduce your commissioned work. It's a viennese waltz. The music divided into two part, Slow and fast. 2) How did the image/video inspire you to write this piece? The Photograph is about a Barber shaving customer's hair when H5N1 was spreading. I tried to have a piece of music that prove a feeling as if they are having a little shelter from the storm there. 3) How does your commissioned work correlate with the visual image/video? The image gives me a feeling that the two people were having their own shelter when serious disease was spreading. They trusted and didn't mind if each other got the disease and might infect their own. This gives me a very cozy feeling and write the music. II. About the Composer – Kwok Tsun-huen Favorite composers: Stockhausen, Joseph Schwantner, Beethoven, the Beatles Favorite visual artists: Leonardo de Vinci, Pablo Picasso Favorite movies: 2001: Space Odessy, Watchmen 4/ Boo Chun-kit’s Looking from the Below I. Q&A 1. How did the image/video inspire you to write this piece? The duality of this image provides me an inspiration of the number of two. 2. Please share your perception of “Hong Kong”. How did you convey this perception in your work? I think there is full of juxtaposition in Hong Kong, especially for the cultural aspect. In my work, I decide to use two contrasting melodic motives; sometimes I make the two motives appear at the same time. 3. All visual elements of this concert, which served as the initial inspiration for the composers, will be projected on screen during the performance. What is the difference between composing with and without a specified visual image? To compose with a specific visual image, I think composers should aware of the extra-musical elements that may be induced from the image, for example memories, emotion. This can affect how the audiences perceive your music. II. About the Composer - Boo Chun-kit Hobbies: Reading books, watching movies Composing habit: Improvise at first, then find some crucial relations between the musical elements, and recompose Favorite composer: Brahms 5/ Chan Chin-ting’s Reaching Up, Touching Down I. Q&A 1. Briefly introduce your commissioned work. This piece explores different perspectives of Hong Kong’s cityscape, particularly of the perspective looking from below. It is inspired by an image that portrays a person lying on a rooftop amid city noise, facing up against the sunshine but with the face covered. 2. How did the image/video inspire you to write this piece? The music takes inspiration from the image, re-imagines and vitalizes the sound world surrounding the subject, as though the collage of city noise uncovers his/her face, rising up to above and beyond the infinite layers of Hong Kong’s modern cityscape. 3.) Briefly share with us the composing techniques or styles you used in the piece. The composition uses Serial techniques as a foundation for the harmonic contents. The use of certain pitch sets is associated with my impressions of the photograph. II. About the Composer - Chan Chin-ting Hobbies: photography, writing computer programs Composing habit: can compose anywhere with a pencil, eraser and staff paper Favorite sound: sound in nature 6/ Chan Ho-yi’s The Lost Days I. Q&A 1. How did the image/video inspire you to write this piece? The photo makes me to meditate and reminisce my old young days in Hong Kong. And they are only left for me to cherish so I write a sentimental piece. 2. How does your commissioned work correlate with the visual image/video? The music correlates the visual image by its harmonic design. The linear writing in strings also depicts the ladder in the playground. 3. All visual elements of this concert, which served as the initial inspiration for the composers, will be projected on screen during the performance. What is the difference between composing with and without a specified visual image? With a specified visual image, the purpose of music is to serve the message hidden beneath. Music without visual is purely the establishment of relationship through sound. II. About the Composer - Chan Ho-yi Hobbies: Cooking, Eating Favorite scene: The elegance and peacefulness of the medieval town in United Kingdom Favorite music: Chinese choral music 7/ Chan Kai-young’s Variations on Light and Space I. Q&A 1. How did the image/video inspire you to write this piece? I was inspired by the contrasting elements abound in the image: the moving and the still, the living and the lifeless, space and obstruction, natural and artificial entities, to name just a few. 2. How does your commissioned work correlate with the visual image/video? The timeline of piece follows the trajectory of natural light from left to right, following the direction of the protagonist. Incomplete statements of thematic fragments correspond to the hidden subject, and the sudden change of register and texture mirrors the change of spaciousness across the image. 3. All visual elements of this concert, which served as the initial inspiration for the composers, will be projected on screen during the performance. What is the difference between composing with and without a specified visual image? The image is fundamental to guiding the imagination of the audience and offering an extra dimension of meaning in the music. II. About the Composer - Chan Kai-young Hobbies: Travel and Photography Favorite sound: All forms of water Favorite film director: Hayao Miyazaki 8/ Chris Hung’s Leaving I. Q&A 1) How does your commissioned work correlate with the visual image/video? Image serves as the catalyst of the music, being treated as the guiding direction for the idea of the composition. I would reserve my thought here in order to give you some space of free imagination. However, a trace of hint is shown in my program notes: "In the midst of climbing my mountain, On the verge of leaving my dream… Are you just an illusion?" 2) Briefly share with us the composing techniques or styles you used in the piece. Non-exact Imitative texture between different parts. Gradation of tension towards a climatic point. 3) Please introduce the special features or fragments of your work. In general, the melodic contour of the music is ascending with the metaphor of the first impression of the visual stimulus and physical presence of the photo. Very few extended techniques are employed in this work, probably one of the easiest piece I've composed... II. About the Composer – Chris Hung Composing habit: Gestural, fragmental, textural aspects first Favorite place in Hong Kong: Stanley Favorite composer(s): Karl Amadeus Hartmann / György Kurtág / Salvatore Sciarrino / 細川俊夫 9/ Lam Lai’s Twinkle Twinkle Little Tango I. Q&A 1) How did the image/video inspire you to write this piece? When I first viewed the photo, I immediately thought about street dancing. Since Milonga is one of my favourite dance, I was thinking to use an interesting tune that everyone is familiar with. I also think Mozart's Twelve Variations on "Ah vous dirai-je, Maman" may be an interesting match with tango. 2) How does your commissioned work correlate with the visual image/video? I remember I played this game on the street when I was small. There is an interesting rhythm in the foot steps, as most of the time you need to stop your posture and get the balance. I think this kind of irregular rhythm will also be interesting to hear in the piece. 3) Please share your perception of “Hong Kong”. How did you convey this perception in your work? I like the fast pacing of daily life in Hong Kong. When you are walking on the street, there are lots of fast repetition around you. Therefore, I try to put the piece to be similar to this circumstance, which is fast and having lots of tiny repetition. II. About the Composer – Lam Lai Composing habit: Start with a cup of milk tea Favorite place in Hong Kong: Central Favorite sound: water sound 10/ Livia Lin’s the tree says… I. Q&A 1) How did the image/video inspire you to write this piece? While many find Hong Kong to be a small vibrant city lacking recreational spaces, the image reminds me of pockets of nature and greenery in the city which we unconsciously not notice. The dense trees eclipsing the individual inspire me to put the trees on center stage in my composition. 2) All visual elements of this concert, which served as the initial inspiration for the composers, will be projected on screen during the performance. What is the difference between composing with and without a specified visual image? Music is a temporal form of art while a still image offers information instantly. I think composing with specific image prompts me to take more time in expressing an idea because I believe the audience, too, would have the luxury of delving deeper into the artists’ messages through listening and looking simultaneously. 3) Please introduce the special features or fragments of your work. This work anchors on two rhythmic elements – dotted rhythm and triplet. These rhythmic sways mimic the gentle flutter of the leaves throughout the composition. The audience will hopefully disengage from the steady pulse and assimilate with the ambience of the swaying leaves imperceptibly. II. About the Composer – Livia Lin Favorite place in Hong Kong: Lantau Island, Repulse Bay, Hong Kong International Airport Favorite scene: the meeting of the sky and water, the people flow in a cafe Favorite visual artist: Vasily Kandinsky, Jackson Pollock 11/ Lun Wai-kit’s Modernization I. Q&A 1) Briefly introduce your commissioned work. Migration of sound. 2) How did the image/video inspire you to write this piece? The first thing I have done was to find out the place/angle the photo was taken, then with the description of photo, I started to imagine what sound should be included in it. 3) All visual elements of this concert, which served as the initial inspiration for the composers, will be projected on screen during the performance. What is the difference between composing with and without a specified visual image? I don't need to think too much when there is an image. II. About the Composer – Lun Wai-kit Hobbies: DIY Composing habit: start actually composing at the last minute before deadline Favorite sound: Raindrops 12/ Shao Litang’s Seeking I. Q&A 1) How did the image/video inspire you to write this piece? The inspiration of the photo to me is that what we are really looking for in life. Life is full of experiences and anything can happen. Depending on what kind of person you are, you may be looking for different things. 2) All visual elements of this concert, which served as the initial inspiration for the composers, will be projected on screen during the performance. What is the difference between composing with and without a specified visual image? Composers will think about the interaction carefully between the message from the image and music. 3) Briefly share with us the composing techniques or styles you used in the piece. This piece starts with a vigorous six-note motive, followed by a peaceful harmonic section that gradually develops into a multi-layered chant-like theme. This theme becomes more energetic and rhythmic, moving towards a climax that resolves peacefully. II. About the Composer – Shao Litang Hobbies: Eating, Hiking Favorite place in Hong Kong: Tapmun (Grass-Island) Favorite scene: Maple leaves glowed red in the sunlight 13/ Shuen Lai-yin’s Street through a Glass Ball I. Q&A 1) All visual elements of this concert, which served as the initial inspiration for the composers, will be projected on screen during the performance. What is the difference between composing with and without a specified visual image? The visual image gave me loads of inspiration. It helps me to determine the structure, atmosphere and musical flow of the piece. 2) Briefly share with us the composing techniques or styles you used in the piece. I have constructed a chord using diatonic scales, and the chord developed from a close position and expanded to open position, whereas music tension is created and resolved at the same time. 3) Please introduce the special features or fragments of your work. It is a simple short piece. I tried to avoid special gestures in my work, as I would like to express the feeling of "Lost" in my music, which is motionless and solitude. II. About the Composer – Shuen Lai-yin Hobbies: Playing guitar, singing in a choir, riding bicycle. Favorite scene: Sunset near seashore Favorite composer/music: Toru Takemitsu 14/ So Ho-chi’s Confined Matters I. Q&A 1) How did the image/video inspire you to write this piece? The dense composition of the image makes me think of how my life is in this dense city. Hong Kong always have many things happen in a small places. Sometime they are too many, but at least they are colourful and diverse. 2) Please share your perception of “Hong Kong”. How did you convey this perception in your work? I think Hong Kong is a fast-pacing city that people receive many information and feel very differently. In my imagination, it is like montage or painting by Pablo Picasso. Inspired by this idea, I try to organise different blocks of materials in a musical way. 3) Briefly share with us the composing techniques or styles you used in the piece. There are musical elements in the piece where distinguished gesture and texture existed. Some of them might have different pitch organisation system in order to create contrast between elements which is to create the idea of montage. II. About the Composer – So Ho-chi Hobbies: Hiking, wondering in Hong Kong, reading Favorite place in Hong Kong: Tuen Mun Favorite composer/music: Igor Stravinsky 15/ Tam Ka-shu’s Little Hidden Momentum I. Q&A 1) Briefly introduce your commissioned work. My work depicts the restless spirit of Hong Kong – there are motions even in a quiet situation. It is inspired by an image that centred a workman and a still curtain fills up the other space. 2) How did the image/video inspire you to write this piece? While the large curtain in the image seems to project a still atmosphere, the truck and the worker reveal a vivid motion. This contrast in activity immediately connects me to a night scene in Causeway Bay – streets are empty but still project a dynamic atmosphere. 3) All visual elements of this concert, which served as the initial inspiration for the composers, will be projected on screen during the performance. What is the difference between composing with and without a specified visual image? Visual images set a fix parameter for composers. In order to bring out the theme of the images, composers have to fit their imagination within the set boundary. However, this does not mean to limit our creativity. Instead, we might see the parameters as guidelines for composing. II. About the Composer - Tam Ka Shu Favorite place in Hong Kong: Po Toi Island Favorite composer: Gyorgy Ligeti and Alfred Schnittke Favorite visual artist: Salvador Dali 16/ Wong Chun-wai’s Journey in the Dark I. Q&A 1) How did the image/video inspire you to write this piece? Through the video we observe people traveling in a train underground: to an observer they are isolated individuals on an aimless journey, moving forward passively and restlessly. It seems to be asking the meaning of life, a journey that we must all go on. 2) How does your commissioned work correlate with the visual image/video? The video is in black and white, and my music corresponds by carrying a dark tone, resulted from the use of non-functional harmonic progression, the domination of minor-sounding sonorities, and the prominent of the lower register of the instruments. 3) Briefly share with us the composing techniques or styles you used in the piece. In the music the string quartet is divided into three groups of instruments – violin I, cello and the inner group of instruments – each playing with their own materials and styles, symbolizing the isolation of individuals. There are almost no dialogues among them but the wheel of destiny pushes them all. II. About the Composers – Wong Chun-wai Hobbies: Composing Favorite composers: Joe Hisaishi/Gustav Mahler/Maurice Ravel/John Williams Favorite movie: Spirited away 17/ Wyman Wat’s Space Tight I. Q&A 1) Briefly introduce your commissioned work. My work “Space Tight” is about the high-density living environment in Central, Hong Kong. Fast, busy, crowded are the best words to describe the condition nowadays. 2) How does your commissioned work correlate with the visual image/video? According to the image, there are several high buildings surrounding a comparatively shorter yellow building in Central. We cannot find any space left in the picture. Thus, I composed my work with many compact rhythms to create this kind of tight feeling. 3) All visual elements of this concert, which served as the initial inspiration for the composers, will be projected on screen during the performance. What is the difference between composing with and without a specified visual image? With the specified visual image, it is no doubt that the composer’s idea will be more directly projected to the audience, which in turn helps the audiences’ understandings to the new works. Moreover, I believe that the visual elements will further stimulate the audiences’ own imaginations. II. About the Composers - Wyman Wat Favorite scene: Trams on rails in rainy day Favorite composer: Prokofiev Favorite visual artist: Piet Mondrian 18/ Yau May-kay’s The Road before me I. Q&A 1) Briefly introduce your commissioned work. 'The Road Before Me' was composed during busiest time of year 2015. 2) How did the image/video inspire you to write this piece? The video exactly reflects my commuting in Hong Kong - its repetitiveness, its tediousness ... 3) Briefly share with us the composing techniques or styles you used in the piece. Minimalism is used in this piece and I think it describes the video and my thoughts really well. II. About the Composer - Yau May-kay Favorite place in Hong Kong: I like hiking in Fanling, it overlooks the whole area of Fanling and the mainland which is breathtaking. Favorite composer/music: J.S. Bach Favorite director/movie: Abbas Kiarostami

香港當代音樂節 2020： 亞洲薈萃 I 21.11.2020 – 8PM Chinese ensemble concert 中樂合奏音樂會 with Chai Found Music Workshop (Taiwan) 采風樂坊（台灣） II 28.11 & 5.12.2020 – 8PM Electroacoustic concert with flute and violin 電子音樂會 - 長笛和小提琴 with Reiko Manabe (Japan) 間部令子（日本） Patrick Yim (Hong Kong) 嚴天成（香港） III 12.12 & 19.12.2020 – 8PM A cappella concert 無伴奏合唱音樂會 with Resonance (Taiwan) 留聲樂團（台灣） Sregnis Singers (Hong Kong) 合唱俠（香港） 播放影片 播放影片 59:02 中樂合奏音樂會 - 采風樂坊 Chinese Ensemble Concert with Chai Found Music Workshop 「香港當代音樂節：亞洲薈萃」第一場網上音樂會《中樂合奏音樂會﹣采風樂坊》今晚8時（2020年11月21日）在香港作曲家聯會Facebook和 YouTube 同時首播 ! 來自台灣的《釆風樂坊》將會向大眾呈獻以下7首具亞洲特色的原創當代音樂作品。各位音樂愛好者不容錯過！ 00:54 鄭靖楠 (香港) -《零．凌．靈》 08:50 洪銘健 (香港) -《空山．聲鳴》 15:24 鄧文藝 (香港) -《鳥鳴澗》 23:00 梁志鏘 (香港) -《望困破》 29:04 孫禮賢 (香港) -《一息》* 38:13 葉浩堃 (香港) -《這邊有風，那邊有樹，它們卻不相遇》* 47:13 潘皇龍 (台灣) -《迷宮．逍遙遊》 * 委約作品 音樂會場刊：https://www.hkcg.org/hkcmf20201 The 1st online concert “Chinese Ensemble Concert with Chai Found Music Workshop” of the Hong Kong Contemporary Music Festival: Asian Delights is NOW having its premiere (21 November 2020) on Guild’s Facebook and YouTube! Performed by Chai Found Music Workshop from Taiwan, the following 7 originally written contemporary works will be featured. Stay tuned! 00:54 Hippocrates Cheng (Hong Kong) – ling4-ling4-ling4 08:50 Chris Hung (Hong Kong) - Bald Mountain ‧ Echoed Sound 15:24 Tang Man-ngai (Hong Kong) – Birds singing by the brook 23:00 Leung Chi-cheung (Hong Kong) – Breakthrough 29:04 Larry Shuen (Hong Kong) – Together as One We Breathe* 38:13 Austin Yip (Hong Kong) – Here is Wind, There is Tree, But They Never Meet* 47:13 Pan Hwang-long (Taiwan) – Wandering in a Labyrinth * Commissioned works Concert House Programme: https://www.hkcg.org/hkcmf20201 播放影片 播放影片 38:56 小提琴電子音樂會 Electroacoustic Concert with Violin 「香港當代音樂節：亞洲薈萃」第二場網上音樂會《電子音樂會 ﹣小提琴》於2020年11月28日晚上8時在香港作曲家聯會Facebook和 YouTube 同時首播 ! 是次音樂會融合音樂、電子及影像三大元素，小提琴家嚴天成將向大眾呈獻4首各具特色的原創當代音樂作品。各位音樂愛好者請細心欣賞！ 01:00 梁家棟 (香港) -《月光光照地堂》 09:55 歐天勇 (香港) -《自我對話》* 19:09 莎維雅荷（芬蘭） ﹣《飾帶》I. 黃飾帶， II. 花之飾帶 29:09 李一葦 (香港) -《Palimpsest [Lapsus memoriae VIII] 》* * 委約作品 音樂會場刊：https://www.hkcg.org/hkcmf20202 The 2nd online concert “Electroacoustic Concert with Violin” of the Hong Kong Contemporary Music Festival: Asian Delights is now having its premiere (28 November 2020 at 8pm) on Guild’s Facebook and YouTube! Performed by violinist Patrick Yim, this concert combines music, electronics and visual featuring the following unique contemporary works written by 4 composers. Please enjoy! 01:00 Leung Ka-tung Tony (Hong Kong) – Lunar Luminance 09:55 Au Tin-yung Alex (Hong Kong) – Self-talk* 19:09 Kaija Saariaho (Finland) – Frises: I. Frise jaune, II. Frise de fleurs 29:09 Angus Lee (Hong Kong) - Palimpsest [Lapsus memoriae VIII] * * Commissioned works Concert house programme: https://www.hkcg.org/hkcmf20202 播放影片 播放影片 49:04 長笛電子音樂會 Electroacoustic Concert with Flute 「香港當代音樂節：亞洲薈萃」第三場網上音樂會《電子音樂會 ﹣長笛》於2020年12月5日晚上8時在香港作曲家聯會Facebook和 YouTube 同時首播 ! 音樂會再次融合音樂、電子及影像三大元素，由來自日本的長笛演奏家間部令子向大眾呈獻5首各具特色的原創當代音樂作品。請大家細心欣賞！ 1:07 龐樂思 (香港) -《Zoon》 10:35 鄭汝森 (香港) -《混 I》* 19:20 湯淺讓二 (日本) -《領域》 29:09 余梓朗 (香港) -《瀧》 38:33 鄭重言 (香港) -《山水》* * 委約作品 音樂會場刊：https://www.hkcg.org/hkcmf20202 The 3rd online concert “Electroacoustic Concert with Flute” of the Hong Kong Contemporary Music Festival: Asian Delights is now having its premiere (5 December 2020 at 8pm) on Guild’s Facebook and YouTube! Performed by Japanese flutist Reiko Manabe, this concert combines music, electronics and visual featuring the following unique contemporary works written by 5 composers. Please enjoy! 1:07 James Boznos (Hong Kong) – Zoon 10:35 Anthony Cheng (Hong Kong) – Hybridity I* 19:20 Joji Yuasa (Japan) – Domain 29:09 Yu Tsz-long (Hong Kong) – Torrent 38:33 Lee Cheng (Hong Kong) - Shanshui* * Commissioned works Concert house programme: https://www.hkcg.org/hkcmf20202 播放影片 播放影片 36:18 無伴奏合唱音樂會 - 留聲樂團 A Cappella concert with Resonance 「香港當代音樂節：亞洲薈萃」第四場網上音樂會《無伴奏合唱音樂會 ﹣留聲樂團》於2020年12月12日晚上8時在香港作曲家聯會Facebook和 YouTube 同時首播 ! 這場音樂會由來自台灣的留聲樂團向大眾呈獻6首香港作曲家原創 A Cappella 作品 + 台灣歌編作。請立即收聽，不要錯過! 02:14 譚展輝 (香港) -《將進酒》* 09:14 邱恩 [編曲] (台灣) - 《奈何》 15:08 鄭心言 (香港) -《人在嗎?》 20:14 謝宇威 (台灣) -《一儕》 26:39 梁柏希 (香港) -《是，你還是害怕忘記想起來了》 33:28 邱恩 [編曲] (台灣) - 《南王系之歌》 * 委約作品 音樂會場刊：https://www.hkcg.org/hkcmf20203 The 4th online concert “A Cappella Concert with Resonance” of the Hong Kong Contemporary Music Festival: Asian Delights is now having its premiere (12 December 2020 at 8pm) on Guild’s Facebook and YouTube! Performed by Resonance from Taiwan, the following 6 original A Cappella works written by Hong Kong composers and Taiwanese arrangement works will be featured. Please enjoy! 02:14 Tam Chin-fai Samuel (Hong Kong) – Qiang Jin Jiu* 09:14 Sakinu Tjakisuvun (arranger)(Taiwan) - Sigh of not being with you 15:08 Cheng Zen-in Michelle (Hong Kong) – Anyone here? 20:14 Hsieh Yu-wai (Taiwan) - Alone 26:39 Leung Pak-hei (Hong Kong) – Rain Fragments 33:28 Sakinu Tjakisuvun (arranger)(Taiwan) - Song of Puyuma * Commissioned work Concert house programme: https://www.hkcg.org/hkcmf20203 播放影片 播放影片 32:10 無伴奏合唱音樂會 - 合唱俠 A Cappella Concert with Sregnis Singers 「香港當代音樂節：亞洲薈萃」最後一場網上音樂會《無伴奏合唱音樂會﹣合唱俠》於2020年12月19日晚上8時在香港作曲家聯會Facebook和 YouTube 同時首播 ! 是晚音樂會由香港古典派無伴奏合唱組合「合唱俠」向大眾呈獻5首香港作曲家原創 A Cappella 作品 。請細心收聽，不要錯過！ 00:57 彭珺 (香港) -《聖母頌》 07:18 阮慧玲 (香港) - 《出路…》 12:30 伍華晞 (香港) -《冬》* 18:31 鄧澤恩 (香港) - 《散步》 25:39 李佩珊 (香港) -《一步》 * 委約作品 音樂會場刊：https://www.hkcg.org/hkcmf20203 The final online concert “A Cappella Concert with Sregnis Singers” of the Hong Kong Contemporary Music Festival: Asian Delights is now having its premiere (19 December 2020 at 8pm) on Guild’s Facebook and YouTube! Performed by the local classical-style A Cappella ensemble - Sregnis Singers, the following 5 original A Cappella works written by Hong Kong composers will be featured. Please enjoy! 00:57 Pang Kwan Kevin (Hong Kong) – Ave Maria 07:18 Viola Yuen (Hong Kong) – A Way Out… 12:30 Ng Wah-hei (Hong Kong) – Winter* 18:31 Tang Chak-yan (Hong Kong) – Stroll 25:39 Lee Pui-shan Sandy (Hong Kong) – One Step * Commissioned work Concert house programme: https://www.hkcg.org/hkcmf20203 21 Nov 2020 Chai Found Music Workshop 采風樂坊 Chinese ensemble concert with Chai Found Music Workshop 中樂合奏音樂會 - 采風樂坊 Hippocrates Cheng (Hong Kong) Chris Hung (Hong Kong) Leung Chi-cheung (Hong Kong) Pan Hwang-long (Taiwan) Larry Shuen (Hong Kong) * Tang Man-ngai (Hong Kong) Austin Yip (Hong Kong) * * Commissioned composers 鄭靖楠（香港） 洪銘健（香港） 梁志鏘（香港） 潘皇龍（台灣） 孫禮賢（香港）* 鄧文藝（香港） 葉浩堃（香港）* * 委約作曲家 Concert Details 音樂會詳情 28 Nov & 5 Dec 2020 Patrick Yim (violin), Reiko Manabe (flute) 嚴天成（小提琴）、間部令子（長笛） Electroacoustic concert with violin and flute 電子音樂會 - 小提琴和長笛 James Boznos (Hong Kong) Anthony Cheng (Hong Kong) * Lee Cheng (Hong Kong) * Yu Tsz-long (Hong Kong) Joji Yuasa (Japan) Au Tin-yung Alex (Hong Kong) * Angus Lee (Hong Kong) * Leung Ka-tung Tony (Hong Kong) Kaija Saariaho (Finland) * Commissioned composers 龐樂思（香港） 鄭汝森（香港）* 鄭重言（香港）* 余梓朗 （香港） 湯浅譲二（日本） 歐天勇（香港）* 李一葦（香港）* 梁家棟（香港） 莎維雅荷 (芬蘭） * 委約作曲家 Concert Details 音樂會詳情 12 & 19 Dec 2020 Resonance, Sregnis Singers 留聲樂團、合唱俠 A cappella concert with Resonance and Sregnis Singers 無伴奏合唱音樂會 - 留聲樂團和合唱俠 Cheng Zen-in, Michelle (Hong Kong) Leung Pak-hei, Alvin (Hong Kong) Tam Chin-fai, Samuel (Hong Kong) * Hsieh Yu-wai (Taiwan) Sakinu Tjakisuvun (Taiwan) Lee Pui-shan, Sandy (Hong Kong) Ng Wah-hei (Hong Kong) * Pang Kwan (Hong Kong) Tang Chak-yan (Hong Kong) Viola Yuen (Hong Kong) * Commissioned composer 鄭心言（香港） 梁柏希（香港） 譚展輝（香港）* 謝宇威 (台灣) 邱恩 (台灣) 李佩珊（香港） 伍華晞（香港）* 彭珺（香港） 鄧澤恩（香港） 阮慧玲（香港） * 委約作曲家 Concert Details 音樂會詳情