NG Chun-hoi Daniel 吳俊凱
 

Ng Chun Hoi, Daniel serves as a music educator, composer and music critic. Ng studied composition at the Chinese University of Hong Kong and the Hong Kong University. He also undertook research in Chinese music and teacher education and obtained his doctoral degree from the University of New South Wales, Australia. Ng has taught music courses at various institutions such as the Hong Kong Institute of Education, Hong Kong Baptist University and the Hong Kong Academy for the Performing Arts. He is presently the Dean of the Hong Kong Music Institute where he also teaches composition, music theory and Chinese music history.  .

 

He is often commissioned for new works by different organizations and a number of his work has been performed and broadcast in Hong Kong and overseas.  His recent publications include vocal and choral compositions published in an anthology: the Hong Kong Vocal Music Collection, a chamber work Lyric Dialogues published in discography by Hugo Productions and a violin duet, Nocturne published by Red House Editions. 

 

吳俊凱為資深音樂教育工作者、作曲家和樂評人,先後畢業於香港中文大學和香港大學,主修音樂及作曲,並於澳洲新南威爾斯大學取得哲學博士學位,專注研究中國音樂與師資培訓的課題。吳氏曾於韓國、澳洲、日本、美國和香港等地發表和出版多篇學術論文和教育著作,包括《學習潮州弦詩樂》教學光碟、《歌樂流芳—黃自音樂賞析與教學專集》等。歷任香港教育學院講師、香港浸會大學及香港演藝學院客席講師。現任香港音樂專科學校教務長與及教授作曲、音樂理論和中國音樂等課程。

 

在音樂創作方面,吳氏經常獲不同團體委約創作,作品亦多次於本港及海外廣播和演出。已出版的作品包括於香港聲樂作品集發表的四首聲樂曲,雨果唱片公司灌錄的室樂作品【抒情對話】,澳洲Red House Editions出版的小提琴二重奏【夜曲】等。

Orchestral

 

Orchestral Dances from the Prodigal Son (2001) 5’

The Moment (1993) 2'30"

Rhombus (1983) 12'

 

Chamber (Western)

 

Boundless Realms (2015) 1’30’’

     for violin and piano

Prelude II (2013) 4’22’’

     for 2 guitars

Connecxion (2013) 6’

     for violin and viola

Nocturne (1999) 4'

     for 2 violins

Lyric Dialogues (1995) 11'

     for clarinet, violin & piano

Five Pieces for Wind Quartet (1991) 12'

November Winds (1991) 8'

     for string quartet

Yi Bi (1983) 4'

Madrigal (1982) 4'

     for trumpet, horn & piano

Moody (1981) 3’

     for clarinet & piano

 

Chamber (Chinese)

 

 Xi Yue (1997) 10'

     for erhu, pipa & zheng

 

Instrumental Solo

 

Ru Ge (2014) 5’

     for sheng

Morning Rain (2000) 3’30’’

     for piano

A Day in the Mountain (1993) 8'30"

     for gtr

 

Vocal / Choral

 

The Testimony of Unity Brings Glory to our Lord (2015) 3’40’’

     for SATB chorus and keyboard

Song of Everlasting Joy (2010) 4’22”

     for vocal and keyboard

The Cross (2010) 4’

     for vocal and guitar

Changes (2002) 3'

     for junior treble choir

Heritage and Pilgrimage (2001) 2’

     for vocal and orchestra

Graceful Lord, We Love Thee (1998) 2’

     for vocal and piano

 The Prodigal Son (1993) 20'

      cantata for soli, chorus & orchestra

I.The Wicked Boasts of the Desires of his Heart   II. Vulture of the Wilderness

III. And I Called on the Name of the Lord  IV. The Moment Filled with Compassion

V. When Brothers Dwell in Unity VI. Lead Me in the Way Everlasting

 

Immersed in the Easterly Wind (1991) 5'

     for SATB chorus & pf

Autumn Thoughts (1991) 4'30"

     for tenor solo, cl & gtr

Cuo Wu (1989) 3'30"

     for a capella mixed chorus

The Magnifying Glass (1989) 7'

     for treble choir & pf

 Duan Zhang (1986) 4'

      for female chorus & pf

 Yi Jian Mei (1981) 2'30"

      for soprano solo & pf

 

Multi-media

 

As a Watch in the Night (1999) 6'

      for tape & lighting

 

Discography

 

Song of Everlasting Joy(永恆喜樂歌), The Cross(十架真道), in “Love,     Worshipping”(愛‧敬拜) CD, Kwun Tong Methodist Church

Moody in Resonating Colours Vol. 1 CD, Hong Kong Composers’ Guild

Morning Rain in Resonating Colours Vol. 3 CD, Hong Kong Composers’ Guild

Song of Everlasting Joy (永恆喜樂歌) in Sacred Music Festival 2012 DVD, Methodist Church Hong Kong

Heritage and Pilgrimage (溯源踐信、守約創路), VCD ,Methodist Church Hong Kong

Lyric Dialogues, Hugo HRP 7210-2

 

Publications

 

Ng, C. H. D. (2006).The impact of exposure to Chaozhou Xianshi music on pre-service teachers’ development as music educators. (PhD dissertation, University of New South Wales, Australia, 2006)

 

Ng, C. H. D. (2006).Connecting cultures: Challenges and strategies to introduce indigenous Chinese music to pre-service teachers in Hong Kong. In M. Moore & B.W. Leung (Eds.). School music and teacher Education: A global perspective in the new century (pp.151-163). Hong Kong: The Hong Kong Institute of Education.

 

Ng, C. H. D. (2005). Musicians in Chinese culture: Lessons from xianshi musicians. Asia-Pacific Journal for Arts Education, 3(2), 3-36.

 

Wong, P. W. Y., Ng, C.H.,Lai, M. T., & So, M.C. (2004). Huang Zi Choral Literature Collection 《歌樂流芳—黃自音樂賞析與教學專集》Hong Kong: Longman

 

 "Learning Strategies and Retention Process with different Notation Systems: Lessons from Chaozhou Xianshi music." In Searching for a New Paradigm of music Education Research: An international Perspective, edited by E. Choi, 319-329. Soel: Korean Education Society, 1997.

 

「如詩如畫」"Like Poems and Paintings." In Guidelines for School Creative Music Project, edited by Education Department, 45-47. Hong Kong: Education Department, 1998.

 

「如花一朵」"As A Flower." In Guidelines for School Creative Music Project, edited by Education Department, 48-50. Hong Kong: Education Department, 1998.

 "Introducing Chaozhou Xianshi Musical Elements into the Theory and Aural Classes of Initial Teacher Training Courses In Hong Kong." Proceedings of the 2nd Asia -Pacific Symposium on Music Education Research (held in Launceston, Australia), (1999): 221-226.

 

「無伴奏合唱曲三首﹣選自清唱劇《浪子》」 "Three A Capella Choral Pieces from The Prodigal Son." In Hong Kong Vocal Music Collection, vol.VII, edited by D. Law, 80-89. Hong Kong: Chinese Christian Literature Council, 1999.

 

「一剪梅」 "Yi Jian Mei." In Hong Kong Vocal Music Collection, vol.VI, edited by D. Law, 120-121. Hong Kong: Chinese Christian Literature Council, 1999.

 

「斷章」 "Duan Zhang." In Hong Kong Vocal Music Collection, vol.III, edited by D. Law, 96-104. Hong Kong: Chinese Christian Literature Council, 1999.

 

「沉醉東風」 "Immersed in the Easterly Winds." In Hong Kong Vocal Music Collection, vol.II, edited by D. Law, 94-105. Hong Kong: Chinese Christian Literature Council, 1999.

 

 "The Underlying Educational Principles of the Two Earliest Official Primary Music Syllabi." (in collaboration with Yu-Wu Yuet-wah) In School Curriculum Change and Development in Hong Kong, edited by Cheng Yin-Cheong, Chow King-Wai & Tsui Kwok-Tung, 483-503. Hong Kong: Hong Kong Institute of Education, 2000.

 

「學習潮州弦詩樂」"Learning Chaozhou Xianshi Music". Hong Kong: Hong Kong Institute of Education, 2001. CD-ROM.

 

「覓」、「路」、「暗問」、「素願」、「一剪梅」。載於《荷花飄香樂悠楊》,張越華主編,頁71-73, 76-78, 214-215。香港:香港中文大學崇基學院,2001。

 

"Nocturne for two violins." In Passions Within for Violin, 17-19. Footscray, Australia: Red House Editions, 2001

 

《教樂樂學樂樂》 "Teaching Kit and Resources: Joyful Teaching and Joyful Learning in Music". (in collaboration with Lai May-tan, Wong Wai-ying & Yuen Tze-leung). Hong Kong: Hong Kong Institute of Education, 2001

 

「郊遊樂」、「愛護地球」、「雨後驕陽」。載於《教樂樂、學樂樂歌集》,黎美丹、吳俊凱、袁子良、黃慧英編,頁40-45。香港:香港教育學院,2001。

 

"Capturing the Essence of Traditional Musical Heritage with Technology: A CD ROM Project of Introducing Chaozhou Xianshi Music into the Teacher Training Courses in Hong Kong." Proceedings of the 3rd Asia-Pacific Symposium on Music Education Research and International Symposium on Uragoe and Gender (held in Nagoya Japan), Vol 2 (2001): 57-60.

 

Ng, C. H. D. (1993).Original Compositions for Young Musicians. (MPhil dissertation, University of Hong Kong, Hong Kong, 1993)

 

Duan Zhang for SSA Female Chorus and Piano. Hong Kong: Hong Kong Composers' Guild, 1992.

 

 

管弦樂

 

管弦樂舞曲選自清唱劇《浪子》(2001) 5’

 時刻 (1993) 2'30"

菱形 (1983) 12'

 

室樂 (西樂)

 

無間東西 (2015) 1’30’’

     for violin and piano

前奏曲 II (2013) 4’22’’

     for 2 guitars

連繫 (2013) 6’

     for violin and viola

夜曲 (1999) 4'

     for 2 violins

抒情對話 (1995) 12'

     for clarinet, violin & piano

木管樂四重奏 (1991) 12'

秋意涼 (1991) 8'

     for string quartet

意筆 (1983) 4'

牧歌 (1982) 4'

     for trumpet, horn & piano

情緒 (1981) 3'

     for clarinet & piano

 

室樂 (中樂)

 

細樂 (1997) 10'

     for erhu, pipa & zheng

 

獨奏曲

 

如歌 (2014) 5’

     for sheng

南山朝雨 (2000) 3’30”

     for piano

 山中一日 (1993) 8'30"

     for guitar

 

聲樂 / 合唱

 

合一見證榮歸神 (2015) 3’40”

     for SATB chorus and keyboard

永恆喜樂歌 (2010) 4’22’’

     for vocal and keyboard

十架真道 (2010) 4’

     for vocal and guitar

聲相應 (2002) 3'

     for junior treble choir

溯源踐信、守約創路 (2001) 2’

     for vocal and orchestra

回溯主恩、愛主一生 (1998) 2’

     for vocal and piano

浪子 (1993) 20'

      cantata for soli, chorus & orchestra

I.   惡人以心愿自誇   II. 荒場的鴞鳥  III. 身陷絕境,求告主名

IV. 相離還遠,動慈心  V. 和睦何其美 VI. 主佑我靈不盡 秋

 

沉醉東風 (1991) 5'

      for SATB chorus & pf

秋思 (1991) 4'30"

      for tenor solo, cl & gtr

錯誤 (1989) 3'30"

      for a capella mixed chorus

放大鏡 (1989) 7'

      for treble choir & pf

斷章 (1986) 4'

      for female chorus & pf

一剪梅 (1981) 2'30"   for soprano solo & pf

 

多媒體音樂

 

如夜一更 (1999) 6'

     for tape & lighting

 

唱片目錄

 

Song of Everlasting Joy(永恆喜樂歌), The Cross(十架真道), in “Love,     Worshipping”(愛‧敬拜) CD, Kwun Tong Methodist Church

Moody in Resonating Colours Vol. 1 CD, Hong Kong Composers’ Guild

Morning Rain in Resonating Colours Vol. 3 CD, Hong Kong Composers’ Guild

Song of Everlasting Joy (永恆喜樂歌) in Sacred Music Festival 2012 DVD, Methodist Church Hong Kong

Heritage and Pilgrimage (溯源踐信、守約創路), VCD ,Methodist Church Hong Kong

Lyric Dialogues Hugo HRP 7210-2

 

出版刊物

 

Ng, C. H. D. (2006).The impact of exposure to Chaozhou Xianshi music on pre-service teachers’ development as music educators. (PhD dissertation, University of New South Wales, Australia, 2006)

 

Ng, C. H. D. (2006).Connecting cultures: Challenges and strategies to introduce indigenous Chinese music to pre-service teachers in Hong Kong. In M. Moore & B.W. Leung (Eds.). School music and teacher Education: A global perspective in the new century (pp.151-163). Hong Kong: The Hong Kong Institute of Education.

 

Ng, C. H. D. (2005). Musicians in Chinese culture: Lessons from xianshi musicians. Asia-Pacific Journal for Arts Education, 3(2), 3-36.

 

Wong, P. W. Y., Ng, C.H., Lai, M. T., & So, M.C. (2004). Huang Zi Choral Literature Collection 《歌樂流芳—黃自音樂賞析與教學專集》Hong Kong: Longman

 

 "Learning Strategies and Retention Process with different Notation Systems: Lessons from Chaozhou Xianshi music." In Searching for a New Paradigm of music Education Research: An international Perspective, edited by E. Choi, 319-329. Soel: Korean Education Society, 1997.

 

「如詩如畫」"Like Poems and Paintings." In Guidelines for School Creative Music Project, edited by Education Department, 45-47. Hong Kong: Education Department, 1998.

 

「如花一朵」"As A Flower." In Guidelines for School Creative Music Project, edited by Education Department, 48-50. Hong Kong: Education Department, 1998.

 

 "Introducing Chaozhou Xianshi Musical Elements into the Theory and Aural Classes of Initial Teacher Training Courses In Hong Kong." Proceedings of the 2nd Asia -Pacific Symposium on Music Education Research (held in Launceston, Australia), (1999): 221-226.

 

「無伴奏合唱曲三首﹣選自清唱劇《浪子》」 "Three A Capella Choral Pieces from The Prodigal Son." In Hong Kong Vocal Music Collection, vol.VII, edited by D. Law, 80-89. Hong Kong: Chinese Christian Literature Council, 1999.

 

「一剪梅」 "Yi Jian Mei." In Hong Kong Vocal Music Collection, vol.VI, edited by D. Law, 120-121. Hong Kong: Chinese Christian Literature Council, 1999.

 

「斷章」 "Duan Zhang." In Hong Kong Vocal Music Collection, vol.III, edited by D. Law, 96-104. Hong Kong: Chinese Christian Literature Council, 1999.

 

「沉醉東風」 "Immersed in the Easterly Winds." In Hong Kong Vocal Music Collection, vol.II, edited by D. Law, 94-105. Hong Kong: Chinese Christian Literature Council, 1999.

 

 "The Underlying Educational Principles of the Two Earliest Official Primary Music Syllabi." (in collaboration with Yu-Wu Yuet-wah) In School Curriculum Change and Development in Hong Kong, edited by Cheng Yin-Cheong, Chow King-Wai & Tsui Kwok-Tung, 483-503. Hong Kong: Hong Kong Institute of Education, 2000.

 

「學習潮州弦詩樂」"Learning Chaozhou Xianshi Music". Hong Kong: Hong Kong Institute of Education, 2001. CD-ROM.

 

「覓」、「路」、「暗問」、「素願」、「一剪梅」。載於《荷花飄香樂悠楊》,張越華主編,頁71-73, 76-78, 214-215。香港:香港中文大學崇基學院,2001。

 

"Nocturne for two violins." In Passions Within for Violin, 17-19. Footscray, Australia: Red House Editions, 2001

 

《教樂樂學樂樂》 "Teaching Kit and Resources: Joyful Teaching and Joyful Learning in Music". (in collaboration with Lai May-tan, Wong Wai-ying & Yuen Tze-leung). Hong Kong: Hong Kong Institute of Education, 2001

 

「郊遊樂」、「愛護地球」、「雨後驕陽」。載於《教樂樂、學樂樂歌集》,黎美丹、吳俊凱、袁子良、黃慧英編,頁40-45。香港:香港教育學院,2001

"Capturing the Essence of Traditional Musical Heritage with Technology: A CD ROM Project of Introducing Chaozhou Xianshi Music into the Teacher Training Courses in Hong Kong." Proceedings of the 3rd Asia-Pacific Symposium on Music Education Research and International Symposium on Uragoe and Gender (held in Nagoya Japan), Vol 2 (2001): 57-60.

 

Ng, C. H. D. (1993).Original Compositions for Young Musicians. (MPhil dissertation, University of Hong Kong, Hong Kong,1993)

 

Duan Zhang for SSA Female Chorus and Piano. Hong Kong: Hong Kong Composers' Guild, 1992.

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