Last
Name
First Name
Country
Academic Affiliation
Paper Title
Presented Date
Choki
Seiji
Japan
Tokyo University
Canons in Writing History of Japanese-Western Music After the Second World War
Nov 28
Cox
Cathy
Canada
Tamagawa University
The Question of Canon in Electroacoustic Music: A Case Study in Instituting Masterpieces
Nov 28
Deguchi
Tomoko
Japan
Winthrop University, South Carolina
Process of Form in the Music of Toru Takemitsu and its Intersection with Japanese Aesthetics
Nov 26
Fukunaka
Fuyuko
Japan
Keio University
One History, Two Canons? Japanese Contemporary Music and American Avant-garde Aesthetics
Nov 28
Galliano
Luciana
Italy
Venice University
Interculturality in Contemporary Music Theatre
Nov 26
Utz
Christian
Germany
University of Music and Dramatic Arts Graz/Austria
Grover-
Friedlander
Michal
Israel
Tel Aviv University
Michael Ching's
Buoso's Ghost
: Directing Ghosts and the Impossibility of Canonizing Interpretation
Nov 26
Hatch
Peter
Canada
Wilfrid Laurier University
New Music and Social Resonance
Nov 27
Jones
Carys
England
Cardiff University
The Rock Canon: Canonic Echoes in the Reception of Rock Albums
Nov 27
Kawamoto
Akitsugu
Japan
Cover Versions in 21st-Century Popular Music
Nov 27
Lee
Wendy Wan-ki
Canada
State University of New York at Binghamton
Unraveling the Musical Canon:
My Song
by Bright Sheng
Nov 26
Leung
David Tai-wai
Hong Kong
The University of Hong Kong
Musical Quotation and the Struggle for Canonicity
Nov 27
Numano
Yuji
Japan
Toho Gakuen School of Music
Notation as Canon: Post-War Japanese Composers and Indeterminate Notation
Nov 28
Shintani
Joyce
USA
Karlsruhe University of Arts and Design, Germany, and Université Paris-Est, France
Deconstructing the E-Musik/U-Musik Canon. Glitch, Dirty Electronics and
Jouissance
Nov 28
Winzenburg
John
USA
Agnes Scott College, Atlanta
Canon, Cultural Identity, and Chinese-Western Fusion Concertos in the 21st-Century
Nov 27
